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2025 Repress

The Sound of Now...mentioned in 'The Return of Jack Slade' by Derrick Morgan was the sound of 1969/1970 and that sound was the sound of Jamaican Reggae.The look at the time was the Skinhead fashion borrowed heavily from the Jamaican Rude Boy style.
The Skinhead movement started around 1968 and by the following year of 1969 became the style and fashion of many British teenagers.The uniform of the Skinheads consisted of boots,braces and jeans and the upbeat Reggae sound seemed to match the style perfectly.
Never before has a music matched a look more perfectly than that of the Skinhead/Rude Boy and Jamaican Reggae sound.
So stand up and move your feet one more time to the Skinhead Reggae Sound!!!
Hope you enjoy the set....

Re-release alert!

Remastered version of a valuable electro must have!

Cypress Hill’s self-titled debut album was hard as nails, with very few pop concessions. There was humor, but it was laced by cackling, homicidal sneering. Not well known outside of the hardcore hip-hop scene at first, faces of the three group members weren’t usually shown clearly in press photos; they preferred the shadows. As their first singles began hitting the airwaves and record racks, the press and music fans started to take notice.


From the opening notes of the group’s first single, “The Phuncky Feel One,” to deeper album cuts like “Stoned Is The Way Of The Walk” and “Tres Equis,” it was clear that Cypress Hill was something different. And very, very dope. The world Cypress Hill espoused was gang-ridden and far from cheery, but they managed to laugh through the pain. Lead rapper B-Real took each fuzzed-out, rock-hard DJ Muggs beat as a challenge, jumping around it like a spark off a joint as it makes its way to the concrete. MC Sen Dog always had B-Real’s back, to bring intensity and a no-bullshit gruffness that made the group both menacing and unpredictable.


When they introduced percussionist Eric Bobo to the mix in the early 90s, it brought new dimension to the band, making their live performances one of the most unique and accomplished shows in hip-hop. Journalist and author Chris Faraone highlights the group’s relationship in the reissue’s liner notes (which is included only in limited edition Skull) saying, “By the late ‘80s the undisputed Cypress unit finally formed. B and Sen realized that their diametric styles - the latter’s deep wrangle, the former’s inimitable high notes - complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop’s most formidable young producer, while straddling the bi-coastal gap.”

Cypress Hill’s debut went gold by the end of 1991 and has since pushed past double platinum status, making it the first album for a Latino-American hip hop group to do so. The album received raves from the likes of Rolling Stone and the Los Angeles Times, saw a #1 Hot Rap Single with the release of “The Phuncky One” and helped the band win Artist Of The Year at the 1992 Source Awards. After 25 years, it should come as no surprise that Cypress Hill is a cornerstone of the group’s live set to this day.

While so many follow the status quo, Mat Zo has always danced to the beat of his own drum. From his days topping both the drum & bass and trance charts simultaneously (releasing on Hospital Records as MRSA), to his current status as a big room innovator, collaborating with Public Enemy's Chuck D and dropping genre-blurring 70-track contributions to BBC Radio 1's Essential Mix, the precocious talent is destined to play by his own rules.

Supported by DJs as diverse as Skrillex, Madeon, Pete Tong, Above & Beyond, Steve Aoki and A-Trak, the LA-living producer's much anticipated debut LP 'Damage Control' is a bold, brilliantly diverse statement of intent from one of the scene's most unique talents. In a world of EDM sound a likes, this is electronic dance music with integrity and ambition. The release of the album will coincide with an extensive upcoming world headline tour, which sees Zo playing renowned dance music hubs such as Ministry of Sound in London, Light in Las Vegas, Create/Avalon in Los Angeles, Miami's LIV nightclub, Toronto's Guvernment and New York City's famed Pacha. (See full list of dates below).

The product of nearly three years dedicated work, 'Damage Control' represents a star of the future coming of age. Including his Beatport No.1 smash 'Easy' (feat. Porter Robinson) and recent hook-up with hip-hop legend Chuck D (Public Enemy) on 'Pyramid Scheme', Zo's 14-track LP also features the sun-soaked melodies of his innovative future single 'Lucid Dreams' - another track that perfectly embodies his uniquely quirky take on big room sounds.

