Cerca:terr

It's hard to imagine El León Pardo, a loyal advocate of some of the most advanced projects in which folklore is the road map and the destination itself, without his kuisi. It's hard to see him with his hands free. Always holding on to that ancestral instrument, that pre-Colombian flute that survived the conquest and has become a symbol of resistance, overcoming the ravages of time, the imposition of ideologies, dogmas and religions. Despite all that, the kuisi continues with its liberating sound, the power of its cry, its invitation to dance, its sound a cure and a blessing. That's why it leads the way in this Viaje Sideral ("Space Voyage"), an astral journey in which the kuisi is the vehicle and the life force of the rhythm. Viaje Sideral feels like floating eternally in the infinite cosmos. This second long player from El León Pardo is inspired by humanity's relationship with the stars, escaping to mythical planes and led into a trance by Caribbean percussions, analog synths, deep bass, electric guitars and the hypnotic vibrations of the kuisis and trumpets that complete the soundtrack of this voyage. Through these nine songs, El León Pardo continues to create a sound of his own, evolving in his intention to pay tribute to the psychedelia of the tropical world of the Caribbean in the 1970s and 80s, but this time also taking as reference artists like Terry Riley, Kraftwerk and Mad Professor, including the roots of ambient and electronic music with the characteristic sound of the kuisi, an encounter of dreamlike and astral sounds, with the music of the bandas pelayeras of the tropics and figures like Pedro Laza and Juan Lara. In this new universe the Cartagena trumpeter dialogs with the past, processing the ideas that have emerged over the years and morphed into his personal search that gives an identity to his ideas, nurtured by figures like producer Diego Gómez (Llorona Records, Discos Pacífico, Cerrero) who awoke his interest in electronic instruments, Edson Velandia and kuisi maestros like Juan Carlos Medrano and Fredy Arrieta. In his sound there is a particular feature, one that contains histories of personal experiences, accompanied by the kuisi, including ancient Zenú flutes dating from between 600 and 800 AD and which helped create the atmosphere of "Invocación." "Viaje Sideral," the song that gives the album its name, was born from a dream in which two stars speed towards the earth and an imminent collision. As the record continues, the stellar connection becomes clear with songs like "Urmah" with Edson Velandia, inspired by an article about extra-terrestrial races and how the Urmah were a race of hominid felines, the greatest geneticists of the universe; and "Cumbia espacial," featuring rapping from N. Hardem, seeking to create that aura of immensity and consciousness of the infinity of the universe.

Surf Trash, die aus Lake Macquarie stammen und im australischen Newcastle leben, machen melodischen Surf-Pop-Punk, der laut aufgedreht grossartig klingt, wenn man im Auto des Kumpels auf dem Weg zurück zum Strand fährt. Ihr von Jack Nigro (The Terrys, Pacific Avenue, Rum Jungle) koproduziertes Debütalbum ist voller Hooks, Melodien, gewaltiger Gitarrensoli und Mitsing-Refrains. Sie haben bereits zwei US-Tours absolviert und erregten viel Aufmerksamkeit.

"Surf Trash sind hier und im Ausland gerade der absolute Hammer und das zu Recht." – Claire Mooney, triplej (US)

With a Swedish Grammy (GRAMMIS) nomination for her 2023 sophomore album ‘Be Free’ and a packed touring schedule, the in-demand trombonist, songwriter and producer sough to quiet the noise around her and challenge the jazz genre’s rigid rules for her next project.

The end result is ‘When You Know’; a smoky and melancholic 10-track cocktail of jazz, alternative R&B, indie, Hip-Hop and ambient sonics that experiments at every turn. On hand to co-produce the record and provide the electronic elements that move ‘When You Know’ away from the jazz world and into more avant-garde territory, Ebba collaborated with Berlin-based producer Lucy Liebe.

Packing a potent emotional punch, the 10 tracks are a reflection of Ebba herself: direct, driven, precise. Retreating to a cabin outside of her small hometown of Hammarö, 200 miles west of Stockholm, she recorded the album in the dead of winter. With the temperatures outside nearing minus-thirty degrees, Åsman logged off for a month – disconnecting from TV, social media and emails. Embracing with vigour both the deep sense of calm and the challenges that come with the cold but also the stillness and solitude that is yielded by being in the wilderness.

