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The fledgling Supremus is back to roll out a second edition of the London-based Frenchman Giom's classics series with three more carefully chosen cuts that underline his club clout. His own remix of 'As Darkness Falls' returns with warming chords and bright keys over a rolling groove and Apple Rochez vocal that oozes r&b appeal. 'Summerized' resurfaces after years out of reach with a more tight, tense groove and diffuse synth work that washes over the mix. Closing track 'Play On' leans into warm days and outdoor dancing with a nu-disco vibe that's effortlessly lush and absorbing, so it will likely be big all over again this year, especially after a fine remaster for 2026.

Colombian-born, Buenos Aires-based DFRA is much loved by real house heads. Quite often, whatever he drops on wax sells out fast, and this one via People Of Earth is likely to follow suit. 'Dreamscape' opens with subtle synth swirls injecting joy into the deep, languid drums as muted chords bring the heat. 'Hold Home' is a comforting hug that locks you in the groove with nimble chords and smeared pads, and injections of aching soul vocals. 'The Free Spirit Of House Music' is a loopy number that taps into the sort of tracky-ness that Rick Wade has made a career of. Canadian legend Abacus steps up with a dreamy, zoned-out remix to close.

Hearts and Minds is a new vinyl-only label founded in 2025 by house-head Rich Carrick, named after his Northern UK club night of the same name (co-founded with DJ partner Rayees), and dedicated to showcasing the finest underground artists old and new who have influenced him over the past 30 years. First up is a hero of the scene who carries on his tradition of making 'sublime, sophisticated machine music' with something a little different, in the form of two deep chuggers that will sound equally as good on more discerning dance floors, or on home systems. Lead track 'Acid Cry' brings to mind the menacing, string-laden intensity of Underworld's 'Dark and Long', while the flip-side 'Feel That Vibration' is an uplifting euphonic workout reminiscent of a Spirit Catcher composition. The quality is, unsurprisingly, high, and there are more exciting releases planned for the near future. Definitely one to watch!

The amount of quality music Burnski has produced, A&Red and released in recent years is off the charts. His labels are some of the most played in the underground right now, but that hasn't stopped him from starting another one here with Silhouette. Mundy is a new name to us, but has some serious chops on display here with six stylish cuts that explore the intersection of garage, tech and minimal. The synths are silky and the vocal samples are expertly placed to give each groove real character. 'Real Love' is deep and r&b tinged, 'Find You' has a dark low end and 'The Middle' is all about the filthy bass. Pure heaters.

DiscoGram rolls out another tasteful EP on their own self-title label and it's all about global disco with a Brazilian touch. 'Amigo' marries lush strings and loose percussion with call and reposes vocals and MPB vocals in Portuguese that lend a natural flair. 'Disco Samba' picks up the energy and is just that - a clap-laced and speedy groove with elegant strings and expressive vocals. 'Do Grito' means more into funk with its low slung grooves but is packed with vocals, chanting, steel drum hits and horns for a fully vivacious sound. 'Queixume' with a little more light and feathery female spirit, sunny vocals and jazzy horns. Tasty stuff.

DC10 remains one of the most authentic clubbing experiences on the White Isle. It has different golden eras depending on your age, but for minimal lovers, that was 15 years ago, when you would get the likes of Romanina outfit a:rpia:r doing a cult b4b with Ricardo Villalobos. That's the vibe these new edits are going for from the Sorry We Play Vinyl label. 'EDIT4' is all wonky rhythms and twisted synthetic sounds and rising sine waves with chopped vocal fragments. 'EDIT5' is dubby house scattered with congas and 'EDIT6' is a more light and soulful sound for the early morning session with funky guitar twangs and skeletal rhythms locking you in for the duration.

DJ support from Charlie Bones, Phil Mison, Balearic Social, Moe, J-Walk, Phat Phil Cooper, Trujillo & Simon Caldwell

Born a Dance in a Berlin basement in 2016. MANY HANDS have been dishing out soul-derived genre-fluid selections via their Podcast since 2019, now launch the MANY HANDS imprint. This package of Special Exclusive DJ versions, reflects the wide-angle music ethos that goes down in a MANY HANDS session. Inspired by those utility discs that don't leave the bag, for Dancers, Dark rooms, and Heavy sound systems. Unitaaay baby!

Ed Nine hails from the birthplace of house and brings plenty of Windy City magic to this EP on Spanish label MATE. It's deliciously emotive tackle drenched in meaningful pads and, in the case of opener 'Feel It In Your Soul', an aching vocal sample that really sets it alight as the organic drums jack down low. 'Free Acid' is a stomping workout with prickly 303 lines defining the peak time vibe, then 'Out Of Line' cuts back into a more sunny sound with synths rising up through the mix and bringing joy. Closer 'The Drum Tool 3' is just that - a raw jam to help you get the floor locked in while moving through the gears.

