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Alek S - Paradise Lost Ep

Alek S offers up another dose of pensive techno vibes in his "Paradise Lost" EP. Side A opens up with "Bold", a slice of laid back while still pounding techno, boasting zippy synths with an unmistakable analog flavour. It's closely followed by Andres Zacco's rework of "Honey Wheat", an apt reconstruction of the original that's aimed squarely at the dancefloor. The Argentinian producer and recent Ilian Tape alumni dives in with a powerful groove, cutting its way through a suspended atmosphere full of spaced out sounds.
Over on the B-side we're greeted with "Paradise Lost", a slow-paced melody that gradually shifts into a dreamy groove filled with spaced out drums and abstract delays.
Last but not least, the original version of "Honey Wheat" is a somewhat atmospheric, yet functional floor warmer that fits a resigned groove.

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8,11 €
Jam Money - A Gathering Kind

Jam Money is the shared musical vision of Kevin Cormack and Mathew Fowler. Mathew (Bons) and Kevin (Half Cousin, Harry Deerness) first began collaborating as part of the Blank Tape Spillage Fete, an ongoing collective project of art and music which focuses on the creation and perpetuation of small DIY exhibitions, related events and limited releases that celebrates the hobbyist nature of home recording.

Jam Money revolves around a passion for the simple and sometimes restrictive nature of four-track cassette recording. Using old half-broken guitars, clarinets, charity shop keyboards, toys, family heirlooms, zithers, home-made percussion, and household objects a shared dialogue appears, involving both mark making and musical mishaps, allowing the makers to be carried along as the music finds its own way.

Genre definitions melt away in Jam Money's music as ambient dissolves into lo-fi rock, noise into fragile naive classroom melodies. Creativity beyond easy categorisation.The first recordings titled 'Blowing Stones' were self-released in 2014. The cover and insert artwork for this record featured abstract paintings by the artist Aimée Henderson whose work and process is a great influence on their music. Having played gigs alongside kindred spirits National Bedtime and Plinth, the tail end of 2015 saw the the band travel to Germany to play with the Notwist and Le Millipede for a series of 'Alien Disko' nights organised by Alien Transistor, a label with a shared kinship of both the weird and wonderful.

'A Gathering Kind' is the second album by Jam Money: a journey of sound and colour, subliminal images and narrative. The roots of this collection found Fowler and Cormack using an earthier, more instinctive language, making it a rougher-edged sibling to their other recordings, with parallels to the home-spun worlds of Flaming Tunes, Pumice, Maher Shalal Hash Baz and World Standard. Aimée's artwork features again, both paintings and music forming a collective language of dream-like adventure.

"Poignant and exploratory. Melting together acoustic and electronic elements, the narrative throughout is one of a ghostly world heading for winter. A firm fan favourite Stephen Pastel (The Pastels & Monorail Music) on Blowing Stones.

"Created in question and answer form, their songs exist like little sculptures - wayward and peaceful, sometimes whirring into automatic life under the pair's combined attention."

pre-order now25.11.2016

expected to be published on 25.11.2016

17,61 €
The Shining Path - Basic Training Manual Lp

A Complex Web - The Story of THE SHINING PATH...began in 1982 when Peter Miller (aka Dr. William S Ray - vocals, tapes, guitar) met Andrew Millar (aka Maurice Spectograph the Nose-y Pieman - program execution) in Gold Coast, Australia. While sharing a similar taste in music, they decided to form a band, so DIVE POSITION was born. Equipped with a Korg synthesiser and Tascam 4-track recorder, they 'wanted to have the 'sound' of Kraftwerk, the groove of Can, and the 'menace' of Throbbing Gristle', ending up with 'a cross of Suicide and the Residents', as Peter recalls. In a local record shop they met Stig Andre Leonardson (aka Vincent Blackshadow), who joined the duo on percussion and drum machine programming. Their motto was 'Now is Then'. DIVE POSITION then became THE FATAL CHARM around 1984, and THE FATAL CHARM became THE SHINING PATH who eventually released their only album 'Basic Training Manual' in an edition of only 250 copies, most probably in 1986. The band then started to drift apart, and shortly after Andrew sadly passed away - this re-issue of 'Basic Training Manual' and the upcoming compilation 'Now is Then' comprised of previously unreleased DIVE POSITION and THE SHINING PATH material is dedicated to his memory.

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14,24 €
Langenberg - Central Heated House

After a considerable career releasing on numerous labels, as well as being co-founder of Essen based label Mild Pitch, Langenberg finally drops his first album under this alias. Max Heesen, (who is also one half of Ribn with Manuel Tur) delivers the smartly titled 'Central Heated House' for Steve Bug's Dessous Recordings. The LP format suits Langenberg's hypnotic house classicism well, allowing time and space to stretch out the grooves and moods over four sides of vinyl - working both for the DJs and perfect as a soundtrack for the autumn. The LP kicks off with 'Jade', a melancholic, tape saturated introduction to Langenberg's deep tastes. 'Room 210' maintains this atmosphere, with fizzing percussion and warm Detroit-esque melodies. 'Groove 26' is perfectly timed for the hot summer, as lush Rhodes chords and KDJ style vocal snippets provide the heat for the openair vibes. The single from earlier this year 'Shadows' features the talents of vocalist Blakkat, and caused some serious response when it hit airwaves and dancefloors alike. 'Never Worry' is a heads down roller, built around a simple but perfectly executed bassline, while 'Dreamliner' is trippy laidback sunshine house all the way. 'I'll Be Late' and 'Planitz Proposal' step back into the club, with Langenberg's signature crisp percussion, crunchy hits and analog synth wizardry on full display. 'Rain & Roses' closes out the album in a similar way to how it started wistful, thoughtful house music with soul.

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15,92 €
Kerbside Collection - Trash Or Treasure Remixed

Aussie rare groove ensemble Kerbside Collection's second album of instrumental funk and jazz grooves "Trash Or Treasure" (released May 2015) gets the remix, rework and re-use treatment with a variety of re-interpretations with everything from downtempo hip- hop/neo-soul and dusty analogue lounge beats, to fuzzy, Balearic electronic club workouts and even some broken beat flavours.Kicking off this limited edition 12" vinyl, AV artist/DJ/Producer Sampology lights up the sitar disco vibes of "Strawberry Fields" taking the track into sizzling Balearic, club work-out territory with added afro percussion, squelchy wobbles and effects, perfect for summer festivals and hazy end-of-night vibes. Vinnie Laduce's follows with his cruisy vocoder and lo-fi indie beats reconstruction of "Shake 'n' Bake", while another local Brisbane producer TwoDee (who also appears on "Mind the Curb" remixed) delivers an eighties, electro break flavoured re-work of 'Rabbit Hole'.Side B starts JNBO (The Cactus Channel bass player) and his unique wonky, analogue and quirky touch to the title track for a fuzzed out, analogue electronics burner for fans of Floating Points, Cro Magnon, Dabrye and Dimlite (bounced to tape no-less for added bump!). Closing in on this special vinyl is Kerbside's drummer Paprika who takes the coastal groove of 'Bogangar' to the afro side with his 'Mountain Air Afro- dub', recreating a low slung, Tony Allen styled afrobeat groove with added melodic movements and dubby effects, while he adds another remix taking "Trash Or Treasure" into future jazz/broken beat territory with added percussion, moog bass and a surprise heavy change up at the end, almost reflective of some classic Fat Freddy's Drop!

