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Repress!

Deluxe Edition of PDM's massive Exotica LP features 2 x Purple Vinyl, 2 x Printed Inner Sleeves in Embossed Gatefold Sleeve with A2 Poster includes full Exotica album plus 3 bonus tracks: “In The Dark” with Sophie and the Giants “Rise” featuring Tasita D’Mour “Twisted Mind” featuring Agnes. Limited Edition.

Collecting Orders For 2025 Repress

The gift that keeps on giving, Purple Disco Machines’ ‘Exotica (Deluxe Album)’ is being treated to some epic remixes of your favourite songs now available on vinyl.

First up a Club Dub version of ‘In The Dark’ and Monte Remix of ‘Can’t Get Enough’ which are both guaranteed to get you on your feet.

2022 REPRINT 10 years anniversary reprint of the amazing record of Piotr Kurek! As a composer and multi-instrumentalist with a penchant for vintage sound equipment, as well as the practical sense to know where their limitations are, his musical compositions –part melodic narrative, part sound collage –distil a sense of nostalgia into a romance for the present. Using a Moebius comic he had never seen (Le Monde d’Edena) and an instrument he would never have (a Mellotron) as a conceptual starting point, the Warsaw-based, Polish artist presents Edena.a hypnotic, circular motion pervades all of Edena; a cyclic life force that gives the impression of forward motion, while really folding back on itself, reflected by the infinity symbol of the cassette cover.

Die Standard-Doppel-LP-Version enthält das Remaster zum 20-jährigen Jubiläum und die A Fever You Can't Sweat Out (Demos).
Nach ihrem aufsehenerregenden Auftritt beim When We Were Young Festival in Las Vegas feiern Panic! At The Disco weiterhin die zwei Jahrzehnte seit der Veröffentlichung ihres bahnbrechenden, mit Mehrfach-Platin ausgezeichneten Debütalbums mit der Ankündigung der A Fever You Can't Sweat Out (20th Anniversary Deluxe) Edition.


Das wegweisende Album, hervorgehoben durch den neu mit Diamant-Status ausgezeichneten Hit „I Write Sins Not Tragedies“, katapultierte die Band aus Las Vegas zum Rock-Star-Ruhm und etablierte sie als eine der prägendsten Acts ihrer Generation.


Entdeckt von Pete Wentz von Fall Out Boy, als die Bandmitglieder noch Teenager waren, explodierten Panic! At The Disco mit der Veröffentlichung von A Fever You Can't Sweat Out im Herbst 2005 in die Musiklandschaft. Das Album erreichte die oberen Ränge der Billboard 200 und feierte Mehrfach-Platin-Erfolge.


Die Breakout-Single der Veröffentlichung, „I Write Sins Not Tragedies“, wurde zu einem der bekanntesten Songs dieser Ära, erreichte die Top 10 der Billboard Hot 100 und wurde ein Radiohit in verschiedenen Formaten. Die ikonische Hymne findet weiterhin großen Anklang bei Musikfans und erhielt kürzlich eine RIAA Diamant-Zertifizierung für über 10 Millionen Streams/Verkäufe.


Angetrieben von Hymnen wie „Build God, Then We’ll Talk“, „The Only Difference Between Martyrdom And Suicide Is Press Coverage“ und „Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off“, hat das Album bis heute Verkäufe von über 5 Millionen Alben und fast 4 Milliarden globale Streams generiert.

The Yolanda Be Cool EP captures the playful energy and globally-inspired grooves that define their sound.

Leading the charge is the iconic multi-platinum hit ‘We No Speak Americano’, complemented by the equally infectious ‘Dance And Chant’.

The flip side features the massively recognisable ‘Sugar Man’ and club favourite ‘Soul Makossa (Money)’.

These four tracks are a true representation of the innovative sound design that cemented Yolanda’s status in house music.

Limited Pressing act Fast.

2026 REPRESS!

Limited edition, ultra clear vinyl version of RÜFÜS DU SOL's standout Innerbloom Remix EP. Calling on a who's who of modern electronic’s greats, they harness the unquestionable expertise of this all-star cast to adapt their dark, emotive and gargantuan single 'Innerbloom'.

The result is an array of dancefloor-destined destruction from the legendary UK superstar Sasha, melodic deep house wizard Lane 8, and Germany's very own H.O.S.H.

The roots of African music are always open to new possibilities. This is revealed in the music of this unprecedented quartet. Alongside the Malian singer Rokia Traore', Mamah Diabate, Malian griot and djeli ngoni player, has been playing for several years with Stefano Pilia (Afterhours, Massimo Volume). Now, their path intertwines with the artistic and human partnership between Jabel Kanuteh, Gambian griot and kora virtuoso, and percussionist Marco Zanotti(Classical Afrobeat Orchestra, Cucoma Combo). The union of these two pairs develops unusual geographies and architectures, where dual African and Italian identities merge into one universal sensibility. The predominant Malian and Gambian modes chase each other, but all is fused into a broader rhythm factory or embellished by more abstract and liquid experimental digressions. The curiosity and pliability of the individual musicians search for a language that is both current and contemporary, always poised between ancient and modern, landscape and narrative, with jazz, rock and folk influences.

