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This is THE FIRST EVER commercial vinyl release of the classic folk horror score, presented in an incredible pop up Witchfinder sleeve!
For many, this is the long LONG awaited score that completes the “holy trinity” of folk horror: The Wicker Man, Blood On Satan’s Claw, Witchfinder General. And all these albums were first commercially found and released by Jonny Trunk. This is the first time Witchfinder General has been commercially released on LP (previously only available as a mega rare 1973 library LP or withdrawn CD!). As well as the superb Matthew Hopkins / Vincent Price pop up, the gatefold sleeves feature stills from the classic film, plus comprehensive notes about the film production history and the music. This is just the package the folk horror fans really want. This is the first pressing, if there is a second it will not come with the pop up sleeve.
Classic pastoral, melodic and scary music.

bbbbbb welcomes powerful split EP ‘Clubs Are Closed Vol.1’ as Bjarki & Kuldaboli and Krokodil drop fresh heat on the imprint.

A hub for boundary-pushing and innovative productions across techno, electro, and beyond, Bjarki’s bbbbbb imprint continues to serve as a must-visit platform showcasing Iceland’s finest talents across its family of core artists. Latest offering ‘Clubs Are Closed Vol. 1’ sees founder Bjarki join forces with bbbbbb mainstay Krokodil to take command of the A-side as they deliver a pair of powerful efforts, while the B-side sees Kuldaboli and Erling Bang combine under their Krokodil alias to close the show.

The release welcomes the long-awaited release of opening cut ‘Ú jeje’, a favourite from Bjarki’s 2019 sets, alongside the rousing, high-octane ride of ‘Karmageddon’ (Deepfake Mix). On the flip, the impactful sonics of Krokodil’s B1 ‘Kops Are Comin’ take hold, a production emerging deep from the archives and already supported by the likes of VTSS and SPFDJ, before closing the package via the warping electro spheres of ‘SurvivinTheDanger’.

ONE SIDED BLACK VINYL.
First ever release of the scariest, most inappropriate and possibly most influential kids TV music of ALL TIME.
'A first-ever release to the series' alarmingly experimental soundtrack'
SHINDIG! Five Page Feature.

There is only 17 minutes of music throughout the series, so we have fitted it all onto a one sided LP. Artwork is by Julian House – legendary hauntologist (Belbury Poly etc) and the man behind some of the greatest spooky band artwork of all time- Stereolab, Broadcast, Primal Scream etc etc.
Sleevenotes by Stewart Lee and inner sleeve notes by Alan Gubby of Buried Treasure Records.
It all looks and sounds superb. Of course it does because it’s a Trunk Records release. AND REMEMBER THIS IS NOT A REISSUE!!! SO DON’T SAY IT IS WHEN YOU TRY AND SELL IT.
anyone who watched was scared shitless. The 7 part drama centred around disturbing happenings in a strange pagan village of very weird and unusually happy people, all set in the midst of the stone circle at Avebury – known as Milbury for the show.
The series shown across British TV (and USA TV in 1980) would scar, disturb and influence an entire generation. Without COTS it’s unlikely we’d have hauntology, spooky folk stuff, stone circle clubs, weird walks and a hunger for such pagan oddities everywhere. And COTS really is the key TV series in many of these modern movements, way before The Wicker Man. Even though The Wicker Man was released in 1973 it was an adult film only released to a few cinemas.
Very few people saw it and its influence really started in the late 1990s with the first release of the music. Whereas COTS on the other hand was shown at 5pm, on schooldays, to a whole nation of impressionable kids, who had never seen or heard anything quite like it. The power of COTS runs deep. So much so Stewart Lee made a whole documentary about it. The release of this long-awaited album will be a “Happy Day” for many.
THE MUSIC:
According to rumour the director of the show was listening to Penderecki as he first approached Avebury to scope out locations. Sidney Sager and The Ambrosian Singers produced an avant-garde and often quite oddly terrifying sequence of vocal drones and dramatic peaks based on ancient Icelandic singular word “Hadave”. And yes, it’s still scary.

