Freestyle puts out another reissue 12" in their drive to unearth rare and classic UK funk, soul & boogie records - this time a much needed pressing of the late Candy McKenzie's heavy boogie-funk cover of Patrice Rushen's classic Remind Me. Produced by Candy's late cousin, and seasoned session bass player, John McKenzie (and licensed from the family estate) this was originally released in 1983 - and comes with an excellent dubbed-out 'Different Style' instrumental version on the flip.
-----------------------
Candy McKenzie (1953-2003) was a North West London-based vocalist from a Guyanese family heavily steeped in musicianship . She began learning the piano at a young age, picking up vocal harmony from her father, a jazz bass player. Her brothers Bunny & Binky, were also celebrated bassists. Candy would marry young in 1970 at the age of 17, though just one year later her brother Binky (who played with the likes of Cream, Alexis Korner & John Mclaughlin in the late 60s) tragically killed her mother and father, along with Candy's husband in an attack at the family home to which Candy was present. Candy was also injured but escaped with her life.
In the years that followed the tragedy Candy, regularly accompanied by her brother Bunny, would find reggae vocal session work - often at the Chalk Farm Studios frequented by many key producers & acts. She found her way onto Aswad's first album and Keith Hudson's legendary Flesh Of My Skin Blood Of My Blood LP - and a little while later on a couple of sessions with Bob Marley for Island, under the supervision of Lee Perry.
The latter two parties took a keen interest in Candy, with Island wisking her away to Jamaica in 1977 to record an album at the legendary Black Ark. Her vocals found their way onto The Congos seminal Heart of the Congos LP, but the album she recorded with Perry was shelved - with just the Black Art holy grail 12" Disco Fits / Breakfast in Bed finding it's way to release at the time.
Back in London, Candy spent the early to mid 80s recording various lovers and funk/soul 12"s, including this fantastic cover of Patrice Rushen's Remind Me, produced by her cousin John. She went on to record singles for labels like Elite & Cooltempo throughout the '80s and early '90s, and appeared as backing vocalist with the likes of Leonard Cohen, Whitney Houston, Elton John and Diana Ross. She passed away in 2003, with her one and only album recorded at the Black Ark finally seeing release on Trojan in 2011.
Candy's cousin John McKenzie got his starts in the music industry in the mid 70s as part of prog group Man and communal festival rockers Global Village Trucking Co., as well as playing with the likes of Annette Peacock and Steve Hillage. His father Mike McKenzie was also a key Carribbean jazz figure in the UK throughout the early 1950s, through to the '60s and '70s. John would become a heavily in-demand session musician - playing with everyone from the Eurhythmics to Bob Dylan - while also finding time to produce this record, alongside a couple of excellent 12"s with Mel Gaynor as Finesse, between 1982 and '83. He would regularly tour the world as a live musician for a huge array of headline acts, appearing on multiple chart hits, and in his later years was a member of the excellent group Ibibio Sound Machine. He lost his battle with cancer in 2020.
This reissue is dedicated to the memory of both John & Candy McKenzie.
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- A1: (I Can't Get No) Satisfaction - Ashley Mcbryde
- A2: Honky Tonk Women - Brooks & Dunn
- A3: Dead Flowers - Maren Morris
- A4: It's Only Rock ?N' Roll (But I Like It) - Brothers Osborne & The War And Treaty
- B1: Miss You - Jimmie Allen
- B2: Tumbling Dice - Elle King
- B3: Can't You Hear Me Knocking - Marcus King
- B4: Wild Horses - Little Big Town
- C1: Paint It Black - Zac Brown Band
- C2: You Can't Always Get What You Want - Lainey Wilson
- C3: Sympathy For The Devil - Elvie Shane
- D1: Angie - Steve Earle
- D2: Gimme Shelter - Eric Church
- D3: Shine A Light - Koe Wetzel
Zur Feier des 60-jährigen Jubiläums der Rolling Stones
haben sich einige der größten Country-Stars für Stoned
Cold Country zusammengetan, ein Tribute-Album, das bis
zum Rand mit neu interpretierten Versionen des Katalogs
der legendären Rockband gefüllt ist. Die von Robert
Deaton produzierten Künstler - Jimmie Allen, Brooks &
Dunn, Brothers Osborne, Eric Church, Steve Earle, Elle
King, Marcus King, Little Big Town, Ashley McBryde,
Maren Morris, Elvie Shane, Koe Wetzel, The War And
Treaty, Lainey Wilson & Zac Brown Band - haben alle
ihren eigenen Stil in die Musik der Stones einfließen
lassen und so eine kraftvolle Hommage an eine der
beständigsten, wegweisendsten und einflussreichsten
Bands der Welt geschaffen.
