Drawn from the wider Microliths and Momentary Drifts project, this EP finds zak�, Ossa and ASC working in miniature form with signature restraint but real emotional resonance. Each piece functions as a fleeting vignette where tone and texture carry more weight than the structures. ‘Microlith 1’ opens with soft, cascading keys, while ‘Microlith 2’ drifts further into distant, spectral territory. By the time ‘Microlith 8’ arrives, its gentle fade into static leaves a quiet sense of unresolved possibility. It is a concise, thoughtful collection that will have you keen to hear the whole LP.
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- Strange Fruit
- Yesterdays
- Fine And Mellow
- I Gotta Right To Sing The Blues
- How Am I To Know?
- My Old Flame
- I'll Get By
- I Cover The Waterfront
- I'll Be Seeing You
- I'm Yours
- Embraceable You
- As Time Goes By
- He's Funny That Way
- Lover Come Back To Me
- I Love My Man (Aka Billie's Blues)
- On The Sunny Side Of The Street
- Checkerlads - Baby Send For Me
- Checkerlads - You Just Can't Hide
- White Knights - Love That's True
- White Knights - Promise Her Love
- Tomorrow's Keepsake - High And Mighty
- Plague - Face Of Time
- Plague - High Flyin' Bird
- Lexington Avenue - Bird Collector
- Lexington Avenue - Sound The Alarm
- Nrg - Take Me Back Home
- Solid Reputation - Brown Eyed Girl
Formed by Don Grashey and Lloyd Palmer in Winnipeg, Manitoba, Gaiety Records was an outlet for many relatively obscure but excellent Canadian garage and rock bands during its existence. They released their own singles as well as sub-licensing material to other labels, such as RCA (49th Parallel), Columbia (Jarvis Street Revue and Souls of Inspyration), Decca, Epic, Musicor, and others. Features the Checkerlads , White Knights , Tomorrow's Keepsake, Lexington Avenue, NRG , Solid Reputation, and the Plague , including their face melter, 'Face of Time' and the essential psych classic 'High Flyin' Bird'.
- 01: Why You Done Me Wrong
- 02: Rudie Cool It Down
- 03: Early Getoff
- 04: The Chambermaid
- 05: Right Way Of Loving
- 06: Baby Baby Baby
- 07: Hooligan &Apos;69
- 08: Cool Ska Time
- 09: Little Talks &Amp; Rumours
- 10: Reggae Fever
- 11: Pharaohs Last Wish
- 12: Another Lovecall
- 13: Brian The Big Black Butcher&Apos;S Last Card Trick
- 14: Jackie Miller Down
Debut album by The Upsessions
20th anniversary edition on solid pink vinyl
Previous pressings by Moon Ska and Cherry Red Records have sold out
Brooke Combe, a rising Scottish singer-songwriter, delves deep into her soulful roots with her new album Dancing at the Edge of the World. This album marks her most authentic work yet, blending rich, emotive vocals with contemporary soul sounds. Brooke’s music captures the essence of heartbreak, empowerment, and self-discovery, resonating with a broad audience.
- 1: I Need Her
- 2: Bendita Ilusin
- 3: Una Traicin
- 4: Amor Perdido
- 5: Juliana
- 6: Phoenix
- 7: La Bendicin
- 8: La Realidad
Joe Bataan's Ghetto Records released Joe Acosta's "The Power of Love" LP in 1971. It is now beloved among both salsa dura fans for the tough uptempo numbers and with the lowrider "souldies" crowd for its sweet and slow Latin soul track 'I Need Her.' There are a number of funky mid-tempo son montunos, as well as three super hard guaguancos enough variety to make for a solid dancing-and listening experience. Reissued once again thanks to our collaboration with Now-Again Records. Our release includes an insert with liner notes.
- 1: Moonshield
- 2: The Jester's Dance
- 3: Artifacts Of The Black Rain
- 4: Graveland
- 5: Lord Hypnos
- 6: Dead Eternity
- 7: The Jester Race
- 8: December Flower
- 9: Wayfaerer
- 10: Dead God In Me
Limited Edition Re-Release incl. 10" EP
Italy’s own L.D.F. makes his debut on Shadow Pressings with a fresh slab of raw, analog funk—pressed strictly to wax and destined for selectors who still worship the turntable altar. With contributions from Detroit icons, Javonntte, Gary Romalis, & European groove architects Tilman & Böhm, the EP threads classic motifs through a modern underground sensibility—never nostalgic, always alive.
