Suche:t 35

Words from the label:

Our imprint marks its five years anniversary this year and to celebrate it's offering up five special various artist packages across 2019 limited to 250 copies each,
featuring material from the likes of Vid, The Mole, Cinthie, Shinichiro Yokota, San Proper, Akiko Kiyama, Com Sin aka Cosmin TRG, Subb-an and more..

'Series 01', penciled for release in May sees Cosmin TRG return under his Com Sin guise with 'Glass Harps', a fluidly unfolding five and half minutes of pulsating subs, glitching percussion and sparkling harp tones before DJ Sodeyama aka The People In Fog's 'Chapter Zero' takes on a modulating hypnotic feel via psychedelic swells, tension building textures and a bumpy, robust rhythm.

UK duo Yard One join the roster with 'Dream Travel' on the flip-side, employing a more ethereal aesthetic with floating pads, winding chords and a heavily swung drum groove. This project also sees a new design concept for the imprint from London's David Surman's painting installation project 'Paintings For The Cat Dimension' which ''explores the motif of the cat as emblematic of internet aesthetics, a place where all painting styles and modes now exist non-hierarchically as pure information.''

Kompromat Is A New Band Formed By Vitalic & Rebeka Warrior. Inspired By Old Berliner Techno, Its Music Fits Somewhere Between Einstürzende Neubauten And Crash Course In Science. Punk, Rock, Dark & Sweet, Kompromat Smells Like A Battle Cry & A Call To Prayer. It Makes You Wanna Lift Your Arms In The Air And Dance While Crying.

Veerus makes his Drumcode debut, after an impressive contribution to Truesoul's VA EP in 2017.

The Italian has built up an impressive discography over the last decade, dropping records on labels including Terminal M, Octopus, Filth on Acid and his own Le Club imprint. His collaborative with Maxie Devine 'My Train' was a highlight of Solomun's classic Boiler Room in Tulum, which has clocked 37 million views. In late 2017 he linked up with Brits OC & Verde for the fantastic 'Naaki' that featured on Truesoul's first Various Artists EP, ensuring he was an artist well and truly in Adam Beyer's sights.

His maiden outing for Drumcode mines 20 years of history, taking inspiration from classic trance and acid from the '90s, which he distils to create powerful modern techno works. 'Hypnosis' was a huge highlight of Beyer's Awakenings show at Gashouder during ADE. It's characterised by an engrossing call-and-response dynamic Veerus builds between the 303 acid warbles and the melodic stabs that run throughout. A track custom made for big moments. 'Apocalypse', like its name, is more menacing. Veerus constructs the work to mimic the dramatic theatre of a gladiatorial scene in a film, as heart-fluttering chord progressions, a piercing synth line and dystopian melody mark this memorable track.

The mysterious TELUM Label returns for the 4th chapter of the story! 4 weapons to raises the dance floor at all hours. Support worldwide from Raresh / Petre Inspirescu / Priku / Barac / Cap / Praslea / Cristi Cons / Lizz and more! Limited press

3rd Edition, Black Version!

Curtea Veche celebrates its 10th release with this stunning 10' by Pressure Traxx boss Einzelkind & and Point of view head honcho Giuliano Lomonte, There will be a very limited amount of the Splatter effect vinyl and the rest will be black !

Played by Franco Cinelli , Raresh , Cesar Merville , Suciu, Lorenzo chiabotti & More

BOSS AXIS - GOLIATH EP - BlackFoxMusic 029 The ministers
of melody are back! Good things sometimes need their time.
And if you count the gap since boss axis' last release one thing
is immediately clear: when its about years, this is not just
"good" - its awesome! The titletrack "goliath" on the A side isn't
just named like a giant - with the huge break of 2mins in the
middle and the catchy melodic bassline it's a perfect peaktimemonster to burn down nearly every danceoor. "Goliath" also
gets a new dress by northern germanys Rauschhaus who
already releases on Traum Schallplatten or Paul Hazendonk´s
Manual Music. And this dress seems to be a short and breezy
summer-wear with openair-character. On the B side you'll nd
the dreamy "lost bridge" wich don't has to hide from the A side.
We don't know wich bridge they mean, but if everything what
they lose sounds like this techhouse-styled and groovy
dancetrack, we hope they lose some more... Last but not least
"the secret": with a classic sample wich is already used in a
classic early 90s ravetrack from suspicious the massive break
climbs to the top to explode with a stompy kickdrum and let
move every feet around the globe.

we're very happy to announce the debut release of best kept secret artist in san francisco. dmitri aka slope114 is a good friend of kink as both of them are modular synth mania... original version is old school chicago house sound with very emotional vocal,it reminds us how house music is musical.... kink remix is just bomb.2018 ver is for big room and another one is for all around. enjoy!