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14,66 €
Pastor T.l. Barrett - Do Not Pass Me By Lp

Digging deep into the annals of Gospel now, the name Pastor TL Barrett should be familiar to the eagle eyed crate diggers amongst you. An extremely "colourful" character from Chicago's Southside neighbourhood who found himself on the wrong side of the law for his involvement in some activities of a dubiously illegal nature, more importantly, besides this the pastor was widely known for his community activism and positive sermons preaching love and responsibility. Shady past aside, this fantastic 1976 LP entitled "Do Not Pass Me By" is a real Gospel beauty and features 8 tracks of resplendent hands in the air rejoicement. Having never been reissued before this rare as gem is finally back out in the open, complete with it's incredible untampered with sleeve artwork and design. Barrett's unique voice and message is timeless and instantly recognisable, you can't help but become one of the congregation whilst listening to these wonderfully rousing and positive paeans to the lord almighty. Saying that, even if you find yourself to be a non-believer, the soul, funk and jazz stylings (with the odd flourish of synth!) the good pastor is laying down will be equally as alluring to those of you who dig those particular sounds. "Do Not Pass Me By" was originally released on Miami's TK Disco offshoot Gospel Roots, it's the Pastor's second release on the label and is a beautiful snapshot of how things might have gone down at his "Mount Zion Baptist Church of Universal Awareness". A unique LP with with a somewhat lo-fi charm, the tracks contained run the gamut from slow, downtempo ballads to roof raising, danceable Disco-esque anthems.
This is the first time that "Do Not Pass Me By" has been reissued on vinyl, fully remastered from Gospel Roots/TK's original tapes, represented the way the the LP was issued in 1976 with all original cover and label artworks intact. Now, almost 40 years after it's original release the album has now been made available again for 2016, fully licensed in conjunction and with the full permission of Henry Stone music / TK Disco, Miami, FL.

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Last In: 6 years ago
14,50 €
The Spinners / The Trammps - The Mike Maurro Peak Hour Mixes Vol. 5

Absolutely classic double header of brand new mixes from the mighty Mike Maurro! A Detroit classic goes head to head with another solid gold Philly classic on this 12" of exclusive mixes lifted from his "Peak Hour remixes" project, all produced from the original master tapes. The Spinners evergreen Soul classic "I'll Be Around" takes up the A-side with Mike's trademark respectful flourishes evident - a restrained, classy version of this all-time anthem is what we're treated to by someone who truly understands the originals and feels the music. A must have for all serious Soul lovers out there. On the B-side we have The Trammps stellar "The Night The Lights Went Out", a long time favourite that has been extensively sampled by numerous House artists and The Trammps paean to the infamous city wide blackout during the summer of '77 in NYC that ended up subsequently reshaping popular culture as we know it. Maurro's mix, as always, has respectfully rearranged the track in such a way that he's managed to put a new spin on a legendary disco classic focussing on the incredible arrangements of Norman Harris' original. Simply put, another set of essential mixes from a modern day master! File under - *Essential Disco*

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10,38 €
Various - A Fiction Universe

For its fifth release, Amsterdam's Taped Artifact offers up a various artists EP that features four tracks including one from the boss, Kevin Arnemann, as well as Hiver, Elmer and Physical Therapy. It is a moody and atmospheric deep techno offering that fits in with the label's ever more singular aesthetic. Up first is Physical Therapy, a producer who since 2012 has put out some fine EPs and LPs on labels like 1080p, Unknown to the Unknown and Liberation Technologies. It is a roomy affair with corrugated mid tempo drums down low and haunting pads up top. Building in intensity with some icy hi hats, it ends up as a ghoulish number that adds real theatre to the floor. Next up is Elmer, key part of Brussels' Bepotel Records crew. Melting techno, wave and dub into raw and expressive new forms, this new cut 'Simple Models' makes great use of analog machinery. Again deep and horizonless, a rippling lead synth line plays off an industrial bass riff as paddy drums roll on below. It's humid and heady stuff, to be sure. Then comes the boss who offers a more dubbed out and bumpy dub­techno track with expansive chords rolling off into the distance and light and airy hi hats dancing in the mid ground. It's one to get floors moving before the Hiver duo of Giuseppe Albrizio and Sergio Caio from labels like Curle and Vidab close things out with the dusty old breakbeats and woozy spaced out synths of 'Intersect.' This is a subtle but impactful EP full of sensitive underground sounds that pack a real punch. Vital Sales Points: - 5th release on Taped Artifact - First Various Artists compilation on Taped Artifact - Custom made artwork by photographer Merel Kemp - Artwork

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7,52 €
Tiger & Woods - On The Green Again

Tiger&Woods

On The Green Again

2x12inchRBTWLP-1
T&W Records
07.11.2016

The Tiger is back - finally on full length again! The second studio album for Tiger & Woods not only marks a desired return to a specific format, but is also a huge leap forward in their area of expertise: their brand of fun and functional dance music gets broadened by influences from electronica, italo disco and up-tempo house, while keeping a groove that is distinctly linked to what some people refer to as boogie. After travelling the world from left to right and from top to bottom with a live-set to boot and skilful DJ sets that resemble that genre melting approach, "On The Green Again" is the result of spending valuable studio time at the "Tiger's Lair" - a carefully-built new work place that plays its own part in the creative process of one of the most prolific production teams of our days, while simultaneously starting T&W Records for all sorts of adventures that are linked to Tiger & Woods, but not narrowed to a specific sound. See "Unleashed Tapes Vol. 1" for further reference. A double A-sided 12-inch that owes as much to disco as an influence as it pays homage to the funkier and brighter sides of house and techno. Honing a craft that is rooted in edit culture as an ethos, but has since long left that bumpy road dependable on samples and their clearance, T&W make "On The Green Again" work as the second album that defies the difficulty usually attached to such ventures. 10 brand-new tracks (and three previously released bonus tracks on the CD version) make up the course between peak-time prime cuts similar to "RockMeLoveMe" or "Come And Get My Lovin" and an almost heart-aching track like "Endless Affair". Mixed with bits and pieces in-between and neatly placed between a classic intro and outro segment, those tracks are testament

