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Undercurrent - Beliefs EP

Undercurrent

Beliefs EP

12inchNPAOO02
New Palm US
29.06.2023

Undercurrent is an artist based in LA and a New Palm resident who shows his studio skills across a trio of new cuts here. 'Beliefs' is a loopy breakbeat roller with jittery rhythms that lock you into their loops and keep you there.

'No Data' is similar but more punchy, with real edge and drive in the breaks while fat bass stabs power things along from below. The same track then gets a remix from Charlie Edward that is more spaced out with searching synths and a more rubbery bassline.

Last of all is a floating ambient cut that eventually has a jungle breakbeat rise up through the mix to take you into the next dimension.

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17,86
JXTPS - Hypogean EP

Jxtps

Hypogean EP

12inchPALINOIA009
Palinoia
23.06.2023

Australian producer JXTPS brings his deeply heady and unquestionably groovy techno to Palinoia with his Hypogean EP. Having previously released on Planet Rhythm and Voodoo Down (and sending me other tracks for a few years now), this four-track vinyl is purpose-built to melt brains and move feet on all dancefloors. While the A-side keeps it largely functional, funky is the star of the flipside.

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11,56
Ashee - Oxytocin

Ashee

Oxytocin

12inchASHEE001
WHITE LABEL
20.06.2023

Ashee’s epic Oxytocin which has been ringing across big rooms across the globe, is finally getting a vinyl only release.

Oxytocin encapsulates everything that keeps the dancefloor going straight on till morning - the rolling bassline and haunting vocals keep you intrigued as the track progresses and builds become increasingly intense, relieved by a punchy and face-melting climax. This track has been getting bodies moving all over with its infectiousness - it truly is a dancefloor weapon and has been road tested by everyone from DJ Tennis, Carlita, Kiimi and many more. On the flip side is Ashee’s pumping rendition of Motomami, another dancefloor weapon exclusive to this vinyl package.

Ashee has already graced labels such as Aus, Life & Death and Circoloco and played live at everywhere from Gotwood to Sonar. Here he delivers an exclusive vinyl only double Aside with floor-filling effect.
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12,82
THE DSM IV - NEW AGE PARANOIA LP

**Debut album from former 'Eighties Matchbox B Line Disaster' front man Guy McKnight's new band.** **ORANGE MARBLE COLOURED VINYL - VERY LIMITED!!** The DSM IV’s debut album, “NEW AGE PARANOIA,” is an impressive collection of stories, beats, guitars, and noise. The album seamlessly weaves together sobering but dream-filled songs that explore the ways in which our collective minds are influenced by mass media, entertainment industries, and social media. Formed by Guy McKnight of critically acclaimed and cult favourite The Eighties Matchbox B-Line Disaster. The DSM IV has a dark sound that blends noise-rock, synth-pop and industrial, that delivers a unique musical experience. Their music is cacophonous and epic, featuring rich textures and melodic hooks that keep listeners captivated. The band’s powerful soundscapes, combined with their thought-provoking lyrics, create a mesmerizing atmosphere that both entertains and encourages introspection. The album prompts important questions about our society, such as what’s driving the normalization of a narcissistic culture that prioritizes personal desires over altruism. It delves into the ways in which technology, social media, and mass media shape our collective psyche and affect our relationships with ourselves and each other. The DSM IV’s music offers a timely and compelling commentary on these issues. The DSM IV is a band that creates music with a powerful message that resonates with people who feel that a kinder world is possible. Their songs are both nasty and nice, reflective and entertaining. With “NEW AGE PARANOIA,” The DSM IV has crafted an album that will captivate and inspire listeners, while also prompting deeper reflection on our society’s values and priorities.

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20,21
Woods - The Lone Pilgrim

Woods

The Lone Pilgrim

12inchJAMWAXMAXI31
Jamwax
13.06.2023

Wilfred Trevor Woodley aka Woods (1934 - 2010) is certainly one of the best kept secrets in Caribbean jazz. A pianist composer from Point Fortin, Trinidad & Tobago, Woods was a fascinating man who lived an incredible life traveling to more than 70 countries. Even though he composed hundreds of songs he had never released an official album.

Woods was a man who lived a fearless life. Even when faced with life's adversities he dealt with them with such courage and calmness that all who knew him could only remember him with admiration and respect. In july 1990 he was involved in an accident where a truck crushed one os his legs. facing the doctors, he replied with aplomb: "As long as I can play the
pinao, everything is fine".

