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Innate launched out of Bristol in 2018 as an extension of a well-respected blog run by Owain K, and is now one of the more cultured outlets in the realm of advanced techno. This ninth 12" heads across the Irish Sea for a split EP featuring top heads Eddie Reynolds aka TR One and Americhord. The former goes first with the snappy drums and reverberating bass twangs of 'We Lost An Hour' before 'I'm Alone' zones out into more widescreen and far-sighted deep techno laced with malleable acid lines. Americhord then keeps it deep with the interplanetary 'Parallax', a supple, comforting cocoon of synth and bass warmth before flipping into kicking electro territory on 'Sub Level'. Proper classy tackle.

Rhythm Of Paradise captures the essence of modern Italian piano house with the "Ti Sento EP".
A coherent and refined project that blends radio appeal and club depth, all with a warm, Mediterranean soul and pure Italian House Vibe.

The EP opens with the title track, an emotional summer anthem built on a sensual Italian female vocal. Beautiful piano hook in the real Italo style & warm M1 organ bassline, are the foundation that makes this track a unique narrative experience keeping balance between radio-friendly immediacy and a solid timeless club presence.

From the emotional Ti sento going to the festive, sunny mood of "Mi Piace" on A2, where the energy is amplified by a more driving rhythm and piano melodies that celebrate pure joy. It's the EP's track designed to create a peak of collective euphoria on the dancefloor.

On B, Micheal’s partner in crimes St. David reimagines “Mi Piace” track on a tribal dub journey with an Ibizan soul, where the original vocal is deconstructed into echoes, the bass becomes hypnotic, and the groovy organic percussions keeps the floor moving and shaking. A version for emotive charm of early Italo house, evoking euphoric dancefloors, Calypso beach parties in the style of Palmares or Irma records.

Closing with B2. Ti Voglio and its seductive groove, and a refined afterhours atmosphere. It demonstrates how Italian emotion in house music can also be communicated through the power of few elements that hits your sensitive side. Sax atmosphere and deep dub groove capture the rhythm of the listener for this beautiful closing track.

A complete collection of Timeless Italo House journey for those that knows !

Written and Produced by Michele Lamacchia. Includes remix from St. David
Mixed & Mastered by St. David

The Ensemble Al-Salaam, led by saxophonist Kalik Abdul Al-Rouf, released just two albums in the mid- and late-70s, but both have more than punched above their weight in the international jazz canon. The Sojourner was the essential 1974 debut that became one of the Strata-East label's most seminal works and a cornerstone of spiritual jazz's golden era. It draws on modal jazz, Afrocentric rhythms and deep Black musical traditions across highlights like the hypnotic opener 'The Sojourner, 'the Coltrane tribute 'Trace Of Trane' and the dramatic 'Malika', with Beatrice Parker's vocal warmth infusing each sound. A perfect distillation of spiritual jazz.

2026 Repress

&Me, the chunky critter, did it again! This hypnotic one-off was stoically crafted to be lifted into the next dimension with thousands of people. Where the hospitality of all-encompassing love and euphoria awaits with arms raised and eyes closed.

Mano le tough found the original Muddy Funster so boring that he ran out of cigarettes. Even as a non-smoker! With his congenial version of this evergreens, this deranged pig forces his cranky perception on us and takes us into a mystical world in which no two stones are alike, but whose unique construction represents an earthquake-proof pyramid of love whose dimensions have perfect relationships to the size of the earth and to mathematical laws. Illumination feat Roísín Murphy as Mano Le Toughs needs A Birra Light Remix persistently pulls us music-loving dance muffins under the disco ball with all the TikiTaka tricks in the book, only to let us go and spin gloriously free at the crucial moment. So beautiful, we dance, wow.

2026 Repress

When Spiral Tribe congregated in Berlin in the Winter of 1993, they found themselves squatting a series of trailers at Potsdamer Platz. In one of these trailers R-Zac was born. Musically the duo were transitioning from UK breakbeat techno as "The Spiral Tribe Liveset" into what would become R-Zac's signature hard psychedelic sound. This double LP marks the beginning of that journey.

