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Exit - The Little Green Monster/One More Hour (7")

Exit were a five-piece ensemble of journeymen musicians from the lone star state of Texas who came together in the early 1980’s to record a handful of popular local 45’s including two Football-mania songs. The groups line-up consisted of lead guitarist and vocalist Clennis High, rhythm guitarist Lonnie Jones, his brother Johnny K. Jones the groups keyboardist, bassist Frank Houston Jr and George Oliver on Drums.

Clennis High, a promising Football player with a flair for playing the guitar began his early musical career while attending Wheatley High school. Aged 17, Clennis played on several Crazy Cajun, Huey P Meaux’s recording sessions for Eugene Gamble and Barbara Lynn. Further recording sessions on Roy Head followed before he accepted an invitation by his neighborhood friend Willie Parnell to play alongside a group of fellow students in a band called ‘The Drells’. ‘The Drells’ had been founded by Archie Bell in 1966 pulling together neighborhood friends James Wise, base singer Cornelius Fuller, Billy Butler, Willie Parnell joined later by Archie’s brother Lee Bell. Clennis would play with ‘Archie & The Drells’ through their time on Skipper Lee Frazier’s Ovide label often accompanied by the ‘Texas Southern University Toronadoes’ where they scored a hit with the dance instruction song “Tighten Up” which on the strength of Atlantic Records picked the group up. Clennis played on all 3 of the Drells studio albums “Tighten Up”, “I Can’t Stop Dancing” and There’s Gonna Be A Showdown” under Gamble and Huff’s tutelage before quitting to return home to complete his degree. He continued to play with several local Houston bands including the Cold Four who recorded the sort after “Love And Care/Low Riden” (Drells).

Clennis later formed ‘The Reality Band’ with his friend Jerald Grey which introduced him to George Oliver and Frank Houston Jr. Occasionally ‘The Reality Band’ played with other groups, one group in particular (which Jerald previously knew) being an outfit from Conroe, Texas called the ’58 Engineers.

‘The 58 Engineers’ were founded by Johnny and Lonnie Jones, taking their name from the Army unit Johnny served with during his time in the service. By 1973 having grown to 8 members the group entered the studio to record the highly collectable and popular funk outing “The Funky Fly (Part1 & 2)” on their own Bryant Records label (Bryant being the Jones brother’s mother’s maiden name).

As members of the ‘58 Engineers’ moved on, the Jones brothers found themselves working more and more with the ‘Reality Band’ so when Jerald Grey too later moved on the remaining ‘Reality Band’ members Clennis, George and Frank having grown fond of the two “Country Brothers from Conroe” as they affectionally called the Jones’s made the decision to continue working with them, which led to the foundation of the group, Exit.

During 1980 the recently formed Exit recorded the first of their two Football -mania songs but it is from the groups 1981 release “Success/One More Hour” (Dat-Tex 105) that Soul Junction have taken the splendid ballad “One More Hour” to pair with the flipside of the groups third release “The Little Green Monster” (Dal-Tex 106) which is now highly regarded and sort after by sweet soul/lowrider connoisseurs alike. Both of these songs have been put back-to-back to feature on Soul Junction’s forthcoming September 45 release.

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17,86
Nina Maia - Inteira (Deluxe Edition) LP

It began with a cassette tape entitled 'Pleased To Meet You' gifted to us at Sessa's Fasching, Stockholm show by Yann Dardenne, the multi-tasking tour manager/sound engineer/producer/merch stall worker and co-owner of Seloki Records. On first listen, the selection of underground Brazilian artists from the Seloki's roster was superb, however, one song stopped us in our tracks. The hauntingly captivating ' GOSTO MEIO DOCE' by Nina Maia and Francisca Barreto, gave us a taste of Nina's ethereal, addictive voice and we knew we needed to hear more. Born in Minas Gerais but now based in Sao Paulo, the 22-year-old has already packed a lot into a relatively short space of time. The singer, songwriter, instrumentalist, and producer, has already collaborated on the soundtracks for six Brazilian feature films, including a track with the vocalists Maria Gadu, Iza, and Liniker. But things enter a new exciting era with this, her remarkable debut album entitled 'INTEIRA', which translates to English as 'whole'.

