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VA - Vol 5

Va

Vol 5

12inchCOMPOSIT21
30.08.2019

Selecat from DJ Ness and Coshmar, a worldwide selecta from EurAsia and Africa fullout influences from Ragga, Soul and Rap. With loads of new talents Mista Maff, Y-ETizm, Bumble Bzz, Sorg, Thomas Kahn... THIS IS A VINYL ONLY !!! Thanks to the NFC teknology from Revive Music, will give you many infos while you get your phone close to the record ! Crazy ... also coming with the record a 3d glasses.

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Last In: 7 years ago
15,42 €
GORILLAZ - The Fall

GORILLAZ

The Fall

12inch0190295491215
ADA
13.08.2019

The Fall is the fourth studio album by British virtual band Gorillaz. The album was officially announced on 20 December 2010 as a holiday gift to fans. The Fall was first released on 25 December 2010 to stream for free on the Gorillaz website, only available as a download for paying members of the band's Sub-Division club, a premium access campaign the band ran throughout 2010. The album features fewer guest artists than previous Gorillaz albums; collaborators include Mick Jones and Paul Simonon of The Clash and Bobby Womack.

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Last In: 7 years ago
24,58 €
Myele Manzanza - A Love Requited

On 28th June 2019, drummer / producer / composer Myele Manzanza will release his eagerly anticipated third album 'A Love Requited' on First Word Records (winner of Worldwide Awards 'Label of the Year' 2019).

Produced with award winning Australian bassist & long time musical collaborator Ross McHenry and featuring a plethora of New Zealand and Australia's finest young instrumentalists, 'A Love Requited' is as much a musical journey as it is an attempt to process, work through and come to terms with the life around him.

"The music on this record was written often as a place of psychological refuge from the tensions of an ultimately failed relationship at home, as well as an attempt to come to grips with thought patterns and personal history that caused an often problematic relationship to music itself. Meditating on themes of love, fear, family, anger, death, ego and acceptance has helped create a narrative arc that grounds the album as well as a mode of therapy to begin working through these issues for myself.

'A Love Requited' is easily my most personal work to date and my hope is that beyond the music itself it may be of help to others, if only to say that your not alone in your struggle to make sense of the world".

This album also features the stellar talents of APRA award winning NYC based pianist Matthew Sheens (John Pattitucci, Cecil McBee, Ross McHenry Trio), alto saxophonist Jake Baxendale (Antipodes, The Jac), trumpeter Ben Harrison (Dave Douglas, Horns Of Leroy), trombonist James Macaulay (The Lagerphones, Epic Brass), multi-reedist Jason McMahon (The Shaolin Afronauts), flautist Adam Page (NZSO, John Psathas, Noel Gallagher), guitarist Django Rowe (Wizard Tone Records) as well as additional keyboard contributions by longtime collaborator Mark de Clive-Lowe (Ropeadope Records, Mashibeats), Brenton Foster and Jack Strempel.

Where Manzanza's debut album 'One' presented his ability as a producer / beatmaker, and his sophomore album 'OnePointOne' showcased his live performance and band leader prowess, 'A Love Requited' puts Manzanza's skills as a composer to the fore.

"Over the last few years I've really enjoyed the process of getting away from music software tools and just sitting at a piano with some manuscript paper and a cup of coffee and seeing what comes of it. I'm a very amateur pianist and my music theory knowledge is fairly limited, but in some ways that's an advantage as I'd be starting with a basic barometer of "does this sound good to me?", without too much consideration for formal rules and structure. From there, developing the arrangements to present to musicians forced me to get a better understanding of melody, harmony and orchestration and to really hone in on refining my ideas to a point where I now feel as much satisfaction and confidence putting myself out on the world stage as a composer as I do playing the drums."

'A Love Requited' will be available on vinyl & digital from the 28th June 2019.

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Last In: 5 years ago
14,16 €
Clark - Kiri Variations

Clark

Kiri Variations

12inchTHROT002LP
Throttle Records
30.07.2019

On July 26th the top-ranking leftfield star Clark will release ‘Kiri Variations’, via his own label Throttle Records – and as always, he has musically metamorphosized into something fresh and new.

This album of plaintive beauty, eerie wyrd arcadian horror and childlike outsider music epitomises his constant ability to flip-the-script and coherently organise an abundance of new ideas.

