Erleben Sie die rohe Kraft und den rebellischen Geist eines der maßgebenden Alben des Hardrock, jetzt
gepresst auf makellosem 2LP-Standard-Schwarzvinyl. „Slave to the Grind“ erschien ursprünglich 1991 und
markierte Skid Rows Entwicklung vom straßentauglichen Glam Metal hin zu einem härteren, knallharten
Sound, der die Härte und Dringlichkeit der Ära einfing.
Mit Hymnen wie „Monkey Business“, „Slave to the Grind“ und „Wasted Time“ vereint diese Platte wilde
Riffs, kraftvollen Gesang und eine kompromisslose Haltung – und festigt so Skid Rows Platz in der Rockgeschichte. Das Doppelvinylformat liefert einen raumfüllenden Sound und präsentiert jedes glühende Solo
und jeden donnernden Schlagzeugschlag mit der Wärme und Tiefe, die nur Vinyl bieten kann.
Diese Edition in einer auffälligen Klappcover-Hülle mit dem legendären Original-Artwork ist ein Muss für
Sammler und Fans, die das Album, das auf Platz 1 der Billboard 200 debütierte und das Erbe der Band
neu definierte, noch einmal erleben möchten.
Buscar:stan
Nach einem kurzen Intermezzo bei Art Blakeys Jazz Messengers und einigen gemeinsamen Aufnahmen mit
dem Altsaxofonisten Gigi Gryce gründete Donald Byrd 1958 sein erstes eigenes Quintett, das er gelegentlich
auch zum Sextett erweiterte. In der Bläserfront stand dabei oft der Baritonsaxofonist Pepper Adams an der
Seite des Trompeters. Wie heiß diese Band zu swingen verstand, zeigte sie im November 1960 bei einem
zweistündigen Auftritt im New Yorker Half Note Café, der auf zwei separaten LPs veröffentlicht wurde.
Vinyl 7inch - Split-Single: Ofisboyz/ Ghostbastardz - Non Ska-Bands from all over the world playing Ska songs: Eine türkische Oi!-Core Band aus Istanbul und eine deutsche Punk-Kapelle aus Wetzlar spielen Ska? Funktioniert! Ofisboyz "Istanbul Skinheads" The song criticizes racial prejudice, mocks stereotypes about Turks, and reclaims pride and identity in a rebellious, ironic way _ fitting into punk and skinhead traditions of standing against bigotry. Ghostbastardz "Für Skapunk reicht's" "Für Skapunk reicht's" mischt klangvollen Punkrock mit tanzbaren Offbeats - ein sommerlicher Ska- Remix, der Sonnenbrille, Bier und Rebellion in einen Soundtrack packt. Sechste Ausgabe der Ska-Split-Single-Edition, 2025, 300 Stück handnummeriert
- 1: Raz Fresco – Who Mapped The Earth
- 2: Romderful – Maybe With You
- 3: Dowker – Call Me
- 4: Speak – Sakuraba
- 5: Cookin Soul (Feat. Ovrkast) – Flying
- 6: Demahjiae (Feat. Monster Rally) – Clooney
- 7: Mr. Scruff – Flute Boom
- 8: 645Ar – Shooting Star
- 9: Peanut Butter Wolf (Feat. Myka & Waragainstgod?) – Organic Ai
- 10: Chuck Strangers (Feat. Graymatter) – Marigold
- 11: L.a. Jay (Feat. Pigeon John) – Thank You
- 12: Dj Harrison – Applechopchutney
- 13: Homeboy Sandman (Feat. Monster Rally) – I Love You
- 14: Low Leaf – Faerie Function
- 15: Pouya (Feat. Boobie Lootaveli) – Bitch, Park Backward
- 16: Eddie Chacon (Feat. John Carroll Kirby) – Comes And Goes (Live At Isc)
- 17: Devin Morrison – Givin' Up
- 18: Suzi Analogue – King
- 19: Lee "Scratch" Perry – Morning Star
- 20: Dayytona Fox – Woooaaah
- 21: Rvyo (Feat. Bombay) – Kflex
- 22: Crimeapple (Feat. Don Leisure) – Vic Damone
- 23: Huey Briss – Don't Clap When I Win
- 24: Ncy Milky Band (Feat. Quelle Chris) – High Speed Clouds
- 27: Swum (Feat. Big Lordy) – Shinto
- 28: Xavier Wulf – 2 Can Wulf
- 29: Tommy Wright Iii – Chrome Thang
- 30: Yvain – Metta
- 25: Mr. Mumblz (Feat. Daniel Son) – Snake Eyes
- 26: Girl Talk (Feat. Freeway & Waka Flocka Flame) – Tolerated (Remixed By Mikey The Magician)
Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger, bolder, and more unpredictable than ever before. Gangster Doodles himself puts it best: "It’s hard to believe that I’ve been actively working on this Gangster Music series for the past 10 years. The most gangster music trilogy of ALL TIME is almost complete!! And in my humble opinion Vol.3 is the most exciting out of the 3, both from a music standpoint (special shout-out to all my music heroes on Vol.3) and artistically speaking this is the most fun I’ve had in years”
Since launching Volume 1 in 2019 and following up with the second volume in 2022, Gangster Doodles has been shaping the Gangster Music series into a one-of-a-kind sonic universe—an unfiltered mix of underground titans, unsung legends, and rising stars. Volume 3 is the biggest installment yet, boasting a staggering 30 tracks that traverse the entire spectrum of rap and beat culture.
