quête:the adventure

Genres
Tout
Marathon - Fading Image

Marathon

Fading Image

12inchVVNLLPE5029
V2 Records
11.04.2025
également disponible

SUNSET 180g Vinyl[28,15 €]


Marathon is an Amsterdam-based band rooted in the intensity of the underground scene and the post-punk revival. With a blend of punk, shoegaze, and indie, they create a sound where emotion and raw energy converge. Founded ten years ago, the band found its unique identity after finding its way through the vibrant Amsterdam music scene. Marathon’s music captures the anxieties of the 21st century with powerful drum lines by Lennart, gritty vocals by Kay, and deep basslines from Nina, enhanced by guitar and keyboard from Sofie and Victor. The result is an explosive “wall of sound” filled with post-punk, grunge, and noise, where the beauty and chaos of modern existence resonate. Despite a dark tone, they transform postmodern frustrations into moments of hope and reflection. Known for their intense live shows, Marathon has performed at festivals such as Best Kept Secret and Reeperbahn Festival. They have caught the attention of both national and international media, including 3voor12 and de Volkskrant. Their debut album, Fading Image, will be released in spring 2025, exploring themes of transience and resilience and unveiling a world where hope and despair meet. Recognized as an “artist to watch” by 3voor12, KINK, and de Volkskrant, Marathon is ready to continue their exploration of sound—a mysterious adventure calling to those willing to listen closely.

pré-commande11.04.2025

il devrait être publié sur 11.04.2025

28,15
Damian Lazarus - Magickal LP 3x12"

Audio alchemist Damian Lazarus continues to redefine the boundaries of electronic music with his fifth studio album, ‘Magickal’.

Renowned for his unparalleled ability to craft transformative sonic journeys, Damian Lazarus is a master of rhythm, melody, and vibration—a true pioneer among his generation’s visionary artists. Damian’s broad depth of experience encompasses a variety of disciplines: tastemaker, selector, label owner, A&R and a Grammy-nominated artist in his own right - each informed by his unique ear for sound. He is chief wizard of the hugely influential and culture-defining Crosstown Rebels label, a globally renowned DJ with a penchant for exotic outdoor locations and a highly regarded recording artist with four albums and a plethora of solo cuts, collaborations and remixes in his sprawling discography.

With his fifth album, ‘Magickal’, Damian steps into his next evolutionary phase, combining his newly found sobriety with a more mature outlook while still pushing boundaries and creating unforgettable moments. At the root of it all is the magical power of togetherness and human connection that only music can facilitate. Driven by this core ethos, Damian continues on his mission to share his heartfelt music, taking the dance floor into unexplored realms of experience, facilitating moments of transcendence, bliss and pure, unadulterated magic.

Damian Lazarus, the avant-garde architect of spiritually nourishing sounds, is joined by a stellar lineup of collaborators on his latest excursion. It’s imaginative and mystical, rhythmically captivating and daring in its own way, as is typical of Damian’s approach. Taking consideration of his past, the album references his previous work to create a tapestry of compositions that tap into the energy of key moments from his discography. Drawing on his existing catalogue creates cohesive through lines and thematically serves as a continuation of previous stories. November’s single, ‘Sunrise Generation’, for instance, works as a companion to ‘Vermillion’, which was recorded by Damian with his band The Ancient Moons and vocalist Moses Sumney back in 2015. ‘Sunrise Generation’, featuring the beautiful vocals of Fink, was Damian’s first major release since his Grammy-nominated 2021 collaboration ‘Don’t Be Afraid’ with Diplo and Jungle, and continues to take inspiration from global gatherings at solstice and those moments of collective awe at sunrise.

Indeed, the album’s themes of mental elevation and psychedelic sonic journeys are evident throughout. Damian channels this energy through tracks like the soulful ‘So Low’, featuring the incredible Zoe Kypri, and the luminous ‘Searchin’, with Jem Cooke, whose collaboration with Damian dates back to ‘Flourish’ (2020) and lead single ‘Into The Sun’. Uplifting is the operative word here, as Damian aims straight for our hearts and inner selves, stripping away the layers to take us on a trip inwards, and out into the ether all at once. There’s a clear nod to Damian’s appreciation of amapiano when he teams up with Ghanaian interdisciplinary healer Jojo Abot on ‘Warrior Dance’. Old friend and inspirer Mathew Jonson brings his virtuoso touch to ‘Are You Dreaming?’, while TEED and A-Trak form an awesome alliance for ‘Falling Down’ with its heartrending vocals. ‘Alive’ features the Bloom Twins, and also additional production from acclaimed producer Mark Ralph, who incidentally worked on Damian’s debut album ‘Smoke The Monster Out’ in 2009 and forms another throughline to the past. ‘Alive’ blends pop sensibilities and song structure with Damian’s inimitable sound - and could become one of Damian’s biggest moments to date. ‘La Hija De Juan Simon’ delves into the Latin energy synonymous with vibrancy and self-expression as Damian teams up with acclaimed Spanish flamenco-influenced duo Mëstiza. On a solo tip, he rolls out with the eight-minute-plus soulful funk flex ‘Why Don’t U’.

In a suitably aligned instance of serendipity, the arrival of ‘Magickal’ comes at a pivotal period in Damian’s life, just as it has been with previous album concepts. Albums made and released during big shifts in his life speak to the correlation between growth, personal evolution, creativity, catharsis and sharing that process musically. The last album ‘Flourish’, for instance, was recorded and released in the space of a few months during the first summer of the global pandemic. As a result, there’s a kind of vulnerability in the music, a subtle story that’s being told with emotional touchpoints that will be relevant to anyone listening. The universal human experience and spectrum of emotions are things almost everyone can relate to. With the enhanced clarity of his sobriety, Damian’s compositions embody the uplifting nature of simply being alive, connected and unified in our love for music and one another.

Day Zero, Damian’s iconic annual festival, is intrinsically linked to ‘Magickal’. It’s the setting for his imagination when producing the music, it’s the launchpad for each year’s kaleidoscopic adventures around the world, and this year’s edition will be the backdrop to the release of ‘Magickal’. As the pinnacle of Damian’s annual experiences, Day Zero marks a vital milestone for his artistry, an extension of his inner realm, carefully curated and created for his global family of lovers and dancers to revel in the awe-inspiring beauty of Mother Nature. Central to the ethos of Day Zero is its sustainability practices and deep consideration for the locality within which it is held. Connections with local elders embolden its depth, cultivating a strongly aligned purpose with the ritual, customs and energy of the land and its people.