- 1: Back In Los Angeles
- 2: Wu-Tang
- 3: Sleep's Older Sister
- 4: Je N'en Ai Pas
- 5: Outside Brain
- 6: Let's Fall In Lava
- 7: Telescope
- 8: Garbage In
- 9: What The Cat Dragged In
- 10: They Might Be Feral
- 11: Get Down
- 12: New Wave Will Never Die
- 13: Overnight Sensation (Hit Record)
- 14: Character Flaw
- 15: Hit The Ground
- 16: What You Get
- 17: Slow
- 18: In The Dead Mail
Yellow Vinyl[30,67 €]
- 1: Back In Los Angeles
- 2: Wu-Tang
- 3: Sleep's Older Sister
- 4: Je N'en Ai Pas
- 5: Outside Brain
- 6: Let's Fall In Lava
- 7: Telescope
- 8: Garbage In
- 9: What The Cat Dragged In
- 10: They Might Be Feral
- 11: Get Down
- 12: New Wave Will Never Die
- 13: Overnight Sensation (Hit Record)
- 14: Character Flaw
- 15: Hit The Ground
- 16: What You Get
- 17: Slow
- 18: In The Dead Mail
Black Vinyl[30,67 €]
Analog Tara’s Life of the Mother is a sonic meditation on the depth, expansiveness, complexity, and power that this phrase holds. This album is made from layers of generative processes and interactions with them. Analog Tara uses a Zillion sequencer and Xone mixer as system guides, and sounds of the ARP 2500, Jealous Heart, Access Virus, Oberheim OB-6, Jomox XBase, Moog DFAM, and more to create a compelling electronic narrative.
Composed, recorded + mixed by Tara Rodgers. Mastered by Piper Payne, assisted by Colby Gustafson, at Neato Mastering in Nashville, TN. Art by Jackie Milad, She Goes Ancient, mixed media, 2019.
Following their debut album "Flaws," here is a high-quality follow-up from GARDENS. The popular Viennese indie band are making music that feels warm, direct, and a little rough around the edges. Bright guitars, soft synths, and melodies that stick without trying too hard. Their sound drifts between indie pop, dreamy folk, and gentle garage energy, grounded in honest, quietly catchy songwriting. EP digitally and on ltd tape available. "GARDENS certainly succeed in adding new layers of inspiration into the modern dream-pop genre, something which has been far too long overdue for a refresh. Their debut record offers a colossal level of promise" - Far Out Magazine " an irresistible sonic tapestry" - KEXP "intricately crafted_glistens with warmth and depth" - DIY
- 1: Orphans Of The Smog
- 2: Here Lies
- 3: Ursula In B Major
- 4: The Lowly People
- 5: Perfect History
- 6: Quai D' Orsay
- 7: Divine Song
- 8: The Absolute
BLUE IN CLEAR VINYL[23,49 €]
Dass Death Of Lovers das Potenzial für mehr als ihre bislang einzige EP "Buried Under A World Of Roses" haben, war schon 2014 bei der Veröffentlichung unverkennbar. Die Frage war eher, wann kommt die Band aus Philadelphia, die seitdem mehr oder weniger permanent auf Tour ist, endlich dazu, ihr erstes Album aufzunehmen? "The Acrobat" besticht mit glitzernden Shoegaze-Gitarren, wavigen Rhythmen und konzentrierten, durchdachten und atemberaubend schönen Melodien. Die Stücke zeichnen sich durch eine einladende Komplexität und Tiefe aus, die Stimmung ist immer funkelnd und spannend und bietet einen schönen Kontrast zu den ehrlichen und dunklen Texten. "The Acrobat" erreicht eine warme Vertrautheit und klingt doch völlig neu. Und obwohl die Titel leicht aus dem Soundtrack zu jedem Lieblingsfilme der 80er-Jahre stammen könnten, gibt es eine neue Perspektive und eine Weiterentwicklung, die das "Post-Punk"-Reglement neu schreibt.
