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Surfing on a sun-drenched wave of psychedelia comes Brighton's very own Merry Pranksters, Wax Machine. Primarily recorded and mixed in a closet room directly above a mortuary, their self-produced album Hermit's Groove is a heady trip through progressive psychedelia, kitsch Italian library music and Brazilian tropicalia.

A Flower to Water, the staggering new album from Greek Progressive-Post Metal outfit Playgrounded, finds the five-piece pushing their boundaries even further; welcoming the unquantifiable depths of loss, grief and finitude into their meticulous, fractal process as friends in defiance of neglect. Hailing from Athens, Greece but predominantly based in Rotterdam, Netherlands, Playgrounded have never ceased to push the envelope of Post Metal with genre-defying contemporary electronic and cinematic neo-classical elements since the band's inception almost two decades ago. A Flower to Water is Playgrounded's third full-length offering and sees the band thriving in their creative relationship with Pelagic Records. Recorded and produced by the band across multiple studios back home in Athens and Rotterdam, Playgrounded enlisted the help of longtime collaborators C. Cederberg (Leprous, Anathema) who mixed the album at Cederberg Studios in Kristiansand, Norway and George Tandero (Madrugada, Satyricon, Jaga Jazzist) who mastered it in Oslo. A profound sense of patience is keenly felt throughout the album. The deliberate spaces between each hammerblow guitar riff, pulsing bass line or hypnotic drum groove; each heavy, breathless pause and fizzing glitchy whisper all tell of unspoken loss and absence as an indelible part of A Flower to Water and indeed of Playgrounded forever more. In marking this absence however, in embracing loss head on, Playgrounded reify memory in defiance of neglect. By extracting such a colossal, breathtaking piece of work from a seemingly unassuming collection of sounds, clips and sonics; the quintet slow time to a standstill to present grief in bloom; a beautiful, perpetual flower with its roots in loved ones lost. FOR FANS OF Karnivool, Katatonia, Nine Inch Nails, Deftones, Moderat, The Ocean, Vola, Leprous, Skyharbor, Anathema

A Flower to Water, the staggering new album from Greek Progressive-Post Metal outfit Playgrounded, finds the five-piece pushing their boundaries even further; welcoming the unquantifiable depths of loss, grief and finitude into their meticulous, fractal process as friends in defiance of neglect. Hailing from Athens, Greece but predominantly based in Rotterdam, Netherlands, Playgrounded have never ceased to push the envelope of Post Metal with genre-defying contemporary electronic and cinematic neo-classical elements since the band's inception almost two decades ago. A Flower to Water is Playgrounded's third full-length offering and sees the band thriving in their creative relationship with Pelagic Records. Recorded and produced by the band across multiple studios back home in Athens and Rotterdam, Playgrounded enlisted the help of longtime collaborators C. Cederberg (Leprous, Anathema) who mixed the album at Cederberg Studios in Kristiansand, Norway and George Tandero (Madrugada, Satyricon, Jaga Jazzist) who mastered it in Oslo. A profound sense of patience is keenly felt throughout the album. The deliberate spaces between each hammerblow guitar riff, pulsing bass line or hypnotic drum groove; each heavy, breathless pause and fizzing glitchy whisper all tell of unspoken loss and absence as an indelible part of A Flower to Water and indeed of Playgrounded forever more. In marking this absence however, in embracing loss head on, Playgrounded reify memory in defiance of neglect. By extracting such a colossal, breathtaking piece of work from a seemingly unassuming collection of sounds, clips and sonics; the quintet slow time to a standstill to present grief in bloom; a beautiful, perpetual flower with its roots in loved ones lost. FOR FANS OF Karnivool, Katatonia, Nine Inch Nails, Deftones, Moderat, The Ocean, Vola, Leprous, Skyharbor, Anathema

,Independent" ist das 1996 erschienene Album der New Yorker Hardcore-Band Maximum Penalty und gilt als eines ihrer wichtigsten Werke. Die Band verband darauf klassischen New York Hardcore mit melodischen Elementen, Groove und dem markanten Gesang von Jimmy Williams, wodurch sie sich deutlich von vielen Zeitgenossen abhob. Zum 30-jährigen Jubiläum erscheint das Album erstmals auf Vinyl. Die Neuauflage würdigt den anhaltenden Einfluss von Maximum Penalty auf die Hardcore-Szene, der zuletzt durch die Unterstützung von Bands wie Turnstile und das Cover von End It neu sichtbar wurde. Für viele Fans gilt ,Independent" als ein Schlüsselmoment in der Geschichte des melodischen New York Hardcore.

