It was a quiet period but Macadam Mambo is back to present a new LP by the greek musician Yannis Veslemes.
The confirmed artist -who has previously appeared on labels such as Byrd Out, Invisble Inc., Won Ton, Optimo Music or Into The Light, under different projects : Felizol, Steamcut,Sportex or his own name, and composed for movies OST -started to integrate Macadam Mambo on the latest compilation Danzas Electricas vol. 3, and very naturaly proposed his new album. It needs to be said what an honnor to receive such quality music. In term of composition, production and universeit’s a land of influences and uniqueness, in which you will recognise a bit of Yello, Coil, Nick Cave or Igor Wakhevitch vibes embrassing folkloric greek melodies or cosmic pop ballads. It’s brillantly dark, obscure and lightful. A tempest of sensuality and roughness. To say it short it’s EPIC! and will definitely give the recognition that Veslemes deserves as a major composer in Modern Electronic Music.
Cerca:the m f project
Mr Projectile, one of our favorite IDM producers from back in the day, has given La Luna the chance to share some of his unreleased IDM tracks from the early 2000’s. The album is an eclectic blend of ambient, IDM and experimental electronics.
These sounds are a time machine to simpler, less chaotic times and have become essential listening these days. We envision this album spinning on a sunny Sunday afternoon, filling your room with the delicate and deep textures of electronic music and soothing your uncertainty. Enjoy a nice cup of coffee and explore your thoughts as you speed through time and space. Hopefully serving as a special reminder that we are all in this madness together.
Not only is the music stellar, but we are honoured to have Marcello Raeli, an Italian artist and car designer, accompany the music with his wonderfully mind bending artwork. Marcello is an artist who has designed some of the most insanely beautiful/fast cars on the planet. Here we get to take a deep look into his mind and marvel at the incredible interconnectedness created in this piece and appreciate the sense of depth and space created for this album.
Shine Grooves: "This story began in 2008, at that time I dreamed of launching my own music label and was searching for something unique. I was looking for music in different sources and came across the Frunk29's tracks, this is how I met Marat Shainsky, his release was the first on the Biotronic Records (the label I owned in the mid-00s). Later Marat introduced me to his friend - Sergey Lazarev, aka Lazzich and we immediately put together the next release for the label. It was wonderful and hypnotizing music I had never heard before. After some time we prepared the material for the first Biotronic Vinyl, which was authored by Lazzich, but the release did not happen, due to certain circumstances. And now, 15 years later, the idea comes true, we release the Lazzich mini-album on the Hanagasumi 04. Although Sergey is no longer with us, but his music will live forever. Thanks to everyone who took a part in the search for materials, archives, projects, sketches. Special thanks to Shipulina Yana for providing information and cooperation, Marat Shainsky for the advice and tracks searching, Matvey Andreenko for giving me the large media archive of Lazzich's works, Denis Rooter for designing the cover, Semen Pupyshev for mixing the found Sergey's Reason-projects".
Soma proudly presents Functional Designs, the latest collection of nocturnal environments from Deepchord, marking his first full length album release on Soma in 5 years. The enigmatic Detroit based producer once again transports us into his sonic realm via night-walks through numerous cities before being transmuted into aural excellence through field recordings, holographic synth tones, cosmic sounds and the hiss of electric wires. All swimming around in filtered 4/4 beats and subterranean basslines. The album is a perfect example of electroacoustic techno transmitted from undisclosed locations, the amalgamation of swirling tapestries of sound, deeper than night and lifeforms moving around underneath the grid.
