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DAYBREAKERS return with Volume 2 of their Music Station Traxx series, following the success of the first dive into Jeffrey Collins’ revered 90s imprint from Englewood, New Jersey.

This time, they go deeper, repressing the legendary full EP from the Nathaniel X Project — a true holy grail for deep house heads. Originally released in 1994, this four-tracker is a masterclass in soulful, spiritual, and uncompromisingly deep club music, and hasn’t seen a proper reissue until now. Now coming with an essential remaster - this record won’t leave the bag.

Each cut oozes raw grooves, warm chords, and the kind of vocal snippets that made Music Station a staple in the trolleys of US house DJs coast to coast. It’s a slice of East Coast house history, lovingly remastered, repackaged and repressed for today's dancefloors.

Don’t sleep — these are the kind of records that are built for the clubs. Essential gear for DJs and house heads alike.

Buy or cry.

The Pusher Distribution / info@thepusher.fr
Hyperjazz Records presents the self-titled debut album from Tera Tera, an unexpected collaboration between two
visionaries of the Italian music scene. Drummer Jacopo Battaglia, founder of the cult Italian trio Zu and collaborator with
Mike Patton and The Bloody Beetroots, joins forces with guitarist Adriano Viterbini, founder of the rising sensation I Hate
My Village and collaborator with Rokia Traorè and Bombino. Born from two intense jam sessions of pure improvisation, this
album emerged through multiple phases of fragmentation, psychedelic experimentation, and sonic reconstruction. Hours
of raw material were distilled into structures, then subjected to further manipulation and synthesis, documenting the inherent
chemistry between two sound wanderers. Tera Tera's primary interest lies in exploring sound, creating new pathways
toward transcendence. Their music defies genre boundaries, pushing beyond conventional limitations into uncharted
psychedelic territories.
Jacopo Battaglia
Jacopo Battaglia has established himself as one of the most innovative and respected drummers in the Italian experimental
music scene. As a founding member of the cult band Zu, he pushes the boundaries of music since 1997. Blending elements
of noise rock, free jazz, and avant-garde into a distinctive style, he’s a pivotal figure in the “evolutionofavant - gardemusic”
internationally.
Adriano Viterbini
Over the years, Adriano Viterbini has built an international credibility like few other Italian musicians. He’s one of the most
inspired guitarists of contemporary Italian music, best known as founding member of I Hate My Village and Bud Spencer
Blues Explosion bands. An entire career voted to the research of the purest language of blues, Viterbini's impact extends
far beyond Italy, influencing a new generation of musicians with his dynamic approach to composition and performance.

"Impressed are thrilled to be presenting The Bamboos Best, a compilation in celebration of twenty five year anniversary of the formation of The Bamboos.

The definitive collection of one of Australia’s most celebrated, influential and enduring Soul & Funk acts - tracing the history of the band that laid the foundation for the now internationally recognised Australian Soul scene.

Twenty songs taken from across their extensive catalogue, including many that have been unavailable on vinyl since their original release, and one track appearing in the format for the very first time.

From their raw Deep Funk origins through their own genre defying musical path, The Bamboos have reinvigorated a classic sound whilst seamlessly incorporating contemporary influences to create something altogether brand new.

Managing to appeal to both Soul/Funk purists as well as casual music fans along the way, the band have always focused on what’s important: songwriting, groove and powerful vocals.

Light Up Goldist das zweite Studioalbum der US-amerikanischen Indie-Rock-Band Parquet Courts und wurde ursprünglich 2012 in Eigenregie veröffentlicht, bevor es Anfang 2013 über das Label What"s Your Rupture? neu aufgelegt wurde. Mit seinem rohen, energiegeladenen Sound und einer Mischung aus Punk, Garage Rock und intelligenten Texten wurde das Album schnell zu einem Geheimtipp und markierte den Durchbruch der Band in der alternativen Musikszene. Das Album wurde von Kritikern für seine Energie, seinen Witz und seine Direktheit gelobt. Es wirkt wie ein urbaner Schnappschuss des Lebens junger Erwachsener in New York City - nervös, rastlos und reflektiert.Light Up Gold etablierte Parquet Courts als eine der spannendsten neuen Bands der 2010er Jahre und wurde später zu einem der wichtigsten Indie-Rock-Alben des Jahrzehnts gezählt.

