Suche:the box
Following his recent EP, The Circle of Life, on Pushmaster Discs, Milan's rising techno star Maike Depas returns with a brand-new release on his renowned The Innovation Studio Records. Titled “Sexy Devil Horse”, it is a powerful 10-track collection, featuring many iconic international artists from the Hard Techno space such as Etruria Beat’s headmaster Luca Agnelli, Dutch-based sensation OGUZ and the “Demon of hard techno” also known as Michael Katana, as well as Southern Italian talents CHRS and Gianni Di Bernardo.
This release marks a pivotal moment in Maike Depas’ journey to become one of the highest rated talents in the Hard Techno scene. It will also be followed by a key paradigm shift his label’s business model in 2025. For this occasion, Maike has lined up an amazing group of artists to celebrate those who have shared his musical vision along the way.
The title is meant to be provocative and captivating, just like its content: catchy and fresh enough to attract ravers and clubbers from around the world. Its artwork was created by the master Luden Works. It features a plastic female figure with an undefined appearance, yet with sensual curves and a powerful surge of energy, like a wave enclosed in a sphere, representing Maike’s and The Innovation Studio Records’ logos.
From the galloping rhythm of “Sexy Devil Horse” and “Hear The Sound” to the groovy and elegant “Ce Soir” there is an immediate feel about the artist’s singular touch and eclecticism. Same goes for the tangible contrasts which make a key element of this release, where the minimalistic mood of “StarKiller” and its maximalist counterpart “Dark Serenade” carry the listener through a full-spectrum emotional rollercoaster.
Hard Techno and Psy Trance vibes go hand in hand with ‘90s Trance and Rave echoes, creating a blend of recognisable and innovative samples that can resonate with many different types of audience and like-minded artists. This aspect is fundamental in the direction Maike and his team have decided to take.
It all comes from afar: starting with a classical musical background – playing the piano at Conservatory level for many years, including Berlin’s own Funkhaus. This theoretical and practical knowledge, mixed with a long-time passion for electronic music, made it easier for Maike to shape and cultivate his authentic sound since a very young age.
As part of its evolution, The Innovation Studio Records will officially open its doors to new talent and renowned artists starting in 2025. The team’s vision is to create an international reference point for quality and innovation, shaping a brand-new artistic movement based on combining the modern vision of our generation with our cultural heritage from the past, thanks to the team that we put together, both in terms of approach and technique.
It'll be a structure built from the ground up, combining the best of analogue technology in a modern workflow with the highest level of music hardware, audio monitoring and studio design. In their view, there are two types of productions: those that stay ‘inside the box’ and those that get into your heart.
The desire to unite instead of dividing, to join forces instead of competing, is the key to Maike’s success and a real drive to turn the studio lights on every single day. Despite playing a lot with dystopic, cyberpunk-like atmospheres throughout his artistic journey, music doesn’t feel like a means to escape reality for Maike. In fact, it’s quite the opposite.
The definition Maike uses the most to describe what The Innovation Studio Records wants to become is “a mysterious display cabinet”: a place where an artists will never know what emotion will arise or what direction will be taken next. Although hard work, professionalism and common inspiration will ultimately still be its main fuel, a true sense of community and empathy will be crucial to shape the future Maike and his team have in mind for it.
In a very romantic way, the idea is to re-create the same atmosphere from the Italian Renaissance masters’ workshops. Places where different artists - with opposite backgrounds and styles - could all mingle and inspire each other, in order to foster the creation of something unique. A collective effort for a greater good.
About MAIKE DEPAS
Young hard techno DJ-producer Maike Depas (born Michelangelo De Pasquale) has seen the future of music and it’s called metaverse: “In the future it will blow up,” he predicts. “And it’s going to revolutionize the way we experience music.” Bowled over by Skrillex and Martin Garrix by the age of eight, and DJing at smaller Milan clubs by the time he was eleven, Depas went on to study composition and piano at the prestigious
Milan Conservatory before learning ‘life- changing” lessons from the best in the business at Catalyst’s 4-week Advanced Sound Design course in Berlin’s Funkhaus . His production gets inspired by huge 90s trance synths as much as pounding hard techno from artists such as Kobosil, In Verruf and Amelie Lens.
2024 marked the launch of MAIKE DEPAS 2.0, a tectonic audio-visual shift that entails a wide array of content from DJ sets livestreamed from Berlin’s Teufelsberg and other dystopic locations around Europe to cyberpunk-inspired outfits designed by Demobaza, a cyberpunk-inspired casual couture brand best known for their sustainable Dune X Demobaza collection. Over the course of a developing metamorphosis from a flesh-and-bone individual to a mysterious CGI character, Depas is another step closer to revolutionize the dance music scene through the metaverse.
- A1: M I:5 - Koch Loop
- A2: M I:5 - Contenance
- A3: M I:5 - Mikrophon 1
- A4: M I:5 - Mikrophon 4
- B1: All - Überall 1
- B2: All - Überall 3
- C1: Mint - Gymnopedie
- C2: Mint - All 99
- C3: Mint - Hochlicht 99
- D1: Wassermann - W I.r. 2 (Christuskirchen Mix)
- D2: Wassermann - W I.r. Schaffeln (Christuskirchen Mix)
- D3: Wassermann - W I.r. Machen Weiter (Christuskirchen Mix)
Earquake 1991[22,48 €]
Earquake 1992[22,48 €]
Earquake 1993[22,48 €]
Earquake 1994[22,48 €]
Earquake 1995[22,48 €]
Earquake 1996[22,48 €]
Earquake 1997[22,48 €]
Earquake 1998[22,48 €]
Earquake 1999 is the ninth and final part of the 1990s “Best of” vinyl series by Wolfgang Voigt. Well-known classics and never-before-released tracks on vinyl from M:I:5 to Wassermann celebrate the finale of a magnificent decade until the bells ring at the end on New Year's Eve... Earquake 1999 comes as part of the exclusive Earquake BOX.