The album glistens into existence with the beatless Amber breathing life into the project before the eventide of Darkness Falls offers a beautifully subtle and contemplative atmosphere. The guiding light of Transit Systems continues to offer up melancholy with echoing percussion and drifting soundscapes. The highly processed acoustics of Strangers brings a sense of intrigue to the album's journey as Modell works in the most percussive track so far. Panacast is exotic dub techno at it's finest, with warping and perfectly crafted synth work building gently over the top of sub heavy beats, glued perfectly together by the hiss of the collected found-sounds. In a slight rise in tempo, Cloudsat, makes a journey skyward, collecting mood and feelings from high altitude with its emotive synth work. The reverberating halls of Pressure again work as a testament to Modell's sonic crafting - honing in on specific artefacts from his field recordings, imbuing them with deeper purpose. The perfectly titled Ebb and Flow drifts effortlessly on a tide of evolving, blissful sound waves crashing to shore as each one overlaps the other. Beginning the descent into the final part of the album, you begin your ride across a cosmic plain, lit by the glistening and ethereal Sun. The meditative Memories opens a conduit to other realms as the album closes out with the elysian melodies of Drassanes.
Deepchord once again proves he is a producer like no other. A true sonic sculptor who uses his real world experience to create vast, unparalleled soundscapes that captivate and enthral the listener.
restock
Melodies Of Ancient Beats Depth or Deep, (with Dep also meaning beautiful in Indonesian) is the meaning of this newly created persona from the artist DemoDc. After many years of experimenting with music making, releasing digital eps and albums, Demo has come to an end of a cycle arriving to a mature state of craftsmanship, ready to deliver his dream onto the vinyl medium.
This is the 1st ep that kickstarts a volume of a 5 ep project. Its own kind of album type edition so to speak. Down the rabbit hole is a deeply rich exploration of the unknown, immersing oneself with faith and love into a pandora’s box type scenario to find not chaos and random violence of destruction yet a carefully arranged melodic structure of orderly tapestry, traveling through the expression of quirky acid gobbles, with a steady deep chord of drive, arriving at a climatic unwind of free moving dance type melodies and wonder. This track gives electro a fresh stroke to a well founded genre, giving it a different approach to the medium. Today’s special is a track held close to heart, made back in 2007 after a skiing incident left MOAB DEP immobilized for 2 weeks. Whilst having travelled to NZ Queenstown for the trip, it dawned on the wounded artist to make sense elsewhere with his time, using it to create a very special track, of course unknowingly at the time. Returning home to Adelaide it quickly become a favourite for many underground artists yet the track has never really been given a chance to shine, to be heard…. not until now 12 years later, 2019.
All made on his laptop, no midi used ( which is to be said mostly with all tracks created at heartheartrecords studios).
Today’s Special has a certain energy and vibe that immediately calls for the listener to pay attention. From its moody beginnings with lush rhodes keys, glitch ambient sounds, followed by the groovy-type horn sounding hook, whisking the listener away into a sunsetting type mood elevating itself onto new ground each step of the way. With some subtle bass movements and emotive chord progression, we arrive at a very warm heartfelt dance track that can only leave any dedicated listener and lover of common deep house music, with a tingling effervescence of radiant glow and smiles.
Today’s Special proves to be its own cult hit within the archives of tracks made in the heartheartrecords realm. Today's special celebrates the meaning of 'NOW' the present moment.
KR3 Records, is proud to welcome – Shuya – to its roster. The Japanese producer whose influences come mostly from the Noise Scene, began his sonic journey as a singer and guitarist with the experimental avant-garde group called Qujaku. With his s/h/u/y/a solo project he keeps a noise-industrial attitude to his electronic music productions. The beginning of his collaboration with KR3 was therefore inevitable. The artist and the label share a mutual approach to sound, with the processing of raw materials into scratchy, deep and mental beats playing a key part in their interpretation of Techno. The Sleeper EP – is the first vinyl release under this pseudonym. The cover art is curated by the designer Pablo I Prada, who says about his works: “I try to capture human evil in my paintings”. With his music, Shuya does exactly the same. His productions are a disturbing mixture of noise-techno that perfectly evokes the infernal spirit of human existence that also appears in the artwork. The Sleeper, is a cerebral, red-painted sonic assault. The intro and outro are composed by recordings of his voice and guitar riffs that show us how deep is his connection to his artistic origins. Written & Produced by Shuya Onuki Artwork by Pablo I Prada
How do you follow up an EP like Champion Sound? By going even darker and harder, that’s how! And that is exactly what Q project did with this incredible EP. In 1993 the burgeoning jungle sound was coming into its own, and this EP encapsulates that perfectly. The sound is very dark yet still has great musicality and a sound that is clearly defined as jungle music today. This is one of the most sought after records from the Q Project back catalogue and with just a quick listen you’ll hear why.
Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others
Rikers Island is yet another very sought after slice of wax from Q Project, this time with the aid of his long time collaborator, Dj Spinback. This track, with it’s two different versions, will cater to pretty much any jungle raver. The ‘On The Run Mix’ is the darker of the two and today would most definitely be called the ‘VIP Mix’ for sure, but this is from a time where artists and producers where still inventing the music. Then the ‘Dream Mix’ is the more atmospheric version, the one that you would drop when the crowd isn’t as dark or you wanted to lift them back up some, and this track does that perfectly.
Club / DJ Support
Jay Cunning, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Paul Bradley, Jimni Cricket, Bustin, Jimmy J, Doughboy, Lowercase, Dave Skywalker, Ponder and many others
Originally released in 1987, « Metropolitan Jungle » by German synth-pop band Cold End is reissued by Swiss label Proxima. Cold End is the second musical project of Katrin A. Kunze, Jürgen Grah and Markus Kammann. Musically, the sound of Cold End was something special back in the time, as a successful fusion of electronic and soul. Dynamic percussions, synth textures and enchanting vocals. Includes an aerial rework by Audrey Danza. All four tracks are freshly remastered!
Trad Vibe records is happy and proud to present you this project as well execptional as unpublished!
We are in 1994, DJ Clyde left the group Assassin and launched the 1st French Mixtapes but he sees even further and launches into the production for the 1st time since he became a hip-hop activist. His set up seems very simple but unusual and innovative for the time especially in France with a SP1200 and two S950 and a maximum of Soul, Funk, Jazz vinyls that he digs with his crew Hypnotyc Djs (Dj Clyde, Dj Max, Dj Asko). The project is also exceptional because it comes from a cassette archived by Clyde of beats sent for the album Paris Sous Les Bombes of the famous group Suprême NTM (3rd album of the group).
Of course you will not find the beats released with his last but all the unselected gems that reveals the talent and the advance that Dj Clyde had taken in the production at that time! More than an instrumental album or beat tape, this project is a testimony of the history of Hip-Hop and moreover of Beatmaking in France in the 90s which was not supposed to see the day.
The cover is made by the talented grafiti artist Cyril "Kongo" of the famous and historical crew of graffiti artists MAC (founded in 1986 in Montreuil).
After a short break from a busy 2015 schedule, we shatter the silence with our first release of 2016 and the next instalment in our Project Mohawk series.
Part 6 sees the return of Medium. Having already announced himself on Broken with a monster of a debut EP back in 2014, Ben goes through the creative gears yet again with his latest offering, and sets down another benchmark collection of tracks with freshness at their core.
Featuring collaborative work with Outland, MC Rolex and Anita J, Medium once again shows why he is one of our most favourite talents, be dance floor neurofunk, cone crushing head shakers or tongue in cheek comedy skit parodies, you'll find it all right here!
After their monumental rise from mask-sporting weirdos to forefathers of a new generation of mainstream metal, many wondered how or if Slipknot would manage to top their blistering self-titled debut, and its malevolent follow-up, 'Iowa.'
Hindsight paints doubts in curious colours, as 'Vol 3: The Subliminal Verses' is now regarded as one of the nine's most expansive, dynamic, and universally acclaimed works.
From the caustic anthem, 'Duality' to the surprisingly accessible 'Before I Forget', the collective managed the impressive feat of honing their craft to appeal to a wider audience while sacrificing little of the unbridled angst of their earlier projects.
Hearing frontman Corey Taylor let his guard down for gentle and hypnotic cuts like 'Circle' and 'Vermillion, Pt. 2', offered entirely new insights into a group known for their brutal intensity and little else. There's still plenty of that on display, with the venomous ode to their fanbase, 'Pulse Of The Maggots', ringing true with its abrasive composition.