‘Magickal’ will be released in the same week as Day Zero, tying the two projects together in a neat dovetail. 12 years since it started, Day Zero continues to play a significant role in the music Damian makes, curates and plays. For him, it’s the epitome of his vision: a stunning natural setting, the very best party people from around the world, an unparalleled lineup of friends and family, high production values, eco-centric policies and music from another dimension. With these interdimensional transmissions, Damian channels his inner alchemist, which, in turn, permeates into the vibrational framework of ‘Magickal’.

Never one to adhere to convention, Damian has opted for a disruptive album release. ‘Magickal’ is to be kept under wraps and then announced and released on Crosstown Rebels on 8th January 2025, bypassing the modern trend of prolonged single drops and ‘tombstone’ album releases. ‘Magickal’ is the embodiment of Damian and his intentional, against-the-grain approach and reinforces the album as a complete artistic statement, offering listeners the full cohesive experience from the very beginning. This is a return to the album as the pinnacle moment and not the afterthought. Singles, edits and remixes will follow the ‘Magickal album’ release, and, of course, there will be a world tour to promote the album (including Glastonbury and Coachella) and a chance to present the album in exciting, innovative and unique ways.

Forever dreaming, a sincere student of magic, new and old, social sorcerer, lover of nature and master of musical wizardry, Damian Lazarus is a potent force. With ‘Magickal’, he reaffirms his place as one of electronic music’s most influential figures, taking listeners on a profound journey into sound, spirit, and connection.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

40,76

Derniere entrée: 18 jours
Denzel Curry - King Of The Mischievous South Vol. 2

Denzel Curry's forthcoming King Of The Mischievous South Volume 2 finds him presenting a sequel to the project, and bringing back the sound, that helped launch his career. While the first installment of King Of The Mischievous South was performed from the perspective of his Raven Miyagi persona, a name bestowed upon him by Raider Klan founder SpaceGhostPurrp, Volume 2 finds Curry operating under his Big Ultra persona -- an elevated version of Raven Miyagi that is bragadocious and revels in the success that Curry has seen over the last decade of his career. Creating King Of The Mischievous South Volume 2 has been a goal of Curry's for some time, though his earliest attempts to do so ultimately morphed into other projects, namely his 2016 album Imperial and 2020's 13LOOD 1N + 13LOOD OUT. It wasn't until he stopped overly attempting to create Volume 2 that its songs started to emerge naturally. 

Given the project's sound, which pays homage to the great musical heritages of the South -- from Memphis to Houston and Curry's own South Florida -- its features include the region's greats, both old and new, as well as others whose style is indebted to the South's musical legacy. Features include fellow former Raider Klan member Key Nyata, Memphis stalwarts Juicy J and Project Pat, Texas' Maxo Kream, That Mexican OT and Mike Dimes, North Carolina’s TiaCorine, Atlanta's 2 Chainz and Kenny Mason and South Florida's Ski Mask The Slump God and PlayThatBoiZay, as well as ASAP Ferg and ASAP Rocky, among others. The project more broadly and the intentional inclusion of Rocky and Ferg is Curry's attempt to show what could have been had relationships not soured with SpaceGhostPurrp, fulfilling the promise that existed at the rise of their respective careers in the early 2010s.  

With all of the otherworldly adventures Denzel has taken listeners on over the course of his last few conceptually-driven albums, this project serves as a showcase for the fun, spontaneity and technical mastery that has made him one of rap's most in-demand talents over the course of the last decade. 

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

32,98

Last In: 12 months ago
CASSIUS - 1999 DJ TOOL LP 2x12"

Cassius

1999 DJ TOOL LP 2x12"

2x12inchBEC5614293
Because Music
04.04.2025

LINER NOTES BY BOOM BASS
A FIRST ALBUM AFTER SIGNING THE CONTRACT TO RELEASE OUR DEBUT ALBUM, WE WERE SUDDENLY INUNDATED WITH AN OVERWHELMING NUMBER OF TASKS.

TOWARD THE END OF THE 20TH CENTURY,MUSIC PRODUCTION WAS STILL A HEAVILY INDUSTRIAL PROCESS. FACTORIES MANUFACTURED CDS, VINYL RECORDS, AND EVEN AUDIO CASSETTES, WHICH WERE THEN SHIPPED BY TRUCK TO WAREHOUSES BELONGING TO VARIOUS FRENCH MAJOR LABELS. DEDICATED TEAMS BRAINSTOR-MED IDEAS, DEVISED STRATEGIES, AND ORCHESTRATED PLANS TO DISTRIBUTE THESE RECORDS TO SPECIALIZED STORES. AT THE TIME, RADIO, TELEVISION, AND THE PRESS HELD THE KEYS TO SUCCESS.

WITHOUT THEIR SUPPORT, REACHING THE GENERAL PUBLIC, OR EVEN A NICHEA UDIENCE, WAS NEARLY IMPOSSIBLE.OUR FIRST ALBUM AS CASSIUS, SLATED FOR RELEASE IN JANUARY 1999, SPARKED GENUINE EXCITEMENT WITHIN THE VIRGIN RECORDS TEAM. AS A FORMER ARTISTIC DIRECTOR, I KNEW THIS LEVEL OF ENTHUSIASM WAS RARE. FOR PHILIPPE AND ME, STEPPING INTO THE SPOTLIGHT WAS A COMPLETELY NEW EXPERIENCE.

AFTER YEARS OF WORKING BEHIND THE SCENES FOR OTHERS,FOCUSED AND IMMERSED IN THE STUDIO, WE WERE NOW AT THE FOREFRONT, ENTIRELY INCONTROL. THIS SHIFT BROUGHT A WHIRLWIND OF EMOTIONS: AMBITION FUELED OUR FEARS,AND CREATIVE CHAOS OFTEN BLURRED OUR JUDGMENT ABOUT WHEN TO STOP REFINING OURWORK.NAVIGATING DECISIONS AS A DUO, WE QUICKLY DISCOVERED THE COMPLEXITIES OF PARTNERSHIP AND PRODUCTION. WITHOUT MANAGEMENT, WHOSE CRITICAL ROLE IS OFTEN TO SHIELD ARTISTS FROM THEIR OWN TENDENCIES, WE OCCASIONALLY STRUGGLED TO MAKE THE RIGHT CHOICES.

YET, EXCITEMENT AND SHEER JOY ULTIMATELY PREVAILED, AND WE THREW OURSELVES WHOLE HEARTEDLY INTO THE ADVENTURE. AS POSITIVE FEEDBACK ROLLED IN FROM SUBSIDIARIES, MARKETING BUDGETS EXPANDED, AND THE ALBUM'S RELEASE STRATEGY SKYROCKETED TO NEW HEIGHTS.