Earquake 1999 ist der neunte und letzte Teil der 1990er Jahre „Best of“-Vinyl-Serie von Wolfgang Voigt. Bekannte Klassiker und bisher nie auf Vinyl erschienene Tracks von M:I:5 bis Wassermann feiern das Finale eines grandiosen Jahrzehnts, bis die Glocken am Ende zu Silvester läuten... Earquake 1999 kommt als Teil der exklusiven Earquake BOX.
Earquake 1991[22,48 €]
Earquake 1992[22,48 €]
Earquake 1993[22,48 €]
Earquake 1995[22,48 €]
Earquake 1996[22,48 €]
Earquake 1997[22,48 €]
Earquake 1998[22,48 €]
Earquake 1999[22,48 €]
The fourth part of the “Best of” Earquake Vinyl series by Wolfgang Voigt is a manifesto of the straight bass drum through the ages. Yesterday, today, the day after tomorrow. Time is running. Live is Life. The bass drum remains straight.
Der vierte Teil der „ Best of” Earquake Vinyl Serie ist ein Manifest der geraden Bassdrum im Wandel der Zeit. Gestern, Heute, Übermorgen. Time is running. Live is Life. Die Bassdrum bleibt gerade.
The RUN DMC ReAction Figure Holiday 3-pack is here to deliver some of that holiday spirit from Hollis, Queens straight into your collection! Inspired by their hit song Christmas in Hollis, this festive box set features 3.75” scale figures of Joseph Simmons, Darryl McDaniels, and Jam Master Jay sporting tracksuits, Santa hats, and gold chains, with two microphones with gift bows, a sack of cash, Santa’s wallet, and an “ill reindeer” figure. Celebrate the season in the company of Hip-Hop royalty with the RUN DMC ReAction Figure Holiday 3-Pack!
- Stone Free (January 1, 1970 2Nd Show
- Hear My Train A Comin’ (December 31, 1969 1St Show
- Izabella (December 31, 1969 1St Show
- Machine Gun (December 31, 1969 1St Show
- Foxey Lady (December 31, 1969 2Nd Show
- A1: Silent Night (3:39)
- A2: All I Want For Christmas Is You (4:01)
- A3: O Holy Night (4:27)
- A4: Christmas (Baby Please Come Home) (2:33)
- A5: Miss You Most (At Christmas Time) (4:32)
- B1: Joy To The World (4:18)
- B2: Jesus Born On This Day (3:41)
- B3: Santa Claus Is Comin' To Town (3:24)
- B4: Hark! The Herald Angels Sing/Gloria (In Excelsis Deo) (2:59)
- B5: Jesus Oh What A Wonderful Child (4:26)
- B6: God Rest Ye Merry Gentlemen (1:18)
LP 2x12"[46,18 €]
LP[26,68 €]
LP[26,68 €]
7" single[15,92 €]
12" single[15,92 €]
12" single[17,61 €]
LP[19,75 €]
2LP[90,34 €]
The Holiday Album That Turned Mariah Carey into the Queen of Christmas: Featuring the Standard “All I Want for Christmas Is You,” the Singer’s Blockbuster Merry Christmas Exudes Joy, Spirituality, and Conviction
Sourced from the Original Master Tapes, Presented in Audiophile Sound for the First Time, and Strictly Limited to 3,000 Numbered Copies:
Mobile Fidelity’s UltraDisc One-Step 180g 33RPM LP Set Plays with Superb Detail, Openness, and Definition
1/2" / 30 IPS / Dolby SR analogue master to DSD 256 to analogue console to lathe
Mariah Carey didn’t become the Queen of Christmas just because of her fervent love of the holiday. Or as the result of a brilliant marketing plan. The iconic singer earned her title by way of her blockbuster Merry Christmas, a 1994 album that quickly joined the likes of Bing Crosby’s White Christmas, A Jolly Christmas from Frank Sinatra, and Nat King Cole’s The Christmas Song as an all-time holiday vocal classic. Featuring a balanced mix of inspired originals and well-chosen covers, Carey’s fourth studio record has only grown in stature as new generations discover its magic. Mobile Fidelity’s 30th anniversary edition reissue of Merry Christmas makes her spellbinding performances and upper-tier register come alive like never before.
Sourced from the original master tapes, pressed at Fidelity Record Pressing, and strictly limited to 3,000 numbered copies, the pioneering label’s UltraDisc One-Step 180g 33RPM LP set of Merry Christmas plays with superb detail, depth, and dimensionality. Available in audiophile quality for the first time since its original release three decades ago, and featuring the bonus track “God Rest Ye Merry, Gentlemen,” the nine-times-platinum set breathes with a newfound openness and transparency that enhance the spirituality, passion, and festive tenor of Carey’s singing.
Benefitting from superb groove definition, a nearly inaudible noise floor, and dead-quiet vinyl surfaces, the music takes on a heightened energy and anticipatory emotion synonymous with the holiday season. Carey’s signature vocals explode with liveliness and dynamics, the full scope of her acrobatic range presented in clear, transparent sound that practically places her on a small stage in your listening room. This collectible version also breathes with the kind of warmth, intimacy, and coziness you want from a landmark vocal album.