Baroness will release their eagerly-awaited new album ‘Gold & Grey’ on June 14th via Abraxan Hymns.



“Our goal is, was, and will always be to write increasingly superior, more honest and compelling songs, and to develop a more unique and challenging sound,” offers Baroness founder, guitar player and vocalist John Baizley. “I’m sure we have just finished our best, most adventurous album to date. We dug incredibly deep, challenged ourselves and recorded a record I’m positive we could never again replicate.



I consider myself incredibly fortunate to know Sebastian, Nick and Gina as both my bandmates and my friends. They have pushed me to become a better songwriter, musician and vocalist. We’re all extremely excited for this release, which includes quite a few ‘firsts’ for the band, and we’re thrilled to be back on tour to play these psychotic songs for our fans. Expect some surprises.”



While ‘Gold & Grey’ found the band once again working with Purple producer Dave Fridmann (The Flaming Lips, Mogwai), sequestering themselves at Fridmann’s remote upstate New York Tarbox Road Studio. The 17-track album ushered in two significant changes: a decidedly different recording process and guitar player Gina Gleason’s debut on a Baroness recording.



The band, who tracked portions of the vocals, guitars and overdubs in Baizley’s home-basement studio, another first for them, eschewed their normal routine of entering the studio with meticulously detailed plans and instead opted for a looser, more improvisational approach that resulted in their most collaborative and emotionally evocative release to date.



Featuring John Baizley (vocals/guitar), Gina Gleason (guitar), Nick Jost (bass) and Sebastian Thomson (drums), Baroness received a GRAMMY Award nomination for Best Metal Performance for ‘Shock Me’ from the 2015 album ‘Purple’.

‘Hot For The Moon' is the long awaited second (and final) EP from Bristol slacker rockers Dogeyed, recorded & mixed straight to tape in one day back in Autumn 2020. These four snappy little numbers see the pups at their poppiest, heaviest and spookiest. Fans of indiscriminate whammy bar will not be disappointed, a band at their peak, just before their demise. Dogeyed is dead. Long live Dogeyed. Recorded & Mixed by Pete Miles at Middle Farm 14th October 2020 / Mastered by Ian Farmer at The Metal Shop 2021 / Black vinyl in a risograph foldover sleeve limited to 500 copies

We are back with our fourth vinyl release between the Berlin-based Colombian producer Brayan Valenzuela and Cologne-based native polish artist Rezystor. These guys are already connected with BRVTAL., because they released tracks on SZROGH compilation and participated on our podcast series.

On the tough side Brayan who is a well-known modular synthesis enthusiast hit us with his heavy hard tracks, like a road roller in your face, but it's all done with the best humor, the dark side has never been so cheerful!

While Rezystor on the banger side delivered his own professional obscure sound with high speed tempo and deep melodies. Long awaited perfect rave anthems on the altar of the best period of trance area!

2TUF4U Records are proud to present UNDENIABLE GROOVES PT.6, the long awaited and fresh segment from the new series of Hot Garage Vybes, consisting of previously unreleased material from the likes of GUNGO PEAS (Alex De Joncaire from Switzerland & Karl “Tuff Enuff” Brown), from Santiago Chile debuting his 1 st release on the label HITCH 93. Flipping over on the B-sides, TUFF JAM feat. Pepper Mashey Remixed by UK DUBZZ aka Karl Brown and rounding off with the Bournemouth talent of DYNAMIC ESSENCE, all built for Underground Garage consumption. Watch out for the next series of releases soon to follow.

2TUF4U Records are proud to present UNDENIABLE GROOVES PT.5, the long awaited and fresh segment from the new series of Hot Garage Vybes, consisting of previously unreleased material from the likes of PEEKAY, with the Unreleased Remix of Tuff Jam’s Pepper Mashey “Happiness”,
newcomer DYNAMIC ESSENCE, and D.I.Y aka Karl Brown. Also Alex De Joncaire from Switzerland and Karl “Tuff Enuff” Brown meet again for their next rendition of GUNGO PEAS “Realizin” with Karl’s Caution Swing Dub). All tracks built for Underground Garage consumption. Watch out for the next series of releases soon to follow.

