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2025 Repress

B2 track ends in a 4 beat locked groove.

2025 Repress
New, fresh material by the duo Dynamic Forces. A serious, effective 4 tracker compiled by the duo's significant powerful productions.

2025 repress

Mastering by Paul Mac @ Hardgroove Mastering.

Early support by Alderaan, Charlotte de Witte, Dave Miller (Abstract Division), Dimi Angelis, Dj Almelo, Dustin Zahn, Forkowski, Gareth Wild, Gotshell, Hector Oaks, Joton, Kwartz, Kessell, Kaiser, Lewis Fautzi, Nez, Norman Nodge, Norbak, Phara, Ryuji Takeuchi, Stranger, Takaaki Itoh, Tensal.

This 12" contains the first sounds from EDM Z album, which will complete Jodey's 'Electric Dance Music' series. Very limited strictly no repress handstamped piece of Braindance. In the realms of imagination and creativity, there exists a man whose life is as diverse and eclectic as the beats he now produces. Born in the picturesque landscapes of Cornwall in 1953, Jodey Kendrick's journey began with the wind-swept cliffs as his backdrop and the crashing waves as his symphony. As a young lad, Jodey was drawn to the world of cinema. Inspired by the likes of Bruce Lee and Jackie Chan, he found solace in the art of martial arts and action-packed storytelling. With determination in his heart and a fire in his eyes, Jodey ventured into the realm of acting, honing his skills on the stages of local theaters before making his mark in the bustling streets of Hong Kong. It was in the neon-lit alleys of Hong Kong that Jodey Kendrick found his true calling. Embracing the vibrant energy of the city, he immersed himself in the world of Hong Kong action films, earning acclaim for his daring stunts and charismatic performances. With each role, he etched his name deeper into the annals of cinematic history, becoming a beloved figure in the hearts of moviegoers across the globe. But as the years passed and the reels of film kept spinning, Jodey felt the stirrings of a new passion within him. Beyond the glitz and glamour of the silver screen, there lay a world of pulsating rhythms and electronic melodies, waiting to be explored. Intrigued by the allure of electronic music, Jodey embarked on a new chapter in his life, one that would see him swap his martial arts moves for the dancefloor beats of Jungle Tekno and Drum and Bass. In the bustling metropolis of Hong Kong, Jodey found himself amidst a thriving music scene, where the streets throbbed with the rhythms of the underground. Fuelled by his love for music and driven by a desire to create, he immersed himself in the world of music production, crafting beats that reverberated through the city's concrete jungle. Today, Jodey Kendrick stands as a testament to the power of reinvention and the boundless possibilities of passion. From the silver screen to the dancefloor, his journey has been one of constant evolution and exploration. With each beat he creates, he pays homage to the winding path that brought him here, a path that weaves together the worlds of cinema and music into a tapestry of creativity and inspiration.

RTR puts a jungle cartridge in this EP, as he did for the Xor album, but this time without compromise and with less restraint: he draws with excellence as his great masters taught him!

The second release from the Manchester based label is delivering is the goods again. This time taking us on a nostalgic Tech House trip. An absolute DJ tool and a must have for any fan of the Genre.

The 5th-anniversary release of the renowned vinyl label Artreform marks a significant milestone bridging the past and the future. The label's head, JOSS, a DJ and producer based in Kyiv, continues to unearth talented newcomers. The latest release features a track by a promising Ukrainian newcomer, Wonkie, who is relatively unknown in the electronic music scene. Additionally, the release includes a remix by the European house music superstar IO (Mulen). IO first appeared on Artreform in 2013 with the ghetto banger "Criminal Stuff," leading to multiple collaborations with the label. Two years ago, IO revisited Artreform with a remix of JOSS's single "Justify." IO (Mulen) represents the esteemed history of Artreform while offering a glimpse into its vibrant future.

