MIA presents a high quality Various Artists double pack!
A fantastic selection of music for the winter season!
Vinyl only - be fast!
Buscar:the double x
- A1: The Eloise Trio - Come To The Caribbean
- A2: Cachao Y Su Ritmo Caliente - Trombon Criollo
- A3: Duke Of Iron - Bambouche
- A4: Lucho Azcarraga Y Su Conjunto - Tamboritos Panamenos
- B1: Alfredito - Timbales
- B2: King Scratch - Christmas Time In Nassau
- B3: Guy Du Rosier Orchestra - Panono M'tombe
- B4: Noro Morales Orchestra - Mississippi Mambo
- C1: Peanuts Taylor - Nassau Blues
- C2: Katherine Dunham Ensemble - Nago
- C3: Hubert Porter & The Jamaican Calypsonians - Rum & Coconut Water
- C4: The Bay Street Boys - Donkey Wants Water
- C5: Guy Du Rosier Orchestra - Anatole
- D1: Sonny Burke & His Orchestra - West Indies
- D2: Dioris Valladares & His Conjunto Tipico - Los Dos Merengues
- D3: Julio Gutierrez - Theme For Conga
- D4: Hubert Porter & The Jamaica Calypso Funmakers - Mary's Lamb
Soul Jazz Records’ new album 90 Degrees of Shade features the music of the Caribbean – Mambo, Calypso, Mento, Merengue, Latin Jazz and much more. The music of Cuba, Jamaica, Haiti, Puerto Rico, Dominican Republic and more all feature in this lightning journey through the many island sounds.
This is the sound of independence, righteous and hot jump-up sounds from the 1950s and 60s, an exciting period of endless new musical styles that would travel across the world – Mento, the Jamaican precursor to reggae; mambos and descargas from Cuba, Dominican merengue, Haitian compas – and more.
This album coincides with the release of Soul Jazz Records’ massive new deluxe large format hardback book 90 Degrees of Shade: 100 Years of Photography In The Caribbean (with foreward by Paul Gilroy) featuring hundreds of fascinating and unique photographs spanning one hundred years of Caribbean history.
The new album comes as a deluxe two-CD pack complete with large outsize booklet, packed full of info and original artwork. There are also two limited edition separate heavyweight double LP vinyl editions, each one housed in gatefold sleeves complete w
- A1: The Eloise Trio - Come To The Caribbean
- A2: Cachao Y Su Ritmo Caliente - Trombon Criollo
- A3: Duke Of Iron - Bambouche
- A4: Lucho Azcarraga Y Su Conjunto - Tamboritos Panamenos
- B1: Alfredito - Timbales
- B2: King Scratch - Christmas Time In Nassau
- B3: Guy Du Rosier Orchestra - Panono M'tombe
- B4: Noro Morales Orchestra - Mississippi Mambo
- C1: Peanuts Taylor - Nassau Blues
- C2: Katherine Dunham Ensemble - Nago
- C3: Hubert Porter & The Jamaican Calypsonians - Rum & Coconut Water
- C4: The Bay Street Boys - Donkey Wants Water
- C5: Guy Du Rosier Orchestra - Anatole
- D1: Sonny Burke & His Orchestra - West Indies
- D2: Dioris Valladares & His Conjunto Tipico - Los Dos Merengues
- D3: Julio Gutierrez - Theme For Conga
- D4: Hubert Porter & The Jamaica Calypso Funmakers - Mary's Lamb
Soul Jazz Records’ new album 90 Degrees of Shade features the music of the Caribbean – Mambo, Calypso, Mento, Merengue, Latin Jazz and much more. The music of Cuba, Jamaica, Haiti, Puerto Rico, Dominican Republic and more all feature in this lightning journey through the many island sounds.
This is the sound of independence, righteous and hot jump-up sounds from the 1950s and 60s, an exciting period of endless new musical styles that would travel across the world – Mento, the Jamaican precursor to reggae; mambos and descargas from Cuba, Dominican merengue, Haitian compas – and more.