Marking their second release for GULF COAST RECORDS, the collection favours raw performance over polish, capturing the chemistry, spontaneity, and fearless musicianship that have defined the group for more than three decades. Fronted by the unmistakable voice of JERRY LANGER and the soulful guitar work of RANDY JACOBS - formerly of Was (Not Was) - the EP embraces honest, acoustic arrangements where every note and breath remains beautifully exposed. Produced by Jacobs, Langer, and JOHN WOOLER, the project reveals a band confident enough to let the songs speak for themselves. Recorded primarily at Kaleidoscope Studios in Berlin, the sessions continued wherever the road allowed, with additional performances captured in U.S. studios and hotel rooms between shows. This wandering spirit gives the EP a sense of movement and lived experience. A remarkable ensemble of collaborators adds depth throughout, including Holly Montgomery, Arthur Thompson, Joe Sublett, Mark Pender, Jon Gilutin, and Oliver Leiber. Across six tracks - bold reinterpretations and originals - the band blends Detroit soul, New Orleans groove, blues, and rock & roll swagger. Pull Up the Roots celebrates authenticity, proving that great songs and genuine soul need no embellishment.

For acclaimed folk artist Martin Simpson, this release reflects not just a remarkable 50-year recording career, but over six decades shaped by song, tradition, and continual artistic growth. Yet this is not a retrospective, it's a forward-looking work, carrying the depth, skill, and passion of a lifetime into the present. Marking 50 years since his debut album Golden Vanity, Simpson describes Some Kind of Jubilee as "my best work to date." To realise this landmark project, he brings together an exceptional group of collaborators drawn from across his long and distinguished career. Among them are renowned pedal steel guitarist Greg Leisz, guitarist Zac Hobbs, cellist Liz Hanks, guitarist Louis Campbell, and double bassist Ben Nicholls. Together, they create a rich and textured soundscape that honours tradition while embracing fresh perspectives. Recorded at Groovemaster Studio in Santa Monica and completed in Yorkshire, the album blends newly written songs with reimagined traditional material and inspired reinterpretations from Simpson's own catalogue. The result is a deeply rooted yet vibrant collection that reflects both heritage and innovation. As Greg Leisz puts it, "This music has some profoundly deep roots - so dig in." With Some Kind of Jubilee, Martin Simpson honours his past while continuing to shape the future of folk music, reaffirming his place as one of the genre's most respected and enduring voices.

Originally conceived as the solo project of Izio Orsini (Rancho Bizzarro), Bantoriak has evolved into a collective sonic ritual, bringing together an impressive cast of friends and collaborators from the Italian and international underground scene. Steeped in warm 70s inspired sounds, hypnotic grooves, expansive jams and heavy psychedelic atmospheres, Vol. II travels from the dusty landscapes of the Californian desert to more mystical and introspective territories. The album features special appearances by Sergio Ch. (Los Natas, Soldati) on "Blu Bus" and Dome La Muerte on "Ritualism" and "La Muerte". For fans of: Kyuss, Los Natas, Colour Haze, Yawning Man, Monster Magnet, Dead Meadow and Black Sabbath.

Featuring Nicholas Semrad (Empire of the Sun), Stu Brooks (Nine Inch Nails, Danny Elfman), Tim Lefebvre (David Bowie) and vocalist Gretchen Parlato, this new hardhitting, synth-fueled album distills Guiliana's vision into eight cinematic compositions that fuse retro production with futuristic playing. Transmitted through an original 8-bit visual universe created by artist and long-term collaborator Steve Wall, BEAT MUSIC 2.0 draws inspiration from early gaming culture and electronic music, looking both to the past and the future for answers. Guiliana's compositional voice is on full display alongside the energetic and precise grooves that define his singular approach. In an age increasingly shaped by automation, BEAT MUSIC 2.0 keeps its focus on human connection and collaboration.

Originally released in 1978. A Classic Reggae album re-released on 180 gram vinyl and produced by Linval Thompson with extensive sleeve notes.
Recorded at Channel One Recording Studio & Harry J's Recording Studio.
Cornell Campbell is one of an elite group of Jamaican reggae singers who has weathered the changes throughout the music's development - in his case, from the ska era to right up to date - whilst retaining their relevance. Witness his recent alliance with UK Afrobeat/reggae band The Soothsayers or Jazmine Sullivan's R & B hit Need U Bad, which sampled his classic 'Queen Of The Minstrel' -a song that still sounds fresh more than thirty years later.
Sweet Baby was pressed on bright red vinyl, which only added to the excitement when you saw the selector position it carefully on the deck.
On the LP cover was a painting of Cornell wearing an emerald green shirt and framed by a lurid sky, which might have left some people wondering if it was a soul album. It wasn't, although there is certainly soul in the grooves, and especially on R&B covers like Gonna Take A Miracle - first recorded by the Royalettes -and Darling You Send Me, which Sam Cooke had introduced to the US Billboard charts some twenty years earlier.
Both are among the highlights but then the whole album is good in truth, and a heartfelt I Need Somebody and My Sweet Baby, plus the two-step favourite Just Enough were regularly played on sound system. Blinded By Love, I Didn't Know and Can't Hide My Love are tinged with melancholy and like the seductive Whenever You Need Me, display all the hallmarks of a classic Cornell Campbell side -swooping vocals, a driving rhythm and seductive lyrics included.

