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ASEC reveals the 'Group Dynamics' record, two hypnotic techno tracks and remixes from Inland and Kaiser.

"'Group Dynamics' is inspired by this kind of captivating energy you feel in a crowd--think sports fans, a packed dance floor, a mass of humans--people aren't themselves in crowds. I was interested in capturing that invisible social group dynamic that makes many people move as one." - ASEC

On the A-side of ASEC's 'Group Dynamics' EP, dropping via his eponymous imprint this February and following up a series of releases supported by the likes of Rodhad and Tommy Four Seven, as well as output on BPitch and MORD. The title track enters the fray with a mystifying energy, percussion clicking and shifting while cavernous synth hits echo across its evolving soundscape. 'Scala Naturae' then continues with rolling drums shot through with bleeps and squelch, the steady beat of weighty kicks footing its looming psychedelic sequences.

Side B invites Counterchange Recordings founder Inland and KSR boss Kaiser to remix the original tracks. First up, Ostgut Ton, Figure, and Nonplus+'s Inland remixes 'Group Dynamics' by adding scratchy textures and the thrum of long-forgotten machines before Kaiser reimagines 'Scala Naturae'. The Key Vinyl and Soma artist turns the track into a prime-time, tripped-out dancefloor cut.

Lastly, Inland provides a dub techno version of his contribution as a digital bonus, with ASEC dropping the excellent 'Enough Is Enough' on online platforms. In this track, typewriter-like hats skitter over imposing drums while warped melodics twist and turn on top, closing out yet another mind-melting techno offering from the Berlin producer.

born in canadian Newfoundland, aadja was drawn to music early. growing up in nature made a profound impact, the surrounding woods, rugged landscapes and nearby ocean inspiring her innate music language. she picked up a guitar at age five, and went on to play clarinet, piano, flute and baritone saxophone, as well as receiving classical vocal training.

isolation of the early 20's meant chaos for some, but for the canadian dj and producer this period in time presented itself as a gift. it became an environment to control and create, a time to dive into the fire of pyrocbs and emerge stronger and unfettered.

''pyrocbs'', the follow up of her excellent ''thought dealer'' record, features 11 compositions orchestrated by the prophet 6, and spiced with hilary's unique vocals. a bold, minimalist approach weaving a romantic dialogue between sounds.

like the eye of a storm, ''pyrocbs'' is what aadja defines as finding stillness amidst chaos.

Broken Techno/Electronica label Theoretical Rhythms is back with another vinyl release. This time it is a 4-track compilation EP called "Confessions". Featuring a carefully curated selection of tracks from diverse artists, "Confessions" takes you on a journey through emotions, melodies, and introspective narratives. Each track serves as a musical confession, laying bare the artists' innermost thoughts and experiences. The compilation opens with Varna's own Virtually J who masterfully sets the tone for the entire collection with his composition. From there, listeners are guided through a sonic landscape that seamlessly blends genres, showcasing the rich tapestry of musical expression. London duo Getae are showcasing their talent with the dance floor filler "Stumble" and Getsu opens the door to another dimension with his story "Otklonenie". With its minimal composition, broken beats and various effects Getsu invites us to divert from our path and experience another world. The EP concludes with Nickel Eye's "Lodi", a story that starts on a darker side with repetitive rhythm to transform to a jazz epos.

"Confessions" is more than just a compilation; it's an exploration of vulnerability and authenticity. Each artist bares their soul through their music, creating a connection with the audience that goes beyond the surface. "We wanted to create a compilation that goes beyond the ordinary, something that resonates on a deep, emotional level," says Nickel Eye, Theoretical Rhythms' head honcho. "This project is about sharing our musical confessions and inviting others to do the same". With its innovative approach to storytelling through sound, "Confessions" promises to be a standout in the music landscape, inviting listeners to immerse themselves in a musical experience that is both intimate and expansive. "Confessions" is a testament to the power of music to connect, inspire, and evoke raw, authentic emotions. Press play and embark on a journey of musical confessions.

Slush Records, the brainchild of London-based DJ Lora Mipsum, unleashes its first release, a much called for reissue of Andy Falconer’s finest EP from 1995 ‘Transmissions’. Remastered from the original DAT, it’s an introspective, absorbing and enticingly expansive roam through the realms of downtempo, electronica, progressive house and experimental sounds.

