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"Island Time" is the latest album from Joel Sarakula and his first since relocating to The Canary Islands at the height of the pandemic. From his home in the UK he accepted an invitation to perform a special concert Alfredo Kraus Auditorium in Las Palmas, Gran Canaria in November 2020 not realising it would change his life.

"Island Time" is a collection of songs covering themes such as island life, city life, loneliness and romantic love and our relationship with nature.

Stylistically covering soft-rock, soul, disco and reggae, "Island Time" and its first single "Tragic" is broad in scope but ultimately a cohesive record, with the production focusing on a small group of musicians featuring Phil Martin (Dawn Patrol, Martin & Garp) on drums and Xav Clarke on guitar and bass. Building on his previous records "Love Club" and "Companionship", Sarakula expands his palette with a broader use of synthesizers and drum machines and makes stylistically adventurous choices such as the AOR samba of "Dinosaur" and the 70s-cod reggae inspired title track "Island Time", a tribute to escape and re-invention. Sarakula sings "Don't bother me I'm on island time, don't bother my mind once again." For any overworked and over-connected city-dweller, this plea for isolation in a tropical island is a beautiful fantasy.

"Island Time" will be released on Jan 20th, 2023 with Sarakula bringing some tropical sunshine to the freezing European winter in January and February with performances already confirmed in The Netherlands and Germany.

For nearly 60 years, John Cale has been reimagining how his music is made, sounds, and even works. MERCY, Cale’s first full album in a decade, moves through true dark-night-of-the-soul electronic torment toward vulnerable love songs and hopeful considerations for the future with the help of some of music’s most curious young minds. Cale has always searched for new ways to explore old ideas of alienation, hurt, and joy; MERCY is the latest transfixing find of this unsatisfied mind.

John Cale announces MERCY, his first new album of original songs in a decade, out January 20th via Double Six / Domino. For nearly 60 years, or at least since he was a young Welshman who moved to New York and formed The Velvet Underground, Cale has been reinventing his music with dazzling and inspiring regularity. There was the bewitching chamber folk of Paris 1919 followed instantly by the gnarled rock of Fear, the provocative and spare song cycle Music for a New Society followed more than 30 years later by mighty and unabashed electronic updates. Once again, here is Cale, reimagining how his music is made, sounds, and even works. His engrossing 12-track MERCY moves through true dark-night-of-the-soul electronics toward vulnerable love songs and hopeful considerations for the future.

On MERCY, Cale enlists some of music’s most curious young minds: Animal Collective, Sylvan Esso, Laurel Halo, Tei Shi, Actress. They’re only some of the astounding cast here, brilliant musicians who climb inside Cale’s consummate vision of the world and help him redecorate there. Cale turned 80 in March, and he’s watched as many peers have passed away, particularly during the last decade. MERCY is the continuation of a long career’s work with wonder. Cale has always searched for new ways to explore old ideas of alienation, hurt, and joy; MERCY is the latest transfixing find of this unsatisfied mind.



The writings and recordings that shaped MERCY piled up for years, as Cale watched society totter at the brink of dystopia. Trump and Brexit, Covid and climate change, civil rights and right-wing extremism—Cale let the bad news of the day filter into his lines, whether that meant contemplating the sovereignty and legal status of sea ice melting near the poles or the unhinged arming of Americans. Lessons from a life (still being) richly lived floated to the fore, too, nodded to on the previously released “NIGHT CRAWLING.” If we’re always regretting our past, aren’t we conscripting ourselves to permanent disappointment?

During “STORY OF BLOOD,” after the piano prelude gives way to a frame-rattling beat and synthesizers that feel like sunshine splashed across a snowfield, the voices of Cale and Weyes Blood’s Natalie Mering slide past one another, two phantoms trying to find a partner amid the modern din. “Swing your soul,” they both sing in aspiration. In the final verse, Cale remembers this existence is not just about himself. “I’m going back to get them, my friends in the morning. Bring them with me into the light.” The accompanying video by Emmy-winning director Jethro Waters is a mix of disturbing and serene featuring both Cale and Weyes Blood. Its deep tones and religious images emphasize the track’s dark, spiritual mood.