This album coincides with the release of Soul Jazz Records’ massive new deluxe large format hardback book 90 Degrees of Shade: 100 Years of Photography In The Caribbean (with foreward by Paul Gilroy) featuring hundreds of fascinating and unique photographs spanning one hundred years of Caribbean history.
The new album comes as a deluxe two-CD pack complete with large outsize booklet, packed full of info and original artwork. There are also two limited edition separate heavyweight double LP vinyl editions, each one housed in gatefold sleeves complete with insert, full text and free download code. Also comes as a worldwide digital release.
Single sleeve glossy LP jacket with double sided euro sleeve art insert and Dropcard w/ free digital download.
When Lindsay Pitts and Clifford John Usher first met, their connection was instantaneous. That bond still fuels their art. As GEMS, they self-released the Medusa EP in 2013, a debut with a remarkably mature sound. On Medusa, Lindsay's haunting and deeply emotive vocals provide the backbone for Clifford's dark and dreamy production, balancing gauzy atmospherics with emotional heft. That mix finds new tension and release on GEMS' first full-length album, Kill the One You Love.
The record more deeply indulges in the group's evocative shadow pop, influenced by R&B production and shoegaze. At the core of GEMS' music is existential longing. Lindsay and Clifford try to capture the intangible and they arrive closest with Kill the One You Love. Music is a never-ending process of learning and growing and reaching,' Clifford says. Of stepping outside of what is familiar and moving into a place where there aren't answers.'
A double whammy of Scottish Techno as two of the biggest names in today's scene collide in one almighty bang as Slam & Clouds take on each other with devastating outcomes. Originally a hit for Clouds in 2013, Complete Control is given Slam's expert remix treatment and turned into one peak time burner whilst remaining true to the originals machine gun snares and ominous vocal sample! Clouds delve back into Slam's extensive back catalogue, bringing back the monstrous Stepback. Clouds revitalise it for the modern age, coming at it all guns blazing and delivering a broken beat, snare driven beast
- A1: Goneville (Feat. Max Graef)
- A2: Computer Killer
- A3: Throwback (Album Cut)
- A4: Shit Iz Real
- B1: (Forgotten Intro) 4 My Peeps
- B2: Bochum (Feat. Imyrmind)
- B3: You Can't Groove
- B4: To The Beat Interloot
- C1: Still Shining
- C2: Kilometer Disco (Feat. Max Graef)
- C3: Ødland
- D1: One For Viktor
- D2: Long Live Human (One For Sveta)
- D3: A Bit Warmer
- D4: Brother T (Greeting To Rasho)
Essen's own Glenn Astro has called his first album Throwback, and the name is at once a perfect fit and not nearly the extent of the story. On the one hand, Astro has filled the double-LP with a wealth of old-school gestures and textures—the warm whoosh of analog synths, the rattle of Rhodes tines and the sizzle of jazzy drums,all held together by the comforting glue of tape hiss and vinyl crackle. If you're used to the clean sonic lines and stylistic streamlining of so much contemporary house music, then Throwback is sure to feel less like a record you just pulled out of plastic wrap than a well-seasoned one salvaged from a flea market or unfinished basement. And yet like so many Tartelet releases—particularly the label's last two full-lengths,
Max Graef's Rivers of the Red Planet and Uffe's Radio Days—it feels fresh and keenly contemporary no matter how vintage the fabric. Rather than throw back to any one moment, he's given us a collage of styles that's quite literally timeless. Astro makes brilliant work of his influences, drawing on hip-hop, house, funk and soul in such equal measure that it's hard to argue that one impulse dominates the other. The sound certainly flirts with the dance floor, with Astro applying highpressure
deep house pads on the title cut, gliding on shimmering keys for "One For Viktor," and taking us on a vibraphone-fueled workout with "Kilometer Disco," one of a pair of cuts featuring Max Graef. But Astro obviously relishes the time he spends on the sidelines absorbing the atmosphere, or at home head-nodding to the dustiest corners of his record collection. For every house beat you hear, you'll also dip into juicy, 90's-style beat science, toasty ambience and buttery chord progressions.