As much inspired by Billie Eilish and Rosalia, as Milton Nascimento and Toninho Horta and not sounding like other records coming out of Brazil, 'INTEIRA' is unique. Though rich in its Brazilian heritage, inspired by samba cancao, MPB, and the Clube da Esquina movement, it also channels influence from bands such as Portishead and Massive Attack, mixed with jazz, contemporary leftfield and electronic pop artists. Musically, it is not easily pigeonholed, with beautiful, well-crafted songs, sophisticated arrangements, eloquent vocals and intimate lyrics. Each track reflects different moments and stories from Nina's youth but with dialogues, feelings, and questions that span generations and resonate with all. This ambitious debut album is Nina's vision and sound, expressing herself without constraints and making music with her friends. Featuring a lineup of Thalin (drums), Valentim Frateschi (bass), Francisca Barreto (cello and vocals), Thales Hashiguti (viola and violin), Yann Dardenne (acoustic guitar and co-producer) and Nina on piano, Rhodes, guitar and production. The album led to a nomination in Paulista Association of Art Critics (APCA) award's 'Breakthrough Artist' category, who also listed 'INTEIRA' as one of the 50 best albums of 2024.

It also received support from Bandcamp Weekly and Jamz Supernova on BBC 6 Music. Released digitally by Seloki Records in Brazil in 2024, Mr Bongo in partnership with Seloki Records now present this new, deluxe worldwide edition that includes four additional songs. These comprise the brand-new exquisite 'MANHA', as well as an original twist on Vinicius de Moraes' classic 'Serenata Do Adeus'. Elsewhere you'll find a live recording showcasing Nina's remarkable energy on stage courtesy of 'DE DENTRO' and 'GOSTO MEIO DOCE' with the amazing musician/vocalist Francisca Barreto, where our whole story began. Here at Mr Bongo, we are honoured to release music by such a remarkable new talent - one whose musical trajectory is most certainly about to soar.

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25,17
James Taylor - Sweet Baby James LP
  • A1: Sweet Baby James
  • A2: Lo And Behold
  • A3: Sunny Skies
  • A4: Steamroller
  • A5: Country Road
  • A6: Oh Susannah
  • A7: Fire And Rain
  • A8: Blossom
  • A9: Anywhere Like Heaven
  • B1: Oh Baby, Don't You Loose Your Lip On Me
  • B2: Suite For 20G
  • B3: With A Little Help From My Friends
  • B4: Rainy Day Man
  • B5: Steamroller
  • B6: Carolina In My Mind
  • B7: Long Ago And Far Away
  • B8: Riding On A Railroad
  • B9: Close Your Eyes

The album that launched a thousand heavy-hearted singer-songwriters on their not-so-merry way, Sweet Baby James was arguably the first shot in what became the soft revolution of the early '70s. Taylor struck commercial gold with Sweet Baby James by augmenting his acoustic guitar and soothing vocals with laid-back accompaniment and penning a slew of songs that drew upon folk, soul, and rock influences. Musically mellow and lyrically restive, it put Taylor in the Top 10 and set the tone for a popular school of '70s sound.

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23,32
James Taylor - James Taylor LP
  • A1: Don't Talk Now
  • A2: Something's Wrong
  • A3: Knocking 'Round The Zoo
  • A4: Sunshine Sunshine
  • A5: Taking It In
  • A6: Something In The Way She Moves
  • B1: Carolina In My Mind
  • B2: Brighten Your Night With My Day
  • B3: Night Owl
  • B4: Rainy Day Man
  • B5: Circle Round The Sun
  • B6: The Blues Is Just A Bad Dream

Originally released in 1968, James Taylor is the debut studio album by American singer-songwriter James Taylor. This UK edition reissue by Endless Happiness brings back the album's rich blend of folk and rock influences, showcasing Taylor's introspective songwriting and soothing vocals. The album includes notable tracks such as "Carolina in My Mind" and "Something in the Way She Moves," which have become staples in Taylor's repertoire.

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23,32
Jamie Paul & Shiraz - Sides Of The Same Sky EP

Shiraz & Jamie Paul team up for a 4-track split EP, marking the debut release on Leeds-based Stick To The Slug.
Club cuts with euphoric touches, carrying after-hours momentum, while A2 brings a more rolling, functional tech house energy to the mix.

Vinyl only.