Nearly forty years later, it is gratifying to know there is still no mistaking him when his records are played in a dance. That relaxed vocal style draws you in but it's his falsetto, quivering with understated emotion that hooks you and turns you into a lifelong fan.

L’Eclisse is the third studio album by Garden City Movement. Drawing from psychedelia, alternative R&B, leftfield electronic music and lo-fi indie songcraft, the album weaves together guitars, synthesizers, layered vocal arrangements and groove driven rhythms into a richly detailed collection of songs. Bringing together different facets of the band's sound into a cohesive body of work, the album reflects a decade of musical exploration while further developing Garden City Movement's distinctive musical language.

Garden City Movement are the duo of Roy Avital and Johnny Sharoni. Over the past decade, they have built an international audience through a distinctive blend of dream pop, electronic music and immersive production. Their releases have received support from Pitchfork, The FADER, Clash, Stereogum and KCRW, while their music has appeared in FIFA 22 and major television productions. Alongside extensive international touring, the band has performed at festivals including Glastonbury, Primavera Sound, Pukkelpop and Lollapalooza India, and shared stages with artists such as Alt J, RÜFÜS DU SOL, SOHN and Cults.

Diffuse Reality presents Hashashin - BASTION. A 12inch vinyl and digital release built on solid, robust Techno. Four tracks driven by a constant groove that keeps the energy flowing from the very first beat. Dynamic, enveloping drums create a powerful and playful sonic experience. Without a doubt, this is a record that will earn a permanent place in your bag, shaking foundations wherever it lands. Closing the EP is Achtervolging, a powerful breaks cut designed as a moment to catch your breath, recharge, and prepare for what comes next.

Sciahri and Sublunar are proud to introduce the German duo Disguised and their new EP, Carcosa. Founders of INHERIT and fresh from the success of their recent release on Mutual Rytm, Disguised make their Sublunar debut with a seven-track journey that effortlessly bridges modern and classic techno, combining powerful club energy with a refined and deeply personal approach to sound. While producing the EP and shaping its titles, Disguised drew strong inspiration from the legendary and unforgettable first season of True Detective. The record opens with “Rust Never Sleeps”, a memorable and powerful cut built around an instantly recognizable melody, before moving into “Carcosa”, a tense and explosive track designed around constant anticipation and release. On the B-side, “Time Is A Flat Circle” delivers a highly infectious groove through captivating textures and subtle details, followed by “The Taxman”, where raw energy meets a sophisticated and carefully crafted production. Closing the vinyl is “Looking For Dora”, a deeply emotional and atmospheric piece that reveals a softer and more introspective side of the duo. With "Carcosa", Disguised demonstrate an impressive ability to move between different shades of techno without ever losing their identity, establishing themselves as one of the most exciting and distinctive duos emerging from the current scene.

Hailing from Providencia, Colombia (Old Providence Island), Henner, Derrick, Luis, Feliciano and Senen are the Black Diamonds; a band that seamlessly blends the irresistible grooves of reggae with the infectious rhythms of calypso, creating a sound that is both timeless and refreshingly original.

For years, Black Diamonds have been synonymous with the laid-back, soulful reggae sound of Old Providence Island, crafting songs that reflect the Caribbean's easy rhythms and rich cultural heritage. Their debut release, however, takes an unexpected—and thoroughly enjoyable—detour into upbeat calypso, proving that the band is more than capable of stepping outside its comfort zone.

"De Seh Seh" (gossip.. chat and talk to much about the others in Creole) also features a remix by Venezuelan producer and multi-instrumentalist Caribombo, who transforms the song into a dancefloor-ready journey, blending electronic textures with soukous-inspired Afro-house rhythms for a bold, cross-Caribbean reinterpretation.

Release description Chesster lands on Rutilance Recordings with a four-track EP rooted in classic deep house. Blending old-school influences with a modern touch, the project captures the essence of his sound: groove-led, warm, and true to its foundations. Originally from Italy and now based in Los Angeles, Chesster has been building strong momentum across the global house scene, with a run of standout releases and defining moments over the past year. This EP marks an important step in that journey - not only as his first on the label, but also as a more personal statement. After a run of highenergy, peak-time records, the project sees him step into a deeper, more refined lane. The EP also features a special contribution from Rutilance boss DJ Steaw, adding an extra layer of character and tying it closely to the label’s identity.

