Coming straight from the Cozmo comes RudyLane with a debut EP The Return Of The Synth. Landing the ship on new imprint Drag Vader comes a four tracker from the heavenly isles. Leading the arrival we have ' The Goat' a low hung brooding affair which then builds into haunting territories twisting into funk infused techno awakenings. ' 2 yrs L8' slips us onto at first a desolate plaine, trying to find a signal, with stripped vocal stabs swung groove, smokey juno bass into a hook that the Dark Synth would be proud of. ' Thirsty Pool' on the flip is a more minimal workout weaved within hypno vocals driving us forward into hopeful waters. 'Protests Digital' closes out the party blending worlds of emotive melodies and gnarly walking basslines through arpeggiated mid riffs dusted with dub kissed filterness. Landing firmly on the ground RudyLane is off to a strong start.
Excited to hear what's next on this journey.
Suche:the m e b
- Devil's Night
- The Emma Peel Explosion
- Generation Shit
- Pick Her Up
- Yesterday Is Gone
- Poor Cow
- Lost In The Jungle
- Dirty Lips
- Breakin' The Law
- Go Go Alco
- Human Zoo
- When You Find Out
- I'm Sick Of You
They are sexy, powerful, and subversive! HUMAN TOYS is a raw punk rock duo fronted by fierce female vocals
Poupee Mecanik (vocals, theremin) thrives on playing with female archetypes, bringing a subversive edge to their music, all flavoured with a generous dose of irony.
The addition of guitarist Jon Von, formerly of RIP OFFS, since their previous hit record "Spin To Win" (Topsy- Turvy Records), has revitalised the band with an all- new punk rock sound that lands somewhere between THE RAMONES and THE AVENGERS.
Since their debut album "Excuse My French" (Records Ad Nauseam), HUMAN TOYS has evolved musically into a wild punk rock riot grrrl-style force. Anyone lucky enough to catch one of their electrifying live shows around the globe knows they deliver relentless energy, raw power, and a tough yet seductive attitude. That same fierce energy shines through in their new album "At The Poor Cow", named after a legendary underground punk rock bar in Tokyo. The album features fantastic covers of IGGY POP's "I'm Sick of You", THE NERVES' "When You Find Out", and BOB CENTER's "Lost In The Jungle", alongside addictive and wild HUMAN TOYS originals. This record is a true modern-day punkrock-classic!
- Three Times Cursed
- Searching Everywhere
- Out Of Time
- (I Know A Thing Or Two About) Girls
- Marisa In Your Ear
- She's Fine, She's Mine
- Existential Homesick Blues
- Yours Or Mine
- Stuck In The Past
- Shadow Of A Doubt
- Mojo Hanna
- Lonesome Sundown
Wailin' Rhythm 'n' Blues ravers THE BREADMAKERS from Melbourne, Australia, first formed back in 1989, delivering an explosive mixture of Garage Rock Revival and rockin' Rhythm 'n' Blues
Featuring members of SHUTDOWN 66, THE BO-WEEVILS, and THE PURITANS, these guys have long achieved cult status in the Garage Punk scene. Following their selftitled LP released on SOUNDFLAT RECORDS in 2020, we couldn't get enough of their wild sound. Thankfully, our prayers have been answered with a brand-new hit record from the fantastic BREADMAKERS!
The album includes two smashing cover versions: Bo Diddley's classic "She's Fine, She's Mine" and Andre Williams' "Mojo Hannah" , alongside some fabulous BREADMAKERS originals. Whether it's the catchy, wild tunes like "Marisa In Your Ear", "Existential Homesick Blues" and "Mojo Hanna", or the cool, bluesy vibes of their take on Bo Diddley's "She's Fine, She's Mine" and the moody "Stuck In The Past", these guys prove they have rock 'n' roll coursing through their veins.
"Lonesome Sundown" is yet another fantastic release from Australian Garage Punk legends THE BREADMAKERS!
- A1: Let The Good Times Roll
- A2: It Had To Be You
- A3: Alexander's Ragtime Band
- B1: Two Years Of Torture
- B2: When Your Lover Has Gone
- B3: Deed I Do
- C1: Just For A Thrill
- C2: You Won't Let Me Go
- C3: Tell Me You'll Wait For Me
- D1: Don't Let The Sun Catch You Cryin
- D2: Am I Blue
- D3: Come Rain Or Come Shine
Analogue Productions (Atlantic 75 Series) Celebrating the 75th Anniversary of Atlantic Records! Rolling Stone list of 500 Greatest Albums 265/500 for 2012 180-gram 45 RPM double LP Pressed at Quality Record Pressings Tip-on old style gatefold double pocket jacket by Stoughton Printing The Genius of Ray Charles, his sixth studio album, released in 1959 by Atlantic Records, eschewed the the soul sound of his 1950s recordings, which fused jazz, gospel, and blues, for swinging pop with big band arrangements.
