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Those albums that never age, that never cease to surprise with their innovative freshness—listen after listen—defying the years that go by.

Released in 2016, Heimat’s debut album is one of those records you love knowing is there on the shelf or on the turntable, like a reassuring talisman.

To mark its 10th anniversary, and such an awaited repress, we decided to honor this landmark album as it deserves: with a powerful remaster by Tioma Tchoulanov (UVB76, NzeNze) featuring enhanced dynamics, and an ultra-limited edition on blue splatter vinyl.

What a beautiful object this is, celebrating—alongside Armelle and Olivier Demeaux—ten years spent exploring the outer limits of music, in France and abroad, from SMAC venues to squats and other joyful initiatives.

Their deeply sincere music loses none of its naive tension; the emphasis is there, yet it remains restrained, contained, almost nervous, without any show of. Here, then, is something to make this fantastic album, a subtle milestone in a teeming musical landscape.

A fine achievement indeed!

A cult classic reborn for a new generation.

Originally released in 2002 on the short‑lived US imprint Square Room Records, the In Stereo EP by Aruba (Darran Nugent) has long been a prized gem for vinyl collectors of quality underground house and techno.

Now, two decades later, Darran brings In Stereo back to life on his new Sleight of Hand label, with ‘Soundz From My Stereo’ completely re‑recorded and sounding hotter than ever. This special edition also features a brand‑new Re‑edit plus a standout remix from UK DJ and producer Man Power (Geoffrey Kirkwood), who delivers a bold, imaginative re‑interpretation that elevates the release into something truly special.

Also returning is ‘Body Groove’, freshly reimagined for today’s floors. The original’s slap‑bass funk remains gloriously intact, now paired with a more modern, refined house sensibility that gives the track a whole new swagger.

From deep within the astral planes of all that is cosmic in the Northwest and through a fog of kaleidoscopic haze emerges the latest mind-expanding music makers to arrive on Sprechen in the form of the Todmorden based Lines Of Silence.
Living amongst a hotbed of UFO activity and home to the UK's highest ever beach they combine experimental analogue and digital electronics, motorik beats, polyrhythmic improvisation and drone rock guitar explosions to create an immersive, expansive and contemporary take on psychedelia.

Their long player on Sprechen: 'Lines In Opposition !' takes the listener on a visionary aural journey across 8 tracks of electronic, shamanic soundscapes where the sounds of Krautrock exist in harmony alongside drone-esque ambient excursions through an array of synths, guitars & sequenced patterns that draw heavily on the stylings of NEU!, Aphex Twin, Kraftwerk and the musical pickings of the more esoteric sets and radio shows by Andrew Weatherall.

A truly universal listening experience to take you into a higher state of electronic music consciousness...

2026 Repress

Cirkle returns to Sublunar, Sciahri's label, following the success of Sonic Surge, with a new EP that showcases both refinement and immense talent. This release encapsulates Cirkles distinct sound and artistic evolution, offering a rich and immersive sonic journey.

The EP opens with Shadows of the Past, a track driven by a pulsating, groovy synth line and dynamic drum patterns that propel the rhythm forward. It seamlessly transitions into Beaten, a dark, hypnotic piece that envelops the listener in a shadowy atmosphere.
The B-side begins with Shamanic, a track that pays homage to a more classic techno sound while maintaining an irresistible, steady groove. Following this, The Wall That We Build offers a more delicate and minimalistic approach, balancing precision and subtlety. The journey concludes with Tears of Light, an epic and transcendental piece that takes the listener to another dimension.

Bruno Berle is a singer, songwriter, producer, multi-instrumentalist and figurehead of a contemporary Brazilian music movement. With a quiet mastery of songwriting and an astonishing voice, his music has won hearts around the world. Since the release of his debut album No Reino Dos Afetos (2022), Berle has performed across the UK, Europe, Japan, South Korea, and China, only leaving his home country for the first time in 2023. Shaped by these journeys, Berle’s third studio album, Sem Fronteiras (Without Borders), reflects a utopian vision of a unified world.

Recorded across London, São Paulo, Minas Gerais, Germany, and Maceió, the album–co-produced alongside his longstanding musical partner Batata Boy–is the most expansive canvas Berle has worked on to date. Shot through with the imagery that has always animated his songwriting: open skies, morning light, vivid colours and the magic of human connection, Berle’s carefully crafted poetics and warm, delicate instrumentation drive this vivid body of work.