2026 Repress

Field Records proudly presents the first complete vinyl edition of Monolake’s seminal excursion into experimental dub techno, Hongkong. Originally released on the now-classic Chain Reaction label in 1997, this collection of early singles by Robert Henke and Gerhard Behles has gone on to become a vital listening experience in its own right - a genre classic alongside the other groundbreaking works from the likes of Porter Ricks and Vladislav Delay.

The tracks which make up Hongkong were made while Henke and Behles studied computer science and immersed themselves in Berlin’s techno scene. Their early forays into computer-based music production were enabled by the use of the Max/MSP programming environment, forming a backdrop to the landmark work they would undertake in developing the Ableton Live DAW. Henke and Behles travelled to Hong Kong in 1996 to attend the annual International Computer Music Conference, and while there recorded extensive field recordings. These recordings became the glue that pieced together their collaborative tracks into a fluid listening experience for a CD-compilation at Chain Reaction’s request.

While absolutely rooted in the embryonic sound of European dub techno, Monolake’s early work possesses a back room, headphone-ready demeanour which lends itself to the album listening experience. In the cascade of rhythms created by precision engineered delays and subliminal, expansive spatial world building occurring throughout Hongkong, the stage is set for a full and thorough immersion. Before the Monolake sound progressed into a more pointillist form of computer music as Henke’s solo project, Hongkong presented a gritty, grainy sonic still tied in some way to the traditional methods of techno production, even as the artists’ ideas were sending the sequencing and arranging in exciting new directions.

Remastered and presented for the first time as a complete double 12” package, this is the definitive edition of an essential work in the evolution of experimental techno. As Henke himself explains, “twenty-five years later, this record still holds immense value to me in many ways.”

Since his debut EP sold out on release day, Dolomites based artist Fil Palmer returns with a new release. This EP drifts between escape and return, tension and stillness, movement and reflection. Limited to 300 copies, handstamped & no repress.

The dream team of Sugar Minott and Victor Axelrod returns with a deep rub-a-dub reggae take on The Notation’s low rider classic, “I’m Still Here”. Shortly after falling in love with the song via a 45 mix from Gabe Roth, Axelrod received a serendipitous message from the late great Minott saying he was in town and ready to work.

Sugar's effortlessly soulful vocals coupled with Axelrod and Co's sweet and spacious groove, transform the Notation's track into a slow , sticky revelation of love that's actually stable. The perfect soundtrack for discerning soirees and those moments where you have one foot out the door but need a moment of reflection.

Pappenheimer – Stolen Memory Pt. 1 + Pt. 2 (Vinyl) bringt die rohe Energie und kompromisslose Klangästhetik des deutschen Techno-Acts Pappenheimer auf den Punkt. Diese Vinyl vereint beide Teile der Stolen Memory-Reihe und liefert treibende Beats, düstere Atmosphären und präzise produzierte Sounddesigns für den Club und darüber hinaus.

Mit druckvollen Rhythmen und hypnotischer Intensität steht diese Veröffentlichung für modernen, kraftvollen Techno – ideal für Sammler und alle, die elektronische Musik am liebsten analog und in voller Tiefe erleben

There are records that follow the rules, and others that rewrite them in real time. With O R G A S M A N I A, Byron The Aquarius returns to Skylax with a deeper, freer and more unpredictable statement — where jazz instinct meets raw machine funk, and structure dissolves into pure feeling. Rooted in the lineage of Detroit yet never confined by it, Byron operates in that rare zone where house music becomes expression rather than format. His sound doesn’t chase functionality — it breathes, it stretches, it resists. The EP opens with Back 2 Zion (Tomorrow), a spiritual and meditative journey built on loose drums and luminous chords, carrying a sense of elevation — early morning music where the dancefloor begins to think again. Enter the Co$mos (Fool) pushes further into abstraction, with drifting synths and broken rhythms unfolding in a non-linear structure, navigating between Sun Ra’s cosmic language and Detroit futurism. On the flip, Mr. Captain Crunchhh brings a raw, playful energy — crunchy textures, off-grid swing and an almost improvised groove, alive and unpredictable, a leftfield tool designed to disrupt expectations. Finally, O R G A S M A N I A stands as the centerpiece — hypnotic, sensual and immersive, locking into a deep repetitive groove while evolving in subtle layers, a late-night body experience guided by a sharp musical mind. Across four tracks, Byron The Aquarius confirms his unique position between jazz musician, house producer and sonic storyteller, with a trajectory spanning Sound Signature, Axis, Eglo, Apron and Shall Not Fade, continuing to resonate from Detroit to Berlin and beyond. Artwork by H5 — the iconic studio behind Daft Punk, Air and Vitalic — reinforces Skylax’s timeless and art-driven identity. This is not fast music, this is not algorithm music — this is music for those who still listen. Strictly for the heads. Vinyl only. No repress. Skylax Records.

