Search:the feat

We're always excited to welcome new faces to the imprint. Although not totally new to the label, having featured on the Fragment / 1 VA back in late 2024, Quartz returns here for his first full EP release.

'Cold Voids' is ominous, yet uplifting in its own right. Nostalgic but forward thinking. Techy, deep, rolling goodness!

For its third release, Handwerk Sounds returns to the Various Artists format.

A selection from across France featuring Numero 6, Tibahuult, Lazer Man, and Koffi, built around a common ground of deep, immersive sounds, shaped as a step-by-step journey. Vinyl-only release.

-3LP triple set featuring all the Prescription versions and the newly created AD II artworks by Steven Stapleton.



The booklet features all lyrics, extensive liner notes and sheds light on the interesting circumstances of the creation of this Coil release by Gary Ramon who not only instigated the sessions but also provided the haunting location for their recordings.



Has been respectfully and expertly remastered by grammy-nominated Jessica Thompson. Artwork by Steven Stapleton design & layout by Oleg Galay.

"MODEM - In itself, as a name invented for a band, it's significant. MO comes from "MOdulazione." DEM comes from ''DEModulazione'', logical functions in analog and digital transmissions. And the signal that the Bologna duo AMIN-PECK want to give us is that "Your Fun" and "Valerie" contain artistic and musical information, especially avant-garde, created in an electronic style with strong new wave tendencies, but absolutely ahead of its time. Among the Italian discos of end 70s that represented a cultural phenomenon that has remained in the collective imagination, ''Picchio Rosso'' stands out. Besides serving as an entertainment venue for thousands of young people, it served as a bridge between DJs and many talented young musicians. The discotheque was the laboratory for 4 Italo-Disco productions, all recorded at the Amin-Peck studios in Bologna, under the direction of Giancarlo Meo, who, after the successes of Easy Going and Vivien Vee and other Claudio Simonetti productions such as Capricorn and Kasso, enjoyed great esteem and prestige. This is how excellent Italo-Disco songs like "Another Song" by Music Service, "Eve of Destruction" by Vivien Vee, "Boogaboo" by The Jugglers, and "Running Straight" by Amin-Peck were born, the latter being the true musical architects of Peecker Melody, including the one-off project MODEM.. What can be said about "Your Fun" and the instrumental "Valerie"? Simple, slightly hypnotic, wellconstructed, and catchy songs. Just as the two songs were mixed by various Picchio Rosso DJs of the time--Luca Zanarini and Silver were the most legendary--Best Record has reissued them, with the same cover designed by Leonard Parker and featuring Claude Gorial, the man who 40 years ago designed the original cover and the current reissue. Same names, same success !!!"

"Over the past three decades, Philipp Lauer has produced an incredible body of work, deploying a myriad of aliases, both as a solo artist and as a part of collaborative projects. From his hardware-steeped Frankfurt studio Pyramide 2, he has built this catalogue through original material and remix commissions, taking on the full spectrum of electronic music while retaining an unmistakable signature. He combines a hands-on approach to rhythm and composition with a DIY MO and a love of big hooks. The level of expertise at hand seems to facilitate a playfulness that subtly permeates all layers of his work. He's a pop melody natural who just so happens to love fiddling with synthesizers, drum machines, and effects an equal amount. All of these qualities are exemplified on "Embalmed In Martino": Lauer's four-track ode to the Belgian Martino sauce, a spicy tomato-based condiment, and arguably the essential ingredient to top off the namesake raw meat sandwich. On "Embalmed", which makes use of instrumentation that would fit right in on an early eighties Manchester cut, and "Martino", where a sturdy, electroclash flavored arp bass provides the stamina, a slew of big and small riffs easily work their way in, thirsting for our ears. On the other side, "Transactional" combines Miami basslines and similarly electro-fundamental twinkling synth work with a flanger-laced 4/4 beat, while "Don't You Know" features soaring synthwave patterns and the only vocal samples on the EP. Both sport rich arrangements as well, right down to the cowbell overdubs. Lauer's often lauded for his "summery sound". In this light ALT026 lands right on time - yet we might disagree here, as it's suited for all seasons, and all terrains, both the shiny festival grounds and the dim-lit club floors."

LN013 presents a four-track electro compilation entitled Network Not Found. On the A1, Watts provides an electro-funk workout reminiscent of early Kraftwerk. Modulating basslines, delayed breakbeats, and haunting synths call back to early tropes of the sound while contributing to and reinventing the style. LA's 5tr8tch debuts his future classic, "Sleight of Hand." This track delivers tight 808 programming and unique sound design that takes the listener on a timeless journey. The B1 features The Advent and Zein in classic Kombination Research fashion—advanced B-side business for true lovers of the movement. Pulling from the Teknotika archives, GiGi Galaxy provides a rare DAT recording from 1997. The track's growling bassline, warm 808 beats, and experimental sound design take the listener on an ever-changing journey.