Orange Vinyl. Benefits return with the their highly anticipated second album, "Constant Noise" Due out 21st March via Invada Records,"Constant Noise" follows the band's debut album `NAILS' which earned widespread press and radio support and appeared in album of the year lists inc. Louder Than War (#1), BBC 6Music, NME, The Quietus,The Line Of Best Fit and more. After a succession of different line-ups, Benefits have now settled as a two-piece made up of Hall and electronic virtuoso Robbie Major. "We're still angry" says Hall, "just angry in a different way to before. If the previous record was black and white, we wanted this to be technicolour." The first taste of this new musical direction came in the form of "Land Of The Tyrants", which saw the band delving into bass-heavy, dance inflected rhythms and subtle industrial undercurrents. Follow-up single `Relentless' featured The Libertines' Peter Doherty and saw the band move further into ambient electronic atmospherics. Doherty is just one of the collaborators on the new record, Zera Tonin, the singer of queerpop-electro duo Arch Femmesis, Neil Cooper of Therapy?, and Middlesborough rapper Shakk all make cameos. In addition to the guest musicians, the album also features production from James Welsh (Phantasy Sound), and James Adrian Brown (ex-Pulled Apart By Horses)who helped to guide the new direction. The result is an album that gleans as much from the likes of Underworld and Leftfield as it does the likes of The Streets or Beastie Boys in their pomp, or even the 90s / early 00s Indie Sleaze-era. Orange vinyl comes with full album download (inc. two tracks not on vinyl)

Horace Silver had been delivering hard bop classics for over a decade when he moved into more groovy territory in the late-’60s on albums including Serenade to a Soul Sisterfeaturing two different quintets performing a set of Silver originals from the high-octane ‘Psychedelic Sally’ to the groove waltz title track to the tender ballad ‘Next Time I Fall In Love’. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

Luponero aus Finnland ist ein alternatives Hardrock-Kraftpaket, angeführt von Marco Luponero, dem Gründer von Terrorwheel und späterem Altaria-Bassisten. Die explosive Energie und die mitreissenden Melodien des Trios haben ihnen eine treue Anhängerschaft eingebracht und ihre rohen, ehrlichen Texte spiegeln das Chaos und die Schönheit des modernen Lebens wider. Auf ihrem selbstbetitelten Debütalbum erforschen Luponero einen positiven Nihilismus, inspiriert von einer breiten Palette an Einflüssen, von Grunge, Punkrock und Classic Rock bis zu 80er-Synthwave, Ambient-Pop und Post-Punk.

Benefits kehren mit ihrem mit Spannung erwarteten zweiten Album "Constant Noise" zurück. "Constant Noise" erscheint am 21. März über Invada Records und folgt auf das Debütalbum "NAILS". Nach einer Reihe verschiedener Besetzungen haben sich Benefits nun als Zwei-Mann-Band etabliert, bestehend aus Frontmann Kingsley Hall und dem Elektronik-Virtuosen Robbie Major. "Wir sind immer noch wütend", sagt Hall, "nur auf eine andere Art als früher. Wenn die vorherige Platte schwarz-weiß war, wollten wir, dass diese Platte in Technicolor erstrahl". Der erste Vorgeschmack auf diese neue musikalische Richtung kam in Form von "Land Of The Tyrants", bei dem die Band in basslastige, tanzbare Rhythmen und subtile Industrial-Unterströmungen eintauchte. Bei der Nachfolgesingle "Relentless" wirkte Peter Doherty von den Libertines mit, und die Band bewegte sich weiter in Richtung elektronischer Ambient-Atmosphären. Doherty ist nur einer der Mitstreiter auf dem neuen Album. Zera Tonin, der Sänger des Queerpop-Elektro-Duos Arch Femmesis, Neil Cooper von Therapy? und der Rapper Shakk aus Middlesborough haben alle einen Gastauftritt. Zusätzlich zu den Gastmusikern wurde das Album von James Welsh (Phantasy Sound) und James Adrian Brown (ex-Pulled Apart By Horses) produziert, die die neue Richtung mitbestimmten. Das Ergebnis ist ein Album, das von Underworld und Leftfield ebenso viel hat wie von The Streets oder den Beastie Boys in ihrer Blütezeit oder sogar von der Indie-Sleaze-Ära der 90er und frühen 00er Jahre.

Here is an expanded edition of one of Nurse With Wound's most intense and unique albums, so much so that for long-time fans, it was a strange, chaotic lounge oddity upon its release. For the first time, all four audio sides are complete (originally, there were only three sides).

To top it off, there is a stunning new cover by the great and talented Babs Santini, who is none other than Steven Stapleton using his artist pseudonym, continuing in the luxurious tradition of the "silver collection" at Rotorelief Records.

