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The Order: 1886 is an epic game score for the 2015 third-person action-adventure Playstation video game The Order: 1886, created by the gaming studio Ready At Dawn. The game takes place in a painstakingly recreated Victorian-Era London, but features new advances in technology brought about by an accelerated Industrial Revolution and the centuries-old conflict between Human and Half-breeds.

The music was created by BAFTA Award-winning composer Jason Graves, who received the BAFTA Award for Best Original Score for his work for the 2008 video game Dead Space. Graves is renowned worldwide for his cinematic and immerse music. His musical background as a classically trained composer, jazz drummer, guitarist, and world percussionist, allows him to compose for a wide variety of genres.

The Order: 1886 is available as a limited edition of 500 individually numbered copies on smoke coloured vinyl, housed in a gatefold sleeve and includes a 4-page booklet with liner notes.

As the meteoric rise of reggae began to captivate listeners around the globe in the 1970s, innovative artist Augustus Pablo emerged as vital creative force pushing the genre forward. An important figure in the Jamaican music scene during this remarkable era, Pablo was not only a skilled musician but an influential producer who shaped the sound of countless classic recordings. While his instrumental work and legendary dubs remain essential, Pablo was also responsible for iconic vocal tracks from a wide range of local talent, many of which were released on his own label Rockers. Now, Nature Sounds is proud to present Rockers United!, a collection of classic and rare vocal selections from the Rockers archives, all produced by Augustus Pablo. Deeply rooted in hypnotic, bass-heavy instrumentation, the album features remastered audio transferred from the original master tapes, with vocals by Jacob Miller, Delroy Williams, Hugh Mundell, Tetrak, Junior Delgado, Earl Sixteen, Spliffy Dan and more.

'Cuéntame cosas tuyas' is perfect pop with flawless arrangements; it's crossed over into the international soul scene, made its way into playlists by DJs like Gilles Peterson, and was even covered in the early 2000s by La Costa Brava-proof of its appeal among an ever-broader audience. On the B-side you'll find the superb '¡Yeah!', packed with soul and funk flair. Two irresistible tracks that, after years out of print, we're putting back into circulation with the reissue of this essential record-one that's practically impossible to find in its original pressing. Few late-'60s Spanish pop songs have reached the status that 'Cuéntame cosas tuyas' has earned decades after its original 1969 release. The single, put out by Barcelona label Belter, has become one of the most coveted gems for collectors of '60s sounds. 'Cuéntame cosas tuyas' is perfect pop with flawless arrangements-a sure-fire dance-floor killer, right up there with Elia y Elizabeth's 'Alegría' in any imaginary ranking of Spanish-language pop anthems. Although originally from Valencia, Los Ros (formerly Los 4 Ros) built their career in Palma de Mallorca and released nearly twenty singles on Belter. Between 1968 and 1970, their friendly, commercial pop started weaving in bolder elements drawn from soul, funk, and even psychedelia-something you can also hear on the B-side of this very single, featuring the superb '¡Yeah!'

Sonor Music Editions proudly presents an absolute Italian mood music grail and one of the best Library Music recordings ever - A.ALESSANDRONI's RITMO DELL'INDUSTRIA n.2, a true legend in the field. This is the maestro most prized and sought-after album, produced in 1969 on the small Grand Prix label, part of the Leonardi publishing group. A mindmelting record featuring some of the most killer driven beats ever! - dark vibes and haunting atmospheres with constant and moody Industrial rhythms, filled with tons of drum breaks, trippy Scat vocals and eastern inspired obsessive grooves. Music has been remastered from the original stereo master tape and the back sleeve will feature deluxe liner notes written by Mr. Jonny Trunk. HOLY GRAIL ALERT!

While it remains a remarkable achievement, Mavi’s breakthrough debut album Let The Sun Talk was the work of an artist still coming into his own, recorded when the gifted emcee was a teenager attending Howard University. After touring with Jack Harlow and working with artists like Earl Sweatshirt and Pink Siifu, the Charlotte, North Carolina wordsmith returned three years later with the acclaimed follow-up Laughing So Hard, It Hurts, an emotional meditation on life’s complex duality. Embedding his dense flows within lush instrumentation and stuttering percussion, Mavi unearthed new lyrical depth on the album, navigating through joy and sorrow, grief and hope, pain and healing. While many artists have struggled to match the heights of a beloved debut, Laughing So Hard, It Hurts proved that Mavi would only continue to elevate his virtuosic self expression with each new release. Eloquently cascading rhymes reveal an artist searching for truth through a vast scope of thought, floating atop serene production from Monte Booker, Dlyvinci, Ovrkast, and more. After very limited initial pressings, this classic 2022 collection is now receiving its most extensive vinyl release to date.