2023 Repress

Shanti Radio Moscow Bomb

Galactic Peace Gathering Hymns

Ov Nils Maneuvers In The Dark: Win mega Mix + Super Dub

One of the all-time classic ambient albums finally available on strictly limited edition 180gr vinyl. The vinyl edition of Substrata is released by Geir Jenssen's own label Biophon Records. It comes as a double gatefold album featuring the bonus track Laika (14:35). Biosphere is widely regarded as one of the legendary names in ambient / electronic music. Residing in Norway, near the Arctic Circle, he has found the focus to slowly and steadily create a self-contained aural universe, made up of reflective and immersive sound sculptures. For almost fifteen years he has released a string of critically acclaimed albums. Substrata, which marked Jenssen's embarkation towards an intensely minimal style, is not only often considered to be Jenssen's best work to date, but is also seen as one of the all time classic ambient albums. David Stubbs, Melody Maker, 1997: "The best ambient album I've heard in an ice age, an album of terrifying, desolate and all-enveloping beauty". Re-mastered by Stefan Betke @ Scape Mastering, Berlin. New artwork by David Coppenhall.

Three incredible reimaginations of Nina Simone classics from Francois K, Tony Humphries and Coldcut each with their own unique touch and trademark style weaved within.

Francois K kicks off with a sublime deep house rework of 'Here Comes The Sun'. Reminiscent of Larry Heard's output, Francois nods to Mr Fingers with a bassline that harks back to those early Chicago classics, coupled with deft mbira touches that create an other-worldy feel to the remix. Celestial waves and singing rides mix with a buzzing top line melody that lay the foundations for Simone's spiritual voice to hang in the air with a perpetual elegance and grace. A timeless slice of house music that earned Francois' version a spot on one of Innervisions acclaimed 'Secret Weapons' compilations.

Next up, Zanzibar royalty Tony Humphries lays out a bumping remix of 'Turn Me On' turning the bluesy soul leanings of the original on their head and flipping it into an uplifting summertime groover. Simone's words take on a different tone with this revitalising rework backed by staccato guitars and chopped up vocal melodies that give a playful yet soulful character to this slab of sunshine.

Rounding off the EP in classic Coldcut style, the duo meld 'Save Me' into a chopped, screwed and crunched remix. Lo-fi percussive elements and distorted textures blend with glitching samples and stuttering sequences that turn Simone into a tripped-out goddess. An atmospheric piece of electronica but with a harden edge purpose made for the dancefloor.

From the mists of 1989 comes The Landlord with this monolithic slab of rave history - 'I Like It'. Instantly recognisable, those widely sampled piano stabs, that bassline.... it's all there. Produced by Canadian super-producer and Big Shot Records label owner Nick Fiorucci this much sought after rave anthem was highly prized and coveted by those in the know back in the day, no-one had any idea as to how huge the record would become as it soundtracked every dancefloor, warehouse, field and loft from '89 onwards, this is it, the real deal! Enter: The Maghreban. One of R&S Records contemporary artists and an unashamed Hardcore / Jungle / Breakbeat enthusiast, he seemed like the perfect remixer. Maghreban's mix is respective of the roots and the legacy of 'I Like It', referencing some of it's later sampled incarnations in a clever and knowing way, a true DJ tool that has been road-tested and checked in clubs across Europe and beyond, his epic 'Revenge Remix' shows a deep understanding of the history of these particular records and how they work on the dancefloor. This one will have people crying for more! Also featured on this special RSD 2019 release is the OG 'Blow-Out Dub', the one that started it all. Classic material from end to end right here. Essential business from Above Board distribution and Nick Fiorucci / Big Shot Records.

There is a certain type of weird effect that is generated by strange, repetitive loops. Ultrastation, the new project of Utrecht veterans Cosmic Force and Nuno Dos Santos, know this well.

The two have teamed up to deliver '4723 EP' and we couldn’t be more thrilled to have them on board, joining our Discos Atónicos family.

Expect four slabs of intergalactic pounding, cosmic modulations, deep resonances, repetitive bleeps and strange atmospheres: a kind of 'technoide soundtrack from outer space'.

Let's dance outside the laws of gravity.