UK Street Soul, electronic, Deep House

After enticing tastemakers and fans the world over with her 2-track junket into street soul, Be Loved / What Could Happen, Kuzco doubles down with the after-hours antidote. Bound to Be presents the final two tracks to complete the 4-track EP, plus 2 remixes from Ladymonix and Black Moonchild.

Ladymonix delivers an uncompromising scat dub of Be Loved - a niche and signature style to emerge from the Detroit underground that Ladymonix champions. This one is strictly for the house dancers. The B-side features "Waaalk" and "Ha Ha Ha", a sultry and energetic jaunt into ghetto tech and electro. If it wasn't already evident, Kuzco is clearly making a stand and representing the FLINTA and queer club spaces that she embodies.

The B-side is perfectly complemented by an outstanding remix from Detroit powerhouse Black Moonchild - a superbly deep and hypnotic techno groove reminiscent of UFO activity over the Motor City, with bleeping electronic signals passing through jittery hi-hat and drum passages, married with Kuzco's saucy spoken word.

Faux Poly is delighted to release its first vinyl record release since 2023: NINA, a rising UKG/Dub prodigy, is arriving with Internal Makeup. Bristol-based NINA has steadily built a reputation as a forward-thinking
solo artist, dropping highly sought-after records with a distinct sound and craftsmanship that set him
apart. Just one year in, NINA has released on labels such as Innamind Recordings, 20/20 LDN, and
Locus Sound. This new chapter is a pure distillation of that journey - a sound informed by dub, garage,
grime, and soundsystem pressure.

Internal Makeup features four bass-driven club tools that are minimal, weighty and focussed on sub. Opening with “The World Is On Fire”, the only 4x4 track on the record, NINA sets the mood with a cavernous dub techno jam and spaced out vocals. The rest of the record - including the Rowl collaboration “When I Come” - hits firmly in UK Bass territory, with stripped compositions that focus on bass-weight and a strong Bristol influence.

Words from NINA: This EP came together slowly and surely over the space of about a year. I wanted to
encapsulate my true sound which can be extremely versatile which is why there is a bit of everything on there, from techno to garage to dubstep.

The Producers Press Volume 3 (WEB13-024) is a standout vinyl release celebrating the depth and diversity of House and Garage music. Featuring a strong and well established lineup of producers—Danny J Lewis, Para, Raw Groove, and James Lavonz—this compilation delivers a rich blend of House and Garage music.

Pressed with care for collectors and DJs alike, the record comes housed in a quality paper inner sleeve, paired with striking artwork presented on a printed card outer sleeve which features the artwork from all of the past releases on the Label and is A must-have addition for vinyl enthusiasts and fans of authentic underground House & Garage music, Volume 3 continues the series’ reputation for showcasing refined, forward-thinking production.

People Pleasers label head Shep' is back with a new EP while his last from July is still doing plenty of damage. Dealing in more of his lithe, trimmed down minimal tech, this one kicks off with 'Continental Beak Fest', a playful yet jacking groover with a charming personality driven by whimsical synth lines. 'Suburban Unicorn' features light but deep chords, dancing on a rubbery groove that's hooky as hell. Over on the flip, 'The Bullet Proof Fringe' assumes the more stern character usually associated with this sound, laced with an emotive vocal amid the darker grooves. Finally, 'Salad Spinner' on the B2 is back to the good times with celebratory vintage-tinged synths and cheery vibes. Refreshingly smiley tech.

Due to high demand of dubplates, the "Bush Tea" is finally released in vinyl 7"!

Five years after their radiant debut Ufo Bar, Italian cinematic funksters Banda Maje are back with Costa Sud to take us deeper into their land of ‘Salifornia’—a Southern province of sun-drenched coastlines and decaying buildings where dreams of exotic escapism sprout and bloom.

Once again, behind the eight tracks in the album—and behind the wheel of the fiery red Alfasud on the cover—is composer and keyboardist Peppe Maiellano. He has meticulously tailored each piece to his virtuoso partners in crime: a 'family' of exuberant musicians spread between Salerno and Naples, all bound by deep-rooted ties to the region and a shared belief in the grit of independent artistry.

The Costa Sud (South Coast) imagined by Banda Maje is a shimmering ribbon of sun-baked asphalt stretched between the sea and the ancient pine forests of the Gulf of Salerno. It is a land of enchanting but wounded places, where the grace of Ancient Greek civilization sits in a restless silence alongside the scars of rampant building and neglect. “But if truth is beauty and beauty is truth,” Maiellano explains, inverting Keats’s famous line, “with the right eyes, you can find beauty and poetry even under a layer of moral and material filth."

Conceived and recorded entirely in the South, the album nevertheless looks beyond the horizon. While Neapolitan funk and golden-age Italian soundtracks remain the double helix of the band's DNA, this album welcomes new influences from across the ocean, weaving Italy, Brazil, Africa, and contemporary sounds into its unique vision of the 'global South.'