Juegos Nocturnos is the new project from two essential musicians of the '80s Spanish scene, coming from iconic bands like Décima Víctima and P.V.P. In this new musical venture, they deliver nine guitar-centered, refined pop-rock songs that reflect influences developed over 40+ years, recorded between 2020 and 2022. Jesús Amodia (guitar, vocals, programming, and keyboards) was a founding member of the punk-rock group P.V.P., a band often compared to The Clash and other British acts of the era thanks to their blend of punk energy with Jamaican influenced sounds. The project also features Per Mertanen (bass), member of cult band Décima Víctima, known for crafting a very distinctive sound with echoes of Joy Division, The Cure, and other British post-punk groups. Now united in this new musical adventure called Juegos Nocturnos, they present nine guitar-driven, sophisticated pop rock tracks that showcase influences shaped over more than four decades of musical career, recorded between 2020 and 2022.

Six years after his Grammy-nominated LP5, Sascha Ring - aka Apparat - takes a bold dive into the complexities of life with his sixth studio album.



A Hum Of Maybe is detailed, finely crafted, and wonderfully unpredictable. At its core, the record is about love - for himself, his wife, and his daughter - and holding onto it, protecting it, and constantly recalibrating as it is in a constant state of flux. As the title suggests, the songs explore being stuck in between: not a clear yes or no, but A Hum Of Maybe.



Ring elegantly combines the perspectives of an electronic producer and a classical composer, working closely with long-time collaborators Philipp Johann Thimm (cello, piano, guitar) - who also co-wrote and co-produced the record - Christoph “Mäckie” Hamann (violin, keyboard, bass), Jörg Wähner (drums), and Christian Kohlhaas (trombone). The album also features Armenian-American artist KÁRYYN - Apparat’s Mute labelmate - on ‘Tilth’, and Berlin-and Rome-based musician Jan-Philipp Lorenz (aka Bi Disc) on ‘Pieces, Falling’.



A Hum Of Maybe is complex, deeply personal, and embraces a state of limbo, marking an exciting new chapter for Apparat.

While Toronto producer Demuir regularly features on a wide variety of house labels, it's always worth keeping an eye on his Purveyor Underground label and its' limited-edition offshoot. He's back on the latter label for this outing, where he shares vinyl space with long-serving Parisian producer (and Robsoul founder) Phil Weeks. Demuir handles side A, delivering two passes on 'The Spark': the lightly funk-fuelled original mix, where woozy jazz samples dance atop a rubbery bassline and vintage Masters at Work style beats, and the more bumpin', cut-up and sub-heavy swing of the 'Some Too Suspect remix'. On side B, Weeks delivers 'Party Time', a typically low-slung and analogue-rich deep house number where classic boogie-era vocal samples and occasional chords wrap around loose-limbed machine drums and a killer TB-303 acid bassline.

A unique collaboration between two of the most inquisitive and important artists in modern avant-garde electronic music.

Paper Masks marks a striking new collaboration between visionary Mute labelmates Phew and Danielle de Picciotto. Developed quietly over nearly five years, what began as an experiment between friends gradually evolved into a fulllength album. Phew composed and arranged all the music, weaving in dePicciotto’s voice and freely reshaping it to create something entirely new. Performed in both German and English, the result is an exploratory work that balances electronic minimalism with emotional immediacy.

Described by Pitchfork as “a Japanese underground legend”, Phew - former member of Osaka punk pioneers Aunt Sally - has forged a remarkable solo career, collaborating with Ryuichi Sakamoto, members of Can, and many others. In parallel, Danielle de Picciotto, an American-born interdisciplinary artist based in Berlin, co-founded the Berlin Love Parade and has performed internationally, working with Crime & the City Solution, Gudrun Gut, Space Cowboys, and her partner Alexander Hacke (Einstürzende Neubauten and frequent Phew collaborator) in hackedepicciotto.

Paper Masks stands as a mesmerizing exchange between two singular voices in experimental music - an intimate dialogue across distance, language, and sound, and a compelling addition to both artists’ evolving legacies.

Available on limited edition jellyfish color vinyl, featuring lyrics and poetry, and on CD, housed in an eco card-pack with a lyrics and poetry booklet.

