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ISOR29 with a six track mini-album titled ‘Moon Phase Gardening’. ISOR29 is a new project from Columbian musician Tomas Garcia Station and follows on from his highly regarded 2020 debut release under the ‘Irie Nation’ moniker.

The title ‘Moon Phase Gardening’ (also referred to as Gardening by the Moon or Planting by the Moon) draws upon the idea that the lunar cycle affects plant growth. Just as the Moon’s gravitational pull creates the tides of the oceans, it also creates more moisture in the soil, which encourages growth.

Evolving out of forced time off, individual confrontation and the love for someone close, ‘Moon Phase Gardening’ was recorded in the living room of an old flat in Lisbon during the first lockdown. Using only a microphone, computer, Korg MS20, hang drum and a field recorder, ISOR29 channels Tomas’ musical vocabulary via electronics to reflect an immersive and self-reflective story bound to a uniquely powerful time and space.

This Is With Artmann an Artist Straight From Netherlands, That House Puff Records Released His 25nd Ep. He Produced 4 Tracks With His Proper Style.

Always the Same recipe, Organic Drums, Deep Chords and Thundering Basslines Suited for Summer Sunsets and Dark Dance Floors Alike....

"After Outer Edges we were trying to find a new direction for Noisia. This resulted in an extensive journey that took us through a lot of new ideas and music.

Although we eventually decided to stop, we are proud of the things we made along the way, and these tunes were always meant to be part of a larger whole. So before we finally close the book on Noisia, we wanted to share them with you, on one last album. Previously released or newly finished, they all represent directions we enjoyed exploring.

In the end, we didn't manage to figure things out. But we did get closer." - Nik, Thijs, Martijn (Noisia)

Opening a new chapter for DNO Records, PLLFRY debuts on the label with five raucous halftime tracks that also feature collaborations with two vocalists – NST & Genoveva. The ‘Overexciting’ EP is built around iron-clad percussion and a healthy dose of mangled sonic futurism, but the dominating flavour throughout is big, bold, unadulterated bass.

As might be expected of tracks called ‘Demolition’ and ‘Collapse Of The System’, there’s plenty of damage being dealt; the former’s wrecking ball bassline spins violently as its supporting beats splinter and fall, while the latter’s destructive low-end hacks chunks from its itchy sci-fi soundscape like some psychotic sentient buzzsaw.

There’s room for nuance too, however. The title track is all about contrast, its rumbling bassline winding along like a colossal serpent, while hi-hats chitter, and Macedonian vocalist and producer Genoveva delivers a haunting, silvery vocal that’s cold and alluring in equal measure. And as if the undulating low-end and metallic melody of ‘Water Fire’ weren’t enough to make heads spin, the track features a vocal from South Russian up-and-comer NST that seems to slip and slide at will, pulling the track forward and always remaining just out of reach.

Bonus track ‘Old School’ nods to the golden age of hip-hop, taking a tough boom bap-style beat and scratch samples, but flipping it script with machine glitches and pellets of acid.

Like a collection of missives sent back from a hi-tek future, the ‘Overexciting’ EP serves as a reminder that DNO can’t be pigeonholed, and always stays one step ahead.

Rhythms of postmodern realism at the very bottom of the DNO.

Weldon Irvine was one of the finest American jazz pianist and composers of his generation. He released several classic albums man of which are now being reissued thanks to P-Vine, but not before being fully remastered for the occasion. Weldon and The Kats was one that he put out on his own label Nodlew Records after releasing some albums through RCA and Strata-East. It is perfectly indicative of his style and has his early work 'Mr.P.C' on it, which was recorded in 1968 with Steve Grossman on tenor sax and sometime Miles Davies associate Lenny White on drums. This one has never been reissued before so snap it up before it goes again.