DAFT PUNK'S GROUNDBREAKING ALBUM HOMEWORK HAD JUST OPENED THE DOOR FOR FRENCH ELECTRONIC MUSIC TO REACH GLOBAL AUDIENCES. FOR ARTISTS ROOTED IN DJ CULTURE,THIS WAS A TURNING POINT. FRENCH ACTS WERE FINALLY BEING INVITED TO PLAY AT BURGEONING FESTIVALS AND ICONIC CLUBS. THE BRITISH AUDIENCE WAS THE FIRST TO EMBRACE US, AND WEEKEND AFTER WEEKEND, WE TOURED THE UK.

INSPIRED BY THOSE NIGHTS BEHIND THE DECKS, WE SUGGESTED RELEASING A VINYL FEATURING EXTENDED VERSIONS OF TRACKS FROM 1999. DESIGNED AS A PROMOTIONAL DJ TOOL, IT CELEBRATED EXPANSIVE, LONG-FORM TRACKS REMINISCENT OF THE ONES WE LOVED TO PLAY, AN HOMAGE TO OUR EARLY EXPERIMENTS WITH NDLESS LOOPS, LIKE DINAPOLY FROM 1996.

THE VINYL WAS PRESSED IN AN EXTREMELY PROMO LIMITED SERIES, ECHOING OUR EARLY MAXI-SINGLES AND THE RARE RECORDS WE USED TO HUNT FOR AS COLLECTORS. FOR FANS, IT WAS A CHANCE TO OWN SOMETHING TRULY UNIQUE; FOR US, IT WAS A FINAL OPPORTUNITY TO RE-EXPLORE THEA LBUM'S MUSIC.PRODUCED IN THE STYLE OF LA FUNK MOB'S EP, WITH THE TWO OF US IN A RECORDING BOOTH SURROUNDED BY FLOPPY-DISK MACHINES AND TWO OR THREE SYNTHS, THE ALBUM'S SONGS WERE STRUCTURED AND MIXED DIRECTLY IN STEREO ON A DAT (DIGITAL AUDIO TAPE).

MOST TRACKS, ORIGINALLY VERY LONG, WERE EDITED INTO A COHERENT, HOUR-LONG LISTENING EXPERIENCE. THE DJ TOOL WAS ASSEMBLED FROM THOSE ORIGINAL MIXES, AS A FINAL, FREE WHEELING VARIATION OF OUR THREE WEEKS OF FUN IN THE STUDIO.HOLDING THAT VINYL TODAY BRINGS BACK VIVID MEMORIES OF THOSE EARLY TRAVELS, THE NIGHTCLUBS AT THE CUSP OF TRANSFORMATION, THE CROWDS GETTING YOUNGER AT NEW PARTIES, AND THE VINYL RECORDS THAT WERE JUST STARTING TO FADE FROM DJ BOOTHS.

I ALSO RECALL BEING 32 YEARS OLD, NAVIGATING THIS EVOLVING WORLD. NOW, AS I PREPARE FOR THE UPCOMING CASSIUS CLUB TOUR, I'M STRUCK BY HOW CLOSELY IT MIRRORS THE ERA OF THE DJ TOOL RELEASE. TWENTY-FIVE YEARS LATER, I FEEL INCREDIBLY FORTUNATE TO STILL BE DOING THIS.

IN THE STUDIO, PHILIPPE ONCE SHOUTED, "CASSIUS IN THE HOUSE !" INTO MY EAR. TODAY, I FEEL LIKE TELLING HIM, "I'M GOING BACK TO OUR ROOTS."BOOMBASS.

'199 DJ TOOL", 2025 UNRELEASED ALBUM BY CASSIUS FEATURING 8 EXCLUSIVE EXTENDED VERSIONS OF THE MOST ICONIC TRACKS FROM THE ALBUM 1999 AND THIS EXCLUSIVE SHORT STORY BY BOOMBASS.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

31,05

Last In: 12 months ago
Martin Glass - The Interstellar Music of Martin Glass

Martin had been a surprise choice for the commission.

It was the Spring of 1977 and two Interstellar Mariners were to be sent hurtling into deep space. Glass was to provide weekly "sonologues" of their progress, audio diarist for a pair of mute mechanical adventurers.

Delivered with a near fanatical diligence over the course of nearly three decades, these stuttering musical biographies would soon bewilder those who had first asked for them.

Martin's work, they judged, had begun to plot its own eccentric orbit, charting more than just the ships' material progress, but rather their imagined psychogeography ("What will they say about me?" "I will never conserve my instruments" "Nobody has gone further").

With his sonic dispatches increasingly ignored and unheard, all funding for the project swiftly fell to dust.

The very best of these scores, chosen from a vast compendium of source material, are now assembled here for the first time. Their muses, two arthritic spacecrafts now nearly half a century old, limp on through deep space, forever onwards and onwards forever...

pré-commande04.04.2025

il devrait être publié sur 04.04.2025

22,90
BAD COMPANY - Run With The Pack LP 2x12"
  • A1: Live For The Music
  • A2: Simple Man
  • A3: Honey Child
  • B1: Love Me Somebody
  • B2: Run With The Pack
  • C1: Silver, Blue & Gold
  • C2: Young Blood
  • D1: Do Right By Your Woman
  • D2: Sweet Lil' Sister
  • D3: Fade Away

Released in early 1976, the title track of Bad Company's third album Run With The Pack is, what one critic described as, "a male-bonding type of song" that frontman Paul Rodgers was inspired to write about the group's non-stop touring adventures.

"Run With The Pack" is notable for its string arrangement, which Rodgers said he had in mind from the outset. "I wrote that song on the piano, and when I played it to the guys they fell right in. In my head, strings were always part of the song."

The album was recorded in France using the Rolling Stones Mobile Truck in September 1975 with engineer Ron Nevison, and mixed in Los Angeles by Eddie Kramer.

The Run With The Pack album reached No. 5 on the Billboard 200 and No. 4 on the U.K. chart. It was also Bad Company's third consecutive platinum-selling album.

Rolling Stone, in its review, calls Run With The Pack Bad Company's third and best album, reiterating the raw, rowdy style of their debut, Bad Company.

