We’re thrilled to present this new 12inch single release, pursuing our digging into gems previously compiled in some of our various reissue compilations series.. On this occasion, it seemed only natural to highlight two exceptional tracks with numerous points in common.
"Hangin’ On to You" by Jonathan Jr. and "Flyin’ To Santa Barbara" by Special Occasion both hail from Belgium, produced in the mid-80s under the direction of Tony Baron, a producer and artist deeply involved in several New Beat projects and closely tied to the Nunk Records label. Both tracks also appeared in the 4th edition of our AOR Global Sounds compilation series, now sold out.
But beyond mere coincidence, these two tracks are perfect examples of the fusion between Disco rhythms and sound, with the smooth, colorful vibe of AOR productions from that era. Presented here in their 12-inch single versions, these gems are bound to delight DJs and music lovers alike.
We hope you’ll enjoy!
Your Favorite!
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- Vat 69
- Devil Woman
- Status: Hallucinogenic, Phase Ii
- You Got Me High
- Red Tab
- The Shipbuilder
- Electric Ryder
- Hexagram
- Monostereowhatever
- Get Your Love Outta Here
- Sold My Lady (Out The Back Of An Oldsmobile)
- Kvinna Du Ger Mig Ingen Kärlek
- Smell The Green
- Land Of Lincoln
- Status: Hallucinogenic
Revolution Rock Deluxe vereint das bahnbrechende erste Album von Greenleaf mit ihrer lange vergriffenen Debüt-EP in einer einzigen atemberaubenden Neuauflage! Angeführt von Gitarrist Tommi Holappa von den europäischen Wüstenrock-Ikonen Dozer, begannen Greenleaf als informelles Kollektiv von Freunden, die Musik machten, inspiriert von ihrer gemeinsamen Liebe zum Riff-Rock der 70er Jahre. Nachdem sie sich 2013 in eine richtige Band verwandelt haben, stehen Greenleaf jetzt an der Spitze der globalen Heavy-Szene, nachdem sie ihr letztes Album The Head & The Habit 2024 veröffentlicht haben. Im fünfundzwanzigsten Jahr ihrer unglaublichen Karriere markieren sie diese beeindruckende Leistung mit einer speziellen Neuauflage ihrer frühesten Veröffentlichungen. Mit Jungs von Dozer, Lowrider, Demon Cleaner und anderen wurde Greenleafs erstes Album Revolution Rock 2001 in Eigenregie veröffentlicht und seit der ursprünglichen Auflage von 500 Exemplaren noch nie neu aufgelegt. Revolution Rock Deluxe vereint dieses bahnbrechende Album mit der lange vergriffenen Debüt-EP von Greenleaf aus dem Jahr 2000 in einer einzigen, atemberaubenden Ausgabe. Alle Songs wurden von Karl Daniel Lidén komplett neu gemastert und das ursprüngliche Artwork und Design von Lowriders Peder Bergstrand brillant aufgefrischt und aktualisiert.Feiern wir ein Vierteljahrhundert majestätischer Riffs mit Revolution Rock Deluxe und erleben Greenleafs Big Bang zum ersten Mal wieder! Präsentiert in einer luxuriösen, aufklappbaren 2LP-Edition auf limitiertem farbigen Vinyl oder als Einzel-CD im Digipack. Alle Songs wurden vollständig neu gemastert und die Verpackung und das Design aktualisiert und aufgefrischt. Eine der aktivsten und beliebtesten Bands der europäischen Stoner-/Desert-Rock-Szene
The Smile veröffentlichen heute zwei neue Remixe für Tracks ihres dritten Albums "Cutouts". "Don"t Get Me Started" im Remix von James Holden und "Instant Palm" als Robert Stillman Remix sind ab sofort digital verfügbar. Für beide Tracks hat der Künstler Weirdcore, der bereits für alle Songs von "Cutouts" Videos kreiert hatte, einen "recycled video mix" erstellt. Die Remixe gibt es als limitierte 12". Das Sleeve-Design von Stanley Donwood kommt in Anlehnung an die ikonische Housebag-Serie von XL Recordings. James Holden und Robert Stillman arbeiten beiden regelmäßig sowohl mit Thom Yorke als auch mit The Smile zusammen. Robert begleitet die Band auf der Bühne, um bei ihren Live-Auftritten Saxofon und Keyboards zu spielen. Zudem steuerte er Saxofon zu allen drei Platten von The Smile sowie zu Thom Yorkes "Confidenza" Soundtrack bei. James hat bereits einen Remix zu Radioheads "Reckoner" veröffentlicht und war als Support auf den Touren von Atoms For Peace und bei Thoms Soloshows zum Album "Tomorrow"s Modern Boxes" dabei.