Savage Grounds is the synthpunk and minimal synth swiss project of LUX REC head Daniel Cosmo among Florin Büchel and the mesmerizing Kleio Thomaïdes (part of Bound by Endogamy as well). After nine previous releases, Separation Shock represents the last record by the trio before the temporary hiatus they have decided to start. You could expect the classical, raw, and minimalistic sound that defines one of the best acts in the genre coming from central Europe. Pure analog synth madness with the always-evoking and hypnotic vocals of Kleio. A must-have for any minimal wave collector. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid SILVER GREY vinyl. All tracks have been specially mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Kicking off our new Toolroom Trax vinyl series which celebrates the best releases from Toolroom’s sister label is Italian super-duo Twolate with the incredible new single 'Baila'. A straight-up 4 to the floor club shaker, with powerful hard-hitting drums, deep punchy afro vocals with carnival whistles and percussion hits that will turn the dancefloor into a fiesta. Two dance heavyweights collide on our next offering; best-selling house artist CASSIMM and Chicago house royalty Gene Farris for their latest collaboration 'Party People'. With numerous #1 singles and remixes on Beatport and Traxsource, CASSIMM returns to Trax with his notorious sound of feel-good, high-energy house music, team that with Gene Farris as he effortlessly delivers another irresistible vocal hook. 'This is for my people, my party people'. James Haskell kicks things off on the b-side with 'Check It Out'. With numerous releases on D4 D4NCE, LoveJuice and of course Toolroom, James Haskell is fast gaining support from the scenes top tastemakers including Bob Sinclar, Leftwing : Kody, David Guetta, Tita Lau and Dombresky to name a few. Gracing club hotspots around the world, James Haskell is set to top the charts with his Tech House and Big Room sound. Closing out the Sampler is Toolroom Trax A&R and Music Curator Danny Rhys with his percussive tech house weapon 'Sibali'. Following on from his 2021 Traxsource number #1 single 'Damn Good', in collaboration with house vocalist legend Mr. V. With releases on respectable labels such as Farris Wheel Recordings, Flashmob, HouseU and There Was Jack, Danny Rhys boasts high, feel-good energy, bumpy basslines, rolling percussion and infectious vocals that has since gained respect from AAA talents such as Gorgon City, TCTS, Kryder and of course Mark Knight.

DJ Support from Danny Howard, Annie Mac, Mistajam, Pete Tong, Charlie Hedges, Kraak & Smaak, Maxinne, Todd Terry, Alex Preston, Full Intention, GW Harrison, DJ Rae, Rudimental, Alaia & Gallo, Illyus & Barrientos, Johan S, David Penn, Sam Divine, Riva Starr, Claptone, Nice7, Dario D’Attis, Mousse T, S-Man, Huxley, KC Lights, Friend Within, Dombresky, Gorgon City, Chris Lake, Format:B, Pirupa, TCTS, Alan Fitzpatrick, Low Steppa, Mat.Joe, Raumakustik, Eskuche

Making a remarkable step onto the CEP booth, Blame The Mono introduces their debut with a magnetic collection of two game changing original tracks. This release not only displays the duo's creative capabilities but also features melting remixes from Hermeth and the label head riko.

The release kicks off with the 'Kneebreaker Mix', showcasing a top-tier interplay of reese bass. The pushing bassline and dynamic vocals provide the track with its living strength. In addition to the effects, the midsection break-beat mirrors the timeless sound of Blame The Mono, showering the listener with unmistakable recognition value. Coming up next is likely the standout piece from the release. The 'Industrial Mix' manifests as a 117 BPM break, highlighting an remarkable synergy of hitting kicks, spicy drums, and leading vocals. This track radiates a rock and metal-inspired vibe, making it truly one-of-a-kind. Opening the B-Side is riko’s trance-infused remix, featuring consistent vocal shots from the original and a galloping bassline. In addition to the dub chords, the monotonous melody assumes control during the significant break in the middle, contributing a hypnotic quality to the track. Wrapping up the release, Hermeth introduces a techno-infused remix, characterized by powerful classic chords and a driving bass that sets the tone on the dancefloor. The original vocal and lead elements illuminate the track, firing it up with a distinctive flavor.

'London Accent' by Blame The Mono drops via CEP Records on 15th January 2024.

Originally released in Canada in 2006, and worldwide by 2007, Patrick Watson's breakthrough album has sold over 100,000 copies. Winner of Canada's Polaris Prize in 2007, it has received critical praise across the globe and continues to sell as the band's profile increases. Features the single The Great Escape.' A six-panel digipak with accordion foldout, the album is now available via original label Secret City Records.

