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Damage machine delivers a chanting speedcore industrial pearl.
Infamozz is here the more "normal" hardcore tune : an industrial banger.
Komprex goes extreme speedcore, hardish shaker !
The flip opens with a Qualkommando acid uncompromised style. Massive superb savage tune.
Infared is my fave... with a clear clean minimal speed hard HELP tune, travelling in a flashcore, full of life and surprising sequences. Big structure here !
Lawrencium goes even more extreme and success into doing an overspeed hardcore with a high definition... probably the best 400BPM vinyl release of the year !
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expected to be published on 15.11.2020
- A1: Damage Machine - Hybrid Mind
- A2: Cenobit - Alles ist zu spät
- A3: Quato - Energizer
- B1: Qualkommando - Trinity
- B2: Lawrencium - Speedtongram
- B3: Noizefucker - Darkstream
- C1: Nekrosystem - Karma Vibes and Witchcraft
- C2: Voldo - Panik Attacks since 1980
- C3: X-Core - Devilbeat
- D1: Occulkot - Gateway to Annihilation
- D2: Qualkommando - Skullcracker
- D3: Pain Alliance vs Komprex - Shadowrun
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Belgian iconic label USA IMPORT gets relaunch. First release: REISSUE by HARDCORE producer Liza N’ Eliaz.
Nicknamed “The Queen of Terror”, Liza N’ Eliaz was a well respected DJ, producer and label owner born in Ostend in 1958 and sadly passed away in Antwerp in 2001.
Growing up in a family of musicians, she studied classical music and learned to play the piano four hands with her grandfather, a conductor at the local municipal orchestra. Later she discovered the synthesizer and cassette recorder and joined new wave and industrial bands in the recording studio and on tour. During a concert in France in 1985 she met Yvette Neliaz, who became her companion, muse and partner and whose surname inspired her pseudonym. Liza was added as a reference to the byname given to transsexuals in Flanders.
In Amsterdam the couple became enthralled with the burgeoning acid house, new beat and techno scene centered around the club Roxy. Soon Liza N’ Eliaz started to make a name for herself, among others in the Parisian underground scene and as a regular guest at French Radio FG. As a DJ she mastered an incredible technique simultaneously mixing on three or four turntables. As a music producer she had an impeccable ear for sound, pushing up the pace to staggering heights and as a result taking part in changing the rules of electronic dance music in a new and booming global scene in the mid nineties: hardcore and speedcore.
Liza N’ Eliaz was a prolific producer working solo and with artists such as DJ Dano, Laurent Hô and The Prophet, releasing on labels such as Atom, Mokum and Bonzai. In 1997 she founded her own label in collaboration with USA Import Records dubbed Provision Records.
USA Import Records is proud to present the reissue of Initial Gain, the EP previously released on its sublabel Atom Records in 1992, the second in the Molecules of Music series. Adding two new interpretations by Toulouse Low Trax to three original tracks, a nothing else but logical connection is set between Liza N’ Eliaz’ early work and today’s genre bending electronic music scene.
For the record: Liza N’ Eliaz didn’t like her nickname “the queen of terror”. She didn’t intend on terrorizing anyone, commented Yvette Neliaz after her unfortunate passing away.
On Stock and ready to ship
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Printed Sleeve - LTD 118 copies
A superb meeting of forces of experiment speedcore musicians digging deeper their experimental skillz. SUPERB !
On Stock and ready to ship
On Stock and ready to ship
On Stock and ready to ship
On Stock and ready to ship
“Speed is power is structure is reason is human is terror is speed…”
LOL SeWitt
Inspired by Sol LeWitt’s drawing “Six Thousand Two Hundred And Fifty-Five Lines“ (1970), Sonic Belligeranza 12’s sound is generated by a code that translates the lines and the spaces between the lines of the original drawing into 6255 speedcore kicks at 33 RPM (disc 1) and 45 RPM (disc 2). Also contains the ‘holy structuralist’ and ‘sphexish threshold’ versions with Six Thousand Two Hundred And Fifty-Five hertz drones accompanying the ultra-kinetic machine-gun bursts on both discs.
THE VIEWER BECOMES THE LISTENER!
Think generative speedcore, think I.D.M. (Informational Dance Music), think aural extravaganza. Think of a number: Six Thousand Two Hundred and Fifty-Five.
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A side is a trip... Bloody experience...
Like I say "if a record does not have something to say... then abort !"
Here frequencies becomes weapons !
Screwdrivers for solid brains !
The flip brings 2 Speedcore at same speed for a deejay pleasure, as expected with this vinyl only project !