Leony zählt zu den gefragtesten Künstlerinnen Deutschlands. Mit ihren Hits "Remedy" und "Faded Love" hat sie sich fest in der Popwelt etabliert und erfährt große Anerkennung. Mit nur 27 Jahren kann sie bereits über eine Milliarde Streams, mehr als 30 Gold- und Platin-Auszeichnungen sowie mehrfach erreichte Spitzenpositionen in den Radio-Charts vorweisen. Ihr Debütalbum "Somewhere in Between" schaffte es 2023 in die Top 20 der offi ziellen deutschen Charts. Zwei Jahre später folgt nun ihr zweites Studioalbum "Oldschool Love". Das Album erscheint im Digipack und als 1LP-Format.
(2018 Remix)
30. Juni 2022 – Im Januar 1977 veröffentlichten Pink Floyd ihr zehntes Studioalbum „Animals“. Das Werk eroberte Platz 1 der deutschen Charts, gilt als eines ihrer besten – und es wird nun, 45 Jahre später, als Deluxe Gatefold, CD, LP und Blu-ray wiederveröffentlicht. Zum ersten Mal überhaupt wird das Album in 5.1 Surround-Sound zu hören sein. Die einzelnen Versionen werden ab dem 16. September 2022 erhältlich sein, die Deluxe-Version folgt am 7. Oktober.
Pink Floyd – David Gilmour, Nick Mason, Roger Waters und Richard Wright – nahmen „Animals“ 1976 und Anfang 1977 in den bandeigenen Britannia Row Studios in London auf und produzierten auch selbst.
„Animals 2018 Remix“ wird als CD, LP (mit Klapphüllen-Artwork), Blu-Ray und als Deluxe-Gatefold-Format veröffentlicht. Die Deluxe-Gatefold-Version beinhaltet eine LP, CD, Audio-Blu-Ray, Audio-DVD und ein 32-seitiges Booklet. Die Audio-Blu-Ray und -DVD enthalten den Remix von 2018 in Stereo, in 5.1 Surround (beide von James Guthrie) und den ursprünglichen Stereo-Mix von 1977. Das 32-seitige Booklet gewährt mit selten gezeigten Fotos einen Blick hinter die Kulissen des Shootings für die Plattenhülle sowie Live-Bilder und Memorabilia. Das Album-Artwork wurde für diese Veröffentlichung mit einem zeitgemäßen Motiv neu interpretiert.
„Animals“ ist ein Konzeptalbum, das sich kritisch mit den sozialpolitischen Verhältnissen im Großbritannien der mittleren 1970er-Jahre auseinandersetzt und damit eine Abkehr vom Stil der früheren Arbeiten der Band markierte. Aus einer Ansammlung ursprünglich nicht miteinander zusammenhängender Songs entwickelten Pink Floyd ein Konzept, das den offenkundigen sozialen und moralischen Verfall der Gesellschaft beschreibt. Inspiriert von George Orwells „Farm der Tiere“, verbildlichen sie die menschliche Natur mit einer Analogie zum Tierreich und teilen die Menschen in drei Klassen von Tieren ein: Die Schweine stehen an der Spitze der sozialen Kette, die Schafe tun als hirnlose Herde, was man ihnen sagt, und die Hunde sind die Geschäftsbosse, die sich am Profit und ihrer Macht über andere schamlos bereichern. Seit 1977 ist viel Zeit vergangen – und dann wieder gar nicht, denn die Erzählung des Albums hat als Kommentar auf unsere gesellschaftliche und wirtschaftliche Situation nichts von ihrer Aktualität verloren.