The new EP showcases a blend of past and future influences. The lead track, "I Meet Somebody," features Artreform's signature minimal house sound with a touch of classic progressive elements. On the other hand, the remix by IO (Mulen) incorporates a modern proto-trance style with hints of old-school UK breaks. "Tubular Bells" is reminiscent of JOSS' mixes, combining sophisticated tech house with trendy dream house vibes. Overall, the release adds new colors and nuances to Artreform's latest work and the label's esteemed back catalog, much like the eye-catching cover of their anniversary record.

the debut release of women’s brightest hope “polygonia” on mule musiq.

our friend&label artist “simone de kunovich” introduced her and she sent us
an excellent unique house music.

she sung,wrote the lyric, playing violin and flute.

a1 “upside down” reminds us bit early herbert style.unique melody and vocal.

a2 “eyes between letters” is kind of excentric afro brazilian deep house.we love this deep house.

b1 “beyond light and shade is like electronic version of midori takada or mkwaju ensemble.
it reminds us japanese 80’s kankyo ongaku.

b2 “complementary senses” is highlight of the release.very playful organic psychedelic mini-mal deep house.we think this kind of music is very rare these days.

so polygonia´s new 12nch is definitely on of the highlights on mule musiq in this year.
we love it so much!

Bread and Butter Recordings are ready to close a successful year as they continue their tradition by compiling the most talented producers of house and minimal. For the upcoming record, 5 artists who have established a career through their innovative sound and firm perseverance in the scene.

To open the release, Alex Font and Aron team up on a track that perfectly combines soulful percussion and driving synths into a full journey. Next is Beiger with a magical track whose hypnotic groove adds an electrifying energy to the EP.

On the back side, 2 heavyweight Romanians leave their mark. Mihai Pol delivers a warm minimalistic that creates a lovely mood while Iuly.b closes out with a more bouncy and dynamic track.

The London label presents once more an epic release and establishes his versatile trademark on the 9th edition of the V.A. series.

For its ¬rst release, Binding System introduces Acidulant's My Vision Of Space, a ¬ve-track EP that masterfully blends Electro, Acid, and Techno. Hailing from Malta, Acidulant is known for his raw, space-driven soundscapes and highintensity production, which are on full display throughout the EP. Each track is a journey into deep, otherworldly realms, with gritty basslines and sharp synths creating a truly immersive listening experience. The title track, "My Vision Of Space," is the heart of the EP, offering a hypnotic fusion of acid lines and cosmic rhythms. Belaria, the label’s founder, adds her own take with a slower remix that retains the original’s soaring energy, emphasizing its atmospheric depth while giving it a more expansive feel. My Vision Of Space is an ambitious and timeless exploration of sound. Available on vinyl and digital, this release marks a bold start for Binding System

Quentin Tarantino, geboren 1963 in Knoxville, Tennessee, gilt als einer „der einfl ussreichsten Regisseure seiner Generation“ und wurde bisher mit zwei Academy Awards, zwei BAFTA Awards, vier Golden Globe Awards und eine Palm d'Or geehrt. Zu seinen berühmtesten Filmen zählen "Pulp Fiction" (1994), "Jackie Brown" (1997), beide Teile von "Kill Bill" (2003-2004), "Death Proof" (2007), "Inglourious Basterds" (2009), "Django Unchained" (2012), "The Hateful Eight" (2015) und "Once Upon a Time in Hollywood" (2019). Auf vorliegendem Album wird eine Auswahl der besten Songs
vorgestellt, die Tarantino als Soundtrack für einige seiner fi lmischen Meisterwerke gewinnen konnte.

Nomada Records welcomes proudly one of the greatests and finest south america producers; Based in SAO PAULO (BRAZIL); Pedro Zopelar has built a distinguished reputation as a producer in the electronic worldwide scene under his alterego “ZOPELAR” and parallel projects such as “MY GIRLFRIEND” “SPHYNX” and “L’HOMME STATUE”. He has released and edited music on big labels such as APRON, TARTALET RECORDS, SOUL CLAP RECORDS, MOTHER TONGHE, ROYAL OAK, SELVA DISCOS, AXE TRAXX, TECHNO HOUSE CONNOISSEURS and many others.


“HORIZONTE EP” is a five track release where We can enjoy is unique synth funk and deep disco boogie soulful house sound. The A-SIDE starts with “HORIZONTE” an uplifting house track with a flowing chord progression, lush pads and addictive bleep melodies. “LET IT LIVE” is a heavyweight deep House track which is ready to smash dancefloors with its meaningful saxophone solo. On the flip ZOPELAR opens with “PURE HEART” a melancholic and deep synth jazzy house track which is perfect for closing or starting a set at 6 AM. The B-Side Closes with “VENUS” and “SERENA FEAT. PR.A.DO” two surreal balearic summer house tracks where We can experience the musical richness and warmth from zopelar’s compositions

Ambient explorers SWIMS come up trumps with the debut record by London musician and visual artist Loz Keystone, and Glaswegian electronics tamperer and jazz trumpeter Christos Stylianides.