On his new album All Cylinders, Yves Jarvis expresses a brazen songcraft and pure musicianship. 11 tracks he played himself, without a single additional contributor, transforming his now four-time-Polaris-nominated vision into the stuff of verses and choruses, hooks and hits, vibrating like a cosmic anthropology. Whereas once he had fetishized analog tape, now Jarvis appreciated the value of working without any such preciousness: much of All Cylinders was recorded on bare-bones Audacity, sans plugins, channeling the spirit of Paul McCartney’s II.

Jarvis is an omnivore, and All Cylinders smashes together a stunning array of influences: Serge Gainsbourg, Judee Sill, Sheryl Crow, Captain Beefheart, Jackson Browne, Throbbing Gristle, Ray Charles, Brian Eno, Fleetwood Mac… All distilled into tunes that feel like taking sips from a cup, or drags from a cigarette. Vivid and self-contained songs that are just two or three minutes long. “I feel like this is the least contrived thing I’ve ever done,” Jarvis declares. Lyrics that matter. Vocals up front, where people will actually hear them. “If something’s true to you,” he explains, “it’s probably true to a million other people.”

The first run of All Cylinders on limited edition vinyl sold out, leading to this highly anticipated second pressing. This edition includes 4 bonus tracks from the forthcoming deluxe release, making it an essential piece for fans and collectors alike. Originally released via In Real Life to critical acclaim from Pitchfork, Financial Times, NPR, Aquarium Drunkard, Far Out Magazine, New Noise, Out Front, KCRW, RANGE, Atwood Magazine, The Luna Collective, Billboard Canada, The Fader, Blamo! Podcast, Stereogum, and Guitar World.

A new Toy Tonics artist! Brazilian DJ, vinyl collector, party promoter, and style aficionado Martha Pinel has joined the Toy Tonics family.

Originally from Rio de Janeiro, where she is a well-established DJ and a prominent figure in the lifestyle scene, Martha also resides in Berlin, where she became friends with the Toy Tonics crew.

She is the creator of Assembleia, a celebrated party in Rio de Janeiro known for its laid-back and unpretentious atmosphere. Assembleia has also become a Carnival sensation, hosting unforgettable annual editions that are now a highlight of the season. In Brazil, she is also known as the co-founder of the Croma project, where fashion and music merged to revolutionize Rio de Janeiro's alternative scene. She has been featured on the cover of GQ Brazil, which named her one of the "13 artists giving voice to the generation that is changing the world."

Martha has been DJing worldwide at festivals such as KALA Festival, Paris Fashion Week, DGTL, and Boiler Room. She has made a name for herself in the diggers scene, sharing the stage with DJs such as Hunee, Antal, Yusu, Sam Ruffillo, Prins Thomas, and many others.

Martha is passionate about discovering music daily and crafts dynamic, non-linear sets that play with the audience's emotions. Known for her bold approach, her sets are always powerful and brimming with personality. They seamlessly blend ethnic musical influences with cutting-edge productions from Brazil and beyond, incorporating African and Middle Eastern sounds, space disco, Italo disco, Balearic beats, house, and its subgenres.

Martha Pinel's debut EP, Real Rio, was born during a moment of rediscovery in her hometown, Rio de Janeiro, after spending a long time abroad. This project is a celebration of that reconnection, capturing the city's most authentic and visceral aspects-a place where beauty and chaos coexist, with dramatic highs and lows.

In the track "Uber Moto," Martha reflects on the urban phenomenon of app-based motorcycles, which have become a symbol of the city.

"Espírito de Estado," on the other hand, is a track that embodies the spirit of the Carioca Carnival, the greatest party in the world.

Finally, "Assim" offers a personal reinterpretation of Marcos Valle's classic Estrelar. In this track, Martha and Gabto leave their mark on this Brazilian music icon, reflecting on the concept of Body Culture-it's often said that it's impossible to walk along Ipanema Beach without noticing the Carioca cult of the body.