This EP is the first project of a series to pay a tribute to his legend and to keep his music alive.

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14,50
Honeysweet - Exodus LP 2x12"

Josh Milan has been recording music professionally for over 30 years.He's played every role from artist to engineer in the studio.This project, Honeysweet, focuses on his production and musicianship.Utilizing only one musician on sax, Josh plays every instrument and sings every note on this project. His songs are packed with soulful dance floor grooves inspired by iconic, soulful groups like Brian Auger, Cymande, Pleasure, Africano, Santana and others.

"I wanted to do music that made me and my family feel good when I was growing up. It's the kind of music that families dance to at gatherings with a record player and no DJ”, says Josh. “Intros, Accents, Breakdowns, Bridges, and endings were all part of the music.” This music will transport Josh's audience to a place of musical freedom. This is music with, seemingly, no rules.

Josh Milan describes each track on the Honeysweet EP “Exodus” in his own words :

"Last Night Changed It All featuring Lawrence Clark on sax is the kind of groove that keeps its dance floor value while holding up the banner of true musicianship. This song was written after hearing a DJ set,where the DJ didn’t seem to be concern about staying within a musical box. He played all sorts of music in one set. I knew then that I’d branch out musically when recording.Rhodes, picked bass guitar, rhythm guitar and drum kit is all that's needed on this one.”

"Exodus the manipulation of major and minor chords in this groove make it complex and interesting. The listener is lead by the organ solo featured here. The song is a mental escape. A mental exodus complete with bongo section.”"Being Free is a message that captures the point of this entire project. Musical freedom and expression is where this project gets its
fuel. Horns, are included on this production. A true expression of soulful music. Being free should be all the time I'm your mind all the time.”

“Cranberries and Cream is my tribute to funk grooves as they were featured on records in 70’s. I’m a fan of that sound and I like to play by own funk grooves when I’m alone. This is one of the tracks on the ep I prefer to rock.”

“And So She Waits has eerie sounding pads in the background. They linger throughout the track. Popping in and out, as though they’re waiting for something. You will hear the change in mood once she is no longer waiting. The groove returns to it’s original state. Only she is no longer waiting, he is.”

“Crazy is me bringing the funk to dirty house music. Complete with house piano in the mix. The chords are unsettling. They are, in fact,Crazy. I though adding a horn arrangement to a house track like this would sound interesting and different.”Honeysweet “Exodus” out at all digital outlets and double pack vinyl set.

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24,33
TWIN COSMOS - DOUBLE ACTION LP

Twin Cosmos is not only the name of the musical output of fraternal twins Morihito & Yasuhito Ito, but more philosophically, an album that encapsulates, “the universe of twins”.

The pair were born 1953 in Yokkaichi, Mie Prefecture. A port city 50 kilometres west of Nagoya, famous for its chemical plants. Despite their surroundings, they grew up in an environment that fostered learning and self-expression. From an early age, they began to carve out their own paths.

Morihito was fascinated with scientific endeavours, space travel and spirituality. His father, an electrician by trade - motivated him to build his own musical equipment. This led him to attend an acoustic engineering school in Tokyo from 1972-1974, after which, Morihito returned to Yokkaichi where he worked in the instrument and audio section of a department store. This helped him keep up to date with the latest equipment, while allowing him to simultaneously work on his own musical endeavours.

Morihito’s side of the ‘Double Action’ LP is a cohesive piece, which effortlessly drifts from one song to the next through samples of flowing water and rockets launching into space ,that were recorded while visiting his brother in the States. His music is carried by flowing vocal harmonies, guitar strums, and floating synths to create an eternal dreamlike ambiance.

In contrast, Yasuhito gravitated towards philosophy and the arts and in 1976 followed his Englsih teachers’ advice and moved to the ‘foreign world’ of the United States. It’s here that he further explored his interests in Christianity, sadomasochism and poetry. He was exposed to artists like John Cage and Sun Ra, as well as a variety of ‘Do It Yourself’ recording techniques that enabled him to record remotely.

Using samples, poetry, and an original approach to traditional folk & rock songs, he recorded his side of the LP. The outcome being provocative, dark and confronting realisations, which solely used English lyrics to represent his experiences in the ‘Western world’. In 1980, Yasuhito was wooed back to Japan by his brother and the prospect of a combined record release.