The album Huffin' Rag Blues by Nurse With Wound is unique in the NWW discography. Stapleton teams up with composer, producer, and multi-instrumentalist Andrew Liles, his co-creator of musical terrorism, to tackle the genres of exotica and lounge, crushed into a joyful cacophonic mess. Longtime NWW friends Colin Potter and Matt Waldron also join in.

Blues, jazz, cop movies, bachelor pads, and TV show music are treated, discarded, then chopped up and recycled into a mix that contains tons of space but also overflows with dynamic tension, hilarious asides, sexually suggestive poetry, and a certain rock & roll abandon. It's a very surprising album for long-time fans, like a soundtrack that could accompany a David Lynch film.

It's brilliant, exasperating, hilarious, and dark enough to earn a spot in any collection that appreciates a bit of weirdness and eccentricity.

Huffin' Rag Blues incorporates more familiar musical elements—including live-played instruments, rhythm, and vocals—than nearly any other Nurse With Wound album to date. As always, the album's main focus is to create environments for lucid dreaming rather than music per se.

A heavyweight lineup of dub techno talent comes together for a deep and textured journey. Krystian Shek and Milly James join forces on Promise, delivering two original productions alongside with reworks from Yagya and grad_u. As a bonus, this collection expands even further with digital-exclusive remixes from Raytek and Noosa Sound System that come with the original purchase.

'Glow & Shine' locks into a hypnotic groove from the outset, its analog warmth and weighty percussion forming a solid foundation. A crisp snare and hi-hat pattern provide an irresistible swing, while chords and vocals land together in perfect sync, draped in a rich layer of delay. Spacey breakdowns allow the ride cymbal to subtly emerge, giving the track an evolving energy. The closing moments strip things back, with the chords guiding everything to a natural finish. 'Better That Way' shifts into a more melodic space, balancing intricate drum programming with an emotive vocal delivery. The initial rhythmic stutter adds a unique touch before settling into a flowing beat. As layers build, the chords and voice intertwine seamlessly, evoking a deep, contemplative feel. The breakdown smooths everything out, allowing the track to breathe before a striking bassline shift in the final section brings fresh momentum. The last ambient passage is particularly stunning, offering a moment of reflection.

The legendary Icelandic producer Yagya creates his interpretation of 'Glow & Shine' sees it drifting into dreamlike territory, wrapping the original's elements in a lush, aquatic atmosphere. More of a song than a club tool, it glides effortlessly, capturing a serene, almost weightless mood. On the flip side, grad_u reshapes 'Better That Way' into a crisp, rolling dub excursion. Airy chords swirl above a commanding groove, with well-placed melodic flourishes adding an elegant touch. The arrangement continuously morphs, deepening its hypnotic pull.

Raytek's remix of 'Glow & Shine' injects a sharper rhythmic intensity, pushing the track into darker, more driving territory. The vocal treatment becomes a focal point, cleverly reshaped to make the singing the true hook. Meanwhile, Noosa Sound System takes 'Better That Way' into stripped-down, immersive terrain. The off-kilter drum work and layered percussion create a mesmerizing flow, while the winding structure makes it a DJ-friendly tool.

This well-rounded collection that explores multiple shades of dub techno, this release has both dancefloor energy and introspective depth. With a strong roster of contributors, it delivers a blend of classic textures and fresh perspectives.

Terry Usher takes things deep on a new outing for Saint Wax that has spiritual overtones and Afro vibes exuding from every beat. '8 Hours' opens up with the sort of spine-tingling vocals and pensive pads that take any floor higher. 'Never Leave You' is a percussive groove with an infectious sense of skip and 'M' Pon' then picks things up with chanting vocals and warrior leads next to rousing horns full of soul. 'O' Wey' closes out with steel-plated drums and soft shakers bringing plenty of late-night magic.

Iron Curtis and Johannes Albert return to orbit with their highly anticipated Moon IV, the next chapter in their acclaimed lunar album series. Building on over a decade of collaboration and the cosmic groundwork in Moon I, II, and III, this fourth instalment is a testament to their ever-evolving artistry and expansive vision.

Released on their beloved Frank Music imprint, Moon IV sees the duo starring an 11-track journey that once again defies genres, challenges conventions, and charts a vivid course through the electronic cosmos.

From the warm opener "Void Gathering" and wistful melodies of "Silverclub" to the driving rhythms of "Sounds (The Feels)," which echoes the relentless pulse of NYC Post-Disco, Moon IV encapsulates the duo's signature blend of moods and eras.