RC02 is the much awaited vinyl release of the tracks from the second fundraver by Rhythm Research. Showcasing four tracks that offer dark and textured moments courtesy of label artists Surt, Reticent and head honcho Ritual Cycles.

Side A sees the much awaited track "Ten" by Surt on wax featuring his signature cinematic immersive sound. "AT" by Reticent is an imposing sound design journey centered around a spooky pad brought forward by his trademark bass configuration.

The B side is the Ritual Cycles side with "Collapsing Singularity" - a blueprint of a peak time time warping composition. Finally live duo InsideOut close the EP with their spin on "Hot Coal Dance" .

All proceeds go to Lilipad e.V.
Lilipad e.V. is a Berlin based non-profit initiative that aims to facilitate access
to education to underprivileged children. We provide little libraries.

Portland's premiere purveyors of kraut-inflected party rock return with an
album's worth of tunes crammed into an extended playing set
The eponymous lead track bursts out of the gate with ebullience. Lee Ritter's
rhythms and Cord Amato's riffs fit comfortably in the space where Kraftwerk left
off and DEVO began. "Artificial Head" may be about a Fleshlight, or it could be a
paperback sci-fi-derived weed fantasy. You could listen to Møtrik while sober, but
why would you do that? Next up is the measured and groovy "Castle Electric"
which features a dialog between bassist/vocalist Erik Golts and a sexy computer.
His German is easily as good as her English and one wonders how the night
ended after she switched the lights "auf." Side one completes with "Unifox" built
up from a Dave Fulton synth composition into a full- fledged Møtrik track, this
being the first time the band has bucked its contrarian vision of a band that jams
in its own professional recording studio yet refuses to produce itself. "Outer
Reaches" is the patiently awaited sidelong epic. The contemplative and
exploratory scene begins with chirrups from an analog swamp, then slowly rises
through the hazy pastel atmosphere on a crystalline bubble before blasting off
into full- fledged Floydian outer space psych. As always, Møtrik colors between
the lines, applying its overall aesthetic to rock music, which is to say it's the
FORTRAN approach to basement partying. Artificial Head is just what your body
needs to feel complete. Pressed on Light Green Color vinyl.

Kebu’s debut album “To Jupiter and Back” is celebrating its
10 year anniversary this year, and is finally getting its long
awaited release on vinyl. 90 million views later Kebu has
become a big YouTube phenomenon and a household name
among synthesizer enthusiasts. The album was a tribute
to Kebu’s original influences for his music, namely Jean
Michel Jarre, Vangelis and Mike Oldfield. The album contains
eleven tracks, of which “Le Carnaval des Étoiles”, “Pulsar”
and the title track are among Kebu’s most popular songs. It
established his trademark sound, being produced using only
analog synthesizers and mixed with an analog mixer. The
vinyl edition comes on a 180 g vinyl in a gatefold sleeve, and
contains a poster of the original cover art, painted by Kebu’s
wife Heidi Väisänen.

From an aspiring b-boy to working with luminaries Billy Porter, Joss Stone, Kimberly Davis and Teni Tinks, The Shapeshifters, Simon Marlin announces the release of his brand-new studio album “Let Loose”.

Wrapped in a defining optimistic mood and colourful palette, “Let Loose” plays with the friction between musical persona and influence, delivering a masterclass in Simon’s flourishing depth of integrity as a producer and admiration to those that exert their enduring influence upon him.