Recorded when Carey helped put “diva” back into everyone’s vocabulary, Merry Christmas gave the New York native another smash right out of the box. What nobody knew at the time was the degree of the album’s staying power — and how, many years removed from its initial promotion cycle, its legend would still grow and even spark a 2010 sequel. Having re-entered the Top 200 charts every year since 2019, Merry Christmas ranks as one of the three most commercially successful holiday LPs ever made and, in due time, will likely earn the top distinction in that class. A global blockbuster, it seamlessly ties together Christian, gospel, and secular threads and speaks to a boundless audience, independent of denomination.
Most obviously, the record remains inescapably connected to “All I Want for Christmas Is You,” an uptempo anthem that towers as a holiday standard and one of the biggest-selling singles in history. Punctuated with celesta chimes, sleigh bells, springy keyboards, and joyous beats, the song echoes the simple albeit engaging melodies and doo-wop style of beloved holiday classics of yore — and blends such elements with contagious dance-pop rhythms to create an atmosphere rich in joy, wonder, and excitement. Radiant with golden soulfulness and sincere conviction, Carey’s exuberant singing and on-point phrasing put it all over the top. And how.
The song stands as the only effort in Billboard history to top the Hot 100 chart during at least three separate runs. Carey’s blockbuster has already hit No. 1 during five runs, spanning every year between 2019 and 2024. That’s just one of the many records the singer holds — and only one of the multiple highlights from Merry Christmas, which includes two other Carey-penned originals, “Miss You Most (At Christmas Time)” and “Jesus Born on This Day.”
Though slightly lesser known, Carey’s remarkable rendition of Darlene Love’s “Christmas (Baby Please Come Home)” further links her album with the big, lush, Wall of Sound heritage that helped inspire its production. Carey’s heartfelt take and transformation of the traditional “Santa Claus Is Coming to Town” into an animated tune that even adults can believe, as well as her clairon reading of “Joy to the World” — cleverly augmented with bits of Three Dog Night’s 1971 hit of the same name — further reinforce her status as Queen of Christmas.
At the peak of her powers, Carey finds equivalent success when tapping more spiritual veins. Witness the reverence she brings to the timeless carol “Silent Night,” the piousness she invests in “Jesus Oh What a Wonderful Child,” and the sacred feeling she conveys throughout “O Holy Night.” You’ll also never think of “Hark! The Herald Angels Sing” and “Gloria (In Excelsis Deo)” the same way again after hearing Mimi pour her heart and soul into them, and pair the songs together.
Indeed, it’s Carey’s pliable voice, melismatic technique, and five-octave range — on display here in definitive fashion — coupled with her undeniable love for Christmas and understanding of the religious significance of the season that make Merry Christmas a must-have holiday staple. And on Mobile Fidelity’s LP, something you better add to your wish list.
- A1: Sinus Wave 35 555 Hz
- A2: Sinus Wave 71 111 Hz
- A3: Sinus Wave 142 222 Hz
- A4: Sinus Wave 284 444 Hz
- A5: Sinus Wave 568 888 Hz
- A6: Sinus Wave 137 777 Hz
- A7: Sinus Wave 275 555 Hz
- A8: Sinus Wave 4551 111 Hz
- A9: Sinus Wave 9102 222 Hz
- B1: Sinus Wave 53 333 Hz
- B2: Sinus Wave 106 666 Hz
- B3: Sinus Wave 213 333 Hz
- B4: Sinus Wave 426 666 Hz
- B5: Sinus Wave 853 333 Hz
- B6: Sinus Wave 1706 666 Hz
- B7: Sinus Wave 3413 333 Hz
- B8: Sinus Wave 6826 666 Hz
- B9: Sinus Wave 13653 333 Hz
- C1: Bass Sweep Sinus Wave 142 222 Hz - 17.777 Hz Log
- C2: Bass Sweep Triangle Wave 142 222 Hz - 17.777 Hz Log
- C3: Bass Sweep Saw Wave 142 222 Hz - 17.777 Hz Log
- C4: Bass Sweep Square Wave 142 222 Hz - 17.777 Hz Log
- C5: Bass Sweep Pulse 142 222 Hz - 17.777 Hz Log
- C6: Bass Sweep Smooth Saw Wave 142 222 Hz - 17.777 Hz Log
- C7: Bass Sweep Smooth Square Wave 142 222 Hz - 17.777 Hz Log
- C8: Bass Sweep Smooth Pulse Wave 142 222 Hz - 17.777 Hz Log
- D1: Sweep Grid 1/2
- D2: Sweep Grid 1/3
- D3: Sweep Grid 1/4
- D4: Sweep Grid 1/5
- D5: Sweep Grid 1/6
- D6: Sweep Grid 1/7
- D7: Sweep Grid 1/8
- D8: Sweep Grid 1/16
- E1: Eisler - Run In Groove
- E2: Eisler - Run In Groove
- E3: Eisler - Run In Groove
- E4: Eisler - Run In Groove
- E5: Eisler - Run In Groove
- E6: Eisler - Run In Groove
- E7: Eisler - Run In Groove
- E8: Eisler - Run In Groove
- F1: Eisler Tonal Loop
- F2: Eisler Tonal Loop
- F3: Eisler Tonal Loop
- F4: Eisler Tonal Loop
- F5: Eisler Tonal Loop
- F6: Eisler Tonal Loop
- F7: Eisler Tonal Loop
- F8: Eisler Tonal Loop
- G1: Drum Pattern
- G2: Drum Pattern
- G3: Drum Pattern
- G4: Drum Pattern
- G5: Drum Pattern
- G6: Drum Pattern
- G7: Drum Pattern
- G8: Drum Pattern
- H1: Drum Pattern
- H2: Drum Pattern
- H3: Drum Pattern
- H4: Drum Pattern
- H5: Drum Pattern
- H6: Drum Pattern
- H7: Drum Pattern
- H8: Drum Pattern
- I1: Sonar
- I2: Sonar
- I3: Sonar
- I4: Sonar
- I5: Sonar
- I6: Sonar
- I7: Sonar
- I8: Sonar
- J1: Ping
- J2: Ping
- J3: Ping
- J4: Ping
- J5: Ping
- J6: Ping
- J7: Ping
- J8: Ping
- K1: Hi Surface
- K2: Hi Surface
- K3: Hi Surface
- K4: Hi Surface
- K5: Hi Surface
- K6: Hi Surface
- K7: Hi Surface
- K8: Hi Surface
- L1: Surface Tonal
- L2: Surface Tonal
- L3: Surface Tonal
- L4: Surface Tonal
- L5: Surface Tonal
- L6: Surface Tonal
- L7: Surface Tonal
- L8: Surface Tonal
- M1: Shepard
- M2: Shepard
- M3: Shepard
- M4: Shepard
- M5: Shepard
- M6: Shepard
NOTON and The Vinyl Factory are pleased to announce the release of the new edition of Carsten Nicolai’s ∞ (Endless Loop Color Edition), under his alias Noto.
