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“The album title ADELA comes from a song by Rodrigo which constitutes the emotional culmination of our duo’s programme. What counts is not the name, but the person we love and long for. Everyone certainly has such a person, and so we hope that each listener will find something close to his or her heart on our album.

The piano and classical guitar virtually never collaborate in music. However, after our first joint performance with Łukasz Kuropaczewski, we immediately realised that we could create intriguing music worlds together. We followed the same line of thinking in our choice of programme, which derives from both the piano and guitar repertoires, though the spirit of the South that informs most of that music is more typically associated with the guitar tradition. In my arrangements of classical works, I strove to represent the sonic qualities of both instruments, their unique expression, and cultural associations. I reworked Domenico Scarlatti’s famous “Sonata in D Minor (Toccata)” K. 141 so as to bring out its Spanish roots. Titled “Domingo” on our album, it features distinctive flamenco qualities and an improvised layer. The “Aranjuez Concerto BWV 1056” is, as its very name suggests, a fusion of the world’s most famous piece for guitar and orchestra, Joaquin Rodrigo’s “Concierto de Aranjuez”, with Johann Sebastian Bach’s “Keyboard Concerto in F Minor” BWV 1056. Themes from the second, slow movements of both concertos interlink here as in the film cross-cutting technique, and we swap roles, Łukasz leading the Bach theme while I take up Rodrigo’s.

Three of the works on this album have been enriched by the angelic voice of Jakub Józef Orliński. In these three, Egberto Gismonti’s guitar composition “Água e Vinho”, my own “Quarantine Song”, and even the famous “Adela” by Joaquin Rodrigo, the voice has been treated more as an instrument than a lyrical subject. “Quarantine Song” was composed during the COVID-19 quarantine in 2020 specially for Jakub Józef Orliński as its performer. “Pedro” was inspired by the films of Pedro Almodóvar.




[c] A3. Água e Vinho [feat. Jakub Józef Orliński] - Egberto Gismonti


[f] B2. Quarantine Song [feat. Jakub Józef Orliński] - Aleksander Dębicz

[h] B4. Adela [feat. Jakub Józef Orliński] - Joaquín Rodrigo

• After their huge success throughout the 90s, Suede called it a day (for the first time) in 2003. The Suede Information Service (SIS) compiled and issued this special collection of demos, acoustic versions and other curios in 2004. Only 2000 CDs were manufactured, and these were distributed free to the members of the SIS.
• Whilst some of the tracks have appeared on the Edsel reissues, several tracks, including “Elaine Paige”, the Mick Jones remix of the band’s last single “Attitude” and the live French version of “The Power” have not been reissued since 2004.
• This release also marks the first time this collection has been issued on vinyl.

Paranoia is a 2013 American thriller film directed by Robert Luketic. Its score was created by Tom Holkenborg, better known as Junkie XL, a Grammy nominated multi-platinum producer, musician, composer and educator. His other scoring credits include Mad Max: Fury Road, Deadpool, Man of Steel and The Dark Knight Rises. This special edition of the Paranoia soundtrack includes 4 extra songs from the movie: “The Hurry and the Harm” by City and Colour, “Alive (Zedd Remix)” by Empire of the Sun, “1, 2” by Lissie and “Demon Dance” by Surfer Blood. This release comes out as a limited edition of 500 individually numbered copies on translucent blue vinyl and includes an insert with images from the film.

Am 15.01.2021 erscheint das posthume Debütalbum „Shoot For The Stars, Aim For The Moon“ des New Yorker Rappers Pop Smoke erstmals auf Vinyl. Das Album debütierte auf #1 der US Albumcharts und schaffte es auch in Deutschland auf #9 der Charts. Über 20 Wochen nach Release befindet sich das Album immernoch in den Top 5 der US-Albumcharts. Unter anderem sind 50 Cent, DaBaby, Lil Baby, Roddy Ricch, Future, Quavo und Swae Lee auf dem Album vertreten

Velvet Season & the Hearts of Gold is the musical adventures of Gerry Rooney & Joel Martin. They have a rich musical history with Gerry Black Cock Records & Joel Quiet Village.