"Club L'Avenir" & "Daso" serve up euphoric moments with a nod to the French Touch, while the ambient vignette "Into Somethin' (Interlude)" calms you down again. Electro cuts like "Pipeline" are reminiscent of earlier works in the Moon album series, and new paths are forged when the two are exploring Balearic Pop Music (BPM) territory in "Ohne Dich".

Returning from space with the elegant deepness of "Bliss (The Short Finale)", the duo gets you home safe and sound. Their unique studio alchemy shines brighter on this moonlit, flaring long-player than ever. So, buckle up and off we go.

Bárbara Salazar aka Barbarelle is an experimental multidisciplinary artist from Buenos Aires, known for her conceptual work as a DJ, creative director, and curator.

‘Celesta’ marks Barbarelle first foray into composing and producing her own music; a debut that reveals the intimate, heartfelt territories of her creative universe. The culmination of years of composing for herself - ‘behind closed doors’ - ‘Celesta’ is a deeply personal, self-guided masterstroke of beguiling, free-flowing ambient soundscapes and DIY electronics. With ‘Celesta’, Barbarelle artfully transitions from ardent music aficionado to fully-fledged artist, unveiling an enchanting sonic world that has quietly matured over time.

‘Celesta’ is an exquisite odyssey of sound, assembled from fifteen tracks recorded between 2022 and 2024 in Buenos Aires and Los Angeles. Conceived as spontaneous and intuitive explorations, many of these tracks were recorded in one take without technically-minded premeditation. The product of organic experimentation rather than concrete intention, ‘Celesta’ is an authentic, candid record of emotions, memories, and profound interiorities.

Over time, the pieces in this tapestry found a common thread: a conversation with the ethereal, defined by emotional intensities and softly spoken utterances. ‘Celesta’ is an invitation to immerse yourself in soundscapes that merge to the point of dissolution, evoking the transparency of water and the lightness of a dreamlike world that transcends matter. Like the song of a siren, the voice becomes just another instrument, beyond language yet full of significance. A collection of songs that feels like opening a secret diary; a direct pathway to the centre of the heart.

In addition to her work as an artist, Barbarelle is the founder of Atlas, a platform dedicated to active listening through radio, live performances, listening sessions and more. She is also known for her radio show of the same name on Dublab, where she shares her unique approach to sound with eclectic selections and interviews with the likes of Air, BADBADNOTGOOD, Lucrecia Dalt, Juana Molina & more.

A long standing resident of the infamous FOLD in London whose risen to prominence with electrifying performances across Europe and a growing discography on esteemed labels such as Ear To Ground, Natural Selection, Raw Quarter, Laburnum, and Mhost Likely , Andromeda unveils her debut on Rant & Rave with Dark Matter EP. Drawing inspiration from the raw essence of 90s techno, with it she hones in her skills with modular synthesis and hardware production.


The EP opens with the title track, where a brooding tapestry of foreboding synths gradually rise in pitch and complexity, simulating the mysterious expansion of the cosmos. Lost Planet follows with hypnotic leads and an unyielding rhythm section. Appropriately titled Black Hole follows which cuts through with razor-sharp stabs and a resonating bassline. Closing with El Abismo, Andromeda ventures into darker sonic territories. This track is a no holds barred assault, where interwoven synth lines clash against commanding percussion and a punishing kick, asserting dominance over the dance floor with commanding force.


As a digital bonus, Andromeda invites Severn Electronics label owner, 7XINS, who delivers an outstanding remix of Black Hole. With his signature sound, 7XINS layers complex synth textures and reverberated drum patterns that twist the mind and tease the senses, crafting a remix that is as intricate as it is impactful.

Uhlmann Johnson Wilkes is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet & New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser/arranger/producers' impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterful results. I n these 11 instrumental songs, the trio explores a spacious lyrical curiosity that could b e described as a jazz-informed take o n progressive electro-acoustic chamber music.

Conceived during two live shows at ETA and a session at Uhlmann's house in Los Angeles, the album maintains a focus on beauty, melody, and rhythm as the pieces unfold, with the trio pushing their instruments and highly-dialed effects to sculpt otherworldly sounds with the collective sensibility o f a rhythm section. The ethos of these instant compositions is arrangement-minded improvisation that showcases the mournful beauty of Uhlmann's fingerpicked electric guitar, the hybrid rhythm-lead of Wilkes' bass chording, and the textural harmonic worldbuilding of Johnson's effect-laden alto saxophone.