"Craobh Haven" is the dreamlike product of a week's residency in a little cabin in the Scottish village of the same name. Driving around the surrounding countryside each day to gather field recordings, evenings were spent by the duo assembling their findings into tape loops. These little rotating sculptures - containing stones and the rushing waters of the Craignish peninsula, the voices of locals and the cabin's oven timer - formed the basis for one track per night.

While Keystone's whirling touches of Moog, guitar and space echo suggest the murky, placid vastness of the record's setting, the pitch-shifted, probing trumpet of Stylianides soars and stacks countermelodies like vapour trails braided in the atmosphere.

For a record made out of loch water, Hebridean slate and mud - it is surprisingly tuneful and sometimes almost groovy. Recommended if you like Jon Hassell, Roméo Poirier, Spillage Fete.

Minimal goovin goodness. ViGi is back with a worldwide EP ! Four artists from four different continents unite to blend their diverse roots and influences into a superb EP designed for the dance floor and clubs, taking us away from our usual habits and refreshing our familiar frequencies. The result is a range of subtle yet punchy variations in styles and rhythms, all centered around dancefloor-ready minimal tunes that embody ViGi's classy and elegant DNA.

‘FAIXA’ is the eponymous debut LP from rural Valencian group FAIXA, emerging from a desire to fuse their curiosity for electronic sounds with experiences of living immersed in the folklore that resonates through the Valencian regions of l’Alcoià and el Comtat.

This atmospheric album speaks to a sound not often heard in the wider Spanish electronic music scene, but reminiscent of other modern revivals of traditional music fused with electronic sounds across Spain right now.

The sound of the album is a constant dialogue between the roots and the future of Valencian generations; traditional vocalists play an essential role in connecting oral traditions such as the “cant de batre” and marches of the “moros i cristians” with leftfield electronic, influenced by sounds typical of dubstep, jungle, or footwork. This historical quality resonates profoundly through songs where vocalists Noelia Llorens “Titana”, Carles Dénia, and Josep Aparicio “Apa” act as channels to a new sonic dimension of traditional music, where the classical and the modern intertwine.

Receiving great feedback across the country in a short period of time, FAIXA’s unique approach to electronic music has gained them mentions and interviews on national and local radio & TV.

If you know anything about me – as in Andrea, the record label’s head – you know I have a thing for Oi since I was a teenage skinhead.

And with Avant! being a coldwave/synthpop label, our next release couldn’t be more special. No Filter are three children of the French region of Dauphiné, active in the black metal scene for 20 years through different projects.

They created No Filter with the aim of exploring punk, Oi and coldwave sounds. They started by singing in English but after their first demo they decided to opt for French to improve their lyrics by singing in their own native language. Themes addressed in their songs are violence, hatred, party nights, the countryside, their roots and friendship. “Synth punk, bagarre et blousons noirs” in their own words. Musically speaking they somehow fit in the current Cold Oi French scene (Bromure, Syndrome 81, Cran, Kronstadt) but they exaggerate the synth/wave element ending up sounding like one unprecedented, fresh as hell mix between New Order and The 4 Skins.

If you think you’ve heard this one before it’s because one year ago they self-released a 10-track cassette called “Sans Filtre” which is exactly what we are pressing now on vinyl for the first time because this was simply too good to stay only on tape forever.

To make this even more special we have recruited Canadian multi-instrumentalist and artist Nakkabre (Conifère, Spleen, Vespéral, HazeHound) to do a brand new artwork and spice things up for the occasion!

Black vinyl LP edition limited to 400 is out 22 November.

Embarking on a 50 minutes journey through the ethereal, TRANSCEND by Moonglade Sound is a meticulously curated double-sided compilation, mixed and compiled by Kirill Matveev, that unveils a realm of sonic exploration.
Featuring a diverse lineup of artists—such as Cousin, Dub Tribe Sound System, Vision of 1994, Nice Girl, Molez, CosineVi, Gyu, VTL One, 99HP, and Angus Mills—the album highlights the allure of the rare and the extraordinary.
Each track radiates a subtle, enigmatic charm, intricately blending avant-garde nuances with deeply resonant soundscapes. The selections are masterfully restrained, yet rich in emotional depth, offering serene moments of reflection alongside vibrant, soul-stirring beats. TRANSCEND delivers an immersive listening experience, bridging the tangible and the transcendent.
This release transcends the boundaries of a traditional compilation; it stands as a musical gem, crafted for discerning collectors who value the exceptional. A true treasure for those looking to elevate their record collection, it serves as a timeless homage to the art of sound.