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16,09 €
Pedro Santos - Krishnanda

Pedro Santos

Krishnanda

12inchMRBLP139
Mr Bongo
04.11.2016

Krishnanda is an album in the truest sense of the word - a spiritual, psychedelic Brazilian masterpiece from start to fnish - celebrated by everyone from Seu Jorge and Kassin to Floatng Points, Madlib and DJ Nuts. These days, originals change hands for thousands of dollars. Pedro dos Santos, born in Rio in 1919, was a percussionist virtuoso, composer and inventor of instru-
ments that apparently included oddites such as the 'Tamba' (electrifed bamboo drum) and the mouth berimbau whistle. Nicknamed Perdo 'Sorongo' afer the rhythm he invented, that features throughout 'Krishnanda'. A highly spiritual man who was regarded as a philosopher by many. He worked with greats including Baden Powell, Elis Regina, Maria Bethany, Elza Soares, Sebastão Tapajós, Roberto Ribeiro, Milton Nascimento, Clara Nunes, Paul Simon and Arthur Verocai, playing on
his legendary self-ttled LP. In the same vein as Verocai and his self-ttled LP, 'Krishnanda' was Pedro's chance to shine with his own, and only, solo recording. Krishnanda was produced by Hélcio Milito, the drummer of Tamba Trio, and arranged by conductor Joppa Lins, and originally released in 1968 on CBS (Brasil). Musically, the album touches folk, samba,
afro-brazilian and psychedelia plus added efects, with a lyrical depth and diversity to match; themes including morality, percepton, existence and ego. Despite the genius of the record and the infuence that it had on musicians at the tme of release, it
disappeared into obscurity. We frst discovered the record around 2003, through a friend Julio Dui. Around that tme Brazilian funk and bossa was the favour of the day, so didn't catch our ear immediately, however it contnued improve with age and now we consider it to be one of the best albums ever made, regardless of genre or origin.

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25,42 €
Mfr Collective - Mfr Collective Edits

The secretive MFR collective delivers the party goods on this one, with a magical release that has both the perfect opening and closing tracks of the night!
Feeling about as familiar as a well-worn pair of bell-bottoms, Gettin' Down builds on instrumental loops towards an uplifting vocal climax, while Your Love Is Saved takes us straight to disco church!
Throw in a beats DJ tool for good measure, and we're going straight from the sewer to the skies!

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8,36 €
Miskotom - Qi Xin Mian Guan Ep

Miskotom is a project from Mik and Andra.Originally hailing from Russia but now both residents of Vilnius Lithuania. Both have a long history of music making going back as far as childhood.Andra was involved in 2Muchahos an ambient project which came out on Beko recordings. Mik came up through the indie scene playing in bands before finally settling in the dj booth and then as a producer....Miskotom's music has a magical dreamy quality, sometimes lovely Balearic or melodic pop sounding like long lost tracks form Wally Baderou, but also sounding like sleazy mid 80s chicago basement jams....Analog synths jam along with guitars ,voca land ,handmade percussion mixed down and recorded onto tape. Sometimes 4/4 sometimes no beat at all.....to round off this EP we have an excellant remix from Kito Jempere, who over the last few years has notched up a steady stream of releases over many labels , most recently a killer edits ep for the mysterious Bahnsteig label.

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10,38 €
Gonima - Grids Ep

Gonima

Grids Ep

12inchSCJ001
Slam City Jams
24.10.2016

Newborn Munich based label Slam City Jams comes around the corner with its first release from young gun Gonima straight outta Montreal, Canada. His Grids EP An exciting mixture of swinging distorted drums, catchy melodies and hazy atmospheres. You can definitely spot Gonima's passion for DX7 adventures, analog drums and tape hiss right here. Opener "Grids" starts off with lush synth blips, 707 drums and a bassline Bootsy Collins would give high-fives for. "Subdivided" is one of these tracks that shows you that it doesn't need more than a few elements to get you going: A rough kick drum, cowbells and a smooth pad that gets slapped by just one bass note. The last original on B2 is the ambient-like "Organ Tutorials", which shifts your mind directly to outer space. And as if all this wasn't enough, someone really special did a great remix job - Khotin from 1080p fame, who gave the A2 cut a treat with his unique trademark sound. Four house and ambient tracks both for the floor and the couch. Or as Gonima puts it: "An EP that has the sound of visiting home in the winter and rediscovering environments frequented in the past, birthing previously obscured memories. The sounds within are a ritual dance to stay warm through the procession of the seasons"

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Last In: 7 years ago
7,86 €
Vaudou Game - Kidayu

Vaudou Game

Kidayu

12inchHC46LP
HOT CASA
21.10.2016

When faced with the decision to take a different direction at the risk of getting lost in a synthetic sound or to further explore the same musical path, Vaudou Game didn't need to consult the oracle for very long when putting together their new album. Since their first acclaimed album, Apiafo and its irresistible single "Pas Contente", these Lyon natives never turned down the heat on over 130 stages across Europe, Africa, America and Asia. Peter Solo has displayed his amulets, charisma and yellow pants around the globe.When time came for them to harness their Afro-Funk sound for the second time, they turned their attention once again to their analog strengths. Vintage material, instruments produced in the 70's and cassette tapes were the "grigris" (or lucky charms) which proved most effective to ward off digital corruption of their music and return them to a tight-knit group with a solid groove.This unbeatable trance rhythm, inherited from James Brown and Fela, icons of Funk and Afrobeat, becomes trident when joined by Mawu, the creative voodoo divinity hidden in each of the group's notes. This inspiration transcends their spirit of communion, plunges them deeply into Mother Earth and results in the telepathic trance which is directly connected to Togo Peter's native Togo.Each song then becomes a celebration where the listener becomes the group's voodoo doll, embraced by the rhythm, submitting itself to the mercilessly metronomic cutting of guitars, struck by the copper-colored flashes of lightning forged by the African voodoo deity Hevioso, pierced by the psychedelic visions generated by the organs and a six-string guitar, cheerful songs, and hypnotic incantations.KIDAYU means "sharing" in Kabye, the language spoken in northern Togo. Sharing, is the philosophy of Vaudou Game - both in their recorded music and on stage.Vintage African funk tinged with voodoo chanting: Togolese Peter Solo and his fellow musicians from Lyon electrify us in a frenzied ceremony" - Télérama

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21,05 €
Dj Di'jital - The Clone Ep

RAWAX proudly welcomes Mr. Lamont Norwood aka Dj Di'jital to the family! A true pioneer from Detroit!