This new limited edition box set celebrates Carsten Nicolai’s beloved interactive installation, bausatz noto, currently featured at The Vinyl Factory: Reverb exhibition at 180 Studios.
The exhibition features an expanded version of Nicolai’s artwork bausatz noto (1998) – an interactive piece centered around four Technics SL-1210 turntables and a selection of colored vinyl records. Visitors are invited to select and play the records, each of which has been cut with 9 or 8 unique locked grooves on each side. As Nicolai explains, “the different colors indicate different sound material, from the very abstract to the graphic” that users can loop and layer to create infinite permutations and combinations.
Previously released as a sold-out signed edition with a hardback book, this 2024 box set edition brings the installation into your own space. Comprised of twelve 10” colored vinyl records, each featuring 18 or 16 unique locked grooves (9 or 8 per side), the concept remains the same: Nicolai provides the tools to build your own soundscapes.
The records are sleeved in twelve custom-made archive folders, housed in a handmade box with artwork. Limited to 1000 copies worldwide.
Lacquers created by Lupo / Calyx Mastering
- A1: What The Fuck
- A2: Rain
- A3: Love Yourself
- A4: Fear
- A5: Here I Am
- A6: Don’t Look Back
- B1: Lost Cause
- B2: Don’t Ever Stop
- B3: River
- B4: Under Control
- B5: Goodnight
Ghost Alive was the sixth album released by the Boxer Rebellion and is reissued on limited coloured vinyl pressing as part of a reissue series across their entire album catalogue.
An album born of hope through heartache, ‘Ghost Alive’ is the band’s most personal and human record to date. Exploring the darker corners of love, loss, and grief while shining a light on shared human experience, the album leans on the London four-piece’s more cinematic elements for a gloriously widescreen journey. Stripping away any excess, this album showcases the bare bones of opulent songwriting that lays at the core of The Boxer Rebellion. Rather than being crushed under the weight of melancholia, ‘Ghost Alive’ is 11 tracks that breathe with an understanding and experience. Bracingly vulnerable and achingly real, it’s a tender triumph from a band whose prime shows no signs of fading.
The band now have an eponymous EP, six studio albums, Exits (2005), Union (2009), The Cold Still (2011), Promises (2013), Ocean by Ocean (2016) and Ghost Alive (2018), as well as a compilation album, B-Sides & Rarities Collection, Vol. 1 & 2 (2012).
- Quality Crayon Wax Ok
- The Order Form
- Shabby Abbott
- World Friction
- Wake Up
- Albert
- Alkaline Loaf In The Area
- Collecting Dust
- Popcorn Boy (Waddle Ya Do?)
- Aerosol Burns
- World Friction (Single Version)
- Wake Up (Ep Version)
- Eagle Bird
- Quality Crayon Wax Ok (Ep Version)
- Bod's Message
- Flora Force
- Eugene
- Tame The Neighbours
- Music Is A Better Noise
- Moon Town
- Fanfare In The Garden
- The Captain
Iconic UK punk band X-Ray Spex co-founder Lora Logic was unexpectedly ousted before the recording of their debut album 'Germ Free Adolescents' in 1977. Undeterred, Lora went on to form and front the post-punk band Essential Logic. With trademark angular sax lines and her unmistakable vocal stylings, she went on to create some of the most liberating and exciting music of the early post-punk era, not only as Essential Logic, but also as a solo artist. 'Beat Rhythm News (Waddle Ya Play?)' is the band's debut studio album. Originally released in December 1979 on the Rough Trade Records label, whose founder Geoff Travis provided enthusiastic encouragement. The album reached number 11 in the UK Indie chart. Lora's solo album 'Pedigree Charm' followed in 1982. Lora and Poly Styrene would later reform X-Ray Spex for the band's sophomore and final studio album 'Conscious Consumer' in 1995. Essential Logic returned from an extended hiatus in 2022 with the 5 x LP boxset 'Logically Yours', including the new studio album 'Land of Kali', co-produced by Lora and Youth (Killing Joke), followed by 2024's remix album thereof - 'Rekalibrated', which enlisted the talents of an ambitious and diverse set, including Grammy Award winner - Dave Audé, Rave-pop legend - Adamski and Scottish Kandy-poppers - bis, amongst others on remixer duties. This 45th Anniversary 'Deluxe' edition compiles the original studio album together with a bonus album containing the complete Essential Logic studio recordings from 1978 - 1983, including the iconic Cells Records debut single 'Aerosol Burns' (1978), the 'Wake Up' EP (1979), included here for the first time on any physical release since its original pressing, together with the non-album b-side 'Flora Force' and 3 post album Rough Trade Records single releases: 'Eugene' (1980), 1981's 'Music Is A Better Noise' and 'Fanfare In The Garden', and their respective