Aldo Tamborrelli – ‘Voices’ (VSHOG Special Version)

VSHOG present their official special version of this highly desirable hidden treasure of hypnotic electronic sleaze excavated from the cult soundtrack to a 1983 Italian ‘Apocalypse Now’ cash-in, and transform it into an 8 minute erogenous bump n’ grind trip to the twilight zone torture garden, cruising leather boys & fetish girls looking for Love in all the wrong places !

‘Voices’ is a narcotic synthesised masterpiece of body music to completely immerse your dark desires on the dancefloor. A dark risqué world of crisp chugging drum machines, mesmerising warm bass pulses, and the erotic wails of seductive screams in the night !

Stefano Torossi – ‘Having Fun’ (VSHOG Special Version)

The VSHOG version of 'Having Fun', from Stefano Torossi's 1974 album 'Feelings' (a holy grail of Italian library music) is an uplifting lush orchestral string laden funky breakbeat feel-good track to raise your vibrations!

Opening with a chunky stripped down drum & bass intro, the strings entice you further in & then the Disco Funk Psyche guitar riff really lifts the track to the sweet spot & you are completely hooked! A beautiful piece of music for all occasions - Balearic Sunsets/Sunrise, Disco dancing, B-Boys and Hip-Hop heads, Jazz Dancers & library music connoisseurs!

Another fantastic offering from the VSHOG Special Version series of releases.

Ralph Heidel is one of the young musicians that represent the spirit of Berlin’s new musical ecleticism better than others. He is part of the avantgarde circles that mix modern jazz and contemporary classical music with elements of new electronica and experimental ambient music. This is the vibe of Germany's next generation.

Heidel creates a sonic universe that is unique. He takes the listener into a deep, atmospheric travel that stimulates emotions and feelings on a different level. Heidel brings together two worlds: what he learned at Musikhochschule München, Germany’s leading academy for classical music where he studied saxophon and composition and the moods happening in Germany's new electronic circles.

On „Relief“ Heidel created six songs. Except one, all of them are instrumental music. Partly composed and often improvised these sounds take the listener into Heidel's specific sonic universe. Raw beat structures, emotive horn lines, strong harmonical tensions and dramatic build ups. Heidel’s signature sound.
In fact Heidel is a multiple influenced artist with a strong personality that absorbs whats around him, connects it with his own wide artistic knowledge and fullfills it into magical musical moments.

Relief is the next step in what could become a longtime artistic career.
After a (very composed) debut album for string quartet and rhythm section for Kryptox (Moments of Resonance 2019), it was important for Heidel, to process current feelings of daily life.
Not just his cultural learnings, but also emotions connected to the hard COVID times and a lot of personal experiences.

Relief are six abstract, distorted patterns. Long deep transitions that lead into euphoric parts of sonic greatness. Heidel's sense for sound design and the soft tone of his saxophone phrases, add a personal note that is somehow alone in the current music scenario. Sampling his saxophone (reeds, keys etc.) to create very organic beats is one of the many techniques to create that special „Heidel“ sound. Also his calm and wide harmonies over disquiet, rough drums are part of his unique ambivalent, disrupted moods.

Most of this EP has been played by Heidel alone. For a few parts he was joined by musicians from the local scene. In fact besides his albums on Kryptox Ralph Heidel is very connected in Berlin’s current cultural playground: He creates music for underground performance art happenings in Neukölln as well as for new German theater (Volksbühne, Berliner Ensemble). Also German rapper Tarek from K.I.Z heard about Heidels string debut album, so they collaborated for an album, where Heidel reworked his record for stringquartet, piano, drums and bass.

Repress of the self-titled debut album. Their self-titled debut album is an instrumental bluesy heavy rock with no DOOM taste. A lot of improvised double guitar solo and a very special groovy rhythm section.
The release got a real unexpected awesome response all over the world. All the tracks are 100% original, except the cover of the blues classic "Going Down".