Two new faces on the label with the two-faced eagle! Both artists have been much respected forces on the international club circuit for a while. IDA ENGBERG is best known for her affiliation with Stockholm’s Drumcode and Truesoul labels. For her Speicher debut though, she’s tapping into a quite different sound territory. “Nothing Feels The Same” will go down in history as the first 2 Step track ever released on KOMPAKT EXTRA. It’s as sensual as it’s booming. Definitely one for those late morning hours. With “Pink Monkeys” is an EBM/sawtooth trance amalgamation of the highest order with enough psychedelic headroom for the festival season.

MARCO RESMANN’s deep involvement with the late Berlin club legend Watergate has made him one of the German capital’s beacons of house and techno. He’s one half of Lunar City Express and former member of Pan-Pot which speaks volumes about his stylistical versatility.”“RIMA feat. Laatz” he delivers a frenetic rollercoaster ride of a techno track. It’s radical, it’s menacing and super fun all at once – A truly one of a kind techno track. “Dimensions” is a low-slung electro bulwark full of intricate details to keep head and feet going in unison.
Zwei neue Gesichter auf dem Label mit dem doppelköpfigen Adler! Beide Künstler sind seit einiger Zeit angesehene Größen in der internationalen Clubszene. IDA ENGBERG ist vor allem für ihre Zusammenarbeit mit den Stockholmer Labels Drumcode und Truesoul bekannt. Für ihr Debüt auf Speicher betritt sie jedoch ein ganz anderes Sound-Territorium. „Nothing Feels The Same“ wird als erster 2-Step-Track, der jemals auf KOMPAKT EXTRA veröffentlicht wurde, in die Geschichte eingehen. Es ist ebenso sinnlich wie dröhnend. Definitiv etwas für die späten Morgenstunden. Mit „Pink Monkeys“ ist eine EBM/Sägezahn-Trance-Verschmelzung der höchsten Güteklasse mit genug psychedelischem Headroom für die Festivalsaison entstanden.

MARCO RESMANNs tiefe Verbundenheit mit der jüngst verstorbenen Berliner Clublegende Watergate hat ihn zu einem der Fixpunkte der deutschen Hauptstadt in Sachen House und Techno gemacht und weit darüber hinaus. Er ist eine Hälfte von Lunar City Express und ehemaliges Mitglied von Pan-Pot, was Bände über seine stilistische Vielseitigkeit spricht. Mit „RIMA feat. Laatz“ liefert er eine frenetische Techno-Achterbahnfahrt, die gleichermaßen radikal, bedrohlich ist und ungemein Spaß macht – ein wirklich einzigartiger Track für die Ewigkeit. ‚Dimensions‘ wiederum ist ein tiefgründiges Electro-Bollwerk voller komplexer Details, das Kopf und Füße sicher im Einklang hält.

44th Move is the combined creative force of pianist & composer Alfa Mist, alongside drummer & producer Richard Spaven. As individuals, the duo have solidified their unrivalled reputations as world class Jazz talents, as exemplified by Alfa’s hugely influential albums such as ‘Antiphon’ & ‘Variables’ and Richard's legendary drum work with the likes of Flying Lotus and Goldie. Initially causing a stir back in 2020 when their joint project first emerged with their genre busting forays into Dance and Hip Hop.

Moving into 2025, they now prepare to elevate the levels, and unleash their debut collaborative album ‘Anthem’ via trailblazing Bristolian label Black Acre. Presenting their debut LP, the pair strive to continue the tradition of adopting a mindstate centred around research and development - pushing themselves to continually learn and grow, raising the bar and uplifting the art form.

Launching with first single ‘The Move’, cascading chords elegantly pave the way for Detroit-based rapper Quelle Chris to take centre-stage and deliver purpose-driven lyrics, calling for grit and consistency through life’s challenges. Second single ‘Free Hit’ deploys a scattered junglist break, punctuated by mysterious chord progressions and an enticing, gradually unfurling brass section. Also featuring guest appearances from Bristol turntablist royalty Awkward, ‘Anthem’ moves seamlessly through diverse sonic terrains, the LP traverses Hip-Hop, Techno & DnB, whilst remaining firmly its Jazz-centric sensibilities. On the album’s creation, Richard Spaven says - "The essence of 44th Move is to take the traditional disciplines of live musicianship into electronic forms and compositions. Alfa and I have an aligned appetite to break new ground with every project we do and this is the core ethos of the album".A refined, shifting and accomplished album, it highlights the moment of magic waiting to happen when great minds meet