Side A is an immersion into Salifornian territory and its myths: from the carefree instrumental disco-funk of the title track, which sublimates local contradictions into enveloping cinematic atmospheres, to the mellow groove of “Baia”—a fusion of Neapolitan funk, afrobeat, and disco that pays homage to Salerno’s famous beach, squeezed between millennia-old sea rocks and mountains of shipping containers. The band’s heartfelt sense of belonging shines in their fresh soul-disco version of “Mo…” (a 1981 cult classic by Neapolitan legend Peppino di Capri) featuring Maiellano’s own vocals, while the reimagining of Tonico 70's “Jet Lag” celebrates a fraternal partnership with the Salerno-based rapper/producer, charting a musical itinerary that unites Brazil, the States, and Salifornia through evocative grooves, sharp synths, and Gianfranco Campagnoli’s exquisite trumpet.

On Side B, the sound becomes even more eclectic with the samba-funk warmth of “Samba Maje”, where Mediterranean melodies and lush vocal harmonies marry jazz-funk arrangements and disco-inflected Brazilian rhythms. The next track, “Africana”, is dedicated to a legendary dolce vita nightclub on the Amalfi Coast (and its founder Luca Milano); here, a rhythmic mantra incorporating tribal African elements blends with synths that evoke RAI television themes of the late 70s. The journey concludes under the sign of the silver screen: the disco-funk elegance of “Black Glamour Girl” (from the early-80s road-trip comedy In viaggio con papà), a tribute to the compositional genius of Piero Piccioni, and “Lovebossa”—an easy-listening homage to the "Cine Bossa" atmospheres that characterized so many Italian soundtracks of the 60s and 70s, finally carrying the listener ‘ncopp’ ‘e nuvole (above the clouds—which is basically Salifornian for "somewhere over the rainbow").

Available on LP and Digital from 15 May 2026.

8-Tracks features eight essential classics selected from the Pink Floyd’s 1971 – 1979 era. The track list includes the instantly recognisable hits ‘Money’, ‘Wish You Were Here’, ‘Another Brick in the Wall, Part 2’, ‘Time’ and ‘Comfortably Numb’, alongside earlier cuts in ‘One Of These Days’ and ‘Wot’s… Uh The Deal’, as well as an exclusive full version of ‘Pigs On The Wing’, previously available only on the 1977 Animals 8-Track cartridge release. The track sequence has been edited by Steven Wilson for a continuous listening experience. 8-Tracks documents the full measure of Pink Floyd’s transition into their breakthrough era, propelled into superstardom throughout the 1970s. The eight-year period this special release celebrates encompasses music from some of the band’s most successful and celebrated records ever. 1971’s Meddle, 1972’s Obscured by Clouds, 1973’s The Dark Side of the Moon, 1975’s Wish You Were Here, 1977’s Animals and 1979’s The Wall. 8-Tracks offers a brilliant insight into this incredible period of creativity. A starting point for new listeners to discover the depth and breadth of Pink Floyd’s peerless album catalogue, as well as a carefully curated collection for longtime fans to appreciate.

Cloudy Pink / Cloudy Green 2XLP. Before being called “the coolest man in music” (The Line of Best Fit), Paul Castelluzzo was a teenager surfing the beaches of San Diego and playing bars with local jazz greats like Curtis Taylor, until Rodney Jerkins brought him to Los Angeles to perform on tracks for Britney Spears and Justin Bieber. In between driving for Lyft and serving as the music director for a Russian Pentecostal church to make ends meet, he was enlisted for Romeo Santos’ album, Golden, but soon returned home to begin his next chapter as Hether.
Since then, his self-taught guitar style, songwriting talents and profound production palette have led to him working with everyone from Clairo, Dominic Fike, Remi Wolf and The Marías to Paul McCartney, Anderson .Paak, Benny Blanco, Kali Uchis, Kenny Beats, Mac Miller, Rick Ross, Vince Staples and more who continue to discover Hether. Having already amassed millions of streams and hundreds of thousands of fans, landing music in HBO shows and scoring films, Holy Water marks both the culmination of everything Castelluzzo has experienced and accomplished, and an expansive new evolution of a project that has shaped the present and predicted the future, but remains entirely his own.

Limited first release in a new 7" collector series from Common Saints, the UK psychedelic soul project known for its warm analogue textures and cinematic groove-led sound Features Idol Eyes (33M streams) and Summer Sun (24M streams), pressed on heavyweight black vinyl in a printed sleeve and cut by Stuart Hawkes at Metropolis, London. Strictly limited to 1,000 copies worldwide - strong catalogue demand meets premium analogue presentation.

After years of shaping dancefloors worldwide and carefully curating the sonic and visual identity of Up The Stuss, Dutch favourite Chris Stussy presents his most expansive and personal statement to date with his debut album, ‘Lost, Found & Forgotten...’. Landing on 3rd April, the album unfolds across three interconnected chapters - ‘Lost’, ‘Found’, and ‘Forgotten’ - each revealing a different side of his creative world across 19 tracks while remaining tethered to a singular wider vision.