This album is both a musical and political document that tells the story of one of the most brutal massacres that took place in 1976 in a Palestinian refugee camp during the Lebanese Civil War. Pianist Gaetano Liguori, along with Giulio Stocchi and Demetrio Stratos (the legendary singer of the band Area), composed this album, a gut-wrenching blend of free jazz, poetry, and Mediterranean music. The first edition was released in 1978 and, after almost 50 years, unfortunately, nothing seems to have changed. If we call ourselves human, we cannot help but grieve for the suffering of the Palestinian people. This is the third edition of the album, and as with the previous releases, all proceeds will go to charity. This time, we have chosen to donate the funds to UNRWA.

The scottish singer-songwriter and multi-instrumentalist James Yorkston and the english guitarist with a fluid fingerpicking touch, David A. Jaycock, already played together in the first formation of the experimental folk ensemble Big Eyes Family Players. Their encounter with Swedish saxophonist Lina Langendorf gives rise to a little gem of pure acoustic candour, perfectly balanced between chamber avant-garde and neo-folk. As on an endless autumn evening in front of a lake in Finland or Estonia, the trio's nordic soul creates atmospheres that recall hidden nostalgia. In a process of rarefied sound matter, elegiac paintings spring up, moments that flow slowly and silently in a tension that is always suspended and unresolved. Soft, crepuscular passages, at times sharp and cold guitar, but also the velvety breath of the nickelharpa, combine with a saxophone that still blows dramas of distant Norwegian fjords, but can also become more Mediterranean and arabesque. The music becomes like a warm warmth around the fire, reflecting a hidden twilight zone of the soul, in a quiet, gentle whisper between poetic abstraction and arpeggiated themes of more recognisable narrative melody, typical of a certain Northern folklore.
Co-Release with We are busy bodies.

At the end of the 1980s, Mariolina Zitta approached the world of natural sounds, studying musicology and developing a passion for speleology. Her encounter with Walter Maioli was fundamental, guiding and influencing her definitive research into sound archaeology and the primitive sources of musical acoustic phenomena. In these recordings Mariolina conducts a magical ritual as a cave priestess, celebrating the icons par excellence of the mysteries of the an ancestral enchantment on the border between consciousness and dreams, a symbolic liturgy of primordial reverberations, echoes and whistles. Edition of 200 copies.

Gagaku is the oldest of the Japanese performing arts, with a history more than a thousand years old. The term refers to Japanese classical music and dance, traditionally performed by families of musicians linked to the ancient Imperial court, and later passed down in Buddhist temple ceremonies and Shinto shrines. Shiba Sukeyasu, founder and director of the Reigakusha ensemble, descends from the Koma clan, whose origins date back to the end of the 10th century. The recordings partly reflect repertoires borrowed from Chinese music between the 5th and 9th centuries. The incredible variety of timbres of the instruments greatly amplifies our exotic imagination: the eternal breath of the flutes (ryuteki and hichiriki) creates a sort of suspension of time, together with the hypnotic and hallucinatory atmosphere of the mouth organs (shō). The meditative tone of the string instruments (bika and koto) that punctuate the voids and silences is impressive, as is the enigmatic percussion section, with the tolling of the gong (shōko) and the calibrated beats of the drums (taiko and kakko).

2025 Repress
Remixes

Releasing four of the biggest dance tracks of 2018 and crowned as the #2 Beatport Artist Of All Time, Dresden born disco-house producer Purple Disco Machine has quickly become one of the most prolific and sought after producers in the industry.

Following on from the hit single ‘Dished (Male Stripper)’, Purple Disco Machine returns to his club anthem ‘Body Funk’, teaming up with industry icons Carl Cox, Claptone, and Australian rising star Dom Dolla, serving up this mammoth 'Body Funk' remix EP.

DJ Support:

Black Madonna, Jamie Jones, Fatboy Slim, Annie Mac, Pete Tong, Danny Howard

Taylor Swift's 12th studio album, The Life of a Showgirl, will be released worldwide October 3, 2025. The LP includes 12 songs, Portofino Orange Glitter Vinyl, Double gatefold jacket, unique front and back cover, and never-before-seen photos and album lyrics. The Life of a Showgirl CD includes 1 double-sided folded poster, collectible disc artwork and an 8-page lyric booklet that includes never-before-seen photos and song lyrics.