Although Shoot Your Shot sits slightly under the radar compared to Divine’s signature anthems such as You Think You’re A Man, I’m So Beautiful, Walk Like A Man and Native Love, this remix stands proudly alongside them. Liebrand injects the track with a driving Hi-NRG pulse, unmistakable Italo-disco flourishes and a powerful club groove, while Divine’s larger-than-life vocal performance and the unforgettable spoken-word alphabet breakdown remain front and centre.

On the flip, Liebrand delivers an inspired bonus, seamlessly blending the music from Divine’s worldwide club classic Native Love with the vocals from Shoot Your Shot, one of the artist’s biggest European hits. The result is a brilliantly executed hybrid that captures the excitement and creativity of the late-’80s remix scene while celebrating two of Divine’s most enduring recordings.

A rare glimpse into a golden era of European dance music and a testament to Ben Liebrand’s reputation as one of the most innovative remixers of his generation.

“Echoes From The 90s” is a high-energy house and tech-house cut from Dutch producers Desmond & Summum. Built around a familiar sample from “Waterfall” by iconic ’90s dance act Atlantic Ocean, the track combines an unmistakable sense of nostalgia with driving grooves, powerful basslines and a polished, contemporary club sound. Already supported by Stussy, Ida Engberg and Danny Howard, “Echoes From The 90s” lands on Franky Rizardo’s LTF Records imprint.

This limited 12-inch release features two extended versions, both available exclusively on vinyl.

Intentions, the debut of LA-via-Chicago beat maker, composer, and multi-instrumentalist megiapa, is a 40 minute master class in synth-heavy, jazz-informed Neo-soul.

megiapa's lush and emotionally layered album feels less like a collection of songs and more like a living archive of transformation. Across its warm synths, fluttering basslines, meditative voice notes and spiritual grooves, the Los Angeles-based producer, vocalist and composer maps the uncertain terrain between heartbreak, healing, fear, and surrender.

The album's title is genuine.

"The record is literally my intentions," she says. "It's a representation of my intentions, my dreams over the last five years or so."

Those years carried the weight of upheaval: the pandemic, the collapse of a long-term relationship, a move away from Chicago, and the disorientation that follows when the structure of your life suddenly disappears beneath you. But Intentions never sounds defeated. Instead, it radiates the quiet confidence of someone learning to trust herself in real time.

Intentions, the debut of LA-via-Chicago beat maker, composer, and multi-instrumentalist megiapa, is a 40 minute master class in synth-heavy, jazz-informed Neo-soul. megiapa"s lush and emotionally layered album, feels less like a collection of songs and more like a living archive of transformation. Across its warm synths, fluttering basslines, meditative voice notes and spiritual grooves, the Los Angeles based producer, vocalist and composer maps the uncertain terrain between heartbreak, healing, fear, and surrender. Featuring: Ahmad Muhammad (aka Kafari), Mekala Session, Blvck Spvde, Aankha Neal, Telemakus, Aisha Mars, 10.4 ROG

Rapidly gaining momentum, Drumcode’s new DC4 series returns to serve up a collaborative feast for its fourth edition.

Since debuting in summer 2025, DC4 has done exactly what it says on the tin: serving up four elite tracks that deserve the spot to shine.

You know you’re going to get A+ quality when you cue up a Victor Ruiz & Alex Stein collaboration. The Brazilians have a long history of studio jaunts and they deliver the goods via ‘Core’, a brilliant brain-scrambling outing with a strong dramatic arc.

Charles D & Weska follow up last year’s ‘The Answer’ on 1001 Recordings with ‘Can’t Get Enough’ feat. Bexxie. With a foot in prog and techno alike, this is driven by low-slung grooves and Bexxie’s sexy vox, packing an exhilarating energy throughout.

Enter two Drumcode debutants – SCRIPT & OKAYVAL. The former is a fast-rising American artist who is coming off collaborating with Brazilian superstar ALOK, while the latter is a Colombian born, US-based artist whose earned gigs at EDC Vegas and Tomorrowland this year. ‘LIKE THAT’ is a high-energy jam marked by tight rolling percussion and a sharp vocal loop designed for peak-time impact.

Another pair of fresh faces land on the comp as Martin Costas & Gabriel Gil drop ‘It’s All Around’. Lock in for a pulsating slice of prog driven by hypnotic rhythms and lush melodic textures. A versatile cut fit for a variety of party situations.

For his debut on Hard Times Records, Manchester's FLETCH delivers 'Lift Me Up’ - a four-track EP rooted in rolling grooves, warm musicality and a refined dancefloor energy.