The self-released album ‘Double Action’, was completed at Victor studios in Japan. Without a distribution network, the release was sold mostly to family and friends and fell into obscurity. Despite not reaching commercial success, the pair have continued to make music over the past four decades, crediting it as their driving force in life. This 2022 release includes an insert with archival images & liner notes in both English & Japanese.

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19,96
DJ Dog & Double Dancer - Rebound Lounge 4

The fourth Rebound Lounge EP. DJ Dog and Double Dancer keep on pushing the boundaries of their weird and wonderful genre Basketball House! The sound always changing and evolving into different territories, but still keeping their flavour and strickt concept. Here we got five new tracks as always, and a new fantastic color scheme and pic on the back of the sleeve. Limited edition and vinyl only. So not to miss!

Rebound Lounge a label and production project consisting of DJ Dog (aka DJ Fett Burger) & Double Dancer. They have been 'Rejuvenating the basketball house scene since 2016' as they like to say. A genre they claim to have invented and thus rejuvenated since day one. The music presented with sounds from the basketball world and weave this in to the productions. It can be a shoe rubbing on the wooden court, a cheering audience, a yelling coach or a heavy slam dunk. Sometimes clearly audible, sometimes hidden deep in the mix. From this mixture the unique Rebound Lounge sound is created.

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9,45
Kraak & Smaak - Twenty LP 2x12"

Kraak&Smaak

Twenty LP 2x12"

2x12inchJAL400V
Jalapeno
12.06.2023

Kraak & Smaak, eine treibende Kraft der elektronischen Musikszene der letzten zwei Jahrzehnte, Meister des Nu-Disco, Funk und allem, was mit Electronic zu tun hat, feiern 2023 ihr 20-jähriges Bestehen - mit einer handverlesenen Auswahl ihres herausragenden Katalogs auf Jalapeno Records und dem eigenen Label Boogie Angst. Das Doppelabum mit dem schlichten Namen TWENTY bringt 20 Band- und Fanfavoriten und viele der unglaublichen Gäste, mit denen das niederländische Duo im Laufe der Jahre zusammengearbeitet hat: von Lee Fields bis Parcels, Romanthony bis Mayer Hawthorne, Ben Westbeech bis Durand Jones. TWENTY ist von Anfang bis Ende ein abgefahrener Hörgenuss, der nie enttäuscht.

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25,17
HDSN - No Place Like Home

Hdsn

No Place Like Home

exclNBASTWAX016
NBAST
02.06.2023

“My mother” says HDSN “is my biggest idol to date. She gave me the roots to grow and the wings to fly and pretty much dedicated her life to my sister and i. She has been holding herself accountable day in day out for more than twenty years to raise two kids as a single mom. Although my dad couldn´t be there she always kept the cable long and so we lacked of nothing - she literally gave us all that she got. It´s been her strength, her humbleness and her relentless effort which has made me and my sister the beautiful human beings we are today. Most importantly it was her acknowledgement of my passion for music that saw me being able to pursue what i call my destiny today. She has been my biggest supporter since day one even she couldn’t understand at first. She oftentimes called my music too “esoteric” little did we know how many peoples hearts these songs would touch on the way. From the very beginning i wanted to dedicate a song to her but as she was pretty delicate when it comes to my tracks i knew i needed to find the right notes to hit the right spots. It´s been eight years now since i started out to make music and with very much excitement i can announce i finally been able to thrill her soul. It´s with little hesitation that i dedicated this song which i ended up calling “Stronger” to her. I come from a family full of fighters, there have been many ups and downs for all of us but we stood strong to the struggle and managed to keep our shine. This goes especially for my sister as life dealt her a couple of rough patches early on. She was fighting her own war marching through the valley of death from a very young age. She never gave up though, thrived out of darkness into light like a poppy seed and now eventually became a mother, too. Life kinda neglected us over the year. I had to leave my loved ones behind to live my dream but there has always been a part of me that tried to find his way back home, which i finally stopped denying. “No Place Like Home” is dedicated to most important women in my life, my mother, my sister and her newborn child. This record is an homage to my family and the beauty that lies within our tribe.”

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8,36
Tomohiro Yano / Yuji Kobayashi - Sazae EP

Beat In Me is back for its second release. Recognized for bringing some of the most cutting-edge Romanian DJs to his event series under the same name in Tokyo, RAHA keeps pushing the envelope with Beat in Me. This time he introduces, with sincere confidence, two Japanese artists he has long supported: Tomohiro Yano and Yuji Kobayashi.

