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THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

THE CHARLATANS proudly announce their (Covid) delayed release of their 30th Anniversary tour and a career spanning best of entitled “A Head Full of Ideas’ Released on Then Recordings through Republic Of Music. ‘A Head Full of Ideas’ sums up their remarkable progress from 1990 Manchester scene hopefuls to one of the UK’s most enduring and best-loved bands. The accompanying tour begins at Belfast, Limelight 22/11/21 and finishes in Aberdeen on 20/12/21.

The band have notched up 13 Top 40 studio albums - three of them number ones - alongside 22 hit singles, four of them top 10. The rollercoaster highs have been accompanied by some shattering lows, any which one of them could have felled a less resilient band, from nervous breakdowns to near bankruptcy and the deaths of two founder members.

Somehow, they have not just carried on but adapted and transformed. The classic Charlatans sound - driving Hammond organ, Northern Soul and house-influenced rhythms, swaggering guitars and Tim Burgess’s sunny yet somehow yearning vocal - is instantly recognisable. And in spite of everything they have been through their music is now more relevant than ever, The Guardian described their last album, Different Days as “one of their best ever”.

As well as a very limited 6 Vinyl box set, there will also be Limited Coloured Triple vinyl LP version and 2CD deluxe of the box set featuring the hits albums plus a bonus live album ‘Trust is For Believers’, and finally a CD or Double LP Vinyl of just the hits albums.

"WHAT THEN?" is the second album from Irish singer-storyteller David Keenan. The follow-up to his critically acclaimed 2019 debut "A Beginner's Guide To Bravery", which charted at Number One on the official Irish independent album charts, and Top 10 on the national album charts. It was also one of the best selling vinyl album releases by an Irish artist of 2019. At the end of 2019, David Keenan premiered his concert film 'Alchemy & Prose' at the London Doc'N'Roll film festival. "WHAT THEN?" has been produced by Jonathon Mooney of Portland, OR cinematic-indie rockers Other Lives. Guests on the album include celebrated Scottish author, namesake and soul brother David Keenan, Irish poet Stephen Murphy and Nashville drummer Aaron Steele, best known for his work with Portugal. The Man and Hayley Williams. David Keenan will be touring America in September as special guest of Rodrigo y Gabriela before returning to Europe to headline his own tour through October to December.

A Fantastic Woman (Spanish: Una mujer fantástica) is a 2017 drama film directed by Sebastián Lelio and written by Lelio and Gonzalo Maza. It was selected as the Chilean entry for the Best Foreign Language Film where it won in the 90th Academy Awards. The film is about Marina, a transgender woman who works as a waitress and moonlights as a nightclub singer, is bowled over by the death of her older boyfriend. It premiered at the 67th Berlin International Film Festival in 2017 where it won the Silver Bear for Best Screenplay and the Teddy Award, an award given to films with a LGBT theme.

Matthew Herbert is an award-winning composer, artist, producer and writer. He has had work commissioned by the Royal Opera House, the BBC and has remixed iconic artists such as Quincy Jones, Ennio Morricone and been a longtime collaborator of Bjork’s, but he is best known for working with sound, turning ordinary or so-called found sound in to electronic music.

This is a limited edition contains of 1000 individually numbered copies on transparent pink coloured vinyl. The LP package contains an insert with notes from director Sebastián Lelio.