The release follows a busy run for FLETCH, with releases on Circoloco, Three Six Zero, MVSON and ANOTR's No Art, where his Play House EP reached the top of the download charts. His connection with Hard Times began behind the decks at the label's sold-out Miami Winter Music Conference showcase, where a shared appreciation for the music soon developed into plans for a release.

"After playing for the Hard Times crew in Miami, I told them how I'd been a fan of the label for years and that i’d love to release something with them one day," says FLETCH. "I sent over some tracks that I felt were a natural fit and the guys signed them on the spot. The rest, as they say, is history!"

The title track sets the tone for the EP with rolling drums, elastic basslines and understated vocal hooks, while 'Stand Up’ leans into swung percussion and classic chord stabs. On the B-side, 'Touch Me' shifts into deeper territory with stripped-back, late-night groove, before '1000 Years' closes the EP with dusty scratches, crisp hats and an understated sense of drive.

Since its digital release, lead track "Lift You Up" has received strong support on BBC R1, plus heavy DJ support from the likes of TSHA, Hilit Kolet, Laurent Garnier, Jamie Jones, Groove Armada, Riva Starr, and more.

FLETCH's sound continues to evolve while remaining firmly rooted in the traditions of house, making 'Lift Me Up' the perfect debut on Hard Times.

Since launching the edit and remix focused Brooklyn Lathe Cuts imprint last year, Patrick Sullivan aka P-Sol has not put a foot wrong. He's already released a swathe of superb two-trackers this year and here returns with another notable entry to the label's growing catalogue. A-side 'Canvas' is simply superb, with effects-laden Godfather of Soul vocal samples rising above a slipped beatdown-house groove, dreamy deep house sonics and jazzy, sun-baked instrumentation. He once more reaches for Brown vocal snippets on the even stronger 'Circles', a languid, break-powered slab of summery and shuffling deep house excellence.

For the 10th release Primordial State welcomes "Mees Javois" to the family. Delivering a timeless techno EP crafted with the dance floor in mind, Mees blends hypnotic grooves, driving rhythms, and refined production into a release that feels both classic and forward-thinking.

FJAAK returns to their own imprint with a new four track EP 'FJAAK015', showcasing the raw, analogue driven techno that has become synonymous with the Berlin duo. There are no unnecessary diversions, just carefully controlled changes in pressure and texture that allow the groove to do the work.

The next chapter on Skip Audio arrives with S.O.N. at the controls, presenting three original productions that move between hypnotic rhythms, rolling basslines, and immersive atmospheres. On remix duties, Romanian heavyweight Sublee reshapes one of the originals into a deep and elegant dancefloor journey. A carefully curated collection of four trippy, groove-driven tracks made for long nights and discerning selectors.

Pressed on vinyl only. No repress guaranteed.

Following the successful return of Cyberfunk Records, Frequency Damage EP showcases four brand-new productions from DJ Quest, blending over 25 years of breakbeat experience with modern production techniques.
From old-school funk influences and rolling basslines to heavy club grooves and precision-engineered drums, the EP demonstrates the versatility that has made DJ Quest one of the pioneers of the Bassline Breaks movement.
Each track brings its own identity while remaining unmistakably Cyberfunk—music written for DJs, built for powerful sound systems and inspired by the underground dancefloors that shaped the label's legacy.

Galaxy 2 Galaxy) on strings, and the return of STRIPPERTM (Sleeve) on the B side for some twisted bass work. Holding light and shade, and pushing out plenty of low end, this record has two cuts for different times of night…
The A side, "In Light," starts with a pulsing kick, bright chords, and shakers, with a string line that slowly builds towards a soaring conjunction with the massive bassline that drops underneath. Filled with bittersweet emotion, this collaboration represents a beacon of light, like the golden hour after sunrise.
On the B side, "In Darkness," gnarly bass textures come to the fore as a harbinger of the dark, turbulent night, dropping into a massive twisted groove. Shakers, tribal percussion, and pulsing sub-bass keep things in a tight rhythm, while Esteban’s strings arrive to guide us through the darkness to dawn.

Pittsburgh Tracks presents the second Cheek Inc. record - “Next 2 U” - a catchy vocal house record for summer. The collaboration between longtime friends keeps going.
The A1: original mix features a bouncy groove where the infectious vocal hook and shuffly drums keep everyone dancing.
The A2 “bang mix” amps things up with pianos, an energetic 303 lead, a build up, and subs that drop for maximum impact.
The B1 “club mix” is as it says on the tin: plenty of energy with a manic bassline, tight, stripped down rhythms, and a top-line melody that emphasizes the vocals.
The B2 “bass mix” features Sleeve’s STRIPPERTM bringing the heat with staccato beats, a twisting midrange vortex of sound, and plenty of darkness with discordant pads, where the stripped-back vocal punctuates to bring a bit of air at the right moments.

