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2025 Repress

Grooves that last. Sep is back for more.

Third release in our doddub series.

Only 200 copies available, vinyl only, hand-stamped, all black.

The 7:45s are an original soul collective from Manchester, UK – the brainchild of songwriter and bassist Sam Flynn. Inspired by the house bands of soul labels from Motown to Big Crown, the young collective spotlights guest vocalists such as Martin Connor and Nicole Battick. Named after 7-inch vinyl, The 7:45s write snappy singles that blend the vintage feel of rare groove with the songcraft of perfect pop.The 7:45s have been played on BBC Radio 6 Music by Craig Charles, Stuart Maconie and Chris Hawkins and on Jazz FM by Simon Phillips.

A concept album for the soul, Spinning is a retro-soul love story. Side A is sunshine soul about the dizziness of an on-off relationship, as heard in the Charles Bradley-inspired opener 'The Way That I Love You'. Side B is nocturnal. Head-spinning heartbreak is the subject of rare groove-influenced 'The Writing's on the Wall' while dancing to a new dawn is the theme of Prince-inspired disco number 'We Will Be Friends'. The album also features a reimagination of The Beatles' 'Don't Let Me Down'.

theBasement Discos is back with another heavy wax instalment: a four-track journey split between groovy flavour and straight-up dancefloor heat.

On the A-side, Cabin Luv Affair brings a Latin-tinged bomb with "Toma Todo", followed by Bauhouse’s "Whole Lotta Groove", a dusty jam laced with rhythm and soul. Flip it and the B-side gets nastier: Romeo Louisa drops "Can’t Let You"; peak-time house pressure with attitude, while Gabi Fischer rounds it off with "Hit That", a raw jacker built to move feet and shake walls.

DJ, producer, songwriter and cultural trailblazer Peggy Gou releases her latest single, 'D.A.N.C.E'.

This full sleeve 12" edition features the full extended version of 'D.A.N.C.E.' plus two alternative cuts for dextrous DJs on the B-side: the Grooveapella and Danceapella mix. The 12" also comes packaged with an exclusive sticker sheet k of the different cats that adorn the artwork.

“This track to me is all about connecting with joy and feeling free. I hope it makes people want to dance all summer long.” - Peggy Gou

Vision of Love is all about slow motion, soul-drenched grooves and after two solid statements to that effect, now comes a third. This one, curated by Monsieur Van Pratt, is a collection of all-Mexican talent and the man himself also features. He opens up with 'Without U', which is a sensuous deep disco percolator, before Vincent Galgo's '(La Otra) Vida' brings some steamy Latin energy to percussive grooves and Van Pratt then has a second go with 'Dumi' featuring Spanish vocals and colourful horns over a rolling bassline. Ele Cinco's 'Limited Love' is a blissed out and late night charmer, then Cinema Paradisco shuts down with nice squelchy synth bass and undulating drums on 'Track Sin Nombre.'

First LP in new series from Finland, this subdue jazz drone album has the quality of dusk, but is never darker than the Nordic summers. Atonal & forceful at times, still padded and invitingly warm, it has 4 classy pieces that enjoy being on the fringes while slowly capturing the ear when organs drone, the TR-808 thumps, the percussive double bass and the saxophone layers fog of melodic growing waves of groove.

Wax Digits hits release number five with a tight and tidy two-tracker from the late veteran Robert Ouimet who passed a couple of years ago. Before then he cooked up these gems with his pal and production partner Dave Godin. They are being released as a tribute to the memory of Ouimet and a fine one they are too. 'Plenty' has a raw groove and big chords with jangling guitars adding hints of melancholy that counter the big stabs. Soulful vocals are a great finishing touch then 'Funky Together' is more loose and strident with big horns leading the way under psyched-out chords. Two quality party starters.

VINYL ONLY. 25HRS-008 GO TO THE AIRPORT, Giacomo Silvestri, owner of the 25hours Records label, invites his talented friends IVAN IACOBUCCI with his superb remix, making this vinyl perfect for a dancefloor situation. The style of this release looks in a more different direction, to a new format including 4 tracks with completely different nuances until touching an experimental breakbeat groove, remaining faithful to the quality of his minimal underground house sound. This vinyl is in limited edition, don't miss it

Slowly yet firmly blooming into focus, An Unfinished Rose is the new album from Australian duo Troth.