Deluxe gatefold 2LP edition with bonus track Interference From the Sky'. MP3 download included.

There was always something sexy about Purgatory. No one wants to hang out in Hell, but was Heaven ever really that appealing either How does that Talking Head song go Heaven is a place where nothing ever happens...' Close to Paradise is one of those rare gems of an album that can stand as a gateway to wherever you want it to take you.

Our newest Savor EP comes from Alexis Cabrera. Who shows us on this record his unique skills, sonic brilliance and versatility. This one is composed of 4 tracks with each one showing different musical colours and Alexis' wide palette.

A1: Funkhouser
A funky, playful, and classy track that sets the tone for the EP. Funkhouser combines groovy beats with infectious melodies, creating an irresistible dancefloor experience.

A2: The Next Tomorrow
Prepare for a trippy, eerie, and hypnotic journey with The Next Tomorrow. Alexis Cabrera explores otherworldly soundscapes, delivering a unique sonic experience that captivates the listener from start to finish.

B1: Guitars on The 5th Cloud
Embark on an epic musical journey with Guitars on The 5th Cloud. Delightful guitars take center stage, weaving a sonic tapestry that transcends genres. This track is a testament to Cabrera's skill in crafting immersive and emotive compositions.

B2: Don't Give Yourself Away
Closing the records with finesse, Don't Give Yourself Away is a breaky, hypnotic number. Alexis Cabrera showcases his versatility by blending atmospheric elements with a captivating rhythm, leaving the listener with a lingering sense of euphoria.

Guava is the moniker for Bradley Hutchings, a British producer, composer, multi-instrument performer and DJ based in Berlin. Following up on a string of celebrated club-centric releases, Guava is now set to unveil his first solo album “Out Of Nowhere” in October 2023.

This confident and carefully crafted debut stands as the culmination of a colourful journey kickstarted age 17 years old. From early days in cover bands to European tours as a session musician supporting Men I Trust, Band of Horses or Nathaniel Rateliff, Bradley went on to perform on stage at the legendary Hammersmith Apollo, Abbey Road’s Studio 2 and BBC Maida Vale, as well as in many prestigious festivals such as Green Man, Latitude and more.

In parallel, and while still collaborating with songwriters, Bradley embraced electronic and dance music, finding in those modern and cutting-edge sounds a form of escape-ism as well as a sense of community that fed his creative practice in a whole new way. While refining his sound and enriching his production skills, Guava became a regular behind the DJ decks in parties in both London and Berlin and performed in Corsica Studios, :// about blank or Berlin’s hottest ambient café kwia.

The last few years, have seen him release several well received club records on revered underground labels such as Martyn’s 3024 imprint, Bradley Zero’s Rhythm Section and Control Freak Recordings amongst others.

The time has now come for Guava to synthesize years of teachings and crafting in both live performances and electronic production, all brought together in a deeply personal debut, released through his brand new imprint Guava Noise, a home for his own musical explorations. Enriched with several collaborations and informed by his experiences as a songwriter, this confident and explorative debut sees Bradley Hutchings embrace new directions, gracefully blending the best in UK underground club sounds with an electronica feel.

'Primavera Cabriolet,' the inaugural album by the talented Italian artist, Fibonnacci, presented by LOT Records.
Prepare to be swept away by a quartet of mesmerizing tracks that intricately weave together a tapestry of rich, minimal sounds and atmospheric layers, reflecting the diverse influences that have shaped Fibonnacci's music.

This captivating release is a fusion of classic rominimal house beats with industrial undertones, adorned with resounding noises, expansive pads, and uplifting chords. 'Primavera' paints a sonic canvas that encapsulates the vibrant spirit of summer, tailor-made for those euphoric after-party moments.

Anticipate enthralling rhythms, immersive soundscapes, and innovative musical crescendos across each unique composition.
Step into the journey with 'Panorama 1986,' the album's opening masterpiece. It's a powerhouse track that boasts a compelling bassline, enigmatic pads, and hints of hip-hop vocals, setting the stage for an electrifying sonic adventure.