No less than 12 months later arrives ‘Deep Blue View’ – not so much of a follow-up, as a mini-flipside moving the Jazz from AM to PM, between city and sea.
“I originally had AM Jazz down as walking around some New York backstreet at 4am, smoking in a fedora, looking for crimes to solve but it now ends as night begins,” reveals Al, of his latest tale’s gradual evolution. “Deep Blue View is the night-time album now… like losing yourself deeper in the fog, or disappearing in the sea… would someone, or some 'thing' come to save you or would they , or it , come along for the ride?”
Usually by now, Daveyhulme’s own could-be John Barry would have left distractions of success for suburban side-projects and writing with his fellow Mancunian musicians, but AM Jazz left unfinished business - and, with 50 or so session recordings leaving a litter of sonic debris strewn about the cutting room floor, one major clean-up. Deep Blue View is 6 brand new tracks crafted from its reconstructed and revived remnants, unfurling like Sinatra’s Wee Small Hours to reinforce the strangely beautiful atmosphere of Al’s now revered repertoire. “I had the urge to create something new and started playing around with different EPs and pseudonyms but when I sequenced these tracks, I was really happy how smoothly they flowed; it just needed an opener. I quickly wrote ‘Deep Blue View’ and it fell into place. It’s great, so I carried on, knowing it was time to save the best stuff for myself,” Al grins.
Just as AM Jazz was created in the spirit of his earlier working style on debut album Tower of Love, Deep Blue View fuses Al’s love of finding the ‘right’ in the odd, weird, back-to-front and everything in between, with the hi-fi meets lo-fi sounds of his crate-digging curiosity and empathy for TV themes and movie soundtracks. Guided by melody, his home-based sorcery of working with analog, tape and field recordings opposed to the lure of studio mechanics allowed his inner subconscious to tap at the door and reveal itself in new musical forms. “In the studio it’s tempting to turn everything up loud but I’ve got bad tinnitus and don’t want to write anything else in a Beatles style. I have done all that now… at home I have a computer, a microphone and just go crazy and lose myself staring at the screen. Then suddenly loads of music is written.”
Setting his inner autopilot to flight mode, ‘Peppergone’ adds to the tracks’ nocturnal narrative and appears reborn after a last-minute culling from AM Jazz’s initial tracklist. Like a beautifully romantic ode to Beethoven’s Moonlight Sonata, it is a fitting tribute to dearly departed best friend 'Batfinks', written in the middle of a tough night. “I have no idea why or how the song came about because I was so upset to do anything, let alone record any music. But there you go. Somehow I did and it’s a really special thing. I know he would have dug me using his chords; growing up we’d both try to create the perfect chord sequence. This is his idea of that. I hope he doesn’t think it’s shit,” Al jests.
Also revived from AM Jazz’s archive is the simmering groove of ‘Night Talk Late Street’ and instrumental ‘Star Six Seven’, whilst ‘Have Another Cigar’ weaves its own semi-autobiographical fairy-tale with lyrics written and sung by long-time pal and former housemate Aidan Smith. Transformed from backing track into a cool morsel of story pop, it recalls the drunken joy of when the pair would make recordings together between singing the Everly Brothers at full volume. “I’m sure it’s about not wanting the musical party to stop and having to get on with real life,” Al says.
‘String Beat’ meanwhile, soars like a beautiful Bond theme with the shimmer of Lee Hazlewood holidaying in Palm Springs, alongside perhaps, the waltzing string-like synthonies of some long-lost rhythm and blues orchestra of Davyhulme (whose real-life origins reside with the Berlin Symphony Orchestra), introduced to him by Super Furry Animals’ Cian Ciaran. “I’ve never created anything this moody before and have always threatened to do something John Barry-esque with some slightly dark and spooky musical changes.”

Releasing in September 2021, PNFG & LNFG are proud to bring you the
remastered “I’ve Seen Everything” from Scotland’s legendary band -
Trashcan Sinatras.
The album will be released in a number of vinyl formats, a deluxe CD (with 6
bonus B side tracks) will also be available.
On its release, Tim Harrison of the Ealing Leader described I’ve Seen Everything
as a “melodic, velvety concoction” with “a lot of subject matter” and “strong
echoes of The Housemartins”.
He concluded: “I’ve Seen Everything is an economic, restrained and sensitive
collection well worth listening to.”
The Irish Independent wrote: “Their debut was a fine beginning, but on its
successor they’ve hardened their approach and broadened the scope of their
songwriting. Whereas before they tended to sit back and admire their pretty
chord structures, they’re now audibly relishing the opportunity to get stuck in
to the material.
Brent Ainsworth of the Santa Cruz Sentinel felt the album was “abundant [with]
luscious, flowing pop”, with the “softer songs” being best.
David Mark of the Asbury Park Press commented: “Following up Cake would
be difficult, but I’ve Seen Everything is an equally interesting effort from a very
good group.
While Cake was a bouncy album, I’ve Seen Everything is a notch more somber.
The work, always interesting musically and lyrically, is something of a cross between The Beatles’ Rubber Soul and XTC’s Skylarking.