Cale elaborates: “I’d been listening to Weyes Blood’s latest record and remembered Natalie’s puritanical vocals. I thought if I could get her to come and sing with me on the ‘Swing your soul’ section, and a few other harmonies, it would be beautiful. What I got from her was something else! Once I understood the versatility in her voice, it was as if I’d written the song with her in mind all along. Her range and fearless approach to tonality was an unexpected surprise. There’s even a little passage in there where she’s a dead-ringer for Nico.”

One of our all-time favourite artists and extended Circus Company member The Mole returns to the label for a proper presentation of his album The River Widens. Originally a limited, cassette-only release via fellow Canadian Eddie C’s Red Motorbike, we are proud to offer this album in its full glory for the first time on all formats.
Never one to shy away from synth deep dives, or raw sample flip collaging, this collection of 21 works checks all the boxes. Ambient trippers to straight up neck-snapping instrumental beats. Not forgetting tastes of the more uptempo, highly-assured and hypnotic dance floor feels the world has come to love The Mole for. Moments of casual chillin are interspersed with effortless, emotive angles, some evoking the charm of his Little Sunshine release for us in 2017.

X-pert Profat opens the set with sly statements that give way to relaxed and subtle keys over gentle, midtempo rhythms. Things switch up nicely into easy, Northwest Coast boogie-meets-beatdown feels inBreak For Ma, followed by a solid array of almost Jaylib-schooled boom bap twists, like the aptly-titled Drums 2002 and Jo Barker. Ambient cuts like AR Dayand New Family offer a refreshing tap of the brakes, setting the scene for the gorgeous, Jarre-esque Weak Stranger. We also get treated to Repepepater’s nod to Detroit house, urban-mode Balearic feels on They Work For Mr. O, and sneak
attack lo-fi future funk in the form of UFOs Over Egypt, with Montreal co-pilot Cristobal on a wild shisha-lit vox narrative, earlier versions of which have blessed many of our label comrades’ DJ sets, from Dave Aju to Vincent Lemieux.
The River Widens expands beautifully on the breadth of unique musical directions The Mole is capable of taking us in, now spread across fresh 2x12” vinyl and available digitally for the first time, along with another limited edition cassette run - we hope you enjoy the ride as much as we do!

80g, schwarzes Vinyl. Re-Release des ursprünglich 1974 erschienen Albums von Gille Lettmann aka Sternenmädchen. Live im Quadro-Studio: Gille und Klaus Schulze. Musikeinblendungen von den LPs "Seven Up" (Ash Ra Temple & Timothy Leary), "Lord Krishna von Goloka" (Sergius Golowin), "Tarot" (Walter Wegmüller). Statements von Sergius Golowin, Timothy Leary, Brian Barritt, Walter Wegmüller, Liz Elliot, Rolf-Ulrich Kaiser. Aufgenommen im Zeitschiff Studio Dierks. Sorgfältig transferiert und remastert von den originalen, analogen Masterbändern durch HaGü Schmitz in den Dierks Studios in Pulheim-Stommeln im Jahr 2022. ENG 180g, black vinyl. Comes in a standard sleeve. Re-release of the original 1974 album by Gille Lettmann aka Sternenmädchen / Star Maiden. Live in the Quadro Studio: Gille and Klaus Schulze. Music inserts from the LPs "Seven Up" (Ash Ra Temple & Timothy Leary), "Lord Krishna von Goloka" (Sergius Golowin), "Tarot" (Walter Wegmüller). Statements by Sergius Golowin, Timothy Leary, Brian Barritt, Walter Wegmüller, Liz Elliot, Rolf-Ulrich Kaiser. Recorded at the Zeitschiff Studio Dierks. Carefully transferred and remastered from the original analogue master tapes by HaGü Schmitz at Dierks Studios in Pulheim-Stommeln in 2022.

Mercury Studios veröffentlicht am 20. Januar 2023 Ella Fitzgeralds ersten Auftritt beim Montreux Jazz
Festival auf CD und LP.
Ella Fitzgerald ”Live At Montreux 1969” zeigt die First Lady of Song in Begleitung des Tommy Flanagan
Trios in einem Set, das zeitgenössische Titel wie ”Sunshine Of Your Love” und ”Hey Jude” mit Klassikern
wie ”I Won’t Dance”, ”That Old Black Magic” und vielen anderen kombiniert.
Diese Show wurde ursprünglich 2005 auf DVD veröffentlicht und wird nun zum ersten Mal auf CD und LP
herausgebracht.