Das berühmte Cover von „Animals“ zeigt ein aufblasbares Schwein (heute bekannt als Algie), das in luftigen Höhen zwischen zwei Schornsteinen der Battersea Power Station in London schwebt. Die Idee für das Cover kam von Roger Waters, die Umsetzung übernahm der langjährigen Kreativpartner der Band, Storm Thorgerson von Hipgnosis Studios. Für die jetzige Neuveröffentlichung wurde das Artwork von Storms Hipgnosis-Partner Aubrey „Po“ Powell für die heutige Zeit neu gestaltet. Basierend auf neuen Aufnahmen des Gebäudes während der jüngsten Umgestaltungsarbeiten (das ehemalige Kraftwerk wird für die kulturelle und gewerbliche Nutzung umgebaut, gestaltet von Frank Gehry und Norman Foster), experimentierte Po mit neuen Blickwinkeln und erschuf einige beeindruckende neue Varianten des berühmten Originals. Po dazu: „Das Original-Albumcover von 1977 ist ikonisch und steht so sehr für sich, dass ich eine Menge Respekt davor hatte, ihm ein Update zu verpassen. Doch Hipgnosis nahm die Gelegenheit zum Anlass, das Motiv neu zu fotografieren und damit eine sich verändernde Welt widerzuspiegeln. Durch den Einsatz moderner digitaler Färbetechniken konnte ich Pink Floyds düstere Botschaft des moralischen Verfalls beibehalten, und auch die Orwellsche Tier-Analogie in Form des Schweins Algie lebt in dem neuen Artwork fort.“
Pink Floyds „Animals 2018 Remix” kann ab jetzt hier vorbestellt werden.
Makin' Moves is back with the latest edition of unreleased tracks “Unreleased Volume 3” that might one day see the light of day digital but for now they will stay in the vinyl vault !
First up on the A side we deliver two choice cuts from one of New York’s underground producers Conway Kasey as he returns to Makin Moves with two tracks that will work dance floors in equal measure.
On the flip Johnny Melek brings us Manifestations with Juliet Mendosa on vocals. This one is much anticipated following Johnny’s colossal debut release on Your records that was number one in the Traxsource charts for a long time! Finishing off this classy 4 track EP is David Harness’s unreleased remix of Reggie’s Steele’s “Vulnerable” which was a huge track in 2024. Harness uses his trademark beats to take this one to peacetime floors!
SewellandThe Gong,Wallace,My Friend Dario,Sirs,Verdo,Pedro Bertho
File Under Balearic Gabba - Volume 2
DJ Support: Erol Alkan, Kenneth Bager, Leo Mas, FFan, Sean Johnston (ALFOS), Max Essa, Coyote, Ban Ban Ton Ton, Chris Coco
Hell Yeah series File Under Balearic Gabba continues its mission to bring some vital, previously digital-only Balearic Gabba weaponry to vinyl for the first time. This second volume has artwork by Planet Luke and features Wallace next to new school stars SIRS and Pedro Bertho.
Tartan Records label head and British talent Wallace opens up with a remix of Sewell And The Gong's 'Better Words' that has been a real summer hit for label head Marco Gallerani.
The original came on Jason Boardman's fine Before I Die label and is one of those jams that transcends genre and wins over techno heads, Adriatic beach groovers and festival main stages alike. It is 'proper Balearic Gabba' says Marco with its tropical percussion, humid pads and watery droplets all adding lush atmosphere to the dubby drums. The chords and reedy leads are beautifully delicate but get floors in a blissed-out, loved-up trance.
SIRS is an artist on fire right now and already impressed on this label with his remix of Aura Safari which is one of the year's standout Balearic house jams. He has a new single on the way for Hell Yeah but first flips label mate My Friend Dario's 'Tellaro' into a wobbly, psyched-out dub disco and breakbeat chugger. The zippy synths and shimmering keys are underpinned with a taught bassline and playful vocals that bring great fun and irresistible party vibes to any set.
Hell Yeah mainstay Verdo then has his 'Boulevardier' remixed by Pedro Bertho, a rising talent from Brazil with a steamy South American style. This one is a modern beach classic that unites both young and old heads with its frayed analogue drums and snappy percussion joining the dots between 80s Chicago house, new age and Balearic with its big piano chords and phased bass all getting hands the air.
We are pleased to announce our new EP from Simon Schilling, known under the pseudonym 'The Angel Code'. The talented ambient producer, originally from Heidelberg, brings a breath of fresh air to the ambient scene with his latest work. The release will be available both on vinyl and digitally in March. The Vinyl buyers will also receive a special bonus gift.