What really sets the album apart from the pack are its diversions away from the dancefloor. 'Damage Control' takes in everything from electro-charged French house ('Only For You' feat. Rachel K. Collier), classy trance vibes ('The Sky' feat. Linnea Schossow) and big room progressive, through to wonky, trap-styled beats ('Caller ID' and 'Little Damage'), UK garage updates ('EZ') and hip-hop ('Moderate Stimulation').

Retaining a cohesive thread throughout thanks to Zo's unmistakable sense of fun and infectious grasp of melody, 'Damage Control' is tipped as one of the most forward-thinking debut artist albums of 2013.

25 Years after it was released, the 16x platinum selling Bat Out of Hell II: Back Into Hell is to be repressed on vinyl for the first time since its initial release. Featuring the classic #1 single 'I Would Do Anything For Love (But I Won't Do That)'.
 And following on from the hugely successful Bat Out of Hell II: Back Into Hell, Welcome To the Neighbourhood is to be repressed on vinyl for the first time since its initial release in 1995. Featuring the hit single 'I'd Lie For You (and That's The Truth)'.

Limited edition LP with riso printed insert + CD. Bram Weijters' Crazy Men is an adventurous take on Belgian jazz-rock and fusion from the seventies.The lineup of Crazy Men includes musicians who play in a wide array of contemporary jazz bands like BRZZVLL, Dans Dans, STUFF. and Internal Sun.

Taylor Swift, seven-time GRAMMY award winner, and the
youngest recipient in history of the music industry's highest
honor, the GRAMMY Award for Album of the Year. She is the
#1 digital music artist of all-time and is the first artist since the
Beatles (and the only female artist in history) to log six or more
weeks at #1 with three consecutive studio albums. Taylor has
an album on Rolling Stone's prestigious The 50 Greatest
Albums of All Time (by women) list, Time magazine has named
her one the of the100 Most Influential People in the world, and
she is Billboard's youngest-ever Woman of the Year. Taylor
has career record sales in excess of 30 million albums and 75
million song downloads worldwide, and has had singles top both
the pop and country radio charts around the globe.
LONDON, 18th August 2014 - Taylor Swift, announced her new
album 1989 and it is available immediately for pre-buy on
TaylorSwiftand iTunes. In addition, Taylor released Shake
It Off, the first single and video from her fifth studio album.
1989 is a touchstone - Taylor's songwriting and sonic evolution
surprises us more than ever before. Heavily keyboard and beat
driven, the pop sensibilities that have always been the hallmark
of Taylor's music now move front and centre on 1989. "I spent
two years making 1989. Two years gives you enough time to
grow and change and let things inspire you. I was listening to a
lot of late 80's pop music and how bold those songs were and
how that time period was a time of limitless possibilities. In
thinking about that, this album is a rebirth for me. This is my
very first documented, official pop album. 1989 is the most
sonically cohesive album I have ever made and my favourite
album I have ever made," said Taylor.

The music of Chel White is celebrated in Automaton, a collection of mostly unreleased recordings from 1985 to 1991, by this innovative animator, film maker and visual artist.

Having studied music theory in grade school, White taught himself drumming and played in a new wave band until, in 1981, together with Dan Gediman, they formed the minimal wave duo Process Blue (Alternative Funk, 1985 / Dark Entries, 2018). Here their experimentation went way beyond playing drums.

His interest in industrial music, fostered in the late '70s and early '80s while working in factories as a way to put himself through college, informed his use of electronic instruments, tape manipulation, noise and unconventional percussion.

By 1985, as a now solo artist buoyed by newly affordable audio sampling technology, White tapped into his earlier teenage fascination with the art and films of both the Surrealist and Dada movements - in particular their disparate and fragmented imagery and sound - as a means to create striking new sonic palettes.

Science & Industry - a track largely influenced by Balinese monkey chanting and the consumer excess of American in the 1980's - is a clear example of "music collage". Photocopy Cha Cha, made for the short animation film Choreography for Copy Machine (Berlin International Film Festival, 1992 / Sundance Film Festival, 2001) moved his music into the realm of early multi-media.

Experimenting further, tracks like Liquid Shadows and Pensive provide minimalist moments, before the drone-like Dream #630 and Forest Song point to a future that included music video works (David Lynch/Thom Yorke).