Joss Moog returns to Robsoul Recordings with something special - 'Prodige', a collaborative release that captures the spark between seasoned mastery and rising talent.

With Agenda EP, Tom Carruthers closes a landmark trilogy on Skylax Records, following Neutralise EP and Deepline. Three records. Fifteen tracks. One coherent vision of machine-driven house music stripped to its raw, functional core. This final chapter dives deeper into direct, club-focused energy, where groove, repetition and tension do the talking. Agenda is less reflective, more physical — built for movement, sweat, and long transitions in dark rooms. Opening track “Chrome” sets the tone: sharp drum programming, metallic pressure, and looping synth phrases that lock the body into motion. “Agenda (Raw Mix)” follows with a tougher, stripped-down approach — no excess, just pure rhythmic insistence rooted in early Chicago jack and warehouse discipline. “Beat Down” pushes further into machine funk territory, where relentless patterns and rugged textures meet in hypnotic repetition. On the flip, “Fade Away” brings a deeper, moodier tension — a late-night track where subtle emotion seeps through minimal structures. Closing cut “What You Want” is classic Carruthers: jacking drums, understated melody, and a groove that feels timeless rather than retro. As with the previous releases, the visual identity is handled by H5, whose modernist, reduced artwork mirrors the sonic philosophy: clarity, impact, and purpose. Agenda EP completes the Skylax trilogy as a statement of intent — not revivalism, not nostalgia, but dance music reduced to its essential elements.

Produced after a period spent alone, surrounded by the elements of nature, this record brought Katatonic Silentio back to her essence and her roots. The result is a dedication to the dancefloor through the genre she first became involved with, and to the music itself as the conductor of her whole life; an ever-changing entity of the essence of the soul; a bridge to the unknown and the depth of existence. A luminous voyage in the profound lightness of sound. Far from being an intellectual exercise, the album - the first club-oriented release by Krisis Publishing - is a physical and spiritual journey. This one is for the body, mind and soul, so that there may be harmony between the parties, between the inside and the outside, between the self and the other.

After years in the shadows, THE GOAT returns. LA CHEVRE is back with CHE007 - three powerful edits by MOOGLY, already making serious noise in clubs and underground after-hours, supported by key figures such as Chez Damier, Dawidu, and many more.

Thirty Ends - Corpus 01

Newly launched label Thirty Ends introduces Corpus 01, the first release in a strictly limited series of 30 vinyl records, with no represses.

Built as both a conceptual and functional project, the label sets its tone from the start: raw, hypnotic and club-focused techno, designed for sound systems rather than algorithms.

This first VA brings together four artists from different corners of the scene, each contributing a distinct yet cohesive sonic identity:

Metapattern - Rifugio
Yrzen & Gannein - Minkondi
Fhase 87 - First Contact
Yazmin - Reflections

From industrial textures to stripped-back grooves and immersive atmospheres, Corpus 01 delivers a focused selection of tracks aimed at DJs and late-night floors.

Pressed in 325 copies, the record is distributed through selected underground channels and available in limited quantities via the label.

Vinyl only. No repress. Digital release scheduled at a later stage.

WRWTFWW Records presents the first ever vinyl release for the Startled Insects’ 1984-1985 abstract/synth-pop/post-punk/electronic run compiled into one album : The Antenna Years. The Bristol music must-have comes as a limited edition LP with astonishing artwork, liner notes and a heavyweight sleeve.
The Antenna Years compiles the independent EPs/mini-LPs the Startled Insects released in 1984 (self-titled) and 1985 (Underworld/Black Spring), with two bonus unreleased tracks that were only ever played in their live shows (W.W.W and What A Waste, both amazing).
Astonishingly futuristic when they landed in 1984, the Startled Insects sounded like they came from another planet while staying rooted in Bristol’s underground. Abstract electronic, leftfield synth-pop, dub science, gamelan heat, post-punk edge, cinematic atmosphere : The Antenna Years delivers one beautifully odd voyage into the sonic unknown.