“I came from nothing”–Berle doesn’t take his rise to global prominence for granted.

Born to a working class family from Brazil’s northeastern Alagoas state, one of Brazil’s most economically deprived, Bruno moved frequently in his youth to follow any job opportunities his parents could find, before eventually settling in the coastal capital of Maceió. “I used to travel to Caruaru, Santa Cruz, Recife, Garanhuns, Arapiraca, which I loved and feel it made me ready to be in this rhythm i’, but at the same time I think not having friends from childhood and being in constant change made me a little numb to the constant upheaval”. On Sem Fronteiras, there is a similar duality at play. The album celebrates the collective joy and human connection that live touring brings, but it also sits with the darker realities of crossing borders. While music moves more freely around the world than ever before, our bodies are not granted the same privilege.

Though he’s never lacked self-belief, Berle recognises that talent alone doesn’t guarantee opportunity. “Before my second album No Reino Dos Afetos 2 everything I had ever recorded was made with the help and kindness of people who believed in my ability”. Determined to pay that kindness forward and help others from the sharp end of Brazil’s desperately unequal society, Berle produced and featured on the recent self-titled albums by his northeast Brazilian compatriots, Nyron Higor and Phylipe Nunes Araújo (both 2025), helping propel both onto the international stage. In turn, following the successes of Nyron & Phylipe’s albums alongside his own, Bruno finds himself at the forefront of a thriving community of artists now based in São Paulo, but primarily originating from northeastern states like Alagoas and Pernambuco.

Much like the famed Clube Da Esquina movement that spawned in 1970’s Minas Gerais, they operate with a free-exchange of ideas, writing songs with and for each other, performing on each other’s albums and on the live circuit together. Lead single ‘Manha’ flows from this ethos. It was written by Berle’s friend and fellow Alagoan João Menezes (writer of ‘Ate Meu Violao’ and ‘Te Amar Eterno’ from Bruno’s previous albums) and Marvin Viera, and originally recorded on their 2018 album Areia e Mar.

Sem Fronteiras opens with ‘Você Já Sabe Que Eu Te Amo’, just six beats of one nylon guitar chord ring out before changing key, paving the way for the gentle strike of fender rhodes and the arresting call & response duet between Berle and Higor. On ‘Amor Inteiro’, the album reaches a celebratory burst of catharsis, with the punch-packing drums of Pedro Lacerda and Nina Maia’s joyous backing vocals encapsulating the live energy that Berle and his band bring to the stage.

With the abundant talents of this musical community at its heart, Sem Fronteiras releases 10th July 2026 via Far Out Recordings, supported by a summer tour across Europe. Bruno Berle will perform in a four-piece band alongside Nyron Higor, Phylipe Nunes, and Batata Boy, culminating in an appearance at Roskilde festival, Berle’s biggest live show to date. He’ll continue to carry a hopeful vision of a world where artists and musicians can move as freely as their music flows.

Tracklist:

A1 “Você Já Sabe Que Eu Te Amo”
(Nyron Higor / Bruno Berle)
Nyron Higor – drums, bass, acoustic guitar, electric piano, synthesizers, vocals
Bruno Berle – piano, vocals
Batata Boy – piano
Jorik Bergman – score preparation and conducting
Klara Gronet – violin
Ségolène de Beaufond – violin
Cristina Ardelean Montelongo – viola
Ilektra Stevi – cello

A2 “Não Posso Viver Sem Você”
(Batata Boy / Bruno Berle)
Batata Boy – electric piano, organ, synthesizer
Bruno Berle – drums, bass, synthesizer, vocals
Jorik Bergman – score preparation and conducting
Klara Gronet – violin
Ségolène de Beaufond – violin
Cristina Ardelean Montelongo – viola
Ilektra Stevi – cello

A3 “A Noite de Estrelas”
(Nyron Higor / Bruno Berle)
Nyron Higor – synthesizers
Bruno Berle – bass, drums, vocals

A4 “Outra Noite”
(Bruno Berle)
Nyron Higor – drums
Bruno Berle – acoustic guitar, bass
Felipe Berle – congas
Lucca Francisco – guitar, vocals

B1 “Amor Inteiro”
(Bruno Berle)
Pedro Lacerda – drums, choir
Nyron Higor – bass, choir
Batata Boy – guitars, organ, electric piano, choir
Nina Maia – choir
Bruno Berle – guitars, acoustic guitar, congas, vocals