The Angel Code is not merely an ambient music project; it is an invitation to wander inward, to inspire introspection and connection. Blending ethereal textures, subtle melodies, and atmospheric layers.
A place where sound becomes emotion. Trust in the unseen. Let the code guide you. Vinyl Tastes Better...
Five Green Moons is the brand new project from the legendary Justin Robertson and here he drops the first fruits of that project with the incredible Moon 1.
This isn't Justin at his house controls. This is Justin delving into his roots and digging around through the likes of P.I.L, Gang Of Four, On-U-Sound, Current 93, Coil, Sabres Of Paradise and all manner of post punk echoes and basement electronics. As the man himself puts it - Moon 1 is a haunted ballroom full of memories. The sound of a dystopian disco. An object on a wonky orbit. A spectral visitation. And it is alive.
- A Necessary Response With Gerald Casale
- Recombo Dna (Demo)
- The Words Get Stuck In My Throat (Live)
- Sloppy (I Saw My Baby Gettin’) (Demo)
- Be Stiff (Alternate Mix)
- Pink Pussycat (Demo)
- Goo Goo Itch (Alternate Version)
- Strange Pursuit (Demo)
- Sequence (B)
- The Day My Baby Gave Me A Surprise (Demo)
- Bushwacked (Prosthetic Version)
- Girl U Want (Demo Alternate Version)
- Turn Around (Demo Alternate Version)
- Snowball (Demo Alternate Version)
- Luv & Such
- Conscious Mutation With Mark Mothersbaugh
- Sequence (C)
- Gates Of Steel (Demo Alternate Version)
- Planet Earth (Demo Alternate Version)
- Whip It (Demo Alternate Version)
- Cold War (Demo Alternate Version)
- Time Bomb
- That’s Pep (Demo Alternate Version)
- Mental Warfare With Gerald Casale And Mark Mothersbaugh
- Make Me Dance (Labeled ’Make Me Move’)
- Gotta Serve Somebody (Live) By Dove
- I Saw Jesus
- Psychology Of Desire (Demo)
- Pity You (Demo)
- Sequence (E)
- Beautiful World (Demo)
- Race Of Doom (Demo)
- I Desire (Demo)
- Big Mess (Demo)
- Pink Pussycat (Demo)
- The 4Th Dimension (Alternate Rough Mix)
- Here To Go (Alternate Rough Mix)
- Sequence (F)
- Some Things Don’t Change (Rough Mix)
- Big Adventure (Rough Mix)
- No Noise (Rough Mix)
- Love Is Stronger Than Dirt
- Faster And Faster
- Modern Life
- We Are Unique With Gerald Casale And Mark Mothersbaugh
- Sequence (G)
- The Only One (Demo) With Vocal By Toni Basil
- Baby Doll (Demo)
- Some Things Never Change (Demo)
- Plain Truth (Demo)
- Sequence (D)
- Happy Guy (Demo)
- Sequence (H)
- Before Baby Doll There Was Satan With Mark Mothersbaugh
- Satan (Pre-Baby Doll)
- Red Alert (Unreleased)
- Sad Song (Unreleased Instrumental)
- Mind Games (Demo)
- Later Is Now (Instrumental)
- It’s Not Nuclear Bombs You Must Fear With Booji Boy
- Sequence (I)
- The Somewhere Suite (Studio Version Demo)
- Ton ‘O Luv (Instrumental Demo)
Also includes a large double sided poster , colour inner sleeves and liner notes by Gerald V Casale.
Spuds rejoice. After years of requests, Futurismo are thrilled to announce a brand new limited pressing of the DEVO’s incredible Recombo DNA 4xLP with Mini CD Set, plus also available is a brand new 3xCD version.
For decades Devo have been working non-stop at Recombo DNA Laboratories on a new kind of research to keep up with the mutating world around us. That extensive research is now ready for public consumption once again. Futurismo were the first to bring you this on vinyl and now they present unhindered access into Devo’s labs, documenting the scientific analysis and demonstrations as conducted by the band between the years 1977-2008.