Best known for his work with The Orb between ‘91-‘94, you’ll also find Falconer’s name nestled in the credits of many other seminal works including albums from The Art Of Noise, Hypnotone and System 7. It’s no surprise then that the Transmissions EP, that landed in 1995, captures the essence of the early ‘90s expertly. An amalgamation of genres within each track, blurring the lines masterfully between them all.

Opening the EP, ‘Afghan Receptor No.9’ plots a driving orbit, rolling seamlessly from a dubbed out intro, into a progressive warper. A track that builds eagerly in intensity, with layer upon layer of mind-bending synths, a whomping bassline, and even Falconer’s old Canon printer sampled to top, tail and weave into the sonics of this track.

On the B side, the title track is an immersive, all-encompassing lunar excursion that engulfs you within Falconer’s soundscape odyssey. Centred around a spacey stuttering synth, hypnotising Roland S-50 harp and dream-inducing keys, it’s a spellbinding swell of emotive brilliance, interspersed with moon landing transmissions that reverberate through your brain.

Finally, like a slip back through memories in a dream, ‘Koda (Dreamscape No.1.1)’ is a psychedelic, ethereal and haunting slice of experiential ambience that provides the perfect closing sequence to this magical EP.

Transmissions takes all of Falconer’s knowledge and production prowess, creating three tracks that nod to those he’s worked with in the past, yet plotting its own course to a far off dimension.

Issued on his crescive Afroterraneo imprint, Kiko Navarro reunites with longtime collaborator and friend, Latin-Grammy award winning vocalist Buika, for new single ‘El Silencio’.

First meeting back in 1997 on their native island of Mallorca, Navarro and Buika most recently worked together for the heart-rending Latin House song ‘Lo Siento’, one of the highlights of Navarro’s 2017 album ‘Everything Happens For a Reason’, as well the 2006’s ‘Soñando Contigo’ on Pacha Recordings, which remains an enduring classic.

Originally written in 2010 but never released at that time, ‘El Silencio’ comes complete with a brand new club version, for which Buika has recorded fresh vocals. When the pair returned to the studio in September 2023, it was as if they’d never been apart. “It was like the time didn’t really pass” says Kiko. “We have this connection that doesn’t go anywhere. We know each other so well, and we know what we want. Working with her has brought me many good things, and I’m so excited to share the new music we’ve made together with the World.”

‘El Silencio’ (‘The Silence’) is a slinky, mid tempo groover with subtle jazz-funk touches, accompanying a universal song about love. “It’s about a couple who have loved each other through hard times, and a desire to be together still. There’s a message of hope here, saying ‘let’s try’. No drama, no anger, just love” says Kiko.

Issued on his crescive Afroterraneo imprint, Kiko Navarro reunites with longtime collaborator and friend, Latin-Grammy award winning vocalist Buika, for new single ‘El Silencio’.

First meeting back in 1997 on their native island of Mallorca, Navarro and Buika most recently worked together for the heart-rending Latin House song ‘Lo Siento’, one of the highlights of Navarro’s 2017 album ‘Everything Happens For a Reason’, as well the 2006’s ‘Soñando Contigo’ on Pacha Recordings, which remains an enduring classic.

Originally written in 2010 but never released at that time, ‘El Silencio’ comes complete with a brand new club version, for which Buika has recorded fresh vocals. When the pair returned to the studio in September 2023, it was as if they’d never been apart. “It was like the time didn’t really pass” says Kiko. “We have this connection that doesn’t go anywhere. We know each other so well, and we know what we want. Working with her has brought me many good things, and I’m so excited to share the new music we’ve made together with the World.”

‘El Silencio’ (‘The Silence’) is a slinky, mid tempo groover with subtle jazz-funk touches, accompanying a universal song about love. “It’s about a couple who have loved each other through hard times, and a desire to be together still. There’s a message of hope here, saying ‘let’s try’. No drama, no anger, just love” says Kiko.

New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene.
Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions.
On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report).
Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!