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12,56
Eagles - Hotel California LP 2x12"
  • Hotel California
  • New Kid In Town
  • Life In The Fast Lane
  • Wasted Time
  • Wasted Time (Reprise)
  • Victim Of Love
  • Pretty Maids All In A Row
  • Try And Love Again
  • The Last Resort

The moment the instantly recognizable intertwined guitar passage on the title track to the Eagles' Hotel California begins, the record's genius becomes obvious all over again. Ranked the 118th Greatest Album of All Time by Rolling Stone, certified by RIAA as the third best-selling LP in history, and considered the foundation on which the Golden State's mid-‘70s music scene was built, the 1976 landmark is a music staple immune to shifts in trends, eras, and styles. Fearlessly addressing the chaos and consequences of American life, its songs remain strikingly prescient and gain creedence with each passing day.

Mastered from the original analogue master tapes, pressed on MoFi SuperVinyl, and limited to 17,500 numbered copies, Mobile Fidelity's UltraDisc One-Step 180g 45RPM 2LP vinyl box set ensures you will want to permanently check into and never leave this particular Hotel California. Up to the herculean task of standing head and shoulders above all prior reissues, this collectible edition plays with extreme clarity, organic richness, tube-like warmth, massive dynamics, and microscopic levels of detail. You'll be able to practically smell the colitas and feel the breeze in your hair. Songs come across with an epic sweep and feature immersive, front-to-back soundstages that allow the music unprecedented air, roominess, and separation. As for the noise floor? It's basically as invisible as the spirits that waft in the corridors of the unforgettable title song.

Aesthetically, the premium packaging and presentation of the UD1S Hotel California pressing befit its esteemed status. Housed in a deluxe box, it features gorgeous foil-stamped jackets and faithful-to-the-original graphics that illuminate the splendour of the recording. From every angle, this UD1S reissue exists as a curatorial artefact meant to be preserved, touched, and examined. It is made for discerning listeners that prize sound quality and production, and who desire to fully immerse themselves in the art – and everything involved with the album, from the renowned cover art to the meticulous finishes.

Indeed, the opportunity to zero in on all the particulars of the 26-million-selling Eagles record dubbed "a legitimate rock masterpiece" by vaunted Los Angeles Times scribe Robert Hilburn has never been better. A global phenomenon that marked the band debut of guitarist-singer Joe Walsh, Hotel California continues to resonate and connect with listeners of all generations taken by its narrative depth, stark directness, picturesque melodies, daring majesty, and ardent emotionalism. Adorned with a breathtaking exterior photograph of the Beverly Hills Hotel that serves as the simultaneously haunting and alluring cover art, and rounded out by a rear-cover shot of the Lido Hotel lobby that reinforces a notion that teeters between permanence and transience, Hotel California is brilliantly tied to a specific place that functions as a universally understood metaphor for the American Dream.

Confronting the darker undercurrents and oft-ignored constructs attached to that romantic notion, the record's songs revolve around a host of shared themes: excess, mobility, stability, illusion, fame, destruction, and idealism included. Notably, Hotel California appeared at a crucial junction in American history: During the country's bicentennial and amid escalating controversies related to the Vietnam War, energy crisis, and governmental corruption. That the Eagles manage to channel such cultural, social, and economical matters into a cohesive, stately, big-picture statement is alone a stupendous feat. That the album's reach, boldness, vitality, accessibility, and understated intensity have never waned make it a marvel.

Reflecting on Hotel California 40 years after its original release, and indirectly explaining its enduring appeal and increasing relevance, singer-songwriter Don Henley confirmed the record pertains to the "loss of innocence, the cost of naiveté...the difficulties of balancing loving relationships and work, trying to square the conflicting relationship between business and art; the corruption in politics, the fading away of the Sixties dream of ‘peace, love and understanding.'"

It can be argued that Henley and company squarely hit on and drove home those ideas in the surreal title track, chart-topping "Life in the Fast Lane," and grand "The Last Resort" alone. But that would miss the forest for the trees. Experienced as an unbroken whole, complete with the pristinely shot imagery and physical grooves, Hotel California unfolds like a geography-conscious saga by James Michener and plays like colour-saturated movie shot on 70mm film by Martin Scorsese. It's about our collective and individual decisions – and the shape of our past, present, and future. And, just like that conjured by our imaginations, Hotel California continues to take on a life of its own.

