Factory Benelux presents a new studio album by cult Manchester postpunk group Crispy Ambulance, issued in a
limited edition of 500 vinyl copies to mark Record Store Day 2015.
In many respects Compulsion is the second album Crispy Ambulance might have recorded in 1982 after the release of
The Plateau Phase, with six of the eight tracks written and performed live at that time. To these are now added Rain
Without Clouds, an outtake from The Plateau Phase newly restored from the original multitrack masters, and WMTP.2
with added synth lines by producer-cum fifth member Graham Massey, of 808 State and Biting Tongues.
Almost uniquely, Crispy Ambulance has retained the same line-up since the group was originally founded in 1978: Alan
Hempsall (vocals, keyboards), Gary Madeley (drums), Robert Davenport (guitars), Keith Darbyshire (bass).
'There's a sense of feeling compelled by irresistible forces,' explains Alan Hempsall. 'Compulsion is an apt way to
describe our constant urge to go back and make music with people we've known since childhood. While the world may
have changed, our music continues to be the product of the same influences - the passing of time, the changing of the
seasons, the content of our sleeping dreams, and the existence of space.'
Cover art by Peter Staessens. The package also features a free digital download of the album.
Praise for The Plateau Phase: "One of the best albums Britain's second city has unleashed" (Q, 03/2006); 'Perfect,
wonderful and with a compelling gravitational pull' (Record Collector, 03/2013); "17 years on The Plateau Phase
sounds like what it probably always was: urgent, postmodernist psychedelia with less debt to Joy Division's music than to
the universal abstract existential tension that comes with being young" (Uncut, 12/1999); "Cold and ferocious, but with
enough inventive melody to lighten the black abyss of the overall mood" (Les Inrockuptibles, 02/2012); "An enthralling
glimpse at a moment in musical history when the DIY ethos of punk gradually gave way to experiments with electronics
and song structures" (NME, 01/2000); "Mixes driving rock, gritty new wave and odd atmospheric stuff" (Option, 1990)
quête:space 1999
We celebrate our number 30 with a double pack, featuring one of the creators of techno in Spain: Groof.
Roberto Gemelin, from Madrid, is Groof. He's Robert Calvin too. No matter which of his alias you know him by, he's one of the most active producers in the Madrid arena.
Aka Robert Calvin, he released materials with Turbo (Tiga's label) in 2004, having previously collaborated with Star Whores in a joint release with Alek Stark (2002).
Also important are the remixes he did for Disko B or for Sindicato Records and MSX, paying tribute to Megabeat with his recreation of the great classic Strange.
His background as Groof is even more extensive, as his early steps go back to the times of Minifunk (the cheeky and shameless label from Barcelona that was then managed by Omar and Dj Loe). With them he recorded Mambo! (1999) and I want you (2000). He has also recorded with WarmUp, Fieber, Rainwaves or Shareware Records.
At the end of the ninetees Groof shared Quite Unusual with Oscar Mulero: the start of a deep friendship that nowadays brings us WU30 mini-album.
'Angel exterminador' is on the A side; modern and dark techno, based on cemented beats and deep synth work. A track that is constantly growing and evolving; quality and punch in one track.
'Diagrama esporadico' goes next: relaxed BPM, 909 beats, spacey arpeggios, and analogue synth percussions for a mental feeling.
'Gummy' starts with weird flanged noises, fed with distorted drums and drones that create an elastic feeling, hence the gummy name. Scientific techno.
'Amb' goes back to darkness, subtle ambiences and drones, fixed sequences and a clever arrangement.
'Vac 04' continues on the same mood: obscure synths, classic drum machines, sharp hats and white noise.
Closing the release, 'Islands' is a liquid track based on lush keyboards, and a dubby feeling with those endless delays. A classy number.
A nice mini-album which is diverse, complex, classic and futuristic at the same time.