b-sides. Repackaged in a high gloss accented, spot varnished sleeve, on 2 x black and white splatter vinyl, foiler stickered, with inner-sleeves including full lyrics and new sleeve notes by Lora. This release also marks the long overdue and highly championed CD debut of the original album and bonus tracks. Following their recent UK tour with fellow punk legends Penetration, featuring Pauline Murray, in November 2024, Essential Logic show no signs of stopping or slowing down as they plan extensive live celebrations of the album throughout 2025 as well as the recording and release of their next studio album. Press Quotes : "Lora's voice is always doing the right, thrilling things...she frets and somersaults in such an intoxicating way" - NME // "A stunning record that remains a benchmark of the punk era" - AllMusic // "Beat Rhythm News suggests an impromptu brainstorming session between Kate Bush, Talking Heads and Captain Beefheart" - Louder Sound // "An intelligent and fluid benchmark for any band willing to dabble in both punk and dance music at the same time" - PopMatters
- A1: I Want To Break Free
- A2: Every Breath You Take
- A3: Sweet Dreams
- A4: Don't You Want Me
- A5: Take On Me
- A6: Rio
- A7: Gold
- B1: Karma Chameleon
- B2: Come On Eileen
- B3: Cruel Summer
- B4: Stand & Deliver
- B5: 99 Red Balloons
- B6: You Came
- B7: I Should Be So Lucky
- B8: Never Gonna Give You Up
- C1: (Just Like) Starting Over
- C2: Dancing In The Dark
- C3: Easy Lover
- C4: Livin' On A Prayer
- C5: The Best
- C6: If I Could Turn Back Time
- C7: Everybody Wants To Rule The World
- D1: I Wanna Dance With Somebody (Who Loves Me)
- D2: I Feel For You
- D5: Red Red Wine
- D6: House Of Fun
- D7: Town Called Malice
- D8: Brass In Pocket
- E1: I'm Still Standing
- E2: Uptown Girl
- E3: Footloose
- E4: Take My Breath Away
- E5: Ghostbusters
- E6: Back To Life
- E7: Ebony & Ivory
- E8: Hello
- F1: Blue Monday
- F2: Heart
- F3: Relax
- F4: You Spin Me Round (Like A Record)
- F5: Tainted Love
- F6: Temptaion
- F7: Vienna
- D3: Don't Leave Me This Way
- D4: The Tide Is High
5x12" Color Vinyl Boxset[47,69 €]
It’s time to celebrate an amazing decade for pop music – as popular today as it was back then...and with so many fantastic hits to choose from we had to make this a 100 track selection across 5 CDS – including over 50 #1 singles… Time to immerse yourself in the decade that never stops… legwarmers on – it’s : ‘Also available on 5-LP boxset featuring 78 huge hits, including 40 #1s, over 10 sides of vinyl, pressed in 5 different colours, one for each LP – red, yellow, pink, green and blue. Then we have a 3LP set featuring 45 unforgettable hits, including 27 #1s across 3-LPs, pressed in a red, a blue and a green vinyl
Red Vinyl. Since emerging in 2015, Sextile have been a party-provoking force on the LA underground, capable of kicking up a riot with the raw-edged squall of a synth or the sharp-elbowed jerk of a guitar. Sextile are now ready to rage with a serotonin-boosting new album, a new group dynamic, faster BPMs, and an even wilder new direction. Recorded in Yucca Valley, Push bounces and bops at the fringes of hardcore dance music, with the hallmarks of drum & bass, gabber and trance illuminating the record like glowsticks at a `90s Fantazia rave. "Contortion" introduces the album with shadowy vocals from Keehn and a `00s-ready twist of dirty electro bass, setting the tone for the dance-punk rave-up that unfolds across 11 attention-grabbing tracks. There's plenty of historic teen angst and biting social commentary written into the album's vivid tales and misadventures. Balancing storytelling with face- melting synths that turn the tune into an acid trance character study, "No Fun" is penned from the perspective of a teenager trying to flee their town. A punk spirit underscores the album. The clue's in the name with "Crassy Mel," which partly serves as a high-energy dedication to `70s anarcho-punk legends Crass . The track's headbang - ing heft, vocal yelping, and Prodigy -shaped breakbeats accentuate the album's overwhelming sense of fun. Plus, the dreamy ambient wash at the end of the song is the ultimate palate- cleanser. Push was inspired by the kind of pleasure-seeking music fans whose social calendar comprises both the punk show and the rave. Josh Wink, Iggy Pop, Goldie, and early XL Recordings have all been namechecked as influences on Push , and the dancefloor remains a constant pres - ence. Repping their place of origin, "New York" brings these musical touchstones off the page, guiding the album like an acid-soaked lodestar with its grinning nod to "Higher State of Consciousness" and a whirlygig of music-box synths. There are still nods and "hellos" to the caustic post-punk of Sextile's earlier work. Sextile haven't relinquished their punk credentials, they've just given them a smiley-faced revamp.