Truly an old school Techno Bass jewel, DJ Di'jital has been a key player in the development of what some call the "Second Generation" of Detroit Techno. Having released on classic Detroit labels like Metroplex, Direct Beat, and Twilight 76, there is plenty of good reason why his name and his work have become so legendary over the years.

Influenced by early groups like Kraftwerk and Parliament, it was no surprise that the 80's fusion of Electronic Music, Funk and Hip Hop that brought about the Electro Funk sounds, would have such an impact on him. As a kid, Lamont Norwood aka DJ Di'jital became acquainted with the idea of mixing two songs together using tape decks, which while being limited, still gave him the drive and passion to pursue a career as a professional DJ. Over the years he played many different house parties and underground clubs, even spending some time as a Cabaret DJ.

Throughout this time, Di'jital became an incredibly skilled turntablist, quickly gaining the reputation of being a formidable force behind the wheels of steel. The year 1996 would prove to be quite a momentous one for Norwood, not only signing to the already well established label Direct Beat, but also becoming the official DJ for one of the label's finest and most important artists, Aux 88. Having already released his first EP, "Prototype", on Direct Beat, this would become a great opportunity that would help seal him as an icon of what was now known as the Detroit Techno Bass scene. Over the next few years,

Di'jital continued recording for Direct Beat, releasing some of the greatest and most unique Techno Bass classics to date, even doing a few remixes for some of Aux 88's most well known releases like "Electro/Techno", "I Need To Freak", and "Break It Down". Hit EPs like "From The Mind Of The Master", and "360 Degrees" became instant classics, still very sought after to this day. He also had some of his songs appear on some of the various Direct Beat compilations that were released between the years 1996 and 1999 like "Xperience De Bass II", which released "Radar2Bass", one of his most notable works, as well as the all time collector's album, "Techno Bass: The Mission".
Perhaps what may have been one of the biggest signs that his career was becoming exactly what he had hoped for, was the opportunity presented to him to remix Aaron Carl's classic "Down", which was released on the iconic Metroplex Records in 1998; Something that to any Detroit native would have been an honor and a milestone, given the reputation and level of success and influence that Juan Atkin's imprint had on the Detroit Electronic Music scene, as well as the global Electro/Techno movement.

Between the years 2000 and 2002, there was a small hiatus in complete EPs or albums being released by DJ Di'jital, although there were 2 different tracks released on the labels Bipolar and Studio iK7. In 2002, he went on to sign to another of Detroit's legendary imprints, Twilight 76, where he released 2 EPs, "Bass Programmers", and Di'jital's Revenge". In 2005, already a veteran and having amassed the necessary skill and knowledge needed to be a true beat warrior, Di'jital was now ready to join the resistance...Underground Resistance that is! Featured on the Interstellar Fugitives Vol. 2 compilation ( also later released as a 2xCD/DVD set ), Di'jital also released on the Electrocuter EP, which featured the previously released "Bang", as well as "Track 19".

In 2006, already well into the digital age ( no pun intended ), Norwood would release his first set of downloadable works, starting with an album called "The Prototype", on Twilight 76, which was completely unrelated to his first EP which was also called "Prototype". Recently, Twilight 76 has also released what is so far a 2 volume set of battle cuts dubbed "Electro Battle Tools".

The only known material that is known to be in the future for DJ Di'jital at the moment is a remix of Morphogenetic's "Techno Bass Is Back!", which was originally released as a free download to members of Technobass, but will soon be released on a 12"/Digital release that will launch the site's own label "Techno Bass Music". There will also be a follow EP by Di'jital, so stay tuned! Over the years, DJ Di'jital has proven to be an unstoppable force in the Techno Bass scene, tirelessly working to push the boundaries of Electro forward with his futuristic and visionary beats that have unleashed mayhem across the globe, not just in his published works, but also in his incredible DJ acts, where one can truly witness one of the few actual turntablists in this style of music. Expect more in the future as Di'jital's revenge continues to spread across the globe with his out of the ordinary approach towards Techno Bass music.

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10,55 €
Diseno Corbusier - Stadia

Diseño Corbusier is the avant-garde electronics duo of Javier G. Marín and Ani Zinc, formed in Granada, Spain 1981. Like Sheffield's relation to London during the punk explosion in the UK, Granada developed an experimental music scene 400 kilometers south of Madrid. As a child, there were no records in Ani's house, so she grew up listening to the radio and was hypnotized after hearing 'Remember Love', by Yoko Ono. While attending university in Granada she responded to an ad in a music magazine by Javier, If you're into bands like Cabaret Voltaire or Flying Lizards, call me'.

The duo recorded their debut album Stadia' in 1982 and self-released as a limited edition cassette on their label Auxilio de Cientos. They drew influences from contemporaries like SPK, Throbbing Gristle, Esplendor Geométrico and DAF. They employed the 'cut-up' technique William Burroughs used to write his books to splicing their magnetic tape loops. Instruments used included a Korg Lambda, Boss DR-55 drum machine, Roland SH 101, and MFB 501 drum machine. The lack of money to buy more expensive instruments forced the duo to be more creative. Everything was recorded directly to a cassette player that was plugged into a Revox B77 reel to reel tape machine to add echo. Ani manipulated and treated her naive, menacing vocals to match Javier's processed rhythms. These early sketches contain atonal, arhythmic, thick shifting curtains of synth, loops and radio samples. For this reissue we've added 7 bonus tracks taken from various cassette compilations, as well as three previously unreleased songs. Elements of industrial music, primitivistic techno and vocal manipulation are fused with a Dadaist approach utilizing modern technology.

All songs were remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The front cover is an exact replica of the band's original design, restored by Eloise Leigh. Each copy includes a 4 page xeroxed booklet with photos, press clippings and liner notes from Javier. Powerful and evocative, soundtrack music for a rising storm or revolt.' Sound of Pig magazine 1985

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15,08 €
Bocal 5 - Musique Ilectronique

Bocal 5 were a No Wave art group composed of Doc Pilot (synths, vocals), Zouka Dzaza (bass), Florian Guillou (synths), Mickey Lepron (electronic drums, bass) and Evy Tinguette (lead vocals). The project was born in November 1980 in Tours, France as the brain child of Doc Pilot. Between 1981 to 1986 Bocal 5 recorded one 7' single and a cassette-only album before taking a year off in 1984 to launch X-Ray Pop. Influenced by Erik Satie, Brigitte Bardot, Suicide and Young Marble Giants, they call their music "minimum naive new wave."

