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Ukranian artist Azotti delivers four tracks from his catalogue on 140g single 12 inch vinyl release courtesy of Blackhole Recordings. These are full length versions.

Due to the current situation in the Ukraine, both The Record Republic and Blackhole Records will be donating their shares of the profits directly to Azotti so he can purchase essential items and directly help those that are in the most need.

yet is a slippery word in English. Amorphous, these three letters in dierent contexts can define contrast or emphasis, set a place in time, show an expectation that something will occur or, paradoxically, that it is likely to stop.
It is this mercurial nature that makes yet the perfect title for Tresor’s latest compilation: the label follows on from the more explorative sections of 2021’s landmark Tresor 30 boxed set with a compilation, featuring 13 artists making music that resists easy definition.
Every track hints at and borrows from the familiar yet none follow the expected path: halfway through Deserto, Nandele & A-Tweed dramatically reveal a very dierent sonic landscape that was initially suggested; DJ Sotofett collaborates with Sri Lankan artist Kavadi with results that are unlike anything in the Norwegian producer’s catalogue as yet.
Further invention can be found as Jean Redondo’s Hypersonic moves across spaces inhabited by digital hardcore and hyperpop before swerving o-road and into a futuristic hip-hop section; on No Longer Human, Ireen Amnes takes a dierent path at the crossroads melding hyperpop, trance, and sci-fi soundtrack atmospherics, Significant Other heads towards UK Bass and Dubstep, and France’s Willis Anne skims by the outskirts of footwork with a piece that is almost completely uncategorisable.
Yet more sonic experimentation comes from E-Saggila, Nadia Struiwigh, NVST, Solid Blake, and Viikatory who oer unique takes on the well-established electro blueprint, while Ryan James Ford, and Nit. both find ways to blend elements normally found in ambient pieces with those heard on a dancefloor.
The feel of the compilation is yet again reflected in the enigmatic artwork by Malik Arbab, where shapes and colours suggest animals and plants but in a world that appears to be transient and constantly evolving.

Repress!

After the enormous support received in previous releases, we believe that the time has come to give our music a bit of color and this time we have opted for green, the color of our natural habitat ... "La Jungla de Andalucía"

Sekret Chadow surprises us again and shows us the most sentimental side of him with his "I Love You Mommy" We can already imagine what this artist would be thinking about when creating this beautiful musical composition, a true tribute to one of the most important people in our life, without a doubt a track created with a lot of love, loaded with arpeggiated melodies, vocals, basses. and powerful breaks that create perfect harmony. Close your eyes and let yourself be hypnotized by the magic of his music.

Baymont Bross joins our family and we could not start in a better way than presenting this beautiful version of one of his greatest hits throughout his career "Enjoy Yourself" Do you remember those infinite closings at Carpas Yerbabuena? Are you one of those who danced in Mangueta Beach until dawn? Surely you once danced to this track and now we can relive those wonderful moments with this vocal version created on the occasion of the 10th anniversary and extended for this occasion. Welcome to the monkey family.

Adam Vyt brings us his track "Don´t Give Up" a message of strength and encouragement for the times. A track with piano melodies followed by an elegant line of atmospheres and basses, vocals and a powerful base with airs of Uk Garage, a mixture of styles that already define this artist. This track was previously released in digital version by the "Distorsion Records" label, making it one of the best tracks in Beatport's Top100. Never give up...!!!!

Case82 is back with us and this time with another of his most powerful tracks "Pump This Party" and that's how it is ... the party's pump .... !!!
Once again this Dutch artist shows us that his strength is pure Old School, a mixture of powerful bases, vocals, stabs and wonderful melodies with violins and piano to which he is already accustomed. This is "Lost in The Jungle"

Repress!

Jamuse Records from Switzerland is honoured to announce its first vinyl release in collaboration with Denis Kaznacheev.

"It Can Be" is one unique long minimal house musical story full of surprising energy.
"It Can Be About A Drug" on side A is a wild ride, not only with a perfect blend of bass and treble but also with a warm variety in glitch, percussion, and drums. The good balance of the texture gives a very pleasant lead in Denis's vocals.
"Or It Can Be About A Woman" on side B delivers a deeper tone that remains very dynamic and groovy. Lows are clear and chords are free float which guides us in a real dream-like atmosphere. A light touch of madness concludes this incredible musical journey.

Thanks to Denis Kaznacheev’s talent, this release embellishes Minimal in general with rich and dynamic tenderness and it suits perfectly well to dance-floors, without losing its extraordinary musical sensitivity.

Castanea Records welcomes Nu Zau for its 12th release, accompanied by Dubtil on the remix duties.

"Night Shift EP" presents Nu Zau in top form, with total control over the groove and atmosphere of all three original tracks on display: the drums and bassline are driving, the pads are warm and expansive, and the bleeps and sampled cuts are as glitchy as they are bouncy.

A-side's 'No Thank You' and 'Over and Over' put basslines at the centre of attention, filling the space with a rolling groove where playful vocal sampling, warm pads, and deep atmospheres keep its structure dreamy and exciting. B-side's 'Night Shift' continues the playfulness introduced before and pushes its attention to a cinematic atmosphere under a panoply of funky synths. Dubtil completely changes the gears and offers an expertly produced remix that is as moody as it is dreamy, pushing the swing and hypnotic character of the original to a whole new dimension.