B2 “Ideias Mágicas”
(Batata Boy / Bruno Berle)
Heloisa Alvino – trombone
Batata Boy – synthesizers, beats, electric piano, organ, bass
Bruno Berle – synthesizer, vocals

B3 “Vim Dizer”
(Batata Boy / Bruno Berle)
Batata Boy – electric piano, organ, synthesizer
Thomas Stankiewicz – synthesizer
Nyron Higor – synthesizer
Bruno Berle – acoustic guitar, bass, vocals

B4 “Tô Assim”
(Bruno Berle)
Bruno Berle – acoustic guitars
Batata Boy – synthesizer
Nyron Higor – bass, synthesizer

B5 “Manhã”
(João Menezes / Marvin Silva)
Bruno Berle – acoustic guitar, vocals, congas, shaker
Batata Boy – piano, shaker, electric piano, vibraphone, synthesizers
Nyron Higor – drums, bass

B6 “Sem Fronteiras”
(Bruno Berle)
Filipe Mariz – guitar
Bruno Berle – acoustic guitar, vocals, bass
Jennifer Souza – vocals, acoustic guitar
Rudson França – drums

Credits:

Produced by Bruno Berle and Batata Boy
Mixed and mastered by Bruno Berle, Batata Boy and Felipe Berle

Audio engineering:
Nyron Higor (track 1 – production; track 4 with Felipe Berle)
Joe Osborne (tracks 7 and 9)
Victor Gelling (strings on tracks 1 and 2)
Filipe Mariz (track 10)

Photography: Claudio Virgínio
Design: Minchai

Recorded in:
Maceió, Alagoas, Brazil
Tamandaré, Pernambuco, Brazil
Belo Horizonte, Minas Gerais, Brazil
São Paulo, São Paulo, Brazil
London, England
Cologne, Germany

*Originally pressed in 2021 - this is a brand new master and cut.**

In partnership with Analogue Foundation, Oshu Records is proud to present the exclusive vinyl repress of "Laroyê" in a thick cardboard tip-on gatefold jacket on 2x 180g vinyl.

Acclaimed Hungarian, Berlin-based producer, composer and pianist Àbáse (AKA Szabolcs Bognár) returns, sharing a special, 5 anniversary remaster of his breakthrough project 'Laroyê'. Releasing on Friday 1 May via Bridge The Gap & Oshu Records, this sensitive exploration of Afro-Brazilian culture originally began as an audio diary, documenting Szabolcs’ travels and collaborations in Brazil through a collection of voice memos, fragmented beats, sketches and field recordings. As his journey progressed, and his collaborations and research deepened, the music project started to take on its own life:

"Laroyê evolved through weeks and months of research and collaborations into the album that it is now. That means that all the sessions were done in different apartments, small studios, often with borrowed equipment, which all adds to the character, but makes the creation of a coherent sound a challenge. Benjamin Tierney, Erik Breuer and Analogue Foundation did an incredible job with the mixes and with this new remaster. I truly believe that we are able to hear the tracks in a new light, with even more depth and clarity."

Coming from the West African Yoruban language, Àbáse stands for "collaboration" – a key element of the music perfectly encapsulated on 'Laroyê'. Recorded in Rio de Janeiro and Salvador, Àbáse spent five months working with diverse artists, from young talents to veterans of the Brazilian scene including Letieres Leite, Luciane Dom, Dofono d'Omolu, Afrojazz and more. The album explores the rich heritage of afro-brasilian culture through samba, MPB and Candomblé, mixing these with broken beat, hip hop and afrobeat, creating a contemporary homage to the classic Brazilian sound. Szabolcs shares:

"Despite already leading and managing musical projects that are close to my hearth, I always felt that one day I would like to start a solo project, where I could take full responsibility for the artistic direction and the music would reflect a truly personal vision. In 2017, I decided to take five months to fulfil a childhood dream and travel to Brazil to expand my creative horizon and expose myself to new influences."

An album standout is the bass-heavy, afro-brazilian ‘Agangatolú, which Àbáse describes as "best exemplifying the story and concept of Laroye as a collaborative effort - a research project exploring the rich heritage of Afro Brazilian culture through my own lens." The track features singers and percussion players Jadson Xabla and Gabriel Santana - two artists based out of one of the oldest terreiros (houses of worship) in Bahia, whilst drummer Jorge Dubman is an integral part of one of the most famous afrobeat bands from Salvador IFA. The contributions of one of Szabolcsoldest collaborators - Hungarian flautist Fanni Zahar - also made the track a full-circle moment.