More About Mobile Fidelity UltraDisc One-Step and Why It Is Superior
Mobile Fidelity Sound Lab's UltraDisc One-Step (UD1S) technique bypasses generational losses inherent to the traditional three-step plating process by removing two steps: the production of father and mother plates, which are created to yield numerous stampers from each lacquer that is cut. For UD1S plating, stampers (also called "converts") are made directly from the lacquers. Since each lacquer yields only one stamper, multiple lacquers need to be cut. Mobile Fidelity's UD1S process produces a final LP with the lowest-possible noise floor. The removal of two steps of the plating process also reveals musical details and dynamics that would otherwise be lost due to the standard multi-step process. With UD1S, every aspect of vinyl production is optimized to produce the best-sounding vinyl album available today.

MoFi SuperVinyl
Developed by NEOTECH and RTI, MoFi SuperVinyl is the most exacting-to-specification vinyl compound ever devised. Analogue lovers have never seen (or heard) anything like it. Extraordinarily expensive and extremely painstaking to produce, the special proprietary compound addresses two specific areas of improvement: noise floor reduction and enhanced groove definition. The vinyl composition features a new carbonless dye (hold the disc up to the light and see) and produces the world's quietest surfaces. This high-definition formula also allows for the creation of cleaner grooves that are indistinguishable from the original lacquer. MoFi SuperVinyl provides the closest approximation of what the label's engineers hear in the mastering lab.

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183,61
Kora Koumakan - Kora Koumakan Remixes

Kora Koumakan, or Word of the Kora, is a boundary-pushing Afro-Manding group from Conakry, Guinea. Led by master kora player and composer Sekouna Conte, Kora Koumakan channels Guinea's rich musical heritage into modern compositions, creating a sound that is both deeply rooted and forward-looking. Inspired by Guinea's iconic Ballets Africains and legendary artists like Bembeya Jazz National and Mory Kante, the band masterfully blends contemporary instrumentation with traditional West African instruments - handmade by the band themselves - including the kora, djembe, and balafon. Since 2018, they have been touring extensively across West Africa, honing their sound and earning a nomination for Best Band at the 2025 Guinea Music Awards.

This inaugural limited edition vinyl release on Jambulance Movement Records features two standout remixes by London's Tigerbalm and Ben Gomori, which transform the band's original Afro grooves into hypnotic house tracks already making waves on dancefloors worldwide. Tigerbalm's remix expertly layers the original percussion around a driving 4/4 beat, with the ethereal kora and powerful vocals weaving through the rhythm to create compelling dancefloor energy. Ben Gomori's remix takes a more atmospheric route, anchored by a groovy bassline loop with layered guitar and keyboard melodies that add depth and movement, gradually building into immersive moments of tension and release. The record also includes instrumental versions of these remixes, with the band's EP of original tracks set to drop in early 2026.

Jambulance Movement Records is a social enterprise record label and recording studio based in Guinea. Their mission is to empower the next generation of emerging African artists by providing free professional recording services. Operating a solar-powered mobile studio and a static studio in Conakry, the label discovers new talent through casting events across the country. Selected artists receive comprehensive training and mentorship, with the overall aim to foster sustainable careers for young African artists.

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13,87
Nightmares On Wax / Marlon Lopez - Patang

Nightmares On Wax / Marlon Lopez

Patang

12inchVIS0808
20/20 Vision
Release unknown

Given the Balearic life that Leeds ex-pat Nightmares on Wax now leads in Ibiza, we have to admit we did not see this coming: the downtempo Warp legend returning to his early 90s electronic roots. He does so with a new series of collaborations with young talents on 20/20 Vision, starting with Marlon Lopez. 'Patang' is slow, snaking dub with glitchy synth patches and melodic bass. 'Cancel Dat!' has a crunchy feel next to the bleepy synths with a leggy, loopy low end and tech house snap. Wulf's Jam 4 Jamie is a deeper, more twisted version and label head RL's Get It Together remix cuts up the groove and brings a spoken word that reframes the cut as soulful I:Cube style jam.