Marcal has emerged as one of the most distinctive voices of a new generation of techno producers, combining rhythmic precision with an instinct for detail, tension and movement. On Four Small Escapes, he delivers four tracks built around subtle shifts and carefully placed moments of surprise, where intricate sound design and groove remain in constant dialogue. Opening with Smoke from Respawn, Marcal immediately establishes the record's character. Syncopated rhythms, intricate percussion work and subtle sound design details unfold within a streamlined framework, creating a groove that feels both spacious and forward-moving. Wooden rimshots and glassy textures interact across an open arrangement, giving the track a fluid and trippy quality. Arapuca shifts into darker territory while maintaining the same sense of control. Organic percussion, rolling low-end momentum and sharply placed accents continuously reshape the groove, creating a track that feels alive through movement rather than dramatic intervention. On Ultimamente, Marcal introduces one of the record's most immersive moments. Fleeting sonic details appear and disappear throughout the arrangement, while a carefully integrated vocal element adds depth and emotional weight without disrupting the flow. The result is a track that invites complete immersion while remaining firmly focused on the dancefloor. Closing the EP, The Surprise Test delivers its most direct statement. Rough and driving without leaning into industrial aesthetics, the track is powered by rolling energy, syncopated claps and a series of subtle electronic details that continuously animate its surface. The contrast between rawness and precision gives the record a powerful closing moment. Across all four tracks, Four Small Escapes highlights Marcal's ability to create tension through detail rather than excess. Reduced yet expressive, the EP balances functionality with a strong sense of character, allowing small gestures and unexpected shifts to leave a lasting impact.

Deas joins the CROWD family with 'Silent Tension', a refined EP that channels the Polish producer's signature blend of hypnotic groove and hardware driven production. Known for his precise studio craftsmanship and deeply intuitive approach to groovy techno, Deas has steadily built a reputation as one of the standout figures of the contemporary Polish scene. Through years of releases and international touring, he has developed a sound that feels both timeless and unmistakably personal, as proven on the label's 12th record. Opening track 'I Won't Cry' immediately sets the tone with classy vocal sampling from Loleatta Holloway, warm chord progressions and rolling swung percussion anchored by Deas' characteristically rich bass. Following up, 'Waterfall' introduces bleepy modular sequences and chopped vocal fragments, with a sweeping drone synth cutting through the mix above the track's rolling bass. On the flip side, 'Silent Tension' continues deeper into minimal territory, combining crisp clap fills, subtle vocal chops and delayed chord repetitions into a slow burning groove. The vinyl's closing cut 'Where Do They Go' brings dense low end weight and fast dubby chord stabs, accompanied by sharply placed vocal cuts, creating a track that balances restraint and impact. The digital addition 'Here Again' is a classic Deas production, characterised by repetitive synth stabs that gradually transform the cut into a hypnotic hook, while stripped back percussion and a powerful kick give the track a commanding presence. Throughout CROWD012, Deas remains firmly focused on groove and subtlety, while retaining a strong impact. The tracks unfold patiently, with a focus on tension, repetition and gradual escalation, maintaining the hypnotic functionality that has become both Deas' trademark and a defining characteristic of the sound of the label founded by FJAAK and Ellie Acula. The 'Silent Tension' EP stands as a sophisticated and deeply effective club record that further cements Deas as one of the most distinctive voices in contemporary techno.

Introducing the second release from Principauté de Bowl-Air — PBAVINYL002

Principauté de Bowl-Air is a label founded by DJ Bowlcut, a key figure in supporting Seoul’s underground scene through Seoul Community Radio. The project presents his vision of deep, glitchy minimal house music, woven with the story of a secret micronation hidden in the heart of Seoul.

Following the debut vinyl release, PBAVINYL002 features an original track by DJ Bowlcut alongside reinterpretations by his friends Slowmouth and Furz.

The cover artwork references one of the first K-pop acts to introduce rave sounds to Korean audiences — Seo Taiji and Boys. Their first techno album featured an image of the top of an aluminum can, and PBAVINYL002 draws from the same visual reference. The track “Dig This” also reworks elements from their song “You in Illusions (Techno Taiji Mix).”

The A-side opens with “Falling”, a hypnotic-groove track built around deep synths and designed for afterhours. It works as a perfect DJ tool for gently guiding the crowd into a subtle trance state, further enhanced by the vocal sample “Everybody Falling, Anybody Feel that Falling?”, which pulls listeners into a slow, spiraling moment.

The second A-side track, “Dig This”, takes direct inspiration from one of the earliest K-pop tracks to feature rave stabs, TB-303, and classic rave elements — “You in Illusions (Techno Taiji Mix)”. DJ Bowlcut reuses many of the same samples that Seo Taiji originally layered, reconstructing them into a deep minimal cut with a distinctive Mentasm stab woven into the minimal house framework.