Musique Électronique' is a 19-track compilation of songs recorded across 1983, most of which have never been released on vinyl before. 16 tracks appeared on the From Bocal 5 To X-Ray Pop' album originally released on cassette by Sound of Pig in 1984. Both tracks from their debut 7' originally released in MB5 1984 are included and show a progression in sound as a result of newer recoding equipment and techniques. Also present is a song from the tape compilation Andreas N°3 L'Animal" released by Fraction Studio in 1984. Armed with a Korg 770, MS-10, Prophet Pro-One, Roland TR-707 and TB-808 they crafted their own brand of quirky synthesized electronic pop. Songs are short, concise and well structured, richly textured, moving at a quick speed with hardly a pause. Evy's pouting, tongue-in-cheek vocals (sung in French) come together for a catchy, sensuous, danceable, eccentric psychedelic ride. This collection shows the group's sense of humor, vitality and carefree playfulness.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Each jacket displays a bright neon green collage of photos and ephemera from the band's archives designed by Eloise Leigh that exudes the project's DIY spirit. Each copy includes a 6-page xeroxed booklet with photos, original artwork and press clippings.

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15,08 €
Zon - Palace

Zon

Palace

12inchMAGAZINE015
Magazine
07.10.2016

Since more than ten years close friends and metal heads Phillip Tielsch (von Spar) and Mario Katz (Cologne Tape) met for guitar sessions, trying to " nd the essence of their favourite metal records* and digest in their own sound". Quite ambitious but without any release plans so far... Magazines Jens-Uwe Beyer found out about their project and pushed them to produce an uncompromising condensate of their raw material. Beyer cut here and there, contributed some additional production and also got John Stanier (Battles) in the boat for the drums.
So ZON became a band and "Palace" became the most intense and sharp edged instrumental metal set you probably heard in years!
Crato's B-side counterpart, a 27min drone ambient interpretation of the ZON material, completes this literally thrilling album and makes it - wrapped up by John Harten's unique artwork series - another MAGAZINE release at its best.
Mastered by Matt Karmil. - 45 min playtime
- Endless loop on side A; B-side cut inside out
*
Death - Spiritual Healing
Entombed - Morning Star
Ministry - Psalm 96
Earth - Hex, Or Printing In The Infernal Method Autopsy - Mental Funeral
Napalm Death - Words From The Exit Wound Terrorizer - World Downfall
Misery Index - The Killing Gods
Morbid Angel - Domination
Sepultura - Beneath The Remains

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15,08 €
Blotter Trax - Blotter Trax

Blotter Trax

Blotter Trax

12inch(312)2
(312)
07.10.2016

The second release on TB Arthur's (312) label finds the mysterious artist revealing a collaborative project with Magda as Blotter Trax. The pair first encountered each other at the famous Motor City record store Record Time, when Detroit artist BMG introduced his then co-workers Magda and Derek Plaslaiko to Arthur, who was visiting the shop from Chicago. Sometime after that meeting, Magda and Arthur went into the studio and jammed together for a week, the session was recorded live on analog 1/4" tape and then three tracks were selected for release. 1A is six and a half minutes of modulated synth sounds that are psyched out and sci-fi, spooky and truly atmospheric. Full of cerebral cinematism, acid lines and ghoulish textures all add up to a truly standout track. 2A then marries dark wave pops and clicks, unsettling alien lifeforms and menacing, slo motion industrial drums into a physical and imposing groover riddled with paranoid sirens and drones. Last of all, 2B snakes and slithers its way through undulating drums, cosmic freakiness and gloopy synth sounds that are all seductive and subversive in equal measure. This, then, is a truly fascinating pairing.

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7,86 €
Bld - Remixed

Bld

Remixed

12inchBLDRMX01
BLD Tape Recordings
05.10.2016

The first volume of the new remixes series is up next on BLD Tape Recordings. Original tracks previously released have been revisited by artists that support the label since the early days and give shape to this varied and solid 3 remixes EP.

On side A, Eric Cloutier blurs the line between Deep House and Techno with a signature Theorem remix of The Transpose layered with acid basslines and scuffled Dub chords.

Stojche pops up on B1 with an advanced Power House-ish vision of Crawling showcasing drums, chords and leads precisely crafted.

And on B2, Copenhagen-based Anastasia Kristensen delivers her take on Bubble Games bringing us into a trippy and faster dark mood charged by repetition and enigmatic pads.

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8,82 €
Sonic Youth - Confusion Is Sex

Sonic Youth

Confusion Is Sex

12inchGOO022LP
Goofin’
30.09.2016

First complete Sonic Youth album is one of Thurston Moore's favorites. Includes live cover of The Stooges' I Wanna Be Your Dog'. Vinyl includes digital download. Originally slated to be a 7' to follow up their self-titled debut, Sonic Youth's Confusion Is Sex blossomed into the band's first album: a brain-bludgeoning, completely fried endeavor of dissonance and disarray, a perfect soundtrack for running from a chain-wielding gang near the SIN Club. This was the sound of 1983 New York City, nothing like the jangly roots of college radio rock starting to formulate in Athens, Georgia. It sounded like no one else on Earth, for that matter. The raw, Wharton Tiers 8-track production is dark, the Kim Gordon- scrawled cover figure art of Thurston Moore is dark, Lee Ranaldo's back cover photo-collage and Catherine Ceresole's crumpled-xeroxed images that adorned the inside are dark. It's an album that moves Sonic Youth forward from their first EP almost by devolving backwards into true ugly, lo-fi primitivity. The bareboned arsenal of junkpile guitars and implementation of alternate tunings was growing, and so were the songs that matched the individual attributes of each instrument: certain ones groan and growl a specific way that the band started to realize itself could become the compositional germ of a song. Herein is the threshold of a new explosion of the band's creativity, replacing the comparatively cleaner buzz of the Sonic Youth EP with guitars that spew fractured, uglier chunks of sound everywhere, held down by menacing minimalist basslines (actually played by Thurston on half of this LP, and for the only time ever on Protect Me You,' Lee) and the brutal-yet-controlled metronomic drumming of Jim Sclavunos, augmented with replacement drummer Bob Bert's notable bashing on Making the Nature Scene' and grotty no-fi live rendition of I Wanna Be Your Dog.' Hearing the crashedwindow intro of Inhuman' and subway-brake screech of The World Looks Red,' you can attest that while Sonic Youth's guitars are not quite yet being utilized in the totally controlled, lyrical fashion seen later on albums like Evol, Daydream Nation et al., they were well aware of the colors and tonalities that were unfolding and the possibilities presented. Also, they were getting a grasp on adding colors to the chaos with tempered, simmering moments like Gordon's Shaking Hell' and Renaldo's chimy, home-taped Lee is Free.' Making the Nature Scene' and The World Looks Red' even toss in glints of hip-hop vocal approach way ahead of its time, albeit through a blender. While its confrontationalism might have put off some critics, time has rewarded Confusion with a truly distinctive air and atmosphere in the Sonic discography, enough to have Moore declare it his fave along with the band's swan-song The Eternal. Brian Turner, WFMU.