Mysterious and morbidly beautiful pieces driven by piano, harpsichord, clarinet, strings, electronics and voice are interspersed with fabulously unusual and highly original curveballs:

Odd-in-a-brilliant-way, the faux naïve ‘Kiri’s Glee’, evokes traveling minstrels of yore accidentally eating the wrong ‘shrooms, and ‘Coffin Knocker’ has diffracted psych feel, like David Axelrod’s work with the Electric Prunes, but chopped, screwed and scorched.

‘Forebode Knocker’ is darkly funky, like the kind of lost diggers’ nugget unearthed and sampled by RZA, whilst the sonically-perfect ‘Primary Pluck’ unfurls exquisitely, swaying slowly ever forward like a funeral march.

‘Cannibal Homecoming’ is nothing short of Clark’s most song-based composition ever, featuring augmented human voice as evident elsewhere and also a fully-fledged vocal sung by him.

‘Kiri Variations’ started life as the score to the BAFTA-nominated TV program ‘Kiri’, but only a small (and highly effective) portion of the music recorded was used – intentionally sparingly – by director Euros Lyn. That first incarnation has since grown and morphed intosomething entirely of its own being; a proper artist album.

“In addition to my usual methods of controlled randomness and tangential ideas, the TV commission was a prominent spark for new approaches. It’s a great balancing contrast with the solipsistic studio album”, Clark explains.

The record allows simplicity and playfulness to shine through: “It’s a skeleton of an album, reduced to bare essentials, although it started out rather dense - the thing that takes time is making it succinct."explains Clark. “Certain parts are also what you could call anti muso – for example the recorder on ‘Kiri’s Glee’ is totally out of tune – but it sounds so colourful. I can’t resist the primary paint of acoustic instruments; it’s an antidote to frictionless digital music.

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Last In: 6 years ago
17,19 €
Neil Tolliday - Music For Deathbeds

As with the first SchleiBen series, Emotional Response follows the success of the second set of split releases with a stand-alone album by one of the highlights, in Neil Tolliday.

Recorded over a 17-year period, the ambient, drone and noise pieces collected here offer a glimpse in to the depth of a supremely talented, thoughtful and at times, troubled musical mind.

As his love for house music and the success of his Nail moniker grew and waned during the ascent 90s boom, there followed his somewhat surprising success as one half of Balearic-pop combo Bent, propelling Tolliday in to a world of indie-charts and endless touring. The eventual unhappiness of this 'music career' and increasing need for personal escapism led him start experiment new musical forms of expression.

A thinker and oft-over drinker, success was viewed with a deep suspicion and introspection, drug use and later, depression. As his other music projects slowly imploded, this new, personal music was for many years, made purely for Tolliday's own absorption and comedowns.

Taken from an initial 4 track recording in Nottingham in 2000, more pieces were subsequently recorded around the globe on numerous devices - old portable cassette recorders, hand held digital stereos and even mobile phones. These heavily manipulated samples were slowed down, reversed, smudged and stretched before analog and modular patching, Mellotron, editing, programming and post production were added to the melting pot.

With hundreds of tracks collated, in the last few years Tolliday began putting them out via Bandcamp using different aliases, on made up record labels, with no press or mention to anyone. This would happen every 6-9 months - a new label was created with logo, band/artist names and a few albums worth of music, leaving it there for a few weeks before then deleting the lot.

Here then is a snapshot of those recordings, chosen to represent the depth of music, while trying not to think too much about in to the emotions that were used in making them. With special hand painted artwork by Sam Purcell, commissioned from the artist's own photographs taken from a adjournment at Homerton hospital, the hope is to do justice to such wonderful music and present Neil Tolliday, finally an artist, shorn of pseudonyms, in a broader light.

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Last In: 7 years ago
19,29 €
Unknown Artist - 001

Unknown Artist

001

12inchGHSTPHN001
Ghost Phone
03.07.2019

‘New label out of Bristol, Ghost Phone represents RnB's deep and club friendly potential with four anonymous versions from various artists. Hand picked from across the globe for their deep love and appreciation of the original sound, each producer brings thier individual style to the fore. Bending things out of shape for the freaks but still retaining the genres slick, sensual aesthetic.

Chopped and screwed soul gets the full dub treatment on opener ‘Quiet Storm’, alongside 'Hit it Tool' where bumping 2 step drums meet Bmore breaks for the most dance floor primed cut on the 12". B1: ‘Single And Searching’ floats pitched vocal snippets in to the clouds, layering them over misty eyed rave chords. Finally, there is the pale faced club shuffle of '2ON’.’