The B-side features remixes by Slowmouth and Furz.

Slowmouth transforms “Falling” into a brighter, more festive exploration that reveals the hidden layers of the original hypnotic groove.
Furz, meanwhile, turns “Dig This” into a funky, dancefloor-ready banger aimed at a wider crowd.

The first HEREAFTER label release enters the universe with three deep, rolling cuts from DOTT and a pumped-up peak-time remix from JUAAN.

“1955 Revival” sets the tone with a killer groove, warm drone-filled textures and DOTT’s off-kilter character. “Grumpy Merlin” moves deeper into the murk, while “Drunken Tune” brings an infectious, eyes-closed groove to the B-side. JUAAN closes the EP by flipping the original into a tight peak-time driver built to ignite the dancefloor.

After seeing these tracks captivate the crowd at one of the UK’s best-loved festivals, we knew we had to share them with the world through the HEREAFTER label.

2026 Repress

Australian talent DJ Swella making his debut on the Clone Royal Oak series! Known for his warm, chord-driven house sound (highlighted on his Pleasure Trax releases). He continues the trajectory here: classic-leaning, groove-focused club music with that late-night energy.

MYKI joins Craigie Knowes for his label debut ‘Legz & Soul’ EP. Moody and tense house-music mastery with the ghosts of garage-past blended seamlessly into the groove of title track ‘Legz & Soul’. The lead Vocal Mix is accompanied by a Dub Mix to round off the A-side giving DJs an alternative stripped back version should the night call for something a touch darker. ‘Get Out’ is a moulding and morphing dub-house outing that change endlessly on top of rolling and hypnotic drums to take the lead on the B-side. ‘Holy Stab’ continues in the same vein – rolling and shifting delay applied to beautiful bouncing dub stabs. A real masterclass in high quality house jams from start to finish with something for every dancefloor environment.

After his contribution to Tangled Waves Vol. 2 with “Grit Wave”, Little Sea returns to Bosconi for his first solo EP.

A producer, vinyl collector and lifelong student of electronic music, Little Sea has spent over two decades refining a sound shaped by the Italian progressive and techno scene of the ’90s, filtered through a contemporary approach. In 2025 he launched his own imprint, Sea Horse Records, followed by the Mental Tools Series.

Ritmo Divino moves across progressive house, breaks and trance without leaning on nostalgia, drawing naturally from a musical language that still feels relevant today.

“Minx” opens the record with rolling grooves, hypnotic sequences and a powerful electro-tinged breakdown. “Vital” shifts into broken rhythms, combining UK-inspired breaks with spacious pads and uplifting progressive melodies.

On the flip, “Shields” explores darker territory through restrained percussion, deep basslines and whispered vocal textures, before the title track “Ritmo Divino” closes the EP with a warm, emotional take on late-’90s progressive—melodic, expansive and perfectly suited to the final moments of a set.

Four tracks that bridge classic influences and contemporary production, confirming Little Sea as a distinctive new voice within the Bosconi catalogue.

Roundhouse makes its first statement on wax. Way of the Warrior finds Lukey exploring the space between Japanese fighting culture and the raw energy of South Central Los Angeles, translating those influences into five club-focused cuts. Rolling tech house grooves, acid pressure, analogue textures and West Coast vocal references shape the EP, while a lone breakbeat electro excursion briefly shifts the pace before returning to the record's driving core. A confident introduction to the sound and direction of Roundhouse.

Boulderhead arrives on Haŵs with ‘Sunshine’ — four cuts that blur the line between club functionality and sonic experimentation. Twisting delays, playful FX work and endlessly shifting textures give the record a voice that's unmistakably his, pushing familiar forms into stranger territory without ever losing sight of the dancefloor.

The title track ‘Sunshine’ opens proceedings with a heads-down trip anchored by a cheeky, tongue-in-cheek vocal hook, swung grooves, and hypnotic momentum. Jorg Kuning steps up on remix duties, gently reshaping the original at every turn. His hardware-led approach keeps the groove in constant motion, each subtle shift revealing another layer without ever breaking the spell. Flip the record and ‘Moonshine’ strips things back into classic Boulderhead territory, while ‘Practice’ closes the EP on a deeper note, pairing lush synth work with beautifully detailed percussion for one final slow burn.

Never too serious, always full of character. The kind of record that keeps giving something new back with every listen.