• Laser engraved, transparent red tinted single cassette.
• Full colour double-sided printed 4 panel J-Card.
• Super Ferro Normal-bias music grade tape.
• 43 minutes per side minutes (A- 42:55 / B- 42:52). (The mixtape totals 71 tracks at 1 hour and 15 minutes.)
• Not available since 2019 and reissued to celebrate the 5-year anniversary of its release in June 2019.
London-based producer and musician Vegyn unveils the reprint of his debut mixtape, "Text While Driving If You Want To Meet God!", a 71-track project originally launched in June 2019, now available again on cassette format. This time, featuring a transparent red tinted cassette chassis, this reissue offers fans a nostalgic journey through Vegyn's early experimental soundscapes. Crafted with Super Ferro Normal-bias music grade tape, each cassette boasts 43 minutes per side, meticulously duplicated in real-time for optimal sound quality. With clear front and back cassette cases, alongside laser engraving, and a double-sided full colour printed 4 panel J-Card. This reissue is set to captivate listeners once again. The cassette repress is scheduled to hit shelves in June 2024.

a A1 4 Year Break 126 Bpm
b A2 80's Nihtmare Setup [127.136 Bpm]
[c] A3 100 Leagues V2 [142 Bpm]
[d] A4 201886 002 _ [145 Bpm]
[e] A5 A Thousand 500 Apr V2 [149.287 Bpm]
[f] A6 All In Me All Of It - [124 Bpm]
[g] A7 Anothher Time Anothher Place [150 Bpm]
[h] A8 B... Arp Forever V3 [109.613 Bpm]
[i] A9 Bedtime Again V2 [130 Bpm]
[j] A10 Big Shoes Big Hands V3 [120 Bpm]
[k] A11 Buddy Lent Me The Pen Again V006 [218.814 Bpm]
[l] A12 Ch---- Pa------- V2 [169.706 Bpm]
[m] A13 Chords To Fix 002 [126 Bpm]
[n] A14 Country Song Without [187.089 Bpm]
[o] A15 Dean Told Me! [132 Bpm]
[p] A16 Deep Throwaway 003 [100 Bpm]
[q] A17 Desktop Speaker 003 [130 Bpm]
[r] A18 Dumb To Everythhing V2 [140 Bpm]
[s] A19 Evil Man Two V2 [120 Bpm]
[t] A20 Feet Too Tough 005 [128 Bpm]
[u] A21 Find Hihs Password 003 [96 Bpm]
[v] A22 First Of 2018 002 [140 Bpm]
[w] A23 Get This Thang Right Here 003 [170 Bpm]
[x] A24 Gnot Up! V2 [109 Bpm]
[y] A25 Go Tow Work [134 Bpm]
[z] A26 Gsc Cbd V1 [98.995 Bpm]
[xa] A27 27.Gsc Cbd V2 [98.995 Bpm]
[xb] A28 Happy Birthday Friendo! [154 Bpm]
[xc] A29 Here We Are - Chords Again [137 Bpm]
[xd] A30 I Only Play Games I Know [160 Bpm]
[xe] a31 If Not Someone Then Somewhere 004 [89.797 Bpm]
[xf] A32 Infinite Freeze Frame [96.532 Bpm]
[xg] A33 Iphone Speakerz [112 Bpm]
[xh] A34 Is It Rough Is It Tough [154 Bpm]
[xi] A35 It's All In The Eyes Of [124 Bpm]
[xj] A36 Its Okay Its Just Okay 002 [145 Bpm]
[xk] B1 Last Pieces Of The Year [120 Bpm]
[xl] B2 Less So More So [140 Bpm]
[xm] B3 Life Feels Good [91.71 Bpm]
[xn] B4 Malibu Hillside - [155 Bpm]
[xo] B5 Maybe Inspired [145 Bpm]
[xp] B6 Midday Sun [124 Bpm]
[xq] B7 Milk Dudz 006 [140 Bpm]
[xr] B8 Mistakes Were Made Risks Were Taken [155 Bpm]
[xs] B9 Monét Monét [135 Bpm]
[xt] B10 Nobody's Business [148 Bpm]
[xu] B11 Noise Making Problem [100 Bpm]
[xv] B12 Ns10 + Sub Combo Classic V2 [120 Bpm]
[xw] B13 Nuish [103.181 Bpm]
[xx] B14 Olbass All Bass 004 [140 Bpm]
[xy] B15 Once A Smoker - Always A Smoker [108.065 Bpm]
[xz] B16 52.One More For The Homies [115.203 Bpm]
[ya] B17 Picnic B_st_rd [112.380 Bpm]
[yb] B18 Picnic Trajegdy [142 Bpm]
[yc] B19 Positive Nightmare [134 Bpm]
[yd] B20 Post Thought Of Knowing Nothing [152 Bpm]
[ye] B21 Pull Shark [127 Bpm]
[yf] B22 Right Noww [150 Bpm]
[yg] B23Sadly Does It [123 Bpm]
[yh] B24 Safety At Night [99.226 Bpm]
[yi] B25 Save Yall Ready Know What It Is 003 [138 Bpm]
[yj] B26 Snslo Modem [135 Bpm]
[yk] B27 Thouhtless Thouhts [155 Bpm]
[yl] B28 To All The Photos Going Up Online Rn [118 Bpm]
[ym] B29 Try And Do A Cd After That [132 Bpm]
[yn] B30 Try Towards Overtime [140 Bpm]
[yo] B31 Veggie Burritotu [120 Bpm]
[yp] B32 Waitin On An Ambulance 002 [205.367 Bpm]
[yq] B33 What Goody In The Back [138.089 Bpm]
[yr] B34 Whhat The Fuck Did I Buy_ 002 [123 Bpm]
[ys] B35 Yo This Is The Next Tune Yah Get Me [124 Bpm]