This all French affairs finds the eponymous Politics Of Dancing label head hook up with deep house head Djebali for a quartet of kicking minimal tech sounds. The swirling, circular bass of 'The Moment' soon gets your fists pumping, then 'Question' is a little more loose and wobbly - the fleshy bass and snappy snares contrasting one another nicely. On the flip, 'Ball Lightning' starts off with ascending synth lines and urgency in the grooves that will ensure plenty of locked-in dancers with withering sci-fi motifs adding a little cosmic escapism. The closer 'Whip' is the most fun sound - characterful synths and drums that duck and dive make for fresh house with a relentless groove.

Two seriously high-grade legends come together to mark the 30th anniversary of the cultured Seasons Limited imprint here: Don Carlos is behind one of Balearic house music's most enduring anthems in 'Alone' and Robert Owens has been voicing the genre since the 80s with his signature smoky tones. Here they cook up 'Inspired' in three different forms - there's a deep and soulful House Mix with an electric delivery from Owens, then a chord-laced and warm Classic Mix with a throwback Chicago bassline and finally a Dub Mix that strips everything back to a more breezy late-night sound that sinks you into the groove perfectly.

Silhouette is a brand new label from Burnski, who is surely the hardest working man in the underground right now. His thirst for sounds that traverse the garage, tech, dub and minimal spectrum seems to be utterly insatiable. For the second release on his latest outlet, he enlists Budapest-based house-head Vitus. In return, he drops five tunes that will work the floor with muscular grooves but bring the fun with great samples. There's raw filth on 'Got Your Head Nod', choppy, jazzy loops on 'Mind State,' a more heads down minimal sound on 'Take Me (To The Floor)' and bubbly energy on the well swung closer 'House Is (Never) Boring'. A charming EP full of club utility.

This is the very first and only single artist EP from Tone DropOut. This EP is the work of TDO co -owner DAWL. DAWL has put together four big dance floor electro bangers , that we felt should not be separated.

Each track shows off DAWL's skill, knowledge and love of electro, anyone who loves new and old school electro will love this. We have the big bass lines, the beautiful big deep synths and pads, bleeps and buzzes and that classic electro beat, and topped off with some cheeky sampled voices.

The title Track -Total Annihilation kicks off with its strong electro breakbeat and popping bleeps, going in and out, then comes the big fuzzy bassline and cinematic strings swooping through the track moving all the time, will get any dance floor going.

Track 2 infiltrator has those great claps over the electro beat before we get the busy bassline and the bleeps and buzzes and that driving synth, constantly moving .

Track 3 is Kaotik and that exactly what it is with its wobbly bleeps and whistles and pumped actioned bobbly bassline true electro.

Track 4 the final track on EP as strong as the others with its basslines and bleeps and strings and synths caps off this EP nicely.

Another Tone DropOut four track banger, all tracks ready for the dancefloor.

Based in Rennes and founder of the Vives label in 2020, Weever has been exploring the interplay of light and shadow for over 10 years, crafting abstract soundscapes and textured sonic tunnels of unparalleled musical breadth. He elegantly blends industrial and baroque sounds to construct sonic cathedrals. His music is both utterly raw and meticulously crafted.

L’âge de la Galère :

started this EP in 2020. At the time, I had just finished my studies, it was a pretty difficult period and I had made a track, or rather a melody, that I thought was amazing. I held onto it all these years without ever releasing it. 2020 was a tough year overall. The big question was: What am I going to do with my life? Hence the title L’âge de la Galère

The title really started to make sense when I began putting tracks together for Micheal. Around that time, I was reading Those of 1914 by Maurice Genevoix. For those who don’t know it: it’s written as a journal and tells the story of the author and his fellow soldiers in the trenches during World War I.

I’ve always been passionate about the two World Wars, I watch every film, old and new, I listen to the soundtracks, and so on. Same with period films, especially medieval ones. I love drawing inspiration from them.

So naturally, I imagine and create around that. It comes easily because it’s always been my universe. And when I make music, those kinds of images inevitably come out, even subconsciously.

So I created and told an audio story through my 6 tracks.

“It’s 1914. The story of many men who, upon hearing the sound of the bells, are met with the announcement of a war like no other. Most of them are young, some very young, and they are drafted into the French and German armies. They have no military experience, and the first battles are so violent that many won’t make it back. Very few will earn the glory they deserve.

The conditions are appalling, everything is in short supply, and the men are exhausted. Still, they must hold on.
Leaving carelessly from beneath their mothers’ skirts, too few returned. Many were left traumatized, and an entire generation was forever changed.”

Vohkinne is the alter-ego of Craig McWhinney, close associate and one of Southern Light’s foundation artists. The Way Of All Things is his first album in six years and provides a dystopian sonic journey into contemporary and modern techno that few artists can match.

Internal Collapse is an opening statement of intent; drone-infused and heavily cloaked dark ambient techno. Falling Knife is a chilling half step creation, providing a sense of murky sonics raining down from above. Unearthly Lights shifts gears as it traverses a more linear and magnetic path, while Disintegration diverts again with darker, squelching breaks.

C h r o m e s t h e s i a slows down the tempo but the morose and opaque feel of the album remains ever present, before War Paint is unleashed with a sense of urgency and high-octane intensity. Between Lives continues that intensity by unleashing its dark hypnotic breaks, before closing with the title track, perhaps for the first time on the album revealing a ray of hope amongst the dystopian energy that prevails on the album.