The name of the EP in in memory of parties organised between 1994 and 1995 where the music was...
Enjoy !
Mastered by ArmguetNad.
Cut at The Exchange.
Visuals by Artcoton
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Flashcore & Speedcore – Serygraphied sleeves – 300 limited & numbered.
with 2 tunes from NO-TEK 20.
expected to be published on 30.04.2026
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expected to be published on 30.03.2026
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250 Copies LTD with Printed Sleeve
Speedcore industrial rocket. Very lyric and orchestral. Starts with a 260 BPM booster. And then offering a 160 BPM Hardcore newskool hidding a 320 BPM crazynesss from Middle M.
The flip starts with another 260 BPM kicker, a flashcore wave... and the EP finally finishes at 400 BPM for the extreme uptempo lovaz !
D-Sign by VSTEE FDB
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expected to be published on 30.09.2025
First 2x12" record with UPR by Le Talium.
The tunes were too good not to press them all !!
LIMITED QUANTITIES.
A familly story... sound is as noise as clear, and ritch as minimal...
Industrial Hardcore (end speedcore) is the thema, Even if industrial could be the domain.
Hypnofreak : un bon speedcore mental, très fin, qui embarque dans des vagues acides longues en bouches, soutenues par un kick de moins en moins discret :)
Go HardCore : si je ne me trompe pas on dirait du vieux Epiteth, avec une petite pointe d'indus à la Test-Dep dans les sons.. (mais là faut chercher longtemps avant de tomber sur "Brith Gof Goddodin" ^^).
Last Chance : Le kick sec, sans reverbe, dur dur ! Hardcore encore :)
Digital Error : Allez, on y va dans le noiseux speed, marque de fabrique du Talium :) Et son gros kick qui vient vous récupérer après des drops glissants...
No Planet : Dédoublons les kicks et voyons ou ça nous mène :)
Non Conforme : Prenez un kick et mettez le dans shaker. enregistrez les bruits du moteur. Et vous obtiendrez un truc dans le genre.
Quad Grinder : Une fois encore, le dédoublement de kick est au centre de l'affaire, ce morceau me semble dans l'esprit du
01100010 de No Name sur Fischkopf 16).. Mais c'est un feeling de Deejay ^^
XB09-Part One : toujours dans l'esprit du shaker, avec de grosses nappes ambient qui posent grave... Un contraste qui peut faire penser à du Flashcore... mais ou est la part 2 ? ^^
En gros ce skeud est une balle, ça pourrait bien être un des meilleurs skeuds de speedcore indus depuis un sacré bail !
BIG UP UPR !
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- A1: DJ Rainbow Ejaculation - Co-Worker Testimonial
- A2: DJ Rainbow Ejaculation - All My Friends Are Gay
- A3: DJ Rainbow Ejaculation - Rough Trade - Toecutter Remix
- A4: DJ Raibonw Ejaculation - Faggro - Remix
- B1: Passenger Of Shit - Untitled
- B2: Passenger Of Shit - Untitled
- B3: Passenger Of Shit - Untitled
- B4: Passenger Of Shit - Untitled
- B5: Passenger Of Shit - Untitled
- B6: Passenger Of Shit - Untitled
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- A1: Shit On Me
- A2: Fucking Rotten
- A3: You, Me, Carpark, Now
- A4: Burn Your Home
- A5: Terror Australis
- B1: The Shaftmen - Shaftman - Toecutter Remix
- B2: Kill Intelligent Jocks (They Are The Master Race)
- B3: Scooter - Ramp ! The Logical Song (Progressive Mix) - Toecutter Remix
- B4: Nu-Lo
- C1: Donna Summer - Striving For Peace Between Mac And P C. Users - Toecutter Remix
- C2: Dave Dobbin & The Herbs - Beauty And The Beats - Toecutter Remix
- C3: Sokuseki Men - Big Toe Blues - Toecutter Remix
- C4: Kid606 - Lap Top. Hot. Shot. - Toecutter Remix
- C5: DNIL8R - ft MC Slurry
- D1: Baby, Don't Call Me - Xian Remix
- D2: Sodomecstacy - Shitmat Remix
- D3: Cum On Barbie - Sickboy Remix
- D4: Graveyard Haters - Maladroit Remix
- D5: Cut Up Cops
- E1: Ode To Brendan Phelan
- F1: I Milk Myself - Smoo Operator
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expected to be published on 30.03.2025







