pre-order now30.09.2016

expected to be published on 30.09.2016

33,19 €
Extra Classic - In This Life

Based out of San Francisco, Extra Classic is a unique live band formed with a keen appreciation of vintage reggae & vintage sounds. The aesthetic, and certainly the skilled method of their production, is an ode to the art of that classic style as referenced to the term coined by the Cool Ruler himself. Recording in their own studio, Nopal Recording, the band employs a taster's choice of analog equipment and is devotedly tracked, spliced and mixed in-house direct to tape. However, as the group's name itself implies, there is a dose of something extra and new in this swirling mixture of space echo, heavy phase, and emotive, psychedelic California-soul.Built upon the rock of an early-era dancehall swing, their first single in conjunction with Brooklyn-based imprint Names You Can Trust entitled In This Life, is a perfect slice of lover's rock gone sideways, a decidedly left-coast piece of roots and bliss driven by Adrianne deLanda's lovely lead vocals and the steady, dusty echoes of the locked in players. Presented in the traditional format with a version as per NYCT fashion, the dub mix incorporates a soothing dose of synare beams and underwater instrumental dreams.

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11,35 €
Scan 7 - Direct Effect EP

Detroit isn't just a place. Sure, it IS a place, and those who physically live there know its triumphs and its tragedies far better than anyone else. But Detroit is also a feeling, a sound, a philosophical home for those who connect with the futuristic, dystopian sounds of Detroit techno and electro on a deep level.

Those tendrils of connection reach far and wide, bringing people from all over the world into orbit with the people and sounds of the city, connecting through the snap of a snare, the wiggly groove winding its way through the beat, the beauty in the sound of strings, the anger in a bubbling bassline.

On this label collaboration between two modern purveyors of techno and electro, Detroit Underground and Detroit Techno Militia have brought their game face and also connected Detroit with producers from elsewhere who've long been tapped into the techno and electro zeitgeist.Activating legendary techno mystery collective Scan 7 for the leadoff title track Direct Effect, they take us on a high speed chase, a desperately frenetic percussion jam crunching its way through the bass bedrock for maximum damage. DTM's T.Linder then slams down the accelerator on a brutal remix, kicking up the stomp and reversing the bass for a subtle melodic turn, while the ride cymbals cut deep enough to draw blood. Romania's Andrew Red Hand, known for his fierce electro production, does not disappoint with his remix. He drops down into the classic low slung bass and snare rhythm, letting the metallic bass bubble up like a submariner surfacing with soundsystem intact.

Rounding out with a cave dwelling minimalist stomper are extant techno legends Teste. Originally from Hamilton, now based in Berlin, Teste bring their hypnotic sensibility to a hammer beat to end the remix lineup with a bang.

Packing much sonic variety into four tracks, Direct Effect shows that Detroit's heart is still beating strong, collecting people in the path of its sound, mapping out a line between techno soldiers far and wide. It's what made the city great, and why it remains the spiritual home of techno.

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Last In: 4 years ago
9,62 €
Manuel Göttsching - Joaquin Joe Claussell Meets Manuel Göttsching / 1 Lp Vinyl

Many of you will remember Manuel Göttsching by his Masterpiece E2-E4 and know the fact it got sampled by far more than once. Think Sueno Latino' to start with... and the plethora of further re-recordings by Derrick May, Joe Claussell, and a bootleg by Carl Craig that prove how Now' and Iconic Manuel´s Work is. The 2006 edition Joaquin Joe Claussell meets Manuel Göttsching' is the first attempt to bring these once illegal mixes finally to a broader and wider audience. It comes with 2 very rare and first time officially released tribute mixes of 1970´s Göttsching Classics, carefully remodeled by Joe Claussell (21.12 minute Deeper Distance' plus 10.17 Minute Ain´t No Time For Tears"). The last words, however, are left to MG himself, with Shuttlecock", a final eighteen minute excursion, which has Manuel improvise over a soft carpet of delayed bell sounds, before the guitar fades away and the track deepens and thickens, like a dark river sweeping along ever more motives and harmonies. A perfectly balanced collaboration released on both CD and LP. Consisting of 3 concert recordings which were originally released on the 6th CD Album Private Tapes : Tracks 1 und 3 were recorded at Bataclan in Paris, 12/1976, Track 2 in Berlin 8/1979

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20,46 €
Peter Zummo - Dress Code (donzt Look At My Car)

Repress

Peter Zummo (born 1948) is an American composer and musician. He plays the trombone, valve trombone, euphonium, synthesizer, other electronic instruments, and also sings. He is associated with the postminimalist and Downtown aesthetics, and he describes his music as "minimalism plus a whole lot more." He's well-known for his work with Arthur Russell.
"In this project for Optimo, the listener can hear that my musical food pyramid has musicians at top, or maybe they are at the bottom. In any case, they are important. That is why, from track to track, I selected
segments in which one player or another is featured in the take. Some may think that we musicians do multiple takes to get the perfect performance, but I like to find the special interactions lurking in each excursion. Different players came forward in each of the takes, which were recorded in the studios Seaside Lounge and Headroom, in Brooklyn, and live in performances at Cube Cinema, in Bristol, U.K., as well as in Long Island City and on Staten Island, New York.
In order to escape the tyranny of the lyric, I am exploring in this release the possibilities of nonsensical and non-emotional lyrics. These kinds of lyrics bring the singing voices into the mix without an overweening message. The tracks include open-form compositions in which the duration was not specified."

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11,98 €
Various - Nonrepresentation Selection

We want to present to your attention a compilation that consists of the Russian musicians' works. They're stylistically different, but in the same time they've got one energy and close affinity with classical sound. Musicians in this compilation represent a little-known stratum of a new Russian electronic scene. Their music embodies positive transformation of cultural values of our present and future. We'd like to thank all the musicians and those who support us. Peace!:)

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Last In: 10 years ago
10,63 €
Urusei Yatsura - You Are My Urusei Yatsura

It means Noisy Stars'' - Fergus Lawrie.