Expertly paced but never hustling you along, Throwback begs to be heard as a whole but explored at your own easy pace—a record for hazy mornings-after, vibey
nights in and endless summer afternoons.
- Original Motion Picture Soundtrack
- 12 new compositions by Gesaffelstein
- Pressed on two 180gram heavyweight vinyl
- Screenprinted gold on black gatefold & inner sleeves
- Musical score art print on X-Ray paper
- Limited to 1000 copies worldwide
Having changed the face of electronic music with his hard-edged and uncompromising but brilliantly persuasive sound, Gesaffelstein returns with 10 original compositions created for the motion picture soundtrack of new thriller Maryland, which also comprises three classic tracks from his discography.
Pressed on double 180-gram heavyweight vinyl, housed in screen printed gatefold and inner sleeves with one of his musical scores printed on X-Ray paper, this beautiful vinyl edition is limited to 1000 copies.
Gesaffelstein is already an electronic music icon, having conquered dance floors and festivals across the world with the sound of his outstanding 2013 album Aleph, which also spawned two incredible music videos clocking up millions of views in the process.
Acclaimed at Cannes, and starring Diane Kruger and Mathieu Schoenaerts, Maryland is set to become a cult classic.
Double 180gm vinyl LP pressing. The original Buena Vista Social Club album became a surprise international best seller and the most successful album in the history of Cuban music.
It was recorded for World Circuit Records by Ry Cooder over seven days in Havana in 1996,
bringing together many of the great names of the golden age of Cuban music in the 1950s, several of whom were coaxed out of retirement for the sessions.
In the years that followed the original release, Buena Vista veterans toured the world and were the subject of a celebrated feature film directed by Wim Wenders.
2015 REMASTERED 180g VERSION
Entitas, is the second instalment of Jay Clarke's BLACKAXON imprint, and sees the label boss bring out the big guns in the form of three distinct and diverse cuts. First up is Entity, an autonomic monster which has sweat soaked energy written all over it. It's auspiciously one part deep, and more than double just as twisted. Things are far from linear with Entity, it's mercilessly the sum of it's own parts, and has the hallmarks of a true big room pleaser written all over it. A truly authentic demonstration of the old adage 'It's not where you are going, it's how you get there'. Entity is certain to be reached for by all of the major players on the Techno circuit for a long time to come.
On the flip, Ghosts Of Acid is the Yin to Entity's Yang. A plangent and introspective groove opens up with wispy cymbals, cleverly placed rims, hats and claps. Exploratory and evolving subaqueous acidic forays dare the listener to dive in a little deeper, with the reward being a very proficient and efficient take on the now classic Acid sound.
Existence Through Perception seeks to carry on where the previous two tracks left off. A driving groove and sinister hook lets up briefly midway to a near triumphant fanfare, only to be brought back to it's mischievous overture. A perfect late night/peak time track for DJ's looking to elevate the bar of their set just one more rung higher.
Support From:
(Phase), DVS1, Ben Klock, Answer Code Request, Luke Slater, Norman Nodge, Chris Liebing, Lucy, Oscar Mulero, Speedy J, DJ Deep, Tommy Four Seven, Cassegrain, Inigo Kennedy, Slam, Brendon Moeller, Nihad Tule, Kr!z, Psyk, Jonas Kopp, Truncate, Samuli Kemppi, Juho Kusti, Anthony Parasole, Eric Cloutier, Jereon Search, Moerbeck, Truss, Distant Echoes, Yac (I/Y), Philippe Petit, Thomas Hessler, Randomer, Volte-Face, Fundamental Interaction, Arnaud Le Texier, Ame, Angel Molina, Tensal, Kwartz, Stacey Pullen.