Die auf STONED COLD COUNTRY vertretenen Künstler
haben zusammen über 77 Mio. Social Followers und 66
Mio. Spotify-Hörer!
- A1: You Keep Me Hangin’ On
- A2: You’re Gone (But Always In My Heart)
- A3: Love Is Here And Now You’re Gone
- A4: Mother You, Smother You
- A5: I Guess I’ll Always Love You
- A6: I’ll Turn To Stone
- B1: It,S The Same Old Song
- B2: Going Down For The Third
- B3: Love Is In Our Hearts
- B4: Remove This Doubt
- B5: There’s No Stopping Us No
- B6: Love Is Like A Heat Wave
T he tenth studio album by was released by Motown in 1967. It includes the #1 hit singles The Supremes "You Keep Me Hangin' On" and "Love Is Here and Now You're Gone". All of the songs were
written and produced by Motown's main songwriting team of Holland–Dozier– Holland.
Most of the album was recorded during the spring and summer of 1966. However, several songs date back to the summer of 1964. The album also includes covers of H-D-H penned songs for Motown
artists The Isley Brothers ("I Guess I'll Always Love You"), The Four Tops ("It's the Same Old Song", "I'll Turn to Stone"), and Martha and the Vandellas ("Heat Wave"). This was the group's final album fully
overseen by the songwriting team
- A1: Whispering Grass (Don't Tell The Trees) (Don't Tell The Trees)
- A2: To Each His Own
- A3: If I Didn't Care
- A4: Prisoner Of Love
- A5: I'm Beginning To See The Light
- A6: Address Unknown
- A7: You Were Only Fooling (While I Was Falling In Love) (While I Was Falling In Love)
- A8: We Three (My Echo, My Shadow & Me) (My Echo, My Shadow & Me)
- B1: Into Each Life Some Rain Must Fall (With Ella Fitzgerald)
- B2: The Gypsy
- B3: My Prayer
- B4: You're Breaking My Heart
- B5: I Don't Want To Set The World On Fire
- B6: Stop Pretending (So Hep You See) (So Hep You See)
- B7: Maybe
- B8: Don't Get Around Much Anymore
Along with The Mills Brothers, the Ink Spots blazed the way for
black music groups, creating a path for many to follow. They
proved tremendously influential, with Bill Kenny's lead tenor
inspiring such as Sonny Til (The Orioles), Curtis Mayfield (The
Impressions), Frankie Lymon (The Teenagers) and scores of
others, while Hoppy Jones's trademark talking bass role inspired
an equal number of followers.