The undisputed king of Disco House Purple Disco Machine returns to his club roots with retro-inspired release ‘Ghost Town’ ft. Rertosonix. Fresh off reworking the Hurts classic ‘Wonderful Life’ and delivering a huge remix for ‘Born Again’ (Lisa ft. Doja Cat & RAYE), the Dresden-born producer is once again ready to conquer the dancefloor with his signature sound. Tailor-made for that insatiable desire to dance, it’s a release engineered for movement, locking straight into the pulse of late-night energy and crowd euphoria. As such, the track is unsurprisingly becoming a favourite in Purple Disco Machine’s sets already, where dates in Mexico, the USA, and Spain have left the dancefloors anything but a ‘Ghost Town’. Armed with a dancefloor weapon, Purple Disco Machine drops the release early for DJs on Beatport.

A master of channelling the nostalgia of dance music’s beginnings and blending it with a modern-day flair, Purple Disco Machine has expertly crafted a record reminiscent of throwback disco cuts. The soulful vocals come courtesy of Retrosonix, successful songwriters who have come together to specialise in retro disco vocals that ingeniously feel straight from the archives. You’ll be sonically transported back to a time when disco was heard on every corner. Tactfully letting the powerful hooks and provocative lyricism lead the rhythm for the tune, Purple Disco Machine’s iconic groove-driven beats and mesmerising synths lay the foundation for a dancefloor classic. Crafting breakdowns dripping with funk, the disco maestro builds to a crescendo that will undoubtedly be a crowd pleaser for his many shows in 2025.

On the release, Purple Disco Machine said: “While a number of my recent records have referenced the more electronic 80s disco sound, I never lost the love for the classic funky disco of the 70s - which in many ways was the original blueprint - and so it has been equally inspiring and enjoyable to work with this palette again. I'm hoping that the listeners are as haunted (in a good way…) by Ghost Town as I am !”

Back in stock!

Limited edition coloured vinyl EP from Purple Disco Machine's best selling Soulmatic LP featuring remixes from David Penn, Mousse T, Carl Cox, & Superlover.

Releasing four of the biggest dance tracks of 2018 and crowned as the #2 Beatport Artist Of All Time, Dresden born disco-house producer Purple Disco Machine has quickly become one of the most prolific and sought after producers in the industry.

Following on from hit Club Sweat singles ‘Dished (Male Stripper)’, Body Funk and Emotion, Purple Disco Machine returns with ‘In My Arms’.

2026 Repress!

LTD Edition Double LP, 1 x Pink & 1 x White vinyl version of Australian trio Rüfüs Du Sol's incredible sophomore album 'Bloom' - that went straight in at number 1 on the Australian album charts.

Featuring the singles 'You Were Right' and 'Like An Animal!' it's a journey through richly layered synths behind driving beats, atmospheric build ups and killer breakdowns - all married together with Tyrone Lindqvist's soulful vocals.

From the heartfelt epic that is 'Innerbloom', to the uplifting melody of 'Say A Prayer For Me', 'Bloom' will have Rüfüs Du Sol fans falling in love all over again.

Repress!

LTD Edition white vinyl version of RÜFÜS DU SOL's debut LP 'ATLAS' that hit Number 1 in Australia. The album was a testament to the band’s passion, work ethic and DIY approach to music, featuring the much loved singles 'Take Me' and 'Desert Night'.

A labour of love, the album was written, produced and recorded by the band between two studios they built themselves - one in a remote farmhouse on the NSW south coast, the second in a hollowed out water tank under one of their parents houses.

The visionary Walter Maioli (Futuro Antico, Aktuala) and the eccentric electronic musician John Zandijik first met in 1984 when they both gravitated toward the experimental Sound Reporters collective, participating in the release of Ethnoelectronics (1986). Shortly afterward, the two met at Zandijik's studio in Rotterdam, where they completed their journey of exploration to the edge of the Universe in just three nights. The recordings were made only after 3 a.m., when psychic energy is at its peak, and inspiration belongs solely to the realm of dreams. It was a ritual of long galactic fluctuation, where the mystical sound of the flute was filtered and expanded by the Aureal system, a device capable of breaking it down into cascades of aureal harmonies. Through its extemporaneous approach, the music transforms perceptions of ancient pyramids or tropical forests into phosphorescent nebulae, luminous fountain openings, and unprecedented planetary interstices—interstellar portals leading to new archetypal-ancestral visions. It feels like sailing through colored orbits in the red gases of Jupiter and Mars, lost and dissolved forever in the engines and gears of the most secret cosmos. Between Pink Floyd-esque psychedelic flashes and Tangerine Dream-inspired sidereal architectures, Maioli and Zandijik reveal the most phantasmagoric and unknown side of Sound Reporters.