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JO LAWRY - ACROBATS

Jo Lawry

ACROBATS

12inchSRAR0004ME
Whirlwind Recordings
16.06.2023

Silver marble vinyl, limited to 300 copies. Handnumbered, 180g. Australian vocalist Jo Lawry has forged an impressive solo career with a global fan base, while earning deep respect as a "musician"s singer" within and beyond jazz circles. She"s also spent nearly a decade performing and recording with Sting and has worked with Paul Simon and Peter Gabriel. The two albums she released as a singer/songwriter/producer, Taking Picture (2015) and The Bathtub and the Sea (2017) garnered critical acclaim. Now, more than 10 years since her last solo jazz album, Lawry presents "Acrobats", unequivocally returning to the genre alongside globally in-demand bassist Linda May Han Oh and versatile drummer Allison Miller.

pre-order now16.06.2023

expected to be published on 16.06.2023

44,96
Deer Tick - Emotional Contracts LP

„Emotional Contracts“, das erste Album von Deer Tick seit 2017, ist das bisher kollaborativste Werk der Band und zeigt alle vier Mitglieder in Höchstform. Produziert von Dave Fridmann, bietet die 10 Songs Auftritte von Gastmusiker wie Steve Berlin (Los Lobos) und Hintergrundgesang von Courtney Marie Andrews, Vanessa Carlton, Kam Franklin, Angela Miller und Sheree Smith. Das Debüt von Deer Tick bei ATO Records verleiht ihrer mitreißenden Sammlung von zeitlosem Rock'n'Roll noch mehr Vitalität.

pre-order now16.06.2023

expected to be published on 16.06.2023

24,58
NXXXXXS - SHORT TERM AGREEMENT LP

The name NxxxxxS (pronounced "N-Five X-S”) sounds like it could be an equation, or a mystery. But to begin to unravel the identity of the French producer who just signed to Because Music and Mad Decent (the label founded by Diplo), you first have to look for clues on YouTube and Soundcloud, where so many underground artists have found a place to hone their craft. In the ten years preceding the release of his second album Short Term Agreement in 2023, NxxxxxS built up a solid reputation for himself in the international vaporwave, vaportrap & phonk scenes. This is no small feat considering he didn’t have any real knowledge of production or composition before deciding to take on these classic genres of “Internet music”.
The Paris native first gained exposure when he started making beats on YouTube, taking his inspiration from American rappers of the blog era - when artists, especially in hip hop, used digital technology to break away from traditional distribution models - like Mac Miller or Odd Future. Building on this initial success, NxxxxxS turned to Soundcloud, an essential platform for music enthusiasts, tastemakers or anyone on the lookout for the sounds of tomorrow.
Following in the footsteps of The Alchemist and other producers of the same ilk, NxxxxxS soon became one of the pioneers of vaporwave and vaportrap music. Featured prominently in modern productions, these styles originated on social media platforms such as Reddit or Tumbler in the 2010’s and are recognisable by their frequent use of commercial samples ranging from the 70’s to the 2000’s (taken from jingles, lounge, jazz or elevator music). Altered, chopped up and slowed down to around 60 to 70 BPM to match hip-hop standards, the music offered a critique or satire of capitalism, consumer society and any culture that grew out of it, most notably yuppies from the 80’s.
NxxxxxS put his own spin on the recipe by creating a new world filled with soaring melodies and countless references to movies and horror scenes, and eventually released his debut album Fujita Scale (a scale used to measure the damage inflicted by tornadoes) in 2014. The album reached a worldwide audience because of its composer’s story and of the secrecy around his French nationality, and even won over unexpected fanbases such as the highly closed off Chinese market. Fujita Scale landed on one of China's streaming platforms, making NxxxxxS an identifiable artist in Asia who went on to tour his album three times across the continent.