Dass Death Of Lovers das Potenzial für mehr als ihre bislang einzige EP "Buried Under A World Of Roses" haben, war schon 2014 bei der Veröffentlichung unverkennbar. Die Frage war eher, wann kommt die Band aus Philadelphia, die seitdem mehr oder weniger permanent auf Tour ist, endlich dazu, ihr erstes Album aufzunehmen? "The Acrobat" besticht mit glitzernden Shoegaze-Gitarren, wavigen Rhythmen und konzentrierten, durchdachten und atemberaubend schönen Melodien. Die Stücke zeichnen sich durch eine einladende Komplexität und Tiefe aus, die Stimmung ist immer funkelnd und spannend und bietet einen schönen Kontrast zu den ehrlichen und dunklen Texten. "The Acrobat" erreicht eine warme Vertrautheit und klingt doch völlig neu. Und obwohl die Titel leicht aus dem Soundtrack zu jedem Lieblingsfilme der 80er-Jahre stammen könnten, gibt es eine neue Perspektive und eine Weiterentwicklung, die das "Post-Punk"-Reglement neu schreibt.
- Love You Still
- Learning To Drive
- 50:
- Responsible Friend
- Bored Of Myself
- When The Doctor Needs A Doctor
- Goodbye Wisdom
- 90: Years Long
- Lost Time
- Cellophane
- Stay
Responsible Friend is an album about the ways in which we show up for one another. What does it mean to be a responsible friend - to be there for someone you love without trying to save them - in a society steeped in conflict and injustice? Some of the songs on Responsible Friend are joyful dedications while others feel more like letters Elizabeth wasn't sure she wanted to send. Taken together, it's a record about slowing down in a world that keeps accelerating. It's a commitment to friends, family, and self, at a time when everyone seems to be carrying more than they can reasonably hold.
- 01: Mrs. Sabra Bare Hampton Bolenkin
- 02: Mrs. Lena Bare Turbyfill Old Fool
- 03: Frank Bare Katie Morley
- 04: Marshall Ward Blue Ridge Mountain Blues
- 05: Mrs. Lena Bare Turbyfill Down In The Low Green Valley (Jealous Lover)
- 06: Mrs. Lena Bare Turbyfill & Ben Dugger Cindy
- 07: Mrs. Lloyd Bare Hagie Omie Wise
- 08: Mrs. Lena Bare Turbyfill & Mrs. Lloyd Bare Hagie Groundhog
- 09: Mrs. Sabra Bare Hampton & Oscar Hampton Partridge In A Pear Tree
- 10: Mrs. Lena Bare Turbyfill Jim Blake
- 11: Mrs. Lena Bare Turbyfill Paper Of Pins
- 12: Mrs. Lena Bare Turbyfill The House Carpenter
- 13: Mrs. Lena Bare Turbyfill George Collins
- 14: Mrs. Ethel Turbyfill Bare As I Went Out One Morning Fair
- 15: Mrs. Lena Bare Turbyfill Skip To My Lou
- 16: Mrs. Lloyd Bare Hagie & Mrs. Lena Bare Turbyfill Young Farmer
Folklorist Derek Piotr continues to excavate North Carolina mountain songs, presenting an assortment of archival recordings taking in Child Ballads, bawdy songs, play-party tunes, and old-time family singing - with a further focus on overlooked star Mrs. Lena Bare Turbyfill, of Elk Park, NC.
Tracks 1 and 9 recorded by Herbert Halpert near Morganton, North Carolina, April 19, 1939.
Tracks 2, 3, 5, 6, 7, 8, 10, 11, 12, 13, 14, 15 and 16 recorded by Herbert Halpert in Elk Park, North Carolina, April 12, 1939.
Track 4 recorded by Marshall Ward in Banner Elk, ca. 1979, transferred from analogue tape by Derek Piotr.
Curated by Derek Piotr.
Photograph of Mrs. Lena Bare Turbyfill courtesy of Elizabeth Gwyn.




