“I'm a facilitator of talent. I'm blessed that over the years I've managed to put a team of people together - as a producer, that's what I do, very much in the old school sense like a Quincy Jones or Gamble & Huff, they’re the guys I try to emulate - and make something magic out of nothing, but do it in a contemporary way. That’s what really floats my boat, and that's what this whole project is about.” Simon Marlin – The Shapeshifters

Across the latest and long-awaited studio album “Let Loose” The Shapeshifters pledge rhythmic allegiance to the golden era disco records and their spellbinding qualities; embracing the tension often found between tradition and future to craft a euphoric, certifiable body of work presented to the devoted audience he deserves. The Shapeshifters exemplify a scene in rude health one that is now switching on an ever-younger fan base, and with Marlin being the beating heart of it it’s easy to see why The Shapeshifters are more in demand in the clubs than ever.

The twelve-track album is illuminated with vocal collaborations including the recently released and debut collaboration with the Grammy, Tony and Emmy Award-winning Billy Porter.

Layers of rushing strings, flares of brass and hedonistic grooves provide refreshing dancefloor power dynamics and deliver a liberating, triumphant and inherently uplifting record.

Taking an impeccably smooth course through disco-infused house, The Shapeshifters continue the rich relationship with Glitterbox and its record label; one that has yielded instant classics that epitomise the label’s ethos for preserving disco’s mission to uplift and empower.

Pianist, drummer, composer and producer Hamish Balfour presents jazz funk, soul and electronic music, bridging the gap from classic Blue Note to Warp via Sonar Kollektiv on Running Colours, his electrifying debut album for London's Shapes of Rhythm Records.

Praised by Jazzwise for hissolo flourishes and sidestepping harmonies, Hamish Balfour should be a recognisable face to jazz addicts. The go-to keys player has performed and recorded alongside American jazz drumming legend Harvey Mason, Tenderlonious, The Temptations, Odyssey, Faze Action, Yolanda Charles' Project PH, Bassically, Nim Quartet and Yam Who. Popping up not only in the credits of many sought-after albums, but also Channel 4, ITV and BBCprogrammes for his compositions on various shows.

Over the course of eleven tracks, Balfour folds in and explores his influences, with a wide yet highly cohesive and strong palette of sounds, whilst interacting with high caliber guest vocalists such as spoken word artist and broken beat icon, Lyric L(Seiji,Nathan Haines), London Elektricity and Hospital Records' star vocalist Elsa Esmeralda, award-winning and chart-storming singer-songwriter Belle Humble (Freestylers, Paloma Faith) and soul and house mainstay Andre Espeut (Afriquoi,Simbad,Faze Action).

Responsible for all piano, synths, percussion and production on the album, Balfour's musicality shines through, a reminder of how overdue this debut album as leader is. However, in addition to the incredible vocalists, he's joined by some of the UK's finest jazz musicians: James Copus (trumpet), Pete Matin (bass), Laurie Lowe and Saleem Raman (drums) and Rob Updegraff (guitar).

Elsa Esmeralda implores us 'not to be afraid' on lead single and title track Running Colours. A perfect invitation to get stuck into this many layered album. Balfour compliments Esmeralda's soothing vocals with delicate piano intro before Lowe's bruk-easque drums and lead an irresistible groove bedded in warm synths and guitar licks.

Yes or No showcases Loose Lips legend Lyric L contemplating the uncertainty of love over a swinging mid-tempo jazz funk boogie groove propelled by tight drums and Hammond chords, closing with a flying trumpet solo from Copus, weaving around Balfour's nimble keys.

Wealth, featuring singer/songwriter Belle Humble, displays incredible depth and restraint. Humble delivers the enticing vocal with ease, as it slides over the intricate webs of jazz fusion and electronics.

Mogul is arguably Running Colours' curveball. An eastern-inspired whirlwind of all manner of synths and twisting drums which constantly morph throughout. Guitars and trumpets take turns to solo on a track that feels like a series of questions that we never quite get answers to.

Balfour's ability to merge free wheeling jazz and fusion with timeless electronic production and soulful compositions is also apparent on instrumental pieces such as Reflector 28. Here, we find the musicians upbeat, uplifting, progressive and playful, showcasing the keys whilst the bass underpins the groove.