On a quest for cosmic grooves of unity, Àbáses music pulls from an eclectic blend of global reference points, including modal jazz, Hungarian folk, West African, Brazilian, hiphop and underground electronic music. His work has drawn widespread critical acclaim from the likes of MOJO, Songlines, Soulection and The Guardian, and been supported by key tastemakers including Gilles Peterson, Jamz Supernova and BAMBII. As a keyboard player, Szabolcs has also collaborated with the likes of Wayne Snow, Dele Sosimi, Patti Smith, Emmanuel Wilkins, Gulty Simpson and Zeitgeist Freedom Energy Exchange.

'Laroyê' (2026 Remaster) will release on Friday 1st May via Bridge The Gap & Oshu Records.

Shokolokobangoshay was a collaboration between three members of Pogo Ltd. The three of us felt we were crazier than the other members of Pogo Ltd. and decided to work together on the Kosmik 3 album. Robo was worked in the graphics department of NTA Benin. He was an amazing artist, a crazy guy, he was extremely creative, he invented a musical notation language that only he understood. He was amazing, he took me to his place in Asaba and showed me his compositions, he must have had over 500 songs.

Emman Osagie was my floor manager when I was a producer at NTA (Nigerian Television Authority) Benin. We were all on the same wavelength. He was a member of Severe 7, and heavily involved in the Bini music scene working with Ehi Duncan and others. we really enjoyed making Shokolobangoshay, it’s a river of influences, a bit of this, a bit of that, but it is really our thing. The musical ideas we were playing with at the time.

Emmanuel Ogosi. 3rd March 2026.

This record is why I went into reissuing records with Odion. The feeling to sharing records that went under the radar when they were initially released, with a greater audience. Shokolokobangoshay is uniquely Nigerian in a very personal way, it makes references to the societal and political ills that plague us in Africa. It’s title, Shokolokobangoshay, references a play song, kids in Lagos and western Nigerian sing when they play in the streets. Most Nigerians can relate. The music references afro beat, country music, reggae without falling firmly on any side. This is one for the ages. Amazing production, I personally love this record for the free spirit, creativity and excellent song selection. We had to licence it, we just had to. Limited repress only 500 copies.

It is also excellently produced. Big up to all involved, from the Vinyl Rip (James Law, Fidgit Studio, South Africa), to the master production by DJ Simbad (Cape Town, SA) and the cover restoration by Angelo Mitchell (SA). I am so happy to be doing it with the boys in the motherland. Peace and appreciation to all. Special dedication to Mother Tongue for creating a great pressing. Please file under Afro.
Blessings,

Temitope Kogbe, Odion Livingstone

12 Inch Lovers nothing but classix, straight from vinyl! Part 2 of two double vinyl-pack incl. Tensnake, Afro celt Sound System, Midnight Star, Robert Babicz, Gregor Salto, Lovebirds, and Codec & Flexor



After its foundation in 2012, 12 Inch Lovers have become a household name for vinyl lovers in Belgium. Their parties sell out time and time again and focus on an adult audience that loves house and club music from the mid 90s to the present. This in combination with unique locations and DJ's that only play vinyl generates a very dedicated and passionate audience that share one big love: vinyl.

“When forty, I was still wearing miniskirts, extravagant patterns, pink, fluorescent colours, star shaped earrings. I walked around with my leopardskin hat, my fluffy bag, my floral outfit, until the gaze of others made me feel like it was not age appropriate anymore. Although I am still the same person I was at 16. It's the others I see changing."
There's no better way to describe ageing than through the gap that arises and continues to grow between physical reality and the specular image of the self : one deteriorates over time, exposed to the cruel laws of gravity and oxydation, while the other never ages, remaining intact and unaltered… frozen in a moment of blissfulness. The more time goes by the more the gap becomes a separate entity (ou “world” pour etre plus prosaïque). It can become so painful that many try to escape it, using and abusing every trickery.
“Youth looks so good on you” is a sonic ballad which bizarrely explores the world that lies between reality and self-fantasy, a world where the aesthetic cult of youth becomes sovereign to the people.
This piece was produced in 2022 as part of the Festival « Les Heures Sauvages - Nef des Marges dans l'ombre des certitudes », at the Centre Wallonie-Bruxelles in Paris.
After "A Story of a Global Disease" in 2022, "Youth looks so good on you" is the second piece of music by Naomie Klaus released on moli del tro records.