The American-based funk/disco band Heatwave formed in 1975 and its lineup originally consisted of Johnnie Wilder Jr., Rod Temperton, Roy Carter, Mario Mantese, Ernest (Bilbo) Berger and Eric Johns. Their most popular hits include “Boogie Nights” and “Always And Forever”, which both feature on the 1976 debut album Too Hot To Handle. “Boogie Nights” charted at #2 on both the UK Singles Chart and the Billboard Hot 100 and was certified Platinum by the RIAA. The track was covered many times, including by KC and the Sunshine Band, Will To Power, 911 and The Weather Girls. The album Too Hot To Handle is produced by Barry Blue, who also produced for Andrea Bocelli, Diana Ross, Celine Dion and The Wanted amongst others.

Too Hot To Handle is available on vinyl for the first time as a 2LP expanded edition, featuring 8 bonus tracks, including 2 alternative versions of their disco classic “Boogie Nights”. This 2LP-set is available as a limited edition of 1000 individually numbered copies on pink & purple marbled vinyl.

** Very Rare Disco/Modern Soul 2-Sider **

Born in Fayette, Missouri, Earl Turner made his recording debut in the late 1970s with a 45rpm single on his own De-Pact label ("S'port City Rock" b/w "Sunshine"). "S'port City Rock" can also be found on Tramp's "Can You Feel It? Vol.3 Modern Soul, Disco & Boogie 1976-85" compilation (Tramp TRLP/CD-9099) along with some more information about him.

With so much going on in the world right now, it's safe to say we need to spread far more Joy then is circulating…

And who else deliver's Joy of this magnitude? The king of disco, Dr Packer. The Legendary Champion Records has enlisted the mirror ball man of the last decade to flip this absolute classic from Staxx and the gorgeous vocals of Carol Leeming. Perfect for sunsets AND sunrises, charge your cocktails!


DJ Feedback:

David Guetta - tasty update

Utah Saints - Minitsry Of Sound / FFRR - Cool groove. Production on point

DJ Kue - Dope!

MING - Nice one, I'll Play !!!

Steven 'Sugar' Harding - Milk & Sugar / M&S Recs - Love it!

DJ Rae - Good memories, nice work

Ember - Huge!

D.O.N.S. - Cool House tune. Support!

Black Legend - Defected / Simma Black - big one

Ruben Mandolini - Snatch! / Mother / Saved - Nice!

Sugarstarr - Defected / Toolroom / Vienna - Excellent

Tommie Sunshine - PACKER ALWAYS DELIVERS!!!

Vanilla Ace - Nice sounds

Kyle Kinch - Realm / Solotoko / Farris Wheel / HUGS - groovy

Severino - sweeet

MB Mgmt - top draw !

Jerk Boy - I've been eye'ing of this for a reboot for years ! I played this to death back in the day!..great remix !

Yolanda Be Cool - Sweat It Out / Club Sweat - cool...

The Locket is the coming together of two masters of their craft to create something hopeful in a time of unrest. Its title track refers to memories of happier times: “we fill a locket with memories we protect, and don’t forget to keep it round your neck.” It’s a reminder to focus on positivity in the face of adversity. A collaborative project designed to be enjoyed together. A celebration of music, unity and looking ahead. It couldn’t have come at a better time. The Locket features ten tracks cut from sessions that span over eighteen months. It’s sunshine-dappled, psych-tinged, hip-hop flavoured, leftfield pop. Samples and beats, bars and this unique sort of retro futurism that zips from sepia-tinged to full technicolour almost as fast as Barney’s flow. So many reference points that burst at the seams trying to pick a genre. Perhaps most importantly, it’s an utterly joyful listen from start to finish; invaluable in a time when everyone is hard-pressed to find ways to brighten their days.

At the spearhead of the music press, Tsugi presents for the first time its selection in this vinyl CLUB from Laurent Garnier through Agents Of time and Vitalic.
