In the 90s, the band released two albums, including the classic Curse Of The Pheromones via Antilles New Directions (Island Records), then evolved into The Insects: film composers for BBC/National Geographic, Emmy winners, and key architects of the 90s Bristol orbit, working with Massive Attack, Goldfrapp, Tricky, and members of Portishead.

Four decades on, The Antenna Years still hits like a transmission from the future. Dive in with no fear.

A deliberate sonic and emotional architecture that doubles down on intensity to shatter and rebuild the listener in one unrelenting wave.

Third album from System Olympia, following acclaimed releases like New Erotica Collection LP (2023) and Delta Of Venus LP (2020), solidifying her as a bold, self-produced voice in electronic and italo-disco-inspired music.
Releases on Okay Nature Records (her own independent label), with digital out now (March 6, 2026) via Bandcamp/Spotify and limited-edition black vinyl 12" LP shipping from April 6, 2026-fully written, recorded, produced, and mastered by System Olympia herself.
Extended tour in the months ahead, kicking off with confirmed live events including a Double Climax Listening Party, plus performances at The Cause (60 Dock Road, Outside) in London on April 3, 2026, and Burgess Park in London on August 2, 2026-expect further dates to build momentum through spring/summer 2026.

Better late than never, we’re incredibly excited to finally announce a very special upcoming release on our label.
One of the most rewarding aspects of music is its ability to create meaningful connections across borders and cultures. Through that shared language, we connected with rush2theUnknown, a Japan- and New Zealand-based duo with roots in the foundation New
Zealand jungle / drum & bass scene, and it’s a true privilege to now be releasing their music. Ancient / Future is a journey through time, influence, and emotion. Drawing from the duo’s diverse musical backgrounds and inspirations, the EP bridges ancient echoes with futuristic
sound design, balancing antediluvian nostalgia and far-future energy in equal measure.

For our fourth release, we welcome Flits alongside For You founder Line-o.

Flits takes the A-side with two highly effective techno tools. Visionair cuts straight through with gritty textures, crunchy hats, and a driving groove. Kensington follows, tight and punchy, built to hit right.

Line-o returns on the B-side. Liminal opens deep and forward, driven by a steady momentum that locks you into its flow from the start. Fragments shifts into a more percussive direction, rolling and groove-led, rooted in the stripped-back rhythm Line-o is known for.

Dave Mech presents Berlin Seite on 12" vinyl and digital. A powerful LP featuring 10 tracks loaded with robust and elegant Techno. The first four tracks deliver modern Techno sounds, with celestial pads that wrap around you from the very first beat. A record that will become a permanent piece in your DJ bag. The release is completed with six additional digital-only tracks, recorded live in different clubs across Berlin, capturing that raw and untouched magic.

All Nice Records returns with the 006 instalment, welcoming Raw Takes to the roster for a self-titled six-tracker that lives up to its name. No frills, no fuss, just pure, unfiltered club music pressed on wax Side A kicks off with House of Phreaks, a dense Chicago house sledgehammer built around a heavyweight bassline that sets the pace from the first bar, no introduction needed. Last Figure pulls the tension tighter before One For Gehm closes the first side as a heartfelt nod to Andreas Gehm - the legendary German acid pioneer whose influence continues to ripple through the underground. Flip it over and Piano Jam brings an unexpected melodic warmth to the centre of the record, while AECD wears its influences proudly, a 303-drenched acid workout rooted deep in the classic Chicago house tradition, the kind of track that feels like it could have come straight out of the Warehouse era. Crime Times seals the deal... gritty, atmospheric, and built for the late hours.