This time around, the lineup is as eclectic as ever. From legendary pioneers like Lee Perry and Tommy Wright III, to veteran producers such as Mr. Scruff and Peanut Butter Wolf, the album pays homage to hip-hop’s roots while pushing forward into fresh territory. The roster also includes established up-and-comers like Devin Morrison, Low Leaf, DJ Harrison, Quelle Chris, Homeboy Sandman, and Suzi Analogue, ensuring a mix of classic flavors and new-school innovation. The bubbling underground is well represented too, with artists like Raz Fresco, Atlanta’s 645AR, and Pro Era’s Chuck Strangers bringing their own distinct heat.
From pioneering SoundCloud rappers like Pouya to genre-bending composer John Carroll Kirby, from Birmingham’s Romderful to Chile’s RVYO, the album encapsulates a truly global soundscape, proving once again that Gangster Doodles’ ear for cutting-edge talent is second to none.
- A1: Western Roll Call
- A2: The Next Time I Saw Elvis
- A3: Cinema, C’est La Vie
- A4: On The Set Of The Last Movie
- A5: Alejandro Jodorovsky's Arrival In Taos
- A6: Crystal Morning, New Mexico
- A7: Funkout At The Mud Palace
- A8: Cowboy Bill, Guy Grand And Texas
- B1: Still Raging On
- B2: Flipside Of The American Dream
- B3: Thank You Mr. Schneider
- B4: The Counterculture Holdout
- B5: Stanley In I Love The Movies
- B6: Dennis In Ameridreams
- B7: A Few Words About Dennis Hopper
- B8: Golf, They Say (James Version)
- 1: Breakin' Up Xmas
- 2: Holly Jolly Christmas (Ft. Brassville)
- 3: Jolly Man
- 4: North By Northeast
- 5: Corn Whiskey Christmas
- 6: Happy Xmas (War Is Over)
- 7: All About A Baby
- 8: Jinglin' Jack Guy
- 9: Store-Bought Christmas
- 10: December 26
- 11: Krampus Night
- 12: Grandpa's Gone
- 13: Bethlehem, Pa
"We're in the joy business," says frontman Ketch Secor, who launched the Grammywinning band in 1998. "From the very start, a lot of the virtues of Christmas -- the revelry, the singalongs, the happiness -- have been present in our show." Nowhere is that more apparent than OCMS XMAS , the group's first holiday album. Decorated with seasonal spirit and string-band stomp, it's the rare breed of Christmas record that packs a punch all year long, shining new light on the band's chart-topping version of American roots music. Old Crow Medicine Show aren't just reinterpreting their favorite yuletide standards; they're adding new songs to the canon, too, from "Jolly Man" -- a country-blues number inspired by Mississippi John Hurt and laced with harmonica, sleigh bells, and resonator guitar -- to the Zydeco- flavored "All About A Baby." They're telling fresh stories, too. On "Corn Whiskey Christmas," a bootlegger drives his Chevrolet through the snow on Christmas Eve, bringing moonshine to those craving a cup of cheer. On the John Prine-worthy "Bethlehem, PA" -- a sly reimagining of Jesus' birth story, with lyrics that substitute Steel Country for Jerusalem -- the band heads to the Keystone State to witness the Nativity, making stops at Wawa and Motel 6 along the way.