A1 - Side Effect
Diving straight into the breakbeats for a classic atmospheric workout, Side Effect sees Aural Imbalance utilise the timeless Hot Pants break with a juddering, detailed beat pattern which sets the tone for a delightfully dreamlike track. Inspiring washes of floaty, subtle synthwork sail serenely across bassy seas - an inquisitive, tonally perfect 808 sub rising and falling below like distant waves, far away from land.

A2 - Blue Light
Panning, swooshing effects and filtered breaks introduce Blue Light, dancing gently before presenting us with an elegantly sombre synth that surrounds the ears like a calming comfort blanket. A clutch of discreet melodies develop throughout, hovering over the breaks like a living watercolour, begging you to shut the noise of the world out and allow this expertly crafted atmosphere to soothe your core.

AA1 - Cascade
Clouds of wistful pads wash over delicate hi hats as Aural Imbalance smoothly introduces Cascade, an immensely tight, break-driven track with a beat pattern to die for. The breaks are crisp and intense in the mix with swathes of inimitable ambience flowing as the 808 dutifully rumbles below. This track is a classic, impeccable fusion of atmospherics and breakbeats that make you move, and will fit any discerning DJ setlist.

AA2 - Different World
An inspired, melodic underwater kaleidoscopic introduction welcomes a fitting closing track to the EP, Different World. Conjuring images of playful marine life dancing in the filtered light, a serene landscape of sound rides analogue old-school breaks laden with dense kickdrums and excitable hats. The track develops with quiet intent, effects constantly added and retracted as the breaks flow, effortlessly.

Words by Chris Hayes (Spatial / Red Mist)

With »Roto«, Derek Piotr revisits the aqueous terrain first explored in his 2016 album »Drono«, where the paradox of water’s stillness and perpetual motion was refracted into looping voices and glitching textures. Conceived as a »spiritual successor« and recorded in 2019, the album has lain dormant for six years before surfacing on Discreet Archive. That stretch of silence seems to have deepened its charge – the sound feels unearthed rather than made, like a whirlpool biding its time in obscurity until now.

Unlike »Drono«’s mosaic of shorter pieces, »Roto« unfurls as two expansive half-hour tracks, allowing Piotr to probe repetition with greater intensity. Vowels accumulate until they shimmer with alien sentience, drones grow dense and psychoacoustic, and the smallest digital artifacts flicker like neural sparks. The result is a work that denies familiarity; recurrence here only breeds strangeness, unspooling into a procession of hidden pulses and altered voices that resist prediction, drawing the listener deeper into a submerged, otherworldly space.

Derek Piotr is a folklorist, researcher and performer whose work focuses primarily on the human voice. His work covers practices including fieldwork, vocal performance, preservation and autoethnography; and is primarily concerned with tenderness, fragility, beauty and brutality. He has collaborated with artists including Scott Solter, Nathan Salsburg and Thomas Brinkmann across various disciplines.

He is lead archivist and creative director of the Fieldwork Archive.

»Downriver« unfolds like a dérive through obscured geographies, echoing the psychogeographic journeys of Iain Sinclair. Just as Sinclair’s writing blurs the tangible and the imagined, Sequences, the project of Antwerp-based artist Niels Geybels, drifts into spaces where memory and environment overlap. Single-take recordings stretch into slowly mutating drones, fractured textures, and ghostlike voices that seem to seep in from unseen thresholds. The atmosphere is one of decayed grandeur, evoking disused monuments, neglected warehouses, and corners of the landscape where centuries of history accumulate beneath the surface.

This is music shaped by wandering without a map: a patchwork of distortion, hidden detail, and abrupt rupture. The sense of time loosens, the everyday unravels, and new contours emerge out of drift and delay. Downriver situates itself between sound art and environmental music, drawing listeners into liminal zones where place becomes porous, haunted by what has been and what might yet be.

Written and recorded by Niels Geybels Mastered by Jacob Calland

“There are some corners of the universe which have bred the most terrible things…They must be fought.” Demon Records presents, for the first time on 2LP vinyl, the complete full-cast soundtrack of this ‘lost’ classic BBC TV adventure, with linking narration by Frazer Hines. The Second Doctor (Patrick Troughton) is thrown into his first rematch with the Cybermen in the year 2070. Humans have colonized the Moon, and the Cybermen have identified their base as a strategic vantage point from which to invade Earth!