- A1: Music Not Numbers (Feat London Contemporary Orchestra & Chris Maddock)
- A2: Balance (Feat London Contemporary Orchestra & James Beckwith)
- A3: I`ll Take My Chances (Feat London Contemporary Orchestra, Ria Moran & Binker Golding)
- A4: Believe (Feat London Contemporary Orchestra)
- B1: Just A Little Bit (Feat London Contemporary Orchestra)
- B2: In Search For Goldilocks (Feat London Contemporary Orchestra & James Beckwith)
- B3: You Know (Feat London Contemporary Orchestra, Zola Marcelle & Nubya Garcia)
Jazz re:freshed are proud to present the third studio album by bassist and composer Daniel Casimir.'Balance'encapsulates 'Big Band Energy', with his signature combination of Classical, Jazz and cinematic sounds.
The albumpays homage to the traditions of big band composition and historical significance whilst illustrating contemporary sensibilities.
This ambitious project explores the balance between two large and full sounds of a big band and a string section and is inspired by icon Wayne Shorter's album'Emanon'which made a deep impression on Casimir during the process of creating the album.
An organic development of Casimir's last critically acclaimed album'Boxed In'which featured a jazz quintet alongside a mini chamber Orchestra and was comprised of a woodwind, brass, with a string quartet,'Balance'is a self produced album that takes his musical vision to the next level in his most ambitious body of work to date, leading 26 musicians.
Recorded in November 2022 at Livingston Studios, in a very conscientious recording process which saw piano, bass, and drums recorded together first, followed by trumpet, trombone, saxophone, and the string section and an all star band that consists of figures from the UK Jazz scene, Cassie Kinoshi, Binker, Nubya Garcia, Rosie Turton, Sheila Maurice-Grey and Jay Phelps to name a few alongside a stunning string section performed by the London Contemporary Orchestra.
The final day of recording enlisted the powerful vocal prowess' of Zola Marcelle and Ria Moran to finesse the masterpiece. The track'Music Not Numbers'is an encouraging call to all musicians to not allow streaming culture to affect their creative process and to continue expanding the intrinsic nature of music. Whereas track,'Search for Goldilocks'explores the second meaning behind the album title 'Balance', which is to seek balance within and discover the qualities in life that are "just right".
- A1: Dj Cam - Dj Cam Theme
- A2: Cutee B - Jazz Ob Piano
- A3: The Right Vibes - What Is Jazz
- A4: Reminiscence Quartet - Inspiration
- A5: Bob Sinclar - Gym Tonic
- B1: Calm - People From The Sun And The Earth (Dixon's Advc)
- B2: Tom & Joy - Queixume (Masters At Work Remix)
- B3: Salomé De Bahia - Outro Lugar
- B4: Bob Sinclar Feat Ron Carroll - House Music
- B5: Africanism Presents Bob Sinclar, David Guetta, Joachim
- C1: East - Bundle O'jazz
- C2: La Yellow 357 - Quelle Sensation Bizarre
- C3: Somethingalamode Feat Karl Lagerfeld - Rondo Parisiano
- C4: 4 00 Am In The Mourning (Putsch'79 Remix)
- C5: Bob Sinclar - New New New (Avicii Remix)
- D1: Artofdisco Presents Accident In Paradise - Don't Be Late
- D2: Africanism Presents Dj Gregory - Bloc Party
- D3: Bangbang - Shoot The Model (Teen Remix Edited By Shield)
- D4: Bob Sinclar & Dimitri From Paris Feat Byron Stingily
- D5: Artofdisco Presents Dj Yellow - Mosheeba
- E1: Louise Vertigo - Où Est La Femme ?
- E2: The Mighty Bop Feat Duncan Roy - Too Deep
- E3: Africanism Presents Dj Gregory Feat Salomé De Bahia
- E4: Bob Sinclar Feat Sofiya Nzau - Digane
- F2: Kid Loco - She's My Lover
- F3: Artofdisco Presents Vince - Superworld (Dj T & Booka Shade Remix)
- F4: Bob Sinclar Feat Steve Edwards - World Hold On (Children Of The Sky)
- F5: Artofdisco Presents Farrell Lennon - Ten Thousand Women
- E5: Africanism Presents Martin Solveig - Edony (Clap Your Hands)
- F1: The Mighty Bop Feat Ejm - Freestyle Linguistique
To celebrate the 30th anniversary of bob sinclar"s iconic label, Yellow Productions, step into the catchy world of the french touch with an exceptional and limited boxset with 3 LP vinyl records plus a poster. Discover hits, unreleased nuggets and rare tracks ranging from house to trip-hop, jazz and hip-hop. Discover some of the biggest names on the electronic music scene : Like Dimitri From Paris, Dj Gregory, Kid Loco, Martin Solveig and David Guetta!
- You Kill Me, I Kill You
- Chanson De Clara (Retour Chez Soi)
- Aéroport
- Clara Et Les Chics Types (Chanson De Louise)
- Monkeys In The Street
- Le Train
- Amitié*
- Une Java À La Fête Foraine
- Une Java Dans Le Minibus
- Une Valse À La Fête Foraine
- Le Reggae Du Lycée
- Chanson De Clara
- L'aube Sur Le Lycée
- Le Boeuf (Vers Le Concert)
- Slow Dans Un Juke Box
- Le Funky Du Transistor
- Reggae Two*
- La Salsa Du Juke Box
- Le Boeuf (Au Lycée)
- Clara Et Les Chics Types
Wewantsounds is delighted to announce the release of the sought-after soundtrack for cult 1980 French film "Clara Et Les Chics Types," featuring Isabelle Adjani, Daniel Auteuil and the Splendid troupe actors. The Jazz-Funk soundtrack, composed by Michel Jonasz and featuring Manu Katché and Sylvin Marc has never been reissued since 1980. ). Together they weaved a mainly instrumental blend of Jazz funk, reggae and pop which matched the narrative perfectly. Although all the ingredients were there for a success, the film unfortunately stalled and so did the soundtrack. Jonasz went on to become a huge star in France shortly after, but strangely, the Clara soundtrack was never reissued, not even on CD. Remastered from with original master tapes, the release includes two never-released bonus tracks and a 4-page booklet with liner notes by French music expert and musician Guido Minisky (also a member of Acid Arab) who interviewed Michel Jonasz and actor Christophe Bourseiller for the occasion.