»Rosacea« sounds as strange and demented as all the previous albums by this Norwegian one-man project (on Feeding Tube and Ultra Eczema). But it sounds right. Just like he claimed in a recent interview about his untraditional approach to writing songs: »I just make stuff until it sounds right«. It sounds absolutely right in fact.

As puzzling and lunatic as he may seem, yet a sense of order emanates from the idiosyncrasies featured on this album. Ghédalia Tazartès is a cursory reference. Especially on »Carmelade«. However, the spectrum of sound and compositions on »Rosacea« manage to actually transcend the late French eccentric composer and singer.

Criso, a relatively new name to Dubstep, not only in the UK but also in America, delivers the "Make Some Noise" EP on Mala's DEEP MEDi.

"It wasn't until 2021 that I started getting into dubstep, actual dubstep."

Bootlegs, EPs and mixes gained early attention from the likes of Skream, Mala, Hamdi and live shows supporting Of The Trees, EPROM, Truth and Ternion Sound + more soon followed.

Criso's 1st UK release features verses from Pav4n and Rakjay on "Strictly Business", originally a Strategy bootleg, as well a co-production with the mysterious Crastinate on "Dialed".

Criso will be making some noise in the UK scene with this 4 track EP

Barabajagal is the seventh studio album, eighth album overall and most fascinatingly the third of our re-issue programme from British singer-songwriter extraordinaire Donovan. It was released in 1969 and again features production duties by Mickie Most.

Wewantsounds is delighted to continue its Yoshiko Sai reissue program with the release of "Mikkou", the Japanese singer-songwriter"s 2nd album released in 1976 on Black Records. The album, produced by ace arranger Isamu Haruna, keeps the same formula as "Mangekyou" with Yoshiko Sai"s beautiful songs and dreamy vocals over cool funky arrangements, this time featuring legendary guitarist Masayoshi Takanaka. This is the first time "Mikkou" is widely available outside of Japan, with remastered audio, original artwork and a 4 page insert including new liner notes by Hashim Kotaro Bharoocha who interviewed Yoshiko Sai for this special occasion.

Uno Loop presents the first-ever licensed reissue of Phil Yost's Bent City (1967), a rare Takoma Records title and a landmark of jazz-folk-psych experimentation. Long out of print and previously unavailable digitally, Bent City has gained strong early support with airplay on BBC Radio, Worldwide FM, KCRW, and WFMU, alongside praise from Bandcamp Daily and Aquarium Drunkard. Yost's cult following - particularly within spiritual jazz, American Primitive, and experimental ambient and folk communities -positions this reissue as a high-interest archival title with strong cross-genre appeal.

This edition is fully authorized by the Phil Yost Estate and Concord Records and pressed in a limited run, packaged with an 8-page archival booklet featuring previously unseen photographs, biographical notes, and original research on the enigmatic Bay Area musician. Bent City is the first release in a broader, multi-title restoration of Yost's catalog, with three additional albums to follow (at minimum), including Fog-Hat Ramble (1968), Touchwood's Dream (1970) and Yost's unreleased Sunflower Sojourn - creating a sustained narrative for continued retail engagement. With growing press attention, renewed visibility among collectors, and its unique place in Takoma and outsider jazz-adjacent history, Bent City is a standout catalog builder for stores specializing in jazz, experimental, ambient, and private-press reissues.

Moving things a bit deeper AoW welcome Black Eyes for their fourth vinyl release. Alongside his own Lost Control 2097 label, Black Eyes has released records on esteemed labels such as Upstairs Asylum and Housewax contributing significantly to the underground house music scene in Berlin.
Mystic Aquazone EP features subtle smoky house grooves spread across 3 original tracks. Nico Lahs crafts a forward thinking remix to send things into the next dimension. Deeply authentic tunes for the dance floor and for the mind.

‘DISCOMBOBULATED’ is the confounding and haunting new album from Hen Ogledd, the collaborative project of artists Dawn Bothwell, Rhodri Davies, Richard Dawson and Sally Pilkington.

· This album is perhaps their most complex and emotionally charged record to date, involving meditations on political tumult ,personal crisis and mental wellbeing in a world gone mad, yet also their most warmly inclusive and accessible.

· ‘DISCOMBOBULATED’ features collaborations from avant-garde legends, family members, animals and even elements.

· By turns emphatic and vulnerable, subtle and direct, joyous and furious, DISCOMBOBULATED is a strange, complex and moving a record as we have come to expect from Hen Ogledd.