Cut at 45 RPM, pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.

pré-commande31.03.2025

il devrait être publié sur 31.03.2025

94,92
DJ Sotofett - DJ Sotofett & the Colours Computer Generated Instruments LP 2x12"

The iconic DJ Sotofett comes with a real treat--a 12-track album on Clone West Coast Series that showcases a playful take on electronic music. Immerse yourself in the vibrant world of DJ Sotofett & The Colours of Computer Generated Instruments. With 12 electrifying electro tracks that blend a wide spectrum of rhythms with 80's Nintendo console vibes and holy grail analog vs digital synthesis, this album is a jubilant celebration of that sound. Prepare for an exhilarating journey filled with surprises, seamlessly transitioning from acid infected vibes and catchy electronic pop to groundbreaking avant-garde electro cuts. Each track intricately weaves together influences from over 40 years of electronic dance music, inviting listeners to explore the rich tapestry of genres that have shaped the landscape. As you delve deeper, you'll uncover the intricate layers and innovative production techniques that define Sotofett's distinctive style, transforming this album into more than just a collection of tracks -- it's a true sonic adventure that beckons you to listen, dance and dream.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

27,69

Last In: 10 months ago
ASC - Next Time You Fall  2x12"

Asc

Next Time You Fall 2x12"

2x12inchSPTLP005
Spatial
28.03.2025

SC returns with a full length LP showcasing his vast armoury of musical ability in a controlled, contemplative reflection of his inner self, laid bare in breaks-driven form for the enjoyment of Spatial fans new and old - continuing the ongoing celebration and evolution of classic atmospheric drum & bass.

A1 - Fear of the Deep

Curious, high twinkling bells cautiously introduce Fear of the Deep, reminiscent of classic sci-fi movies building atmosphere and intrigue, before the hi-hat heavy, snappy break previously used in Spatial classic Essence (also by ASC) makes a welcome return. The 2-step - occasionally broken - beat pattern drives the track along with a darkly, investigative energy, while a typically deep bassline rumbles beneath, setting the scene perfectly.

A2 - Concentric Circles

A change of pace for ASC here with Concentric Circles, exploring a jazzier spectrum of influences not often broached in his production adventures, with broken scattershot beats toying and playing around a wealth of reverberating brass samples to create a minimal yet quietly imposing undertone. Double bass props up the composition wonderfully, completing an exquisitely quirky entry to the LP.

B1 - Say It

Opening with rousing strings and quietly ominous effects, ASC utilises a unique fusion of melancholic atmospherics, jazzy basslines and a classic old-school breakbeat to form Say It. Dense, purposeful kicks stomp across the mix as the strings and synthwork wash in the foreground, developing a sombre, contemplative tone to the track throughout, before a wonderful outro ending with those delightful strings.

B2 - Virtual World

Filtered Hot Pants breaks gently ease their way to the forefront of a beautifully constructed intro to Virtual World, trademark crispness and intricacy etched onto the beats effortlessly, as we've come to expect from ASC. Delicately nuanced vocal samples combine with an intense concoction of synths and micro-melodies, dancing over the sharp breaks and a suitably earthy undertone bassline.

C1 - Eons

The classic, intense atmospherics continue with Eons, a spacey piece introduced by a memorable melody, tinged with purpose and allure. This melody continues through sci-fi computer FX reminiscent of early 720, and persistent backdrop synths as we are treated to a gentle flurry of perfectly edited amens leaping and falling over subtle, juddering basslines creating that elusive blend of both headphone and dancefloor appeal.

C2 - Timeslides

ASC flexes the timeless Hot Pants break again - crisply edited with a sharpness in the mix which is simply to die for - in Timeslides, a track which continues the brooding, introspective tone of the LP. Utilising a varied array of samples and effects which will transport you straight back to that unmistakable era of 90's atmospheric heaven with several nods to forefathers of this wonderful sound - just how we like it at Spatial.

D1 - Lightspeed

Take a moment to appreciate the bells tolling, glimmering and colliding during an enchanting intro, freely crafting layered melodies without a care as ASC presents us with an immensely memorable piece in Lightspeed. Long, elongated vocals drift and swirl through the airy soundscape, all punctuated by finely tuned and arranged Circles breaks, energetically deployed for the discerning breakbeat aficionado.

D2 - Nightvision

Intensity is dialled up to 11 in Nightvision, a deeply atmospheric track which showcases a perfect, symbiotic combination of melancholy, drama and raw energy. The lively breaks take center stage over a heavy, consistent 808 bassline with enveloping masses of atmospherics circling, gripping your attention, joined by dreamy vocal samples deployed subtly in an ever-changing tone to close the LP in style.

Words by Chris Hayes (Spatial / Red Mist)

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

26,85

Last In: 5 months ago
DJ MEHDI - Espion EP (LP)

Dj Mehdi

Espion EP (LP)

12inchBEC5615472
Because Music
28.03.2025

KEY POINTS

• Collector Crystal Clear LP deluxe packaged – the very First reissue of the cult 11 track EP – Street Album from year 2000 by DJ Mehdi collecting his Espionnage adventures

• “DJ MEHDI : Made in France” : an Arte 6 episode exclusive serie about DJ Mehdi from September 12th ! DJ Mehdi was the one building bridges between french hip hop and electro, and becoming a key composer,producer and DJ. He was a game changer in himself, helping both french rap & electro scenes to rise in the late 90’s & early 200’s . 13 years after DJ Mehdi’s sudden death, his long-time friend and Director Thibaut de Longeville imagined & directed the serie, with archives materials & exclusive interviews and words from big names from Rap & Electro about their collaborations & relationships with DJ Mehdi.

SHORT BIOG

“Rather than a compilation, this record is a summary of what Espionnage has done in the past two years, from the rap 12”s, the instrumental 12”s to the remixes I was given the opportunity to do. The members of The Espionnage Sound System, Yvan from Double Pact included (even if he only appears here on the interlude betweeen “Camille Groult Starr (rmx)” and “Si Tu Savais (rmx)”), have been essential to the label’s development as a whole. The Chronowax Distribution staff has been equally vital to a structure primarily dedicated to independent vinyl production. By the way, I have to thank Ulysse Genet who, on top of lending his name to a track title, suggested the name “Espionnage” instead of “Le Cirque Disques” (which was my initial idea) and drew the first logo. Many thanks to my team : Olivier Rosset, Charlotte Dutoit, Thibaut de Longeville, Alexander Wise, the 360 Creative & Marketing teams, as well as X2N, Tom Kan, DJ Gilb’R, Roulé, Crydamoure, Benoît Blue Boy and his daughters Ludella and Amadine ; who have all contributed on one level or another to what this record is. Of course I can’t forget my family: the Essadis, Faveris, Gassamas, Majira (and their many relations) as well as my other family, the 113 Clan and the whole African Mafia and most particularly my group, Idéal J, for the respect and freedom with which they’ve let me express the somewhat unusual ideas I had about all of this”.
Peace, DJ Mehdi, NYC, March 29th 2000.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

24,79

Last In: 12 months ago
Peter Brötzmann / John Edwards / Steve Noble / Jason Adasiewicz - The Quartet LP 2x12"

It is a huge honour to announce the publication of Peter Brotzmann’s final concerts on OTOROKU. When we invited Peter to do a residency at Cafe OTO back in February 2023 we had no idea these would be his last ever shows and he played with such power it would have been hard for anyone present to believe he would never play publicly again.

