Search:the force

A1. Renowned producer, Bodeler, showcases his mastery in the minimal genre with his first contribution to the MBK collection. Combining intricate rhythms with subtle variations, he crafts a hypnotic sonic journey that expresses his signature techie groove while still capturing the essence of minimalism.

A2. Franco Cinelli, another accomplished Argentinian DJ and producer, lends his unique touch to Bodeler’s minimal masterpiece in an exceptional remix. Cinelli’s interpretation provides us with an immersive experience, with every beat and sound thoughtfully placed to convey a distinct musical narrative. With this submission, Side A displays the seamless synergy between two influential figures in the global minimal scene.

B1. Flip to the B-side and you will find an incredibly soulful composition from Nicola Brusegan and Camilo Gil. These two join forces to create a sublime deep house track that transcends boundaries, featuring a familiar sample of an iconic hip hop group from Brooklyn’s past. Lush chords, pulsating basslines, and ethereal textures create the ideal dance floor tune.

B2. ’Take A Groove’ is paired with a remix that has quickly worked its way through clubs around the world. Jorge Caiado shares his perspective of dance floor atmospheres, demonstrating his ability to craft a remix that stands as an artistic statement in its own right. When the acid hits, you’ll know why this track is creating such a buzz!

Kalita are proud to announce the first ever 7” single reissue of what is possibly the most coveted gospel disco record in existence, the Al-Dos Band’s soulful masterpiece ‘Doing Our Thing With Pride’. This iconic reissue is backed by the band’s previously unreleased recording ‘Love Jones Coming Down’. At long last, Kalita revives this South Carolinian grail single, housed in a limited-edition picture sleeve. Originally penned and produced in 1976 by husband-and-wife duo William and Elizabeth Robinson in Greenville, South Carolina – a city steeped in musical heritage – the record was released in a run of just 200 copies the following year on their own label, Warmer Productions. ‘Doing Our Thing With Pride’ epitomises the best in uplifting crossover gospel disco, equally suited to both peaceful listening and dancefloor action. Despite garnering some attention upon its original release, the single struggled to make headway against the prevailing music forces of the time. Coupled with mounting academic and familial obligations, the release faded into obscurity, eventually becoming a highly sought-after gem, commanding exorbitant prices whenever an original copy surfaced for sale—a rarity that occurred only once every decade. Now, following their successful unearthing of the band’s unreleased album in 2021, Kalita present this remarkable record in a limited-edition 7” picture sleeve single.

Am 17. Mai begrüßt die Band die Veröffentlichung ihres zweiten vollständigen Albums Under The Crooked Claw über Nuclear Blast Records.

Vollgepackt mit straffen, präzisen Songs, die mit schlagkräftigen Refrains und blitzdurchzogenen Leads geladen sind, bietet jeder der 13 Tracks eine neue Horrorkurzgeschichte, die die perfekte Mischung aus Heavy Metal, Punk und Rock'nRoll oder, wie Waste es nennt, "primitiver Heavy Speed" mischt. Die Band präsentiert die erste Single mit dem Titel "Rite For Exorcism" zusammen mit einem brillant augenzwinkernden Videoclip, der von Norman Cabrera inszeniert, von Maya Kay produziert und von Rob Lucas bei Wolfpack Studios gefilmt wurde. Das Powertrio, vervollständigt durch Schlagzeuger Chris Marshall, zog im Juni 2021 nach Philadelphia, wo Arthur Rizk die Grundtracks für Under The Crooked Claw aufnahm.

Yavé Rust nahm später in Richmond Lead-Gitarren und Gesang auf, um schließlich von Rizk gemischt und von Joel Grind gemastert zu werden.

Die Kunstwerke für das Album wurden von Brandon Holt gezeichnet und von Margaret Rolicki koloriert

Donny McCaslin is an artist consistently at the forefront of musical innovation. Building on the foundation laid by his critically acclaimed 2023 album "I Want More," described by Mojo Magazine as an "emotive electro-jazz" masterpiece and celebrated for its adventurous spirit by De Volkskrant, Donny McCaslin continues to chart new territories in sound with his latest 7in vinyl and digital release, "Kid." This new project, encompassing the tracks "Kid" and "Maxine," which not only encapsulates the direct, bold, and charismatic essence of McCaslin's sound but also signals his relentless pursuit of artistic growth, refusing to rest on the laurels of past achievements.