South Of The Sun is Running Colours' laid-back moment with Roy Ayers-type vibrations as bass and drums sit in the pocket (at least to begin with), whilst a Rhodes weaves its magic. Like many of the album's tracks we take a few twists and turns before returning to our main feel-good motif.

Hamish's long awaited debut is sure to exceed the expectations of those who know him already, whilst introducing a whole new audience to his wealth of talent and originality.

An Appointment with Mr Yeats sees the words of W B Yeats, one of Ireland's greatest literary sons, merged with the music of The Waterboys, one of Britain and Ireland's greatest rock bands, in a truly unique and ambitious musical undertaking. The album was originally released in 2011, and has been fully remastered for re-issue, and now contains 6 previously unreleased bonus tracks. The Waterboys vocalist Mike Scott, first delivered a new dimension to Yeats' poetry in 1988, when he wrote a musical accompaniment for the classic poem The Stolen Child, during the making of the Waterboys seminal album 'Fisherman's Blues'. Five years later he set another Yeats poem to music, Love and Death, which appeared on their 'Dream Harder' album. Over the years, Scott had been quietly crafting a wealth of material similarly based on the writings of Yeats. A number of these were performed by him at the Abbey Theatre during the Yeats International Festival in 1991, but most had remained in Scott's private songbook awaiting the right vehicle. An Appointment with Mr. Yeats was that long-awaited context. Scott's love of literature is firmly embedded throughout the work of The Waterboys. He has also put the writings of Robert Burns, James Stephens, Kenneth Grahame and George MacDonald to song. Speaking on his literary influences and loves, Scott explained: "I grew up in a house full of books so literature - and language - have always been important to me. Working with other peoples' words is something that comes as natural to me as working with my own. In a way it's even more immediate; I've always found writing music an easier process than the writing of lyrics, and setting words of the quality of Yeats' to music is an enormous privilege and treat." An Appointment with Mr. Yeats is a unique and memorable opportunity for lovers of great music and great literature to celebrate the union of song and word in one spectacular record.

Following the long-awaited Paradise Of Delusion LP from 2021, An’archives announces Lunatic Pearl, a 10” EP by Japanese psych-pop legends Shizuka. As with the material on Paradise, 狂気の真珠 Lunatic Pearl draws from the deep well of music the quartet recorded in 2001, this time from two studio sessions. Here, though, the group’s classic line-up of Shizuka, Maki Miura, Jun Kosugi and Seven is augmented – on the a-side, they’re joined by Yasushi Nagata on guitar; flip the record, and Kazuhide Yamaji chimes in on acoustic guitar and bass.

Both Nagata and Yamaji were members of long-running Tokyo psych-out gang Dip (also known as dip the flag); Yamaji eventually joined Shizuka for a time, appearing with them on the 2010 DVD, Owari No Nai Yume, released by PSF. Part of Lunatic Pearl finds Shizuka in Paisley Underground mode, the spaced-out acoustic mantras of “Shiroi Inochi” and the instrumental “The Street The Fairy Goes” surprisingly reminiscent of the smeared, slow-motion psychedelics of Opal’s early EPs. The latter, a weightless blur, hovers in the air on dreamy drifts of DX-7, drifting melodies landing on the track like an astral traveller, lost and delirious.

“Lunatic Pearl” itself is a monster, one of Shizuka’s most rock-reverent moments, its bold riff soaring over a rhythm section that thuds menacingly, as though they’re the kings of the rumbling spires. “Signs”, another track from the Studio EUN session, features some gloriously unhinged playing from Miura, as though he’s tearing the song’s seams apart, as the group push Shizuka’s simple, perfect song into the stratosphere. Brief yet perfectly formed, Lunatic Pearl is another gorgeous entry in the Shizuka discography.