At its core, ‘Lost, Found & Forgotten...’ is an exploration of creative freedom. Visually and conceptually guided by the image of a kite, the album reflects movement, perspective, and balance. Floating freely yet always anchored, the kite mirrors Chris’s approach to music: unrestricted in emotion and imagination, but grounded in groove, craftsmanship, and intention. It’s a symbol that naturally extends the Up The Stuss identity; pointing skyward, embracing openness, and encouraging curiosity.

“This album has been a long time in the making, and I’m excited to finally share it with you. The process behind it - exchanging ideas with other artists and creating music outside of my comfort zone - has been an incredible experience. It gave me a true sense of freedom, allowing me to not think about boundaries or expectations. I’ve never been more proud of a project than this one. It’s deeply personal, and it represents my sound as a whole. I hope you listen with an open mind and find something in it that resonates with you.” - Chris Stussy.

The ‘Lost’ chapter opens the album by giving new life to music once left behind. These are tracks written across different moments in Chris’s journey, ideas that never quite found a home until now. Rather than relics of the past, they emerge re-discovered, refined, and fully realised. ‘

Found’ represents inspiration in motion. Sparked by collaboration, digging, and shared creative exchange, this chapter captures the moment when ideas connect, and colour floods the sky.

The album closes with ‘Forgotten’ - a nod to the deeper cuts, the B-sides, and the moments that reward patience. This chapter is for the heads and diggers; tracks that may not demand immediate attention but reveal their value over time.

Available for the first time on any format, the soundtrack of Pier Paolo Pasolini's controversial 1975 vision of the Marquis De Sade's 120 Days Of Sodom, featuring beautiful and discordant classical compositions, in stark contrast to the shocking and cruel events unfolding onscreen.
Three weeks before the scandalous release of "Salò, or The 120 Days Of Sodom", Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote 'Addio a Pier Paolo Pasolini' (Goodbye to Pier Paolo Pasolini) for the late filmmaker, included in the final edit.

Following the narrative of one of Pasolini's defining cinematic moments, the soundtrack opens with Ennio Morricone's "Son Tanto Triste", descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister renditions by the cast, and includes Morricone's own sombre tribute to the director.

Disgusted by the flood of crass sexploitation movies which filled the space opened up by his "Trilogy Of Life", Pasolini turned to the most nihilistic thinker in European history for what became his final film. His version of De Sade's 120 Days Of Sodom, amplified with motifs from Dante's Inferno, confronts the ultimate implications of fascism in a series of sexual and moral atrocities. "The only true anarchy is power".

The LP / CD will be released on Friday 13th February 2026, exactly 249 years since the Marquis de Sade was arrested and imprisoned in the dungeon of the Vincennes fortress for charges of "debauchery and immoderate libertinage" that scandalised his contemporaries.

In 1955 Miles Davis played an all-star jam session at the Newport Jazz Festival with Thelonious Monk on piano, Gerry Mulligan on baritone sax and Zoot Sims on tenor sax. This performance immediately drew the attention of Columbia Records' George Avakian, who was so impressed that he immediately offered Davis a contract if he could form a regular band. The group he then assembled would go down in history as Davis' so-called "First Great Quintet", consisting of John Coltrane on tenor sax, Red Garland on piano, Philly Joe Jones on drums, Paul Chambers on bass and of course Miles himself on trumpet. 'Round Midnight is Miles Davis' first record for Columbia and also the first studio recording of the First Great Quintet. The recording sessions began on October 26 1955 but the album wasn't released until 1957 as Davis was still under contract at Prestige at the time. These respective sessions yielded Steamin', Workin', Cookin' and Relaxin'; albums that would go down in history as quintessential blueprints of late 1950s hard bop.

The record is made up of a collection of standards and one traditional song ("Dear Old Stockholm", from the 19th century). Notably, it features what may be considered the most well-known versions of Thelonious Monk's "'Round Midnight" and "Bye Bye Blackbird". That Avakian made a golden signing was sufficiently clear from the start, but no one could foresee that it would be this quintet on Columbia that would go on to change the course of modern jazz forever with Kind of Blue. 'Round Midnight is available as a limited edition of 1500 individually numbered copies on crystal clear vinyl.

DCTL Members is a unit formed by Masafumi Onishi, aka TELLY, the label owner of Troop Music Works, and DJ DUCT, who is renowned for his turntable skills that span a wide range of genres, from Hip Hop and Rare Groove Funk to Detroit Techno and Deep House. For this upcoming EP, they feature Shu Suzuki, a multi-instrumentalist who lends his versatile talents to the project.
This time, by blending musical instruments with the raw warmth of analogue gear and rough, sampler-and-rhythm-machine-driven sequences, the sound has evolved into something even more energetic and full of DIY spirit.

Dr. Lonnie Smith’s 1969 album Turning Point featured the organ virtuoso with a dynamic band featuring Lee Morgan on trumpet, Julian Priester on trombone, Bennie Maupin on tenor saxophone, Melvin Sparks on guitar, and the funky drummer Leo Morris (aka Idris Muhammad). Highlights include covers of “See Saw” and “Eleanor Rigby” plus soulful originals.