"Kid" is a testament to the fruitful collaboration between McCaslin and Tim Lefebvre, reflecting a deepening of their artistic development as collaborators, writers, and bandmates. This instrumental track, enriched by David Fridmann's visionary production, explores the complexities of musical narrative through its intricate harmony and dynamic saxophone lines. The bass subs introducing an electronic vibe into the track signify the duo's forward-thinking approach, blending genres and sounds into a cohesive whole. The saxophone, treated with effects of delays and reverb, veers away from traditional jazz solos, creating textures that support an overarching sound world, inviting listeners to immerse themselves in the music rather than focusing on individual performances. "Maxine", on the other hand, presents a more introspective journey. Originating from a track sent by Colby Keyz, McCaslin develops this piece into a poignant love song, layered with saxophone melodies and solos that evoke a deep sense of longing and emotional depth.

The production, handled masterfully by Steve Wall, enhances the track's unique sounds, demonstrating McCaslin's ability to create profound musical experiences even in the absence of live band interaction. Together, "Kid" and "Maxine" highlight McCaslin's virtuosity and innovation as a musician. His commitment to evolving his sound and the depth of his collaborations exemplify why he remains a progressive force in the music world. With "Kid", Donny McCaslin reaffirms his position as an artist unafraid to explore, develop, and redefine the boundaries of contemporary music, making this release an essential addition to the collections of aficionados and newcomers alike.

Streaming Amsterdam’s D Stone and Milion join forces this May for the sixth release on Cinthie’s 803 Crystal Grooves Collective Cuts imprint. Since the inception of the 803 Crystal Grooves imprint in 2018, Cinthie has been steadily unveiling her own material on the main label, while the sub-label Collective Cuts was inaugurated in 2019 as a platform for friends, associates and beloved producers in her circle. The past five releases on the platform have welcomed material from the likes of UC Beatz, Azuni aka Washerman, Anaxander, S3A (Sampling As An Art) and KETTAMA among others, while here the label welcomes some fresh talent from the Dutch capital, namely D Stone and Milion,who’ve been releasing their raw house sound on the likes ofHardlineMoscow Recordsand Cécillerespectivelyin recent years. ‘The Next Morning’ leads the EP, employing classic house tropes with smooth string melodies, twinkling synth chimes and choppy stab sequences, underpinned by a swinging drum groove, bumpy bass line and hooky vocal lines. ‘The Night Before’ follows and retains a similarly classic house aesthetic courtesy of a snaking bass melody, hypnotic spoken word vocals, crunchy saturated percussion and an amalgamation of organ melodies. ‘Floor Call’ then rounds out the release on a darker tip, flipping focus to murky bass swells, and skippy drums, intertwined with gritty stab sequences, Hammond organ tones and a loopy vocal chant.

Vinyl only, no digital.

Demolition Squad were lost in the realms of time. That was until Vinyl Fanatiks tracked down DJH, whose Dad owned the record shop Dance Force in Kings Lynn in the early 90s and started a record label in the back of it. DJH was 15 when he wrote his debut EP for the label – The Bass Project. That white label was selling for £300 a copy on Discogs and was recently re-released and quickly sold out on Vinyl Fanatiks (VFS006).

Off the back of the success of his EP, DJH wanted to track down the Demolition Squad and about a year later he found one of the band, who reached out to the other band members and everyone agreed… the time was right for a repress, 29 years after its original release.

With copies on Discogs reaching £60, this EP is a proper dose of UK hardcore.

Enjoy the vibez.

Tempest Of Intimacy.

It's part of the nature of man to start with romance and build to a reality and this is what System Olympia has done with this new 4 track EP.

Love, longing, and the restlessness of the heart and body are the foundation forces of this record.

"Luce Rossa" presents itself as an emblem of a credo, an irreverent manifesto delivered via daring melodies and empowering vocals.

System Olympia inhabits a world in which human senses are mightier than religion and "Sanctified" feat Working Men's Club is an ecstatic and highly articulated fusion of passion and redemption - a new truth about reality, whispered to your ear with infinite sweetness.

Poetic desire as a force of beauty and vitality is all over Lenzuola Di Raso. Fantasising in between satin sheets on the hottest day of the year because art and imagination mean freedom from the solitude of the mind.

Mi Dimentico makes beauty out of melancholy, and nostalgia out of
the oscillation between resignation and demand.