· LP with four-page booklet and digital download card

Like a crusader, Apollo Noir relentlessly pursues his noble cause: pushing modular and analog experimentation ever further while remaining irresistibly accessible. Here is CORE, his 4th studio album, fusing post rave techno Detroit à la Drexciya and Manchester early Autechre (Spiral), OPN’s most epic era (Nobody On The Floor), futuristic UK jungle (A Good Brainwash), letfield amen-breaked ambient (ça va), a mega massive cadaver exquis song (CORE) featuring Remi Sauzedde’s very close friends (Janis, Ley, Claude Violante, Silly Boy Blue, S Diamah, Serguei Spoutnik and Fly HQ), diving deeper - as a true obsessive lover of drum machines (TR909, TR808 and TR606) - in the raw deconstruction of techno rhythms (Déconstruire), unleashing a dark and heavy Bassline at 145 bpm with grime vocal samples (Patternity), heavy modular beats blending perfectly with soft and voicy Korg M1 pads (Shame)... Apollo Noir knows his classics and contemporaries inside out, forging his own path with deranged yet beautiful twists (Thedral, Arco Arca).

The 14th release on Tooman Records is a Berlin-crafted record from Tanja, one half of the duo Quadrakey, stepping forward with an EP that reflects her personal musical language. Issued as a hand-stamped white label, it features four tracks of beautiful, emotional and groovy deep house. Warm atmospheres, subtle melodies and fluid yet driving rhythms define a sound that is both floor-focused and deeply rooted in the underground. House music with a deep passion.

2026 Repress

Founded in 1988 by Frank and Karen Mendez as a vehicle for The Burrell Brother’s prolific creative output, the legendary NYC label Nu Groove was relaunched in 2021, reinstating its cult status and quickly becoming a home for genre pioneers. Today its eclectic catalogue continues to grow with label returnee Stefan Braatz delivering his ‘Planet 2 Planet EP’, a four-track vinyl release showcasing this Berlin underground authority’s deeply synthetic club sound and timeless influences, including a collaboration with Virgo Four on the title track.

GRAMMY-prämierte Rap-Ikone Nas und DJ Premier – zwei der einflussreichsten und angesehensten Persönlichkeiten der Hip-Hop-Geschichte – veröffentlichten ihr mit Spannung erwartetes Kollaborationsalbum „Light-Years“ am 12. Dezember digital über Mass Appeal Nach den limitierten Day Ones Editionen gibt es nun die regulären Editionen mit Artwork, ab 20. Februar 2026.

Nach jahrzehntelanger Vorfreude ist „Light-Years“ die Wiedergeburt einer 30-jährigen Zusammenarbeit. Die Partnerschaft von Nas und DJ Premier ist tief in der DNA des Hip-Hop verwurzelt. Ihre Geschichte begann 1994 mit „Illmatic“, das Hits wie „N.Y. State Of Mind“, „Memory Lane“ und „Represent“ hervorbrachte. „Illmatic“ etablierte Nas als Ausnahmetalent und festigte Premiers damals aufstrebende Karriere. Ihre musikalische Chemie vertiefte sich im Laufe des folgenden Jahrzehnts durch Klassiker wie „I Gave You Power“, „2nd Childhood“, „Nas Is Like“ und „N.Y. State Of Mind Pt. II“.

Angeführt von Mass Appeals bahnbrechender Reihe „Legend Has It…“, die einige der wichtigsten und einflussreichsten Hip-Hop-Künstler aller Zeiten feiert und ins Rampenlicht rückt, präsentierte die Reihe ein ganzes Jahr lang historische Veröffentlichungen von Kultur prägenden Künstlern wie Slick Rick, Raekwon, Ghostface Killah, Mobb Deep, Big L und De La Soul. Mit „Light-Years“ liefern Nas und DJ Premier den krönenden Abschluss dieser legendären Reihe, in der ihre unbestreitbare Synergie nach wie vor einzigartig ist.

2006 zierten Nas und DJ Premier das Cover des Scratch Magazine und kündigten ein gemeinsames Projekt an, das die Begeisterung der Fans erneut entfachte und die zwei Jahrzehnte währende Vorfreude beflügelte. Letztes Jahr taten sich Nas und Premier zusammen, um das 30-jährige Jubiläum von „Illmatic“ mit der Veröffentlichung des neuen Tracks „Define My Name“ zu feiern, mit dem sie erstmals ihr wegweisendes Kollaborationsalbum ankündigten.

„Light-Years“ ist ein wahrer Beweis für den Einfluss beider Künstler, ihr Vermächtnis und die Zeitlosigkeit ihrer gemeinsamen Musik.