Recorded over two nights this grouping of Jason Adasiewicz on vibraphone, John Edwards on bass and Steve Noble on drums feels especially resonant and personal to Cafe OTO. The first time Peter performed at the venue back in 2010 it was in a trio with John and Steve, (released as The Worse The Better kick starting our in-house record label) so it feels fitting that the last shows he ever played here should also have that trio at its core.

The quartet last played together at OTO back in 2013, (released as Mental Shake on OTOROKU), and Brotzmann humbly opened the return of the group saying, "it's a pleasure to be back” before launching straight into a long blast on the alto sax, swiftly met by the relentless energy and engagement of Adasiewicz, Edwards and Noble.

There are moments of tenderness to Brotzmann’s playing that feels specific to this small group - one that cuts across three generations - and in a space that’s come to feel like home. Of course, there is dizzying, forceful, singleminded playing, but even amongst a relentless chorus of cymbal splashes and busy vibraphone clusters the lyrical, spacious moments are savoured and held onto. As he remarked at the end of the group's first visit to OTO, “the Quartet is, for us, a great adventure.”

Peter clearly wanted to play to the end. Did he know these might be his last shows? We will never know. What is clear is he wanted to go out in style and on his terms. For anyone in the room at the time or listening to these recordings it’s clear he achieved that.

It was Peter’s wish that these recordings should be made public and he was due to finalise the cover design on the week he passed away. We would like to thank Peter’s family for working with us to fulfil Peter’s wishes to release this material but more than anything we would like to thank Peter himself for all the extraordinary memories, his generosity and all he has given the music. On a personal level for us, like so many, he meant a huge amount and we miss him deeply.

The Quartet will be released as a complete recording on 2CD and as a special edit version on 2LP. Both feature artwork by Peter Brotzmann and UNTIET and are complete with photographs by Dawid Laskowski.
OTOROKU will also release a special 4LP boxset edition, limited to 250 copies and only available direct from us. Pre-orders are on the website now and Cafe OTO members will receive a 20% discount.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

42,82

Last In: 11 months ago
Jorg Kuning - Elvers Pass

Jorg Kuning

Elvers Pass

12inchWSDM028
Wisdom Teeth
27.03.2025

Man-of-the-minute Jorg Kuning returns to Facta & K-LONE’s Wisdom Teeth imprint with ‘Elvers Pass’: a new 6-track exposition of his singular sound, and his most accomplished and comprehensive work to date. By now, the Jorg Kuning trademark is well established. Cherrypicking influences from the wiggiest ends of tech house, electro and bass music, his music is instantly set apart by his totally unique sound palette.

In fact, it’s hard to think of another club artist who has emerged with such a distinct and recognisable voice in recent years. Bubbling and funky with that unmistakable dose of wonk, you can tell a Jorg Kuning tune the minute it enters the mix. Since last appearing on Wisdom Teeth with 2022’s ‘Chosta-del-sol’ EP, the Welshpool-based artist has become a cult name on the global club and festival circuit - his must-see live set turning heads wherever he pitches up. Anybody who frequents the summer circuits around Freerotation, Love International, Gottwood and Dimensions will know exactly what we’re talking about. Along the way he has picked up a number of ardent and outspoken fans, including Lukas Wigflex and Koreless - the latter of whom tapped Jorg for a stellar remix on last year’s ‘Deceltica’ EP on Young. On ‘Elvers Pass’, Jorg manages to ring an exceptionally rich diversity of life from the circuitry of his modular machines.

The record’s melodies flutter and swirl like deep-sea creatures, and his synths ooze as if dredged from some primordial swamp. More so than ever, a host of otherworldly voices have begun to creep into his music: ‘Mercedes’ centres around a fluttering chorus of disembodied vocal chops, while ‘Synthetic Squashies’ rocks back and forth on a looping dialog between two AI chatbots. Across the record, synths mimic animal vocal tones, from the belching bass licks on ‘Skudde’ to the amphibious synth groans on ‘Teen Frogue’. Playful, oddball and in a class of its own, ‘Elvers Pass’ is a welcome New Year offering for ravers and club adventurers worldwide.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

22,27

Derniere entrée: 58 jours
Roseaux - Roseaux III

Roseaux

Roseaux III

12inchFAN34656
Fanon
21.03.2025
  • A1: My People Ft.. Ghetto Boy
  • A2: Why Should I Smile Ft. Mélissa Laveaux
  • A3: Solitude Ft. Isabel Sörling
  • A4: Hey I Want You Ft. Olle Nyman
  • A5: You Say (Inst.)
  • A6: With Us Ft. Ben L’oncle Soul
  • B1: California Intro (Inst.)
  • B2: California Ft. Ala.ni
  • B3: Loving You Is All I Want To Do Ft. Aloe Blacc
  • B4: Mandolinho (Inst.)
  • B5: Again Ft. Anna Majidson

"Float like a butterfly and sting like a bee" said the famous boxer Mohammed Ali, in reference to his legendary strike. This punchline also works wonderfully in music, listening to Roseaux's third album. A French success story, created with all modesty and honesty by the Parisian trio: Emile Omar, Alex Finkin and Clément Petit.

The three musketeers of sound cultivate their know-how, now acclaimed by critics and an ever-growing audience since their first project in 2012. It took them time to take a step back and gain perspective in order to offer us a return that is both joyful and resounding.

Roseaux takes root on the banks of soul, folk, jazz, and songs from all eras, a cascade of inexhaustible sounds, where the three composers draw their inspiration and merge their experiences.

The leaves of Roseaux soar to the breath of wonderful voices, chosen with precision by the three friends, like that of the American singer Aloe Blacc, present since the beginning of the adventure, essential enchanter of the three episodes.