Terrestrial Funk presents a piece of Detroit history. Born and raised in Motor City, Karl Fultz knew at the age of twelve that he wanted to be the most talented and successful DJ in the world. In 1999 he released on Juan Atkins’ Metroplex under the alias People Mover and in 2000 he released as Black Electric on Puzzlebox. Inspired by British synth-pop duo Eurythmics, Fultz says Black Electric was a way to get more women involved in the techno movement. Together alongside vocalists Tiffany Elliott, Kim Glover & Talena Fultz, Black Electric brought sex appeal to the scene. Their first and only release stays in demand and has become inaccessible until now. Terrestrial Funk’s reissue provides two fresh cuts on the new 12”; ‘Purple’ a chugging Detroit acid track describing soul modification to enhance intimacy and a proper bassed out club mix of the nasty electro sex song ‘Work That’, which was only featured as an acapella on the original release. The release also features updated mixes of both the title track and the half-time anthem 'Come To Me' alongside the original y2k mix of 'Colors'. Black Electric stands as a testament to turn of the millennia Detroit and the city’s undying devotion to expand our connection to music.

Truthdare Doubledare marked a significant change in the direction of synth-pop trio Bronski Beat’s as a band, with vocalist Jimmy Somerville leaving and being replaced with John Jøn Foster.

Whilst maintaining a clear voice in support of gay rights and political activism, the production gave way to a rougher and rawer style, featuring more real instruments, ever-powerful lyrics and more variety in genre.

This never-before re-issued album features the #3 single ‘Hit That Perfect Beat’, a full remaster, remixes & b-sides.

2026 Repress

UK Hardcore Techno badman Dolphin back on PRSPCT XTRM with a killer 4 track audio violent onslaught.

Nature is dying, Trump is in office, The whole Brexit charade, Hong Kong is screwed and this is just a tip of that insanely high iceberg of bullsh** that keeps building up in this world.

Simple fact: C**ts Rule Everything Around us so the title of this EP is not just meant funny as an ode to one of the most legendary hip hop groups to ever live. We are dead serious here. Just look around you. C**nts everywhere for as far as the eye can see.

So blast these protest bangers hard and give those c**nts a super sonic hard as nails punch in the face.

LOKLTD007 proudly brings you GUDJ, a rising talent from the UK minimal electronic scene. With Andromeda EP, the British producer delivers four sophisticated tracks that blend hypnotic grooves, futuristic sound design, and cinematic atmospheres.

From the mesmerizing energy of “Andromeda” to the dreamlike textures of “Mirage”, and the driving momentum of “Orza” and “Bravora”, each track unfolds as a chapter in a cosmic journey. A refined and immersive release that showcases GUDJ's unique artistic vision and his growing presence within the international minimal scene.

3 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY.

Pleasant Systems 014 brings together David Böning and Phillip Kluge for Moonbathed and Sunkissed, a four-track EP rooted in rough-edged ’90s deep house and early protohouse aesthetics. Split across two sides, the record moves through dusty drum machines, stripped-back grooves, raw basslines, and understated club energy. Drawing inspiration from classic US house music without slipping into nostalgia, both producers deliver tracks built for smoke-filled rooms, early morning floors and selectors who like things deep, direct and slightly worn around the edges.

POWEL and Alexander Murygin inaugurate their new A//P project here with their ‘Nachtleuchten’ EP for Philipp Priebe’s Stólar label, featuring remixes from Merv, and Noc:turne.

Epic emotional club tunes with a feeling of grandeur. Moving through different tempos and styles, the EP channels golden-era IDM and Italian trance-prog psychedelic tradition into a deeply melodic and contemporary framework. Inspired by the Tibetan tradition of Sky Burial, its themes revolve around transcendence and spiritual transformation.

For thirty years, Alden Tyrell has been at the forefront of electronic music. This analogue alchemist has concocted heady grooves that transmute genres: acid, disco, electro, house, italo and techno; no style left unturned. Under his Tyrell Corporation moniker, he returns to the Bordello with a sound forged for dancefloors. Midnight Machines is a warm embrace that melts electro‑disco with star‑gazing synthlines. “Midnight Machines Pt. 1” balances robust melodies and incising snares with soulful undercurrents and joyous breaks. Past energies are re‑channelled. Arpeggiators rumble as beats throb. Beneath it all, there is a greater consideration of the interplay of elements.

This focus pulsates through speaker cones on the needle‑drop of “Love in Decay.” Elated key changes and bright shifts are tempered by bittersweet moments, early‑morning light piercing fresh mists of grey. Tempos rise on the flip with “Midnight Machines Pt. 2.” Sci‑fi‑scored disco lifts ever higher as scaling notes untether themselves from the floor and soar above vibrant rhythms. Coy and alluring, the bright “Romance Obscura” closes the record. Cowbells and bending wavelengths open into an expansive, intoxicating melody where keys search the horizon as arms fold around celestial bodies.