So it's coming up for the 20th anniversary of the We Are Urusei Yatsura' album, so what better time to look back at the broken Woolworths guitars, damaged eardrums and bleeding knuckles of Glasgow's lo-fi, Tokyo dreaming geek rock quartet

You could say it all began at the Glasgow Sound City event, when legendary BBC DJ John Peel came along to check out Urusei Yatsura at the 13th Note at the invitation of future Franz Ferdinand front-man Alex Kapranos. Liking the chaos that he saw, Peel invited the band to record a session for his show, asking live on air while guitarist and singer Graham Kemp was visiting the studio to talk about his Kitten Frenzy' fanzine the next day.

Peel arranged for us to record the session in Glasgow' says Kemp, We didn't have any amps or any money to get to London.' Producer Stewart Cruickshank told the band that it was the first Peel Session recorded outside of Maida Vale since the Undertones. So no pressure there then.

This began a long association with John Peel and the BBC, which saw the band record 5 Peel Sessions, 3 Evening Sessions for Steve Lamacq, play live to air for Mark Radcliffe, and appear regularly on Radio Scotland for John Cavanagh and Mark Percival. Digging through old C-90's that had been partly taped over with that week's charts, the band have pieced together a compilation of the best tunes for you, the discerning 90's indie rock aficionado.

..they sounded a bit like the Saints' - Thurston Moore, SELECT

Some of the recordings we did for the BBC, I think, are better than what eventually made it onto vinyl. We did Kewpies Like Watermelon' live in the control room for Radio Scotland and we had just learned it so it sounds really fresh and exciting. The version of Siamese' is the best we ever captured, and I love the Dice/Nae Dice' tune we wrote especially for Peel'. - Kemp

The challenge of recording and mixing four songs in a single day brought out the best in the band, and suited their impulsive, DIY rock n' roll spirit. The album, available on CD and vinyl, features 11 songs, including session versions of 6 singles, choice album tracks and live favourites from the only band who have been threatened by both the Yakuza and the Mafia (the latter incident generating the hilarious headline Nerds Threatened With Death' in the Sun newspaper'). The band have decided to call this hand-picked selection of the highlights of an eight year career', You Are My Urusei Yatsura, BBC Radio Sessions.

Other highlights of said career include, a number one indie single with a video shot in a Star Trek themed bar (Phasers On Stun), a Peel Festive Fifty placing (Kewpies Like Watermelon) an actual top 40 hit (Hello Tiger), numerous chaotic tours of Europe, UK and USA ,narrowly surviving a collapsing stage at Benecassim and a tent fire at Phoenix Festival, releasing three studio albums and 13 singles (including splits with Mogwai, the Delgados and the Blisters), taking Mogwai, Eska and Pink Kross on their first UK tours, supporting Super Furry Animals, Pavement and Teenage Fanclub, playing at Roskilde, Reading and T In The Park festivals, The CMJ festival in New York and MIDEM in Cannes.

The band consisted of the writers Fergus Lawrie (guitar and vocals) and Graham Kemp (guitar and vocals), with brother and sister rhythm section Elaine and Ian Graham on bass and drums respectively.

pre-order now02.09.2016

expected to be published on 02.09.2016

16,01 €
Various - Kingston Allstars Meet Downtown At King Tubbys 1972-1975

1973-1976 was a period in Reggae's history when the music coming from Kingston,Jamaica was at its peak.
So many talented singers,who sang soulful/righteous songs found their way onto tape.
Maybe it was the competition between the studios like Randys,Channel 1 and Harry J's and the quality of the singers available to sing these tunes.But whatever caused the explosion the mighty voices of Horace Andy,Cornell Campbell,Johnny Clarke and Ronnie Davis never sounded better....
The tracks as you can see here were culled together from sessions recorded at the fore mentioned legendary studios.Then taken to King Tubby's home style studio at 18 Drummlie Ave in the Waterhouse district of Kingston.This is where the great Dubmaster himself would record the vocal tracks.
A method in which he preferred to work and then mix the tracks Tubby style...We have travelled to Jamaica and listened to hours of master tapes to bring this set to you.
So please sit back and enjoy what we believe to be a wicked set by Kingston's finest..
ALLSTARS one and all........
One more tiem Mr.Tubby if you please ..roll that tape....

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13,40 €
Bored Young Adults - Shy Dancers On Bungalowdorf Beach

None other than Blawan on his lonesome ownsome — after collaborations with Pariah as Karenn, and Surgeon as Trade — returning to the blood-drenched scene of his heinous Why They Hide Their Bodies.
New name, new sound; heavier and slower than his Ternesc output. The title track is the banger. Acid techno — deliberate, widescreen and ominous.

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15,08 €
Samo Dj - Kicked Out Of Everywhere

Samo lived in Hong Kong for a bit. He rescued a dog and brought him back to Stockholm. He skates but that's not him on the front. He put together one of the best very records on LIES but this four-tracker kills it dead. Ben UFO's been rinsing it. The dog's name is Denzil.

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15,08 €
Endgame - Flesh Ep

Endgame

Flesh Ep

12inchHDB101
Hyperdub
25.07.2016

Londoner Endgame is a new addition to the Hyperdub roster after releases on Lisbon's Golden Mist Records, and NYC-based Purple Tapes Pedigree. Endgame hosts an excellent monthly show 'Precious Metals' on NTS and produces and DJs as part of the Bala Club crew (also featuring Uli K, Kamixlo and Rules) who are regulars at Lexxi's occasional club night 'Endless'. He already has mixes and features with the likes of the Fader, Fact, Dazed and Confused and ID under his belt in the short time he's been releasing music. In his ice-cold productions, Drill, Grime and most notably South American dance riddims are threaded and mutated into tracks that he describes as an ever-evolving vision of the dystopian underbelly of London. 'Felony Riddim' is an icy introduction to the EP, an explosive club jam with a menacing and stabbing chime melody leading up to a pounding kick drum. It's all out war, but you can definitely roll your hips to it. 'Sittin' Here Redux' recasts Dizzie Rascal's 'Boy In Da Corner' opener into a tense anthem, with police sirens wailing in the background, dogs barking, and rolling 808 snares that bring a vibe somewhere between reggaeton and drill. Next up is 'Fallen' featuring the MC Organ Tapes - a slow burner that works both as a moody headphone track or a club slow jam. Organ Tapes' slurred autotuned vocals flow perfectly with Endgame's blend of grime drums and chiming rap production. The EP finishes as it began, going out with the explosive and high-energy 'Toxic Riddim'. It's a mix of reggaeton and futurist dancehall, with a menacing melody and relentless electric shock-like hi hats across a deep sub. Endgame takes you all around the world - but the ice-cold tone unmistakably brings you right back to winding in a dark club in London's culture clash