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Last In: 4 years ago
14,71 €
Various - MIXED FEELINGS

Various

MIXED FEELINGS

12inchBORNEO008
Borneo
26.06.2019

Borneo’s eighth release brings a sweet little five track compilation of eccentric and exotic electronica. All music is lovingly composed and constructed by the label’s family and close friends.

Ultrastation is the lovechild project of Cosmic Force and Nuno Dos Santos. Their Eau De Voodoo kicks this EP off with a fire starter made out of driving afro rhythms combined with mesmerizing vocal samples.

Phones On Fail Jah by Fader sees a quirky digital take on digidub. Centered around filtered chords, a deftly curated selection of melody and percussion is put through its paces.

The enigmatic Fizzy Veins poured his hart out on the song Handbrake. Guitar play over a subtle synth line, all sprinkled with fragile vocals that are almost drowning in the sea of echoes that lies underneath.

Rotterdam’s Nous’Klaer mainstay Mattheis has contributed V21. A stealthy weapon with synth driven melodies and electronic rhythms that are slowly morphing in and out of each other. This will hypnotize any dance floor.

Samo DJ closes the excursion with a remix. He handpicked OVFiets from the Borneo vaults, an unreleased techno work out by party crew Marck. Samo’s version brings the original in a more airy, wholesome and percussive state of mind.

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Last In: 6 years ago
8,11 €
Kate Tempest - The Book of Traps and Lessons

Kate Tempest returns with her third studio album, The Book of Traps and Lessons.

The highly anticipated album was crafted with Rick Rubin and Dan Carey over the course of the past five years. It follows Tempest’s previous releases, 2014’s Everybody Down and 2017’s Let Them Eat Chaos, both of which were shortlisted for Mercury Prize in 2014 and 2017, respectively. Last year, Kate Tempest was nominated at The BRIT Awards for Best Female Solo Performer.

A handful of words often tell you everything you need to know. When asked, who is Kate Tempest? She gives a brief, albeit telling answer. “Kate Tempest is the words,” she responds. You haven’t ever seen, heard, or experienced anyone quite like her. Tempest uncovers the missing link between the Golden Ages of literature and hip-hop. The London-born BRIT Award-nominated spoken word artist, rapper, poet, novelist, and playwright rhymes with a century-turning fury. Since her emergence in 2011, she has redefined what it means to be a wordsmith in the Modern Age. To date, she has published three poetry collections, staged three plays, and released two studio albums. Along the way, she entranced audiences on The Tonight Show Starring Jimmy Fallon, NPR’s “Tiny Desk,” and more. Not to mention, she garnered widespread critical acclaim from The New York Times, The New Yorker, Forbes, and more, to name a few. In the midst of this whirlwind journey, she performed a passage of her popular 75-minute narrative poem, Brand New Ancients, on Charlie Rose. Legendary producer and American Recordings Founder Rick Rubin caught the show, tracked down her phone number, and made a call. This set a series of events in motion that led to her 2019 debut album for American Recordings, The Book of Traps and Lessons, set for release on June 14th.

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Last In: 7 years ago
22,65 €
Asuna & Jan Jelinek - Signals Bulletin

Asuna&Jan Jelinek

Signals Bulletin

12inchFAIT-18LP
Faitiche
22.05.2019

Repress available in early May.

Faitiche releases a new collaboration between the Japanese sound artist ASUNA and Jan Jelinek: the album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA’s meandering organ drones merge with Jelinek’s pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs.

"Watching the Japanese sound artist ASUNA playing the organ, some people might be surprised. ASUNA is no virtuoso flying over the keyboard in a rage. Instead, with the calm gestures of an office worker, he cuts strips of adhesive tape to the correct length before sticking them onto the keys of his instrument. In this way, large clusters of keys are held down, creating a dense and sustained range of frequencies, while the sound artist continually prepares further sets of keys or removes tape again. I have rarely seen a more convincing performance concept, with such a power to fascinate.

I first met ASUNA when we both gave a concert at the 21st Century Museum of Contemporary Art in Kanazawa, his home city. He performed the organ drones as described above and I immediately knew I wanted to collaborate with him. Six years and five meetings later, we completed Signals Bulletin. The album includes both joint improvisations and compositions, recorded in Berlin, Kanazawa and Kyoto.

