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Bushbaby's mixtape, 'EVERY TIME', is a statement piece from one of the UK's most exciting club producers.

Known for blending UKG, house, and raw rave energy, this 10-track project showcases the full scope of his sound.

The mixtape lands off the back of a huge 12 months. 'Shake and Slide' went viral on socials, 'Feel The Rush' showed his melodic side, and his DJ sets have lit up dancefloors across the UK, Europe, USA and Australia. With major support from Four Tet, Disclosure, Danny Howard, Chris Stussy, bullet tooth, DJ Seinfeld, NOTION, Y U QT, Ben UFO, Diffrent, Hamdi, Interplanetary Criminal and Sammy Virji, Bushbaby is leading a new wave.

Pressed to vinyl and backed by a full world tour, 'EVERY TIME' marks the start of a new chapter.

Mysticisms returns, looking to the source, Detroit City, with the beautiful house music of Soiree Records International and their 1995 deep vocal bomb, That's How Lovers Be.

Established in 1990 by Derrick Thompson, Soiree has long focused on the deeper side of house, late night rhythms across over 70 releases. Never making a shout out about it, the label might not of garnered the kudos it deserves while laying down a tight standard of cosmic sonic delight.

Featuring in the main Thompson's own Drivetrain releases, his production skills are deployed on this one time project. Written and sung by Montaze Armstrong, alongside the smooth accompaniment of Merchon Bower, the production is ubiquitous Drivetrain. His main mix sets the scene; hats proffering swing and impetus while bass and chords underpin the vocal interplay to skyward perfection.

Once again the label conjoins a latter day contemporary and admired producer to offer their own retake and who better than the essential producer of all things deep, Nail. A huge influence on the label during the formative years of (free party) house music's ascent, his recent return has been widely welcomed. His 'mix' is full of respect and perfect pitch, adding his distinctive low-end rumble, hypnotic hats, skips, loop and shake.

To close, it's all about the legend that is Scott Grooves. Nothing more needs be said, his 9-minute ride show jazz roots worn firmly. Rhodes, claps, piano and vocal are all that's needed. Loose, funky and soulful from a true master.

Love the Mystery.

This 15-track album features the original score composed by Nicolas Godin (of AIR) for Fire of Love, the Oscar-nominated documentary directed by Sara Dosa in 2022 (available for streaming on Disney+), as well as original music inspired by the film.



Fire of Love tells the extraordinary love story of fearless French volcanologists Katia and Maurice Krafft, who died as spectacularly as they lived, capturing some of the most breathtaking footage ever recorded of their greatest passion: volcanoes.

43°C, the debut LP by French electronic producer Basile3, is the result of a decade of cultivating a musical identity that focuses on hybridization, sonic recycling, and playfulness. The enigmatic title "43°C" signifies a haze of bliss (4+3=7, the producer's lucky number) backdropped by the ecological state of a world that’s grown slightly but surely warmer.

In this anticipation fiction, Basile3 offers a soundtrack that is an exploration of club music, electronica infused with r&b and ambient synths. The French producer warmly invites listeners to his state of mind, blooming with genre-bending floating soundscapes.

Featuring Telma Cappelo, Daisy Ray, Loydfears, Lucy Sissi Miller and Minor Science.

Showcasing her raw originality and enigmatic style, the debut 12-inch EP "Drive" hits hard. Each track is a powerhouse of energy, fusing futuristic electro with gritty, blood-pumping vocals. "Drive" pushes boundaries with adrenaline-soaked rhythms and an unrelenting edge—pure driving music made for pure pleasure.

The EP also features explosive remixes from Ben Pest and Dagga, each launching the original track into nuclear orbit, primed for peak-time rave madness.

Blending British techno and hyperpop with the Baile Funk and samba of singer Paula's native Brazil, PPJ are considered by British magazine NME to be one of the most innovative bands of the moment.

The double EP "Bloco Vol.1 & Vol.2" tells the story of the band's journey to Rio de Janeiro, far from the postcards we know of Brazil.

"One of the most innovative new names around" NME

"A fascinating and exhilarating blend of neoperreo, techno and electroclash from a group to watch" RESIDENT ADVISOR

"Kaleidoscopic techno-pop" DJ MAG

"A real anti-depression remedy"LINE OF BEST FIT

"Their main goal? To make everybody dance" METAL MAGAZINE

‘It’s hard to find an act as distinctive as PPJ » MIXMAG

4 Way Street is the second and live album by David Crosby, Stephen Stills, Graham Nash, and Neil Young. It was released in 1971 with the live recordings taken from the band's shows during their 1970 tour around the USA. The album reached No. 1 on the Billboard 200 and was awarded a gold record. This is the first 2LP reissue since 1986 and it contains two bonus tracks on sides C and D: the at-the-time unreleased "Black Queen" from Stephen Stills and a medley made up of “The Loner - Cinnamon Girl - Down By The River” performed by Neil Young.