Finally reissued alongside its predecessors, there's never been a more ideal time to finally lock down this seminal trilogy that would introduce, shock and cement Slipknot as legends of their own kind for decades to come.
A selector, producer and label head at the top of his game, Enzo Siragusa continues to prove exactly why he’s held in such high regard as a staple of the underground music scene. While developments have seen the FUSE boss adjust his approach, recent months have combined a wealth of studio time with the unveiling of new projects – most recently announcing the launch of his new genre-bending all-night-long event series, E:Dimension. Yet, there’s something about a release from Siragusa on home turf that stands out amongst the pack, with productions like ‘Sagamore’, ‘Desire’, ‘Flexin’ and the ‘Kilimanjaro’ cuts instantly recognisable after just a few seconds, and the same looks set to happen as he makes his highly-anticipated return with his first solo material on the label for over two years. Unveiling one of his most heavily requested tracks to date alongside further peak-time business on the flip, April finally welcomes the arrival of the two-track ‘Nothing Matters’.
A track that’s been making waves for months, ‘ICV (Double Flake Mix)’ brings the sub-shaking, cavernous reese bassline now captured by many across the globe as Siragusa launches into his signature blend of heads-down, hands-up sonics, while the vinyl-only dub delves into afterparty territories to offer up an exclusive version for wax owners. On the flip, title cut ‘Nothing Matters’ graces the B-Side and keeps things moving as meandering melodies ride rumbling low-ends, swinging drums and chunky grooves to shape up proceedings in emphatic fashion. It’s safe to say Siragusa’s back, and he’s back like he never left.1
Sampler 3 Blue Vinyl[28,53 €]
Sampler 2 Red Vinyl[29,83 €]
Sampler 4 - Purple[28,53 €]
Sampler 1 - Yellow[14,08 €]
Repressed on black vinyl
In anticipation of Kerri Chandler’s forthcoming album Spaces and Places, his first in 14 years, that sees the New Jersey legend celebrating club and soundsystem culture by recording, writing and performing a track in twenty-two of the worlds most distinguished nightclubs, Kaoz Theory drop the first in a series of vinyl album samplers.
Sampler 1 Sees two UK institutions from the North and South spotlighted. First up, Kerri finds himself in London’s cavernous Printworks, recording ‘Never Thought’ - a classic Kerri, piano fuelled groover, tough, melodic and perfectly accompanied by Sunchilde’s vocals.
On the flip, ‘You Get Lost In It’, recorded at Manchester mecca, The Warehouse Project, channels the electric vibe created by those hallowed surrounds. A deep, heads down heater with sultry vocals from Lady Linn.
With the spring awakens: Bionda e Lupo. Hand in hand we walk back to the playful whimsical music land. With bare feet in the grass, around us melodies and bass. Everything shines: colors and lights, sun and faces. A cosmic happiness, from heaven a piece. Here we want to stay with you forever and dance, just dance. With their anthem for the Camp Cosmic festival Bionda e Lupo rolls out a carpet on the dance floor for a new 12″ series on “Eine Welt”.
Label maker Alexander Arpeggio personally feeds the project with his own sounds. Together we float through the sound of the 80s through authentic warm stories.
Four years in the making, Duct Tape Project is the new brainchild of Tripmastaz in the realms of Trip-Hop and Downtempo. And it's a project that makes perfect sense to anyone familiar with Andrei's background (making Hip-Hop beats since his teenage years), musical capabilities and decades-long experience. Duct Tape Project joins Andrei with a troupe of stellar musicians not only from many different corners of the world but also from acutely distinct genres - Guti, Argenis Brito, Mad Dim, Denis Kaznacheev, Krussia, Damien Vandesande of DOP, Sarkis Ricci, Andrey Orenstein, and vocals by Inga.