Whether using prepared organ, Casio keyboards or mechanical plastic toys, ASUNA creates rich textures of sound that barely change over long stretches of time. It is a music without breaks. For a while, I was unsure how my loops made using modular synthesizers and live sampling fitted here – until I realized the role I had to take in this duet: I would provide the rhythmically pulsating foundation over which his dense continuums could unfold.

The result is harmonically drifting superclusters that put us into a meditation-like state. It can perhaps be compared to Automatic Writing – a mode of creative expression floating somewhere between concentration and distraction. Both the structure of our pieces and our approach to our instruments allow a similar “absence”: we let the machines play and repeat themselves – while we, in a mild form of trance, adopt the role of observers, intervening only occasionally.

It is no coincidence that ASUNA owns a collection of Doodle Art – drawings jotted down during conversations or while talking on the phone. It is said that works made like this point to the unconscious and reveal pet motifs – because a doodler always inadvertently returns to his or her favourite themes. The artwork for Signals Bulletin features pictures from the collection, in this case sheets of paper from the pads provided in stationery shops to test out pens. The special quality of such doodles is that the jumble of drawings is the work of a collective whose individual members do not know each other. Layer by layer is added, by someone different each time – until it becomes a dense cluster of lines and symbols ..."

Jan Jelinek, Berlin 2018

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Last In: 7 years ago
19,12 €
Solar X - X-Rated

Solar X

X-Rated

2x12inchGXD002
GALAXIID
17.05.2019

For the second release on the Galaxiid imprint, a label of electronic music archeology and quality, we are transported to the strange sonic world of an elusive 90s pioneer. Solar X's 1997 album X-Rated will be released for the first time on vinyl, as well as reissued digitally, with new artwork by the Japanese artist Keiichi Tanaami. Two worlds connecting sonically, visually and culturally.

Solar X enjoyed a burgeoning career in post-Perestroika Moscow making playful, low-tech electronica from Soviet analogue instruments, which he masterfully configured to forge animated compositions and dancefloor rarities. Fascinated by chaos and complexity, his music explores the ways in which our minds can be manipulated by structure - an endeavour quite plausibly linked to his other career as a lecturer and researcher of AI, information theory and cognitive science, his interest in which was in turn triggered by his young experiments in computer music.

Solar X gained international attention at a time when Russia was (quite unfairly) seen as a vacuum for electronic music, but was exploding in the period of piracy, poverty and freedom following the collapse of the USSR. Young Russians had benefited from the soviet education system and there was a strong DIY computer programming and music scene, fuelled by hackers, gear freaks and party animals. Viewed from today, the album is reborn at a time of further political and social strife, which many see as fuelling the huge creativity and radical thinking of modern Russia's young creatives.

X-Rated treats tempo and form as fluid concepts, administering sudden changes to its sonic landscape with disorienting effect, underlain with a subtle dose of humour and experimentation. Downtempo trip-hop sits alongside frenetic IDM and blistering electro, all bound together by peculiar melodic inflections and lively distortions. Warm, trippy harmonies and robotic synths are offset with angular drums, shifting erratically through moods and genres with cunning intent. Much like his contemporaries from the era, it's his ability to breathe life into a humble production setup that makes his music so compelling some twenty one years later.

The track titles are from a book of call girl cards in London phone booths, that reached the artist in Moscow in 1995. "I liked the titles from these cards, which were self-promoting and offering pleasure (e.g. "Mistress awaits you"). So, I thought since my tracks also offered some kind of pleasure, they might as well advertise this through their titles.'

Label head Nina Kraviz was introduced to the work of the 83 year old sensei Keiichi Tanaami by Ukawa Naoshiro, founder of Dommune in Tokyo, one of the brightest figureheads for the arts in Japan, responsible for the graphic design of the cover. In September 2017 Nina played for the opening of Tanaami-san's first exhibition in Moscow at Gary Tatintsian Gallery. Nina performed a live sound palette, to accompany the looping 7 minute animation, of experimental music from the Soviet Union, Russian pioneers of electronic music like Species Of Fishes and SolarX, Soviet-time pioneer Lev Termen, Kuryochin, avant-guard rock mixed with some Stockhausen and just pure abstract sounds, as well as treasured artists like Biogen.

Tanaami's illustrative work has strong sexual elements, so out of the five art pieces Nina selected and commissioned for Galaxiid, the first fits perfectly for 'X-rated'. The vertical line of text on the left is the traditional form for Japanese covers of foreign releases. The cover, together with the accompanying poster and sticker, are printed in Japan to ensure the highest print quality and purity of the colours.