Conceived as a dreamlike escapade full of emotions, on the fringes of the massive, instantaneous and often disembodied production, Roseaux is a totally artisanal group, a sort of UFO in the French musical landscape, which operates on instinct and above all on desire.

Thus, Roseaux has become an expert in bringing together, for the duration of a record, the artists who specifically form the DNA of their host: captivating voices, a plot on the piano and cello, but also encounters and reunions, in a poetic and deliberately nebulous universe.

A welcoming nebula, where the listener is invited to listen and immerse themselves without hindrance, in a luxuriant, wild, exciting sound forest. This third album is the work of 3 music lovers, capable of switching roles: writing, arrangements, production, from which emerge this time, eleven tracks with chiseled melodies including three colorful and unusual instrumentals.

A journey between melancholy and euphoria, which led Roseaux to the ends of the planet, from the Caribbean to Europe via Africa to unearth other vibrations and unique performers: the captivating Grenadian-British singer Ala.ni, the little English afropop prince from Ghana, Ghetto Boy, and the disturbing Swedish Isabel Sörling, sign here a first flamboyant collaboration with the group.

While the talented Haitian-Canadian Mélissa Laveaux, the hypnotic Scandinavian singer Olle Nyman, the sparkling French-Canadian Anna Majidson and our remarkable national Ben, already present on the second part, still manage to create a surprise by revealing new aspects of their range.

Roseaux's voices are decidedly impenetrable and its magic is renewed today by making the strength of all these scintillating elements dialogue, to be discovered in a setting of softness and voluptuousness.

Nature is full of reeds, this one is unique.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

22,90
DEVO - Recombo DNA LP 4x12"

Devo

Recombo DNA LP 4x12"

4x12inchFTRSMO53A
FUTURISMO
21.03.2025
  • A Necessary Response With Gerald Casale
  • Recombo Dna (Demo)
  • The Words Get Stuck In My Throat (Live)
  • Sloppy (I Saw My Baby Gettin’) (Demo)
  • Be Stiff (Alternate Mix)
  • Pink Pussycat (Demo)
  • Goo Goo Itch (Alternate Version)
  • Strange Pursuit (Demo)
  • Sequence (B)
  • The Day My Baby Gave Me A Surprise (Demo)
  • Bushwacked (Prosthetic Version)
  • Girl U Want (Demo Alternate Version)
  • Turn Around (Demo Alternate Version)
  • Snowball (Demo Alternate Version)
  • Luv & Such
  • Conscious Mutation With Mark Mothersbaugh
  • Sequence (C)
  • Gates Of Steel (Demo Alternate Version)
  • Planet Earth (Demo Alternate Version)
  • Whip It (Demo Alternate Version)
  • Cold War (Demo Alternate Version)
  • Time Bomb
  • That’s Pep (Demo Alternate Version)
  • Mental Warfare With Gerald Casale And Mark Mothersbaugh
  • Make Me Dance (Labeled ’Make Me Move’)
  • Gotta Serve Somebody (Live) By Dove
  • I Saw Jesus
  • Psychology Of Desire (Demo)
  • Pity You (Demo)
  • Sequence (E)
  • Beautiful World (Demo)
  • Race Of Doom (Demo)
  • I Desire (Demo)
  • Big Mess (Demo)
  • Pink Pussycat (Demo)
  • The 4Th Dimension (Alternate Rough Mix)
  • Here To Go (Alternate Rough Mix)
  • Sequence (F)
  • Some Things Don’t Change (Rough Mix)
  • Big Adventure (Rough Mix)
  • No Noise (Rough Mix)
  • Love Is Stronger Than Dirt
  • Faster And Faster
  • Modern Life
  • We Are Unique With Gerald Casale And Mark Mothersbaugh
  • Sequence (G)
  • The Only One (Demo) With Vocal By Toni Basil
  • Baby Doll (Demo)
  • Some Things Never Change (Demo)
  • Plain Truth (Demo)
  • Sequence (D)
  • Happy Guy (Demo)
  • Sequence (H)
  • Before Baby Doll There Was Satan With Mark Mothersbaugh
  • Satan (Pre-Baby Doll)
  • Red Alert (Unreleased)
  • Sad Song (Unreleased Instrumental)
  • Mind Games (Demo)
  • Later Is Now (Instrumental)
  • It’s Not Nuclear Bombs You Must Fear With Booji Boy
  • Sequence (I)
  • The Somewhere Suite (Studio Version Demo)
  • Ton ‘O Luv (Instrumental Demo)

Also includes a large double sided poster , colour inner sleeves and liner notes by Gerald V Casale.

Spuds rejoice. After years of requests, Futurismo are thrilled to announce a brand new limited pressing of the DEVO’s incredible Recombo DNA 4xLP with Mini CD Set, plus also available is a brand new 3xCD version.


For decades Devo have been working non-stop at Recombo DNA Laboratories on a new kind of research to keep up with the mutating world around us. That extensive research is now ready for public consumption once again. Futurismo were the first to bring you this on vinyl and now they present unhindered access into Devo’s labs, documenting the scientific analysis and demonstrations as conducted by the band between the years 1977-2008.



This tireless research has manifested itself in Recombo DNA…an unmissable collection of studio demos and unreleased rare tracks that span Devo’s entire recording career, from their original basement days to their famed ’Freedom Of Choice’ era, right the way through to unused demos from their last studio album. You may know the track ‘Baby Doll’ but do you know it’s original incarnation as ‘Satan’? If you submit to the findings of Recombo DNA Labs you will, Futurismo’s version of this compilation includes six bonus tracks taken from the archives that had never been released, or even heard before.



This limited edition 4xLP set is a sonic fusion of demos, alternate versions and outtakes, demonstrating the true breadth and talent of one of America’s most important bands. But this set doesn’t stop at four beautiful slabs of mutated vinyl, also included is ’The Somewhere Suite’ served up on the format it was originally intended to be back in the May of ‘89, advertised although never released, it’s contained here in all it’s full length glory on a 3” Mini CD. Recombo DNA is also coming on a 3xCD digipak version for the very first time from Futurismo, including all the wonderful artwork and bonus material. Devo’s Recombo DNA is an essential addition to the collection of any science fearing spud, and the perfect sister release to last years Art Devo. The original 2017 pressing of Recombo DNA sold out in less than 48 hours, so grab this while you can. Each set includes 4xLP on limited edition coloured vinyl and includes a Mini CD. This fantastic collection of devolved recordings and bonus tracks are contained within the gloss laminated wide spined sleeve, with newly tweaked artwork, a huge A1 poster, full colour inner sleeves and liner notes by Gerald V Casale. A 3xCD digipak version is also available. Submit to these findings and witness audio mutation in action.