Featuring all sorts of live instruments, drum machines, synthesizers and modular systems, Duct Tape Project brings forward a complex work brimming with musicality. Using Hip-Hop, not only its rhythmic structures but also its sampling techniques, as a foundation, Tripmastaz created a vibrant and fascinating ecosystem with enough sonic texture to leave one captivated, enraptured and lost at the edge of words. There are 13 musical compositions in total that explore all things Hip-Hop, Downtempo, Trip-Hop, Chill Pop and Lounge, forming a cohesive and deeply soulful album.
‘Self Oscillation’ is made up of 5 club-ready psychedelic workouts swaying with natural momentum, from
Ecuadorian superstar Nicola Cruz, who makes his 2nd appearance on London’s Rhythm Section INTL.
The internationally renowned producer, Nicola Cruz, has been instrumental in pioneering the sound of Andean music over the last decade. Born and raised in Ecuador, Nicola has found his own unique way to tap into Latin America’s illustrious musical past to create something utterly contemporary. His previous projects have had the 4 elements running through as major themes: Fire and lava erupted during his sophomore album, Siku, with an Ecuadorian volcano doubling up as a recording space. And now, with his second Rhythm Section release, we are met with sounds of flowing water that Nicola describes as “aqueous explorations”. On this EP, ‘Self Oscillation’, Nicola Cruz fuses experimental production techniques with underwater, bass-heavy constructions. Moods change like the tides; from euphoric highs with acid riffs and latin drum patterns, the music quickly dives to moody submarine basslines and dark, frenetic rhythms.
‘Self Oscillation’ sees Nicola’s production move to new heights as he expertly bridges the gap between natural and mechanical sounds. With the help of iconic 80s and 90s synths and the retro colours of a Roland Space Echo, his newest work is a hybrid of electronic dance music and a synaesthetic image of nature. In the spirit of his previous EP on Rhythm Section INTL, ‘Self Oscillation’ showcases the synergy - or rather ongoing battle between the organic and inorganic, the analog and digital, civilisation confronted and confounded by nature. It’s within this dichotomy that Cruz revels, and manages to say so much, without words.
Following on from his debut album ºs on AD93, conceptual artist Aboutface presents a new vaporous LP– a vital climate emergency-themed project which utilises poetry collected from his dreams alongside glaciology research and sound recordings captured during polar expeditions c/o the Alfred Wegener Institute – a centre for polar and marine research. Featuring long term Violin collaborator Taro and dream prose reciter Leyla Pillai, the album explores a surreal and abstract intersection between the collective dream realm and the disappearing polar cryosphere, evoking the interconnectivity between environmental change and the collective subconscious.
A self-release, all profits will go towards Extinction Rebellion’s legal fund to help provide counsel to those protesting against contributors to the climate emergency. Limited to 300 Eco renewable-energy recycled gatefold vinyl produced with Deepgrooves, NL. Downloads and streaming limited to one of Earth’s revolution of the Sun only– an ephemeral release for an ephemeral existence.
Repress !
Expectations is an extended player from minimalist disco outfit Harvey Sutherland and Bermuda. The second release for Sutherland's own Clarity Recordings brings his Bermuda project into sharp focus - six tracks spanning Harvey's influences from the West Coast to West End Records.
Recorded with bandmates Graeme Pogson (drums) and Tamil Rogeon (electric strings), Expectations follows last year's stomping label debut single Priestess/Bravado.
The EP includes a long-awaited studio version of live favourite Clarity, uptempo burner Coast 2 Coast and a moment of spiritual introspection with Spiders. The title track offers glimmers of the Doobies and the 'Dan a sign of things to come from the Melbourne producer and his unique trio.
Expectations 12 and digital will be released worldwide 24 March 2017, via Clarity Recordings. Distributed by Monocarpic (AUS/NZ) and Above Board Distribution (ROW).
Limited edition of a great pre-80s Italian disco production with massive funky basslines and great vocals produced by Marty Celay and Robert Drake (they previously collaborated and wrote some succesfully songs in USA for Roundtree and Chic projects) finally get an official remastered reissue from Best Record Italy. This time we can find here the full extended 11 minute disco version on the side A and the previously unavailable U.S.A. Version on the flip.




