This is the companion to Disco 3000, made on the same classic Italian quartet tour with John Gilmore, Michael Ray (trumpet) and the minimal but perfect Luqman Ali (drums). Ra himself plays piano and electronic keyboards, including the mysterious Crumar Mainman, which Ra describes as 'like a piano, organ, clavichord, cello, violin and brass instruments' and which also, importantly, has a facility for pre-programmed bass-lines and electronic percussion, which Ra uses constantly and to great effect in this small ensemble setting and seldom, if ever, elsewhere. The best of this collection (most of CD1) is luminous: very electronic, often rhythmical and melodic, always economical and making every sound count. These tracks are like no other jazz ensemble and, although recognisable as Ra - who else could think of, and then get away with, this - unlike any other Ra ensemble either. Ra makes the machines do amazing, visionary things while the band exercises restraint, remaining always in focus. In between, there are piano, saxophone, trumpet and drum vignettes, fresh and perfectly judged; this real was a fine band. This places the original vinyl release (and related releases, Sound Mirror and Disco 300) back into the context of the concerts, from which they were drawn. An important addition to the Sun Ra canon, since it is a rare document of an unusual Ra project that produced three classic late '70s LPs. Beautifully packaged and well annotated.

French producer Erell Ranson's affinity for the deeper shades of Detroit sound is well known, but his ability to absorb those influences and create beautiful music with his own signature is the reason we're so excited to welcome him into our family. Having previously released on labels such as Kalahari Oyster Cult, aDepth audio, Nice & Nasty Records and his own MySelf Recordings, amongst others, Erell's became quite skilled in crafting sophisticated and emotional tracks which still seem to feel perfectly at home in a crowded 3 AM club situation. EP for Barba, titled "Dreams Of Nila", is a 4-tracker consisting of "Dreams Of Nila", "Reminiscence 0f The Past", and "Far Away Of Your Side", with the latter receiving an additional remix treatment by a Rotterdam-based project Duplex. "Dreams Of Nila" is a somewhat more leaning towards Chicago-ish side of things, with its huge bassline enveloped by shuffling 707 drums. Soft-sounding synth pad sequences work as an emotion injection and appear perfectly timed, without removing the edge of this, essentially, club track. "Reminiscence Of The Past" is the most direct of the bunch. Syncopated bass drum, forward-leaning groove and those classic techno snare roll fills make this track hard to ignore as it is, without mentioning complex interaction of synth lines, chords and beautiful detroit-reminiscent string stabs. Wonderfully executed counterpoint of hard edge and soft touch is what makes this cut a truly special one. Techno in its fullest form. "Far Away Of Your Side" is somewhat closer to the energy level of "Dreams Of Nila", and is a well-paced deep cut perfect for later moments in the night when subtle approach is everything. Slow synth pads give your mind some time to relax while the groove keeps your body occupied. Duplex remix of "Far Away Of Your Side" takes the track another notch down but in a more sideways manner. Broken electro groove is what keeps the foundation of the track while Chris Aarse & John Matze (aka Duplex) masterfully work their synths and pads to keep the tension for the whole duration of the track. Melancholy mood is tangible here, and at its best, ready for the dancefloor.

Out of the ashes of Joy Division, the remaining members decided to carry on recording under the name of New Order. The band's debut album Movement recorded between 24th April to the 4th May 1981 at Strawberry in Stockport and featuring all new material, produced by Martin Hannett was released in 11th November 1981 on Factory Records.

The Movement boxed set will include the vinyl LP with its original iconic sleeve designed by Peter Saville, original album CD in replica mini album sleeve, a bonus CD of previously unreleased tracks, DVD of live shows and TV appearances plus hard backed book all housed in a lift off lid box.

The vinyl LP of the original album is cut on 180g and features the 2015 remastered audio, presented in a replica of the original sleeve.

The second CD includes 18 completely unreleased tracks made from Demos, Sessions, Rehearsal Recordings and an Alternative 7' version of Temptation.

Accompanying the set is a 48page hard back book which features photos and an essay.