Step back to the original 2013 release of Imprint of Pleasure by Tube & Berger, which held Beatport #1 longer than any other track that year and peaked as a Beatport Top 10 all-time seller. A record that defined a moment, it captured dance floors worldwide with its hypnotic vocal, rolling bassline and perfectly measured build. Balancing deep emotion with understated power, Imprint of Pleasure stands as a defining benchmark of modern house: timeless in its groove and effortless in its execution.

The aptly named "Momentum" is the label's first EP from Decoder, who recently released an album to wide acclaim on Planet X. Spread across 6 tracks, the EP is drenched in psychedelia as it effortlessly moves through different moods and aesthetics to take dancers through the night.

"Flowing" begins the EP with stripped-back percussion and moody atmospherics, transporting the listener into a trance. "Photon" takes a nostalgic trip back to the 90s, featuring a 909 workout that's heavily processed with intensifying effects.

"Strawbs" presents what might be the most captivating track of the EP, characterized by its rolling, hands-in-the-air vibe that persists throughout the song. To conclude the vinyl, "Dyslexic" is intricate and enigmatic in all thedelightful ways. Mallets intermittently appear and disappear as the 909 maintains a steady rhythm. "Dyslexics untie!"

Water Sign is the debut EP from producer and instrumentalist John Silas: a five-track suite that moves fluidly between peak-time dance and inward reflection. Deeply aligned with the open-eared ethos of NYC’s Love Injection Records, the release channels house and jazz into an emotive personal chronicle shaped by movement, memory, and community.

At its thematic center is “Boundaries,” a dynamically arranged dance-floor meditation that begins with piano, 4/4 kick and restless hi-hats before blooming into radiant synth work reminiscent of classic disco auteur Patrick Adams. Midway, the track shifts—electric piano, whistles and percussion reframing the groove into what Silas calls “hues of vulnerability.” The result mirrors the arc of love, release and renewal.“Cyber Dreams” leans into lush escapism, buoyed by surging keys and impassioned flute from Domenica Fossati, while a remix from Detroit mainstay Patrice Scott (Sistrum Records) adds unmistakable Motor City weight. “Foster Child” nods to Silas’ hero, the late Paul Johnson with exuberant Chicago spirit, and “Nasty” delivers a concise workout featuring Marquinn Mason’s robust saxophone.

Water Sign reflects Silas’s trajectory—from a childhood steeped in Soul Train, coming of age with hip hop, to MPC craftsmanship, his Detroit musical family and present-day Brooklyn—into a deeply personal record equally suited to discerning DJs and deep listeners.

Wind of Oirat is the full length debut by Mongolian independent musician and sound artist Ts Bayandalai. Following his acclaimed 2020 EP Kimel, he now presents a further matured, composed and refined version of his signature sound, which combines traditional Mongolian music and instruments with influences from experimental music and post-rock. Deeply rooted in the cultural traditions of his homeland, Ts Bayandalai, who grew up in a nomadic family in the Mongolian steppe, explores nature and its myths, his ancestral roots, and the relationship between humans, animals and nature.

Artist Bio:

Ts Bayandalai is a Mongolian independent musician and sound artist. His childhood on the steppes shaped a deep sensitivity to natural and ethnic sound. To create his individual, deeply rooted yet modern soundscape, he combines traditional Mongolian musical elements with post-rock, experimental and electronic music, as well as from outernational music influences.

Born into a nomadic family on the steppes, Ts Bayandalai grew up wandering the vast grasslands with shepherds, absorbing the resonances of the horse fiddle and guitar — experiences that remain a primordial source of inspiration in his work.

Founder of the avantgarde band Horse Radio (2012) and the experimental project December3AM (2015), his compositions navigate cultural memory and contemporary aesthetics, reconstructing pastoral landscapes, temporal layers, and emotional spaces through sound.

His EP Kimel, released in 2020, manifested a delicate sculpting of sound, space, and cultural motifs, presenting a listening experience that is at once primal and modern.

Ts Bayandalai’s performances span China, Mongolia, and major independent music venues and festivals across Asia. His artistic vitality and creative autonomy have earned him critical acclaim and a devoted following in the international folk music and experimental music communities.

Farfalla Records presents a reissue of Jungle Obsession by Nino Nardini & Roger Roger. On this LP, they present their own musical vision of The Jungle Book.