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19,75
JACKIE MITTOO - KEEP ON DANCING LP
  • A1: Clean Up
  • A2: Taste Of Soul
  • A3: This Scorcher
  • A4: Water Hole
  • A5: Blue Lue
  • A6: Taste Of Living
  • A7: Juice Box
  • B1: Keep On Dancing
  • B2: Mellow Fellow
  • B3: Can I Change My Mind
  • B4: Spring Time
  • B5: Hang 'Em High
  • B6: Lazy Bones
  • B7: Hello Studio One

By the time Jackie Mittoo released this outstanding album (his 4th), he had already gained a big reputation in the early days of Reggae, Ska and Rocksteady for his contributions to the Studio One catalog and his work with the Skatalites. With his beloved Hammond organ, endless talent and a bag on influences that included Jamaican sounds, Soul and Funk, Mittoo created a cool, moving, warm and groovy sound that would explode in his amazing dance songs and has gained cult status among followers of Jamaican Music, Soul and Funk lovers. A great collection of reggae-soul instrumentals by one of the most talented figures of the genre.

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21,64
Kirk Degiorgio - Elate EP

Kirk Degiorgio

Elate EP

12inchCYPHN15
CYPHON RECORDINGS
Release unknown

Repress!

Kirk Degiorgio’s influence on electronic music cannot be overstated, having been responsible for producing some of the most emotive and soulful machine music dating right back to the early 90’s. As a leading figure in UK techno his As One, Elegy and Future/Past output on labels such as B12, R&S and his own Applied Rhythmic Technology (A.R.T.) have rightly become revered classics and helped shape ambient techno and what would come to be known as IDM/Future Electronica. His connection with Cyphon co-founder Jamie Odell also dates back to the turn of the millennium when Kirk invited Jamie to play keys on his 21st Century Soul LP released on Ubiquity and subsequently releasing an EP together under the name Super Aloof on Exceptional.

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15,34

Last In: 13 months ago
Carly Simon - No Secrets (2x12")
  • A1: The Right Thing To Do
  • A2: The Carter Family
  • B1: You’re So Vain
  • B2: His Friends Are More Than Fond Of Robin
  • B3: We Have No Secrets
  • C1: Embrace Me, You Child
  • C2: Waited So Long
  • D1: It Was So Easy
  • D2: Night Owl
  • D3: When You Close Your Eyes

Carly Simon’s No. 1 smash “You’re So Vain” lingers as one of the most clever and famous songs ever recorded. The subject of mass speculation ever since its release, soon after which it occupied the top spot on multiple Billboard charts for weeks, the anthem kept a captive public guessing at the identity of its smug subject for decades. The question surrounding the protagonist’s identity remained perhaps the only mystery on the otherwise sexually open and autobiographically daring No Secrets, Simon’s commercial breakthrough and ‘70s singer-songwriter staple.

Sourced from the original master tapes, pressed at Fidelity Record Pressing in California, strictly limited to 3,000 numbered copies, and housed in a Stoughton gatefold jacket, Mobile Fidelity’s 180g 45RPM 2LP set affords the platinum-certified 1972 effort the finest sonic treatment it’s received on vinyl. Helmed by Richard Perry and recorded at London’s Trident Studios — where Beatles, David Bowie, and Elton John captured landmark LPs — No Secrets touts exceptional production qualities highlighted by this restorative reissue.

Audiophiles and record collectors, take note: This is the first time No Secrets has been available on 45RPM. The wider grooves and dead-quiet surfaces pay instant dividends. Simple, elegant, and disarming, songs seemingly float amid wide, deep soundstages. Simon’s voice takes on a confident, assertive tenor that emerges with accurate imaging, balanced tonality, and palpable presence. String arrangements and backing vocals come through with similar realism.

Enhanced by an all-star cast — Simon’s then-husband James Taylor, Paul and Linda McCartney, Mick Jagger, Lowell George, Klaus Voorman, Bobby Keys, Jim Keltner, Nicky Hopkins, and Bonnie Bramlett are among the renowned musicians who lend a hand — No Secrets advances Simon’s themes of personal introspectiveness, no-holds-barred reflectiveness, and feminist-inspired boldness. She makes every moment of No Secrets worth savoring. Simon invests her all in the songs, handling beautiful ballads, sassy folk-rock numbers, and bluesy fare with calm, composure, and candor.

While acknowledging her own regrets (“You’re So Vain”) and loss (“The Carter Family”), Simon champions the highs (“The Right Thing to Do”) and pains (“His Friends Are More Than Fond of Robin”) of love in a sincere manner indicative of her maturity as both an artist and singer. The New York native distinguishes “When You Close Your Eyes” with deep-rooted spirituality, recalls childhood joys via charming sentimentality on “It Was So Easy,” and and takes ownership of her persona on a cover of Taylor’s “Night Owl.”