This is their first since relocating to Hobart, Tasmania and their introduction to Night School Records. With a detailed web of past releases on labels A Colourful Storm, Mammas Mysteriska Jukebox, Knekelhuis and Bowman’s own Altered States Tapes imprint, An Unfinished Rose is the group’s most realised and composed work thus far. While still drawing on the improvisatory and DIY practices that informed Troth’s beginnings, it points to a new incarnation of the duo’s music; an intentional language emerging from the fog of obfuscation and mists of uncertainty.

Over these 9 meditations on change, acceptance, renewal and rebirth, An Unfinished Rose finds Amelia Besseny and Cooper Bowman peeling back some of the roughhewn architecture that defined their earlier releases to reveal a masterful - if auto-didactic - use of space and melody. Composition and improvisation compliment and feed each other throughout, with locked-loop earworms providing the springboard for lines of clarinet or synth melody, and the negative space between chord clusters giving ample room for Besseny’s most confident vocal performances to date. Shaving off a little of the defining dissonance and tape compression of old reveals Troth’s music in radiant daylight, humbly accepting of its place in the world while yearning for better, more sympathetic modes of living. Leaning more heavily on acoustic instrumentation and post-production processes than previously, the result is a transcendent body of work infused with an almost zen-like presence.

Troth’s music exists in the border between forming and becoming, its goal to project a kind of preternatural beauty, leaving interpretation open to the listener. Field recordings, happenstance and improvisation may provide seeds for the duo’s compositions, particularly on Side A, but there is a deft touch of songcraft on show. Loam Loom Leaf Litter opens An Unfinished Rose, directly referencing natural cycles of life, death and regeneration, before the blissed-out drum machine groove of Gold Plum continues a discussion concerning the totality of nature and one’s place in it. Besseny’s vocal, swelling like an ocean churn in duet with itself is adorned with synthesised harp and a revolving synth pattern, conjuring plumes of medieval smoke. Thistle’s rounded, bass-heavy drums, nodding to the vast echo of dub, is a relatively new terrain for Troth. It’s propulsive and thumping, pulsing with a meaning and symbolism consistent with Troth’s past work, referenced overtly in Bessey’s lyrics - “Say it too much and it loses its meaning…”. Similarly, the sprawling modern-classical suite, Tides Reflected In Her Eyes, is intentional in its lyrical themes while traversing new ground, revelling in layers of bowed cello and vocal intonations. Side B’s 4 tracks feel like Troth’s most thoroughly accessible and affecting music to date. Leaning into their own detoured version of Synth Pop, Cocoonist explores downtempoisms via a crunchy low frequency synth, and dream-like, fuzzy trip-hop modalities, not unlike Besseny and Bowman’s other group, Th Blisks. Following on, Myrtle Mystes is an open and searching DIY pop song, forged out of drum machine, bass guitar and cello. (An) Unfinished Rose’s title-track is a clear stand-out, built upon an evocative rhythm sample that appears to change emotional resonance with each undulating repetition. Its cascading waves of affect, interjected with a subtle breeze of synth, bowed instrumentation and soaring, densely-layered vocals.

An Unfinished Rose is enveloping, warm, forgiving. Difficult, yet retaining a unique beauty. Troth’s music aims to celebrate the duo;s shared experiences of being in the world, despite the complexity often surrounding us all. Theirs is a message of hope and perseverance, learning and patience.

Bart Skils and Weska extend their musical partnership, linking for the superb ‘Torn Clouds’. The duo shares a special sonic kinship, collaborating regularly for outstanding results. From ‘Shades of Summer’, to ‘Polarize’ and ‘Something More’, the duo balance rhythmic flair with timeless melodies for euphoric results. Their fourth offering is no less memorable. ‘Torn Clouds’ rides on a wave of rolling grooves and uplifting melodic tension, capturing the moment the storm clears and euphoria rushes in. It’s accompaniment ‘Dusk till Dawn’ is a late-night anthem built for the long haul — hypnotic, wandering, and made to move the night into light. Together, the tracks showcase the duo’s unmistakable synergy: plump, percussive foundations wrapped in crisp synthwork and immersive vocal layers that have ignited dancefloors including Awakenings, Ultra Resistance, Space Miami, Avant Gardner, Amnesia, Factory93.