All songs recorded and mixed by Pat Lilley at Nexus Recording Studio in Waukesha
Wisconsin between 1998-1999. Songs 1,2, and 4 originally appeared on Parallel
Chlorophyll Regions (Highwater Records 005) 1998. Song 3 originally appeared on
Akarso/Seven Days of Samsara Split 7" (Ricky Schroeder Fan Club 001) 2000. Songs
5-8 originally appeared on Akarso/Faraquet Split CD (404 Records 002) 1999.
Milwaukee's underground scene of the late 1990s harbored many hidden gems, and
Akarso is certainly one of its finest. Blending elements of post-hardcore, math rock,
screamo, and noise rock, the trio quickly made a name for themselves during their
short yet intense existence. Their chaotic and intricate sound earned them a loyal
following within math and post-hardcore circles, and they toured extensively, leaving
behind a legacy that would influence the Midwest's underground music scene for
years to come. With Leave Quietly: 1997-1999, Akarso's complete recorded catalog has
been unearthed, giving listeners a chance to experience the raw energy and innovative
sound of a band that was well ahead of its time. Released through Expert Work
Records, this LP collects Akarso's recorded output from their brief but impactful run.
Featuring Nathan Lilley on vocals and guitar (who would later gain notoriety with Call
Me Lightning), Joe Wong on drums (now a prolific composer for TV and film and host
of The Trap Set ), and Greg Roteik on bass (of Key of Evil fame), the trio's musical
chemistry is undeniable. Their dynamic interplay and knack for combining dissonance
with technical precision is immediately apparent, and this collection serves as both a
time capsule and sheer example of their musical skills.
The songs feel unpolished in the best possible way, full of jagged guitar riffs, off-kilter
rhythms, and aggressive vocals. It's easy to hear why Akarso garnered attention
during their brief career: their music demanded attention. Tracks from the collection
highlight their ability to balance complex structures with visceral energy, reflecting
their post-hardcore roots while pushing into more experimental territory. At the heart
of Akarso's sound is their seamless blending of math rock's technical precision with
the ferocity of post-hardcore and noise rock. The intricate guitar work of Nathan Lilley,
coupled with the driving rhythms of Joe Wong and the powerful basslines of Greg
Roteik, creates a tense and unpredictable musical experience. Time signatures shift
without warning, dissonant riffs collide with frenetic drumming, and Lilley's vocals
pierce through the chaos with a cathartic and desperate intensity.
It's a challenging, chaotic, and emotionally charged album that captures the intensity
of Akarso's live performances and the raw energy of their songwriting. More than two
decades later, Akarso's music remains as vital and relevant as ever, and this collection
that their legacy will continue to inspire future generations of musici

Limited white vinyl ! RIYL: Guided by Voices, Pavement, Terry, The Chills, The Clean, The Verlaines. Whoosh is The Stroppies first proper debut album and breezes along with boundless energy, a refrained pop strut, infectious grooves and the sort of jangling guitar melodies that sound like a prime-era Flying Nun band. The Melbourne-based band formed together around a kitchen table in 2016 with a heavy focus around the essence of collaboration and a DIY ethos. After a home recorded cassette release "Whoosh" is their proper studio debut. It's a record that possesses all the spunk and gusto of a young band hurtling forward yet also knowing when to take their foot off the accelerator. It's an album that simultaneously feels young and fresh but wise beyond its years by combining taut post-punk rhythms, indie jangle, seamless melody and sugary pop.

The Haunting ist ein übernatürlicher Horrorfilm aus dem Jahr 1999 mit Liam Neeson, Catherine Zeta-Jones,
Owen Wilson und Lili Taylor in den Hauptrollen. Der Film folgt einer Gruppe von Menschen, die sich auf
einem weitläufigen Anwesen zu einer scheinbar freiwilligen Studie über Schlaflosigkeit versammeln, nur um
festzustellen, dass sie von paranormalen Ereignissen geplagt werden, die mit der düsteren Geschichte des
Hauses zusammenhängen. Diese Deluxe Edition des 2-LP-Sets ist die allererste Vinyl-Pressung von Jerry
Goldsmiths gruseliger Filmmusik und enthält brandneue Artworks.

Released in 1997, this Stunning EP from Kerri Chandler is considered by many to be the best of his Raw Grooves series and maybe even his best work of the late 1990's. Ladbroke Grove and What About Us are the classics here while Dub Music and Can't You See tread into darker minimal Chandler territory. Out of print since 2001, this is another slab of Large Music essential wax for every serious collector.