This tireless research has manifested itself in Recombo DNA…an unmissable collection of studio demos and unreleased rare tracks that span Devo’s entire recording career, from their original basement days to their famed ’Freedom Of Choice’ era, right the way through to unused demos from their last studio album. You may know the track ‘Baby Doll’ but do you know it’s original incarnation as ‘Satan’? If you submit to the findings of Recombo DNA Labs you will, Futurismo’s version of this compilation includes six bonus tracks taken from the archives that had never been released, or even heard before.
This limited edition 4xLP set is a sonic fusion of demos, alternate versions and outtakes, demonstrating the true breadth and talent of one of America’s most important bands. But this set doesn’t stop at four beautiful slabs of mutated vinyl, also included is ’The Somewhere Suite’ served up on the format it was originally intended to be back in the May of ‘89, advertised although never released, it’s contained here in all it’s full length glory on a 3” Mini CD. Recombo DNA is also coming on a 3xCD digipak version for the very first time from Futurismo, including all the wonderful artwork and bonus material. Devo’s Recombo DNA is an essential addition to the collection of any science fearing spud, and the perfect sister release to last years Art Devo. The original 2017 pressing of Recombo DNA sold out in less than 48 hours, so grab this while you can. Each set includes 4xLP on limited edition coloured vinyl and includes a Mini CD. This fantastic collection of devolved recordings and bonus tracks are contained within the gloss laminated wide spined sleeve, with newly tweaked artwork, a huge A1 poster, full colour inner sleeves and liner notes by Gerald V Casale. A 3xCD digipak version is also available. Submit to these findings and witness audio mutation in action.
A heavyweight lineup of dub techno talent comes together for a deep and textured journey. Krystian Shek and Milly James join forces on Promise, delivering two original productions alongside with reworks from Yagya and grad_u. As a bonus, this collection expands even further with digital-exclusive remixes from Raytek and Noosa Sound System that come with the original purchase.
'Glow & Shine' locks into a hypnotic groove from the outset, its analog warmth and weighty percussion forming a solid foundation. A crisp snare and hi-hat pattern provide an irresistible swing, while chords and vocals land together in perfect sync, draped in a rich layer of delay. Spacey breakdowns allow the ride cymbal to subtly emerge, giving the track an evolving energy. The closing moments strip things back, with the chords guiding everything to a natural finish. 'Better That Way' shifts into a more melodic space, balancing intricate drum programming with an emotive vocal delivery. The initial rhythmic stutter adds a unique touch before settling into a flowing beat. As layers build, the chords and voice intertwine seamlessly, evoking a deep, contemplative feel. The breakdown smooths everything out, allowing the track to breathe before a striking bassline shift in the final section brings fresh momentum. The last ambient passage is particularly stunning, offering a moment of reflection.
The legendary Icelandic producer Yagya creates his interpretation of 'Glow & Shine' sees it drifting into dreamlike territory, wrapping the original's elements in a lush, aquatic atmosphere. More of a song than a club tool, it glides effortlessly, capturing a serene, almost weightless mood. On the flip side, grad_u reshapes 'Better That Way' into a crisp, rolling dub excursion. Airy chords swirl above a commanding groove, with well-placed melodic flourishes adding an elegant touch. The arrangement continuously morphs, deepening its hypnotic pull.
Raytek's remix of 'Glow & Shine' injects a sharper rhythmic intensity, pushing the track into darker, more driving territory. The vocal treatment becomes a focal point, cleverly reshaped to make the singing the true hook. Meanwhile, Noosa Sound System takes 'Better That Way' into stripped-down, immersive terrain. The off-kilter drum work and layered percussion create a mesmerizing flow, while the winding structure makes it a DJ-friendly tool.
This well-rounded collection that explores multiple shades of dub techno, this release has both dancefloor energy and introspective depth. With a strong roster of contributors, it delivers a blend of classic textures and fresh perspectives.
Quiet Village announces new label, The Quiet Village, and new single, ‘Reunion'. Matt 'Radio Slave' Edwards and Joel Martin's critically acclaimed project's first official single under the Quiet Village name in seventeen years!
Beginning life as a 'heady 6/8-time urban jazz odyssey, 'Reunion is a stunning piece of modern, Hi-Tech Jazz that draws influences from Pat Metheny, Timeline, Innerzone Orchestra, and Clyde Stubbelfield's drumming.