Ourown proudly announces the collaboration with ELECTRECORD label, the oldest and most notorious record label in Romania.

The label was founded in 1932 and was subsequently transformed into the national recording company following the socialist doctrine of centralization and was the only record label in Communist Romania.

This is the first album of Electrecord after 27 years and the new team aims to deliver frequent releases, new music but also reissues of the most appreciated records from their archive; there is a wide range of music genres from Lăutărească music, folk, classical, rock, pop, folk, jazz to radio theater and literature.

Guava is the moniker for Bradley Hutchings, a British producer, composer, multi-instrument performer and DJ based in Berlin. Following up on a string of celebrated club-centric releases, Guava is now set to unveil his first solo album “Out Of Nowhere” in October 2023.

This confident and carefully crafted debut stands as the culmination of a colourful journey kickstarted age 17 years old. From early days in cover bands to European tours as a session musician supporting Men I Trust, Band of Horses or Nathaniel Rateliff, Bradley went on to perform on stage at the legendary Hammersmith Apollo, Abbey Road’s Studio 2 and BBC Maida Vale, as well as in many prestigious festivals such as Green Man, Latitude and more.

In parallel, and while still collaborating with songwriters, Bradley embraced electronic and dance music, finding in those modern and cutting-edge sounds a form of escape-ism as well as a sense of community that fed his creative practice in a whole new way. While refining his sound and enriching his production skills, Guava became a regular behind the DJ decks in parties in both London and Berlin and performed in Corsica Studios, :// about blank or Berlin’s hottest ambient café kwia.

The last few years, have seen him release several well received club records on revered underground labels such as Martyn’s 3024 imprint, Bradley Zero’s Rhythm Section and Control Freak Recordings amongst others.

The time has now come for Guava to synthesize years of teachings and crafting in both live performances and electronic production, all brought together in a deeply personal debut, released through his brand new imprint Guava Noise, a home for his own musical explorations. Enriched with several collaborations and informed by his experiences as a songwriter, this confident and explorative debut sees Bradley Hutchings embrace new directions, gracefully blending the best in UK underground club sounds with an electronica feel.

black.round.twelve is expanding its world and creating a new series focused on releasing long cuts of music spread over an entire record, appropriately named E X T E N D E D. Berlin-based Polish artist Maki Polne opens the project with two intensely hypnotic minimal tracks brimming with detail and production value.

Highly influenced by Berlin, CdV-rooted Maki Polne‘s acute love for quality sound is evident in “Don Joy´s Magic Sunday”, as both ‘Magic’ (A) and ‘Sunday’ (B) sound clear as crystal, with a frequency spectrum that’s both wide and colourful. With a strong focus on psychedelic sounds, ‘Magic’ is built around a breaky, half-time beat filled with slightly shuffled drums. A collage of warped textures, vocal snippets, synths and quirky bass stabs fill the remaining space with class, making it easy to imagine the cinematic soundscape working its on any bold dancefloor. ‘Sunday’, on the other side, is a more functional, 4-to-the-floor bass-heavy roller full of bright colours. Echoed vocal loops and rising pads create a particular vibe that would sound totally at home on a Sunday morning at CdV. Extended tracks for extended mornings, no doubt.

Stefan Schwander of course is a man of many names and visions (such as Harmonious Thelonious, Repeat Orchestra and A Rocket in Dub) and here's his latest one: While My Sequencer Gently Bleeps comes up with "OK" on new Hamburg-based label Unsure. As While My Sequencer Gently Bleeps Schwander strips down his equipment even further and refines his longstanding idea of creating reduced minimalistic tracks radiating warmth, digging deep and delivering the groove.

The five tracks on "OK" all follow one basic flow: big basslines, elegant chords and transparent arrangements, rhythms as compelling as unobtrusive. Schwanders love for dub shimmers through the tracks, just as his pop-trained flair for seductive harmonies.
Beautiful groovy music from Düsseldorf to the world. On and on and on.

There’s something to be said for getting noticed, for standing out from the crowd. West London’s T.Williams is one of those people, having accomplished a full sweep of merited recognition over the years. Emerging onto the house scene in 2010, T.Williams instantly marked himself as a breakthrough artist with a difference; his unique take on house music turning heads.