- Daniel O'Donnell's recording career has now spanned almost 35 years and he continues to delight fans around the world by his
recording and touring activities.
- Daniel is the UK chart's most prolific and one of the most successful recording Artists. In 2018, he broke his own world record, by
becoming the first recording artist to chart at least one new album every year in the Artist Albums Chart for 31 consecutive years.
- During his career, in the United Kingdom Daniel has amassed thirty-seven Top 40 albums, including sixteen Top 10 albums, with
fourteen of them this Century, a feat not achieved by any other recording Artist.
- 'The Gold Collection' is a heavyweight 180g Gold-colour vinyl LP, featuring duets with his long-term singing partner Mary Duff his best
known hits, including twelve Top 40 hits, in this 16-track set.

Vinyl version of the CD format that was released 1December 14th. "The Mint" receiving radio support across Beats 1, Radio 1, ILR specialists. Video plays at Vevo and MTV. Online/social media activity. Ads, features and reviews across all press. Poster campaign.

This collection brings together rarities from well-known artists like Abstract Truth, Suck, Otis Waygood, Freedom's Children, John & Philipa Cooper, McCully Workshop and Hawk, as well as lesser known acts like Buzzard, The Fireflies, The Idiots, Tidal Wave, and The Invaders. Although the South African rock movement of the late sixties and early seventies was not a major commercial success, its participants heralded an exciting new age in South African rock and started a movement aimed at changing the musical tastes of fans in a spectacular way. Stadium concerts became the vehicle for feeding the youth with heavier rock sounds, and behind studio glass were producers like Clive Calder, Billy Forrest, Graham Beggs and Selwyn Miller who acted as change agents to transform conventional pop into heavier 4 to 5 minute songs. The movement's struggle for recognition through airplay remained unanswered and only the true fans of rock knew about their existence. Licensed by the Fresh Music label in South Africa and available on vinyl for the first time, complete with insert and liner notes.

Hard techno banging sound for this new Digital touch, stepping harder than usually ! Bam !

Upon examining the eventful life of Can bassist Holger Czukay, one might
conclude that this intrepid musician was a loner. His turbulent career exuded
an enduring eccentricity governed by a boundless free spirit. Yet Czukay,
who passed away unexpectedly last year at the age of 79, constantly
emphasized that his creativity was always contingent upon a musical
partner, whether that was a skin-and-bones counterpart or an anonymous
manifestation that interacted with him through radio waves or, as happened
ater, the internet. Nonetheless, most of his partners were of flesh and
blood.
His oeuvre, which is in itself cinematic in nature, boasts a cast worthy of a
Martin Scorsese film. Only the most interesting character actors were cast:
Brian Eno, Phew, Rolf Dammers, David Sylvian, Annie Lennox, Jah Wobble,
his Can bandmates... the list could go on and on.
Many of these masterpieces are now out of print, so Groenland Records,
who already released the highly acclaimed retrospective 'CINEMA' to mark
he occasion of Holger's 80th birthday at the beginning of the year, has
aken it upon themselves to release reissues of Holger's music in order to
make it accessible once again.

Zodiak Commune Records presents the fifth release in the Insectum series with a new EP. This masterpiece called "Flying Deer EP" is produced by common player Jaquarius. Get hypnotized by his pure analog Acid sounds and grab this 303 x limited collector!

A1 - The Burden Of Dreams: Wake up inside your personal nightmare... Get rid of this burden of dreams!
A2 - La Chasse au Demogorgon: Makes you wanna move your dancin' feet. Uptempo spiralized 303 tune.
B1 - Docteur Gradus: Influences of the old days. Freaking feedback aciiiieed!
B2 - Chaotic Memory: Glitchy electro acid! Creates chaos you want to remember.

The neon lights that decorate a dive bar's window cast a vivid reflection in rainwater on the pavement outside, as steam rises from deep beneath the ground. A slow pan across the scene, past alleys cast in shadow, twilit corners & glass doorways streaked with the mist of humid bodies fuming inside: the camera catches the denizens of an unnamed city, studying faces heavy with secrets too sad to bear. Cut to the motorway. Sleek cars barrel through the night. Sirens moan. Engines rev. You're behind the wheel, over the edge as the credits roll.

This film does not exist — but the soundtrack does. Symmetry is Johnny Jewel & Nat Walker, & Themes For an Imaginary Film is their two-hour cinematic opus pokus, a sprawling score for a movie that screens only in your mind. A 'conceptual tangent between Glass Candy, Chromatics, Mirage, & Desire's more abstract sides,' as Jewel himself describes the project, Symmetry is a vigorous, electric, restless exploration of ideas on the bleeding edge of instrumental sound. Analog synthesizers roll and crest, drums collide, keys cascade clear & crystalline. These themes evoke the phantasmic images that inspired them: urgent and ethereal, sinister & romantic. It's a neo-noir epic of pink fog & femme fatales hidden behind rain drenched windshields after dark.