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Last In: 4 years ago
19,54 €
SFV ACID - FIRE ZONE

Sfv Acid

FIRE ZONE

12inchEKS017
EKSTER
09.05.2019

Presenting 'Fire Zone'. Album written, produced & mixed by Zane Reynolds and pressed on 180g vinyl, by Ekster. Coming out May 2019, including poster 57x57cm artwork by the artist. Mastered & cut by Helmut Erler at Dubplates & Mastering.

The music of Zane Reynolds AKA SFV Acid celebrates lysergic life in small town America. His are urban hallucinations. Conceived in 'business parks, strip malls', in 'blue collar luxury'. On a diet of 'diner burgers'. From the self-released, hand-painted cassettes of his high school years, he has moved to work commissioned by locals 100% Silk, Japan`s Big Love, and Dutch imprint, BAKK. His latest long-player, Fire Zone, will be issued by Belgian label, Ekster.

The album continues to reference Zane's Los Angeles home, and in this case the devastation that rages there every Summer. The concept however, reaching away from the horror and flames, to offer an escape.

There are moments, interludes, that hint at, and hide, something darker. Where drone twists from tape hiss. Bends. Out of shape. Where chords distort. Their degraded edges disintegrating. Charred perhaps But Ai welcomes you to 'San Fernando Valley', and a low-riding 808 booms. Less L.A. More Overtown, or Liberty City. Its racing booty bass calmed by wind chimes. The rapid Electro-Funk clip countered by modal synths. Its sunny disposition reflecting the SFV climate.

Playful rhymes, fragmented dialogue, and answer phone messages, rub up against Rave sirens. Roland`s silver box squeezes out a Sci-Fi Jazz. Through ping-ponging percussion. Through a drum and bass battery. Punched by keys that wanna be horns. Rewinds that create a bin-blowing vacuum. Shore-line samples washing the more head-nodding tempos. Euphoria rising while a perfect beat pops and locks. (text: Robert Harris)

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Last In: 6 years ago
17,44 €
Veggie Grooves - Jeep Warehouse Beats Vol#1

Originally released in 1993 by Hani AlBader on his first label Super Doppler Communications. It was primitively programed on 8track sequencer then recorded on a 4 track tape machine in his spare bedroom studio in Denver, Colorado. Only 300 hundred copies were pressed initially. It was not an easy record to sell to distributors at the time due to the various genres & sounds on it. Mailed out few promos to a handpicked list of names. One of them was dj Dubfire whom at the time was starting as Deep Dish. One morning in spring of 93' Hani received a phone call from Ali Shirazinia aka Dubfire who was full of compliments & requested similar tracks for his label.26 years later Hani's name became internationally known & till this day continues to produce & remix under many aliases while running his own label Soterios Records. In 2017 Hani started receiving several purchase requests from seekers of this record. Thanks to Discog they were able to find out who to contact.Jeep Warehouse Beats Vol:1 is now in high demand among techno / rave fans and some deejays are offering up to $110 per copy. Unfortunately it's out of stock. Due to the serge of interest by deejays and collectors, SDc is back! Repressing of this highly sought after piece of vinyl are ready to ship. Hani have also found buried deep in the vault an unreleased Jeep Warehouse Beats Vol:2 plus an extended version of the mainly requested track 1 on B-side called Vector Selector that will be released on future Jeep Warehouse Beats Vol: 1.5 with some help from Synchrophone in France.Here's a quote from the info sheet included in all promo mail-outs back in 1993. 'The Super Doppler Communications laboratory is the brainchild of Hani - technics technician extraordinary Hani takes no shorts on the beats. He deals with compounds and elements from the periodic table of dance. House, techno, trance, garage, and funk groove can be expected to oose from the test tube. SDc has been experimenting with the innovative styles of Burrito revolution, veggie tracks and the erotic magic of Miles Blacklove. SDc is a mile above sea level. All music is the property of the universe. Adults need not be present during lab because they just would not understand these

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Last In: 2 years ago
10,04 €
Daso - Daso

Daso

Daso

12inchCNS033LP
Connaisseur
05.04.2019

Connaisseur posthumously releases Daso's self-titled long player to create a final memento for his musical legacy.