Can the Doctor and his companions Polly (Anneke Wills), Ben (Michael Craze) and Jamie (Frazer Hines) stop them? First broadcast in 1967, this exciting adventure was written by Kit Pedler and directed by Morris Barry, with a guest cast including Patrick Barr, Andrew Maranne, Michael Wolf and John Rolfe. Whilst only two of the four episodes are known to survive on film, thankfully all four are available as sound recordings, complete with the BBC Radiophonic Workshop’s familiar Doctor Who theme music. With a superb cover illustration depicting the Cybermen on the Moon, these two translucent ‘Blue Moon’ discs are housed in beautifully designed inner sleeves with vintage TV guide-style listings for each episode.

"NEIL YOUNG COASTAL: DER SOUNDTRACK AB SOFORT ÜBER REPRISE RECORDS ERHÄLTLICH11 SONGS VON DER SOLO TOUR 2023 AUS DEM GLEICHNAMIGEN FILM UNTER DER REGIE VON FILMEMACHERIN DARYL HANNAHCoastal: The Soundtrack enthält 11 ausgewählte Songs aus Youngs 60-jähriger Karriere, die live auf seiner Solo-Tour 2023 aufgenommen wurden, von „I Am a Child“ bis „Vampire Blues“, und Neil Young an Gitarren, Klavier und Mundharmonika. Es ist ein so intimes Live-Album, wie Neil Young es je aufgenommen hat, entstanden in einer Zeit, in der die Welt aus der Covid-Pandemie-bedingten Isolation erwachte. In mehreren Städten aufgenommen, ist es ein Album für die Ewigkeit, da der Singer-Songwriter 11 seiner Songs mit neuer emotionaler Kraft versieht.

Der Film Coastal wurde von der renommierten Filmemacherin und Youngs Ehefrau, Daryl Hannah, gedreht und inszeniert und wird weltweit von Trafalgar Releasing vertrieben. Der Film ist eine persönliche Dokumentation hinter den Kulissen von Neil Young, während er auf seiner US-Solo-Tour 2023 die Küste entlangfährt, und bietet einen hautnahen und intimen Einblick in das Leben eines der kultigsten Songwriter und Musiker der Geschichte. Hannah fängt Young ein, wie er nach Covid auf die Bühne zurückkehrt, und ermöglicht dem Publikum, als beobachtender Teilnehmer einen seltenen, ehrlichen Blick hinter die Kulissen dieser ungeschützten Ikone zu werfen. Es ist eine lange überfällige Feier des Lebens, die aus nächster Nähe beleuchtet, wer Neil Young ist, woher er kommt und in vielerlei Hinsicht, wohin er geht: Coastal.

Coastal Trackliste:Seite Eins:I’m The OceanComes A TimeLove EarthPrime Of LifeThrow Your Hatred DownSeite Zwei:Vampire BluesWhen I Hold You In My ArmsExpecting To FlySong XI Am A ChildDon’t Forget LoveCoastal wurde von The Volume Dealers: Neil Young & Niko Bolas produziert und gemischt. Gemischt in: The Surf Shack Studios, Ventura, CA. Assistenzingenieur: Sterling Uhl. Live aufgenommen von: John Hausmann. Mastering: Bernie Grundman. Coastal Artwork von: Lauren Fisher und Daryl Hannah.Aufgeführt von: Neil Young: Gitarren, Klavier, Mundharmonikas, Gesang Bob Rice: Klavier bei „When I Hold You In My Arms“"

Sababa 5 returns with another essential 45 for Batov Records" Middle Eastern Groove series. This time, they team up with two very different artists on two distinct tracks built from the same hypnotic groove: soulful Turkish alt-pop sensation Canay Dogan and reed flute specialist Itzhak Ventura.