After six illustrious vinyl releases behind them, Forbidden Dance takes this one deeply close to home. As a rising house name from Croatia, Laseech signs this harmonic and creamy house release iced with stellar vocals by Desney Bailey and backed up by two of the house heavyweights – Dego and Patrice Scott.


A1 The title track “Hey Love” is packed with effortless deepness in and out topped with smooth Bailey’s vocals dancing elegantly over chords and strings. Dazzling tuneage that resembles airy summer jam at your favourite beach spot.
A2 Dego is a man with a thousand sounds. And all of them are rich and impressive. His disco-funk spin on “Hey Love” is ploughed with heavy synths and sharp drums that culminate with a lush keyboard frenzy in the end.


B1 Patrice Scott’s ability to infuse introspective soul into machine sound is second to none. “Hey Love” goes through melodic morphosis which Patrice delivers so smoothly and tinges it with floor-oriented moves.
B2 Bailey’s vocals are the soul carrier of this release and it shows pretty much on “You See”. Hazy and melancholic, the track slowly burns under her looped vocals. Stripped, heart-aching and beautifully dimmed.

Packed Rich's Warp Fields LP depicts the journey of an individual traveling through a field of energy that connects different locations in space. Through the course of this journey the individual experiences a metamorphosis through different stages of physical existence and spiritual consciousness in order to overcome the borders of space and time.

The question remains if the individual will still maintain the same sense of consciousness and distinction of self that originally made up its personality.

Tel-Aviv based duo, ‘Project Runaway’, return with a new release on LDN/LA based ‘All My Thoughts’.

The 4 track e.p opens with title track ‘Charly’, a mesmerizing hypnotic percussive bomb, with voodoo-like vocal mantras and trance flavours throughout.

‘J&S’ is up next, a minimal sunset/sunrise house track full of raw layers of sensitive percussion and bouncing rhythm.

The B side opens with ‘Export City’, a psychedelic percussive trip into the city that never sleeps.

‘Tunnels’, brings us to a close with a mysterious flow of melodies alongside PR's signature percussion, equally suited to both festival stages and sweaty basements.

Beautiful Zambian Jazz/Rock LP. Huge Tip!
Sharp-Flat Records presents the long-awaited restoration of The Broadway Quintet's cult classic Amalume – a hypnotic concoction of traditional Zambian sounds and jazz-rock grooves with a twist of 1970s African psychedelia.

Emerging to serve the entertainment needs of Zambia's United National Independence Party (UNIP) in the early 1960s, The Broadway Quintet gathered seasoned talent from Lusaka's best hotel bands to fashion its esteemed lineup. Starting as a quartet and later evolving into a quintet, the group's career spanned over twenty years as favourites on the cabaret circuit and boasted a myriad of prestigious collaborations.

The Broadway Quintet's jazz sensibilities set them apart from the rock sound that dominated the music landscape of the 1970s. Yet the formula behind Zamrock, fusing indigenous Zambian sounds with Western pop, shaped their one and only 1976 long-player. Featuring modern arrangements of traditional songs, Amalume blended congas with sax sounds, folk lyrics with electric keyboard shenanigans and show business staples with jazz guitar noodling. With its psychedelic fever dream illustrated cover, it was an explosive package of "originality and electrifying beauty" as the album's liner notes rightly attested.

Released on the Zambezi label, Amalume joined an exceptional run of mid-1970s offerings alongside WITCH, Ricky Banda and Crossbones. Officially licensed, carefully restored and beautifully reproduced, Zambia's most requested reissue has finally returned for everybody to enjoy.

fter 1 EP, 2 albums acclaimed by the national press and a marathon tour around the world, the French band Grand Blanc decided to take some time.

Time to recharge their batteries, time to rethink the band, time to strengthen their ties even more by isolating themselves for almost a year in a house in the Picardy countryside. It is this new place and the daily contemplation of nature that gave the band this new mutation.

A new album carried by a renewed instrumentation like harp, folk guitar, pedal-steel, electronic goldsmiths in the service of a dystopian tale, of a quest for colour in a world that has become pale. Here is the return of Grand Blanc, on new territories that they have patiently tamed, signed on their own label called PARAGES.

2023 Clear Vinyl Repress! nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack.Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work.Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's. The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb.Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depth-charged technoid closer. For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.

third ear is u.r.trax's third ever release and first full ep on Trip after her contribution to "all his decisions".

throughout the seven tracks she plays with vocals creating textures, sounds and melodies and above all a clear aesthetic.

"I feel like this release faithfully represents my musical identity. I see and hear my sound becoming clearer and that's very satisfying. If I try to define the overall vibe of the record, I would say that it is like a mood swing, from deep, dark and cold atmospheres to uplifting, higher, sometimes ethereal energies." - u.r.trax

Luke's Anger is someone we've wanted to release for a long time. He's an act whose playful production style has been wiggling our ears for nearly 20 years, through releases on Don't, Uglyfunk, Sneaker Social Club, Tigerbeat 6, his own Bonus Round, and many more. Wearing various influences on his sleeve - like Neil Landstrumm, Paul Johnson (RIP), Daniel Bell, DJ Hyperactive, Thomas Bangalter, Subhead, Jerome Hill - the "Rear Wiggle EP" is Luke's ode to bleep techno at its intersection with swinging '90s Chicago. But it's more than that too. Over 5 tracks he encompasses many elements that modern techno needs more of: shuffle, screaming riffs, phat pumping bass, FUNK, hypnotism, the list goes. No matter what your taste, there's likely to be a dancefloor detonator here to make your night a memorable one. Big release from Luke, which we're very excited to put out.