We first came in touch with Daso when we saw him performing live at the
Dachkantine in Zurich around 2006. He really had this stage talent which
fascinated us straight from the beginning. At this party we agreed on the first release on Connaisseur, the "Adventure EP" including the strong "Sam n Max", which was a great presentiment of the many releases to come.
Daso was a unique character with a lovely sense of humour, and surprising quirks which could be like marvels to us. One moment, we would be worried just seeing him crossing a busy street and in the next, he would be rocking the stage with major self-confdence and the attitude of a real rock star.
In our history of Connaisseur, he defnitely was one of our most important
artists, and some of his best music was released with us. He played many label nights, and together we enjoyed uncountable laughs, discovered cities and countries while touring and collected invaluable memories.
It is the way of the world that we as a label eventually focussed on new artists, and Daso, too, embarked in new directions. We still stayed in touch, even though the gaps between our contacts became bigger with time. The frst time we realized that Daso was ill was in the frst quarter of 2016. We had invited him to our 10th anniversary party in Berlin, but he didn't feel well enough to be able to come. Shortly after this, he went to the doctor and was diagnosed with cancer. We were shocked. Daso was always such a positive person, it simply didn't add up for us that someone like him could get sick.
Obviously an irrational and unjust thought, but it just felt so unfair.
When he started chemo therapy I spoke to him on the phone, and my label partner Martin, who lives in Berlin, gave him a frst hospital visit early in summer of that year. A bit later we visited him together, and yes, he was optimistic, still full of humour and also motivated to pick up his career again as soon as possible. This impression was of course only from a distance, but I was delighted to see how confdently he presented himself on socials after all his treatments, and how after recovery he started playing gigs again.
At some point I realized Daso hadn't been active on his socials for a while, which concerned me. This was in the frst quarter of 2018. His last post on Facebook had been made on November 30th and I knew this couldn't bode well. After contacting some common friends I was told his prospects were not good. I was about to go on an Easter holiday but planned to visit him on my next monthly trip to Berlin. I didn't have the chance. On Easter Monday, April the 2nd, 2018 Daso passed away.
At Daso's funeral, which was on a wonderfully sunny day in late spring, his father came up to me and asked if I might be interested in releasing this album, which Daso had been able to fnalise in the last months and weeks of his life. We didn't decide on doing so lightly, knowing that the release of a post-mortem album can bring up certain issues. However, in the end, we agreed to do it, as we sincerely strive to create a fnal memento for Daso's musical legacy.

The self-titled album Daso will be released on April 5th, three days after the first anniversary of Daso's obit.

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14,83 €
Ady Suleiman - Thoughts & Moments Vol. 1 Mixtape
  • A1: You Make It Better
  • A2: Been Thru
  • A3: Weed Gunna
  • A4: Voice Note #1
  • B1: Strane Roses
  • B2: Best Friend
  • B3: Something To Say feat. Frankie Stew
  • B4: Outro

Recorded in Stockholm and produced by FAMILY_TIME and Maths Time Joy, who produced 'Best Friend', the mixtape follows the release of Ady's critically acclaimed debut album, 'Memories' in March 2018. Having worked on his debut album for some time, Ady wanted to release a collection of songs, ahead of writing and recording his second album.

A deft songwriter and a singer with soulful brilliance, Ady Suleiman has a rich era-spanning appreciation of music, and an innate need to turn life experiences into narrative. His timelessly classic yet fresh sound and lyrical distinctiveness has garnered him a broad range of influential fans from both sides of the Atlantic - from Chance the Rapper, Leon Bridges and Joey Bada$$ through to Labrinth, Michael Kiwanuka, Laura Mvula and Lianne Le Havas. Awarded 'Breakthrough Act of the Year' at Gilles Peterson's Worldwide Awards, Ady has been supported by the likes of The Fader, NME, Complex, The Line of Best Fit and Mahogany to The Independent and GQ (to name but a few).  

A collection of songs which originated as voice memos on his phone, Ady comments, 'I wanted to make a project that is a bit more free, I originally wanted to do an interludes or outtakes project, but over time it changed form. 'Thoughts & Moments Vol 1' is the result."

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16,68 €
Daniel Avery - Song For Alpha Remixes - One

Daniel Avery broadens the exquisite sonic universe established on last year's critically-acclaimed sophomore LP Song For Alpha, presenting the collected B-sides & Remixes. Showcasing cuts from the album's writing and recording process, as well, Avery also invites a number of his contemporaries and some of the most vital underground producers in the world to rework his original material, with transformative results.