BIOGRAPHY:

"Sonic Flower" were formed as a side project of "Church of Misery" in 2001. Tatsu Mikami (bass) and at that time Church's guitarist Takenori Hoshi (guitar on Church of Misery's 2nd album "The Second Coming"), teamed up to play more bluesy & non Doomy taste instrumental Heavy Rock. They were influenced by famous 70's heavy rock bands like CACTUS, GRAND FUNK RAILROAD, GROUNDHOGS,SAVOY BROWN etc.

Soon female guitarist "Arisa" and drummer Keisuke Fukawa joined the band. In 2003, they released the self titled debut album "SONIC FLOWER" on Japanese Heavy rock label "Leafhound Records". All instrumental bluesy heavy rock and improvised doubleguitar, they got a tons of good response from all over the world. They also played some shows as support for some foreign band's Japan appearance like Electric Wizard, Bluebird (Amen's side project), Acid King etc.

In 2005 they went to studio for new recordings. At that time the band has some problems and after the recording quit. So this recordings were long years sleeping in the vault. Totally unreleased studio materials. In 2018 Tatsu decided to re-form the band. He has already tons of new songs. This time he teamed up with old Church singer and his old friend. A new album is in progress and will be released in 2021.

• 180 GRAM AUDIOPHILE VINYL
• DELUXE HEAVYWEIGHT JACKET WITH LEATHER
LOOK LAMINATE
• CRITICALLY ACCLAIMED 1991 SOPHOMORE ALBUM
BY JAY FARRAR, JEFF TWEEDY AND MIKE HEIDORN
• INCLUDING “STILL BE AROUND”, “GUN” AND
“LOOKING FOR A WAY OUT”
• 30TH ANNIVERSARY EDITION OF 1500 INDIVIDUALLY
NUMBERED COPIES ON CRYSTAL CLEAR VINYL

Still Feel Gone (1991) is the second album by American alternative country pioneers Uncle Tupelo. While its predecessor No Depression was filled with uptempo tracks, their follow-up effort showcases a band taking a closer look at the middle ground by acoustic guitars. “Still be Around” and “Looking For A Way Out” are great examples of tracks with high-strung acoustic guitars. On this album, Uncle Tupelo sounds even more powerful than before. And the broader picture of the abilities of Farrar, Tweedy, and Heidom confirms a strong combination. This reissue gives the album the special treatment it deserves. Still Feel Gone is now available as limited edition (only 1500 copies) on crystal clear vinyl. Each album in individually numbered and housed in a deluxe heavyweight jacket with special leather-look laminate finish.

THESE BOOTS ARE MADE FOR WALKING 1970

Issued on 7" vinyl for the first time, this is a licensed release of the song extracted from the "Skinhead Moonstomp" LP on Trojan Records in 1970, 50 years ago.

This is a cracking Boss Reggae cover of Nancy Sinatra's mega hit and a huge early Reggae anthem.

Incredibly this very much in demand song has never been released on 7" vinyl up to now!

THAT IS NICE 1971 - That is Nice has only been available on the "Skinhead Moonstomp" Special Edition CD.

This is a Symarip original and it is the complete opposite of "These Boots Are Made For Walking".

Here the gritty voice of Roy Ellis serves admirably the sad, pensive melody and simple lyrics of this melancholic love ballad. Simply beautiful.

A very rare gem and a perfect finish to this outstanding double sider single.

The now legendary show that started the teuchter rock trio’s sold out UK tour at the beginning of 2020 at Glasgow’s favourite venue, The Barrowland Ballroom. Features live versions of all their favourites from their first two albums “Uptown Fank” and “Light my Byre”. Having recently won album of the year and live at of the year at the Na Trads awards and recently showcased their music on BBC2’s show “the misadventures of romesh ranganathan”.