- A1: Cream - I Feel Free
- A2: Buffalo Springfield - For What It's Worth
- A3: The Chiffons - He's So Fine
- A4: Davie Jones With The King Bees - Liza Jane
- A5: Canned Heat - Going Up The Country
- A6: Sandie Shaw - Long Live Love
- A7: The Delfronics - Didn't I (Blow Your Mind This Time) (Blow Your Mind This Time)
- A8: Rare Earth - Get Ready
- A9: Glenn Campbell - Gentle On My Mind
- B1: The Byrds - Eight Miles High
- B2: Procol Harum - A Salty Dog
- B3: Jackie Deshannon - The Weight
- B4: Jimmy Cliff - Wonderful World, Beautiful People
- B5: Strawberry Alarm Clock - Incense & Peppermints
- B6: Tina Mason - You Can Have Him
- B7: Chuck Berry - You Never Can Tell
- B8: Whistling Jack Smith - I Was Kaiser Bills Batman
- C1: The Spencer Davis Group - Keep On Running
- C2: Joe Cocker - Delta Lady
- C3: Satana - Evil Ways
- C4: Dana Gillespie - You Just Gotta Know My Mind
- C5: Harry Nilson - Everybodys Talkin
- C6: Marvin Gaye - I Heard It Through The Grapevine
- C7: Lesley Gore - Its My Party
- C8: Sam Cooke - (What A) Wonderful World (What A)
- C9: Quicksilver Messenger Service - Who Do You Love Pt.1
- D1: The Hombres - Let It Out (Let It All Hang Out) (Let It All Hang Out)
- D2: The Move - I Can Hear The Grass Grow
- D3: Janis Joplin With Big Brother & The Holding Company - Piece Of My Heart
- D4: The Walker Brothers - Make It Easy On Yourself
- D5: Aretha Franklin - Chain Of Fools
- D6: 13Th Floor Elevators - You're Gonna Miss Me
- D7: Cat Stevens - The First Cut Is The Deepest
- D8: Tommy Roe - Dizzy
- D9: Melanie - Beautiful People
Vol.1[39,87 €]
The Decades Collected compilations are part of the Collected compilation series, which is a collaboration between Universal Music and Music On Vinyl. The compilations bring together the biggest names of each decade, combined with forgotten hits and less discovered gems, giving the listener an experience of listening to their favourite tunes while uncovering new musical grounds at the same time.
"Contamination" is a 1980 horror / sci-fi movie directed by Luigi Cozzi,
who has collaborated with Dario Argento for some time, author of many underground movies that have been very popular
Its soundtrack was entrusted to Goblin during a hectic period for the band (Squadra Antigangsters, Amo Non Amo, Patrick, Buio Omega) who had various line- up changes: abandoned by guitarist Massimo Morante and keyboardist Claudio Simonetti, brothers Marangolo (Agostino on drums and Antonio on saxophone), Fabio Pignatelli (bass guitar) and Maurizio Guarini (keyboards) with Roberto Puleo on guitar, wrote one of the best scores of that time showing a wide
range of music styles (Jazz, funk, rock, electronic) and once again showcases Goblin's ability in creating very original film scores. The album has some extra tracks from the "Buio Omega" soundtrack, which was the first full release (fans would have to wait 1997 for a full CD release). Agostino Marangolo: Drums & Percussions Antonio Marangolo: Sax Roberto Puleo: Guitars Maurizio Guarini:
Keyboards Fabio Pignatelli: Bass guitar
Steve Mason’s most open, honest and vibrant solo
record to date, ‘Brothers & Sisters’ marries the
personal and the political but does so in an emotive
and uplifting manner.
Written against a backdrop of fear and uncertainty, and
at a time when those in charge lurched from one
disaster to the next mismanagement with increasing
regularity, ‘Brothers & Sisters’ is, in fact, an incredibly
joyous, even spiritual, listen.
- 1: Ebo Taylor - Amponsah
- 1: 2 Moussa Doumbia - Keleya
- 1: 3 Amadou Balaké - Super Bar Konon Mousso
- 1: 4 Mangue Kondé & Les
- 1: 5 Manu Dibango - The Panther
- 1: 6 Peter King - Ajo
- 1: 7 Itadi - Ayala
- 1: 8 Marumo - Khomo Tsaka Deile Kae
- 1: 9 Apples - Mind Twister
- 1: 0 The Wings - Gone With The Sun
- 2: 1 Kelenkye Band - Jungle Music
- 2: Super Elcados - Get Up And Do It Good
- 2: 3 The Apagya Showband - Kwaku Ananse
- 2: 4 Orlando Julius Feat. Ashiko - Get The Funk
- 2: 5 Alemayèhu Eshèté Feat. Hirut Beqele - Temeles
- 2: 6 Livy Ekemezie - Friday Night
- 2: 7 Willy Nfor - Boogie Down In Africa
- 2: 8 Shina Williams & His African Percussionists - Agboju Lo
- 2: 9 Soul Brothers - Bayeza
- 2: 10 Teaspoon & The Waves - Oh Yeh Soweto
Rare Groove Collection Explore the fusion of world music with soul, funk and disco through the Rare Groove Collection. With this new volume, discover unique groove tracks straight from Jamaica! Fully remastered original versions African RARE GROOVE A journey at the heart of Nigerian afrobeat from Orlando Julius to the ethnojazz of Alemayèhu Eshèté passing by the High-life of the Ghanaian Ebo Taylor...