Sanctified EP is naked skin over a sunken heart, and a soaring mind.

Some albums are game-changers in a genre. Take OutKast's Speakerboxxx / The Love Below or Primal Scream's Screamadelica, they observe, study, and then flip what an album can mean to a genre or moment in time.

From the very first listen of Rubel’s Latin Grammy-nominated third album As Palavras, Vol. 1 & 2, you can feel its transformative force for the MPB genre. Here we see one of Rio’s brightest stars, fusing the contemporary with the classic, soaking up the richness of Brazil’s musical heritage. The result is a marauding 20-track epic, incorporating traditional styles such as forró, MPB, pagode and samba with modern baile funk, rasteirinha and hip-hop.

The album exudes a sense of freedom and creativity, playfully and provocatively juggling the familiar with the forward-thinking. The tracks are divided across two records, navigating feelings of love, heartbreak and discovery, whilst balancing themes of violence, passion, irony and affection. Collaborating with some of the country’s most esteemed artists such as Gabriel do Borel, Liniker, Luedji Luna, Tim Bernardes and Ana Caetano, Rubel takes this fusion of styles, subjects and flavours to the global stage.

The grand, forró-blending, choral opener, ‘Forró Violento (Instrumental)’ sets the tone for the album, with references and links between tradition and modernity everywhere to be seen. From the Ana Frango Elétrico produced, funk flexing, samba-soul brilliance of ‘Não Vou Reclamar de Deus’, to the album’s title cut ‘As Palavras’, in collaboration with Tim Bernardes, that melds MPB influences with electronic elements and hip-hop touches.

Across both sides of the album, Rubel’s story-telling gift is given space to shine. ‘Torto Arado’ featuring Liniker and Luedji Luna, beautifully references the racial injustice, tragedy, hope and ambition found in one the most celebrated Brazilian novels of recent times by Itamar Vieira Júnior. Elsewhere, ‘Na Mão do Palhaço’ manifests a satirical march about a suicidal conservative middle-aged man, who is rescued by the miracle of the carnival.

At times the album is gentle and intimate with tracks like ‘Toda Beleza’ featuring Bala Desejo, or the ode to friendship ‘Lua de Garrafa’, composed with the legendary Milton Nascimento. At others, the grooves hit harder, with sounds from the favelas laced within. ‘Put@ria!’, explores the universe of baile funk, with BK’ and MC Carol trading off on the mic, as ‘Rubelía’ moves between reggaeton, funk, and hip hop. The latter is a tribute to a key influence of the album, Spanish star Rosalía and her parallel mix of current with classic.

Ultimately though the beauty of this album lies in its concept. In the midst of a country divided, ‘As Palavras Vol. 1 & 2’ sets out to bring together genres and generations, grounded in rhythms and words that have helped define Brazil through the ages.

In a partnership between Lost Realm Records and Classic Metal Records, we bring you the vinyl edition of Sacred Alien's first studio album "The World Doesn't Care About You" In 2020 we already had the opportunity to work with these NWOBHM legends, with the vinyl release of "Legends" (compilation of studio and unreleased songs recorded between 1980 and 1983), which was a success given the tremendous acceptance by fans and followers of this British band.

An edition that was sold out in less than 2 months! "The Universe Doesn't Care About You" is the logical continuation of the band's legacy. With a total of 9 songs, Sacred Alien once again offers us a sonic journey between parallel universes, extraterrestrial forces and the meaning of life.

The singles also smashed onto Spotify's New Music Friday, All New Rock, The Rock List and shockwave playlists, alongside support from DORK Magazine, The Punk Site, Noizze and many more alternative tastemakers. Featuring the high- pitched snarl of Jamie Glass, the melodic guitar stylings of James Simpson, the rhythmic force of Rob Simpson on drums, and the ribcagerattling basslines of Oliver Nunn, Indoor Pets have finally returned triumphant from their self- imposed hiatus with the promise of tour dates, a behemoth sophomore album, and a far darker mood.

If you're reading these words, you're about to become the lucky owner of the "From DJs to

DJs" pack, containing 14 gems on 7”, some of which have never been pressed before. This

carefully crafted and lovingly made pack should spice up your dull evenings by transforming

them into a cheerful mess.