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

67,65
DEACON BLUE - THE GREAT WESTERN ROAD
  • The Great Western Road
  • Late 88
  • People Come First
  • Wait On Me
  • Ashore
  • Underneath The Stars
  • Up Hope
  • Turn Up Your Radio
  • How We Remember It
  • Mid Century Modern
  • Curve Of The Line
  • If I Lived On My Own

2025 marks 40 years since Ricky Ross met Dougie Vipond and they started to form Deacon Blue, the songs on "The Great Western Road" reflect the journey the band has taken and remain honest to the age and experience they all share. Ricky Ross: "It"s just the next part of the adventure and it"s as exciting now as it was back in 1988". The joyous lead single "Late "88" fondly remembers the care-free excitement of those early days. The "Great Western Road" was recorded at the legendary Rockfield Studios, Ricky Ross and (Deacon Blue guitarist and long term collaborator) Gregor Philp return to production duties, having last produced the bands" Top 5 charting and their last full length album, 2020"s "City Of Love". This album was recorded by Matt Butler, who first worked with the band on their debut, "Raintown".

pré-commande21.03.2025

il devrait être publié sur 21.03.2025

20,13
Cujo - Adventures In Foam (LP 3x12"+MP3)

Mitte März 2025 veröffentlicht Ninja Tune ein Reissue des legendären Albums 'Adventures in Foam‘ welches das einzige Album von Amon Tobin ist, das unter dem Namen Cujo (portugiesisch für „dessen“) veröffentlicht wurde. Diese ultimative 3xLP-Wiederveröffentlichung bringt zum ersten Mal alle Tracks zusammen und bietet damit eine umfassende Version des Albums.

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

41,39

Last In: 12 months ago
Wellen.Brecher - Liebeserklärung

Wellen.brecher

Liebeserklärung

12inchKILLEKILL030
Killekill
14.03.2025

Wellen.Brecher is an electronic band with punk attitude, which has been transcending and subverting electronic music genre boundaries for the past 6 years. After the release of Tierisch Verboten, which can confidently be described as the "soundtrack to inclusion", and a strong second release on our label Killekill, LIEBESERKLARUNG is the band's first full length album. Including a series of first-class remixes.
Refreshingly, the entire release is not based on the corny bad trance traditions loved by contemporary Buffalo shoe wearers. Instead - intentionally or not - it follows a series of almost historical musical quotations from over the last 40 years with each track on the album feeling like a new adventure.
The album opens with TUROFFNER, which has a kind of an Afrika Bambaataa intro, before turning into a wonderfully tresoresque/Detroit techno beast, always commented on or counteracted by the vocals - just like (almost) all the tracks on the album: a new round, a new crazy ride - bumper car lyrics on a powerful stomping reduction of a 90s track.
From here we leap backwards in time into grey West Berlin of the 80s with ROBOT GIRL which shifts and drifts like a bug in buttermilk somewhere between Grauzone and Alan Vega. Next track KAPUTT kicks in with a bang and smashes everything in the best EBM tradition - this could have been played in a techno club in Frankfurt, both in terms of lyrics and sound. Line up for Elektropogo please!
After all the stomping Wellen.Brecher bring in something completely different with VOICE OF A GENERATION: dramatic vocals over delicate breaks which gradually dissolve into arpeggios on a high-quality trance carpet. Challenge complete!
JULIA takes us back to the late eighties in the dark but fun Belgian-Detroit early trance with new beat appeal. TUNNEL TRANCE would have been a good fit for dancing around the Berlin Siegessaule in, let's say, 1998. Relentless 4/4 beats with a hook-line on speed surrounded by acidophilic bows and, on top, the vocal commentary arriving as if from the man behind the glass of the Ferris wheel. In
your mind's eye, you can see fur-shoed gym ravers in bright neon jumping through the Tiergarten like rubber balls. The cover version of the classic TECHNO DJ is an hommage to good old punk - torn apart and reassembled in true Wellen.Brecher style. The closer TIERISCH VERBOTEN brings all the emotion rushing back: fat beats beckon slowly from afar, before the curtain comes up for an epic synth finale.
The harsh, albeit true words really drive you in. It's not necessary, but perhaps it's good to point it out: Inclusion can easily be experienced with music like this. Fuck AfD!

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

14,92

Last In: 13 months ago
Wellen.Brecher - Liebeserklärung 12" + 7"

Wellen.brecher

Liebeserklärung 12" + 7"

12inchKILLEKILL030LTD
Killekill
14.03.2025

Wellen.Brecher is an electronic band with punk attitude, which has been transcending and subverting electronic music genre boundaries for the past 6 years. After the release of Tierisch Verboten, which can confidently be described as the "soundtrack to inclusion", and a strong second release on our label Killekill, LIEBESERKLARUNG is the band's first full length album. Including a series of first-class remixes.
Refreshingly, the entire release is not based on the corny bad trance traditions loved by contemporary Buffalo shoe wearers. Instead - intentionally or not - it follows a series of almost historical musical quotations from over the last 40 years with each track on the album feeling like a new adventure.
The album opens with TUROFFNER, which has a kind of an Afrika Bambaataa intro, before turning into a wonderfully tresoresque/Detroit techno beast, always commented on or counteracted by the vocals - just like (almost) all the tracks on the album: a new round, a new crazy ride - bumper car lyrics on a powerful stomping reduction of a 90s track.
From here we leap backwards in time into grey West Berlin of the 80s with ROBOT GIRL which shifts and drifts like a bug in buttermilk somewhere between Grauzone and Alan Vega. Next track KAPUTT kicks in with a bang and smashes everything in the best EBM tradition - this could have been played in a techno club in Frankfurt, both in terms of lyrics and sound. Line up for Elektropogo please!
After all the stomping Wellen.Brecher bring in something completely different with VOICE OF A GENERATION: dramatic vocals over delicate breaks which gradually dissolve into arpeggios on a high-quality trance carpet. Challenge complete!
JULIA takes us back to the late eighties in the dark but fun Belgian-Detroit early trance with new beat appeal. TUNNEL TRANCE would have been a good fit for dancing around the Berlin Siegessaule in, let's say, 1998. Relentless 4/4 beats with a hook-line on speed surrounded by acidophilic bows and, on top, the vocal commentary arriving as if from the man behind the glass of the Ferris wheel. In
your mind's eye, you can see fur-shoed gym ravers in bright neon jumping through the Tiergarten like rubber balls. The cover version of the classic TECHNO DJ is an hommage to good old punk - torn apart and reassembled in true Wellen.Brecher style. The closer TIERISCH VERBOTEN brings all the emotion rushing back: fat beats beckon slowly from afar, before the curtain comes up for an epic synth finale.
The harsh, albeit true words really drive you in. It's not necessary, but perhaps it's good to point it out: Inclusion can easily be experienced with music like this. Fuck AfD!