From the band:

Peat and Diesel – Live at the Barrowlands
The year 2020 started out fine but as the year went on it has changed the way we live dramatically.

Remember when thousands of strangers would all pile into a gig, jammed in like sheep at the fank, not a care in the world, just there to feel the buzz and magic of live music. It was crazy. Are these days gone forever??

Let’s go back to January 2020, the first time Peat & Diesel arrived in Glasgow, to play the famous Barrowlands Ballroom (aka The Barras). There were an army of 2000 true P&D fans waiting to have the craziest night both the band and the crowd had ever seen and if you don’t believe it… this album will prove it!!!

“Peat & Diesel - Live at the Barrowlands 2020” is an album which was recorded to capture the
incredible sound of the crowd (not the band!) and the atmosphere they brought with them that special night. It is not in any way recorded with any fancy tools to sort any mistakes or nonsense, its 100% raw, just the way Peat & Diesel wanted it.

Beyond the striking photography of the cover artwork, a cursory glance at this LP may appear misleading. One could be forgiven in thinking that what they had discovered was of a more obvious British provenance, but on closer inspection the truth is revealed… London in fact refers to London, Canada, an artistic hotbed that famously spawned the highly influential insurgent noise ensemble, 'The Nihilist Spam Band'. Less celebrated yet equally remarkable was the improvisational powerhouse 'The London Experimental Jazz Quartet', a short lived group led by the forward thinking saxophonist Eric Stach.

Their debut album, Invisible Roots is an overlooked jewel from the Canadian jazz scene. Inspired by the revolutionary artists from the New York free-jazz movement, (namely Ornette Coleman, Archie Sheep and Cecil Taylor), and fuelled by the exciting possibilities afforded by a completely free approach to music, Invisible Roots is an album of potent spontaneous composition, exhibiting both fiery unharnessed blowing alongside lyrical streams of consciousness. In recent years, the album has achieved notoriety in certain record collecting circles mainly due to the track Destroy The Nihilist Picnic, an infectious piece of vamping avant-funk. Despite the commanding presence of this track, it would be misguided to judge the merits of the album on this piece alone, for Invisible Roots is a much deeper and more complex musical statement. This is confirmed by the Iberian-jazz sketch, Spain Is For Old Ladies, the spiritual introspection of Jazz Widows Waltz or the ferocious yet soulful Eric's Madness, a track which wouldn't be out of place on an ESP-Disk or BYG Actuel album. Behold, a rare piece of fire music from the Canadian Free-Jazz underground.

First LP reissue of rare 1974 Canadian Free Jazz album.
Featuring the Avant-Funk classic 'Destroy The Nihilist Picnic'
Includes liner notes and rare photos.
Tip-on sleeve

An 11 track Netflix soundtrack released on Milan Records. Hans Zimmer has scored more than 200 projects across all mediums and has been honored with an Academy Award®, two Golden Globes®, three Grammys®, an American Music Award and a Tony® Award. Zimmer’s work highlights over the past few years include 'Widows','12 Years A Slave', 'Blade Runner 2049' and 'Dunkirk'. Netflix rotation. Specialist promo/marketing activity. This is the vinyl format (CD was released December 4th 2020).

• 180 GRAM AUDIOPHILE VINYL
• DELUXE HEAVYWEIGHT JACKET WITH LEATHER LOOK LAMINATE
• THE 1990 DEBUT-ALBUM BY JAY FARRAR, JEFF TWEEDY AND MIKE HEIDORN
• CONSIDERED AS ONE OF THE MOST IMPORTANT AND INFLUENTIAL “ALTERNATIVE COUNTRY” ALBUMS OF ALL TIME
• LIMITED EDITION OF 1500 INDIVIDUALLY NUMBERED COPIES ON CRYSTAL CLEAR VINYL

No Depression is cited as one of the most important albums in the alternative country genre. Due to the impact of the album on alternative country, the term ‘No Depression’ is sometimes used as a synonym for the genre - especially after a country music magazine named itself after the album. The album helped kick start a revolution which reverberated throughout the American underground. In 1999, Spin Magazine listed the album as one of the Top 90 Albums of the 90s. Its punk attitude, combined with Jay Farrar and Jeff Tweedy’s lyrical depictions of rural, blue-collar life paint grim portraits of Midwestern existence, left a long-lasting legacy. No Depression is now available as limited edition (only 1500 copies) on crystal clear vinyl. Each album is individually numbered and housed in a deluxe heavyweight jacket with special leather-look laminate finish.