Next, 'il Viaggiatore,' the second track, emerges as a dancefloor anthem. Its pulsating bassline, driving beats, and harmonious fusion of vocals with retro piano and pads form an irresistible groove, perfectly suited for peak-time revelry or after-party indulgence. 'Hôtel Casablanca' exudes a delightful, feel-good aura. A delightful blend of industrial elements, crisp rominimal beats, and a deep, melodious tune creates an irresistible fusion that is sure to set feet in motion and spread smiles. This track has already earned high praise and is a must-listen for all.

Rounding off the album with finesse, 'Discoteca Paradiso' delivers an iconic rominimal experience. With classic kicks, hats, and industrial nuances, combined with nostalgic pads and vocals, it invokes the essence of the end of the night or the dawn of a new adventure embracing diverse perspectives within the dance music realm.

Fibonnacci's 'Primavera Cabriolet' promises a spellbinding and deeply immersive experience. Let this musical expedition captivate your senses and transport you.

There’s something to be said for getting noticed, for standing out from the crowd. West London’s T.Williams is one of those people, having accomplished a full sweep of merited recognition over the years. Emerging onto the house scene in 2010, T.Williams instantly marked himself as a breakthrough artist with a difference; his unique take on house music turning heads.

Far from a newcomer, his path as a musical artist started in the grime scene as Dread.D. Signed at the tender age of 17 with grime anthem Invasion on Jon E Cash’s Black Ops label, Williams went on to have mass success in the grime and bass world selling thousands of singles worldwide. After a five-year reign, Williams found himself veering towards the world of house music. With a new found love for the sound and its sub-genres, T.Williams forged a signature sound influenced by his grime days, jungle, and garage. With a style that undoubtedly impacts, T.Williams’ crossover has been the catalyst for his success. Not only rife with groove and feeling but meticulously produced and engineered with deep rumbling basslines, the unapologetic bounce of grime and smooth vocals that bleed through African infused percussion work.

While in 2010 the industry took note when hit record ‘Heartbeat’ featuring vocalist Terri Walker made an impression, it was throughout 2011 that T.Williams defined himself - releasing solo works on his imprint Local Action and Pattern with remixes for Maya Jane Coles, Ben Westbeech and Skream. Not stopping at pricking the ears of fellow artists and those on the dancefloor, the end of 2011 saw Williams nominated for ‘Best Breakthrough DJ’ by DJ Mag, ‘DJ Stars of 2012’ by Time Out and featured in The Guardian.

Two relationships came to the forefront in 2012 that propelled Williams to greater heights. The first was his weekly show on legendary London station, Rinse FM and the second, Williams’ relationship with label PMR through his remix of Javeon McCarthy’s ‘Lost Time’. The remix was named Record of the Week by BBC Radio 1 and supported by tastemakers Annie Mac and Fearne Cotton. From here T. signed to the label exclusively releasing his debut EP for the label in September 2012, and in the process receiving further support from BBC Radio 1. Further remixes of Mikky Ekko, Wretch 32 and Lianne La Havas followed suit, as well as his biggest to date - Disclosure’s ‘Latch’. Powering dancefloors across the globe, T. went on to play three US tours, numerous festival stages, and deliver a second EP on PMR titled ‘Feelings Within’. The EP once again spanned a number of bases, from club bangers to heartfelt vocal driven tracks alike. Gaining his own monthly residency show with BBC Radio 1, 2013 ended with T. having played over 100 shows across four continents.

2017 marked the launch and release of the first collaborative EP with UK producer Julio Bashmore, via their joint independent Conch Records, a label aiming to push out more underground cross-genre music with heavy rotation from the likes of Moxie and Shy One. With an ever-expanding global tour schedule and further solo releases on the legendary NYC house label Strictly Rhythm turning heads, T.’s upward trajectory has never showed signs of slowing down. Selected to soundtrack the social media campaign for boxer Anthony Joshua in 2019 and now using his technical prowess as a musician to educate the next generation of rising stars at London’s respected Point Blank Music School has cemented his status as one of the UK music scene’s key players.