NxxxxxS kept the ball rolling, collaborating on a new series of more accessible projects, which aimed to be less niche in terms of the references or sub-genres they tapped into, so he could find a new audience. This led to his first hits, “Synthetic Corporation” - which would also become the name of his label - “Remember Last Summer” and “Formatted Excess”, as well as his most popular track to date, “Playa Shit”, with over 11M streams on Spotify. The upcoming album’s title, Short Term Agreement, is a playful reference to his unyielding desire for independence and productivity, and his eagerness to preserve the personal freedom he turned into strength.
Yet NxxxxxS is never one to refuse support, and he has now joined forces with Because Music & Mad Decent to further establish himself as a producer at the international level - alongside Diplo especially, who is a case in point - so that this understated and ever prolific artist can meet his ambitions of widening his audience and have his name known by all.
And so the tracks on Short Term Agreement serve as the foundation for NxxxxxS' new identity, featuring a rich and diverse array of sounds thanks to the numerous guests involved: London rapper Jeshi - a new British rap phenomenon also freshly signed to Because Music, French rappers 8ruki & Bitsu, Canadian Freddie Dredd and American underground talents Pollari . Avoiding the pitfalls of a compilation-like producer album, NxxxxxS has once again carved out his own style from the modern hip hop rule book.

In other words, NxxxxxS’ constant evolution has brought us this much closer to solving the mystery that is his name.

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22,65

Last In: 3 years ago
Barry Gray - STINGRAY Original Soundtrack 2x12"

The atmospheric aquatic adventures of the World Aquanaut Security Patrol (WASPs) provided the perfect grounds for the evolution of Barry Gray’s own musical odyssey. After navigating otherworldly vistas with experimental minimalism in Fireball XL5, Gray anchored Stingray’s underwater exploits with a cannon of earth-bound incidentals. Employing flutes and gentle woodwind sounds to set the scene, Gray’s music drew attention to the wonder of the series premise, employing lush heavenly strings for the series’ closing theme, ‘Aqua Marina’ (a croon brought to life by in-demand vocalist Gary Miller). The off-duty exploits of the WASP characters also allowed Gray to return to his jazzy routes, with the production team adding a loving reference to the composer in the episode Tune of Danger with a ‘Graystein’ Piano. Episodic melodrama was once again brought to life with bold brass, and driving military marches would establish the WASPs’ base, Marineville, and an unforgettable Match of the Oysters (in The Secret of the Giant Oyster). The DNA of the which would foreshadow the iconic theme for the Andersons’ next series…

pre-order now02.06.2023

expected to be published on 02.06.2023

45,59
M.E.B. - That You Not Dare To Forget

M.e.b.

That You Not Dare To Forget

12inch19658765071
Sony UK
31.05.2023

Opaque Pink Coloured LP Vinyl - M.E.B. (formerly Miles Electric Band) led by Vince Wilburn, Jr collects a progressive All-Star ensemble featuring Miles Davis alumni and the players Miles inspired. This brand new, never-released studio recording captures a multi-generational who’s who of acclaimed artists performing new Miles-inspired compositions. Two tracks of the five on the album include unreleased trumpet performances by Miles and the album, produced by Miles' alumni Lenny White and Wilburn, features music legends including Ron Carter, Marcus Miller, Stanley Clarke, Donald Harrison, Darryl Jones, Vernon Reid and John Scofield. This album is dedicated to the memory of Wallace Roney and Bernard Wright and contains some of their final recordings. The cover is an original painting from artist and Miles’ associate Mikel Elam. Pressed on hot pink vinyl, this is the exclusive vinyl release.

pre-order now31.05.2023

expected to be published on 31.05.2023

36,77
Tomek - Fairlight And Funk

Tomek

Fairlight And Funk

12inchLPMH8274C
Modern Harmonic
31.05.2023

An expanded view of Tomek's (Model Citizens, 2You's) 1983 no wave
punk funk celebration of the Fairlight CMI, recorded in the home of
Stones producer Jimmy Miller

pre-order now31.05.2023

expected to be published on 31.05.2023

31,51
Jon Lord - Blues Project Live 2x12"

Jon Lord

Blues Project Live 2x12"