This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal

Liepāja’s Elektrons is a contemporary electronic music compilation on vinyl, bringing together artists connected to the Baltic city of Liepāja. The LP features eleven original tracks that reflect the diversity and vitality of the local electronic scene — from deep techno and liquid funk to experimental ambient, IDM, and broken beats. Across the record’s two sides, Liepāja’s Elektrons brings together a diverse constellation of producers shaping the city’s electronic identity. The A-side features Cliché, Nejauši, Kristaps Puķītis, DJ KEDA feat. Ieva Dreimane-Sidare, BAZIITS, and NiklāvZ feat. Kenji, moving fluidly from intricate IDM textures and atmospheric experimentation to liquid funk rhythms and high-energy drum’n’bass. The B-side continues the journey with Ksenia Kamikaza, Eque, OMIROS, ALTER V and Existal, exploring deep and peak-time techno, minimal house and progressive sonic structures.

ANORAX lives up to its #eatsleepcollect mantra with this limited edition one side only plays special 7”.

Making a cover version of Mezzoforte’s Icelandic jazz funk classic GARDEN PARTY is not a task for the feint hearted.

Phil Hooton and fellow producer Mark Gambe pull it off with aplomb.

The duo are enjoying success with their single GARDEN OF EDEN by Phil Hooton Featuring Pete Simpson. That involved a new song being written and sung over their instrumental remake of GARDEN PARTY.

The original idea was to only release the new vocal creation but the instrumental version - featuring virtuoso playing by some of the UK’s top session musicans - was simply too good to be left on the shelf.

Only 200 copies of this one sided 7” have been manufactured.

Over a decade has passed since this was released, and it has truly aged like fine wine. This release features 2 timeless cuts from the mind and soul of intrusion, mixed and recorded near the heart of Detroit. This was beautifully remastered by dub innovator and pioneer, Stefan Betke POLE @ scape mastering in Berlin, DE. The recordings were pulled from the session masters conducted by Bazza @ Alchemy Mastering in London to ensure a perfectly balanced mix and preserving the soul and spirit of the original tape master. The first incarnation of "A Gentle Embrace" came in the form of three extended reshapes from cv313 & variant and now we're proud to offer the original work on beautiful crystal/silver mixed clear 150 gram wax! :)

On side A the most pristine of dub techno is on offer here, this is Detroit techno stripped down to its most minimal core. A gorgeous subtle ambient soundscape exploring the deepest end of dub and house with gentle surges of organic elements, field recordings and modular movements simply out of this world. The "Reduction" mix on side B captures those chilling glacial soundscapes, trademark basslines and mesmerizing gaseous atmospheres subtly layer into the mix. Otherworldly to say the very least, this is music to swim in, breathe in and to pray to - for the spirit and the soul. Essential!

Post Panic debuts as a label with the release of Dancing Ledge, a specially titled EP featuring five remastered tracks from Delph’s 1998 self titled album. Originally appearing on CD via the Blue Pool label, this new collection breathes fresh life into a hidden gem of the late 90s British electronic scene.

The project of K J Pocock and Steven Smith, Delph captures a unique sonic transition from the rural landscapes of Dorset to the industrial energy of Manchester. While the original album was self titled, this edition takes its name from Dancing Ledge on the Jurassic Coast, paying homage to the duo's roots and the organic, atmospheric nature of their sound.

This debut reissue serves as a definitive statement for Post Panic, unearthing timeless soundscapes that blend ambient, downtempo, and early IDM. An essential discovery for collectors and lovers of evocative electronic music.

This EP is a selection of five re-mastered tracks from the 1998 self-titled Delph album, originally released as a CD on the Blue Pool label. Delph were K J Pocock and Steven Smith. Originally from Dorset in England they moved to Manchester where the album was made.

The SouL Pops is Chicago based Dejay Cease, who is known for spinning at places like the Buddha Lounge and making tunes that span Soul to House. Here, he debuts on Cataleya Music with the organic and soul infused The Mask EP. This Masquerade featuring Trevor Johnson is a cover of the George Benson song, which takes it in a classy Soulful House direction courtesy of an impressive piano display and questioning vocals. The Instrumental version is self explanatory, where keys and strings hold their own. Afro-Rican Jazz is another key led winner, where powerful grooves are joined by textured percussion. Something About You rounds off the EP with strong organ blasts, life giving strings and ear catching melodies. The Mask EP is a soulful winner with jazzy flourishes and spiritual edges.

Daybreakers welcome back Chicago’s Vick Lavender for Essential Traxx Vol. 3, continuing a run of records that tap straight into the deeper end of his sound. A producer, musician and DJ with decades behind him, Vick has always moved in that space where house, jazz and soul naturally meet. It’s music with patience, feeling, and that unmistakable Chicago touch.

On the A side, Atmosphere brings things firmly onto the dancefloor. Rolling drums, deep bass and a groove that locks in and moves with purpose. Proper club-ready deep house that does exactly what it needs to do.

Flip it for There It Is featuring DMillz, and the journey goes deeper. Lush chords, soulful touches and that signature Vick Lavender flow unfolding over time. One for the heads who like to let the record tell a story.