Credits
- A1: Holding Back (My Love)(Tiger & Woods Remix)
- B1: In The End (Lone Remix)
- B2: The Then Unknown (Prins Thomas Diskomiks)
- C1: Holding Back (My Love) (Shan Funhouse Mix)
- C2: Holding Back (My Love) (Pete Herbert & Dicky Trisco Version)
- D1: Holding Back (My Love) (Shan Warehouse Mix)
- D2: Holding Back (My Love) (Dj Oyster Mix)
Tensnake's standard In The End (I Want You To Cry) release gets not one, but seven remixes. A nod to the good old remix double pack craze of the nineties, you will find them spread out over two plates. Ranging from a classic Tiger & Woods treatment to Prins Thomas quirkiness via Lone's happiness, two versions by Shan, the timid DJ Oyster as well as Pete Herbert's & Dicky Trisco's respectful re-arrangement, this one has it all: disco, techno, jungle (alomost!), house, cheese & chocolate!
Macro has released albums by two of techno's greatest live acts, KiNK and Elektro Guzzi. It would have been a shame if the two didn't exchange their special skills on each other's killer material. And that's just what they did: KiNK remixed "Atlas" into a tranced-out, peaktime world-domination slammer of pure euphoria. Elektro Guzzi let the snares smack and the pads build up on "Vodolaz" into nirvana. Dream team double pack: nothing better to let the sun shine through the summer of 2015. Even at night.
After releases for Discos Capablanca and Moon Glyth, Food Pyramid join Especial for a remix EP of their album-only track Oh Mercy. Updated by the inhouse team Apophenia, before being given the full italo treatment by SF's Inhalt and a true Especial twisted FX double mix by the man, the myth, Jamie Paton.
Minneapolis collective, Food Pyramid are welcomed to the label with the twisted psychedelic electronics of Oh Mercy. Taken from their Mango Sunrise album of 2012, its warped breakbeat jam-fusion has long been a secret favourite of the label, so it seemed right to present it on a unique EP.
Starting with a 2015 rework at the hands of the label's in-house production team of Apophenia, the original is extended with respect, keeping much and taking out little (the horns) so that the originals groove can ride and ride.
This is followed by a superb remix from Inhalt. After themselves appearing in the form a remix EP (EES009) it seemed now was the right time to get on board with their own take and in the process creating a pumping Italoesque classic. In the same way Timmy Regisford turned NOIA's Rules To Survive in to a mid-80s Chicago all time top 10, this remix harks to all that was good of that time, notably replaying much of the
instrumentation, while keeping it aimed squarely at today's floor. Who said Razormaid
On the flip are killer remixes from the label's main man Jamie Paton. Locked in an increasingly modular headspace, he digs deep and expansive. Premiered on the recent Beats In Space showcase, the Remix kicks far and wide, pushing club systems to the max, this yearns to be played at 7am Panorama. Sliding straight (and you'll miss it) in to the Dub, stripping it wayyy back, let the drums do the talking. Oh baby, have mercy on me.
The late Dena Barnes reputedly recorded four sides for Harry Balk in the Impact studios circa 1966-67, two are featured here, the other two have yet to surface... oh what joy! If You Ever Walk Out Of My Life' IS Northern Soul to many devotees ever since it was first spun on the UK club scene some 40 years ago. Co-written by Gar'dena' Barnes and Duke Browner, during his glory years, and arranged by Detroit royalty Mike Terry. Surely this iconic double-sider demands to be in every soul fans collection.
SALES POINTS:
All time Northern Soul Classic - Two fabulous sides
Massive appeal to ALL Northern Soul fans
Recorded in 2014, Stranger Than You marks a conscious return to the sounds and styles explored on their debut album Swimming in 1982. There's a strong element of reconnection,' explains singer/songwriter (and bassist) Michel Sordinia. Yet at the same time it's also about developing your own legitimate strangeness, just as the great Surrealist poet Rene Char invited his readers to do. A new mystery singing in your bones.'
Michel and guitarist Marc Deprez are joined by new members Laurent Loddewyckx (drums) and Christophe Boulenger (keyboards and piano). Stand-out tracks include the dynamic title track, Kids On Fire and quickfire Boy With A Gun, as well as more contemplative, elegiac numbers such as Lights and My Angel of Death.
The cover art is an original painting by long term Names associate Benoit Hennebert, celebrated for his work as design director for Les Disques du Crepuscule, with portrait photography by Peter Staessens. The double vinyl edition is housed in a deluxe gatefold sleeve and includes a free digital download code.