Produced By Johnny Jewel & Nat Walker

Django Reinhardt devised an astonishing new technique of playing guitar built around the two fingers on his left hand that were left with full mobility after a devastating fire and, together with Stéphane Grapelli, he was responsible for defining the gypsy jazz genre. A nomadic spirit whose life became a never-ending quest to journey to wherever his precious talent would take him, Django Reinhardt will forever be revered as one of the most unique, gifted and influential musicians of the 20th century.

Following a string of well-received EPs on Cin Cin, Exit Strategy and Get Physical, Belfast's LOR readies his debut, self-titled album 'Lunar Orbit Rendezvous'. This will mark the first release on his newly minted label LOREC. A technique used in Apollo lunar missions, 'Lunar Orbit Rendezvous' charts a journey to the moon and back. A bold album, both in concept and sound, it's the work of an artist coming into his own.The title track and first single 'Lunar Orbit Rendezvous' prepares the album for lift off. It's a track that carries the technical tension of crucial operations, with gnarly acid pulses and happily erratic synths sparring over a steadfast electro beat while vocal samples collapse into themselves. 'Lunar Orbit Rendezvous' comes accompanied by a video from Studio Crême, whose design and video work has been championed by the likes of James Holden, Warp and Simian Mobile Disco. Using a hyper detailed black and white render of a NASA grade rocket, the video brings the optical journey of 'Lunar Orbit Rendezvous' to life The 'Lunar Orbit Rendezvous'

The first LP release for connected comes from Nandu and as with his previous EP releases the LP is a unique genre crossing palette containing elements from Deep House,House,AfroHouse,Electronic Techno and beyond brought together in Nandus' original style. Truly an LP that begs to be listened to from start to finish. In Nandus' own words: 'One mans high can truly be, another mans anxiety. In some parts of life this is very clear like having a baby, do drugs, to work, not to work, be an artist, be a banker and so it continues. Yin & Yang and the whole idea of duality is another way to describe this. When you go left you say goodbye to right - at least for the moment you choose left. What you choose is up to you. It wasn't always my dream to get up at 3pm to change diapers, but it was always my dream to have a family. And here the sacrifice is not even mentionable. It's more than worth it. But when you sometimes in life make a choice that you regret but which always will follow you, or when uncontrollable powers force you into another direction, it can easily switch the poles between high and low. In these cases you just have to look forward, but not without looking back. You need to learn, take it with you, and do better next time. This album is about how my highs also can be my anxieties."

Polish producer CYD joins the ever impressive E-Missions with six leftfield cuts in 'Disassemble Yourself' EP.

Launching in New York last year, the first three E-Missions releases came from co-founders P.Leone and Caiazzo. Since then the label has relocated to Berlin, developing its roster throughout 2018 with quality releases coming from Tred and Rush Plus that further cemented the label's growing reputation as one of the most interesting labels to emerge in recent years. Joining the roster now, CYD aka Karol Kazmierzewski has been making music under various aliases for the best part of two decades and has developed a versatile yet distinct sound as a result.

Swelling synths and grainy effects open the release in 'A Warmness You Can't Touch' before moving into the downtempo beats and scintillating melodies of 'Halcyon Dreams'. Up next, 'One Winged' ups the energy with crashing percussion, twisted effects and serene female vocals, making way for a layered composition complete with echoing atmospherics titled 'Hidden In The Forest'. With its dystopian aesthetic, 'Initiation' is the most ominous on the package, whilst 'Not So Shallow' incorporates chopped samples and quivering chords for a hypnotic conclusion.