While previous Quiet Village material was hewn from a myriad of samples extracted from Edwards' and Martin's notorious digging, 'Reunion' and its follow-ups are drawn from a tight-knit crew of session musicians, including the likes of Jon Hester and Thomas Gandey, adding further depth and feel to the QV sound. Already a firm favourite with Gilles Peterson and Luke Una, the latter of which leaked a clip of the release via his inimitable Instagram presence and called it 'something so fucking beautiful. Tony Allen, Sun Ra meets Carl Craig, Underground Resistance, house, tech, funk, everything rolled into one'.
'Reunion’ is the first single on The Quiet Village, Quiet Village's new imprint. Despite continually producing new music and a slew of remixes, most recently for Running Back and Isle of Jura, the long-term friends and collaborators have been unable to release under their Quiet Village moniker since their LP 'Silent Movie' in 2008. While a few releases under QV and their sometime DJ aliases of Maxxi (Edwards) and Zeus (Martin) have emerged, 'Reunion' is the beginning of a new and re-energised Quiet Village that will see more original material and remixes, DJ and live touring that began in Japan in May and curated compilations of treasures, old and new, in the coming months and years.
As the leader of new outfit Sarter Kit, saxophonist Tara Sarter is creating a unique form of minimal, experimental jazz drawing on humanist principles and shared experiences. Her uncluttered and emotionally heavy debut album 'What I am and What I'm Not' creates an open, instrumental soundworld, where breaks and silences command equal gravitas as the notes and beats.
The masterful drumming of Lukas Akintaya dances between oblique patterns in odd meters, into rolling grooves and afrobeat inspired rhythms. On keys and synth, Elias Stemeseder creates tension and releases, with lingering chords and fragile melodies. Stemeseder's synthesizer work throughout the album is subtle yet masterful. Stalking the silence between the sax, drums and piano, creating a haze of digital textures within the margins of the music. Much of the album was recorded live, preserving the raw, unedited energy of their performances.
Beyond its musical qualities, 'What I am and What I'm Not' is a reflection of Sarter's belief in the power of music as a form of human connection. For Sarter, music is not about proving technical prowess but about creating something meaningful, something that transcends barriers and speaks to the shared experience of being human.
- A1: Cumbia Morena - Carlos Pickling Y Su Orquesta 02 48
- A2: Olguita - Los Chicoques 03 18
- A3: Cumbia En Dominante - Los Demonios De Corocochay 02 08
- A4: La Blanquiñosa - Los Felcas 02 42
- A5: Chinita - Sonora Casino De Hugo Macedo 02 57
- A6: La Pollera Amarilla - S Am Brasil 02 53
- A7: Anita - Volada 5 02 51
- B1: Cumbia Pueblerina - Otto De Rojas Y Su Orquesta 02 55
- B2: Yolanda - Carlos Pickling Y Órgano Espacial 02 25
- B3: Arequipeñita - Silvestre Montez Y Sus Guantanameros 03 00
- B4: Lucerito - Ñico Estrada 02 30
- B5: Cumbia Sabrosa - Freddy Roland Y Su Orquesta De Moda 02 47
- B6: La Cumbia Del Burro - Los Avileños 02 59
- B7: Cumbia 73 - Los Demonios Del Mantaro 02 28
- C1: Que Siga La Cumbia - Carlos Pickling Y Su Orquesta 02 43
- C2: Chin Chin - Joe Di Roma Y Su Conjunto 02 30
- C3: Ritmo De Cumbia - Los Rumberos Del Solar 02 42
- C4: Ac Cha Chau - Los Pavos Reales 02 25
- C5: Cumbia Bonita - Nilo Espinosa Y Su Orquesta 03 26
- C6: Oh Condor - Volada 5 03 36
- C7: Cumbia De Color - Tito Chicoma Y Su Orquesta 02 11
- D1: Cumbia Y Amor - Los Demonios De Corocochay 02 11
- D2: Negrita Linda - Nelson Ferreyra Y Su Sonora 02 55
- D3: Baila Mi Cumbia - Carlos Pickling Y Su Orquesta 02 16
- D4: Tierra Linda - Los Kintos 02 17
- D5: Pochita - Manzanita Con Los Cañeros 02 26
- D6: La Colocha - Los Felcas 02 30
- D7: La Celosa - Los Belking’s 03 14