Essential Traxx Vol. 3 keeps the story moving. Real house music from the source.

Deeper than deep house.

Buy or cry.

Open the doors of perception with 'Alchemy of Being,' a deep ambient exploration inspired by Jungian analysis, olfactory meditations and psycho-nautic navigations.

Dublab resident, LA-based DJ and producer Dor Wand invites us to practice ‘deactivation through music:’ a softening art he describes as guiding energy down gently, so the body can rest, the heart can open, and the mind can return to stillness. The album creates a space where movement turns inward, where rhythm becomes breath, and where sound holds us as we land.

A mix of mellow synths, live harp and tuned percussion, the album oscillates softly between tension and relaxation, a harmonizing journey that gradually brings together mind and body, inhale and exhale, a unifying yogic tool for heightened self-understanding.

New single by Romperayo on 7-inch vinyl spinning at 45 rpm, released by the Austrian label discos
elgozo.
This record is a tribute to the sound of Cumbia Sabanera de Acordeón from Colombia, in dialogue with
Mexico’s Cumbia Sonidera. It also pays homage to the melodic line of the first generation of
Colombian accordion masters of Cumbia Sabanera such as Joaquín Betín, Emiro Caicedo, and
Policarpo Calle.

The two tracks are built on a solid rhythmic foundation of bass and percussion, accompanying a
melodic interplay between accordion and analog synthesizer.Mixed and produced by Pedro Ojeda Acosta at Romperayo Studios, both songs were recorded live, in
quartet format, at Mambo Negro Studios in Bogotá, Colombia, by Daniel Michel, featuring Iván
Medellín on accordion, Nicolás Eckardt on electric bass, Juan Manuel Toro on analog synth, and Pedro
Ojeda on percussion.
This single offers a first taste of Romperayo’s upcoming LP, set for release in early 2026 — once again
on discos elgozo.

oom 318 Productions and Laced Records are stepping into the fog to bring Akira Yamaoka’s score for the 2026 motion picture, Return to Silent Hill, to vinyl.
 
This 2LP features 29 specially remastered tracks carefully curated by series composer and executive producer, Akira Yamaoka, to capture the key themes of love, loss, guilt and obsession from Return to Silent Hill and the SILENT HILL 2 video game on which the film is based.
  
Yamaoka’s musical signature has been an integral part of the series since the first note of the original video game. His work for Return to Silent Hill marks his third time writing music for a motion picture set in the SILENT HILL universe, but this time he returns as the sole composer.

The score for the motion picture was guided by three guiding principles he’s developed while working on SILENT HILL scores – to “not decide music through emotions,” an aspiration to “blur the boundary between music and environmental sound, between reality and the inner world,” and finally, to “not reject beauty.”

“The horror of SILENT HILL is not merely unpleasant or violent. There is always something fragile, human, and irretrievably beautiful mixed within it. Refusing to deny that has remained unchanged since the beginning,” Yamaoka explains.

Working closely with director Christophe Gans, Yamaoka built the score piece by piece to extract the underlying sensibility of the world of SILENT HILL 2 and reconstruct it into music that can stand on its own as a film score. Series veterans will recognize iconic cues from the video games that have been reimagined in tracks such as “Chasing Laura” and “Brookhaven Hospital”.

“The goal was never to replay the game’s music as it was,” Yamaoka explains. “Instead, the challenge was to reinterpret it—to alter its meaning, its distance, and its placement—so it could breathe within the film’s sense of time, imagery, and the inner lives of the characters. It was not a quotation, but a reimagining.”

Whether you consider yourself a master of survival horror or this is your first time stepping into the fog of SILENT HILL, the Return to Silent Hill Original Motion Picture Soundtrack is a melting pot of distorted sounds and jagged textures unified by a single sensation: unstable, murky, and yet somehow beautiful.

© 2026 Room 318 Productions, Inc.

Die renommierte Electronic Music Anthology-Reihe von Wagram kehrt mit einem neuen Kapitel zurück - diesmal voll und ganz gewidmet den feinsten Perlen des Deep House. Kuratiert vom französischen Electronic-Aushängeschild FG Radio, präsentiert The Deep House Session eine sorgfältige Auswahl zeitloser Tracks, die die stilistische Breite und emotionale Tiefe dieses Genres perfekt einfangen. Die Compilation vereint international gefeierte Künstler wie Ben Böhmer, nTO, Bonobo, Solomun, Fritz Kalkbrenner, Kaytranada, Masters at Work, Dennis Ferrer, DJ Deep, St Germain, Môme und Soha - Namen, die sowohl im Club-Kontext als auch über Genregrenzen hinweg einen exzellenten Ruf genießen. Ob atmosphärische Synth-Texturen, organische Grooves, warme Basslinien oder hypnotische Melodien: Diese Edition destilliert alles, was Deep House seit Jahrzehnten zu einer der elegantesten und gefühlvollsten Spielarten elektronischer Musik macht. The Deep House Session ist eine hochwertige Sammlung für Liebhaber, DJs, Sammler und alle, die elektronische Musik zwischen Wärme, Groove und subtiler Eleganz schätzen.