- A1: El Yayabo - Ruben Gonzalez
- A2: Me Diras Que Sabroso - Compay Segundo
- A3: El Platanal De Bartolo - Ibrahim Ferrer
- A4: Tu No Eres Nadie - Tito Puente
- A5: En Guantanamo - Abelardo Barroso
- A6: Francisco Guayabal - Beny More
- A7: Patricia - Perez Prado
- A8: Oye Mi Ritmo - Omara Portuondo
- B1: Goza Negra - Celia Cruz
- B2: Tirando Tiro - Bebo Valdes With Sabor De Cuba
- B3: Eso Se Hincha - La Sonora Matancera
- B4: Comiendo Y Cantando - Pio Leyva
- B5: Ya Tu Lo Ves Campeon - Chapotin & His Estrellas
- B6: Soy Del Monte - Beny More
- B7: El Jarabe Loco - El Negro Peregrino
- C1: Bodas De Oro - Ibrahim Ferrer
- C2: Mambo No.5 - Perez Prado
- C3: Juancito Trucupey - Celia Cruz
- C4: Mango Mangue - Aldemaro Romero
- C5: Nuestras Vidas Mi Corazon Es Para Ti - Ruben Gonzalez
- C6: Tin Tin Deo - Chano Pozo & James Moody
- C7: Suena Tu Bongo - Conjunto Roberto Faz
- C8: La Campnia Cubana - Alfredito Valdez & Trio Caney
- D1: Cao Cao Mani Picao - Vicentico Valdes
- D2: Maracaibo Oriental - Beny More
- D3: Zambia - Machito
- D4: Mosaico - Lecuona Cuban Boys
- D5: Merengues, No - Bebo Valdes
- D6: Voy Pa Mayari - Compay Segundo
- D7: Tinguaro - Tito Puente
Whether you're beginning a love affair with cuban music or renewing the relationship, this double
album of vintage recordings, served up on vinyl in the traditional way, will bring sunshine into your life.
Following the success of the 'Anipintiros Reworks', which was a remix double EP of Tripeo's 'Antipintiros' album featuring the likes of Mike Parker, James Ruskin, Blawan, Ben Sims, Cadans and Exium - Tripeo now returns with Sixth Trip.
Each side of the release feature different moods yet both equally suited for past the midnight hour. On side A, the track opens straight into full throttle. A thumping techno track with elevating high-hats and deep tones that will punish any dance floor.
Side B sets the scene for a battle across the supernovas, with a hypnotic over-drive and galloping notes, enveloping the listener into a mesmerizing state.
Given its short gestation, it is striking how far removed the new album is from its predecessor . After the dark complexity of recent output, Same As You is startlingly fresh, as inclusive and accessible as the title suggests, while still maintaining the playful experimentation on which the band has made its name.
Originally conceived as a single longform piece, the tempo remains constant but does not prevent the band from producing swells of raw, joyous, life-affirming energy within these self-imposed limits
The vocal performances and the heartfelt, spiritual lyrics are an inspired addition to the rich instrumental mix: Pete Wareham and Mark Lockheart (tenor sax), Tom Herbert (double bass) and Leafcutter John (guitar, electronics), with Shabaka Hutchings (Sons Of Kemet, Melt Yourself Down) making a guest appearance.
The album's lead single 'Dont Let The Feeling Go' sees Rochford take on vocal duties alongside a choir of friends and collaborators: it's Polar Bear at their most direct.
The use of vocals may catch the ear but that should come as no surprise given that Rochford has enjoyed working with singers as diverse as Beck, Spoek Mathambo, Paolo Nutini and Rokia Traoré over a 15 year career that has seen the drummer, composer and producer emerge as a pivotal figure in contemporary British music
Recorded by Rochford in London, and mixed in the Mojave Desert with Ken Barrientos late last year
Polar Bear will tour Europe from February (see confirmed dates below)




