"Sazae EP" features two original tracks from Tomohiro and Yuji, respectively, and a collaborative work from both, perfectly displaying their raw talent and individual styles. Displaying a unique knowledge of house and techno music with minimal character, "Sazae EP" seems like the perfect alternative for those thirsty for the type of tracks hailing from Romania, with an added Japanese sensibility that perfectly fits those dancefloors craving for intensely hypnotic grooves.

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13,24
David Nesselhauf - A Guide To Afrokraut III LP

"Drums from heaven, keys from Mars, a bass made from mother earth's soil and guitars from a guy who's time-traveling from German Kraut in the last 60ies into the next 60ies and who happens to gift us today with this funky, dirty, pulsating, delicious music that's everything which music is supposed to be: ALIVE! (Note to self: Always keep a copy of this record in your suitcase!)." (Malakoff Kowalski)

"Afrokraut" is a stylistic expression of Krautrock, primarily associated with Can, and their creative use of time and space in music. "A Guide To Afrokraut III" is David Nesselhauf´s third and last contribution to the dusty shrine of this long forgotten style.

Next to "Afrokraut" (2016) and "Afrokraut II: The Lowbrow Manifesto" (2018), this album completes a humble sonic Trypticon in honour of David Nesselhauf's musical heroes. Experimentation was key in the immersive process of producing this album, which encompasses elements of Funk, Afrobeat and Krautrock as well as otherworldly Drones, early Elektronische Musik and even field recordings.

Inspired by the unfinished manuscript 'History Deletes Itself' by the late science fiction author Joseph Sabiers, Nesselhauf decided to produce a b-movie soundtrack to the original plot, ignoring the fact that there will likely never be a movie to this music.

In the original script, a virus has infected history, the resulting changes of historical facts leading to an unpredictable present and future for mankind. Every attempt to solve the problem – including time travelling – only worsens the situation. But three planets at the end of the known universe seem to be unaffected by the phenomenon, they become a sanctuary known as 'Afrokraut III'. Three brothers arrive there to start new lives. They are introduced to The Guide, their mysterious advisor...

The striking parallels to today's uncertainties, a strong feeling of hope and the idea to never stop exploring (come what may) certainly have encouraged the making of this album, which sees a belated release due to the obstacles everyone faces right now.

David Nesselhauf lives in Hamburg/Germany and appears as a bass player/songwriter in bands like Hamburg Spinners, The Drawbars, Diazpora, and Angels Of Libra.

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23,49
De La Soul - 3 Feet High and Rising (TAPE)

Finally back on tape, officially reissued. Must have! 3 Feet High and Rising is the debut studio album by hip hop trio De La Soul and was released on March 3, 1989 It marked the first of three full- length collaborations with producer Prince Paul, which would become the critical and commercial peak of both parties. Critically, as well as commercially, the album was a success. It contains the singles, "Me Myself and I", "The Magic Number", "Buddy", and "Eye Know". The album title came from the Johnny Cash song "Five Feet High and Rising". It is listed on Rolling Stone's 200 Essential Rock Records and The Source's 100 Best Rap Albums. When Village Voice held its annual Pazz & Jop Critics Poll for 1989, 3 Feet High and Rising was ranked #1. It was also listed on the Rolling Stone's The 500 Greatest Albums of All Time. Released amid the 1989 boom in gangsta rap, which gravitated towards hardcore, confrontational, violent lyrics, De La Soul's uniquely positive style made them an oddity beginning with the first single, "Me, Myself and I". Their positivity meant many observers labeled them a 'hippie' group, based on their declaration of the 'D.A.I.S.Y. Age' (Da. Inner. Soul. Yall). Sampling artists as diverse as Hall & Oates, Steely Dan and The Turtles, 3 Feet High and Rising is often viewed as the stylistic beginning of 1990s alternative hip hop (and especially jazz rap).

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14,08
FUTURE CHROMA - FUTURE CHROMA 2x12"

Ambient and cosmic synthesizer music duo Future Chroma sets out their debut full length album. In late 2019 Stiletti-Ana and Casio G Url were jamming out at their secret hide out studio in the middle of Southern Finland forests. Their arpeggiated and sequenced instruments were sounding so good that they could not resist capturing the moment and recording an album. Finalizing a timeless piece of synthesizer music took longer than they expected and finally the album sees the daylight. Lovely melodies and heavenly arpeggios topped with piano and percussions is a recipe for the record’s musical texture that you can keep on looping in your stereo.