2021 Nachpressung auf weißem Vinyl. ,Truly She None Other" war lange vergriffen. Die aufgewertete "Expanded Edition"-Version erschien 2013 zum zehnjährigen Jubiläum des grandiosesten Albums von HOLLY GOLIGHTLY. Das würdige Re-Issue enthält zwei Bonustracks! Die Sleevenotes stammen von niemand Geringerem als JACK WHITE! Oft als ihr bestes Album beschrieben wurde ,Truly She Is None Other" 2002/03 mit Liam Watson in den Toe-Rag Studioa aufgenommen und beinhaltet mit ,Tell Me Now So I Know" den Song, der als Titeltrack des Jim Jarmush Films ,Broken Flowers" ausgewählt wurde. Zu den neun HOLLY GOLIGHTLY Originalkompositionen gesellen sich zwei RAY DAVIES Songs ("Time Will Tell" & "Tell Me Now So I Know") zusammen mit "There's An End" (geschrieben von ihrem Freund Craig Fox von THE GREENHORNES). Außerdem mit dabei: eine brillante Version des JESSIE MAE ROBINSON Songs ,Black Night", der durch die Version von MUDDY WATERS unsterblich wurde. Unterstützt von der Crème de la Crème der Toe-Rag Hausmusiker zusammen mit den HOLLY GOLIGHTLY Bandeckpfeilern Bruce Brand (THE MILKSHAKES, THEE HEADCOATS) und John Gibbs (KAISERS, MASONICS) ist HOLLY GOLIGHTLY auf diesem Album in absoluter Höchstform.

“Impressions / I Am Thousands” is the new release from Berlin-based electronic producer and multi-instrumentalist sUb_modU, aka the brainchild of Italian Romeo Sandri. Both songs form part of the jazz musician’s debut album ‘Descent To The Centre’, a record that is an autobiographical and existentialist account of oneself, blending the electric/psychedelic spectrum of jazz with house, avant-garde and ambient leanings.

Following on from “Pidgin Synths EP”, a releases that entangled a homage to afrobeat pioneer Fela Kuti with synth-heavy original material, sUb_modU has amassed an impressive list of tastemaker support through his unique reinterpations, from the likes of Gilles Peterson (BBC 6Music), Ross Allen (NTS) and Virgil Abloh (Off White). Alongside the release of his debut album is a special edition, double A side single, 7” featuring an exclusive 45 Centre Edit of the iconic “Expensive Shit” paired with a sUb_modu original “RAM Generation”.

"This is another one that went down a storm” – Ross Allen (NTS), Best of 2020
“"Quite a lot of people have been asking me about that Fela Kuti cover…”
– Gilles Peterson (BBC 6Music)
“A killer electronic-filled reinterpretation” – Twistedsoul
With further support from Virgil Abloh (Off White), TRENCH & DJ Mag

Robbie Williams will be reissuing his first two multi-million selling solo albums ‘Life Thru A Lens’ and ‘I’ve Been Expecting You’ on vinyl for the very first time. To be released on 24 September, both titles have been newly mastered at Abbey Road Studios, are pressed on 180 gram heavyweight vinyl and housed in gatefold sleeves, reproducing the original distinctive artwork. Both titles come with Download codes. Originally released in October 1997, ‘Life Thru A Lens’ was Robbie’s debut solo album. It entered the chart at number 11 but had to wait almost six months before it reached number one. It eventually spent 147 weeks on the Top 100 and has been certified 8x Platinum by the BPI for UK sales in excess of 2 million copies. It includes the hit singles ‘Old Before I Die’ (No. 2), ‘Lazy Days’ (No. 8), ‘South Of The Border’ (No. 14), ‘Let Me Entertain You’ (No. 3) and ‘Angels’ (No. 4), the latter his biggest selling single to date, and voted the best song of the last twenty-five years at the 2005 BRIT Awards. Now certified 10 x Platinum by the BPI, with UK sales in excess of 2.5 million, ‘I’ve Been Expecting You’ was originally released in October 1998 when it entered the chart at number one. It returned to the summit the following January and once again a month later. It includes the hit singles ‘Millennium’ (No. 1), ‘No Regrets’ (No. 4), ‘Strong’ (No. 4) and ‘She’s The One’ (No. 1). ‘No Regrets’ features backing vocals from Pet Shop Boys’ Neil Tennant and The Divine Comedy’s Neil Hannon, while album track ‘Win Some Lose Some’ includes the ‘Telephone Voice’ of All Saints’ Nicole Appleton.