”Brightside” heißt das 4. Album von Wesley Schultz und Jeremiah Fraites, alias The Lumineers. Produziert wurde es von den längjährigen Partnern in Crime Simone Felice (The Felice Brothers) und David Baron, der auch für Engeneering und Mixing zuständig war. Das Album präsentiert die erste neue Musik der Lumineers nach mehr als 2 Jahren. Nach dem sehr düsteren und sehr konzeptionellen Vorgängeralbum wird schon durch den Titel klar, dass es sich hier um ein sehr frohes und spontanes Album handelt.
Die 9 Songs-Collection spielten Schultz und Fraites zusammen mit Baron in dessen Studio in New York ein und wurden dabei u.a. bei den Backing Vocals von Simone Felices’ Tourmitgliedern Byron Isaacs und Lauren Jacobson, Cindy Mizelle (Bruce Springsteen, Dave Matthews Band), James Felice (The Felice Brothers) und Singer-Songwriter Diana DeMuth unterstützt.
- A1: Intro
- A2: The Magic Number
- A3: Change In Speak
- A4: Cool Breeze On The Rocks (The Melted Version)
- A5: Can U Keep A Secret
- A6: Jenifa Taught Me (Derwin's Revenge) (Derwin's Revenge)
- A7: Ghetto Thang
- B1: Transmitting Live From Mars
- B2: Eye Know
- B3: Take It Off
- B4: A Little Bit Of Soap
- B5: Tread Water
- B6: Potholes In My Lawn
- C1: Say No Go
- C2: Do As De La Does
- C3: Plug Tunin' (Last Chance To Comprehend) (Last Chance To Comprehend)
- C4: De La Orgee
- C5: Buddy (With Jungle Brothers & Q-Tip From A Tribe Called Quest)
- D1: Description
- D2: Me Myself & I
- D3: This Is A Recording 4 Living In A Full Time Era (Life) (Life)
- D4: I Can Do Anything (Delacratic) (Delacratic)
- D5: Daisy Age
Blue Version[18,28 €]
Orange Version[18,28 €]
Yellow VINYL[35,50 €]
Magenta version[35,50 €]
3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989
It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know".
The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's
The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall).
Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).
- A1: Intro
- A2: The Magic Number
- A3: Change In Speak
- A4: Cool Breeze On The Rocks (The Melted Version)
- A5: Can U Keep A Secret
- A6: Jenifa Taught Me (Derwin's Revenge) (Derwin's Revenge)
- A7: Ghetto Thang
- B1: Transmitting Live From Mars
- B2: Eye Know
- B3: Take It Off
- B4: A Little Bit Of Soap
- B5: Tread Water
- B6: Potholes In My Lawn
- C1: Say No Go
- C2: Do As De La Does
- C3: Plug Tunin' (Last Chance To Comprehend) (Last Chance To Comprehend)
- C4: De La Orgee
- C5: Buddy (With Jungle Brothers & Q-Tip From A Tribe Called Quest)
- D1: Description
- D2: Me Myself & I
- D3: This Is A Recording 4 Living In A Full Time Era (Life) (Life)
- D4: I Can Do Anything (Delacratic) (Delacratic)
- D5: Daisy Age
2X12 VINYL[35,25 €]
Blue Version[18,28 €]
Orange Version[18,28 €]
Yellow VINYL[35,50 €]
3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989
It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know".
The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's
The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall).
Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).