The Suedehead Sound Of The Early 70's Followed The Skinhead Style Of The 1968-70 Period.
The Notable Difference Could Be Seen And Heard, The Sharp Jerky Upbeat Rhythms Were Slowing Down A Notch To What We Soon Be Calling That Early Reggae Sound.
The Tougher Harder Look Of The Rude Boy/skinhead Style Was Relaxing A Little To Almost Meet With The Less Frantic Rhythms To A More Slowed Down Groove Like Sound. The Hair Got A Little Longer, Going From A Mark 1 To A Feather Cut Style..
The 'rude Boy Out Of Jail' Type Lyrics Were Becoming More Conscientious, This Was Another Twist And Turn In The Ever Evolving Sound Of Jamaican Music,
But What Is Sure The Artists And Producers Never Disappointed Us In This Period , So Here Is A Compilation Of Some Tunes That The Suedehead Crowd Were Grooving To....
Hope You Enjoy The Set....

On Respective Edges Of America — Oregon And Maine — Keith Kenniff Records Quiet Music At Night. 'when Things Are Calmer,' He Says. 'my Mind Is Less Distracted When I Know That Everything Is Dark Outside.' For Over A Decade, Such Has Been The Mode — Nocturnal, Unrushed, Using The Same Mini-cassette Recorder, "a Lovely Little Imperfect Way To Treat Sounds" — For One Of The Country's Most Understated Composers. Kenniff Has Housed Dozens Of Ambient Releases Under The Name Helios Since 2004, Alongside Post-classical Output As Goldmund, Shoegaze Pop With His Wife Hollie As Mint Julep, And Commissions For lm And Television. It Is A Reliably Transportive Body Of Work That's Earned Kenniff A Cult Following, And A Genuine Modesty That's Kept Him On The Fringes, Right Where He Prefers, In The Dark.

Kenniff Mostly Lets His Music Breathe Free Of Explanation, Open To Interpretation. As Listeners, We Follow Subtle Suggestions — The ery Sky On The Cover Of 2012's Moiety, The Countryside Daydream Of 2015's Yume — Extracting Meanings From Imagery And Inscriptions. Veriditas, The Sixth Helios Full-length, Shares Its Name With Twelfth-century Philosopher Hildegard Von Bingen's Notion Of "the Greening Power Of The Divine," The Term Derived From The Union Of Two Latin Words: Green And Truth. Bingen Saw The Abundance Of The Earth As Vitality To Be Cultivated, Interconnected With The Body And Spirit. Take The Concept In Concert With Veriditas' Vistas Of Sound, Gazing Beyond The Tree-lined Wonder On Its Artwork, And We Undoubtedly Recognize The Album's Rooting. Kenniff Elaborates, "while I'm Not A Very Spiritual Person As It Relates To A Religious Belief, I Do Feel An Overwhelming Connection Between The Aesthetics I nd Pleasing In My Experience Of Nature And My Experience Of Writing Music."

Adrian Younge Presents: Voices of Gemma is yet another achievement in Younge's continued exploration of songwriting and composition. Imagine if David Axelrod and Charles Stepney came together to record a psychedelic album with the vocalists from Sesame Street and Electric Company. Voices of Gemma features vocalists, Brooke de Rosa, a favorite of Younge's who sings on his Something About April, Ghostface Killah and Souls of Mischief projects, and another special voice, the classically trained Rebecca Englehardt. Recorded and mixed by Adrian Younge at Linear Labs, the preeminent analog studio of Los Angeles, CA.

1LP (+poster + download card)

170 BPM psychedelic Hardtek. Dancefloor and very acid... 2 Superb long tunes, as usual with ATM. A must have.

A seminal album of the 1980s DC Punk sound, the album was the first to feature drummer Dave Grohl, who replaced Stax for the album, and stayed with the band until they disbanded in 1990.  This was the first ever album the now world famous musician ever played on.

Since disbanding, several incarnations of Scream have reunited/resurfaced for tours and recordings since. Members of the band went on to form countless other influential acts, including Nirvana, The Foo Fighters, Wool, Queens of the Stone Age, Goatsnake, The Suspects, and others.

Southern Lord is proud to be chosen to reissue Scream's everlasting 'No More Censorship' album. The band found the original multi-track tapes and Southern Lord had them baked/prepped for a remix at Grohl's 606 Studio. The new mix sounds vital and intense; the entire packaging, layout, and design are completely different from the original, including unreleased photos of the band during that era.

Scream was formed in 1981 by vocalist Peter Stahl, and brother Franz Stahl on guitar, Skeeter Thompson on bass, and Kent Stax on drums. The next few years would see the addition of second guitarist Robert Lee Davidson and keyboard player Bobby Madden, following three LPs through Discord Records — "Still Screaming" (1983), "This Side Up" (1985) and "Banging the Drum" (1986) — Scream's 'No More Censorship' was released via reggae label RAS Records in August 1988.