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

18,45

Derniere entrée: 57 jours
Quasimoto - Yessir Whatever LP

Every now and then, Madlib raps over his own beats as his alter ego Quasimoto. It's been eight years since he came out with The Further Adventures of Lord Quas, and now, Quasimoto is getting his own compilation. Yessir Whatever is out June 18 via Stones Throw, and it collects material spanning the full history of the project. The LP comes with a bonus 45 featuring "Hittin Hooks" and "Microphone Mathematics Remix".

The comp features 12 tracks of rare, out-of-print, and previously unreleased material.

The 12" comes with a bonus 45 featuring "Hittin Hooks" and "Microphone Mathematics Remix".
Yessir Whatever:

pas en stock

Commandez maintenant et nous commanderons l'article pour vous chez notre fournisseur.

26,85

Last In: 10 months ago
BHAJAN BHOY - BHOY ON THE WIRE
  • A1: The Milkman (Blackburn)
  • A2: Campus Blues (Lancaster)
  • A3: Castle Bandstand (Clitheroe)
  • B1: What Lurks Behind Those Illuminations? (Blackpool)
  • B2: Pass The Sushi Pon The Lef? Hand Side (Burnley)
  • B3: Caribbean Club (Preston)

Ajay Saggar is BHAJAN BHOY. "With BHAJAN BHOY, Saggar synthesizes all of the stylistic approaches he’s explored over the years, swirling them into an intoxicating musical blend, with an earthy spirituality. Even the project’s name reflects the dual aspects of Saggar’s upbringing coming together in harmony. In Hindi, a “bhajan” is a devotional song, sung in the mandir, or temple, while “bhoy” is a Scottish and Irish derivation for a young man. There’s a searching quality to Bhajan Bhoy, as if Saggar is still hunting for transcendence with each track, whether through an expansive drone, an orchestral facility on the piano, or an electronics-augmented raga that threatens to dip into noise” (Erick Bradshaw / writer and WFMU DJ). This album presents a rich and varied set of compositions that showcase Saggar’s skills as an incredibly talented and accomplished composer and musician. With each and every Bhajan Bhoy LP, you are are carried to a higher place. With ‘Bhoy On The Wire’, the 35 minutes laid out unfolds like a cosmic tapestry, an extraordinary exploration that shimmers and reverberates with newfound vibrancy. The songs were broadcast as part of a session on Steve Barker’s “On The Wire” radio show in April 2024. They were a gift to Steve and his team for 40 years of broadcasting. “On The Wire” is simply the greatest radio show in the world. As Ajay explains in his own words : “In September 1984, I started a degree course at the University of Lancaster. On a wet and soggy Sunday afternoon towards the end of September, I sat in my room staring out at the grey Lancashire landscape, and decided to alleviate the boredom by seeing if there was anything to listen to on the radio. Most of the stations I tuned into were as dull as the weather outside. However, as I neared the end of the FM dial (and was about to give up hope), I chanced upon a station where I was taken by the music being played. That show was “On The Wire”, introduced by Steve Barker. From there on in, every Sunday, between 2-5pm, I tuned into Radio Lancashire to listen. Steve’s shows had an incredible and wide reaching selection of music and genres, that thrilled your ears and left you wanting more. Tied to that, his deep knowledge of the material he played helped the listener dig into the sounds even more, and also left you in admiration of this trait. In 1985, I started putting on DIY shows in Lancaster (inviting the likes of Bog-Shed, bIG fLAME, The Membranes, The Wedding Present, etc etc) and Steve was kind enough to mention the shows on-air, which helped in getting people from different parts of the county to come to the shows. At the tail-end of 1985, he invited me to the studio to come and hang out. When in 1988, the group I was in, Dandelion Adventure, released our first (demo) cassette, it was Steve, who not only played tracks off it, but invited the group to the studio for an interview. Now if you’re a young band, that is a massive thrill! And in 1990, when Dandelion Adventure did a John Peel session, I actually used “On The Wire” jingles (that Steve had put on a cassette and given to me a few years before) on the track “All the World’s A Lounge”. Since then, the show has been a mainstay for me, and so many others around the world, to get turned onto incredible sounds from around the world. And over the course of 40 years, Steve has always supported my music. These six tracks are a 40th birthday gift to the “On The Wire” team (Steve, Michael “Fenny” Fenton (an absolutely critical part of the show), and Jim Ingham (engineer who keeps the technical side of things going)) for sharing so much amazing music, and making the world a better place. They were originally broadcast as an exclusive session in April 2024 on “On The Wire", and are here for your listening pleasure. Music like shower”. Artwork by Jake Blanchard

pré-commande07.03.2025

il devrait être publié sur 07.03.2025

27,10
Masakatsu Takagi - Mirai

Masakatsu Takagi

Mirai

12inchMOVATT362
Music On Vinyl
07.03.2025

Mirai is a 2018 Japanese animated adventure fantasy comedy film written and directed by Mamoru Hosoda and produced by Studio Chizu (known for Belle, Wolf Children and The Boy and the Beast). The film stars the voices of Moka Kamishiraishi, Haru Kuroki and Gen Hoshino a.o. It was met with critical acclaim and became nominated for an Academy Award in 2019 for Best Animated Feature Film. Additionally, the movie received an Annie Award in the same year. Mirai follows the story of a four-year-old boy named Kun whose world is turned upside down when he meets his new baby sister. After venturing into a magical garden, Kun encounters strange guests from the past and future, including his sister Mirai, as a teenager. Together, Kun and teenage Mirai go on a journey through time and space, uncovering their family's incredible story. The soundtrack for the film was written by Masakatsu Takagi, who had previously scored Hosoda's Wolf Children and The Boy and the Beast. His work for Studio Chizu has been praised for its magical and whimsical atmosphere. For Mirai specifically, this dreamy aesthetic was mixed with a contemporary sound and made to be simple in tone and be reflective of family. Mirai is available as a limited edition of 500 numbered copies on turquoise coloured vinyl and includes a 4-page booklet.

pré-commande07.03.2025

il devrait être publié sur 07.03.2025

31,89
Articles par page:
N/ABPM
Vinyl