Robbie Williams will be reissuing his first two multi-million selling solo albums ‘Life Thru A Lens’ and ‘I’ve Been Expecting You’ on vinyl for the very first time. To be released on 24 September, both titles have been newly mastered at Abbey Road Studios, are pressed on 180 gram heavyweight vinyl and housed in gatefold sleeves, reproducing the original distinctive artwork. Both titles come with Download codes. Originally released in October 1997, ‘Life Thru A Lens’ was Robbie’s debut solo album. It entered the chart at number 11 but had to wait almost six months before it reached number one. It eventually spent 147 weeks on the Top 100 and has been certified 8x Platinum by the BPI for UK sales in excess of 2 million copies. It includes the hit singles ‘Old Before I Die’ (No. 2), ‘Lazy Days’ (No. 8), ‘South Of The Border’ (No. 14), ‘Let Me Entertain You’ (No. 3) and ‘Angels’ (No. 4), the latter his biggest selling single to date, and voted the best song of the last twenty-five years at the 2005 BRIT Awards. Now certified 10 x Platinum by the BPI, with UK sales in excess of 2.5 million, ‘I’ve Been Expecting You’ was originally released in October 1998 when it entered the chart at number one. It returned to the summit the following January and once again a month later. It includes the hit singles ‘Millennium’ (No. 1), ‘No Regrets’ (No. 4), ‘Strong’ (No. 4) and ‘She’s The One’ (No. 1). ‘No Regrets’ features backing vocals from Pet Shop Boys’ Neil Tennant and The Divine Comedy’s Neil Hannon, while album track ‘Win Some Lose Some’ includes the ‘Telephone Voice’ of All Saints’ Nicole Appleton.

TLM025 kicks off with Erik Escobar and his cover version of Memories by Caruso. Erik is from Campinas in Brazil and a very well respected and talented musician. Taking the track into a completely different direction to the original this cover version is written for the dancefloor. Onto the AA side and Cormac Fulton (one half of Caruso) gives us a very deep track called Perplexed, a very moody affair with Matt Cox and Steve Conry on production duties. Next up is Time Machine from Detroit's Lorenzo Dewberry, another deep journey taking influences from the cities sound for another dancefloor piece. Lastly Gee W finishes off the EP with his track MarshMellow, a very nice laid back deep house track from the UK based multi-instrumentalist.
4 artists to watch over the coming years.

Dirty Dynamite is the seventeenth studio album from Swiss melodic hard rock/heavy metal band Krokus. The album was well received by critics, partly due to the surprising element of their Beatles cover of “Help”. The band origins from the seventies, and have since sold over 15 million records, toured the world and received gold and platinum discs in the US and Canada. The legendary English journalist Malcolm Dome quite rightly said: “If you look at the long-term output of this band, Krokus is clearly one of the best hard rock bands of the last 40 years”.

Dirty Dynamite is available as a limited edition of 1500 individually numbered copies on transparent red vinyl. The records are housed in a gatefold sleeve with lyrics.”

Clear Vinyl

This is a special 180 gram, Limited Edition, clear vinyl, one-sided 45RPM of Mike Huckaby´s Remix of Skymark - Easy Saturday Night EP ((Kevin Reynolds & Mike Huckaby Remixes)). which will come out
soon on · n s y d e · .
In honor of musician, educator, friend Mike Huckaby, who has tragically passed away last year, we had decided to postpone the release in humble respect of the mourning time for this outstanding
human and soul.
To pay tribute to Mike Huckaby´s high sonic standards, n s y d e puts out an audiophile one-sided 45rpm 180 gram version of his remix.
This Track is in our opinion amongst Mike Huckaby´s best productions It touches the classic soulfulness of a Larry Heard Piano and blissful vocals combined with hints of Basic Channel eternal electrifcations.
This is a perfect testament to Mike Huckaby´s unparalleled knowledge and musical bandwith which defned all forms of electronic dance music under the sheltering tree of House Music. Do You know House?