Far from a newcomer, his path as a musical artist started in the grime scene as Dread.D. Signed at the tender age of 17 with grime anthem Invasion on Jon E Cash’s Black Ops label, Williams went on to have mass success in the grime and bass world selling thousands of singles worldwide. After a five-year reign, Williams found himself veering towards the world of house music. With a new found love for the sound and its sub-genres, T.Williams forged a signature sound influenced by his grime days, jungle, and garage. With a style that undoubtedly impacts, T.Williams’ crossover has been the catalyst for his success. Not only rife with groove and feeling but meticulously produced and engineered with deep rumbling basslines, the unapologetic bounce of grime and smooth vocals that bleed through African infused percussion work.

While in 2010 the industry took note when hit record ‘Heartbeat’ featuring vocalist Terri Walker made an impression, it was throughout 2011 that T.Williams defined himself - releasing solo works on his imprint Local Action and Pattern with remixes for Maya Jane Coles, Ben Westbeech and Skream. Not stopping at pricking the ears of fellow artists and those on the dancefloor, the end of 2011 saw Williams nominated for ‘Best Breakthrough DJ’ by DJ Mag, ‘DJ Stars of 2012’ by Time Out and featured in The Guardian.

Two relationships came to the forefront in 2012 that propelled Williams to greater heights. The first was his weekly show on legendary London station, Rinse FM and the second, Williams’ relationship with label PMR through his remix of Javeon McCarthy’s ‘Lost Time’. The remix was named Record of the Week by BBC Radio 1 and supported by tastemakers Annie Mac and Fearne Cotton. From here T. signed to the label exclusively releasing his debut EP for the label in September 2012, and in the process receiving further support from BBC Radio 1. Further remixes of Mikky Ekko, Wretch 32 and Lianne La Havas followed suit, as well as his biggest to date - Disclosure’s ‘Latch’. Powering dancefloors across the globe, T. went on to play three US tours, numerous festival stages, and deliver a second EP on PMR titled ‘Feelings Within’. The EP once again spanned a number of bases, from club bangers to heartfelt vocal driven tracks alike. Gaining his own monthly residency show with BBC Radio 1, 2013 ended with T. having played over 100 shows across four continents.

2017 marked the launch and release of the first collaborative EP with UK producer Julio Bashmore, via their joint independent Conch Records, a label aiming to push out more underground cross-genre music with heavy rotation from the likes of Moxie and Shy One. With an ever-expanding global tour schedule and further solo releases on the legendary NYC house label Strictly Rhythm turning heads, T.’s upward trajectory has never showed signs of slowing down. Selected to soundtrack the social media campaign for boxer Anthony Joshua in 2019 and now using his technical prowess as a musician to educate the next generation of rising stars at London’s respected Point Blank Music School has cemented his status as one of the UK music scene’s key players.

Ray Mono, who first came onto the scene as a resident at well regarded Leeds party Mono_Cult more than a decade ago, is now helming the label of the same name.

After a notable first outing, he is quickly back with another of his supple and subtle minimal workouts. 'Synchronicity' is a brilliantly warm and bubbly opener with balmy pads and sci-fi signifiers, while 'Awakenings' picks up the pace for a more driving and late-night tech house vibe that oozes drum funk.

'Synchronicity' then comes as a Nu Zau remix with more chattery percussion and textured bass rumbles, and Sepp's remix of 'Awakenings' is deep, bumping minimal house. A super fresh EP once more.

Robert and Lyric Hood aka Floorplan return to Classic with two-track release ‘The Curse Breaker / What You Need’, further demonstrating their unique gospel house sound. With their growing catalogue of previous Classic releases gaining extensive club support from tastemakers such as Dan Shake, TSHA, Jamie Jones and Seth Troxler to name a small few, as well as widespread specialist radio support, the appetite for Floorplan’s Classic output is evident. Now the father and daughter duo return with another adventurous vocal sample for their latest release; ‘The Curse Breaker’ combines a religious sermon with expertly produced house, building from a small flame to its euphoric, blazing climax. Next up, ‘What You Need’ displays the duo’s disco influences with a heavy dose of classic 20th century soul.