The frosty melancholy of Citizen // Nowhere is reworked by London producer Manni Dee into something altogether monstrous. Introducing itself with a kick drum powerful enough to level a warehouse, and only getting more urgent from there forward, Dee's remix blends a knowing rave glint in the eye with a nonetheless uncompromising stance.

The Copenhagen-via-Moscow producer Anastasia Kristensen immediately justifies her status as a rapidly rising talent on the scene, locking into a delicate yet no less powerful groove for her sparkling remix of Glitter. Seamlessly heightening the almost meditative qualities of Avery's original, she weaves a blissful rhythmic trip, taking in razor-sharp percussions and spectral dub techno.

A longstanding fixture on the Midwest US rave scene, Patrick Russell applies his typical grit to 'Song For Alpha's firmly dancefloor focused centrepiece, Diminuendo. In subtly shifting the focus to the track's passages of overwhelming feedback, he sculpts a black hole of snarling electro and piston-like breaks, sure to prove an inviting wormhole to those willing to surrender further, deeper and darker.

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8,78 €
Lvrin / Maoupa Mazzocchetti - Split Ep

Lvrin/Maoupa Mazzocchetti

Split Ep

12inchARMA020
Arma
26.03.2019

Following Releases From Rude 66, Vakula And Mick Wills, Arma Continues To Explore The Dark And Wild Corners Of Contemporary Machine Music Via A New Split 12' Featuring Lvrin And Maoupa Mazzocchetti.

Lvrin Has Previously Released On Pinkman, Crimes Of The Future, Mrt And Sign Bit Zero. He Occupies A Sound World Where Blown Out Boxes Spit Out Gnarled Beats And Slimy Basslines Through An Overdriven Desk, With The Ghosts Of Post Punk And Industrial Looming Over His Nocturnal Incantations.

Maoupa Mazzocchetti Has Been Weaving Defiantly Unconventional Strains Of Electronic Music Since First Emerging On Unknown Precept And Mannequin. He Delivers Three Rugged, Body-poppin' Grooves To The B Side, All Laden With Madcap Sampling And Mischievous Synth Splashes That Proudly Stray From Established Norms While Still Holding Down A Solid.

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7,94 €
LAKKER - ÉPOCA

Lakker

ÉPOCA

12inchRS1903
R&S Records
21.03.2019

Lakker Return To R&s With Their Stunning New Album, Época. Following 2016's Conceptual 8 Track Maxi-ep struggle And Emerge' (using Field Recordings Of Tv And Radio Broadcasts From The Dutch National Av Archive) Época Is A Bracing Return To Form, Combining Caustic Electronics With Fresh Inspiration From The Prepared Piano Of John Cage, Plaintive Folk Melodies, The Explorative Label Sublime Frequencies And The Raw Rhythms Of Kampala's Nyege Nyege Tapes. 

Following A Restorative Creative Break To Pursue Their Own Solo Projects (as Arad And Eomac Respectively) The Duo Finally Returned To The Studio, Finding Themselves Working More Closely Than Ever Before. "we Wrote This Record Together, In The Studio As A Duo." Ian Explains "previous Records Involved A Lot Of Time Working On Tracks Individually, But Época Was Written Almost Entirely Together In The Studio - It Felt Much More Fun, More Organic And Democratic." We Allowed It To Happen Rather Than Push Or Pressure It" Dara Adds.

The Natural Evolution Of The Tracks And Their Rougher, Looser Production Sound Parallels The Duo's Interest In Two Separate Ideas: Ambient And Natural Sound, Especially The Background Noise - A Sense Of Time And Place - That Is Inherent In Old Recordings Of Folk And Classical Music, And An Interest In Herd Dynamics And Flock Patterns / Murmurations, Both In The Natural World And In Human Society. The Movements Which Affect The World At Large Through Cultural And Political Shifts. "like The First Starling That Causes A Wave In A Murmuration," Ian Explains "we Are Really Interested In How This Is Also Reflected In Human Society - A New Idea Appears And Then Reaches Critical Mass And Resonates Through Society As A Whole, And Change Happens (positive Or Negative)."