Orange Vinyl

LUKE VIBERT's first WAGON CHRIST release in nearly a decade released on PEOPLE OF RHYTHM RECORDS on yellow colored double vinyl and CD. Cover art by illustrator CELYN BRAZIER (who has illustrated previous WAGON CHRIST releases on NINJA TUNE and ASTRALWERKS). LUKE VIBERT has been key in pioneering and developing the “trip-hop” or “downtempo” genre of electronic music over his long, storied career. Creating, sampling and using various instrumental hip hop and funk riffs, found electronic sounds, rare breakbeats, outlandish spoken word samples, and carefully mined sound bites, along with LUKE’s signature sample pack of sounds. All mixed up and bound together with those thick WAGON CHRIST grooves.

Since bitten by the Techno bug some twenty years ago, Sammy Goosens aka Sierra Sam has been following the steady pulse of the kick drum. Soon his solo tracks caught the attention of legendary R&S Records label who signed him in 1997. James Pennigton aka Suburban Knight started to work with him, co-producing Suburban Knight's classic album - My Sol Dark Direction' for Peacefrog as well as as well as other remixes and singles.

More releases on renowned labels like Dirt Crew, Supplement Facts,Serialism, Upon You or Souvenir followed and resulted in a busy schedule, performing analogue live sets at some of the world's most revered clubs such as Fabric, Rex, Wood, Watergate or Berghain.

In May 2014, Sam teamed up with KiNK for a very special 3h20 improvised live jam at Watergate club Berlin which resulted in the - Live at Watergate' release in 2015. Apart from this, Sam has been busy producing tracks for Upon.You, Sound of Vast, Holic Trax and proveded a 32 tracks retrospective to Best's Friends.

Recorded in a string of sessions between Curve Pusher’s former Darnley Road location in London and new facility in UK seaside town Hastings, ​Old Tight Selektah​ sees Radioactive Man and Ben Pest (OverworX) riff off their shared passions for studio hardware and live set jams, maintaining the funk at all times.

Lead track ​Old Tight​ works in ​recorded licks from the Pest band’s horn section - Off-Key He-Man. Bar Tab smooths out into a glimmering and acid licked electro number. ​You Bring It, We’ll Wing It​ enjoys more of the Pest brass service, slowing the pace to a dubby, broken beat tempo. Finishing up the EP ​Bracetings​ is a jumpy, up tempo finish to the release showing off both producer’s flair for high precision beat programming.

Ben Pest is a hardware-made-techno specialist based in Bristol. He runs his own label OverworX and has also released his heady raucous sound on ​Varvet, Don’t and I Love Acid.

Asking For Trouble est. 2017
Mastered and cut by Keith Tenniswood at Curve Pushe

Transversales Disques is very glad to announce the release of the never released before piece Un Monde Lacéré by electroacoustic music pioneer Pierre Henry. This piece is a special tribute to Jacques Villeglé and his work. It is the world opening performance of this
opus, recorded in studio Son/Ré. Pierre Henry was born in 1927 In Paris. He started studying music as early as the age of seven. In 1944, guided by Olivier Messiaen, he imagined and started composing music for the future. His meeting with Pierre Schaeffer was crucial for his creation. Inventing new technical composition processes which in time have become widely used on a large scale, he has constantly given this music a far reaching power no one expected at the start. He
has also invented his own sound, as easily distinguishable as the sound of the most famous jazz musician.