Three-time Grammy nominees, the San Antonio, Texas-based quartet NOTHING MORE return with their highly awaited seventh album, 'SPIRITS'. It features thirteen focused, adventurous and intense songs, uniting introspective philosophical lyrics with unapologetically massive anthems, including the in-your-face 'TURN IT UP LIKE (Stand In The Fire)', their most recent Top 10 Billboard Active Rock radio single 'TIRED OF WINNING'. Since emerging in 2003, NOTHING MORE has made rock radio chart history with no. 1 singles for both 'This is the Time (Ballast)' and 'Go To War', while they also have seven Active Rock Radio Top 10 singles in their repertoire. 'SPIRITS' further proves their expertise in the rock genre and beyond. It documents the tumultuous time the world experienced over the past two years capturing the desperation and isolation of lockdown, the spiral of substance abuse, the pain of broken relationships and survival in self-reliance while summarizing the overall story and mission of NOTHING MORE: Reflect, Provoke, Inspire.

Tall Black Guy chases his extraordinary 2021-released collab LP, Of Process and Progression alongside emcee Ozay Moore, with the long awaited instrumental version. The record is a celebration of hip-hop and its many influences, especially jazz, funk, soul, and R&B. And now that it’s available in instrumental form, listeners can fully dive into and unpack the layers, samples, and sounds comprising the release.

In speaking about his approach to the album’s production, TBG explains the process as follows: "When myself and Ozay decided to come together to make OP&P, we really wanted to make it to where there were no skips. And the production had to be top notch.” He goes on to say that he didn’t want to just sample, but instead add live instrumentation and collaborations with other musicians to craft the sound they wanted.

“I wanted to make sure Ozay had a lot of space to get his point across in the songs he was coming up with,” TBG says. And while you can certainly hear that space in these instrumentals, they stand on their own as stunning odes to hip-hop and the genres that birthed it. This album is also brimming with musical Easter eggs on each song, particularly on repeated listens as the layers begin to unravel themselves to your ears.

There is so much to love and discover within the instrumentals of OP&P, and for fans of TBG’s past work, it exists as another triumph in what’s becoming one of hip-hop’s most thrilling discographies.

Three-time Grammy nominees, the San Antonio, Texas-based quartet NOTHING MORE return with their highly awaited seventh album, 'SPIRITS'. It features thirteen focused, adventurous and intense songs, uniting introspective philosophical lyrics with unapologetically massive anthems, including the in-your-face 'TURN IT UP LIKE (Stand In The Fire)', their most recent Top 10 Billboard Active Rock radio single 'TIRED OF WINNING'. Since emerging in 2003, NOTHING MORE has made rock radio chart history with no. 1 singles for both 'This is the Time (Ballast)' and 'Go To War', while they also have seven Active Rock Radio Top 10 singles in their repertoire. 'SPIRITS' further proves their expertise in the rock genre and beyond. It documents the tumultuous time the world experienced over the past two years capturing the desperation and isolation of lockdown, the spiral of substance abuse, the pain of broken relationships and survival in self-reliance while summarizing the overall story and mission of NOTHING MORE: Reflect, Provoke, Inspire.

Three-time Grammy nominees, the San Antonio, Texas-based quartet NOTHING MORE return with their highly awaited seventh album, 'SPIRITS'. It features thirteen focused, adventurous and intense songs, uniting introspective philosophical lyrics with unapologetically massive anthems, including the in-your-face 'TURN IT UP LIKE (Stand In The Fire)', their most recent Top 10 Billboard Active Rock radio single 'TIRED OF WINNING'. Since emerging in 2003, NOTHING MORE has made rock radio chart history with no. 1 singles for both 'This is the Time (Ballast)' and 'Go To War', while they also have seven Active Rock Radio Top 10 singles in their repertoire. 'SPIRITS' further proves their expertise in the rock genre and beyond. It documents the tumultuous time the world experienced over the past two years capturing the desperation and isolation of lockdown, the spiral of substance abuse, the pain of broken relationships and survival in self-reliance while summarizing the overall story and mission of NOTHING MORE: Reflect, Provoke, Inspire.