Started as a reggae band, Chequers were formed by the Matthias Brothers, John & Richard, in Aylesbury, Buckinghamshire in 1973. Inititally releasing in the early part of the 1970s (with their first single Rudi's In Love charting in the UK) their sound then developed to also incorporate Philly soul influences in the mid-70s, then releasing a rare but solid LP 'Check Us Out', in 1976. The group eventually evolved into a seven piece funk outfit in the late 70s, playing shows to larger and larger audiences and touring throughout the UK & Europe.
1980 saw the birth of the Matthias brothers' own small independent outlet for the group, Matthias Records. The press release of the new label's first single declared that their "roots in the reggae and soul music of the last mod era" were being brought up to date, now embracing "the music of today and tomorrow...". That 45 (the cheeky pop-punk meets ska cover version of Midnight Hour, backed with the uptempo instrumental funk of Move Up) didn't necessarily come good on that promise. 3 years would then pass until this 45 showcased the throughly-updated & stellar electro-boogie sound of Hard Times and it's equally strong b-side If You Want My Love.
Following this neither Matthias Records nor Chequers as a group ever released anything further - the record's scarcity (and hideously inflated prices on today's secondhand market) hint at low sales and potential distribution problems upon it's original release, perhaps leading to the label and the group calling it a day. Conjecture aside, there's really no denying this record slaps, and with discogs prices reaching beyond ridiculous levels there is only one option - get it before it's gone!
- A1: Back On The Road
- A2: Beats On A String
- A3: Come Down
- A4: Down Right Funk
- A5: Funky Magic
- A6: Back To The Ol Skool
- B1: My Streets On Fire
- B2: Ital Stew (Skeewiff Mix)
- B3: I Got U
- B4: Sunshine
- B5: Take It Back
- B6: We Love You Jb's
- C1: Ital Stew
- C2: Ancestors
- C3: Call Me
- C4: I Got U
- D1: New Day Comin
- D2: Sunshine 2K4
- D3: The Brothers
Green & Red Vinyl[33,15 €]
First time on vinyl, expanded version of Japan-only CD album from 2006! Now a double LP with unreleased tracks on audiophile grade colored vinyl (Disc 1: Opaque Baby Blue, Disc 2: Opaque Brown) The Jungle Bros embraced of a range of styles -- including house music, Afrocentric philosophy, a James Brown fixation, and of course, the use of jazz sample , on this reissue double LP Release on Colored Audiophile grade Vinyl , the I got U album is remastered and re-released with additional tracks .Michael Small (Mike Gee), Nathaniel Hall (Afrika Baby Bam), and Sammy Burwell (DJ Sammy B). Known as the pioneers of the fusion of jazz, hip-hop, and house music, they were the first hip-hop group to collaborate with a house-music producer. The trio released their debut album, Straight out the Jungle in July 1988. Their hip-house club hit single, "I'll House You" was added to the album in late-1988 reissues. Fostered by Kool DJ Red Alert, the Jungle Brothers success would pave the way for De La Soul, A Tribe Called Quest, and eventually the Native Tongues collective that they founded. Hip-Hop-House with a jazzy feel including "I Got U", a re-recorded "Sunshine" and four bonus tracks/versions. -- The Jungle Bros embrace of a range of styles -- including house music, Afrocentric philosophy, a James Brown fixation, and of course, the use of jazz samples -- _John Bush, All Music
- 1: Marvin Gaye & The Vandellas - Stubborn Kind Of Fellow
- 1: 2 Etta James - I Just Want To Make Love To You
- 1: 3 The Isley Brothers - Twist And Shout
- 1: 4 Chubby Checker - Let's Twist Again
- 1: 5 James Brown & The Famous Flames - Think
- 1: 6 Quincy Jones & His Orchestra - Soul Bossa Nova
- 1: 7 Stevie Wonder - Contract On Love
- 1: 8 Ike & Tina Turner - A Fool In Love
- 1: 9 Otis Redding - These Arms Of Mine