Two jewels in the crown of the soulful electronic music scene in NYC unite for a spellbinding EP on Rhythm Section International. ”Full Circle” is a brand new body of work from Musclecars & Toribio.

To call this 12” simply epic would almost be doing it a disservice. The breadth of musicality and execution of ideas contained across 3 compositions is nothing short of miraculous. I use the word composition intentionally: these are not merely tracks - these are 3 movements making up a concerto - with a dub thrown in for good measure!

The record kicks off with a soulful house behemoth, “ That’s My Story” featuring NJ legend Roland Clark on vocals giving sweet sweet testimony. In many ways, this track feels like a coming together of the trios influences. The lyrics contextualise it, giving it this intimate, confessional feel. The latin drums shuffling amidst the 909 kick drive it forward and the organ swimming freely amongst it all takes us to church. It’s a timeless track - paying homage to the various New York traditions laid down by Louis Vega, Timmy Regisford, Joaquin Claussell , Ron Trent et al - all heroes and collaborators of the composers who - with this effort - have surely now earned their place in the pantheon of American Soul Music.
‘
Be Honest’ maintains the confessional tone with the lyrics but takes things right back down in terms of tempo. Is it a love song, an ultimatum or a cry for help? Whichever way you interpret it, this track is Toribio’s time to shine as a lead vocalist and he hits all the notes, leaving not a dry eye in the house. This is a delicate tour de force, delivered with such raw emotion and vulnerability it allows the instrumentation takes a back seat - just a gentle groove, swelling strings and some unresolved chords are all that’s required to transform us to the main character of this story. We’re left hanging, and it’s oh so relatable.

Agua De Florida serves as an uplifting, fast paced finale to the concerto and this one’s all about the trumpet - masterfully performed by Melbourne born, London based virtuoso Audrey Powne. If Herb Alpert was making house music - I imagine this is what it would sound like. Throbbing bass and noodling synths join the melee and crank the joy up to 11. If the EP is a story arc over 3 tracks, then we’re definitely not left hanging with this one. All is resolved, things are moving onwards and upwards and the circle is complete.

Starting in 2021 the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took us from theindustrial and post-punk sounds of the late 70s, through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today.

Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. With the nascent rave scene obliterating boundaries, this was a moment where the darker, harder industrial electronic sounds of the mid 1980s were crashing headfirst into the ecstatic wave that was washing over clubland creating thrilling juxtapositions. Whether in the clubs and warehouses of New York, London, Frankfurt, Valencia and beyond, electronic music would never be the same again as countless new genres we take for granted today were born from the chaos and energy that had been unleashed.

Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumours to the contrary, that early anarchic spirit can still be found today. From the Detroit Techno of Model 500 to Nitzer Ebb's EBM and the proto-Trance of Age of Love and onto brand new tracks from some of today's best producers such as Zaatar, Italo Deviance and Leona Jacewska, this compilation closes out a series that has to date revelled in exploring the darker corners of clubland in uplifting style.

This is Chapter 2.

Bliss Point is proud to welcome the Bogotá born, New York based Matük to the label with Sendero, a collection dripping with life, with lust, with joy in the face of it all.

Birthed from weekend-long studio sessions in the heat of New York summer, Sendero is luscious and visceral party music, crackling with the spontaneous possibility that runs through city streets as temperatures peak, asses throw and emotions run high.

Hailing from Colombia and deeply immersed in the New York underground, Matük’s influences collide into an ecstatic tapestry on Sendero, blending the rich traditions of Afro-Caribbean musics with experimental and club sonics, long the sounds of joy as defiance from deep within the imperial core.

Many paths cross on Sendero. “Ricotta” features vocals from BRAVA, the Basque DJ and MC whose raw, infectious spirit has injected new energy into the international bass and footwork scene. She is joined by Argentinian-Colombian artist FEDRA on synth and vocals, transforming voice notes the trio sung into their phones over a long weekend of dancing into a party anthem of their own. “Lio”, the EP opener, pairs Mexico’s Renn Loop with Matük himself, trading sultry, heated frustrations over latinx futurist production. Things slow down on “De; Dioses y Pantallas”, a yearning, introspective plea to the night sky, before returning to the party with the bouncing, acid-fueled remix of “Ricotta” from Mexico City’s Soos.

Sendero is a snapshot of a scene in motion, a document of serendipity and collaboration, music made in the long tradition of enjoyment as a revolutionary act.

What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical facade? With the album SRDNG x LPZG, the duo AMAS, together with double bassist Frithjof-Martin Grabner, delivers a radical answer on May 15th, 2026. The work does not merely translate Bach’s legacy; it consistently reimagines it within the aesthetics of Minimal, Dub-Techno, and Ambient. The creation of this extraordinary abstraction spanned three years and two geographical poles: the raw isolation of Sardinia and the academic precision of Leipzig.