Originally released on the Ovide label from Houston, Texas in 1970 and currently going for around £175, if you can find a copy.
‘Get Your Point Over’ is a brass-led funky dancer that beautifully compliments Sebastian Williams’ soulful vocal style, while the flipside, ‘I Don't Care What Mama Said (Baby I Need You)’, is a slower
groove that lets that vocal really soar, arriving complete with a groovy psychedelic guitar break before Williams testifies to his lady amid some punchy brass stabs.
Two stellar tunes from Sebastian Williams (aka Roger Williams of no-hit wonders The Quarter Notes), whose solo recording career amounted to just three 45s, all five years apart, along with a couple of releases as Sebastian And The House Rockers and finally, in 1975, just Sebastian.
Imagine vintage Tavares lead singer Chubby Tavares at his gritty best with a funky brass section in a soulful Harold Melvin And The Blue Notes styled blast.

Both tracks mastered from the original sound source for maximum soul sound.

Robert Jon & The Wreck are back and ready to tear up the UK and Europe
all over again with their new record, Shine A Light On Me Brother.
The impressive new album, written and recorded during the COVID pandemic,
and self-produced by Robert Jon & The Wreck, is set to release 3 September,
2021. Robert Jon & The Wreck is comprised of Robert Jon Burrison (lead vocals
and guitar), Andrew Espantman (drums and background vocals), Steve Maggiora (keyboards and background vocals), Henry James (lead guitar and background vocals), and Warren Murrel(bass and background vocals). They will take
the new album on tour in September/October 2021 AND February/April/May/
June/July 2022.
Robert Jon & The Wreck has been writing songs and releasing albums since the
band’s conception in 2011. During this time, this quintet of follicular proficient
gentlemen has been busy fine-tuning their sound playing to packed houses
across Europe and the United States.
The band has been received with accolades and raving reviews for years now,
from nominations of “Best Rock” and “Best Blues” and winning the title of
“Best Live Band” at the Orange County Music Awards in 2013, to numerous top
10 chart placement on Southern Rock Brazil’s Top 20 Albums to being praised
as “Classic and fresh at the same time” by Rock The Best Music, “Raising the
bar for the Southern genre” by Blues Rock Review, and “keeping the history
of classic 60’s and 70’s rock alive for newer generations” by Blues legend Joe
Bonamassa.
“A classy re-bore of well-trodden southern rock tropes by an Orange County
quintet with impeccably realised contemporary commerciality. Born of Allmans
and Skynyrd, but box fresh for 2000.” - Classic Rock Magazine
“Full of Eagles like guitar riffs and on infectious groove.” - Blues in Britain

Emerging from the Toronto warehouse scene, Tush is a rising electronic music act powered by Kamilah Apong and Jamie Kidd. Taking inspiration from electro funk, early disco, post-punk and '90s house; their debut album 'Fantast' embodies the rawness, vulnerability, and intimacy of the dancefloor.

'Fantast' kicks off with the slow burning 'Wavy Baby', an invitation to get close, get intimate and submit to the groove: "Vulnerability is the key to us getting to that next step of intimacy". Up next is lead single 'Chrysalis', a high octane ride through a technicolour fantasy world of heady synths and driving rhythms that propel Kamilah's voice into an erotic stratosphere.

'Don't Be Afraid' is about having the courage to love defiantly, urgently, and with intention. Driven by Jamie's infectious bass lines and FX blasts, it smoothly transforms into an uplifting gospel-infused track.

Two high points of the album, 'Jessica F***' and 'Marathons', highlight Tush doing what they do best. These tracks are the sound of the warehouse scene that birthed the project in the first place and the late night jam sessions that were full of possibility pre-pandemic. Here, Tush really stretch their improvisational muscles - the interplay of raw soulful vocals, hypnotic basslines, synth pads, and heavy disco rhythms is at the core of what makes them so invigorating.