- 1: 0 Ben E. King - Stand By Me
- 1: Ray Charles - Unchain My Heart
- 1: 2 Nina Simone - Work Song
- 1: 3 Dionne Warwick - Don't Make Me Over
- 1: 4 The Impressions With Curtis Mayfield - Gipsy Woman
- 1: 5 Sam Cooke - (What A) Wonderful World
- 1: 6 Aretha Franklin - Try A Little Tenderness
- 2: 1 The Beach Boys - Surfin' Safari
- 2: Booker T. & The M.g.'s - Green Onions
- 2: 3 Galt Macdermot - Coffee Cold
- 2: 4 The Seeds - Can't Seem To Make You Mine
- 2: 5 The John Barry Seven & Orchestra - The James Bond Theme
- 2: 6 Del Shannon - Runaway
- 2: 7 Gene Vincent & His Blue Caps - Be-Bop-A-Lula
- 2: 8 Dick Dale & His Del-Tones - Miserlou
- 2: 9 Joan Baez - Donna Donna
- 2: 10 Donovan - Catch The Wind
- 2: 11 The Everly Brothers - When Will I Be Loved
- 2: 1 The Beatles - Love Me Do
- 2: 13 Lee Hazlewood With Duane Eddy & His Orchestra - The Gir
- 2: 14 The Shadows - Apache
- 2: 15 Bob Dylan - House Of The Risin' Sun
2022 jährt sich die Veröffentlichung der ersten Single
und des ersten Albums der internationalen Supergruppe
des Soul/Funks, die mit ihrem Memphis-Sound die
Soul-Landschaft neu erfunden hat.
"Green Onions", einer der populärsten Instrumentalsongs
aller Zeiten, begann als Band-Jam bei einer
Demo-Aufnahme für den Rock'n'Roll-Sänger Billy Lee
Riley mit der berühmten Stax Records Houseband.
Stax-Labelchef Jim Stewart gefiel, was er hörte, und er
nahm auf, was die Grundlage für das Debütalbum der
Band werden sollte.
Unter dem Namen Booker T. & The M.G.s
veröffentlichten sie "Green Onions" mit den
Originalmitgliedern Booker T. Jones (Orgel, Klavier), Steve
Cropper (Gitarre), Lewie Steinberg (Bass) und Al Jackson
Jr. (Schlagzeug) im Oktober 1962. Der Titelsong wurde
ein weltweiter Hit, der von Dutzenden von Künstlern wie
den Blues Brothers, den Ventures, den Shadows, Deep
Purple, Mongo Santamaria und Count Basie gecovert
wurde.
One of the most popular instrumental songs ever, “Green Onions” started out as a band jam at a demo recording session for rock’n’roll singer Billy Lee Riley with the famed Stax Records house band. Stax label head Jim Stewart liked what he heard and recorded what would become the basis for the band’s debut album. Christened Booker T. & The M.G.s, they released “Green Onions” with original members Booker T. Jones (organ, piano), Steve Cropper (guitar), Lewie Steinberg (bass), and Al Jackson Jr. (drums) in October 1962. The title track became a worldwide hit, covered by dozens of artists including the Blues Brothers, the Ventures, the Shadows, Deep Purple, Mongo Santamaria and Count Basie.
The deluxe 60th Anniversary Edition of “Green Onions” releases as a 1LP 180g vinyl in a green translucent colorway similar in hue to the vegetable it celebrates plus a 4-page insert, including band photos, Stax Records ephemera and David Ritz’s new liner notes.
The album’s title is a play on the word “Israel, meaning "to wrestle with God,” and IDK finds himself struggling with the existence of “He” – or God – during the course of the album’s 35 minutes, but not getting a clear answer. And he invites the album’s featured artists and the album’s listeners to think through the complexities of (their relationship with or belief in) Him.
The name of the 8-track project is Simple, which refers to a neighborhood called “Simple City” in southeast Washington, D.C.. According to the rapper, the area got its namesake as a result of the senseless violence that occurs there.
“There’s a neighborhood in my city called ‘Simple City,’” IDK said in a statement. “It gets its name because you can get killed for any simple reason. Simple City is also the birthplace of Marvin Gaye. I wanted to tell the story of Simple City in a way that it’s never been told before. From drug abuse to crime and murder, I wanted to cover what it feels like to be from Simple City and teach the world that the fix to helping disadvantaged black communities isn’t as simple as you think.”