Efficient Space honours trailblazing Australian imprint Volition Records with Volition Cuts Vol. 1. Evolving from Andrew Penhallow’s time at GAP Records, which smuggled Cabaret Voltaire, The Fall and the Factory catalogue into the region, Volition shifted focus to homegrown talent over imported sounds. Echoing its precursor’s blend of indie friction and electronic curiosity, the label wired itself into the pulse of club and rave culture, linking city scenes and amplifying them for the mainstream. With retina-scorching design, uncompromising packaging and top-tier remixes, Volition consistently bent the major label machine to its will.

No Volition retrospective would be complete without Sisters Underground’s intergenerational anthem ‘In the Neighbourhood’. Otara teenagers Brenda Makamoeafi and Hassanah Iroegbu brought their Pasifika perspective to Proud (An Urban-Pacific Streetsoul Compilation), a commercial success that platformed NZ rap and R&B with a clarity that outshone its overseas counterparts. The quiet architect of Volition’s sound, producer prodigy Robert Racic flipped the classic as a hip-house dub before his untimely passing in 1996.

Its A-side companion comes from Brisbane synth-pop unit Boxcar, who signed to Volition after frontman Dave Smith handed a cassette to Tom Ellard of Severed Heads during a school newspaper interview. That unlikely handoff led to their 1990 debut Vertigo. Here, their ritual-laced, body-jacking industrial is retooled by Miami freestyle maverick Tony Garcia.

Further cherry-picking from the VOLT vaults, Sexing The Cherry unleash a bleep-addled meltdown from Brisbane’s Edwin Morrow and Cherryn Lomas. ‘This Is A Dream’ was recorded exclusively for High (A Dance Compilation), the first all-Australian V/A to top the ARIA charts, propelling the local movement into national consciousness.

Closing the sampler, Sydney’s Single Gun Theory joined Volition as they moved from post-punk abstraction and electronic collage toward downtempo, sample-based mysticism. Their 1994 ambient-pop reverie ‘Fall’ is reimagined by Stuart Crichton and Apollo 440’s Norman Fisher-Jones as full-throttle Goa trance, a final surge that channels the label’s relentless push into new terrain.

Volition Cuts Vol. 1 is dedicated to the loving memory of Volition’s visionary founder Andrew Penhallow, and key contributors Robert Racic and Edwin Morrow.1

Kaba & Hyas continue their musical exploration at the crossroads of Rap and House by announcing their 3rd opus “Wooferz Only”, a 7-track EP to be released in early February on H3 Records and Entreprise.

The two comparses establish their club music more than ever, reviving sensations of hectic nights from Detroit to Manchester, and hammering home the markers of the style they've made their own. Like a block party MC, Kaba chants incisive, edgy lyrics, set to the energetic rhythms of Hyas, obviously at the center of the game.

Solid on their feet, Kaba & Hyas have not hesitated to step out of their comfort zone, exploring new styles (Juke, Baltimore...), collaborating with a jazz pianist on a couple of tracks, or hosting their first French featuring with thaHomey on the track “Magic Stick”.

After a spring/summer tour packed with dates including Nuits Sonores, Macki Music Festival and Ed Banger Party, the duo followed up their winter season with appearances at the MaMa Festival and the Transmusicales de Rennes. In peak time, we'll have the chance to see them perform “Wooferz Only” at La Maroquinerie for their first headline show on April 10, 2025.

Blending Afro-Brazilian roots, electronic textures and transatlantic songwriting, Yemamaya is the debut album by French-Brazilian duo Luizga & iZem, born from a chance meeting on the shores of the Atlantic Ocean in Lisbon. The project brings together the melodic and spiritual sensibility of Brazilian singer Luizga with the urban, hybrid touch of producer iZem, creating a musical journey that feels both grounded and universal.



At the heart of the album is the title track “Yemamaya”, a word whispered to Luizga in a dream. It pays tribute to Yemanjá, the Afro-Brazilian sea goddess. The song is a joyful and healing incantation, carried by Luizga’s luminous voice and subtle electronic arrangements that bridge the sacred and the rhythmic. It’s an ode to the feminine, to the ocean, and to vital energy.



“Say My Name” boldly reimagines the Destiny’s Child classic through a fresh and soulful lens. Silky R&B vocals glide over warm Brazilian acoustic guitar, while Afrobeat-inspired rhythms bring an irresistible pulse. A surprise horn section blossoms mid-track into a deep, sultry bass drop. The result is both nostalgic and forward-thinking — a perfect snapshot of the duo’s aesthetic.