Charles is joined bymany ringers from the Count Basie and Duke Ellington bands for the first half of this program, featuring Charles belting out six songs arranged by Quincy Jones. "Let the Good Times Roll" and "Deed I Do" are highlights, and there are solos by tenorman David "Fathead" Newman, trumpeter Marcus Belgrave, and (on "Two Years of Torture") tenor Paul Gonsalves. The remaining six numbers are ballads, with Charles backed by a string orchestra arranged by Ralph Burns (including "Come Rain or Come Shine" and "Don't Let the Sun Catch You Cryin'"). Charles' voice is heard throughout in peak form, giving soul to even the veteran standards. Pressed on 180-gram vinyl at Quality Record Pressings, and housed in a tip-on old style gatefold double pocket jacket by Stoughton Printing.
Dale Tallbert And The Dimensionals' rare but classic LP None But The Righteous hides in plain sight as one of those gospel-soul obscurities. Issued without fanfare, it contains only a handful of songs, but both 'None But The Righteous' and 'Blessed' stand out as deeply worked grooves, built with the same finesse as contemporaneous modern soul but anchored in devotional spirit. The record never broke into wider circulation, leaving collectors to hunt it down like thought-to-be-extinct game. Its blend of smooth arrangements and quietly insistent rhythm gives it a character distinct from flashier gospel crossovers of the era, making the Dimensionals' lone appearance on wax feel like a small but vital link in the chain between church-rooted harmony groups and the more polished soul recordings that followed.
The Psycheground Group has been a completely mysterious band for a very long time, about whom nothing was known except the fact
that they released an obscure LP in 1970, with a red front cover with a stylized drawing of a male face wearing a coloured bandana.
Only in recent times it has finally been revealed that “Psychedelic and Underground Music” was played and recorded –
and sung on very rare occasions – by musicians from Nuova Idea, who would debut only a year later with the LP “In the Beginning”,
the first in a trilogy of albums that would leave an important and indelible mark on the Italian Progressive Rock story.
“Psychedelic and Underground Music” is a fully instrumental album – with the exception of some vocal harmonization –
of rhythm & blues, pop and psychedelic music with a strongly British imprint: it is no coincidence that for a
long time it was mistakenly believed that The Psycheground Group were a English group.
“Psychedelic and Underground Music” is a wonderful cult album, impossible to find in its first edition
which is valued thousands of Euros in the collectors’ market. It is now reissued in an original-like version, on clear red vinyl.
- Dumb Head - The Sharades
- Around The Corner - Eve Boswell
- Who's The Girl - Diane & The Javelines
- For Loving Me This Way - Kim Roberts
- Hobbies - Jenny Moss
- Something I've Got To Tell You - Glenda Collins
- Don't You Knock On My Door - Billie Davis
- Merry Go Round - Gunilla Thorn
- Please Let It Happen To Me - Jenny Moss
- Powercut - The Cameos
- I Lost My Heart At The Fairground - Glenda Collins
- Christmas Calling - Valerie Masters
More Tea Chest treasures, this time all girl bands, with Joe Meek at the controls
This series of releases has been a huge seller as the quality is superb and there are unreleased tracks, alternate takes and studio chat.
- A1: Square One
- A2: Not Human
- A3: Sycamore
- A4: Wrist
- A5: Invisible
- B1: The Optimist
- B2: Little Bird
- B3: Shake A Ghost
- B4: Leo
George Gadd + The Aftermath is a Nottingham-based Indie-emo four-piece band. George has been performing since 16 years old and was joined by The Aftermath in 2017. They are set to release their debut album ‘Too Many Ghosts...’ on 5th September 2025. This captures a decade of growth and includes fan favourites from over the years. Taking influence from acts such as Bright Eyes, Manchester Orchestra and Death Cab for Cutie, they create emotionally resonant songs built for catharsis and connection with fans. George Gadd + The Aftermath's DIY set has seen them tour across the UK & Europe, with a few US solo shows. They have performed alongside Frank Turner, Get Cape. Wear Cape. Fly, The Xcerts and more! They have made festival appearances at 2000 Trees, Y Not, Dot to Dot, Beat the Streets and Splendour. While also being confirmed for Y Not and 2000 Trees in 2025.