Marhu is set to make her debut on Electric Ballroom with a captivating two-track EP slated for release on May 24th, 2024. Inspired by the iconic Opera monument in her hometown of Brussels the lead track "La Monnaie" is a compelling blend of bittersweet melodies, intricate orchestral elements, epic violins and choirs intertwine with massive rave synth and acid undertones, creating a sense of powerful grandeur and drama. Marhu's fusion of classical and electronic influences brings a fresh perspective to the genre, captivating listeners with her creative ingenuity from start to finish. Reflecting on her debut release, the artist from Belgium expresses her excitement about joining Thomas Schumacher's esteemed label, Electric Ballroom: "La Monnaie" has been a standout feature in my recent sets, showcasing my ability to craft immersive musical journeys that resonate with my audience” Known for her infectious positivity and high-energy performances, Marhu's mission is to connect with her audience and take them on musical journey. We are thrilled to welcome this uber talent to the EBM family.

Repress!

Voodoos and Taboos first appeared in 2019. A mysterious outfit, their melting pot sound immediately caught the ears of the faithful; acid cut with house, electro beats shot through with a punk D.I.Y. attitude. Their escapades didn’t miss us here at Bordello.

Reversible Dreams collects four examples of this chameleon club style that Voodoos and Taboos have cultivated, the EP opening with the title piece. Cascading chords and whispered samples give way to rich bass strings as a playful piano melody transforms into squirming acid beams.

Claps and neat notes introduce “Unconditional Love”, vocoder lyrics mingling with spoken word and juddering space TB303 squawk. The flip adopts a darker hue. Off-kilter bars and stern beats introduce “Animae”, alien electro melodies descend as a fizzing late night energy takes hold. BPMs drop for “Destino Lontano.”

Warm basslines and Eastern scented synth-play weave their way through the piece, delicate strings and dawn sunshine leading to a close.

Soulful dubs is Tm Shuffles outlet for sophisticated, atmospheric & deep house/techno. Soulful Dubs 02 A-side brings you Velvet by Tm Shuffle, Monoder and Tapani Rinne. Both two versions serve you soft tender moods backed by deep bass and strong earthy vibrations. Move your body into nightly hours, whether in the bedroom, balcony or a sweaty basement club. B-side takes you on a flight further commanded by Aleksi Myllykoski and Tapani Rinne. Slowburn turns the strobelights on and your flight into darkness is powerful and pleasant. Tm Shuffle has you diving even further into distance with his trademark echos and moods.