Enjoy !






k F1. Want It Back (Feat. Guts & Patrice) L'Entourloop & Troy Berkley Remix

Celestial Echo is thrilled to introduce the reissue of Brutal Force's revered classic, 'Dreams For Sale.' Originally released, this soulful gem has maintained its status as a sought-after treasure by DJs and electronic music enthusiasts for years. A favourite of Floating Points, Jeremy Underground and Frederika

With original copies becoming more and more elusive, and only released on poor quality styrene, the decision to reissue this soulful gem was an easy one.

Celestial Echo proudly presents the re- issue on a limited edition 7-inch vinyl re- cord, remastered and pressed on heavyweight vinyl for an authentic ana- log experience. This exclusive release is adorned with a striking picture sleeve and redesigned labels, adding a con- temporary touch to this soulful master- piece.

CER001 gained huge support from DJs such as Gilles Peterson, Craig Charles and Ross Allen, with more to be expected as the label grows.

Maximilian Skiba, an Eminent Figure in the World of Electronic Music, Makes a Triumphant Return to Skylax After an Absence Spanning Over a Decade. His Resurgence Is Nothing Short of Exceptional, as He Joins Forces With the Legendary Snax to Deliver a Musical Offering That Rekindles the Very Essence of House Music's Illustrious origins.
Skiba's Two New Tracks, "Pushing My Buttons" and "In Motion," Serve as a Compelling Testament to His Impeccable Craftsmanship as a Producer. the Influence of the Pioneering triumvirate—Larry Levan, Ron Hardy, and Frankie Knuckles—is Palpable Within These Compositions. Both Tracks Are a Masterful Blend of Nostalgia and Innovation, Perfectly Aligning With the Playlists That Once Defined the Heyday of House Music's Most Celebrated luminaries.
"Pushing My Buttons" and "In Motion" Evoke an Air of Sophistication, Exuding a Smooth, Velvety Quality That Transports Listeners to the Cherished Era of Original Disco. Drawing Parallels to the Timeless Classics Like Dinosaur’s "Kiss Me Again" or Loose Joints "Is It All Over My Face", Skiba's Creations Pay Homage to the Bygone Era While Injecting a Modern Edge. This Phenomenal Ep Goes Beyond Skiba's Original Works, Offering Two Exceptional Remixes That Elevate the Experience. the First Remix, a Balearic Interpretation by the Emerging Talent Maltitz, Adds a Refreshing Dimension to the Tracks. the Second Remix, Helmed by the Skilled Apollon Telefax, Ingeniously Transforms the Already-Classic Tunes Into an Explosive Italo-Disco Sensation. These Remixes Seamlessly Weave Together the Past and the Present, Creating a Bridge Between Different Eras While Keeping the Music timeless.
In Essence, This Ep Is Not Just a Musical Offering; It's a Journey—a Seamless Fusion of History and Innovation That Transports the Listener to an Era of Musical Brilliance, All the While Redefining the Boundaries of Contemporary Sound. Skiba and Snax's Collaboration Is Not Merely a Comeback; It's a Testament to the Enduring Legacy of Electronic Music, Encapsulating the Spirit of House Music's Golden Age While Breathing New Life Into Its Timeless Allure....

Aural Imbalance has enjoyed a colourful and celebrated journey through music over the years, taking in ambient soundscapes, deep house and of course, a pioneering role in atmospheric drum & bass. With Spatial, he has unearthed a pure, varied musical prowess seldom seen, with the ability to control both the lighter aspects of the mix as well as expert breakbeat craft. Infinity Spectrum showcases the breadth of talent Aural Imbalance possesses in one incredible package, not to be missed.

A1 - Aurealis
Opening the album with a wonderfully serene track, Aural Imbalance delicately rolls out his trademark smooth ambience with building cymbals and an energetic break merging perfectly in the mix - along with a great, pounding undertone of bass. Riddled with old-school sensibilities, Aurealis layers the building blocks until the track opens up further through a superbly lush breakdown, blooming like a flower in the summer sun before the breaks return.

A2 - Glistening Stars
Washing strings and the chitter-chatter of playful effects introduce Glistening Stars, before familiar, crisp old school breaks steal the limelight. A happy earworm melody soon reveals itself, and the breaks are gradually filtered back in following an other amazing breakdown before the melody takes on new life. Packed with detail and soul, this track will repeat on you long after you've moved on.