'Fantast' closes with the uplifting sunrise energy of 'My Joy', the light at the end of the tunnel. "This song is enchanted by the backing vocals of my friends and chosen family, who are my cornerstones to working through the wonderful mess that I am". Kamilah adds "The track gives me this feeling that - no matter how hard the world tries to beat it out of me - I can and I have had to work hard to cultivate my own happiness in my own sacred spaces - one of those being Tush. Ultimately, this is all I really need".

Let’s get back to the program. Picking up from where things were left off in July 2020…

Whilst most electronic producers of the dance-floor persuasion dabbled with conducting micro-symphonies for their micro-herbs, locked inside their micro-mansions, Dreems has dusted off his dance-floor accreditations and got back to work creating some serious indoor waves for Le Temps Perdu.

The Blue Water EP has all the stuff that encapsulates the label - raw, fun, powerful and free, yet deep, loving, warm and friendly. The music carries on from the previous Shark Water and Blue Hole EPs, calling all sea monsters with Die Orangen Remix of Shark Water, later emerging in calm waters for mermaid pleasing Iñigo Vontier Remix of The Dolphin Communion, and finally swimming into the salty, acidic tones of the Blue Hole (Break Mix).

Dear water-lily enthusiast, you need fear not, there is a hearty nod to the plant-life in Something Else for Spring that grows and sprouts new life with each turning phrase and finally blossoms with a sprinkle of joy. Label head-gardener V gives it the extra push put on the dance floor with his tougher take.

You grab a copy of the vinyl at some bricks and mortar stores if you are fond of wearing your scuba suit whilst browsing the shelves, otherwise head to the regular online outlets to get this small slice of history. It contains, we feel, the best of the past 2 EPs.

Rage, confusion, despair, self-deception, and introspection Madi Diaz cycles
through the full spectrum of emotions on History Of A Feeling,
her debut on ANTI-.
It’s an album that undeniably marks Diaz’s status as a first-rate songwriter, a
craft she’s spent years refining, and one wherein Diaz establishes herself as an
artist capable of distilling profound feelings with ease.
Diaz pulls from a range of folk, country, and pop leanings she is as much influenced by Patty Griffin and Lori McKenna as she is the sonics of PJ Harvey
and directness of Kathleen Hanna. On History Of A Feeling, the Nashville based
songwriter comes to terms with the dissolution of a meaningful relationship.
By the end of it, she wills herself into a self-reflective state where she doesn’t
hate herself for being so heartbroken.
The songs on History Of A Feeling, are the most direct and introspective songs
Diaz has ever written. In the few times she’s gotten to perform them live in
front of an audience, Diaz describes the experience as one where she feels
acutely present even though she’s singing about emotions that started to take
root years ago.
It’s relatable to anyone who has experienced heartbreak and great change in
some manner, and this profound sense of intimacy and camaraderie she seamlessly weaves into the songs was important to her.
“I wanted it to sound conversational, like I had just walked over to your house
and we’re sitting and at the end of your driveway talking just like we’re hashing it out in the same way that you’d call a best friend at one in the morning
because you needed to talk about what just happened.”

Wave Particle Singularity debuts on Hot Haus Recs with 3 super deep slammin Houz kuts - introspective-laboratory-glitch-house the best it’s ever gonna get! Backed with a remix from DJ M4A4 (Running Out Of Steam / Distant Hawaii). All Killer no filler house techno & garage from the Hot Haus camp.

Horse Meat Disco deliver the latest single from their acclaimed debut album ‘Love & Dancing’, this time made in collaboration with NYC group The Phenomenal Handclap Band. ‘Sanctuary’ sees the quartet at their disco dancefloor-ready best, as The Phenomenal Handclap Band provide a dose of deliciously cool nonchalance. Fuelled by hefty analogue muscle, funky guitar riffs, 70s synthesizers and glowy vocals ‘Sanctuary’ makes for an irresistible modern disco number. Ray Mang makes an appropriate remixer for the package, his amalgamative style of boogie, disco, dub and house a perfect fit for Horse Meat Disco and The Phenomenal Handclap Band’s collaboration, providing both a remix and Dubstrumental for the package. ‘Sanctuary’ is an unmissable release for any modern day, discerning disco listener that you’ll want to hear again and again.