Berlin-based techno duo FJAAK unleashes a series of powerful remixes of their FJAAK THE SYSTEM album from genre icons Kittin & The Hacker, DJ Bone and Mr. G, each adding a unique twist to their signature sound. Kittin and The Hacker dive into 'Mechanic Love' with razor-sharp synths and pulsing beats, transforming it into a hypnotic electroclash-techno hybrid set to ignite dancefloors with dark, futuristic energy. DJ Bone brings his Detroit-rooted minimalism to 'Scratchy', fusing relentless drums with meditative strings to create a stark yet entrancing remix that is both cerebral and body-moving. Rounding off the project, Mr. G delivers two contrasting takes on 'Unity': 'G's Dub', a dub-laden, introspective mix perfect for deep, late-night sets and the 'Time Jack' remix, a peak-time powerhouse with irresistible swing. Together, these remixes redefine FJAAK's originals with innovative flair, bridging intensity and depth across the techno spectrum.

30D Records celebrates a decade of modern sonic exploration. Since its inception at the end of 2014, and initially taking inspiration from 40's & 50's science fiction culture, the label has been offering to listeners a vast array of genres, being experimental, creative and forward-thinking dance music its main mission.

For its 10th anniversary, the cutting-edge electronic music label very proudly announces five distinctive releases, each one across their respective sub-labels.

And he did it again! The talented Calum Lee AKA Paleman / Fresnel Lens, one of our favorite producers by far, is back after his acclaimed Exalted EP (2023). Although stylistically speaking 'a bit different' to the previous release (in his own words), our innovative sound designer delivers a sick collection of dark, abstract and experimental broken-beat tracks as only few artists can afford, where impossible percussive rhythms and tons of raw energy go hand in hand, challenging listener's perception and placing him at the forefront of electronic music. Another must have release.

The EP delves into spooky-dooky electro that squelches along with broken soles, warm breaky-bombastic fun and angular electro haus that evokes mid 2000s fringe attitudes. All in all it is UK music at its very best, a melange of styles mashed together tightly under the pressure cooker environment of Britannia's broken promises. There's even a bonus remix from Klasse Wrecks' regular Omega III who takes the original track on a joyride along the M62 in his broken Vauxhall Astra.

Born out of a summer (and time) most sadly lost forever - this new release on Souvenirs From Imaginary Cities will break your skull open most tenderly, so it's fine particles of audio-dust can mingle with the last rays of sunshine and the bitter storm of this autumn. Track after track, this LP draws you in with a natural flow and a deep-felt pulse - reminiscent of classic slices of raw and sample- based ambient like Susumu Yakota's 'Sakura' and 'Everyone Alive Wants Answers' by Colleen. These tunes are heartfelt and channelling tons of real emotions and other melancholia.

It's a very personal and unique blend of almost nineties chill out zoning with a dubby undertone, rich textured loops, mixing a whole range of crazy acoustic and electronic flavours - stuff that shouldn't work together but are dancing all the way to heaven anyways - with slow burning dusty slabs of melody and yes those deep choral pads ( some Rachmaninov vesper magic in the air ), everything rough around the edges and low slung but so damn precise. A subtle mélange between abstract and more concrete sonic territories, but delivered in an upfront, improvised manner with great intuition and a quite ruff but poetic touch.

Name of this piece of swampy, chopped up but most nicely selected ambient work is La Ho, by Purpurny Dyadya aka Purple Uncle aka Sergey Demitriev, originally residing in St-Petersburg but living now for obvious reasons in Armenia. Sergey has been busy on labels like Echotourist, Hair Del, Nazlo and most recently with fellow traveler Nikita Chepurnoi as Amkarahoi on Patience/Impatience. Using a bunch of old tapes from his childhood times, filled with all kinds of sonic memories and Russian underground hip-hop as sample ground, he loaded up his MPC with magic dust and jammed out the basis of this LP during a summer fest near St-Petersburg before current hell broke loose.

It's the kind of a record that needs some time to really let loose his inherent power, give it some air, let it hop along a bit and those sounds will bloom wide open.

Record includes 2 page insert and download

Flipping rhythms from Guadeloupe, Cuba, Senegal and Puerto Rico, Time Capsule founder Kay Suzuki releases an acid-soaked collection of remixes that transcends time and space.

From the blacked-out basement of Plastic People to the psychedelic dancefloor of Beauty and the Beat, Kay Suzuki’s musical world has been shaped by some of London’s most iconic sound systems. High quality audio, he says, can open portals to new universes. Rhythm is time made plastic and beauty is the space between the beats.

Spanning over fifteen years of music from the prolific DJ, producer, Time Capsule label boss and one time Brilliant Corners sushi chef, this collection of remixes is the logical conclusion of Kay Suzuki’s musical thinking. Drawn to unique percussive or syncopated rhythms, he describes remixes as conversations between the original artist’s sense of time and his own. Weaving broken beat, house and dub influences into rhythms from across the Black Atlantic, these four tracks find each other kinship on the dance floor.