On “Feelings Going Through”, the instantly recognizable voice of Curumin — a key figure on Brazil’s alternative music scene — adds a new dimension. The track is a smooth, soulful meditation on emotion, wrapped in organic percussion and refined production.



Rooted in the legacy of Brazilian popular music while embracing the global sounds of today, Yemamaya is a free-spirited and luminous musical statement. An album that sits at the crossroads of genres and continents, where introspection meets celebration.

The label say:

"Guts unearthed this afro-caribbean gem "Vini Ouais" by Djingo Typical Band for his Straight from the Decks compilation. Inspired, Art of Tones created an unofficial remix—a heartfelt tribute to this French Guiana treasure. It quickly lit up dance floors, shared among DJs like GUTS, Antal, Radio Meuh... and many more...
Here comes the official release, the remix is set to become a dancefloor banger.

Guts a déniché cette pépite de biguine-zouk signée Djingo Typical Band, "Vini Ouais", et l’a aussitôt intégrée à sa compilation à succès Straight from the Decks. Séduit à son tour, le talentueux producteur et remixeur Art of Tones en propose un remix non officiel, véritable déclaration d’amour à ce bijou venu de Guyane française.
Très vite, le titre revisité enflamme les dancefloors, circulant discrètement entre quelques DJ privilégiés, comme un secret bien gardé. Face à l’engouement et aux nombreuses demandes, le remix sort enfin officiellement, pour le plus grand plaisir de tous. Il est désormais joué par Antal, Laurent Garnier, Radio Meuh, Guts, Art of Tones, et bien d'autres, révélant un groove irrésistible qui met tout le monde d’accord."

Of course! Here's a version with simpler vocabulary while keeping the meaning clear and strong:



First released in 2023, this album made a big impact in the music world. Now, the deluxe edition makes it even more powerful.


This new version includes many exciting guest artists like Durand Bernarr, Samm Henshaw, Danielle Ponder, and Luedji Luna, along with the original collaborators Jamila Woods, KIRBY, Leven Kali, and Aaron Taylor. Adi mixes strong vocals, great production, and amazing bass playing, telling personal stories and touching on important topics.


With over 80 million streams, Lotus Glow made Adi the 8th most-listened-to French female artist in the world on Spotify, with 4 million monthly listeners. The album was praised by big names like Vogue, Afropunk, Wonderland, and Rolling Stone, who all highlighted her special voice and talent.

Introducing 'A Drama on Richard Street' - an album born from a journey of rediscovery and creative challenge. Influenced by a yearning for simplicity and heartfelt melodies, this collection is a love letter to soulfulness. Dive into the soulful world of Menahan Street Band's 'The Crossing' and the rejuvenating energy of 17-year-old inspiration. Join us on this musical voyage, where we stepped away from complexity to embrace the beauty of simplicity. 'A Drama on Richard Street' is a testament to the power of soulful music and the joy of heartfelt melodies. Listen and let your soul groove to its rhythm.

Following his well-acclaimed previous EP ‘A Drama On Richard Street’, supported by TSF Jazz, Somewhere Soul, and BBC 6, Tremendous Aron introduces his new project ‘Carlos & Lola’, a 6-track EP. This latest endeavor, akin to "A Drama On Richard Street," reflects a pivotal moment in the German producer's musical journey. Feeling stagnant while studying music, he instinctively reverted to the music he cherished during his teenage years, ranging from the eclectic offerings of "Daptone Records" to artists like The Menahan Street Band. Inspired by the documentary "Summer of Soul," Tremendous Aron incorporates fragments from it into his compositions, alongside influences from Molly Lewis, The Altons, and Ruben Gonzales. This EP promises a captivating blend of soulful melodies and vibrant rhythms, showcasing Tremendous Aron's evolution as an artist.

180g Repress

Friend MR005 arrive in world , this music killed all dance floors ! You love dancing ? take this this vinyl and do your best dance ! You love cook , play this wax and you will get best dish in your life !

There is kind of a before and after when you wander into a Butthole Surfers show. That is a changing point in your life"" - Richard Linklater

"Butthole Surfers are the greatest live band of my lifetime" - Dean Ween

Live at the Leather Fly documents Butthole Surfers legendary live show. Mixed by guitarist Paul Leary, the album channels their ferocious stage energy into a speaker bursting cacophony across 21 unrelenting songs including fan favorites from "Human Cannoball" to "The Annoying Song".

I think "Divide & Conquer" is so far the only tune on Future Retro London that I've signed after hearing it on social media. Friske posted a clip on his Instagram profile of a tune he was working on at the time and I instantly messaged him asking about the tune and what the plans were for it. He was making it with his own label, Requisite Music, in mind but thankfully was willing to let me have it for my label when it was done. The tune blew my mind when I first heard it, and I knew that it was something that I needed to release. I've been a big fan of Friske's music for years so it's great to finally have him on the label, alongside a remix done by Gremlinz & Rumbleton.