B1 - Alpha
Curious, apprehensive tones punctuate a fascinating intro, with a deep old school bassline creeping out first to greet us, before the hi-hat laden break loses its inhibitions and roams free.
Crafting a deliciously textured atmosphere, Aural Imbalance continues to showcase the breadth of his production techniques in his Spatial form, flecking the track with sumptuous melodies to create yet another gem.

B2 - Stargazers
This piece opens with a special blend of quiet, epic serenity, evoking hope and wonder as amen cymbal work and a stabbing snare-heavy break pattern rise and fall in the surrounding symphony. The quietly musical bassline plays a key role in the aural world-building here, complementing the breaks it harmonises with superbly. Aural Imbalance allows the composition to breathe and flourish for a superbly executed final act. Delightful.

C1 - Slow Motion
Introduced with quietly filtered breaks, Slow Motion dials back the pace with a break pattern which relaxes the snare while still maintaining a playful energy as the kicks and bass bumble along below. A uniquely atmospheric yet eccentric melody takes shape with dreamy pads filling the backdrop, and calming scatterings of echoing effects colliding and combining to generate a blissful collage of sound.

C2 - Apparition
Switching up the vibe we have Apparition, which boldly utilises long, tranquil yet purposeful pad work before an immense break pattern riddled with stark snares and a jumpy bassline which rides the smothered kickdrums so well, they appear to be fused as one. The breaks on this are truly special and will move the discerning dancefloor for sure, Aural Imbalance continuing to reveal a never-ending depth to his sound.

D1 - Artificial Satellite
Introduced with smooth synths and DJ-friendly hi hats, Artificial Satellite sees Aural Imbalance laying down a fresh showcase of old-school breakbeats, laced with that inimitable Spatial flavour. A swirling low-key sci-fi vibe punctuates the breakdown before the beats re-emerge. A deep, brooding bassline pulses beneath throughout, while the perfectly executed breaks enjoy their final flourish.

D2 - Unknown Forces
Finally, up steps Unknown Forces for a blistering finale to the LP. Aural Imbalance is at his amen-editing best here with a truly superb showcase of analogue break patterns to nourish the ears and set pulses racing on the dancefloor. Deep bass elevates the gentle intro before thumping kicks begin an epic workout, chopped to perfection with synths and strings flying gracefully above. We couldn't have a Spatial LP without an amen banger could we? What a way to end

Words by Chris Hayes (Spatial/Red Mist)

10 track retrospective from UK thrash metal pioneers ONSLAUGHT! This killer set includes tracks from the earliest demo and the studio albums "Power From Hell", "The Force", "In Search Of Sanity" and "Killing Peace".



[a] 1.1VISIONS OF OUR FUTURE [THE SHADOW OF DEATH]
[b] 1.2THE BLACK HORSE OF FAMINE [THE SHADOW OF DEATH]
[c] 1.3THERMONUCLEAR DEVASTATION [POWER FROM HELL]
[d] 1.4SKULLCRUSHER II [POWER FROM HELL]
[e] 1.5FIGHT WITH THE BEAST [THE FORCE]
[f] 1.6LET THERE BE DEATH [THE FORCE]
[g] 1.7LIGHTNING WAR [IN SEARCH OF SANITY]
[h] 1.8IN SEARCH OF SANITY [IN SEARCH OF SANITY]
[i] 1.9PAIN [KILLING PEACE]
[j] 1.10DESTROYER OF WORLDS [KILLING PEACE]

Embarquez pour une odyssée cybernétique avec "Cyberpunk 2077 : Phantom Liberty (Original Score)", où les rythmes résonnent dans le paysage sonore de Night City. Alors que V se plonge dans les affaires des Voodoo Boys à Pacifica, le LP se transforme en une relique sonore reflétant le quartier sans foi ni loi de Dogtown. Le vinyle noir de 180g prépare le terrain pour un voyage auditif de haut niveau, plongeant les auditeurs dans l'essence des Boostergangs, des Corpos et de l'insaisissable Blackwall. L'insert 12" de l'album, présenté dans une pochette simple, dévoile les crédits musicaux, transportant les fans au coeur de l'intrigue cybernétique. Le titre principal "Phantom Liberty" de Dawid Podsiadło, ainsi que des hits comme "Force Projection" et "Hardest to Be", occupent le devant de la scène, élevant cette édition collector au rang de complément indispensable pour les passionnés de l'univers de Cyberpunk 2077. Plongez dans cette révolution sonore, où chaque morceau devient un portail vers le royaume cybernétique, faisant de cet album une expérience captivante pour ceux qui recherchent l'essence de Night City.