The A-side begins with a dubbed-out rework of the Gwoka celebration rhythm ‘A Ka Titine’ by Guadeloupe’s Gaoulé Mizik that was originally released by Beauty and the Beat in 2022. Layering electronic flares, dub sirens and space echo reverb across the shuffling toumblak beat, Suzuki leans into the track’s creole heritage, turning the track into a sought-after dancefloor jam, played by everyone from Colleen Cosmo Murphy and John Gomez to Yu-Su and Bradley Zero.

Skipping to Puerto Rico, Broki’s ‘Es Que Lo Es’ emerged from a collaboration between Bugz in the Attic’s Afronaut and Seiji and local musicians. Here Suzuki reworks the Afro-Latin percussion into a subtle bruk, conjuring a third space between London and San Juan that remains both of and outside the era in which it was made.

Blackbush Orchestra’s ‘Sortez, Les Filles!’ opens the B-side, taking apart the original and kneading the Senegalese percussion into a chugging Balearic house track, buoyant and full of life. Also first released by Beauty and the Beat, the track features new synth and structural elements that bring out the innate dancefloor potential beneath the surface of the original.

The final track on the collection heads back to the Caribbean and the island of Cuba, where Sunlightsquare a.k.a. Claudio Passavanti worked with vocalist Rene Alvarez and expert in Afro-Cuban percussion, Giovanni Imparato, on ‘Oyelo’. Here, Suzuki strips out the kick completely, leaving an implied rhythm which he calls an “imaginary four-to-the-floor” - a groove that is felt rather than heard, leaving the listener floating in another universe entirely.

KNTXT, Charlotte de Witte’s label imprint, has the pleasure to introduce Alignment’s upcoming Time EP that will be released in April. After Monoloc’s “Left The Planet EP”, Alignment is the third artist to appear on the label aside Charlotte de Witte, that debuted with the Chris Liebing collaboration EP “Liquid Slow”.

“Alignment is easily one of the most promising artists that I’ve encountered in a long time, so it feels incredibly good to welcome him to the KNTXT family!” de Witte says. KNTXT has always aimed to be a breeding ground and safe haven for the unique talent’s that it loves and respects. With this upcoming Alignment release, we hope to further introduce the world to this unique talent and create a platform for his boundless creativity.

“Charlotte started supporting my music from very early on, so it feels great to be making my debut on KNTXT so early on.” Fancesco Pierfelici a.k.a Alignment says. “It took me some time to find the right spin on these tracks, but now I feel really confident about the result.”

“With the this EP I wanted to make recordings on the subject of time and space” Alignment explains. “I’m a firm supporter of Alignment’s unique ravey sound, flanked by deep bass lines and pumping kicks. We’re very eager to share this upcoming release with you all, feel like this is going to be a big one!” - Charlotte concludes

After high demand, Fred again.. releases a repress of Actual Life 3 (January 1 - September 9 2022) on March 31st after almost immediately selling out of vinyl copies upon the original release. the third in his series of Actual Life albums.

Actual Life 3 (January 1 - September 9 2022) is the third in his series of Actual Life albums, which saw Fred again.. resume his diary-esque approach to production using intimate use of voice notes from friends,
videos found whilst scrolling on Instagram and samples from important records in his life. It was an autobiographical
chapter of work that pushed forward the heritage of UK electronic music while standing as testament to the power of music in facilitating catharsis, healing and celebrating the realities of friendship, love and life. The album was
instrumental in his breakthrough as a global artist and debuted at #4 in the UK album charts, becoming the highest-
streaming new release globally on Spotify on its first weekend.

The album features his hit singles Danielle (smile on my face), Delilah (pull me out of this), Kammy (like i do) and Bleu (better with time). The repress remains on a clear vinyl, but this time round the vinyl comes in a black inner bag and the tracklist now mirrors the digital tracklist.

Fred has quickly become one of the most talked about live acts as he transformed his Actual Life records into an immersive, communal real-life experience for the first time, selling out shows across the UK and USA. Fred again.., Skrillex and Four Tet recently did a series of pop up events across New York, culminating in a record breaking sold out, 5 hour b2b set at Madison Square Garden. Also been announced that Fred will be performing the penultimate slot at this year’s Glastonbury Festival.