p 16 Cheek - Venus (Sunshine People) DJ Gregory Radio Edit

-European fall tour is sold out across all venues, with a U.S. tour set for 2023. Supported by fans and listeners of Thundercat, Silk Sonic, Jungle and Steely Dan. Album single, “Rolling Back” has been featured across multiple editorial playlists via major DSPs, including Spotify’s Soul ’n’ the City, Retro Pop, Stay Tuned!, Happy Stroll and Ready for the Day. Young Gun Silver Fox, the acclaimed indie duo from the UK with yacht-rock tendencies comprising of Andy Platts of Mamas Gun and Shawn Lee (vagabond award-winning video game composer) announce their highly anticipated fourth studio album Ticket to Shangri-La. The album showcases a band at the very top of their game, fine-tuning their potent brew of sun-kissed pop-soul, west coast AOR and natural groove with a skill for composition and production that sees them forging ahead down a musical highway blessed with blue skies and positive vibrations. For both participants, the chance to make a new record together is always a liberating experience, as Andy explains; “I always come back to Young Gun Silver Fox like taking a drive to the coast and I just smell the ocean and the air and it’s like ‘wicked I’m back here again’ and I can just kick back and enjoy it.” The chemistry and craftmanship on Ticket to Shangri-La means that Young Gun Silver Fox do exactly as the title suggests, transporting the listener to a magical, mythical world of sunshine and good vibes, a musical and spiritual ethos born from the minds of two gifted musicians that stand as the embodiment of all they do best, whilst providing the perfect invitation into their unique world.

repressed !

After the trilogy of King Sporty & The Ex-tra's EPs in 2018, Emotional Rescue returns to the music of Noel Williams with this first ever single release of his 1976 reggae disco bomb, Safari, backed with a special discomix by Lexx.

Taken from William's debut album, Deep Reggae Roots, it can be considered a culmination of his career to date, from growing up on the streets of Kingston, Jamaica, to his first singles for Studio One and Trojan, his relocation to Miami and the birth of his Konduko label and moves to incorporate the local clubs growing affiliation with funk and disco.

Prescient to the coming wave, Williams enlisted some of Miami's finest in George Perry and Clay Cropper (Chocolate Clay), Ron Smith (KC & The Sunshine Band) and legendary producer Alex Sadkin (Compass Point, Bob Marley, Grace Jones, Talking Heads).

The stand out from the album, Safari, with it's hazy, low slung groove of razor sharp rimshot, guitar licks and funk bass is topped with an incessant chant 'Disco, Safari'. Criminally brief, the choice of Lexx to step in the mix was a simple one. His dubbed rework is perfect, laidback, letting the groove roll and King Sporty's mantra shine.

After a recent 7" single release, Bongo Joe Records follow the debut album from Nyati Mayi & The Astral Synth Transmitters. Nyati Mayi, a Belgo-Congolese multi-instrumentalist, singer and improv dancer has joined up with DJ & producer Sofa Elsewhere. After a performance at this year's BBC Radio 3 After Dark Festival the duo have a busy live summer in Europe including a show a the Best Kept Secret Festival. Early support from Worldwide FM, Late Junction and AfroBase.

Japanese street music icon, Yasushi Ide released new album featuring Don Letts, Josh Milan, Jeff Mills, DJ Krush and more.


"This is a sound track for rude, underground adults! Amazing mixture of reggae, dub, funk, jazz, rock, afro, house. Masterpiece that goes beyond genres of music created by great producer, Yasushi Ide who has relentless motivation and global network of talents." - Shuya Okino (Kyoto Jazz Massive / Kyoto Jazz Sextet)

"Great album! It is amazing to finish such a big project involved many collaborators at this high quality only in a year and 4 months. The magic of Cosmic Suite is there are variety of styles, and it makes you feel deep and spiritual at one point, but at the same time you can feel relaxed. Also, I have to say that the sound quality is great. It sounds very clear and it can only be done with top level recording and mixing professionals." - Ken Ishii

Yasushi Ide is the Japanese street icon. In the 90's he was called "the Guru of Shibuya-kei" which was the movement of Shibuya style of eclectic pop by the artists such as Cornelius, Pizzcato Five, or Original Love who is once again recognized in City Pop revival of recent years. (Yasushi Ide was a manager of Original Love, and also Kenji Ozawa)

Through his works, he has been creating the global network of musicians such as Josh Milan of the Blaze, house music icon, Don Letts, the pioneer of connecting punk rock with reggae, and Jeff Mills, Detroit techno legend, and released a great amount of hi-quality music on his label, Grand Gallery.

The Cosmic Suite project started in 2020, during the pandemic. It started as a project to reconstruct the parts of music Jeff Mills created for Chieko Kinbara, a violinist which Mills produced. However, it turned out to be 36min of spaced themed original track = Cosmic Suite.
(There are few phrases of Jeff Mills music left in the final version) This masterpiece created a buzz in the music scene in Japan and overseas, and became Yasushi Ide's new beginning.