- A1: Overture
- A2: Main Title - The Cowboys
- A3: The Hands Quit
- A4: The Boys
- A5: Wil And Ann
- A6: The Kids And Crazy Alice
- A7: Graveyard
- A8: Anybody That Tall
- A9: Training Montage
- A10: Long Hair And The Roundup
- A11: Nightlinger's Tale
- B1: To Belle Fourche
- B2: The First Night
- B3: Burning Daylight
- B4: Learning The Ropes (Vivaldi - Concerto In D)
- B5: Sour Mash
- B6: Long Hair's Threat
- B7: Mrs. Collingwood's Girls
- B8: Entr'acte
- B9: Afraid Of The Dark
- B10: Charlie's Demise
- B11: Charlie's Burial
- C1: Long Hair Trails
- C2: Long Hair And Dan
- C5: Into The Trap
- C6: The Battle
- C7: End Title And End Cast
- D1: Entr'acte (Segment)
- D2: Nightlinger's Tale (Alternate)
- D4: Long Hair's Threat (Alternate)
- D4: The Execution (Alternate)
- D5: Into The Trap (Alternate)
- D6: End Title And End Cast (Alternate)
- D7: Exit Music
- C3: Summer's Over
- C4: Drums Of Manhood And The Execution
- A1: Meet Charlie Parker (Vocal Version Of Ornithology)
- A2: The Epitaph Of Charlie Parker (Vocal Version Of Usa)
- A3: Yardbird Suite (Vocal Version)
- B1: So Long (Vocal Version Of K.c. Blues)
- B2: Every Little Thing (Vocal Version Of Bloomdido)
- B3: Central Avenue (Interlude)
- C1: Los Angeles (Vocal Version Of Moose The Mooche)
- C2: Live My Love For You (Vocal Version Of My Little Suede Shoes)
- C3: Fifty Dollars (Vocal Version Of Segment)
- D1: The King Of 52Nd Street (Vocal Version Of Scrapple From The Apple)
- D2: Salle Pleyel (Interlude)
- D3: Après Vous (Vocal Version Of Au Privave)
black vinyl[10,29 €]
The Cryovac machine operates independently to service the world with an original strain of techno. Our people are pioneers of their own sound and seasoned veterans of its' cause. This cause is the basis for our action and the motivation for our vinyl. Cryovac believes the vinyl format is the truest way to take in our music, and this is why we take great care to personally craft our own plates and photograph our own art. The Cryovac approach and stance make it a true oddity in a world of commodities, and we hope you realize, feel, and respect our work.
Andy Vaz is a rebel from the city of Cologne. He is a creator of techno labels that follow their own path and challenge the standard dogma. His version of the techno sound has gone from stark and funky minimalism to synth cascades and housey feels. Andy Vaz is the perfect choice to collaborate with Andy Garcia. Garcia's brand crunchy soul tech mixed with vocal nonsense is the yin to Vaz's yang. These like minds share a name, a spirit, and a drive to keep moving forward no matter the cost.
The second release in French beatmaker Medline's 7" cover series of soul, jazz-funk, and rare groove classics!
Much like Leon Michels of El Michels Affair, Medline plays all the instruments himself?this release features two stunning tracks, including a newly recorded cover.
Side A presents a brilliant rendition of "Wind Parade," Donald Byrd's immortal 1975 masterpiece that has been widely sampled in hip hop. The iconic bassline remains intact, while Roni Alkekengi's transparent vocals and a bold substitution of flute in place of trumpet create a uniquely groovy interpretation.
Side B is a refined cover of the 1972 soul classic "People Make the World Go Round" by The Stylistics, which has also been heavily sampled and covered. Medline retains the charm of the original while adding his own polished touch.
[a] 01: Wind Parade (45 Edit) [feat. Roni Alkekengi]
repress!
After releasing Louie Vega & The Martinez Brothers’ ‘Let It Go’ in 2020, Defected now deliver a special 12” package of this irresistible summertime jam and accompanying remixes. With a copy of the original record going for up to £230 on Discogs, this release makes an anticipated arrival for crate diggers craving this red-hot release. Featuring the soulful, slick, groove-filled original as well as the Vox Dub on the A-Side, on the flip you can catch house sensation Honey Dijon’s ‘Berlin meets NYC’ style remix, as well as Australian powerhouse Dom Dolla’s chart-topping, high-energy version. A homage to NYC’s rich Latin American dance scene, this 12” delivery is a record box essential for any discerning house collector.
















![Medline - Wind Parade (45 Edit) / People Make the World Go [feat. Roni Alkekengi]](https://www.deejay.de/images/l/8/7/1195387.jpg)