After digging deep into the overwhelming archives of Discos Fuentes and Codiscos in our previous volumes, this third instalment in the series "Cumbia Cumbia Cumbia!!!" comprises a selection of 28 Peruvian cumbia bangers for the dance floor from the deep vaults of Discos MAG, all of them originally released between 1964 and 1987. "Cumbia Cumbia Cumbia!!!" combines well-known classics and rarities that are difficult to find in their original formats. An invitation to enjoy and be amazed, above and beyond ethnographic and academic concerns. The historical origins of cumbia are nebulous and imprecise. The mythology surrounding it suggests an ancient past when Amerindian, African and European musical sounds were mixed together. MAG had released porros since the label was set up, and by 1957 it was already selling records by the Colombian Lucho Bermúdez, a leading figure in porro and cumbia in orchestra format, from Buenos Aires. Colombian cumbia has come a long way in Peru since those years and put down its own roots, just as it has in other Latin American countries. This third volume of the series "Cumbia, cumbia, cumbia" demonstrates how the rhythm has persisted over three decades of Peruvian recordings, ranging from versions by orchestras and ensembles to original cumbias with electric guitars, with lingering echoes of Caracas-born Hugo Blanco, Tulio Enrique León, Los Teen Agers and Amparito Jiménez. These records were played nonstop in the Peruvian coast, mountains and jungle to the cry of "¡que sigue la cumbia!". Double vinyl LP!
Mute US is excited to announce the release of Dance Therapy, the sophomore album from worldwide signing Nora Schjelderup, aka Ora the Molecule. The album will be available on black vinyl and digital formats on March 21st. Dance Therapy follows a transformative period for Schjelderup, whose DJ career took off postpandemic. She has shared the stage with fellow Norwegian legends like Todd Terje and Lindstrøm, and opened for Røyksopp, earning her the title of Norway’s queen of disco. Inspired by her DJ sets, ‘70s sci-fi sounds and Italo-disco, Dance Therapy is a retro-futuristic fever dream which Schjelderup crafted in a remote cabin in the woods while navigating a series of severe losses. “I had a lot of pain,” she reflects. “This was my own way of dealing with it. A way to get energy back in the body.”
For Fans Of: Robyn, Neil Frances, Fever Ray, Todd Terje, Raffaella Carrà, Goldfrapp, Daft Punk
Measure Divide makes his full debut EP for Mutual Rytm X with his latest release, 'Everything Is Porridge'.
Karachi-born artist Measure Divide now resides in Toronto, where his FORMAT parties have revived the techno scene over the last decade. In that time, he has eschewed techno by numbers with innovative sounds on Clergy and Mutual Rytm while appearing at iconic clubs like Berghain, K41 and Tresor. Outside of the underground, he has years of experience in sound design and scoring for animations and films, and that is what he channels here into a uniquely playful sound with a vibrant and playful departure from his usual serious tones for his first full EP on SHDW's Mutual Rytm X.
A record for adventurous DJs and listeners craving bold, mischievous and innovative sounds, the EP's title, inspired by an inside joke about calling anything edible "porridge", reflects the chaotic and unpredictable state of the world - a mushy mix of uncertainty. This same unpredictability shines through the tracks, which combine techno, breaks, modular experimentation and plenty more.
The superbly original title cut begins with a restless mix of unusual percussive sounds and fizzing synths over thudding drums. It's tense and twisted and sounds like nothing else. 'Wormy Wonderland' is another brilliantly outthere cut with freaky noises and scuzzy textures over body-popping techno drums, and 'Eeeeeermmmm' then slows down with a menacing synth buzz and caustic broken beats. Digital bonus tracks 'Shrew Cascade' and 'Clumsy Clatter' further challenge techno norms with watery sound effects, twisted synth lines and inventive rhythmical patterns.
