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Bebedera takes the style of Tarraxo to a heightened awareness of its sexual nature. Tight, wicked layers of percussion, a suggestive ID ("Drinking is his life"), a slow pace that's not only perceptively slow, it sounds charged with intent, even malice, dissolution. Letting go of morality may be the big attraction in the music, permission to get down, this time in a heavy, conspicuous manner instead of a spiritual, breezy floatation. One has to recognize the impulse in ourselves. Once at peace with this rough nature, there are sublime grooves to follow, mind-boggling arrangements, a freedom from judgement in connecting with what may seem to be at first a very masculine take on dancefloor sensuality but which is in fact only human. Just with less filters.

In other ways, an aural combination of metal and flesh produces this notion of a cyborg, a very expressive physical body making its weight known to everybody around, a sort of walking fortress as in the "Moderan" group of sci-fi short stories. A glorious rattle of lata percussion, scraps from the junkyard. A sense of unease, even slight danger starts a flow of adrenalin. According to DJ Marfox, it's not the only thing flowing, there's also a strong desire for intercourse when a Bebedera tarraxo is playing. His very distinctive style has been a cult favourite for years. Accordingly, it took years to make contact, to reach an agreement, and the result is a set of classics that stretch as far back as 2014. Still the same punch, still the feeling no one has really stepped into this territory with such force.

Flipping the construct on its head, there's two Bebedera house tracks, we'd say almost an oddity, an abrupt change from the previous density of atmosphere, though they retain all the percussive bounce. Sensual, sure, a different tempo also letting through a romantic disposition other than the sheer physical attraction. One of the titles sums up the aesthetical power at play: "I Will Beat The Top High". As in reaching further out, further up. Wanting to. Time freezes - 2014 and 2016 (production years of these two tracks), fold up and melt into the Present. Where it matters.

Ursprünglich für den RSD in UK exklusiv, Restmenge jetzt überall erhältlich.

We are excited to announce our 13th edition, which you can offer for pre-order until it is ready for shipping, expected on June 1st.

deleted because bad quality !!!





'Hot Ring' sees label alpha-bear Stevie Kotey team up here with alpha-producer Bottin for a spicy, seasonal warmer. First conceived in a Venice studio session on one of Stevies regular DJ trips to Italy, the chunky discoid romper has finally seen the light of day.

The original is probably exactly what you would expect when the 1975-to-1983 music mind of Stevie melds with the Italo-movieslasher-synthbrain-tweaker that is Bottin. Lots of stabs, rolling bass and tight drums. All tied together with new synth sounds which you probably haven't heard before.





Things go dance-floor when Bottin re-rubs things down for the stripped down dub. UK based Fernando moves the groove a thousand or so miles north with a shiny and slick crisp-disco version.

Stevies 'Kotey Extra Band' collaboration album drops around Easter 2010 so stay tuned for a sleuth of bear love-ins.

In 2006, Danger Mouse is King Midas of the music world. He has an uncanny knack for creating jagged, dense, frenzied beats and odd, eerie, vivid soundscapes that never compromise the music's natural flow. Meanwhile, rapper and singer Cee-Lo, a veteran of Atlanta's Dirty South scene, has never been one to be constrained by hip-hop conventions, and is a willing partner in adventure. The result is an intrepid psychedelic blend of pop, hip-hop, soul, and rock that consistently challenges and delights. It's no wonder that "Crazy," with its modest riff, irresistible hook, and disarming opening line ("I remember when, I remember, I remember when I lost my mind") became a worldwide Internet sensation a full six months before the official release of St. Elsewhere. But that relatively simple soul-pop gem is the tamest track on this wide-ranging, often dark and introspective collaboration. (In fact, the duo considers Gnarls Barkley to be a wholly new creation, as opposed to a collaboration of existing artists.) "Everybody is somebody, but nobody wants to be themselves," Cee-Lo croons on "Who Cares?" He and Danger Mouse try very hard not to be their old selves as they creatively and confidently break down boundaries, but the brilliant cores of their musical personae Cee-Lo's eccentric spiritual soul man and Danger's bold sonic explorer remain. Marc Greilsamer.

Exos returns to Mutual Rytm for second standout EP, 'Icebreaker'.

A renowned global talent, Iceland's Exos was last on Mutual Rytm earlier this year with his successful 'Infrared' EP in April. The debut release on the label's new 10" vinyl X-Series, the EP picked up a wealth of high-profile plays while delivering an absorbing journey through techno soundscapes. The release was followed up by his 'Evil Nation' LP, exploring a harder, more intense approach to techno on his own Planet X imprint, ext to tunes on the likes of Figure and X/OZ. However, he returns with more skilfully crafted ammunition across five stand-out productions and two digital bonus gems on SHDW's burgeoning imprint for a second outing packed with his trademark sound spanning mystic yet driving and impactful spheres.