Still compelled by the space they first opened, Gūsū returns with a second release, “Inhabiting Me”. What began as a shared approach, sprouted from intuition, has grown denser and more defined, holding on to that same fragility and openness. The duo continues to befriend with contrast, friction and proximity, shaping a language that inhabits their uncommon ground.

Vintage drum machines, tape delays and bass guitar widen the sonic ground, adding pulse, grain and instability, while the guzheng holds its place in full clarity. Each sound source becomes each other’s ornament, forming to gesture the next currents.

What emerges is less a fixed composition than a shifting form: precise in detail, impossible to contain. Listeners who have experienced Gūsū’s live performances will recognise this rare quality: a music of great sensitivity that expands with quiet force, drawing them inward rather than confronting them directly. The sound fades, re-enters, and leaves behind the trace of a lighthearted heaviness, echoing back in fragments, reappearing in memory with altered weight and colour.

Time bends inward and tones return altered. Between repetition and resonance, a tensile form begins to emerge. Neither nostalgic nor futuristic, neither static nor loose. Gūsū does not merge its materials into one smooth surface; it lets them stand close enough to sharpen one another.

Gūsū is a transcultural music project born from the confluence of two distinct artistic voices: Xueyan Chen and Nicolas Balmer. Together, they create a complex dialogue of sound that bridges the ancient and the modern, exploring the liminal spaces between tradition and experimentation. Gūsū’s inception was serendipitous, sparked by a shared stage in late 2022. What began as spontaneous improvisations has since evolved into a profound collaboration. The duo has performed under various monikers, finding their ultimate identity in the name Gūsū, a nod to both heritage and transformation.

One of the UK’s best loved and most respected dance music producers, Michael Gray, unveils his exciting third artist album, ‘You & Me’, on his own ever vibrant Sultra Records. Featuring a superb array of both fresh and regular vocal and musical collaborators, Michael delivers another superb helping of lovingly crafted discofied, boogie and soulful dance treats, where meaningful songwriting, passionate vocal performances and impeccable musicianship combine to create one of Michael’s best bodies of studio work to date!

“I’m really excited about this album. I enjoyed making ‘Optimism’ 2 years ago, but I feel like my sound and creativity have developed further during the production of my third album ‘You & Me’. I think there will be a few tracks that people are not expecting from me… and that’s the joy of making an album! You can really get creative”. – Michael Gray

Across the album, Michael brings together an impressive array of world class talent. Rising 29 year old vocalist Bran Mazz features prominently, delivering fresh performances on the standout cover of Maxwell’s ‘Ascension (Don’t Ever Wonder)’, as well as on ‘I Like The Way’, ‘Medicine’ and ‘Breaking Away’. Chi town house legend Mike Dunn joins Michael on the title track ‘You & Me’, built around a clever sample of Freeez’s ‘Flying High’. Vocal powerhouse Tania Foster turns up the heat on the Latin disco flavoured ‘Shake’. New York singer Kelli Sae lends her unmistakable soul to ‘Give It To Me’ and ‘Detonate’, the latter also featuring singer/songwriter Errol Reid (China Black / Axwell). Jamiroquai’s Derrick McKenzie adds his signature live drums to ‘Detonate’ and ‘I Like The Way’. Sian Lee appears on the current single ‘Gravity’, which is sitting at the top of the Traxsource chart. ‘Universe’ sees Michael deliver an instrumental jackin’ house twist, set for a full single release on Toolroom in June. Adding further depth to the album, superstar diva Phebe Edwards brings her impeccable soulful tone to a cover of Cleo Sol’s ‘Life Will Be’, Brit soul favourite Dyanna Fearon shines on ‘I’m Falling For You’, and Audrey Martells lifts ‘Beautiful’ with her stunning, uplifting vocal.