2x12inch0216975EMU
earMUSIC
26.05.2023

A musical project that was very close to the heart of Jon Lord. High-quality British blues at its finest. In 2010, Pete York (Spencer Davis Group, Hardin & York) asked Jon to join a concert that was named the Rhythm & Blues Allstars. As a result of having incredibly good time together, the band decided to form the Jon Lord Blues Project. Six successful musicians, old friends who have known each other since the 60s and 70s and whose musical past reads like the "Who's Who" of blues and rock music history: Deep Purple, Spencer Davis Group, Chris Rea, Whitesnake and many more. Recorded at the Rottweil Jazz Festival in 2011, Jon Lord, Miller Anderson, Maggie Bell, Colin Hodgkinson, Zoot Money and Pete York presented classic blues songs as well as contemporary compositions, such as by Deep Purple and Tom Waits. Being long out of print and sought after, this incredible live show will be available for the first time ever on blue coloured Vinyl, pressed on 180 gramm and housed in a gatefold with printed inner sleeves.

pre-order now26.05.2023

expected to be published on 26.05.2023

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Alton Miller - Waitin 4 You

D3 Elements is an always cultured deep house label and so it is no surprise to find the great US producer Alton Miller has been recruited for a new EP. He has a richly musical sound and roots that go back decades, and it shows: 'Clone' is the sort of stylish backroom house that layers diffuse chords with dusty drums and cannot fail to warm the heart. 'All Of It' explores more broken and Afro-tinged drum patterns with golden Rhodes chords and astral leads. This top trio is completed with the funky kick patterns and perfect soulful vocals of 'Waitin 4 You'. Detroit mainstay Kevin Reynolds remixes it into a hypnotic Motor City roller.

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14,50

Last In: 2 years ago
Jacob Miller - Jacob Miller Lives On LP

LP from 1980 re-release in the Reggae Rewind/17th North Parade series - the one and only album for producer Joe Gibbs that Jacob Miller (r.i.p. 23.03.1980) did.

He got known in 1974 as the main Augustus Pablo protegee, and became the lead singer for Inner Circle in their best times, he is also starring in the Reggae cult movie 'Rockers'.

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21,43

Last In: 3 years ago
Various - RDY48

Various

RDY48

12inchRDY48
Ron Hardy Edits
12.05.2023

3 monstruous tracks straight from the basement feat. one of the original house music creator RON HARDY. All the real djs were looking for those for years. Grab it before it's sold out, we have very few copies. A must have.
ESSENTIAL ITEM - LIMITED EDITION - NO REPRESS

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11,98

Last In: 2 years ago
Engelwood - Boardwalk Bumps (Vol 1-3) 3x12"
 
47

OVERVIEW: Engelwood, or Matt Engels, is a viral 24 year-old future funk, lo-fi, hip-hip and electronic music producer from Brooklyn, NY. Drawing on influences from producers like Flamingosis and Vanilla, as well as Japanese Funk and Soul music, Engelwood’s music could best be described as the soundtrack to your trip to the beach. The blends of funk, soul and tropical music, together, creates a unique fusion of sounds you can relax or dance to. Engelwood is also known for his productions for Dillon Francis, bbno$, Cuco, sophie meiers, Mia Gladstone, and Yung Gravy’s biggest hits such as “Knockout” and “Yung Gravity.”

pre-order now05.05.2023

expected to be published on 05.05.2023

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Artemis - In Real Time LP

Artemis

In Real Time LP

12inch4872855
Decca Records
05.05.2023

Three years after the release of ARTEMIS’ critically acclaimed self-titled debut album, the ensemble returns with a marvelous follow-up that highlights the improvisational strength of its members as well as their respective gifts as composers. In Real Time showcases a new lineup of the collective with founding members pianist Renee Rosnes, drummer Allison Miller, trumpeter Ingrid Jensen, and bassist Noriko Ueda joined by newcomers tenor saxophonist Nicole Grover and multi-reedist Alexa Tarantino. The 8-song set presents compelling new band member originals along with choice covers of pieces by Lyle Mays (“Slink”) and Wayne Shorter (“Penelope”).