Tune after tune, Coops consistently delivers truly original and unique music, his newest single 'Jetpack' taken from
the recently announced 'No Brainer' project is no exception. Twist up a paper plane and take ight with Coops as he transports us out of the mundane into completely uncharted territory with this perfectly executed audio/visual experience. At High Focus Records, we are rm believers in artistic freedom, so when an artist as versatile as Coops delivered this 14 track project, it was a 'No Brainer' to share these highly innovative creations with the
world. 'Jetpack', alongside previous singles 'That Jazz', 'Bob Dylan' & 'What You Want' can all be found on Coops'
forthcoming 'No Brainer' project which is now available to pre order on limited edition splatter vinyl, CD, cassette tape and on all digital platforms. This forthcoming record showcases Coops' versatility and creative approach to his craft displaying a broad palette of sounds and moods. The cosmic cover art shows the two sides of the brain, representing the different approaches Coops has taken when crafting this project, ranging from experimental modern soundscapes to that classic Hip Hop sound. 'No Brainer' isn't really a album but more an experiment... I made most of these tracks alongside music I'd been making for an album... People have always tried to categorise me as a "Boom-Bap artist" but that I have never been. I am constantly making music of different styles and never work on one project at a time. Sadly some of these tracks never see the light of day, even though they are still of high quality and sick, so this time it was a 'No Brainer' that I put some of these tracks out.' - Coops
Coops - 'No Brainer' is offcially released on the 27th of April 2018 on High Focus Records.

Repress with new cover art & self adhesive vinyl sticker
Fredfades: SP-1200 / Eikrem: Trumpet
Remastered 300 copies
Ft. Ivan Ave, Azon Blaze, Skyblew, Lindsey Whittington
Cover by Even Suseg
For fans of J Dilla, Madlib, Mndgsn, Ivan Ave
Fredfades on the SP:1200 & Eikrem on the trumpet = "Jazz Cats". New cover art and remastered.

Fredfades is making his name in hip-hop circles worldwide as one of the most jazzy producers around. He's joined up with the gifted jazz trumpeter Kristoffer Eikrem for a full "Jazz Cats" LP. Needless to say, the project lives up to its title. The two enlist several other jazz musicians on this innovative LP, as well as rappers like Ivan Ave.

The Telescopes were founded in England in 1987 by chief member Stephen Lawrie and released several recordings in the late 1980s but it is in 1990, when the band signed to legendary label Creation, that they hit their stride and helped to define a decade of UK rock music. Fusing elements of psychedelia with noise-rock, and dreamy pop, The Telescopes were near the forefront of the early shoegaze scene and hugely influential on the next wave of early 1990s Brit-pop. This crucial collection complies all 4 of their 12" singles on Creation as well as a 1991 John Peel session and other bonus tracks. Issued on 180 gram 2LP with a deluxe double sided poster insert.

Back To Black vinyl reissue of Nico's debut full solo album Chelsea Girl, originally released in 1967. The album famously features the then-unknown singer/songwriter Jackson Browne (guitar), Lou Reed (guitar), Sterling Morrison (guitar/bass), and John Cale (piano/bass/viola).
Pressed on 180gram vinyl with digital download code.

Originally released in 1993 by the Italian imprint Minus Habens Records, 'Concrete Jungle' is the second album by this seminal project of Dirk Ivens (The Klinik, Absolute Body Control). A work considered as groundbreaking by lot of fans of early 90s industrial, noise and EBM. There are few electro-pioneers that are still active and successful and Mr. Ivens is one of them, inspiring a lot of acts to follow in the past three decades.Concrete Jungle' is being released for the first time on vinyl in a limited/numbered edition of 700 copies. Double record including all the original tracks plus the 'Extended Play' EP (1994) and some songs from old compilations. Artwork based on the original design and presented on a deluxe gatefold sleeve with printed inner sleeves and numbered card.

Here is the 2nd Part of 2 Eps of remixes for Djebali's first Album « 5 »The man Satoshi Tomiie and the french fellaz Terence :Terry :

Second album of this dope new boogie affaire - straight out of Melbourne, Australia..