The Delines "Scenic Sessions" 10th anniversary Coke Bottle Green Colored LP reissue. Originally issued in 2015 as a Rough Trade and Tour exclusive The Delines album, Scenic Sessions sold out in a period of weeks with their End of the Road Festival appearance that Sept. It was time for a reissue as it is one of the fans favourites and never available outside of the UK at retail with only 1000 copies printed. The band always thinks of this one as The Delines at summer camp. We recorded it during a minor heat wave, it"s loose and a bit rawer than most of our other records, and there"s a no pressure easy going feel to the session that really comes across. It"s a band favorite, too, because while recording it I think we all knew we were becoming a real band.

12 Bob Dylan classics produced and arranged by Steve Howe (Yes/Asia), features guest vocalists Jon Anderson, PP Arnold, Max Bacon, Allan Clark, Dean Dyson, Annie Haslam, Phoebe Snow and Keith West, first time on ltd. 2LP available (red vinyl, 300 ww copies, etched d-side).

”The Definitve Croce”, eine Sammlung von Jim Croces unvergleichlichem Studioalben, die 1972 und 1973
veröffentlicht wurden, ist wieder als limitierte 3LP-Box aus farbigem Vinyl oder als limitierte 3CD-Box
erhältlich. Alle drei Alben enthalten aktualisierte Mixe von Paul Hicks (George Harrison, John Lennon).
Disk 1 ist das Studioalbum von 1972 „You Don’t Mess Around with Jim“. Das Album erreichte Platz 1 und
ist mit GOLD ausgezeichnet, und enthält die Nummer-1-Single „Time In A Bottle“, sowie die Hits „You
Don’t Mess Around With Jim“ und „Operator (That’s Not The Way It Feels).“ Disk 2 ist das Studioalbum
von 1973 „Life and Times“. Das Album erreichte die Top 10 und ist mit GOLD ausgezeichnet, und enthält
die GOLD-Nummer-1-Single „Bad, Bad Leroy Brown“, sowie den Hit „One Less Set Of Footsteps“. Disk
3 ist das letzte Studioalbum von Jim Croce „I Got A Name“, das 1973 veröffentlicht wurde. Das Album
erreichte Platz 2 und ist mit GOLD ausgezeichnet, und enthält die Top 10 Hits „I’ll Have To Say I Love
You In A Song“ und „I Got A Name“ sowie den Top 40 Hit „Workin’ At The Car Wash Blues.“

Human Leather have always been a ferocious live act, unbelievably loud for a 2 piece. Their gigs are often an overwhelming wall of sludge, howls and amphetamine-addled drums, with spectators flying joyously around the pit. Previous recordings did full justice to the impact of the live show; however, the second helping is something else. On Here Comes the Mind, There Goes the Body the sludge is still present, rising, and lapping at your ankles, but there's a new clarity showing off exactly how f*cking good those riffs are. There are ear worm riffs for days, shout along vocals that roar, shriek and reform into a Greek chorus, drums that thump you repeatedly in the chest and then the whole thing vanishes in just under 30 minutes, leaving you bruised, deafened and with Some Questions about your life. Squint your ears a bit and you'll hear the influences of bands like Karp, Torche and Big Business but they're thrown into a much crustier stew. The lyrics span a variety of political issues, not limited to the landed gentry, global warming and consumerist harbingers of doom. Importantly the songs are also not afraid to discuss class issues (unlike many political bands who you suspect have a much sturdier security net). While this could easily feel preachy, every line is delivered with the knowing wink of the underdog and good humour (I am going to smile every time I think of "clod damn" or "QVC Hands" staring up at me from the lyric sheet), and the vibes are as they've always been in difficult times - "we know we're fucked, tonight we mosh, tomorrow we march". And what is the point of a revolution you can't dance to? Speaking of dancing, the final track features an honest-to-god dance beat, acid squelches and disembodied vocal samples, pointing to an alternative universe in which Human Leather are a heavy electroclash band. Here comes the record of the year, bring what is left of your eardrums. You didn't need that body anyway