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8,36 €
Audion - Gut Man Cometh / Destroyer

Matthew Dear's Audion project stands proudly at the intersection between art and hedonism, realised over a decade long dedication to powerful and relevant dance music. Growing out of the vibrant DIY Detroit underground, Audion and his contemporaries were free to feed off the energy reverberating from UK and European dancefloors, but singular in their desire to create their own sound and spirit. An Audion release is techno in it's purest sense - whether it's pushing the bombastic limits, spinning the dancefloor out of control or elegantly toying with just a few sonic elements. 'Alpha' is Audion's first artist album in 10 years and comes at the end of a period of fevered activity. The collective body of work standing as a marker in time and a defining moment in the life of the artist. Drowning out the noise of the outside world, 'Alpha' was a puzzle pieced together sonically in the shadows and wildly brought to life in a matter of weeks. The artwork for 'Alpha' has again been realised by Will Calcutt, Dear's long time collaborator, who has a visual plan for the music that matches the sonic vision, completing the final critical piece of the puzzle. Taken from the album, Gut Man Cometh and Destroyer get the remix treatment from UK producers Matthew Herbert and FOLD

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7,35 €
Oryx 9 - Abstraction Trail Ep

Oryx 9

Abstraction Trail Ep

12inch30DEXO-004
30D ExoPlanets
14.07.2016

ORYX 9 has built a synthetic complex universe, in a 70s Druillet pscychedelic Sci-Fi similar vein, mixing up a handicraft and exhaustive sound treatment through ancient machinery, and proper mind-bending literature. Abstraction trail', a conceptual whole sheaf, is the result itself and the fourth 30drop ExoPlanets reference. The evocative Subatomic Uprising in Cassiopea''s retrofuturism meets the lisergic onirism of Ethereal Aquadome'. Bassdrum goes harder on the delayed hipnotism of Magma-45 Decaying Path', a planetary decadence tale. And finally, Ultraviolet (Light of Tsih)', a cosmic endless melody from a dead constellation, winds up the EP. And continuing our 30drop Records Mix Tapes series, ORYX 9 presents this current second chapter with an exclusive DJ set, recorded live at the Simmetry Box in April 2016, that introduces its artistic proposal as a sound manifesto.

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11,72 €
Woodkid & Nils Frahm - Ellis

Woodkid&Nils Frahm

Ellis

12inch130071 / ERATP086LP
Erased Tapes
12.07.2016

Ellis Island war in der ersten Hälfte des 20. Jahrhunderts das Tor zu Amerika. Mehr als zwölf Millionen Menschen kamen hier vor den Toren New Yorks an und hofften, die USA bald Heimat nennen zu dürfen. Der französische Künstler, Regisseur und Fotograf JR, dessen Identität bis heute unbekannt ist, greift mit seinem 15-minütigen Kurzfilm "Ellis" und der Geschichte eines Migranten diesen Faden auf.

Mit Robert de Niro in der Hauptrolle, führt "Ellis" durch die bröckelnden Hallen des verlassenen Krankenhaus-Komplexes von Ellis Island, der heute JRs Kunstinstallation "Unframed" beherbergt.

Es ist ein Ort, der die Hoffnungen und Ängste jener, die ihn durchschritten, zurückstrahlt - und deren Echos heute lauter denn je zurückhallen. Verschlungen mit dieser Erzählung ist eine Filmmusik, die von dem französischen Songwriter Yoann Lemoine aka Woodkid komponiert und von Nils Frahm aufgeführt und mitverfasst wurde.

Die zarten Klavier-Motive von "Winter Morning I" vollenden sich in einem Crescendo von Streichern, während das schwellende Harmonium von "Winter Morning II" das Fundament für de Niros Geschichte bildet: eine Lobrede auf jene, die das moderne Amerika schufen.

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14,24 €
Misanthrope Ca - Deathbridge

Misanthrope Ca

Deathbridge

12inchDIALLP037
Dial Records
08.07.2016

Misanthrope CA is the Black Metal influenced formation by artist and photographer Robert Kulisek and David Lieske aka Carsten Jost, co-owner of Dial Records. After their first limited tape redition "Amerika" (2015), Deathbridge is a full-length album recorded in the Hamptons, New York, in collaboration with the Oslo gallery "VI, VII".
As mentioned in early interviews, David Lieske always had a huge fascination for true Black Metal, reflected now in the wonderfully dark Misanthrope CA recordings. After extraordinary releases and contributions by Dirk Von Lowtzow, Queens, Momus, Christian Naujoks and James K, Dial Records proofs once more the intensity and variety of the label's output.

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15,08 €
Cape - My Own Jungle 2x12"

Cape

My Own Jungle 2x12"

2x12inchSAVOR012
Savor Music
04.07.2016

Real name Fernando Cappelletti, the Rosario native's early releases arrived on AirDrop Records, followed by appearances on Esperanza before launching

Savor Music alongside Jorge Savoretti in 2011. Since then the label has hosted the likes of Felipe Valenzuela, Martinez, Kastil, Marcman and Franco Cinelli whilst garnering a reputation as one of Argentina's key purveyors of house and techno.


The album's subterranean aesthetics are present from the beginning, with mesmerising tape echoes in 'The Real', deep pads in 'Trb' and the rhythmic energy of 'Rainforest'. 'Geibi' then demonstrates intricate pops and glitches before 'In Amour' settles for a compelling groove. 'Flavor' is then a percussive number with a hypnotizing appeal until 'Faiser' concludes the album with a punchy, dancefloor driven workout.

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15,92 €
Bnjmn - Droid Ep

Bnjmn

Droid Ep

12inchINERTIA06
ann aimee
01.07.2016

Delsin's dance floor focussed Inertia series taps up Berlin based producer BNJMN for his Droid EP. It's a whirring fusion of wild synths and thumping drums. It's tough and direct and, as ever, is filled with unusual sounds and textures. Remixes on the flipside come from Cassegrain and Inland.

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Last In: 4 years ago
7,86 €
Luiz Carlos Vinhas / O Som De L.c.v. - Tanganica

Luiz Carlos Vinhas or L.C.V is one of our favourite artists here at Bongo HQ. His 'O Som Psicodelico' LP is an all-time classic.

Side A here features a killer latin-Brazilian dance floor fusion, heavy on the horns and piano. Sounds like a Tito Puente workout, with Brazilian backing vocals floated over the top.

The AA side features the album version, a much deeper cut with lush textures, breaks, horns and animal noises! Taken from the 'O Som Psicodelico' LP, which we highly recommend you track down.

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13,24 €
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