- A1: The Manhattan Transfer - Chanson D'amour
- D2: Bread - Make It With You
- D3: Shirley Bassey - Something
- D4: Judy Collins - Send In The Clowns
- D5: Eric Carmen - All By Myself
- D6: Art Garfunkel - I Only Have Eyes For You
- D7: Johnny Mathis - I'm Stone In Love With You
- A2: Neil Diamond - Song Sung Blue
- A3: Helen Reddy - Angie Baby
- A4: Captain & Tennille - Love Will Keep Us Together
- A5: Carole Bayer Sager - You're Moving Out Today
- A6: Demis Roussos - Forever & Ever
- A7: Drupi - Vado Via
- A8: Kiki Dee - Amoureuse
- B1: Cliff Richard - Miss You Nights
- B2: David Soul - Don't Give Up On Us
- B3: Dean Friedman - Lucky Stars (With Denise Marsa)
- B4: 10Cc - The Things We Do For Love
- B5: Neil Sedaka - Laughter In The Rain
- B6: Alessi Brothers - Oh Lori
- B7: Rita Coolidge - We're All Alone
- B8: Elkie Brooks - Pearl's A Singer
- C1: Commodores - Easy
- C2: Diana Ross - Do You Know Where You're Going To (Theme From Mahogany)
- C3: Dionne Warwick - I'll Never Love This Way Again
- C4: Sammy Davis Jr - The Candy Man
- C5: Barry Manilow - Daybreak
- C6: Tom Jones - She's A Lady
- C7: Peters & Lee - Welcome Home
- C8: The New Seekers - I'd Like To Teach The World To Sing (In Perfect Harmony) (In Perfect Harmony)
- C9: John Denver - Annie's Song
- D1: Billy Joel - New York State Of Mind
Across 2LPs comes a unique collection of authentic 70s nostalgia.
Blissful and relaxing, compiled together onto vinyl is the warm sound of 32 of the decade’s finest works of easy listening pop.
Find classic lounge tracks from The Manhattan Transfer, Neil Diamond and Demis Roussos alongside Dionne Warwick, Commodores, Billy Joel and many more.
- A1: Learn To Fly 03:34
- A2: The Ballad Of Sissy & Porter 04:17
- A3: Friends We Leave Behind 03:55
- A4: Hurtin' For A Letdown 03:39
- A5: Superficial World Of Love 04:28
- A6: Big Heart Sick Mind 02:33
- B1: Ghost Stories 03:44
- B2: Ricky 03:42
- B3: By Design 03:58
- B4: On The Wings Of A Nightingale 02:46
- B5: Greek Tragedy 03:37
Sisters Eleanor and Bonnie Whitmore, two of roots music's most
accomplished songwriter/instrumentalist/vocalists, released their first
album together as The Whitmore Sisters in 2022
Titled 'Ghost Stories', inspired by the loss of family, friends, ex-boyfriends and - on
the title track- people who died by police violence. These ghosts chose to appear
right as Covid became entrenched -when live music evaporated, and people were
isolated from each other.
Bonnie, whose four solo albums are all state- of- a- real- woman's- heart jewels,
decided to join sister Eleanor and her husband Chris Masterson in their Los
Angeles closed circle for a break. Chris, who's recorded four albums with his wife
as The Mastersons, saw the visit as an opportunity to issue a mandate: If Bonnie
was coming, it was time for the sisters to make a record.
Not just an album, but "the album" - the musical inevitability that's been
simmering since a 22-year-old Eleanor was protecting her curly-headed 15-yearold sister at gigs in local bars. The Whitmore Sisters' original songs, along with
two covers - a song by their pal Aaron Lee Tasjan ("Big Heart Sick Mind" and "On
the Wings of a Nightingale" (written by Paul McCartney for iconic siblings The
Everly Brothers) - was produced by Chris Masterson and completes 'Ghost
Stories'.




