"Grandpa's Gone" grapples with the loss of a family figure during the holiday season, while the wicked "Krampus Night" puts a minor- key spin on the Christmas catalog, paying tribute to a folkloric creature who, according to Secor, "just might leave ya coal and steal your soul." Old Crow have thrived for more than a quarter century. Like many of their heroes, they've become torchbearers of classic folk music, reshaping those sounds for the modern world. They're creators, not replicators, and OCMS XMAS finds them tackling another tradition -- the time- honored Christmas album -- with humor, hillbilly twang, and novel ideas. Supported by the band's first-ever "Holiday Hootenanny" tour, OCMS XMAS just might be the start of a new tradition itself: a celebration of the seasonal sounds, shared joy, and holiday rituals that bring us all together. Christmas just got a new soundtrack.
- 1: Grewt Up
- 2: Clav It Your Way
- 3: Sesshins 1
- 4: 7 Tribes
- 5: Rising To The Top
- 6: Sesshins 2
- 7: Gold Tooth
- 8: Breathe
- 9: The Matador
- 10: Sesshins 3
- 11: Cook
- 12: Storm Coming
- 13: Keep On
- 14: Sesshins 4
- 15: The Mac
- 16: Ghosts Of Yest
Lettuce serves up a full-course groove experience with Cook, a 16-track feast of classic funk, rich instrumentation, and deep- pocket rhythm. The album features 12 full-length tracks, including two vocal cuts, with a standout cover of Keni Burke’s “Rising to the Top” leading the charge at radio. More than just a record, Cook is a multisensory experience: the vinyl includes a recipe book of original dishes crafted by the band, each paired with a song and one of their two new wines launched alongside the album. From front to back, Cook is Lettuce at their most flavorful—soulful, funky, and made to be savored.
- 1: It's Raining
- 2: Angel Eyes
- 3: Once I Loved
- 4: The Very Thought Of You
- 5: I'll Be Long Gone
- 6: Detour Ahead
- 7: I Could Have Told You
- 8: The Meaning Of The Blues
- 9: Too Late Now
- 10: We'll Be Together Again
Grammy-winner, Boz Scaggs, known for his silky voice and genre-blending style, takes a refined turn with a jazz-influenced record that showcases his deep appreciation for classic grooves and sophisticated arrangements Blending smoky vocals with laid-back rhythms, the album nods to the cool jazz clubs of the past while keeping Scaggs' signature soul intact. It's a smooth, mature work comprised of Boz's interpretation of classic standards as well as one new original track.
- A1: Gregory Isaacs - Babylon Too Tough
- B1: Mighty Two - I Stand Accused
Killer mid 70s roots rocker from The Cool Ruler with the sound of babylon dubwise on the flip from The Mighty Two Joe Gibbs
- A1: Deep Dive
- A2: How Many Times
- A3: Endings Are Breaking My Heart
- A4: Life Is For Living
- A5: Broken Time
- B1: Lights Of New York City
- B2: Souls
- B3: Northern Line
- B4: Leave
- B5: Saturday
Editors-Frontmann Tom Smith veröffentlicht sein Solo-Debütalbum „There Is Nothing In The Dark Which Isn’t There In The Light“
Nach zwei Jahrzehnten als Frontmann von Editors und zwei Alben mit Smith & Burrows betritt Tom Smith mit „There Is Nothing In The Dark That Isn’t There In The Light“ nun endlich Solo-Territorium. Motiviert durch den Wunsch, zu den rohen, akustischen Anfängen seines Songwritings zurückzukehren, machte sich Smith daran, etwas Intimeres und Persönlicheres zu schaffen, weg vom kollaborativen Charakter seiner Bandprojekte.
Anfangs Stand noch der Gedanke im Raum, diese Songs wieder mit seinem langjährigen Kollaborateur Andy Burrows zu schreiben, entschied sich aber schließlich für einen einsameren Weg und engagierte stattdessen den Produzenten Iain Archer. Gemeinsam schufen sie ein Album, das auf emotionaler Ehrlichkeit, akustischen Texturen und Themen wie Verbundenheit, Erinnerung und Resilienz basiert.
Auf dem gesamten Album balanciert Smith reduzierte Arrangements mit filmischen Schnörkeln und schafft so eine dynamische Bandbreite – vom minimalistischen Schmerz von „Broken Time“ bis zum mitreißenden Drama von „Life Is For Living“.
Obwohl von Melancholie geprägt, schwingt auf dem Album letztlich Hoffnung mit – es unterstreicht Smiths Entwicklung als Songwriter und seinen Wunsch, Musik zu schaffen, die das Wesen seiner Persönlichkeit widerspiegelt.