The Way Of All Things is more than a collection of tracks; it’s a look inside one artist’s view of the world, distilled into a singular and expansive archetype body of work.

Janeret present Orizon, With his new record label, Janeret opens the door to a world of unrestricted sound. A label that thrives on variety, mixing styles while providing a platform to artists who resonate with his vision. Orizon001, Mantrax EP is dedicated to the different spectrum of house music to a deep dive into atmospheric Drum & Bass. ,

2025 Repress

Quickly following March’s The Fool - our label debut - Sa Pa reveals his new album Ambeesh on Short Span.

Coming five years after In A Landscape, and nearly a decade since his debut Fuubutsushi, Ambeesh pulls together a previously hidden body of work.

Written between 2014-2019 and long held in reserve awaiting the right moment for release, the album has often been grouped conceptually as a follow up to his FORUM debut. There’s a strong through line connecting the unique language and liveliness of ambient, layered field recordings, and dub techno found in those earlier records, as well as the seamless skydive through pressure formations found in the Enter Sa Pa production mix, which hinted at several of these tracks.

These pieces have taken time to surface and fully catch the light, but there’s still little else that compares. It’s a cache of some of his deepest and most texturally thrilling music, some of which have been rattling around in our ears and minds and conversation for years and have now found the right home and time. Forward thinking and singular in its combination of atmosphere; Ambeesh can press on the body at the right volume, and moves in thrust and riposte with the listener’s circadian rhythms. Sa Pa continues to dissolve the border between club-informed experimentation and intimate headphone listening.

Ambeesh also marks the artist’s return to Australia and the beginning of a new phase.

Mastered by Miles. Digital release of Lexanconical mastered by CGB @ Dubplates & Mastering.

Art from The Designers Republic.

Celebrated Danish/UK bassist Jasper Høiby presents We Must Fight, an audacious new statement with his exploratory and collaborative band, Fellow Creatures. Reimagining the music of his renowned trio Phronesis, through the visionary arrangements of Alex Hitchcock, transforming his compositions into a dynamic, multi-layered collective experience. Blending Oud, brass, and intricate rhythmic interplay. We Must Fight is a bold, forward-thinking sound that cements Høiby’s reputation as one of contemporary music’s most fearless innovators, serves as a powerful reminder to stand up for what unitesus, using music as a tool for positive resistance and collective action. White vinyl.

Strut proudly presents the debut album from producer, songwriter and multiinstrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album. Momoko has long been one of the UK electronic and jazz scene’s best-kept secrets.

A self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Alabaster DePlume, Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi (her musical foil in An Alien Called Harmony). Extensive touring behind the drum kit, at the keys and in front of the mic have honed her compositional and production instincts. With Momoko, Gill emerges into the spotlight with an album that is entirely her own. Throughout, you can hear the stylistic flavours of jazz musicians as much as singer-songwriters, experimental artists and electronic producers. Though Gill rejects imitation, sculpting her sound through feel and expression rather than tradition. Based in London and having grown up in Japan and the US, Gill channels her breadth of perspective through her musical ideas and storytelling, with a unique voice developed through instinct, collaboration and solitary study.

The album’s eleven tracks take in a wide spectrum with the jazz-infused groove of ‘No Others’ and harmony-drenched, reflective ‘Heavy’ contrasting with the dark, confrontational sound of 'Shadowboxing' leading into an eerie left-field instrumental beat, ‘Test A Small Area' and the impressive 50-person choir on ‘When Palestine Is Free’ (which includes heavyweights Shabaka Hutchings, Soweto Kinch, Alabaster DePlume, Coby Sey, Marysia Osu and more). It is a deeply personal and poetic recording and showcases the full uncompromising range of Momoko’s vison, presented in her own voice. Momoko was produced by Momoko Gill, recorded at Total Refreshment Centre, mixed by Matthew Herbert and mastered by Alex Gordon at Abbey Road Studios.

Repress!

LTD Edition white vinyl version of RÜFÜS DU SOL's debut LP 'ATLAS' that hit Number 1 in Australia. The album was a testament to the band’s passion, work ethic and DIY approach to music, featuring the much loved singles 'Take Me' and 'Desert Night'.

A labour of love, the album was written, produced and recorded by the band between two studios they built themselves - one in a remote farmhouse on the NSW south coast, the second in a hollowed out water tank under one of their parents houses.

Wood White Sessions, the new sub label of Berlin based Sushitech Records dedicated to laid back, atmospheric dub presents its second release.
Roots For Your Soul, the new 12” album from Bristol’s Tubby Isiah, marks their second full length outing.
Featuring right stunning tracks, the record blends fresh material with carefully unearthed, previously unreleased archive sessions.
Together, these pieces form a heartfelt dub journey, rich with warm textures and unmistakable sonic character that define the Tubby Isiah’s sound.
Mastered at Wood White Studios and beautiful finished with artwork by in-house designer Scott Cottrell.