Fool’s Paradise is the exciting new label from Toolroom Records’ Mark Knight - that comes straight from the heart, it’s a natural progression from his hugely acclaimed 2021 album release, ‘Untold Business’, which saw Mark go back to his roots, paying homage to the more funky, soulful, and vocal House from the 1990s from where he came.

With a focus on real instrumentation and production, coupled with great song writing, this new Toolroom sub label will be a platform for high quality House music that’s designed to stand the test of time. Launching the new label with a mighty bang and delivering the first in our exciting new vinyl sampler series is head honcho, Mark Knight who joins forces with Australian Toolroom label mate, Sgt Slick and British Soul sensation, Beverley Knight on a dynamite cover of Prince’s 1979 classic, ‘I Wanna Be Your Lover’.

Respectfully transporting the song onto today’s dance floors, Mark & Sgt Slick deliver a classy uplifting soulful house production, loaded with funky guitars, warm pads and sublime key performances. Adding the icing on the cake and putting her own stamp on things, Beverley belts out one of her signature spine-tingling vocals, garnished with lush harmonies and BV’s that would indeed make The Purple One proud!

Completing the vinyl package is Dance music stalwart, Opolopo, and British Soul icon, Jaki Graham, who together bring the dance floor heat with their new single, ‘Fire’. Powered by a potent soulful house groove from Opolopo, loaded with warm piano hooks, emotive synth melodies and a sublime popping bass hook, ‘Fire’ see’s Jaki flaunt her electrifying vocal talents with a show-stopping performance on this irresistibly catchy song.

- I Wanna Be Your Lover reached Traxsource #1 where it stayed for 6 weeks consecutively - Radio support on BBC Radio 2, BBC Radio Cornwall, Hedkandi, Kiss FM, Mi-Soul, Gaydio, Radio 105 / Montecarlo (Italy), Mambo Radio, Rinse fm, Select Radio, Totally Wired Radio, Point Blank, RTE, Power fm (Ireland), Metro FM (SA), Cool Fm, Radio Reverb, Radio FG (France), Release Radio and many more.

DJ support from Husky, Hector Romero, Javi Bora, Grace Bones, Judge Jules, Sebb Junior, Jay Vegas, Odyssey Inc, ATFC, Claptone, Black Legend, Cevin Fisher, Michael Gray, Kisch, Hoxton Whores, Full Intention, Booker T, Jamie Jones, Knights Of The Turntable, Sam Divine, DJ Rae, CASSIMM, Alex Preston

There are two versions of the vinyl - classic black and triple-color limited Indie Shop edition.

Both have special insert inside with the bands bio and photos.

Generacja JAZZ is a project showing a fragment of the new wave of Polish jazz, treading its own path, creating, touring and jamming across Europe. Borders don't exist - especially musical - the new generation is engaging with nightclubs, festivals and playlists. The time has now come to show its broader perspective. We created a project which involves a handful of groups that have already racked up debut albums and festival wins, as they set out on their musical odyssey. The groups also have other things in common, like their passion, originality and, for the needs of the project, age - all the artists during the recording of this album were under 30 years old. This is the new generation - the Jazz Generation.

For the Jazz Generation record we invited five bands who had already released debut albums: Immortal Onion, Klawo, Rejoin, Twoosty Mayonez and USO 9001. We also reserved two spots on the compilation for the winners of our open call competition, whereby on the basis of the jury's choice (jury: Monika Borzym, Paulina Przybysz, Envee, Wojtek Mazolewski i Marcin Groh Grośkiewicz) we met the winning bands: Kosmos and quietet.

The sleeve artist is Kornelia Nowak, who won our open call for young designers and graphic artists. Here once again we could rely on the opinion of a prestigious jury comprised of: Beata Śliwińska Barrakuz, Bovska, Maciej Animisiewasz Grochot, Grzegorz Forin Piwnicki i Marcin Groh Grośkiewicz.

Generacja JAZZ LP is also a start of the new imprint - U JAZZ ME, which will be focused on jazz from Poland.

And here are the bands from the album:

1. Immortal Onion - A band from the Tri-City playing a broad spectrum of instrumental music.

Band members: Wojtek Warmijak (percussion), Tomir Śpiołek (piano, synths), Ziemowit Klimek (Upright Bass, synths).