In June, 2022, Ide released "Cosmic Suite 2". Originally, Cosmic Suite was an instrumental. "Cosmic Suite" is the reconstruction of "Cosmic Suite 2" with the element of vocals. In this project, Don Letts, Josh Milan, DJ Krush are featured as guest musicians. Moreover, drums of Tony Allen, the legendary Afrobeat drummer, and Style Scott, a drummer known for his works in early days of ON-U label, and Gota Yashiki, a Japanese drummer known for his works with Soul II Soul are featured in this album. Also, Japanese brightest talents such as Kan Takagi of Major Force, Kaoru Inoue aka Chari Chari, Tomoyuki Tanaka aka Fantastic Plastic Machine and Calm are featured as artists and engineers. This is the true dream team of the Japanese underground music scene.

The artwork is done by Josue Thomas, the founder of popular fashion brand, Gallery Dept. He is also featured as poetry reading artist in track 1 of "Cosmic Suite 2." Ide and him collaborates in various projects under the concept of "Universal Music Connection."

Yasushi Ide's also well received as a dub artist. (beside his wide range of musical styles)
His dub cover of Bill Withers' "Ain't No Sunshine (Space Dub Mix)" is selected for "Late Night Tales mixed by Don Letts" in 2021.

Highlight of "Cosmic 2" is the unique dub sound in tracks such as "Lava" feat. UA, the Japanese singer often described as "Japanese Bjork", and "Sumimasen Suite" feat. Rebel Dread (= Don Letts).

Tokyo is the melting pot of street music from all around the World such as Dub, Jazz, House, Hip Hop, Afrobeat, Punk rock, Techno,,, You can see the influence of all spectrums of rebel music in this album. This unique avant-garde music can only be created by Yasushi Ide, who has been heavily involved in this truly unique music scene for a long time.

Up for the third installment from the Atlanta, USA based Mithra records, is the first EP of crew member Tito Mazzetta's new moniker as Titino. Titino takes his debut EP into hyperspace with a dance floor oriented EP for all types of rave, dark spaces, and club moments. There is a mood for all types of moments and record bags with a beautiful and ethereal remix by Paolo Mosca. This third installment from the Mithra crew pushes them through the glass ceiling into a multi faceted interpretation of electronic music.

"It's the artist's business to create sunshine when the Sun falls"
- Romain Rolland

Erstmals auf Vinyl: Das zweite Album des britischen Singer/Songwriters Matt Hales aka Aqualung von 2003 mit der Single 'Brighter Than Sunshine'. Mit zusätzlicher Bonus-LP mit Liveaufnahmen aus 2004 aus der St James Church und dem Shepherd's Bush Empire. Himmelblaues Doppelvinyl.

- 'A stunning collection of mostly fragile songs that reels you in and chills you out.' - The Times
- 'A tingling, shimmering collection of gorgeously crafted songs from Matt Hales.' - Telegraph
- 'Unquestionably the greatest collection of painstaking, finely wrought pop to be released this year.' - Sunday Times

After a recent 7" single release, Bongo Joe Records follow the debut album from Nyati Mayi & The Astral Synth Transmitters. Nyati Mayi, a Belgo-Congolese multi-instrumentalist, singer and improv dancer has joined up with DJ & producer Sofa Elsewhere. After a performance at this year"s BBC Radio 3 After Dark Festival the duo have a busy live summer in Europe including a show a the Best Kept Secret Festival. Early support from Worldwide FM, Late Junction and AfroBase.

For Dizzy everything starts and ends with laughter. In the meantime, all paths are possible. That of melancholy, of dance or of political commitment... Dizzy is everywhere at once, always elusive, he is this explorer who, after having been one of the founders of Bebop in the 40's, will never stop experimenting, surprising and pushing back the borders. Proud of his Afro-American heritage, he knew like no other how to confront it with other cultural horizons such as Latin America or Cuba. On 25 August 1973 Dizzy Gillespie came to the Dutch public in Laren. True to form, he introduced his musicians in a mischievous and generous mood and then launched thunderously into a Caribbean tempo that lasted 19 minutes! Then, in a deep voice, Dizzy evokes his friend Martin Luther King. He dedicates "Brother K" to him, a tender ballad punctuated by flashes of storm and anger. As a conclusion Dizzy invokes his roots: "The Blues", where he abandons his trumpet to unleash the full force and warmth of his voice. The musicians withdraw to a surprisingly light theme. We leave as we arrive, on tiptoe. However, we leave with a certainty: "Yes Dizzy, you made it".