Fred’s recent Boiler Room performance remains one of the most viewed Boiler Rooms to date, surpassing over 16 million views.

3 unreleased tracks recorded in the early 90's on tape cassette by Benjamin Wetherill under the moniker Amethyst Moon…First Volume appearing on this mysterious label from the UK called MoonVoid Records.

re:lax HQ finishes off a stellar year with their third record of 2024 - WONDA. Following re:ni's head spinning debut, Laksa comes with more arsenal for the club. Sampling iconic grime hype escalation, that energy is channeled into 3 UK soundsystem techno cuts. Razor synths, drum workouts, visceral bass-weight with vocal psychedelia, this is sonic exploration and experimentation with a FWD spirit.

The record also sees Laksa delve into his first vocal collaboration, working with Nyege Nyege affiliated Phelimuncasi - all the way from South Africa. Club and Dubwise versions - take ur pick

VOYKOT presents a new cult album from PANICO EN DIRECTO, delivering another masterfully crafted mini LP. This collection of 6 tracks delves deeper into the producer's sonic universe, weaving intricate layers of percussion with complex melodic structures. While maintaining the raw EBM and Techno foundations of their debut, this release takes a more introspective turn, offering a sophisticated dialogue between rhythm and atmosphere that reveals new depths with each listen.

Opposing rising colder days but in line with greyed-out skies, Metamorphism EP by Swedish producer Dold pays tribute to nature's brutal, subterranean forces where winter solstice causes the world to look paused and asleep.

Four uncompromising tracks that emerge from minimalistic elements to genuine narration full of drive and energy, showcasing Dold's unique, dynamic handwriting in composition once again. T3R014 finds us at the right time and place where blackbirds and north winds take control, reminding us that heat and fire will always exist deep below us.

The Tortured Poets Department: The Anthology Vinyl
35 Tracks including 4 acoustic bonus songs
Never-Before-Seen 12” x 12” Poster
4 Marbled Translucent vinyl discs

Depiction of this product is a digital rendering and for illustrative purposes only. Actual product detailing may vary. Please note due to the custom manufacture process, each vinyl unit may be slightly different in coloration.

2024 Repress

There isn’t many who would disagree with the underlying sentiment that electronic music makes us feel something extraordinary. Much in the same way, the possibilities for creative discourse and cosmic interactivity are accessible to anyone with an open mind. It’s in this place where these possibilities materialise, and it’s in this space where SYNCROPHONE 39 operates within.

You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.

Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.

One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix,
will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.

Outsider techno artist Anders Enge is back with another offering on his own imprint Ett Annorlunda Hörn after recent excursions to labels such as Blank Forms and Alexi Delanos AD ltd.

From the title track’s polymetric urkraft synth lines paired with a minimal house beat to the ending, a Buchla meditation recorded at EMS in Stockholm, My Head In Flames is pure synthesizer machine groove magic. Edition of 200, hand stamped & numbered. Mastered by Andrea Merlini.

We are happy to finally share with you the snippets and history behind our first release. Written and produced by Wave Particle Singularity, the author marks with this release another remarkable house music maestro work. He opens the EP with the track Zarbeeya, in which he takes us through a journey of soul saharian chords and chants by his best friend's wife Sabrina, straight from Algeria. The artist follows with the A2, Maghzal, a story for the carpet manufacturing process. On the B side, we are immersed in a more micro-minimalistic groove underlying desertic harmonies with Ghardaia on the B1, and a full-swing dubby groover on the B2 to close the EP and bridge a link from the Algerian Sahara to Berlin.

Like the morning sun penetrating a Winter sky, a shimmering frost flecks the brightness of “Message to Nowhere”.

The four tracker showcases the sound of Ruben Benabou’s Hyperstellar nom de plume, a sound that draws inspiration from sci-fi soundtracks and the warmer currents of electro. Refracted bleeps introduce the title piece, shorn beats cutting through glowing synthlines as the EP takes flight. Tight terse drum patterns are the launchpad from which melodies sail and swoop in “Words in a Void”, bittersweet strings and warbling pads bending and shifting above juddering basslines. Fellow Frenchman, and all-round electro virtuoso, The Hacker remixes “Message to Nowhere”. Pulling the track toward the centre of the floor, scissoring snares slice through echoing notes and silken shrouds in this machine funk remake. Temperatures rise for the close. Bold key changes and snapping rhythms gather in “A Thousand Nights”, a lively late evening close to a quartet of sheer quality.