- Oxblood Single Vinyl
- 1: In Fading
- 2: Habitation
- 3: Five Minutes
- 4: Ek
- 5: Chameleon Strategy
- 6: Metamorphosis
- 7: Formalities
- 8: In Due Time
- 9: Room For The Weekend
- 10: For Bulma, Forever Ago
Recorded and mixed by John Paul Peters at Private Ear Recordings and mastered by Jon Markson, the album showcases the band's collective songwriting and meticulous musicianship. Critics have praised Repose for its "brilliant ideas and exceptional musicianship" (Thoughts Words Action), and Fecking Bahamas ranked it #13 in their Top 100 Math Rock Albums of 2022 , cementing its place as one of the year's standout underground releases. Across ten tracks, Fox Lake balance technical precision with heartfelt energy, making Repose both a document of the band's growth and a highlight of Canada's underground scene.
- 1: Impostor Syndrome
- 2: Revolutions
- 3: Trouble In Store
- 4: The Empire's Eye
- 5: Crossing The Line
- 6: Night Blues
- 7: Distance
- 8: Brief Encounter
- 9: Midnight Moment
- 10: Floating Downstream
- 11: Mutineers
- 12: The Next Step
What if fate had followed a different path? Alex Marker and Ben Reed were childhood friends who made music together before pursuing different careers, with Ben becoming a professional musician while Alex followed a career in stage design.
Originally a drummer, Alex set himself a challenge of writing a song for his wife for their wedding day. One song led to another and collaborating for the first time since they were very young Alex and Ben soon found they had a whole album's worth. Influenced by Alex's career in drama each track on Impostor Syndrome aims to tell a tale or paint a portrait encapsulating a moment of change or release. Ben brings a wider palette of musical styles and arrangements to augment a series of songs which draw from a wide range of musical influences including: singer/ songwriter, British prog, folk and rock. Ben Reed is a multi instrumentalist whose playing credits include bass duties on Frank Ocean's albums Endless and Blond as well as work with David Byrne, Sampha, Mustafa, Frank Dukes, Nilufer Yanya, Hayden Thorpe, FKA Twigs and many others.
He has previously released four full length albums of his own; Tall Story, Who Dreams of Hyssop, Station Masters, Loft, Bandaged and most recently You Do You. Alex Marker is a critically acclaimed theatre set and costume designer who has designed over 150 productions for a wide variety of venues including The West End, tours, regional theatres and the fringe. Further back he used to play drums in pit bands for productions and has occasionally been seen on stage too. The album features guests including: organist Ross Stanley (Steve Howe Trio), flautist R achel Hayter ( Alvorada ), bassoonist Philip Dale ( Orchestra of the Age of Enlightenment) and Matt Weeks who plays brass alongside mixing duties.
- Troubled Paradise
- Runnin' With The Wild Ones
- Sadie Mae
- Love Don't Live Here Anymore
Tuk Smith is the kind of rock 'n' roll ambassador you didn't think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he's seen the best and worst of a music industry in constant flux. By turns it's left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything. Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most. "I want to do something that means something to people," Tuk says, "because a lot of shit nowadays is so disposable and so plastic. I just don't connect with that. I'd like to do things that impact people positively. It's a weird time on the planet, so to have songs about hope, but not be cheesy about it, it's something I think we need with songwriting. That's the kind of music I want to hear." Again, there's that dichotomy he speaks of. "Rock 'n' roll is essentially the illusion of not giving a fuck, right? Like, you know Axl Rose was doing sit-ups and jump rope, and Paul Stanley was on a cardio machine, and they come out and act like it just happens. The point is I sit at that piano many hours, working on this stuff."
- 1: Ben E. King - Stand By Me
- 2: Marvin Gaye & The Vandellas - Stubborn Kind Of Fellow
- 3: Ray Charles - Unchain My Heart
- 4: Aaron Neville - Hercules
- 5: The Drifters - Save The Last Dance For Me
- 6: Sam Cooke - (What A) Wonderfull World
- 7: Gene Chandler - Duke Of Earl
- 8: Jerry Butler - He Will Break Your Heart
- 9: Otis Redding - These Arms Of Mine
- 10: Little Stevie Wonder - I Call It Pretty Music (But Old People Call It The Blues)
- 11: The Platters - The Great Pretender
- 12: James Brown - Think
- 13: Al Jarreau - Let’s Stay Together
- 14: Curtis Mayfield - She Don’t Let Nobody (But Me)
- 15: Barry White - Ghetto Letto
- Turnkey
- Leighton Buzzard
- Restaurant Banking
- A2: Enmod
- St. Peter
- Focal Swan
- Lémon Rage
- Universal Knife
- St. Patrick's Cough
- Consonance
- You Have To Be Stupid To See That
- Sunthing
- Town
Colored Vinyl. St. Patrick's Cough" sees the Belfast trio diving deep into psychedelic rock and improvisational soundscapes, recorded near the holy well in Holywell between Counties Fermanagh and Leitrim. The result is a sprawling journey of cosmic jams, swirling instrumentation and a meditative undercurrent _ the album stands as a bold statement of the band's creative evolution.