Pax Nicholas is one of the last living veterans of Fela Kuti’s Africa 70. Born in Accra, Ghana, he joined Africa 70 as conga player and backing vocalist in 1971, appearing on landmark recordings including Lady Shakara.
In 1978, he left Africa 70 at the Berlin Jazz Festival alongside drummer Tony Allen, and settled in Germany, where he built a remarkable second chapter — leading the twelve-piece Afrobeat ensemble Ridimtaksi, collaborating with Finnish jazz maverick Jimi Tenor, and reuniting with the African diaspora in Berlin for Ebo Taylor’s celebrated 2012 album Appia Kwa Bridge released on Strut Records.
In 2009, Daptone Records reissued his 1973 cult classic Na Teef Know De Road of Teef, earning him long-overdue global recognition.
Now signed to Paris-based Afrobeat imprint Comet Records, Pax Nicholas returns with his new single “Mind Your Business” — a heavyweight dancefloor Afrobeat cut built on thundering brass, interlocking percussion and a razor-sharp guitar riff. The release features an exclusive remix by Gabriel Belabbas, producer, DJ and co-founder of Parisian label Positive Future, who recasts Mind Your Business in deep, minimal territory — a sparse, tension-laced groove that channels the hypnotic darkness of Moodyman and Ricardo Villalobos. Stripping the arrangement back to its percussive skeleton, he lets the Afrobeat elements — brass, rhythm, heat — surface and recede like smoke, leaving just enough space for the tension to build and the dancefloor to fall. Slow-burning and devastating on a proper soundsystem.

For over 11 years, Nowadays Records has been shaping the French electronic music scene with boundless energy and total artistic freedom. Much more than a label, Nowadays is a big musical family where every release, meeting and event becomes a real celebration. With over a hundred albums and nearly a thousand titles to its credit, Nowadays Records embodies musical diversity across a variety of genres: abstract hip-hop, house, electronica and alternative pop.



It's in this festive spirit that the Club Nowadays project is born, a true embodiment of the collective's vision. Through its club compilations and evenings featuring label artists and outside guests.



Today, the label continues to chart its course with the release of Club Nowadays Vol. 6, a new opus in its series of compilations, which fully embodies its vision of club music. This sixth volume brings together emblematic figures of the label and emerging artists around the following dance tracks.



Don't Lie, the first single from the compilation, is a heartfelt track born of a broken heart, but turned towards the light. Mira Ló composed this track as an act of resilience, following a break-up in love. She transforms her pain into positive energy, hoping that everyone can recognize themselves in it and find a little sweetness to soothe their own grief.



R1D1 brings together his groovy house and garage influences to create the track Marsupilami around a hand-crafted synth, sharp drums and deep bass. Influenced by hip-hop beatmaking, he incorporates vocals from radio and interviews, transformed into rhythmic elements. The name, a nod to the famous character, comes naturally through the sampled “houba houba”. Between offbeat textures and assertive groove, the track embodies R1D1's singular, hybrid universe.



OOGO & Blanka, two pioneers of the label, offer us Phô Real, a hybrid track between soulful deep house and hip-hop groove, mixing organic and digital textures. A track to get the dancefloor moving, with a delicious nod to La Fine Équipe's culinary universe.



With Tracksuit & Loafers, Yambow creates a bridge between groovy French Touch elegance and the effervescent energy of UK house, in the tradition of producers like Salute and Oppidan. The track is conceived like an acid cocktail: funky, euphoric and dancefloor-friendly. The title is a nod to cultural contrasts - between English tracksuits and French loafers - which translate into a musical interplay between sophistication and fervor.



Finally, Laaanky, the Parisian producer, breaks codes and gives free rein to his passion for raw sound, efficiency and groove on the track Bloom. Between textured house, dub echoes and Afro-tinged post-dubstep rhythms, he explores a danceable, minimalist and percussive electronica. Less is more.

FKJ returns with Tyber— a project that captures a period of personal and creative transformation following the release of his acclaimed album ‘V I N C E N T’. Written and recorded across multiple continents, the album reflects years spent navigating movement, solitude, collaboration and renewal.

The result is FKJ at his most expansive and uninhibited. Across ‘Tyber’, groove-driven compositions sit alongside jazz-led instrumentals, sample-heavy explorations and more direct songwriting moments, moving seamlessly through genres without ever losing cohesion. The album feels both deeply personal and globally informed, spotlighting an artist documenting his evolution in real time. It captures musical snapshots across London, Los Angeles, Paris, Brazil, and beyond to create music that combines intricacy and intimacy seamlessly.

Anchored by themes of emotional equilibrium and self-care, Tyber balances vulnerable storytelling with an unmistakable, groove-laden optimism. The album seamlessly weaves together spontaneous, late-night collaborations with artists like Labrinth, Bas, and Baby Rose, alongside deeply personal solo compositions. Ultimately, Tyber is a vibrant celebration of human connection and resilience, offering listeners an immersive, cinematic invitation into FKJ’s newly restored world.