The band Immortal Onion has already established itself as one of the most interesting projects of the new wave of Polish jazz, and is consistently being labelled as such abroad. After two well received albums ("Ocelot of Salvation" (2017) and"XD Experience Design" (2020) U Know Me Records) they released their third album "Screens" in 2022, which was recorded with the well known Tri-City composer and saxophonist - Michał Jan Ciesielski.

The inspiration behind the band's formation were such artists as: Esbjörn Svensson, Hiromi Uehara, Tigran Hamasyan and Tosin Abasi.

The group's guiding principle from the very beginning was the fusion of often disparate musical styles, which bore "post instrumental aggressive gay pop". Despite the stylistic discrepancies, between which they swim, the group has forged its own identifiable language, characterised by complicated rhythmical structures, energetic riffs and trance beats with lyrical melodies.

The trio has performed its original material at many venues and festivals around Europe and Asia.

2. Klawo - seven adventurous adventurers from Gdańsk, who were brought together by their love for music, halvah and throwing Frisbee. Their self-named début album, released in 2022 on the local label Coastline Northern Cuts, is an amalgam of the inspirations of each of the team members and played backwards contains tips on how to reach the Kashubian pyramids. After a win at the international competition Jazz in the Park, held in Cluj-Napoca in Romania, the band began work on their second album. Meanwhile, they were also travelling the length and breadth of Poland on a mission to infect people with the idea of Baltic Funk.

3. Kosmos is a Łódż based jazz quintet. It was formed in 2020 by Pianist Stanisław Szmigero, Saxophonist Iwo Tylman and Trumpeter Jan Ostalski. However, it wasn't until 2022 that Kosmos found its true form when Kamil Gużniczak (Upright bass) and Kacper Kuta (Percussion) joined the line-up.

Their compositions are influenced by Polish yass bands, electronic music and hip-hop. Kosmos music is a mix of lyricism, space, intensity and elements of experiment.

The band members are all eccentric characters possessing different means of musical expression - looking at them, one could even argue they are a group of oddballs. Despite this, for reasons unbeknownst to themselves, the members of Kosmos complement each other on stage and form a unified artistic vision of the world around them.

Kosmos officially released their début single "Ja" in June 2023. They regularly play concerts across Poland and recently were selected as distinguished artists at JAZZiNSPIRACJE (JAZZiNSPIRATION) - a competition held during the 13th Lublin Jazz Festival.

4. Quietet (formed at the beginning of 2023) is the result of meetings between five talented musicians with a deep passion for musical creation. Its sound is a unique blend of Jazz and classical music with a hint of hard rock. The band is inspired by the Scandinavian approach to making music, which brings a characteristic atmosphere and melodies to their work. Their music captivates listeners with its originality, refined improvisations and flawless technique. Both classical and modern musical trends feed their inspiration when creating passionate and emotional compositions.

Their works are full of sound experimentation, which equally surprise and expose new musical horizons. Through their compositions, "Quietet" aims to share their emotions evoked during performances, creating a musical journey that affects and inspires.

5. Connecting jazz with electronic music in fresh interpretations, six young musicians make up the group Rejoin. The group re-formed in 2020 after a four-year break, playing their debut concert at Lotos Jazz Festival Bielska Zadymka Jazzowa. The musicians in Rejoin have performed alongside such artists as: Urszula Dudziak, Krystyna Prońko, Marcin Masecki, Szczyl, Kuba Więcek and Paulina Przybysz.

Most of the members of Rejoin are students from the Katowice Music Academy, where they also develop their own projects. Rejoin was a recipient of the Fabryki Norblin Music Masterclass Foundation scholarship.

6. Twoosty Mayonez is something your grandad would listen to with his younger sister. The non-standard approach to jazz alongside a pursuit of strange sounds, culminated in the conceptual album entitled "Carmin". The material was created by Bartosz Wolerta (percussion) and Dominik Kaniewski (bass guitar/synths). "Triceradiplodocus" tells the story of a mechanical dinosaur that lives on the yet undiscovered planet Carmin.