- A1: The Train
- A2: (Thinking And Wondering) What I’m Gonna Do
- A3: Sometime
- A4: A Box
- A5: Looking For Love
- A6: Mississippi Moon
- A7: 67
- B1: Lies In The Sand (The Ballad Of...)
- B2: Run
- B3: Fathers 3
- B4: American Cheese (Jerry’s Piano)
- B5: Picture
- B6: Life Going By
King’s X is one of the great mysteries in rock. Ear Candy is the sixth album of this American rock band.
Ear Candy expands on King’s X ability to vacillate between pop, hard rock, psychedelic, and everything in between. All these elements
can be found on this album, good hard rocks songs, ballads and everything in between.
The album also features the single “The Train” and Glen Phillips of Toad The Wet Sprocket can be heard the track ‘A Box.’
Ear Candy is available as a limited edition of 1500 individually numbered copies on purple coloured vinyl and comes in a gatefold sleeve.
- Controlled Burn
- Aileen
- Pieces Of God
- Forever Is A Long Time 03:19
- Do You Hear Music
- Home Sick
- We Won
- Swail
- Here Comes The Moon
- Hallway Of Crucified Angels
- Fox Highway
- Harp Circles
- Wind Follows Me Home
- Cap Hits The Button
- Si Fuese Violeta
- Wall Of Swords
- Switch Cars
- Continue & Intensify
- Les Anges Passent
- Here Comes The Rain
- Turning Fire
- Simple As That
- Life Is Good
- Dora
- Box Of Dark Roses
- Isn't It Hard
- Tired All The Time
- Opening Drive
- Walking To The Grave
- Attacked
- Flight From The Cemetery
- Refuge
- Trophy Room
- The Clothesline
- Dead Connection / Corpse On The Stairs / Ben Arrives
- Panic
- Blood From The Landing
- Smashing The Headlight
- Tire Iron Attack
- Don't Look At It!
- Back Porch Bonfire
- Searching The House
- The Music Box
- Boarding Up The House
- Knocked Out
- Fireplace And Torch
- Lounge Chair Bonfire
- The Cellar Door
- Finding The Rifle
- Ben Comforts Barbra
- Cleaning Upstairs
- Grasping Hands
- Ghouls Approach The House
- Down To The Cellar
- Up From The Cellar
- Escape Plan
- Tom And Judy
- Unboarding
- Molotov Cocktails
- Escape From The House
- Truck Escape
- Truck On Fire
- Feeding Frenzy
- Lights Out
- Final Siege
- Breakthrough
- Helen's Death
- Ghouls Overrun
- Cellar Nightmare
- The Posse
- Bonfire
- End Credits
- Bonus Night Of The Living Dead 1968 Radio Spot
- New Arrivals
- Attack At The Window
B&W[48,95 €]
"Waxwork Records is honored to present the release of the Original Motion Picture Soundtrack to George A. Romero’s horror classic, NIGHT OF THE LIVING DEAD. Written, filmed, and released in 1968 by a rag tag group of Pittsburgh based misfits, NIGHT OF THE LIVING DEAD is an American independent horror film that follows the story of seven people trapped in a rural farmhouse that is besieged by a large and growing group of living dead ghouls. The film is regarded as a cult classic by critics, film scholars, and fans and has garnered critical acclaim. The film has been selected by the Library Of Congress for preservation in the National Film Registry and is deemed “culturally, historically, and aesthetically significant”.
Filmed and released on a shoestring budget, NIGHT OF THE LIVING DEAD became a smashing success earning over 250 times its budget. The film is a first of its kind and ushered in a new way of writing, directing, and filming horror films. The overused script of romantic, fantastical tales of otherworldly monsters and creatures was completely flipped and tossed aside by visionary George A. Romero. As the film’s writer and director, Romero created a new, obvious threat, and one that is universally recognizable - Our very own neighbors. Due to an unseen force beyond man’s control, the recently deceased arise from the dead in seek of living human victims. These ghouls kill and feast upon the flesh of their victims, and the only way of stopping them is by destroying their brains.
From 2015 to 2018, Waxwork Records worked closely with the remaining members of the independent production company that made NIGHT OF THE LIVING DEAD, Image Ten, to produce a definitive soundtrack album featuring all music from the film. Much of the film’s music was thought to be lost or destroyed but was located in its entirety and faithfully restored and re-mastered for vinyl. This special release of NIGHT OF THE LIVING DEAD features the complete soundtrack, double LP “Black & White Hand Poured” colored vinyl, all new artwork by Robert Sammelin, a booklet featuring never before seen production photos, liner notes by Daniel Kraus (co-author of THE SHAPE OF WATER with Guillermo Del Toro), liner notes by Night Of The Living Dead’s dialogue recorder and sound engineer, Gary Streiner, and deluxe packaging."