This official reissue of this classic library album comes as a 50th-anniversary edition on 180 grams vinyl with two bonus tracks. Jungle Obsession is one of the true masterpieces of Pop Exotica. Includes "Safari Park" and "Tropical" that have been sampled by Madlib and Danger Mouse.

Lello Di Franco aka L.D.F. leans fully into his curatorial instincts here, and the result is less a traditional “producer ep” and more a cohesive, late-night DJ narrative. World Beats Vol. 2 doesn’t try to grab you instantly it unfolds, patiently, like a deep set in a small, packed club where the focus is on groove rather than spectacle. The collaborations are the real backbone: Byron the Aquarius injects looseness and jazz DNA his touch is immediately recognizable in the swung rhythms and slightly off-grid keys. These moments feel alive, almost jam-session-like. Tilman brings polish and restraint. His contributions tend to be more hypnotic, smoothing transitions and keeping the flow meditative. Trinidadian Deep adds emotional weight his Afro-deep sensibility introduces warmth and a sense of space that elevates the project beyond pure club functionality. Fire Drums II close the ep, an electronic/percussive track with a tribal and hypnotic feel. It combines intense drum rhythms with dance and worldbeat sounds, creating an energetic and ritualistic atmosphere. World Beats Vol. 2 is a refined, deeply musical project aimed at listeners who value texture, groove, and atmosphere over instant hooks. It’s less about standout singles and more about immersion.

The eleventh release from label Early Morning, run by Guy J, presents a three-track EP totaling 22 minutes and 23 seconds, reinforcing his position as one of the most disciplined and forward-thinking figures on the global scene. Despite intercontinental recognition, Guy J continues to approach his work with restraint and focus, treating sound not as a finished achievement but as an ongoing exploration. His imagination remains a constant source of carefully developed ideas that resonate through a restrained yet expressive intensity.

The opening track, Piece of Cake, sets the tone with confident momentum, unfolding through a precisely balanced structure where hypnotic rhythm meets expansive spatial design. Selector expands the palette with a fierce bassline drive, textured atmospheres, random squeaks, and euphoric build-up, building on the opening piece and taking the vibe into psychedelic territory.

The release concludes with Against the Wall, a composed and decisive finale. Strong rhythmic foundations, paired with suggestive female narrative vocal samples, bring the record to a resolved and coherent close.

Originally released in 1999 on the Duet imprint, Robert Hood's "Sophisticcato" stands as a concise but potent example of his late-'90s minimal techno philosophy. Built around four tracks, including the title cut, "The First Night" and two versions of "Cobra Seed", the record features his signature approach with stripped-back drum patterns and hypnotic loops that prioritise rhythm over unnecessary embellishment.



Throughout the year M-Plant's Perpetual Masters series has been releasing one track per week from Robert Hood's extensive music archive, remastered by legendary German producer, Thomas Heckmann. Alongside those weekly digital transmissions are accompanying vinyl drops, so following April's "Psychic / Pole Position" 12" is the "Sophisticcato" EP in May.

The Naked Dance is MATISA's record label.

A platform built around the artists she believes in. Vinyl first. No shortcuts.

The label launches with four original tracks by MATISA - an opening statement that sets the tone for everything to come. Uncompromising, exploratory, and entirely her own.At its heart, The Naked Dance stands for freedom, stripping back expectation and letting music exist on its own terms. A home for singular voices and honest artistry.

Distributed by KMA60, connecting to a worldwide network of record shops, DJs, and listeners who still care deeply about how music reaches them.

Red Vinyl

Linea Aspera return with their second full-length LP, combining analogue production techniques with evocative emotional authenticity that ties themes of inherently human experience to cosmological concepts of physics and astronomy.

“Ed Spinning” is straight 90’s hip-hop beats, pressed on 7"vinyl.
This project hits like the old party mixes: heavy looping beats, vocals that stick in your head, edits made for DJs back when digital wasn’t a thing (shoutout AV8 series).

For these two new volumes, Ugly Mac Beer is on the boards. Two tracks per side: vocal on the A-side, full instrumental on the B-side, plus drum loops dropping right from the jump. Raw boom bap, lo-fi heat, the way it used to be — for the real heads.

Titles and visuals nod to the BMW E30 and spinning: endless loops, burnouts, tires smoking, just like the beats blazing on the turntables.

“The beat has to follow the movement, never the fashion.”