Here is the second release on Silvi, "Aya EP" by Head Honcho Roy Brizman. This time, he presents three of his productions, skillfully blending emotion and rhythm.

Opening the EP is 'Aya,' the title track, which has resonated deeply in the clubbing scene over the past year. It serves as a personal homage to Roy's wife, Aya, and is sure to evoke a whirlwind of emotions with every play.

Following that, we have 'That Blissful Morning' on B1. This track takes you on an introspective sonic journey, pushing beyond conventional boundaries. A euphoric wave strikes at the heart, ushering in a profound sense of bliss.

Rounding out the trio is 'Control' on B2, a must-have in the arsenal of every serious selector. It's the kind of tune that seamlessly fits into any set, making transitions both smooth and impactful.

SILVI002, Aya EP, stands out as a diverse and engaging offering in the electronic landscape, appealing to both avid followers of Roy Brizman and those new to his sound. It's an EP poised to make a mark and leave a lasting impression, as Roy continues to build on his renowned reputation.

Dive into the groundbreaking soundscape of Byron the Aquarius, where innovation meets house music in a mesmerizing fusion. Phonogramme is proud to present "Dey Know Vol.1," a groundbreaking EP showcased on a Transparent Red Splattered Vinyl. Renowned for his avant-garde approach in the house music genre, Byron curates an EP that pushes the boundaries of house music. From the infectious beats of "Black Is Black" with the collaboration of Brandon Banks on "Dr. Devil," each track is a testament to Byron's unique artistic vision. "Real MF From The Avenue" and "Rock That 808!!!" featuring Jordan GCZ further amplify the EP's genre-defying brilliance. The see-through red splatter on this special vinyl screams Byron's style, making "Dey Know Vol.1" more than just an EP – it's a vibe. Brace for it: "Dey Know Vol.2" drops next year.

“Pulses and Resonances” is Rene Lorenzo’s debut album on Subtempo. This album represents a culmination of more than 20 years of electronic music exposure as a DJ and a clear point of view. We can hear influences of broken beat, techno, drum & bass, all through the unique lens that Rene brings to the table, deeply steeped in ambient, deep techno and downtempo. Even though this isn’t a dance record, it’s filled with energy and drive. It is an out-of-the-ordinary album, with intricate shifts and turns with well-crafted kick drums, round bass lines and enveloping subs. A record filled with warm sounds, head-nodding rhythms, and rich textured spaces. It’s all woven into an easy-listening experience, without demanding the listener’s full attention, but creating a landscape that is unique and varied throughout. We can hear references to artists like Boards of Canada, Jan Jenilek, Synkro and the like.

“In this record, every track has a different pulse or rhythm, and I use different resonators in the sound design process to achieve these tones. I started by leaving the space open with the ambient pads and hardly any rhythm, and I’d let myself be carried away by my sense of rhythm slowly building the compositions. I am obsessive with audio processing and I almost never leave a sound in its initial form. I like to add some subtle effect that sounds like something different and give new sounds to the elements I use.”

“Pulses and Resonances” is out via Subtempo on vinyl and digital on February 2nd.

black.round.twelve is expanding its world and creating a new series focused on releasing long cuts of music spread over an entire record, appropriately named E X T E N D E D. Berlin-based Polish artist Maki Polne opens the project with two intensely hypnotic minimal tracks brimming with detail and production value.

Highly influenced by Berlin, CdV-rooted Maki Polne‘s acute love for quality sound is evident in “Don Joy´s Magic Sunday”, as both ‘Magic’ (A) and ‘Sunday’ (B) sound clear as crystal, with a frequency spectrum that’s both wide and colourful. With a strong focus on psychedelic sounds, ‘Magic’ is built around a breaky, half-time beat filled with slightly shuffled drums. A collage of warped textures, vocal snippets, synths and quirky bass stabs fill the remaining space with class, making it easy to imagine the cinematic soundscape working its on any bold dancefloor. ‘Sunday’, on the other side, is a more functional, 4-to-the-floor bass-heavy roller full of bright colours. Echoed vocal loops and rising pads create a particular vibe that would sound totally at home on a Sunday morning at CdV. Extended tracks for extended mornings, no doubt.