Sunburst Yellow/Red Vinyl[29,87 €]
"Encore Du Pain" by the legendary British punk band Buzzcocks, a rare live album that captures the raw energy and unapologetic spirit of one of punk rock's most influential acts. Recorded during their explosive European tour, this album brings fans into the heart of a live Buzzcocks show, where sharp guitar riffs, relentless rhythms, and unforgettable hooks define each track. Known for their groundbreaking approach to punk, Buzzcocks combined fast-paced, catchy melodies with lyrics that explored love, alienation, and the angst of youth. Fronted by the iconic Pete Shelley, whose distinctive voice and songwriting were complemented by the powerful guitar work of Steve Diggle, the band crafted a sound that was both gritty and emotionally resonant. This vinyl reissue allows both long-time fans and new listeners to experience "Encore Du Pain" in rich, analog sound, preserving the authentic live atmosphere that made Buzzcocks a defining voice in punk.
Black Vinyl[29,87 €]
"Encore Du Pain" by the legendary British punk band Buzzcocks, a rare live album that captures the raw energy and unapologetic spirit of one of punk rock's most influential acts. Recorded during their explosive European tour, this album brings fans into the heart of a live Buzzcocks show, where sharp guitar riffs, relentless rhythms, and unforgettable hooks define each track. Known for their groundbreaking approach to punk, Buzzcocks combined fast-paced, catchy melodies with lyrics that explored love, alienation, and the angst of youth. Fronted by the iconic Pete Shelley, whose distinctive voice and songwriting were complemented by the powerful guitar work of Steve Diggle, the band crafted a sound that was both gritty and emotionally resonant. This vinyl reissue allows both long-time fans and new listeners to experience "Encore Du Pain" in rich, analog sound, preserving the authentic live atmosphere that made Buzzcocks a defining voice in punk.
- A1: I Don't Mind
- A2: Who'll Help Me To Forget
- A3: Get On Our Own
- A4: Unthinkable
- A5: Strange Thing
- B1: Energy
- B2: Breakdown
- B3: Innocent
- B4: Roll It Over
- B5: Why She's A Girl From The Chainstore
- C1: Last To Know?
- C2: Running Free
- C3: Libertine Angel
- C4: Why Can't I Touch It
- C5: Noise Annoys
- C6: Isolation
- D1: Boredom
- D2: Do It
- D3: Harmony In My Head
- D4: I Believe
Black Vinyl[38,70 €]
Presenting the vinyl reissue of "French" by the legendary Buzzcocks, an electrifying live album capturing the band’s dynamic performance during their iconic Paris show in 1995. Known for their pioneering sound that fused punk’s raw energy with melodic sensibilities, Buzzcocks deliver a setlist packed with fan favorites and deep cuts, showcasing their impact on generations of punk and alternative rock. This album captures the intensity of their live presence, with Pete Shelley's unmistakable voice delivering heartfelt lyrics on love, desire, and disillusionment, supported by Steve Diggle’s powerful guitar riffs and the tight rhythm section of bassist Tony Barber and drummer Phil Barker. Buzzcocks have long been celebrated for their emotionally charged songwriting and high-energy performances, making "French" an essential recording that preserves their legacy. This vinyl edition invites both long-time fans and newcomers to experience the unfiltered sound of a Buzzcocks concert in its raw, analog glory.
- A1: Bem-Vindo
- A2: Feelin Good
- A3: Call From Bahia
- A4: Cachasamba (Feat. Mr. Käfer)
- A5: Bananeira
- A6: Pretty Bossa
- A7: Belo Horizonte
- A8: Mulher Misteriosa
- A9: Onda Suave (Feat. Saib)
- B1: I Like Bossa Nova
- B2: Rhodes-Naldinho
- B3: Brazilterlude
- B4: Para Meus Amigos
- B5: Palmeira
- B6: Amazonas
- B7: De Aquisgrano A Rio (Feat. Flofilz)
- B8: A Ultima Bossa (Feat. Lesky)
Midan’s new album pays homage to the beautiful music of Brasil. The young producer, DJ and digger from Cologne channels his deep love for Bossa Nova, Samba and MPB (Música Popular Brasileira) into a 17 track strong album entitled “Letter To Brasil”. Accompanied by his good friends FloFilz, Saib, Mr.Käfer and Lesky. Artwork by Sao Palo-based illustrator André Cast.
Born and raised in Paris, the half German-half Algerian producer is one the most exciting new jacks on the German beatmaker scene. At the age of 23 Midan has already released a bunch of albums for renowned labels like Casual Low Grind, Mutombo Recods and Beat Jazz International.



