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31,05

Last In: 3 years ago
Fettes Brot - Fettes/Brot (+1) (Ltd. Remastered 2LP Gatefold)

Was Fettes Brot zwischen 2007 und 2011 mit ihrer Band called 'Das Nervenkostüm' in die Welt jaulten, kann nur in Emoji-Lingo beschrieben werden: fire fire fire. Zu 11t spielten sie sich den Rücken krumm. Festivals, Hallen, Clubs - alles brannten sie ab. Jeden Abend: Monster! Mutationen! Atomkraft, ja bitte! Seinerzeit brachten sie die Beweisbänder direkt auf zwei Live-Alben gleichzeitig heraus. 'Fettes' und 'Brot'. Ein blaues und ein oranges. Wer das hier liest, hält (bald) die auf ein einzelnes Album heruntergekochte Essenz des F/B Twin-Albums in Händen. Alle Hits bis 2010 sind drauf. Neben 'Nordisch by Nature', 'Schwule Mädchen' und 'Bettina' hagelt es Coverversionen von Rio Reiser, The Clash, Steve Miller und Superpunk (der Bonustrack!). Es ist ein Monolith unter allen FB Platten. Eine perfekte Pizza nach Art des Hauses. Abzulegen zwischen Beastie Boys, Dexys, The Specials. Alles Favoriten aus ihrer ewigen, allnächtlichen Tourbus-Disco. Nicht schlecht für ein Live-Album. Dem besten aus der Erde.

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23,32

Last In: 3 years ago
Alton Miller feat. NINA - Remember Who You Are

Alton Miller feat. NINA

Remember Who You Are

12inchSPLTE001_PURPLE
Spot Lite
04.05.2023

Detroit's premier creative space, art gallery and club Spot Lite kicks off its brand new label with a bang! This first deep house, vinyl/digital EP from staple Alton Miller (mastered by Atjazz) radiates strong energy, warmth and vibe with a versatility to fit in almost any house set.

"Remember Who You Are" (Side A,) sets the record's tone with a big sound, infectious bassline, keys along with lush vocals from Nina.

Flip it to the B-Side and you'll find the instrumental along with another deep banger called "Impilo." This effort complements both tracks completely, ensuring future classic status.

Be sure to get your hands on this limited-edition vinyl that is limited to 300 first pressing on a deep purple colored vinyl. Experience the magic of Detroit's underground house music.

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15,42

Last In: 18 months ago
Hugh Mundell - Africa Must Be Free By 1983

Wiederveröffentlichung eines gefeierten und gesuchten Klassikers des Roots Reggae von 1978, produziert von Augustus Pablo und Hugh Mundell, re-mastered von Kevin Metcalfe! Die Musik wurde eingespielt von Basil "Benbow" Creary, Carlton "Santa" Davis, Wycliffe "Steely" Johnson, Jacob Miller & Leroy "Horse Mouth" Wallace (Drums), Robbie Shakespeare & Leroy Sibbles (Bass), Earl "Chinna" Smith, Geoffrey Chung & Clayton Downie (Guitar), Paul "Pablove Black" Dixon & Augustus Pablo (Organ, Piano, Melodica) und aufgenommen im Channel One Studio (Engineer: Ernest Hookim), Harry J Studio (Engineer: Sylvan Morris), Joe Gibbs Studio (Engineer: Errol "Errol T" Thompson), King Tubby's Studio (Engineer: Phillip "Prince Phillip" Smart), The Black Ark (Engineer: Lee "Scratch" Perry).