Category 1 Music Sampler - Vol. 5 kicks off with a Dr Packer soulful funk house remix, “Mood”, featuring the soaring vocals of Tosha Marie along with a masterful production crafted by Chicago based Sweet Georgie. The combination of these 3 amazing talents has blended into a non-stop club banger that’s perfect for creating a vibe that will keep filling the floor. Ron Carroll's "Come Into My Life" features the late great Ron Carroll who combined both his amazing vocal talents and production wizardry with the remixing artistry of Eric Kupper, to create "Come Into My Life". The track displays the full range of Ron’s emotional feelings and has been further enhanced by Eric’s unique ability to capture the musical elements that set the perfect vibe for soulful house enthusiasts. “Believe In Me" teams Phebe Edwards with the production & mixing skills of Groove Disciple, who delivers a rousing and powerful soulful house mix, with more than enough energy to fill any club dancefloor. Whether delivering euphoric hooks or raw, emotional toplines, Phebe Edwards is a vocalist built for records that travel from radio to festival stages to late-night dancefloors. “Enter”/Tha RC Groove Project, completes Vol. 5’s musical journey with a solid Garage groove produced by Marc Cotterell. “Enter” is a Garage infused jam that combines a pulsating track with Ron Carroll’s unmistakable vocal style. It's a fitting homage to Ron's underground club roots and represents an appropriate farewell to one of Chicago's greatest talents

Madonna announced today her eagerly anticipated new album Confessions ll is set for release on July 3rd via Warner Records.

The new album is the continuation of the iconic counterpart Confessions on a Dance Floor. Ahead of the lead single, Madonna unveils the first taste of music with a trancelike visual teaser. Watch HERE. Fans can pre-order the album + the ultimate curation of expansive vinyl and CDs

Madonna sums up her new record best by quoting the first few lines of her song, One Step Away, “People think that dance music is superficial, but they’ve got it all wrong. The dance floor is not just a place, it’s a threshold: A ritualistic space where movement replaces language.”

Madonna adds “When Stuart Price and I first started working on this record, this was our manifesto”:


We must dance, celebrate, and pray with our bodies. These are things that we've been doing for thousands of years — they really are spiritual practices. After all, the dance floor is a ritualistic space. It’s a place where you connect

—with your wounds, with your fragility. To rave is an art. It's about pushing your limits and

connecting to a community of like-minded people.

Sound, light, and vibration Reshape our perceptions Pulling us into a trance-like state. The repetition of the bass, we don’t just hear it but we feel it.

Altering our consciousness and dissolving ego and time.

EIGHT ARTIST,ONE ANALOG SPACE WRITTEN FOR THE DANCEFLOOR.

The second release on Soil Trax is by the promising German dub techno producer Gockel. 4 tracks and 4 locked grooves. Pure driving dubbey vibes for festivals and clubs. Don’t miss out!

Techno architect Damon Wild returns to Sonic Groove with a masterclass in deep-space hypnotism. The Synewave founder bridges classic 90s grit with sharp, modern production across six tracks of driving, futuristic acid and mental, dubbed-out atmospheres. From broken beats to haunting vocal snippets, this is deep, spontaneous music from a true pioneer of the hypnotic sound.

Nizre debut to Be As One with “Detained,” a rumbling new 4-track EP built with deep and tense late-night driving grooves, hypnotic rhythms, and a raw industrial edge, showcasing Nizre’s signature balance between intensity and precision. Each track unfolds with dark atmospheres, pulsating basslines, and subtle tension, stands as a solid statement on the imprint, reinforcing both the artist’s vision and Be As One’s forward-thinking underground techno.

JKS is back on his own imprint with Temples, opening a different chapter of his sound. Across three original tracks, he explores a more melodic and expansive direction, while keeping the raw rhythmic energy and distinctive percussion that have always defined his productions. Processed instruments, playful synth lines and organic textures come together with a sense of openness and curiosity, always anchored in movement and groove. Alongside the originals, three remixes by Aloka, A Strange Wedding and Olympe4000 extend the scope of the release. Each artist brings their own sensibility to the project, reinterpreting the material in their own language and broadening the spectrum of both the record and the imprint. Together, they highlight different facets of JKS’s influences while keeping a shared sense of drive and tension. The result is a collection that balances movement and emotion, precision and spontaneity. Deeply rooted in the dancefloor, yet unafraid to venture beyond familiar boundaries, the release captures an artist and a label continuing to evolve while staying true to their core.