Dizzie Gillespie, Trumpet and Vocals
Mike Longo, Piano
Alexander Gafa, Guitar
Earl May, Bass
Mickey Roker, Drums
Guest Artist : Jon Faddis, Trumpet on tracks 9 and 10

Recorded at the Singer Concert Hall

Laren Jazz Festival, 25.VIII.1973

STEREO ℗ 1973 VARA

Remastered by ℗ & © 2017 FONDAMENTA

Made and printed in Germany

Thirty-five years since the release of their landmark debut album This Is The Story, and 34 since the release of Sunshine On Leith, the second album that made them international stars, The Proclaimers are back with their 12th studio album. And, at the ripe young age of 60, the fire and ire of Craig and Charlie Reid remain righteously undimmed. Dentures Out is a record of the times, for the times, the twins at their political, observational, satirical and fist-punchingly tuneful best.
Dentures Out is 13 songs clocking in at a lean, tight, focused 34 minutes. Only one number, the closing What The Audience Knew, busts the 180-second mark. The rest are sub-three-minute miniatures of polemical pop perfection, recorded at Rockfield in Wales in three quick weeks in spring 2022, lent six-string wings by guest guitarist James Dean Bradfield and produced by Dave Eringa (Manic Street Preachers), his third consecutive album with the Scotsmen.

For fans of - Booker T & The MGs, James Taylor Quartet, Georgie Fame, Big Boss Man. Groovy Hammond garage rock instrumentals from Billy Childish (Thee Headcoats/CTMF etc) and featuring James Taylor (Prisoners/JTQ) We’re loving this new album by The Guy Hamper Trio! Who’s in the band sunshine? Mainly myself on guitar, Julie on bass, Wolf on drums, and of course Jamie on Hammond. A great bonus is Thee Headcoats with Bruce and Tub guest as rhythm section on a track or two. You and James Taylor go back a long way. Do you remember how you first met? The Prisoners were a young group who played with us (the Milkshakes) in the early 1980s. One day they turned up with an organ player, Jamie. Jamie used to then borrow my Selmer guitar amp to play through. You’ve revisited a few old classics on this album, and given them a true makeover. How would you describe The Guy Hamper Trio’s sound? I guess there must be a derogatory term for it but I might need some help finding it. In the very early days of The James Taylor Quartet (Wolf was their drummer back then), I was in the Natural Born Lovers (A blues group with Big Russ and Sexton Ming). We used to be the support for them. I really liked their sound and I guess The Guy Hamper Trio is not a million miles from that blues-influenced, film soundtrack vibe, man. There you made me say “man”. Next thing you know I will be saying “cool!” Let’s just say it's a wizard sound, Jamie is such a great player. Prior to this album The Guy Hamper Trio’s sole release was the ‘Polygraph Test’ 7” from 2009. Why such a big gap? It takes time for all of us to get all our solders in line. “Get on with it mush! And trifle not, your time is but short!” What inspired the album’s title track All The Poisons In the Mud? It’s actually the title of a novel I’ve been writing, and rewriting, over the past 12 years, and is taken from a quote from I Claudius by Robert Graves - a formative influence on me as a 15 year old. The sleeve art is pretty different to your other recent records, could you tell us a about that? Who designed it? I nominally designed it but the truth is that it's essentially a rip off of a Saul Bass sleeve he did for Duke Ellington. We started mining that seam back in the Milkshakes when Bruce (Brand) did the sleeve for Thee Knights of Trashe. The album closes with a storming cover of Jimi Hendrix’s “Fire”. What do you think Jimi would make of your version? I've been a fan of Jimi since my elder brother brought his records home in the '60s. Jimi was well known to “dig” others work and interpretations and would no doubt smile, narrow his smoky eyes and say “cool man!” and I would no doubt reply "wizard Jimi!" TRACKLISTING 1. All The Poisons in the Mud 2. Come Into My Life 3. Moon of the Popping Trees 4. Girl From '62 5. Full Eclipse of the Sun 6. Sally Sensation 7. 7% Solution 8. Step Out 9. Polygraph Test 10. The Kids are all Square 11. Skinwalker 12. Fire