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Stay Up Forever Records back on it! 'This Is The Way We Do It' backed with 'Blow The Speakers'. Nuff said.

Bratha is the studio project of The Analogue Cops and No Mad Ronin. Their first two EPs on their own label Bratha have disappeared from the shops in just a couple of week.
For their first release on Restoration they have been joined by the great Jerome Sydenham on the title track 'I can't stay', an afterparty anthem; smooth and intense, hypnotic and charming, an outstanding balance of hardware power and restrained expertise.
'The craziest come out', on the other side, has the trademark features of the Bratha trio: entrailing, dark and spellbinding and with an heavy pace on the dancefloor.

UK imprint belonging to the 'Stay Up Forever Collective' of labels, upon which remixes of tunes were released that were previously available, some of which are from it's sister imprint 'Stay Up Forever'. This time Wipeout's, A.P., Geezer and Bosh & Josh Inc on the remix for the Chris Liberator & Sterling Moss anthem 'I'm Bored'.

UK imprint belonging to the 'Stay Up Forever Collective' of labels, upon which remixes of tunes were released that were previously available, some of which are from it's sister imprint 'Stay Up Forever'.

12" Acid Techno Vinyl produced by A.P., released on Stay Up Forever Records.

For this first release, we decided to bring you guys the producers' cream of the cream : LATE NIGHT MAGIC aka SIMONCINO !

When I have a long set, I will fit this deep one in it! Deep and dark. I like the the best out of the 3 mixes

Repress

A tony senghore remix

Deluxe reissue of Leroy Hutson classic 'Hutson'. A high point in
mid 1970s soul, produced at Curtis Mayfield Curtom Studios.

Featuring Leroy's signature tunes, 'All Because Of You', 'Lucky
Fellow' and 'Cool Out'.
Remastered and reissued on Acid Jazz with the full cooperation
of Leroy Hutson.

2024 Repress!

Veneer made an indelible mark in its understated, expressive brilliance and cemented José González as a meticulous sonic craftsman and songwriter of singular talent. It’s hard to believe an album recorded with the most basic equipment in a cramped Gothenburg flat could end up going platinum, not only in Sweden but also the UK, selling well over 1 million copies worldwide. It’s harder still when one acknowledges that, aside from one brief trumpet solo and the slightest hint of percussion, the record features just one hushed voice and the dexterous picking of an acoustic guitar’s nylon strings. But 2003’s Veneer was such an album, charting in several countries in the world, and eventually making Top 10 in the UK, thanks in part to its delicate, evocative cover of The Knife’s “Heartbeats”.

Emarosa's new album 'Peach Club' makes the most
of their eclectic influences, marking their sixth
studio effort as their most pop-laden and personal
album to date.
For fans of The 1975, Set It Off, Dance Gavin
Dance, Panic! At The Disco.

deleted because bad quality !!!





'Hot Ring' sees label alpha-bear Stevie Kotey team up here with alpha-producer Bottin for a spicy, seasonal warmer. First conceived in a Venice studio session on one of Stevies regular DJ trips to Italy, the chunky discoid romper has finally seen the light of day.

The original is probably exactly what you would expect when the 1975-to-1983 music mind of Stevie melds with the Italo-movieslasher-synthbrain-tweaker that is Bottin. Lots of stabs, rolling bass and tight drums. All tied together with new synth sounds which you probably haven't heard before.





Things go dance-floor when Bottin re-rubs things down for the stripped down dub. UK based Fernando moves the groove a thousand or so miles north with a shiny and slick crisp-disco version.

Stevies 'Kotey Extra Band' collaboration album drops around Easter 2010 so stay tuned for a sleuth of bear love-ins.

Recorded in Kobe, Kyoto, Tokyo, September 2015 Photos by Jim O'Rourke. Layout by Shunichiro Okada Despite decades of activity and having crossed paths in various collaborations Editions Mego is honoured to release the first ever duo recording from two of the most highly regarded citizens of planet experimental electronic. Individually, Jim O'Rourke and Christian Fennesz have been responsible for numerous legendary works which merge the traditional avant-garde with contemporary sensibilities. On It's Hard For Me To Say I'm Sorry these giants of experimental electronic practice come together for an immensely powerful sonic experience. The signature of both O'Rourke and Fennesz cohabit this new release with O'Rourke's gurgling harmonies swimming amongst the shimmering frequencies and strummed melodies produced by Fennesz. Two side long tracks situate themselves as a warm electronic adventure. Simultaneously radical and comforting these works shift from gentle sonorities to fully distorted explosions all of which reside within a template of tension between musical and non-music matter. Timeless in execution and presentation It's Hard For Me To Say I'm Sorry is a deeply rewarding sonic experience from two of the most romantic gentlemen active in experimental music today.

Long awaited re-press of this out of print classic.