The project found its origin in the seclusion of Pula, at the southernmost tip of Sardinia. There, AMAS extracted and digitally dissected the rhythmic and tonal essence of 14 selected works by Bach. In a temporary local studio, these minimalist sequences fused with field recordings of the surroundings to form a hypnotic framework of electronic structures. Back in Leipzig, this foundation met Frithjof-Martin Grabner. In an intense session held in a hall of the historic HMT Leipzig, spontaneous improvisations emerged that breathe the spirit of Miles Davis’ approach to "Ascenseur pour l’échafaud": free play based on rudimentary sketches, an intuitive reaction to the material—comparable to Davis’ iconic scoring of silent film images. It is a deliberate prioritization of atmosphere over technical perfection. Grabner utilizes the full spectrum of his instrument, creating sounds that, in post-production, often blur the line between analog depth and synthetic texture.

The result is an organic symbiosis: the vastness of Sardinia (SRDNG) meets the intellectual density of Leipzig (LPZG), while the strictness of the Baroque dissolves into the repetitive energy of Minimal Techno. To do justice to this conceptual ambition, the album will be released in an uncompromisingly audiophile edition. Limited to 200 copies worldwide, the double LP is pressed on 180g vinyl and features a front cover with a special 3D effect, continuing the visual tradition of the AMAS series. An album for listeners who understand Bach as a living origin of modern sound art—and for lovers of electronic music seeking a new, organic soul within the repetitive depth of techno.

Starting in 2021 the critically acclaimed Next Wave Acid Punx series has seen Luca Venezia, aka Curses, celebrate the music that has shaped both his life and career. Across the first two compilations Luca took us from the industrial and post-punk sounds of the late 70s,through the emergence of EBM, new beat and freestyle in the 1980s and onto the music he both makes and plays himself in clubs today. Bringing the series to a close Next Wave Acid Punx TROIS sees the Berlin-based musician and DJ return full circle, this time exploring the sounds that first initiated him into Brooklyn's rave scene and the music that, in some way, continues to embody its eclectic spirit today.

Spread across three 2LPs and 3CDs Next Wave Acid Punx TROIS captures a moment whose influence can still be heard reverberating around clubland today. With the nascent rave scene obliterating boundaries, this was a moment where the darker, harder industrial electronic sounds of the mid 1980s were crashing headfirst into the ecstatic wave that was washing over clubland creating thrilling juxtapositions. Whether in the clubs and warehouses of New York, London, Frankfurt, Valencia and beyond, electronic music would never be the same again as countless new genres we take for granted today were born from the chaos and energy that had been unleashed.

Featuring 46 hard-to-find, new and exclusive tracks, Next Wave Acid Punx TROIS both documents that fertile period and shows how, despite rumours to the contrary, that early anarchic spirit can still be found today. From the Detroit Techno of Model 500 to Nitzer Ebb's EBM and the proto-Trance of Age of Love and onto brand new tracks from some of today's best producers such as Zaatar, Italo Deviance and Leona Jacewska, this compilation closes out a series that has to date revelled in exploring the darker corners of clubland in uplifting style.

This is Chapter 3.







f B2. Javi Redondo - HALT [Process]

The First EP marks the first collaborative vinyl release by Reed N. & Niels F., driven by a shared passion for classic disco culture, warm analog synths and groove-oriented house music.

Blending shimmering disco influences with modern nu-disco aesthetics, the EP combines rolling basslines, soulful rhythms and nostalgic synthesizer textures into a timeless dancefloor experience.

The release also features a disco-infused remix by Jeff & Jessey, reinterpreting the original material with funky basslines, warm analog textures and an energetic groove.

The First EP captures the duo’s love for groove, melody and the unmistakable warmth of disco and synth-driven music.

2026 Repress

Smile Sessions presents its most ambitious release to date, the highly anticipated second edition of the Workout Sessions series!

This double vinyl showcases an electrifying lineup, featuring both renowned artists and fresh talent, all coming together to create a diverse soundscape. Listeners can expect a dynamic mix of old school grooves, cutting-edge modern techno, and tribal influences, expertly crafted to ignite the dancefloor. This release is more than just a collection of tracks; its a celebration of the vibrant techno community and the energy that drives it.

Foley steps forward with the inaugural 12” on Pyramid Fields — an EP rooted in nineties trance that delivers a sound that feels unearthed rather than recreated. Pulling from the Sasha & Digweed / early Paul van Dyk school, but cutting out the excess compared to classic trance, balancing groove and emotion in equal measure — controlled, melodic, and dialled in for the floor without losing its pull. Body Clinic returns on remix duties — recently featured as an emerging artist of 2025 by DJ Mag — sharpening the edges with a more direct, prog club-ready take — two distinct lanes, same forward momentum.

RAWAX proudly welcomes Khan to the artist family! We are very happy to present you this outstanding artist on his own series with new, past and present music. Starting with Khan feat. Julee Cruise - Say Goodbye from 2002 - originally released on iconic Playhouse! Besides the great remixes by LoSoul and Rework, our version features for the first time the unreleased Isolée Mix - highly recommended!