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21,81

Last In: 3 years ago
BETTY DAVIS - BETTY DAVIS LP

New/Deluxe vinyl pressing housed in old school tip-on jacket In 1973, Davis would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. Davis showcased her fiercely unique talent and features such gems as "If I'm In Luck I Might Get Picked Up" and "Game Is My Middle Name." The album Betty Davis was recorded with Sly & The Family Stone's rhythm section, sharply produced by Sly Stone drummer Greg Errico, and featured backing vocals from Sylvester and the Pointer Sisters.

pre-order now21.04.2023

expected to be published on 21.04.2023

40,55
BETTY DAVIS - BETTY DAVIS LP

New/Deluxe vinyl pressing housed in old school tip-on jacket In 1973, Davis would finally kick off her cosmic career with an amazingly progressive hard funk and sweet soul self-titled debut. Davis showcased her fiercely unique talent and features such gems as "If I'm In Luck I Might Get Picked Up" and "Game Is My Middle Name." The album Betty Davis was recorded with Sly & The Family Stone's rhythm section, sharply produced by Sly Stone drummer Greg Errico, and featured backing vocals from Sylvester and the Pointer Sisters.

pre-order now21.04.2023

expected to be published on 21.04.2023

43,28
Dj Mourad Sliti - Pain & Frame EP

Limited Edition COLOR Green Dark mixed Vinyl – 75 units Hand numbered

Mourad started djing in the mid-eighties. His mixing style and musical knowledge have taken him all over Europe and all the way to Asia. Born and raised in Tunis, Tunisia where he sharpened his skills by playing hip hop and electro but also soul, reggae and rare groove. His love for soul and jazz came from an eclectic father who was and still is very serious about his music. As a DJ Mourad plays a blend of Detroit techno and deep house. His sets are known for being diverse and highly loaded with soul and funk. He has played alongside people like Larry Heard, Farley jack master funk, Derrick May, Juan Atkins, Alexi Delano, Dimitri from Amsterdam, Olivier le Castor, BRS, Club Session,Darren Price, Joel Mull , Cari Lekebusch , Subject 13, Alex Reece, Ivan Smaghe , Alton Miller, Jeff Mills , Damon Wilde, 4 Hero , etc. (too many to mention all of them here). Production wise Mourad started producing music during the early 90s and Put out his first release in 1995 as CHRISMOUR Production, in collaboration with his soul brother Calico (svek, deep touch, lace, etc ) The journey continues…

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12,19

Last In: 3 years ago
Johnny Powell - Moving Out

Johnny Powell

Moving Out

12inchJAMWAXMAXI25
Jamwax
17.04.2023

The one arm keyboard luminary is well known in the entertainment circle of Western Jamaica. Born on the 2nd of March 1954, the accomplished singer and musician hails from Hayes, Clarendon. In 1969 he went to live in Kingston until 1973. Ancel's first effort in a recording studio was inside the popular Randy's in downtown Kingston. He did a single called 'Riding On' on the Musical Barber label out of Mandeville.
In 1977 he joined a group called Solid Foundation and stayed with them for two years. After that he moved to Montego Bay to sing with Stamma and the Sounds of Mobay, with who he appeared on Reggae Sunsplash festival in 1980.
Johnny made the move for the United States in 1982, and formed his first own band 'Uprisers' in Pittsburgh city.
One of the things he likes to talk about is how he once reunited the famed Clarendonians with Peter Austin and Ernest Wilson. Both pioneer icons were at irreconcilable odds with each other for quite some time. When he came back to Jamaica in 1985, he invited Ernest Wilson to do back-up vocals for him. For the same studio session, he also invited Peter Austin for the same back-up duties, and that was how the reunion came about. Inside famous Aquarius studio, there was Burning Spear's personal Band called Burning. The songs recorded there were 'Moving Out' and 'True Love' with top musicians : Tony Green on the saxophone, Bobby Ellis on the trumpet, Dwight Pinkney on the guitar, Calvin on percussion, Nelson Miller on the drums and Maurice Gordon on bass. This was not the first time Ancel was working with Peter Austin. When the split came in the ranks of the Clarendonians, Ancel was asked to fill the breach. He thus teamed up with Peter Austin and their first single together was entitled 'Out Of Sight'. They later entered the annual Jamaica Festival Song competition in 1975. Their entry was entitled 'Paradise On Earth' which Ancel said was quite popular. However, it was not popular enough to prevent the late Roman Stewart from copping the award with 'Hooray Festival'.
After the release of 'Moving Out', Johnny moved to Miami and continued his career as a solo artist, singing with different local bands. He did a number of singles, notably were 'Faith, Patience and Love' and 'Stand Back' for a producer called Jolly in Miami. In 1988 Powell formed his second band Benja, a band which gained increasing popularity in the time in South Florida. They have performed on several festivals, played in most major clubs and were a big success in Andros Island in the Bahamas for an audience who not necessarily consider Reggae their prime choice of music.