Around the same time as that, IJO messaged me on SoundCloud with a bunch of unsigned material, after I'd earlier expressed interest in having his music on the label. Of the tracks he sent me, two called "Glitter" & "Mark 11" caught my interest but out of curiosity, I asked him if he could combine the drums from "Glitter" with the melodies & sounds from "Mark 11" which he did and it sounded fantastic. I wanted to get someone to remix the tune and when I asked IJO's opinion on who he wants to remix it, he suggested Artificial Red, who I already had music coming on the label from, so it made sense to ask him, he was up for it and he's done a cracking version of "Mark 11".

Big thanks to Friske & IJO for their original tunes, to Gremlinz, Rumbleton & Artificial Red for their work on their remixes and to social media for actually being something useful!

Armand is the debut of a sound collage project called PVNCTVM, which refers to Roland Barthes' term "Punctum". A handful of field recordings, taken during extensive walks through nature and landscapes of certain places, evoke memories in a similar way as sometimes photographs do. Based on this material, personal impressions, literature, photographs, sketches and more a process of various sound experiments begins to create soundscapes which reflect the deterioration of memories between various states of mind. Instruments and other sound sources are used symbolically, as are elements of musique concrete, ambient, glitch and drone.

"Three years ago, Jérôme Leclercq and I from Mediatoon Licensing came up with the idea of creating a cinema concert to celebrate the 20th anniversary of Naruto. Why a cinema concert? The music is part of the success of the licence and fans have a particular attachment to the credits and the original soundtracks. The originality of the music by Toshio Masuda, the composer of Naruto, comes from the clever mix of traditional Japanese instruments, such as the Shakuhachi or the Shamisen, with guitar and other pop/rock instruments. So we came up with the idea of bringing this music to the stage with a 50-strong orchestra, accompanied by an original montage of the best moments from the anime. This orchestra is made up of three parts: symphonic instruments, pop/rock instruments and traditional instruments.

To do this, we approached the ODINO orchestra and its conductor Sylvain Audinovski. The ODINO orchestra is one of those capable of mixing musical styles while maintaining a very high level of performance. We have also chosen traditional Japanese instrumentalists to complete the orchestra's core, especially for the show.

The arrangements and musical direction are the fruit of a collaboration between Quentin Benayoun, Sébastien Caviggia and myself. My two accomplices, with whom I formed the group P.U.S.S. in 2007, have a great mastery of rock and orchestral music writing. This mix is essential to keep the promise made to the fans of the series and required several months' work to select the music and write the scores for the whole orchestra.

How do you tell the story of Naruto to fans, but also to those who don't know the anime? That's the real challenge of this unique film-concert. How do you select the best moments in the story of this young ninja apprentice from the vastness of the first 220 episodes? Six months of selection and research enabled me to choose the key images in the narrative, while preserving certain dialectics to match the anime's incredible music.

This original film-concert, lasting almost 2? hours, is a real Rock-Symphonic show paying tribute to the work of Masashi Kashimoto and the music of Toshio Masuda."

After what seems like an aeon of anticipation, Yugen Blakrok returns bolder than ever with The Illusion of Being, a raw, fearless exploration of emotion and resilience. This album is a call to triumph. Through poetic lyricism and experimental soundscapes, this project offers the listener a journey into the heart of uncertainty and the power of perseverance. Created and recorded in a world in flux, The Illusion of Being reflects the artist's evolution as a storyteller and resonates directly with the era that shaped her. Driven by incisive lyrics andsoundscapes blending grunge, trip-hop, and 90s spirit, this project tests the boundaries of alternative hip-hop. Here, rhythm speaks louder than reason, and the acceptance of "Being" becomes the thread that ties each track together. This album captures a bold new chapter in Yugen Blakrok's discography. While rooted in the lyrical mastery and poetic precision that fans cherish, it marks a departure from the familiar, embracing a more unfiltered and experimental approach. The collaborations seem purposeful, and match this intensity: Sa-Roc delivers combative and sisterly energy,Cambatta brings his visceral urgency, while Hannah Allen offers a touch both delicate and impactful. Instrumentally, the arrangements dare to break new ground: wailing electric guitars,enchanting flutes, and hypnotic beats create a striking sonic alchemy. As described by Yugen in three words: Free. Involved. Anti.Free from convention. Involved in the fight. Anti-establishment. In many ways this album is a sonic manifesto. Each track resonates as a call to rebellion, an anthem for those who refuse to bow down. The Illusion of Being is not just a work of art; it’s a statement: for freedom, for community, against oppression. A mirror of our collectivestruggles and a light for those who keep moving forward. It promises its listeners a deeply personal connection, offering a glimmer of hope amidst despair and a soundtrack for their fight.