The package opens up with 'Voices Of Volcano', a powerful track with a monstrous low end and quickened drum kicks that compel you to march in time as the twisted synths peel away up top. 'Enter The Danger' has a steamy feel, as if racing through a humid jungle with the sounds of bird calls and haunting voices next to the loopy percussion and driving rhythms.

The brilliant 'Icebreaker' keeps up the intensity with more precision drumming working dancers into a meditative state while the cosmic synths grow up out of the groove to become bright and unsettling. 'Mocoa Beats' is another warm techno cut that fizzes with synth energy and unfolds like an ancient ritual, while 'Chicat' brings some sensuality to the party with whispered, intimate vocals over more macho and unrelenting drums. Bonus tracks 'Codebreaker' and 'Spliffmatch' round out this high-grade EP of timeless techno in style, offering a unique closing treat for digital purchasers.

Get In Where You Fit In, was originally released in October of 1993 and would be his fourth album in a row to be certified platinum. Production was handled by Ant Banks and The Dangerous Crew, which featured live instrumentation, incorporated P Funk samples, and G Funk synths. The lead single "I'm a Player" sampled Bootsy Collins' funky bass of "Hollywood Squares" and Quincy Jones' son QDIII produced the epic Bay Area G Funk laden classic track "Just Another Day". And it wouldn't be a Too $hort record without some pimp and sex tales like "Blow Job Betty", "All My Bitches Are Gone" and the upbeat "Gotta Get Some Lovin". Bay Area legends Spice 1, Ant Banks, and Mhisani aka Goldy join in on the posse cut "The Dangerous Crew" followed by a track with more Bay Area legends Rappin' Ron and Ant Diddley Dog dissin' ex Dangerous Crew member MC Pooh on the title track. Get On Down has repressed this Too $hort 90's fan favorite album on Purple-In-Clear Colored Vinyl.

Knowledge The Pirate returns with a powerful new statement with his new album, The Round Table, which is now available. The Round Table is produced in its entirety by longtime collaborator and legend Roc Marciano through his Pimpire International imprint.

With roots in New York’s revered ‘90s hip-hop scene, Knowledge The Pirate has steadily built a reputation as one of the genre’s most consistent and authentic voices. A frequent Roc Marci collaborator and key figure in the modern un-derground renaissance, Knowledge fuses golden-age grit with new wave innovation—bridging generations while stay-ing firmly rooted in New York’s timeless sound.

Since his 2018 debut Flintlock, Knowledge has carved a lane entirely his own through his label Treasure Chest Enter-tainment, Inc. With five acclaimed projects under his belt, including the recent 5lbs of Pressure, he continues to deliver unfiltered street wisdom and personal reflection in every bar.

The Round Table stands as a testament to his evolution—an uncompromising body of work laced with Roc Marciano’s signature production and Knowledge’s lived-in lyricism. It’s not just a record—it’s a meeting of the minds, an audio council of kings.

“The Round Table is cinematic storytelling, teaching street knowledge, eating etiquette that will save your life” Knowledge professes. “This album is like an Honorable Elijah Muhammad book; How To Eat To Live. Produced fully by the true creator of the new wave sound, Roc Marciano, you are all invited to a seat at The Round Table; and break bread with the true Godfathers of this new wave rap renaissance.”

Mexican enfant extraordinaire Iñigo Vontier is rolling in with his debut EP for Feines Tier and it’s a match made in heaven. Just judging on the name alone, as he seems to be from some kind of royal Tier family descent. But enough with the mind-numbingly bad puns and on to some brain-meltingly good music.
Rolling. Everything’s rolling. Zongato is rolling. We don’t know who or what a Zongato is (a Google search just led to a Twitch streamer with that name and 0 followers), but they are definitely rolling. It’s got this special combination of straight and uncompromising beat and bass paired with psychedelic synth sirens floating around your head that somehow only the Mexicans really know how to nail.
Astrolo is rolling. Like a well-oiled machine. Well, maybe like a not so well-oiled machine, one that’s shrieking and creaking, but has been running since forever and reliably will do so until we’re all gone from this Earth.
If you ask Google Translate, Mucha Onda means „very cool“ in English, „molto bello“ in Italian or „valde frigidus“ in Latin and there is nothing more to add to that.
The psychedelics are back (were they ever gone?) and kick in in full swing on Hedonist Lizard. A dangerous cocktail of high-proof alcoholic drum and bass patterns paired with some sugary spicy herbals of unknown origin, better not down it in one go. You were warned.
On The Sounds Are Good, the sounds are good indeed! And rolling.