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16,60
Dominik Eulberg - Heimische Gefilde LP 2x12"

2026 Repress

Originally released in 2007 on CD and now re-released on double vinyl. "Heimische Gefilde" was the second full-length release on Traum at that time from Westerwald based DJ, producer and park ranger, Dominik Eulberg. Dominik has since then expended his activities enormously now appearing as a book author with best selling books in the German official bestseller list. He ist he ambassador of the most popular Conservation Union in Germany NABU, he has created a bird quartet and a hand made insect hotel and appears on national German TV regularly next playing in clubs world wide and producing stunning music. "Heimische Gefilde" includes spoken words by the man himself and the release won the price of the German critic awards for music. It is the only compilation that comprises a selection of Dominik Eulberg’s best early works and it is for the first time available on vinyl now.

As Dominik Eulberg says in his own words: „After more than 16 years, "Heimische Gefilde" is finally released on vinyl. At that time it was still a daring experiment to combine music with lustful science communication. Quickly one was thrown into the pot of the "weird eco-techno sound owl". Today, we are increasingly finding that we cannot stop the impending ecocide in a cognitive way. For more than 60 years we have known about the concrete threats to humanity from global warming and species extinction; yet nothing changes. Many alarmist efforts fail miserably, red lists grow longer and longer each year, and global temperatures continue to rise unchecked. It is becoming clearer and clearer that we have to reach out to our fellow human beings in a positive emotional way in order to make a difference, because we only protect what we love. Then sentimental minorities become majorities that change something. Art and culture are low-threshold vectors to make things majority-friendly. They are a fertile and valuable breeding ground to sensitize people outside the eco-bubble and to let their environment become a co-environment again. Today my transdisipilnary work is inseparable. I write books, develop games, lecture, make film, and am a visiting scholar at museums. "Heimische Gefilde" was a valuable cornerstone for my creative work, a very intrinsic work to go my very own way.“

We would also like quote here the description of Forced Exposure done at the time when the album was originally recorded and released to keep the authentic feel: „The influence of nature (bird twitters, owl hoots, flowing water, crunching leaves) and other domestic sounds has made his music easy to identify with. „Heimische Gefilde" means "native habitat," and this release takes the concept of his debut a step further and at the same time is a retrospective of his major hits. Tracks like "Die Rotbauchunken vom Tegernsee" and "Björn Borkenkäfer" are included here in unreleased edits that are even stronger than the originals, and as a bonus, previously vinyl-only

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27,69
The Pulse - Outer Limits

The Kniteforce White label is renowned for its original content and authentic old skool sound. The deepest of the underground cuts released by Kniteforce, this sub label gives new artists space to experiment, but keeps the vibe rare and sought after by never repressing and never remixing....

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10,04
Various - Tropical Disco Records, Vol. 27
 
4
also available

Vol. 1[14,24 €]

Vol. 2[14,50 €]

Vol. 4[13,66 €]

Vol. 5[14,24 €]

Vol. 7[14,50 €]

Vol. 11[13,87 €]

Vol. 19[14,50 €]

Vol. 20[14,08 €]

Vol. 22[14,24 €]

Vol. 24[14,50 €]

Vol. 25[13,87 €]

028[14,24 €]


Tropical Disco Records open their 2023 vinyl account in triumphant form with Volume 27 of their well loved 12” series. Yet again they have successfully delivered a four track paean to the boundless dance-floor power of jazz infused disco. It’s a sound which the label has very much made their own over the last half decade.

Opening proceedings is Scruscru, an artist whose immense rise to prominence has very much followed the same time-line as Tropical Disco. He is in glowing form here with vinyl opener ‘Phunk U Do’, a slinky hip-shaking 70’s funk-fuelled disco bomb. Expect this one to set dancefloors on fire across the summer with it’s swirling keys, James Brown-esque vocals and ferocious bassline.

Next up are Lance and Disco Strummer who keep the feel-good vibes topped up to full with ‘Hey Amigo’. An ever so cheerful Latin bomb, it packs in happy-go-lucky vocal loops with brass stabs aplenty alongside a shoulder shaking bassline which will keep those floors grooving from dusk till dawn. If you want to unleash uncontrollable joy in your DJ sets, look no further.

Over on the Flip Tropical Disco’s own Sartorial delivers a smokey sexy-as-hell vocal gem in the shape of ‘Fly’. Merging 70’s jazz licks with a powerhouse live bass, sublime sax solos a divine vocal and some serious scatt, this is a track that just exudes cool.