To Celebrate The 6th Anniversary Of The Agency, Rotate Prepared A Hefty 4xlp Compilation Featuring Its Key Artists. 'rotations Ii' Is The Seven-chapter Follow-up To rotations I' Out In 2016 And Features Tracks From Most Of The Current Music Crafters In The Rotate Family: A Collection Of Personal Musical Excursions And Peculiar Studies Of Rhythm And Sound, From Artists Full Of Wit, And Grit. 'phase Five' (a1) Is Yuzo Iwata's Debut On Rotate And, Without Surprise, Is A Showcase Of Sonic Wizardry That Sets The Tone To The Entire Compilation With Its Dreamy (and Almost Delirious) Atmosphere And Marching Organic Groove. 'aphasia' (a2) Has Anestie Gomez Shifting The Gears To A More Minimalistic Sonic Palette Of Razor-sharp Drum Programming, Sophisticated Swing, And Deep Acidic Low-ends. The Flipside 'hypnosis' (b1) Is Leiris's Debut Solo On Rotate And A True Study On Reduced Raw Grooves And Abstract Sound-design, Wrapped In Amidst Of Hypnotic Mystery. 'partenaire Particulier' (b2) Brings Back Leiris Together With Ben Vedren As "monkey Nenufar": A Spellbinding, Steady-beat Ride Full Of Joyful Chords And Filtered Echoes For Certified Euphoria. Levi Verspeek Kicks The Flip-side With 'paying 420' (c1), A Focused 4 By 4 Excursion Focused On Groove And On-point Sampling Of Minuscule Percussive Loops Teeming Around A Central Pulsating Bassline. Funky, Vibrant And Full Of Emotion, Pit Spector's 'back From Cdv' (c2) Is A Love Letter To The Esteemed Club Der Visionaere, And An Ode To The Micro-house Aficionados, Especially Those With A Soft Spot For Latin Rhythms. Denis Kaznacheev's 'poromechanics' (d) Is A 15-minute Sonic Delirium Through Startling Soundscapes, Sweltering Rhythms And Barely-sane Micro-sampling, Ultimately Setting A Hypnotic, Enigmatic Tone To The Closing Of This Compilation. "rotations Ii" Is A Versatile Comeback To This V.a. Series Where Rotate Artists Can Be Themselves, Loyal To Their Own Sound And Their Very Distinct Personalities.

London's Release/Sustain imprint returns this April with a four-track package featuring material from Eduardo De La Calle, XDB, Joey Anderson Moody Waters feat. Carolina Damas.
The Release/Sustain imprint has gone from strength to strength over the years, welcoming the likes of Alton Miller, DJ Aakmael, Benjamin Brunn, Losoul, Norm Talley and many more respected names in underground house and techno over its past twenty nine releases.
Here we see this continue with some more welcome additions, first up is Eduardo De La Calle with 'The Protosoul' and as always the Spanish artist offers up a perfectly crafter slice of hazy, groove-driven Techno, led by bleepy arps, winding stabs and robust analogue rhythms. XDB then offers up heady, subtly blooming leads, pulsing subs and shuffled drums with 'Another Night' next.
Opening the flip is New York's Joey Anderson with 'Drum Play' which as the name suggest sees the percussive aspects dynamically evolve throughout amongst choppy bass hits, stutter arpeggio blips and warm string melodies. Moody Waters then teams up with Carolina Damas, vocalist on anthemic house cut 'Sueno Latino' for 'Acid Lovin'', edging into deeper territory with ethereal pads, crunchy drums and squelching 303 licks while Damas' soft, spoken-word Latin vocals wander within.

The sixth release of Form and Function, is the second one of the Function series. This time it's Qindek who provides his debut EP on the label. 'Reach For The Cosmica' is a lovely journey through Qindek's world. It's the perfect combination of both abstract and functional. The weird meets the wonderful. The package is topped of by Setaoc Mass who does an incredible job remixing Takes A pad.

On the A-side, the first track is 'Climate Shift'. A track that tells a story through dubby elements and chords, backed by a powerful and thumping low end. A movement of continuous energy and subtle but noticeable changes which have an impact on the track as a whole can be seen as the precursor for cosmic endeavors.

Next up is 'Reach For The Cosmica', the second track of this release. It's an epitome of the soundtrack of traveling through space. The minimalist build up tells us about how the journey just started outside of the atmosphere, transitioning into more depth that has been inaugurated by a sound that is the sonic equal of the rocket engine. As the beginning journey develops, there are few sudden bursts of power, together with the presence of the perpetual powers that cause the final move to outer space.

The arrival in outer space brings us to the 3rd part of the release and the first track of the B-side. Setaoc Mass gives the EP it's the concluding boost that gives us that last drop of power before the arrival. Elements of the original are still to be found, whilst given a little twist and a lot more of dancefloor energy. All while keeping the pace up to enter the final chapter of the journey.

'Take A Pad' exactly asks us what we need to do. Finding the ultimate balance between speed while preserving the right amount of power, is how sub-bass is working in harmony with the percussive elements.

Space is calling upon us with delicate voices. A beautiful ending of a classy and well crafted EP by Qindek.

Tolga Continues His Journey Into Space, Reaching Hyper Speed Soon.

The sixth and final part of Eel Behaviour is here. Opening up with the pacy, acid-tinged power of Panmella Calix's "Tip", you could be forgiven for thinking that this dancefloor destroyer out of Scandinavia was made in the mid-nineties (and you could be right!). Suneel Shark's "Blunt But Fair" got lost in the Irish Sea many times before we finally reeled in the DAT on a fishing trip close to Portmarnock. The Arctic Ocean resident sprung out of the water on this one, in naturally fast and slippery style.

On the flip, French techno supremo Zadig delivers an acid-rave-breakbeat combo on "Red Eye", recalling the early era of labels like UR, Missile and Synewave, and creating a massive bomb in the process. That then brings us to Jon Hussey, who wraps up the record with an expert slice of bubbling, trippy acid. "Engine Brood" and its hypnotic properties transport us to another dimension, and the end stop on our Eel Behaviour journey. As ever, artwork is from Adult Art Club's Jonny Costello, with this one coming on clear vinyl.