- A1: Prayer For Peace (Daybreakers Remix)
- A2: Alien Boys (Dave Audé Remix)
- A3: Mother Earth (Youth Remix)
- A4: Never Know (Skylab Remix)
- A5: Charming Every Cupid (Govinda Sky Remix)
- B1: Land Of Kali (Adamski Remix) B2. Serious (Bis Remix)
- B3: Fallible Soldiers (Gully Remix)
- B4: Sy Rocket (Lord And Master Remix)
- B5: Beyond (303 Dreams Remix)
Limited Edition Pressing of 200 Copies on Neon Yellow Vinyl. 2022's "Land of Kali" album was the first under the Essential Logic moniker for over 40 years and was released alongside a career-spanning boxset "Logically Yours".
Now Essential Logic head honcho and former X-Ray Spex member Lora Logic has compiled an eclectic and ambitious remixed version of "Land of Kali" entitled "Rekalibrated" featuring reinterpretations from noted artists across a multitude of genres and styles including Grammy award winners, living legends and UK Singles Chart toppers. Lora's work with Essential Logic and X-Ray Spex while Punk in DNA and spirit has always pushed at boundaries. Rule-breaking from the start by bringing the sax into Punk while the jerky, irresistible post-Punk Funk of Essential Logic's "Beat Rhythm News" and Lora's solo album "Pedigree Charm" sit comfortably alongside more contemporary records with one ear on the cerebral and the other on the dancefloor. "Rekalibrated" highlights the many strands that intertwine to make Essential Logic and how they may be unfurled. The lead single will be "Alien Boys" remixed by Dave Audé. Dave is a Grammy Award winning remixer and producer, famed for having more number ones than any other producer on the Billboard Dance Club Songs chart. He is responsible for a staggering 132 No.1 remixes on this chart and has worked with artists as varied as U2, Beyonce, Yoko Ono, Faith No More and Madonna among many others. He won his Grammy for his remix of "Uptown Funk" by Mark Ronson and Bruno Mars. Youth, legendary bassist of Killing Joke and producer of The Verve, Pink Floyd and The Orb lends his vastly experienced ears to "Mother Earth" while there are further interpretations from Rave-pop legend Adamski, Scottish Kandy-poppers bis and New Order/Duran Duran collaborators Daybreakers who put their own stamp on the Poly Styrene-penned "Prayer For Peace". Lora has recently been in the spotlight thanks to the recent re-release of X-Ray Spex's lost second album "Conscious Consumer" which features her trademark saxophone lines alongside typically acerbic lyricism from the dear departed Poly Styrene.
The first pressing reaches the Official Record Store Chart No.1 position over Christmas 2023 and quickly sold out. Favourable reviews in Uncut, Mojo and Record Collector alongside a Vive le Rock cover feature helped raise public awareness as well as radio features on Woman's Hour and Craig Charles' 6 Music show. Fans who missed out on the first pressing patiently wait the arrival of a repress.
Habibi Funk is excited to announce the release of Samh Almea'ad, a new 7" record by Libyan artist Cheb Bakr, hitting the shelves on December 6, 2024. Recorded in the early 2000s, Bakr’s music fuses the pulse of Libyan pop with R&B and hip-hop influences, bringing the energy of Benghazi to the dance floors of New York in the early 2000s. Cheb Bakr’s sound is a unique blend of styles that captures the essence of two worlds and includes production and vocals by Ahmed Ben Ali.
Our journey with Cheb Bakr’s music began when Yousef Alhoush, whose father Najib Alhoush led The Free Music from Libya, generously lent us boxes of cassettes to digitize. With the help of a journalist traveling from Tripoli to Cairo, we brought the tapes and a high-quality deck to Egypt. For three days in a hotel room on Zamalek island in Cairo, we sifted through nearly 100 tapes, finally landing on several from Cheb Bakr that dated back to the late 1990s and early 2000s. His albums stood out for their fresh, genre-defying sound—Bakr’s vocals flowed effortlessly over R&B and hip-hop beats with touches of jungle and drum and bass percussion, creating a fusion that crossed cultural and musical boundaries.
Returning to Berlin, we took a deeper dive into the digitized tapes, identifying bands, singers, and producers that excited us. In the process, we noticed familiar rap verses on a few of Bakr’s tracks—verses by none other than Ahmed Ben Ali, who was about to release an album with Habibi Funk. When we asked Ahmed about his connection with Bakr, he explained that they’d collaborated closely at Jamaica Studios in Benghazi, with Ahmed even producing some of Bakr’s songs.
Despite having lost touch for years, Ahmed helped us reconnect with Cheb Bakr through mutual friends. Their reunion took place in Bakr’s living room, where we joined them on a video call to discuss Bakr’s career and his influences. He explained how he sought to reinterpret eastern Libyan folk sounds for a new generation, blending them with contemporary genres.
This 45 marks the beginning of our work with Cheb Bakr, offering a glimpse into his unique musical style, with a full album to follow at a later date. The release includes two standout tracks that showcase Bakr’s dynamic range. Side A features “Samh Almea'ad,” a reinterpretation of a 2003 New York classic with Bakr’s signature spin. Since our first listen in that Cairo hotel room, it’s been played at every Habibi Funk set without exception. Side B, produced by Ahmed Ben Ali, features “Rjana Lamta,” a track that hints at American influences alongside a nod to Ahmed’s “Dameek Majeb.” Bakr’s artistry ties these contrasting elements into an original, dancefloor-ready track that remains as captivating today as it was two decades ago. As always, this 7" release comes with a booklet detailing some of the Cheb Bakr story. Samh Almea'ad will be out on vinyl December 6th.
Licensing info: These songs were licensed from Cheb Bakr. We pay the licensing partner 50% of the profits of this release. Only project related costs are deductible from the gross income, research and travel costs come out of our own share. Publishing was not included in our agreement (We feel it’s important to be transparent about these deals, therefore we will include these infos in all future releases).




