“We have no secrets
/We tell each other everything,” Simon sings at the record’s midpoint, encapsulating both the themes and bravura of an effort that was nominated for four Grammy Awards and saw her write or co-write every song but one. Combined with Perry’s savvy instrumental arrangements, her self-assured performances and forthright lyrics grant No Secrets an edginess and relevance immune to the ravages of time.

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83,15
Purple Disco Machine - Dished (Male Stripper)

Collecting Orders For 2025 Repress

Backing it up can mean so many things. According to the urban dictionary, it means to carry on drinking the next day in spite of a rather large one the night before. According to Apple, it means to take your I-phone and attach it to an I-pad or Apple Mac - and copy the information to the cloud. Or the device. But in music.....what we mean is basically this....."Damn......that was a big hit......how the hell are they going to emulate that success on the next one."And it's hard for so many reasons. Was it luck Timing That one in a million sample With all the pressure, soon the artist can start second guessing themselves........and that's when backing it up becomes a real problem.But not for our boy PURPLE DISCO MACHINE. If BODY FUNK, his last outing on CLUB SWEAT, wasn't one of THE biggest songs of last year, from Ibiza to Miami and back again.....played by every single DJ under the sun, from BLACK MADONNA to JAMIE JONES to your mama......then I'm not sitting at my lap top writing this shpeel....which I'm very sure I am. AND I'm going to back myself (see what I did there) - and say that DISHED (MALE STRIPPER) is the best way to back up a hit ever. With another hit. Doesn't sound the same....doesn't worry about what the last one did...just does what it does.....which to be honest - is GO OFF!!!! It builds and builds and builds and......In the same way that BODY FUNK masterly made the sum of 2 disco songs bigger than their parts had ever been, this time PDM takes some Italo Disco from MAN TO MAN MEET MAN PARRISH's MALE STRIPPER and mashes it with the aptly named ELLIS D's DISHAPELLA to create a 12/10. Back it up PDM - you are a legend!!!!

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13,66

Last In: 2 years ago
John De La Noise - Piacere D'Estate LP

SUPREME STRIKER returns with its second release following the breakthrough success of Quasar — Ritmo Love, widely supported on dancefloors and notably played by James Zabiela, igniting crowds and confirming the label’s direction: uncompromising underground music built on culture, not trends.

The new chapter comes from Italian producer John De La Noise, delivering a powerful and deeply authentic EP entirely co-produced by Michele Lamacchia, the mind behind Rhythm Of Paradise (ROP), Love Island, 34th Floor Experience, Nu-Cleo, Qubrique, Soulvibe Inc. and many other essential projects tied to the extended SKYLAX universe. A true architect of sound, Lamacchia brings his unmistakable analog finesse and musical intelligence into every detail of this record. From the opening track, A1 — Just With U (Special Skylax Edit) sets the tone with a refined filtered house approach — balancing French touch heritage with modern underground precision. Warmth, control, and elegance without excess. A2 — Tributo Al Maestro operates as a direct transmission — a respectful and elevated nod to the legacy of Soichi Terada and Larry Levan, where rhythm becomes language and space becomes emotion. A3 — 1986 (Special Skylax Edit) pushes deeper into the source code — merging old school Italo disco, proto-Chicago house and early European electronics. With strong melodic identity and raw analog textures, the track echoes the spirit of Klein & MBO while feeling immediate and alive.

On the B side, the journey expands with Piacere D’Estate, a fluid and luminous house track built for open air systems and extended sets, followed by Città Di Frontiera, where darker tones and hypnotic structures meet urban tension. Vecchio Ritmo Italiano closes the record as a statement — rhythm as memory, rhythm as identity, reprojected forward. Across the entire EP, the production carries the aura of early ‘90s Italian and New York house — not as a reference, but as a living system. Every element is intentional. Every frequency serves a purpose. SUPREME STRIKER continues to define its path: records made for the dancefloor, for DJs, for those who understand that music is not content, but structure.

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11,72
Danou P - In The Brine EP

Danou P

In The Brine EP

12inchDEF2505
Definitive Recordings
Release unknown
  • A1: Danou P - The Flex
  • A2: Danou P - On My Own
  • B1: Danou P - Spirit
  • B2: Danou P - Bronstige Bakvissen

Danou P Serves Up Deep, Funky Heat with his 'In The Brine EP' on Definitive Recordings.