DJ Support: Groove Armada, Gorgon City, Claptone, Nicole Moudaber, Dennis Cruz, Carl Cox, Steve Aoki, Tiesto, Steve Angello, Oliver Heldens, Bob Sinclar, Diplo, Sofi Tukker, Dombresky, Carlita, A-trak, ALOK, Danny Howard, Kaskade, Hot Since 82.

Toolroom’s next Sampler sees 4 big releases from Tony Romera, Crusy, Low Steppa, James Hurr, CASSIMM, Darius Syrossian and Kathy Brown.

Anothr World steps onto the bridge between Paris, the Ruhr Area, and Berlin.

Marking its debut with a vinyl-only release, the label presents a compelling Various Artists compilation that sets the tone for its unique sonic identity.
From France, Berlin-based Casual Treatment and Paris-native Hemka contribute powerful tracks. Representing the Ruhr Area, Rostom and Verschwender bring their own distinctive energy, grounding the release with gritty, hypnotic textures and raw groove.

This first offering is a bold statement of intent - a fusion of cities and sounds.

This top label continues to do great work, serving up hip-hop gems from legends of the scene from days gone by. Next up on this limited 7" is another classic from a pioneering MC and producer. 'Black Snake Root' dropped more than 20 years ago but endures as a classic with its smart use of samples, breezy jazz-funk melodies and warm drums all lifting spirits like the dawn of a new Spring day. On the flip is 'Cedar' by the same artist, this time sampling a great West Indian funk and soul outfit to craft a low-slung groove with hooky riffs and noodling bass.

Berlin techno talent Regent channels his signature depth and drive into a new outing for MALoR Records. With each release since his inception in 2020, he demonstrates the versatility of his sound and his ability to convey profound narratives across a spectrum of techno sub styles.

After contributing a standout track to the label's Purveyors Of The Groove Vol. 3 compilation in 2023, he now returns with a highly cerebral yet anthemic and dance floor-destined 5-tracker EP: Cratea.

The A-side kicks off with the EP's standout cut, 'Refiction', a sinister, forward-marching piece laced with spooky, psychedelic vocals and dripping in LFOs and mind-boggling soundscapes.

It's followed by the title track 'Cratea', shaped by steady bleeps and an evolving, echo-drenched synth that bounces erratically from start to finish, driven forward by thick claps and floaty rides.

On the flip, 'Origins' delivers a steady, hypnotic tool built on organic bass sounds, gnarly percussion, and wet vocal chops, peaking with four-to-the-floor claps that are sure to lock in a busy dance floor.

'Null Model' follows with a signature Regent groove, fusing driving 909 drums with a clever interplay of short synth stabs and warped-out voices, resulting in a deeply trippy, almost paranoid atmosphere.

Closing the record is 'Stealthless', a stripped-back yet uplifting techno tool, offering moments of synth euphoria and harmony while remaining deliberately restrained and minimal by design.

A versatile release made for different moments in the night, designed to guide dance floors through profound, body-moving journeys.
Best served on powerful sound-systems.

Released during the late 1970's Disco era, Milton Wright's sophomore long player has always stood out as a singular, innovative example of the deepest, rarest grooves known to underground Soul lovers all over the globe. This often overlooked body of work has found a whole new audience who revisited the man's work retrospectively, pushing the LP into the domain of "holy grail" status amongst Black music lovers and Funk fanatics. "Spaced" has been at the top of the wants lists of serious music lovers for decades, often unattainable and commanding stellar collectors prices on-line, sometimes fetching amounts of upwards of £400. This unique LP could be perceived as being Wright's most personal work, tragically overshadowed by the burgeoning successes of his then label mates on Miami's Alston Records imprint. The sheer craftsmanship and songwriting prowess on show is undeniable, as is the top level musicianship and production, sounding ridiculously fresh almost some 40 years later. Above Board distribution has collaborated with Alston / TK Records to ensure the quality of this fully legitimate repress of this long lost Soul / Funk classic has been maintained. Remastered, reissued and represented with the full cooperation of the license holders for 2016. Do not pass up the chance to own a true gem, a pivotal, lost LP like "Spaced", now made available again to be enjoyed by all. "Magic Music".