A guitar player, writer, producer, and composer, Stevie Salas has recorded on over 70 different albums with artists as diverse as George Clinton, Justin Timberlake, Buddy Miles, T.I., Mick Jagger, and Rod Stewart. Having sold over two million solo albums around the world, Stevie has been cited as one of the top 50 guitarists of all time. Dreaming of a career in music, Stevie left the small town of Oceanside, California in 1985. Eight months later he was discovered by funk music legend George Clinton as the lead guitarist for Clinton's albums. Stevie received his first major label producer credit with Was (Not Was) when he co-produced the UK hit "Out Come the Freaks" from the album "What up Dog?" Rolling Stone Magazine listed "What up Dog?" as one of the top 100 records of the decade. With an extensive solo career, Stevie has now teamed up with Deko Entertainment to reissue some of these albums starting with the 30th Anniversary of "Back From The Living (Deluxe Edition)"













k MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]





[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)











[k] MUCH ADO ABOUT BUTTIN' [SUCKERMANGRUBBY MOUTH MIX]





[q] TELL YOUR STORY WALKIN' [MUG MASHER REMIX]
[r] CRACK KILLED APPLE JACK [GRAVY BOOTY REMIX)

On Friday, September 5 Liv Andrea Hauge Trio releases its third album, Dognville, on Norwegian label Hubro. The record explores the feeling of being "dognvill" a Norwegian term describing the sensation of being out of sync with time and reality, like during jet lag or insomnia. The music inhabits this liminal space between structure and freedom, consciousness and dream. Half of the compositions were written while pianist and composer Liv Andrea Hauge was bedridden with a high fever in a semi lucid, dreamlike state. The other half emerged ahead of the trio's European tour in autumn 2024.The result is a fusion of fresh inspiration and songs shaped and seasoned through live performance a record rooted in both spontaneity and maturation.Since forming in 2022, the trio Liv Andrea Hauge (piano), Georgia Wartel Collins (bass) and August Glännestrand (drums) has become a compelling voice in modern acoustic jazz. With extensive touring across Norway and internationally, and two previous album releases, the band has cultivated a strong, intuitive musical chemistry.Dognvillereflects this presenting a sound that is more serious and contemplative than earlier works, echoing the uncertainty and introspection of our times.

Disasternoon is an album of psychedelic melancholia, a carousel of dreams, otherworldly and fantastical, each song sculpted into an allegory, elegant, rich, textured and authentic. Crayola Lectern explore memories, separation, isolation and the times that changed us, with lyrics scattered sparingly throughout. Crayola Lectern is the project from Chris Anderson, often compared to the piano led jazz of Robert Wyatt, the psychedelic folk of Gorky's Zygotic Mynci, with echoes of Mercury Rev, or Flaming Lips, and experimentalism of Fred Frith. In 'Disasternoon' Chris Anderson performs on vocals, piano, mellotron, synths, organs, sax, guitars and bass, with Alistair Strachan on trumpet, cornet, glockenspiel and Damo Waters on drums and percussion. Bic Hayes performs electric guitar solos on Disasternoon and Coscoroba, and Maria Marzaioli plays violin in Coscoroba. The live show often also featuring the likes of Jon Poole (Cardiacs, Widhearts) heading-up electronics, gadgets, sounds and keyboard parts, Bob Leith (Cardiacs) on drums, and Bic Hayes (Cardiacs, Levitation) on guitar.

"Oh Snap features twelve very personal songs by Cécile McLorin Salvant - plus a cover of a verse from the Commodores’ 1977 hit “Brick House” - mostly recorded outside of a traditional studio environment and showcasing her genre-spanning tastes and influences. The album features longtime collaborators Sullivan Fortner, Yasushi Nakamura, and Kyle Poole, as well as cameos from singers June McDoom and Kate Davis. Salvant has US and international tour dates throughout the summer and autumn; find more details at nonesuch

The MacArthur Fellow and three-time Grammy-winning singer and composer wrote these short, intimate songs as part of a creative quest: to place spontaneity and joy at the center of her writing process. She originally recorded them alone, at home, never intending for them to be released, using digital tools and effects that she had never played with before, like GarageBand, Logic, AutoTune, Midi plugins, drum loops, vocal effects, reverb, and filters. The songs reflect Salvant’s wide-ranging musical influences from her 1990s childhood in Miami - from boy bands to grunge to classical to folk - and include party tracks with beats, samba grooves, and quiet folk songs.
"