The saddest part of his life was when he lost his left hand to what doctors termed as a cancerous situation in 1977. This did not, however, stop him from learning how to play keyboards. Initially he was taught by the late Bobby Vaugh in Montego Bay and also got further teaching from jamaican saxophinist Reuben Alexander.

Now approaching 70 years old, Ancel is still very active in his music. In previous years he performed at the Marcus Garvey Celebration and is currently working with the “Synergy Band” at Royalton Hotel in Negril under the stage name “Ancel P.” Let the one arm keyboard luminary life and music live eternally !

Produced by Ancel "Johnny" Powell & Patricia Wallace
Engineer: Melvin Williams
Recorded at Aquarius Studio (Kingston, JA) in 1985

Bass: Maurice Gordon
Drums: Nelson Miller
Guitar: Dwight Pinkney
Saxophone: Tony Green
Trumpet: Bobby Ellis
Percussion: Calvin
Keyboards: Winston Wright
Backing vocals: Ernest Wilson & Peter Austin from the Clarendonians

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17,61

Last In: 13 months ago
WEDNESDAY - RAT SAW GOD

Wednesday

RAT SAW GOD

12inchDOCLPC1328
Dead Oceans
14.04.2023

PURPLE VINYL


A Wednesday song is a quilt. A short story collection, a half-memory, a patchwork of portraits of the American south, disparate moments that somehow make sense as a whole. Karly Hartzman, the songwriter/ vocalist/guitarist at the helm of the project, is a story collector as much as she is a storyteller: a scholar of people and one-liners. Rat Saw God, the Asheville quintet's new and best record, is ekphrastic but autobiographical and above all, deeply empathetic. Across the album's ten tracks Hartzman, guitarist MJ Lenderman, bassist Margo Shultz, drummer Alan Miller, and lap/pedal steel player Xandy Chelmis build a shrine to minutiae. Half-funny, half-tragic dispatches from North Carolina unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, that distorted lap steel and Hartzman's voice slicing through the din. Rat Saw God is an album about riding a bike down a suburban stretch in Greensboro while listening to My Bloody Valentine for the first time on an iPod Nano, past a creek that runs through the neighborhood riddled with broken glass bottles and condoms, a front yard filled with broken and rusted car parts, a lonely and dilapidated house reclaimed by kudzu. Four Lokos and rodeo clowns and a kid who burns down a corn field. Roadside monuments, church marquees, poppers and vodka in a plastic water bottle, the shit you get away with at Jewish summer camp, strange sentimental family heirlooms at the thrift stores. The way the South hums alive all night in the summers and into fall, the sound of high school football games, the halo effect from the lights polluting the darkness. It's not really bright enough to see in front of you, but in that stretch of inky void - somehow - you see everything. The songs on Rat Saw God don't recount epics, just the everyday. They're true, they're real life, blurry and chaotic and strange - which is in-line with Hartzman's own ethos: "Everyone's story is worthy," she says, plainly. "Literally every life story is worth writing down, because people are so fascinating." But the thing about Rat Saw God - and about any Wednesday song, really - is you don't necessarily even need all the references to get it, the weirdly specific elation of a song that really hits. Yeah, it's all in the details - how fucked up you got or get, how you break a heart, how you fall in love, how you make yourself and others feel seen - but it's mostly the way those tiny moments add up into a song or album or a person.

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22,27

Last In: 2 years ago
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