“Dissociative Being” is the 2nd single from the Ohio based metalcore band Like Moths To Flames - taken from their new album The Cycles Of Trying To Cope – out May 10th. This release follows their 2020 album ‘No Eternity In Gold’ which received praise from Wall Of Sound “LMTF deliver their signature sound, but still manage to dial it up a few notches. I genuinely think that metalcore fans will be debating their number one metalcore album of the year” and The Music “Like Moths To Flames have positioned themselves back on the path of success and memorability, crafting a release that laughs in the faces of their many lacking core peers. There might be “no eternity in gold,” but there just might be an eternity in this kind of tightly-wound, well-rounded modern metalcore.” When speaking about the meaning of track “Dissociative Being” singer Chris Roetter states, “Blood leaves a stain that's often hard to remove. Much like the scars that people leave when they're destructive with their life. This song is about someone who's destroyed everything they had left. Being so parasitic with their life that it bleeds into the lives of others - - - - - - - - - - - - - - - - - - - - - - “Kintsugi” is the latest single from the Ohio based metalcore band Like Moths To Flames and will be used to launch their new album The Cycles Of Trying To Cope – out May 10th. This release follows their 2020 album ‘No Eternity In Gold’ which received praise from Wall Of Sound “LMTF deliver their signature sound, but still manage to dial it up a few notches. I genuinely think that metalcore fans will be debating their number one metalcore album of the year” and The Music “Like Moths To Flames have positioned themselves back on the path of success and memorability, crafting a release that laughs in the faces of their many lacking core peers. There might be “no eternity in gold,” but there just might be an eternity in this kind of tightly-wound, well-rounded modern metalcore.” When speaking about the meaning of track “Kintsugi” singer Chris Roetter states, “When things go wrong, I think we are left to pick up the pieces and forced to choose which piece to leave with. If it's not possible to leave with everything the way it was before it broke, how do you know what piece to hold onto? “.

With words as weapons and public infrastructure as his blank slate, John Fekner's City Squad are always questing for the ineffable, even as they yearn for concrete change - Make no mistake, Idioblast is a serious party where everyone is welcome.

Released in 1984, Idioblast is a lost classic, a future shock narrative ahead of its time, and yet completely of its era, like few artifacts before or since. The cover tips you off from the jump--a crude but effective collage featuring classic Fekner slogans like Toxic Junkie, Growth Decay and Soft Brains Watch The Screen And Buy The Jeans. In an uncanny and tragic coincidence, the very first lyric on the album--"The place to be is on the space shuttle/if you're brave enough to get on it"--seems to anticipate the Challenger disaster just two years later.

But for the most part, the tracks on Idioblast directly reference the concepts that inspired Fekner's visual art. Musically, "Rapicasso" utilizes pneumatic pounding with an industrial edge as Fekner equates the great and controversial painter with risk-taking graffiti kids bombing trains and billboards across the city. Art is in a constant state of exploding--forms, paradigms, outdated ideas.

Splitting the difference between hip-hop and new wave, the Santaniello-sung "The Beat" is like Thomas Dolby meets Run-DMC and should've been a radio staple for at least one sticky summer. It could soundtrack either a couples roller skate or a drug-fueled evening out. Channeling Fekner's slogan-stencil aesthetic, "Travelogue The 80's" is a tour de force reminiscent of Negativland's experiments in audio culture jamming. As Fekner details, "I grabbed all of the sounds via a shortwave radio picking up transmissions from LaGuardia airport and the TV. I recorded and edited on a Sony Pro Walkman and an Aiwa dual cassette deck."

Manchester emcee Black Josh joins forces with New Orleans analog instrumental warrior Wino Willy on collaboration project "Today's The Day". Since the epic opening joint "Habitat" and throughout the 7 joints on this project the two show an incredible chemistry, with the English lyrical maverick delivering some incredible wordplay on Wino Willy's grimy productions. As a member of Cult of The Damned and Levelz, and one of the standout artists of the Blah roster, Black Josh has been killing it whatever the backdrop and this record is no different, with fellow nationals Lee Scott and SonnyJim joining on the first single "E R M8" as well as Da$h on "Vince Carter". An electrifying collaboration by two masters of their craft!