Closing out the EP in style is one of Mexico’s finest disco proponents, Monsieur Van Pratt. On ‘Journey’ he deploys a huge brass section and percussive breakdown to serious hip shakin’ effect. With guitar licks and synth stabs galore he has given this one both a ridiculously tight groove and bags of warmth. It’s a winning combination.

Tropical disco have yet again unleashed another exquisite 12” showcasing their unique sound. You can expect to see this one hitting the heights of the vinyl charts in quick smart fashion.

Support across Mi Soul & House FM.

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13,87
Bluey - The Album LP

Bluey

The Album LP

12inchDEMREC929
Demon Records
08.05.2023

Loved by parents and children for its heartfelt and funny portrayal of young family life and celebration of play, the season follows Bluey, a six-year-old Blue Heeler dog, who loves to play and turns everyday family life into extraordinary adventures that unfold in unpredictable and hilarious ways, bringing her family, friends and community into her world of fun.

Bluey ‘The Album’ was released in January 2021 in Australia and the US and was a phenomenal success reaching #1 in the Australian ARIA charts and #1 in the US Billboard Kids Album Charts.

The initial pressing of the vinyl exclusive to Australia Record Store Day 2021 sold out.

Now the chart topping album is available on vinyl globally for the first time. Pressed on 140g blue coloured vinyl, the album features 17 songs, all original compositions from Season 1. Housed in the original album artwork this release includes an A3 colour poster of the
family neighbourhood.

Highlights include music from fan favourite episodes such as ‘Keepy Uppy’, ‘Here Come The Grannies!’, ‘Pool’ and ‘The Creek’. Two versions of the catchy theme tune are included – as an
extended version and ‘Instrument Parade’.

Side A features upbeat songs to get the whole family dancing like ‘The Claw’ and ‘Taxi’. Side B takes a tranquil tone with highlights ‘I Know A Place (The Creek Song)’, vocals by Helena Czajka & Jazz D'Arcy, and ‘Camping’. This is the perfect album for Bluey fans of any age.

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17,94
Tunnie Smith - Join Together / U And Me Together

During the summer youth program of 1970 and '71 at St Paul's Catholic church a young Tunnie Smith was singled out by Father George Artist for his outstanding singing abilities. He was soon introduced to Joe Delpit and Reginal Brown to sing along with their show and dance band "The 13Th Amendments. It didn't take long before Tunnie was a full member of the band and became a featured singer performing throughout Louisiana. After a year and a half of performing at nightclubs, military bases and universities Tunnie landed a record deal with Rick Hall's Fame/UA record label. His first single from 1973 was a wonderful mid-tempo number entitled "Finders Aren't Always Keepers" flipped with "Do That To Me"It gained National distribution and had some good success. Tunnie left Fame records and was introduced to Stax record executives Al Bell and John Smith. After signing with Stax, Tunnie met legendary writer and performer David Porter where they recorded an album which was scheduled for release around 73/74.Unfortunately Staxs association with CBS came to a halt and the project got shelved. From those session arose the wonderful "U And Me Together", leading on from the well produced "Finders Keepers" cut the song builds up with an epic 1:30 string and drum arrangement that really sets the picture for Tunnie to arrive with vocals way above his young age would suggest. A story of a boy and girl determined to make it and be the great combination that their love affair deserves. We can’t believe a gem like this has been waiting to come out and should have catapulted Tunnie to the next level or artist rosters. Alas, Tunnie went home and carried on performing around the Louisiana area with his new band Sweet Music Orchestra Fast forward to 1983 Tunnie whilst recording some vocals at River City Recording met Chicago producer and arranger George "Paco" Patterson. George was musical director and had worked with The Isley Brothers Wilson Pickett and many other well known artists. During this period Tunnie along with George formed a great partnership and along with some top session musicians record some incredibly lush, well produced and atmospheric songs The A Side "Join Together " is from the same session as "Dancing On Da Clouds" and could have easily be picked for his first single on Pass The Baton records. It oozes the same heavy production with opening piano cords and layered scatting then bosh, in comes the drums and Vox taking you on a mesmerising space like 2 step extravaganza. So, there you have it, once again two amazing slices of soul on one single from Tunnie Smith. Let’s hope this artist finally reaches his potential from that young man who started recording in 1973.

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12,40
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