Rotterdam-based producer and DJ Danou P delivers a standout four-tracker with 'In The Brine EP,' released on Definitive Recordings. Known for his warm, soulful and funk-infused take on house music, Danou channels raw rhythm and musical flair into a collection that feels both classic and freshly personal.

Opening track 'The Flex' sets the tone with stomping deep house drums, playful chord stabs, and clever vocal sample play that gives it a raw, jacking feel. It's got attitude and groove in equal measure. 'On My Own' keeps things rolling with a classic deep house bassline, gradually introducing a soulful vocal loop that blossoms with the arrival of shimmering synth layers. Danou brings emotion without ever losing grip of the dancefloor.

Next comes 'Spirit', flipping the rhythm into broken beat territory. Another catchy vocal sample rides alongside vibey, jazzy stabs, offering a breezy, uplifting moment that's both heady and driving. It's the kind of track that sneaks into your set and ends up stealing the show. Rounding out the release is 'Bronstige Bakvissen', a deep and moody closer built on a heavy, rolling groove and rich classic house chords. It's stripped back but full of warmth, closing the EP with a nod to soulful late-night sessions.

Best known for his work alongside Jamie 3:26, and with releases on Glitterbox, Tru Thoughts, and Soulfuric Trax, Danou P is steadily building a solo catalogue that's as musical as it is danceable. His 'InThe Brine EP' is a bold step forward, out on Definitive on July 25th 2025.

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14,71
Various - Sometimes Dream Sampler

Various

Sometimes Dream Sampler

12inchVESSELRECORDINGS013
VESSEL RECORDINGS
Release unknown

Ira James' Vessel Recordings keeps it real with another deep house record from an array of the genre's finest. The Sometimes Dream Sampler is a class affair with an A-side taken up by a superb coming together of Jason Hodges, Eddie Leader and Hector Moralez for the weight, tasty dub version of 'No Oatmilk,' then Wally Callerio brings some fresh rhythms with his synth-infused 'Cause You Know'. Jordan Strong's 'Turn The Tide' lands with a nice bit of hip-swinging funk over rolling bass and Christopher Mohn's 'Move Your Body' rocks back and forth on its heels to hypnotic effect. All in all, a nice fresh take on classic deep house.

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24,79
Inkswel feat Robert Owens, Leonard Charles & Han Litz - Space Love

Australian producer Inkswel is back on the Cosmocities label in France with more of his superbly soulful sounds, this time with none other than Chicago legend Robert Owens. The lush 'Space Love' is a playful deep house jam with the sort of cosmic synths that recall early Fingers Inc and Owens's smoky tones only heighten that feeling. Steve Spacek provides a mix that rides on broken beats with elastic bass but just as much cosmic energy and a Fluterumental gets all loose-limbed and seductive. On the flip side are two Yoruba Soul mixes that bring extra rich soul vibes and shimmering pad work. A classy and timeless EP for sure.

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14,92
Ray Keith - The Chopper (Shy FX Remix) EP

Ray Keith

The Chopper (Shy FX Remix) EP

12inchKF279CDSE
Kniteforce Records
Release unknown
 
2
also available

Black Vinyl[15,34 €]


This is a limited color repress of the enormous anthem, the Shy FX remix of Rsay Keiths "The Chopper". This track was inescapable for years as a dancefloor anthem, and remains one of Ray's most sought after jungle classics...

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15,76
Demuir - Conversing With Angels

Demuir

Conversing With Angels

12inchVESSELRECORDINGS011
VESSEL RECORDINGS
Release unknown

The Vessel Recordings Group label is headed up by Ira James who has shown he has great taste when it comes to tapping into global house sounds. This new EP is another standout with Toronto talent Demuir behind the beats. He brings his signature mix of influxes to this one starting with 'Conversing With Angels' which has disco-tinged loops and soulful, feel-good vibes that liven up any party. 'Everynight' has a deep cut and funky groove that is made all the more arresting and emotive with the vocals and smart synth filters, while 'Mizz Hunni' comes as a hefty tech stomper and also as a dub.

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23,49
Purple Disco Machine - Soulmatic LP 2x12"
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30,21

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