Tal Fussman returns to Rekids with the ‘I Feel’ EP. Rekids welcomes back Tal Fussman with the ‘I Feel’ EP, following up his 2024 ‘Definition’ EP on Radio Slave’s label, which won support from the likes of Honey Dijon, Orlando Voorn, Yu Su, Saoirse, Dave Clarke, and more. The Innvervisions, COD3QR artist and Survival Tactics label boss starts ‘I Feel’ with the title track and, in true Fussman fashion, infuses drummy club cuts with plenty of feeling via soulful synths and apt vocal sampling. The rolling organic percussion of ‘MAD’ continues, locking us in the groove while hard-hitting stabs fly above before ‘Bongo Man’ channels the lush sounds of the rainforest alongside more expert drum work. Closing out the ‘I Feel’ EP, Tal Fussman works with fellow producer 8-AN to drop the dream-like strings of ‘Life Itself’, another deep track that is as club-ready as it is introspective.

We’re thrilled to finally unveil our highly anticipated second vinyl VA release, Mindblender. This record brings together four unique minds: Anoesis, Volen, Joel Brittain and 4:32 AM, each blending their own distinct flavour into one deep, cohesive journey.

Expect hypnotic grooves, twisted rhythms and heavy basslines guiding you through introspective soundscapes.

This is more than a VA — it’s a collision of perspectives, a true blend of minds.

Antwerp-based duo Bobby & Djenko joins forces with hometown label Flipsight for their debut vinyl release. The Funky Dancer EP features four dancefloor-ready tunes full of character and percussion. The cover track 'Funky Dancer' is a vocal-led opener laced with crisp bongos and classic house stabs. A seductive groover 'Get high' takes the other piece of the A-side with a bouncy bassline and confident club mood. A French house-inspired 'Impala' kicks off the flipsight.

This belter is a constantly evolving phenomena including all types of elements with no dull moments. Closing off with a tribal flair, "Perc Talk" is a percussion-driven house jam with hints of jungle flavor - rough, raw, and ready to rumble.

Berlin's Scheermann debuts on Mutual Rytm with deeply personal EP, 'Viciosa'.

Scheermann is at the heart of the Berlin underground as a DJ/producer, but also working behind the scenes at the Intakt Berlin vinyl pressing plant, where he first met Mutual Rytm founder SHDW. As a resident of the Lorem Ipsum party series, he delivers cultured and compelling grooves, and is also an active member of the Wesertekk collective - supporting and pushing club culture to the forefront in more rural areas. His music comes from a deeply personal place, never chasing hype or headlines, and is usually found at home on his own imprint, SAMMLER. This new EP marks his first appearance away from the label as he unveils a collection of records crafted over five years, with each track representing different moments in his life.

'Viciosa' kicks off with paranoid vocals panning about as swinging, warehouse-ready drums pound heavily below. The gritty synth craft adds plenty of texture as filters build the vibe. 'Placid Sin' is even more intense with unresolved synths tripping you in a loopy state while coarse percussion and cantering drums march on. 'Don't Care' is a rave-ready cut that injects your soul with urgent synth energy over more minimal and moody drums. 'Kano' brings a more elastic rhythm with dubby undercurrents and sleek sonar pulses infusing it with mystery, while 'Reika' is a nimble cut with icy hi hats and curious synth notes layering in late night suspense. First digital bonus 'Resoclap' is a heavyweight swinger with dark, groaning voices, before the second digital bonus 'Mizu' provides a speedy and supple workout for body and mind.

Scheermann 'Viciosa' lands on Mutual Rytm on 22nd August 2025.

Love From San Francisco – 'Keep Rockin' (+ Unreleased mixes)

A true underground classic returns via Mint Condition — 'Keep Rockin' by Love From San Francisco (aka Charles Webster) is back on wax in this freshly remastered 2025 edition. Originally released in the mid-'90s and long out of print, this deep house essential defined a generation of smoky after-hours and West Coast groove.

This deluxe 12" reissue stays true to the original deep, dubby sound but adds extra value for crate diggers and collectors alike with two previously unreleased mixes, recovered from the original DATs. These alternate takes give a new dimension to an already timeless track — stripped-down, hypnotic, and primed for modern floors. Pure vinyl heat from the golden era of deep house.