**Includes double sided insert with liner notes and photos*
Al Mati was the pseudonym of eccentric Portuguese-born, Dutch-based artist Alberto Mesquita. The name translates to ‘Alberto Friend’, with ‘Al’ short for Alberto and ‘Mati’ meaning ‘friend’ in Surinamese.
Alberto’s story comes across like a mythical character from a European Kerouac novel, but instead of writing it down, he poured those adventures and characters into his record. The music and the comic-style artwork, drawn by his friend Bruno Scoriels, work as one, with Alberto himself becoming both the story and the character within it.
Raised under Salazar’s regime in Lisbon, where all men were conscripted to Africa, he refused, a pacifist. This put him at odds with his father, born in Angola and a prominent lawyer tied to the dictatorship. Unable to accept his son’s stance, the rift forced Alberto to flee Portugal as a deserter, leaving everything behind.
He sought a new life in Paris, where he met Bruno Scoriels. The pair busked to get by, and young and broke, set off on adventures across Europe. On one trip to Barcelona, they crossed the Pyrenees on foot through a five-kilometre train tunnel, not knowing if they would make it out alive. The train later featured on the cover of Some Shit, a nod to that hazardous journey and the strange turns of his life.
From there he moved to Belgium, where he met Jolanda, his future wife who also features on the album. They lived in The Netherlands, then back in Belgium where they married, before returning to Portugal under false pretences. The regime promised deserters immunity, but it proved untrue, and Alberto was forced to flee again — this time with a young family, using Bruno’s passport to escape to The Netherlands.
They settled in the Gliphoeve flats in Amsterdam’s Bijlmermeer, a vibrant immigrant community. This melting pot of cultures inspired Alberto musically. He started a studio in their flat where musicians from Suriname, Angola, the Antilles, Brazil, Mozambique and Portugal came and went, jamming, rehearsing, recording and forming bands including Albatros, Comoção and Mati Africa, performing internationally and at iconic Amsterdam venues like De Melkweg and Paradiso.
Being an immigrant was tough. Alberto was stateless for years, drifting across countries. Some songs voiced his frustration with the Portuguese regime, others were playful or simply love notes to his wife and kids. He passed away in the Netherlands in 2021, leaving Some Shit open to interpretation. But when you picture Europe in the 1970s — the politics, the upheaval, and his need to connect people across cultures — you can hear an artist shaped by contrast, who poured his experiences, feelings and love into music.
New York-based producer Kurilo opens Tripsitter Records’ debut vinyl with "Take the Excitement", a hypnotic blend of rumbling bass and spacey synths. It's an immersive soundscape, perfect for both psychedelic journeys and late-night afterhours.
Next up, KVRK delivers a mind-bending techno cut—an intense, pulsating ride that feels like crossing an event horizon. Relentless and otherworldly, it transports listeners into uncharted sonic territory.
On the flip, Spain’s T.S.O channels '90s tech house with a bass-heavy roller full of nostalgic flair and modern groove. It's a confident dancefloor weapon, bridging classic vibes with a contemporary edge.
Closing the release, Jubley shifts into darker territory. With punchy percussion and eerie textures, his track oozes tension and atmosphere. A bold departure from his usual style, it’s a gripping end to a standout first release.
Originally released in the mid-’90s, Entropy EP by O.H.M. stands as one of the most iconic and sought-after releases from the golden era of electronic music. Home to the legendary track “Oceanic,” this record showcases O.H.M.’s unique ability to merge diverse sonic worlds — moving seamlessly from deep, hypnotic atmospheres to raw, hardcore energy, all infused with unmistakable acid vibrations. Now, for the first time ever, Entropy EP is being reissued in a fully remastered edition, bringing new life and clarity to its timeless sound. Carefully restored from the original sources, this reissue preserves the warmth and energy of the original pressing. A cornerstone of mid-’90s electronic innovation — finally available again, sounding better than ever.




