The Rich And Deep Work Of Época Finds The Duo Reinvigorated From Their Hiatus, Using Their Own Voices Extensively For The First Time, Alongsides Regular Vocal Collaborator Eileen Carpio. As Dara Explains "we Had Been Experimenting With Our Own Voices In Our Solo Music, So It Felt Like This Was The Moment To Step Out From Behind The Curtain And Put Our Own Vocals Front And Centre In A More Natural Way". This Leads To An At Times More Melodic And Poppier Feeling, Balanced Out By The Off Kilter Rhythms And Blasts Of Feedback And Weathered Reverbs That Intertwine Throughout The Record. 

Once Again The Duo Look To The Outside World For Sonic Inspiration. Alongside The Use Of Physical Modelling Synths The Album Contains Recordings And Samples Of Violin, Guitar And Bodhrán, The Stringboard Of A Piano At Ems Stockholm, Phone Recordings Of Family Gatherings In Dublin And 1970's Dance Music From Jaipur. 
  
'época' Is A Rich, Challenging Album Of Diverse And Intense Soundscapes That Expands On The Scope Of Lakker's Already Multifaceted Music That Finds Them At The Peak Of Their Artistic Powers.

'we Are Living Through Volatile Times, And As Musicians It Is Impossible To Avoid That Being Reflected In Our Work. Época Is A Our Personal Response To The Atmosphere Of These Times And The External Political And Cultural Events That Are Shaping Our World. Some Positive And Hopeful, Some Despondent And Angry, And Some Reflective And Introspective.' 

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21,81 €
Rian Treanor - ATAXIA

Rian Treanor

ATAXIA

2x12inchZIQ405
Planet Mu Records
19.03.2019

Rian Treanor will release his anticipated debut album 'ATAXIA' on Planet Mu this March. The striking full-length follows singles for The Death Of Rave and Warp's Arcola imprint as well as live sets at Boilerroom x Genelec, Nyege Nyege festival, tours in India and various high profile EU shows.

The title 'ATAXIA' means 'the loss of full control of bodily movements' and relates to Rian's music which is 'intended to make people's bodies move in unpredictable ways.' He adds 'the angles in the letters, the phonetics seem to mirror the geometry and idiosyncratic patterns in the music.' Rian explains that components of the tracks were made by generating a series of irregular events and re-structuring them, or by destabilising a pattern that is constant.

When asked how the album compares with his previous releases, he says 'My earlier EPs share a similar interest in angular and asymmetrical rhythms that are designed for club sound systems,' adding 'they were more improvised, focusing on sequencing and pattern modulation, using standard drum sounds and synthesiser patches. ATAXIA is more focused and stricter, it's more co-ordinated in terms of the track selection and the rhythmic structures. I spent more time refining the synthesis and sound design, pushing it further than the previous releases.' He expresses an interest in exploring opposites in his music: 'fluidity and syncopation,' 'systematic and unpredictability,' 'reduction and extremity,' 'irregular symmetry,' 'easy listening and brutal'.
There's clear a conceptual backdrop, but the music itself is not overthought. There's an immediate joy to much of the album - check out ATAXIA_D3 with its wonderful cut-ups and modulations of the phrase 'people don't understand people.'

The roots of Rian's playful sound are directly linked to his love of the music he grew up with. Coming from Sheffield, you can hear elements of industrial, synth-pop, bleep, extreme computer music and speed garage at play. From Cabaret Voltaire to Warp and beyond; the sound of his city has been, and is, an integral part of his musical development and is still a direct influence.

Last year, he noted in an interview that "I'm not a computer programmer, I'm not an articulate person in that kind of way. I'm a visual artist." Now he elaborates 'I meant more that I'm a visual thinker.' Drawing and visual art have been a fundamental part of his life 'since I was a child. I got really into graffiti as a teenager and around the same time I got into mixing and these both developed together.' You can sense the mind of a visual artist at work in his music which is also reflected in the artwork he created for this project.

As well as his visual art, installations and multichannel sound works he is involved in numerous collaborations such as with composer Nakul Krishnamurthy exploring the common ground between Indian classical music and electronic music and his work with improv saxophonist Karl D'Silva, plus his time studying with Lupo at Dubplates and Mastering in Berlin (who taught him the 'importance of reduction') have all helped shape and push his sound into other unique and adventurous zones. Treanor is developing on different levels and in different forms all at the same time, re-imagining the intersection of club culture, experimental art and computer music, presenting an insightful and compelling musical world of fractured and interlocking components.

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22,65 €
Konrad Wehrmeister - Radiation

Konrad Wehrmeister

Radiation

12inchHUNDERT104
Hundert
11.03.2019

Yeah, we get it: You cant technically be clinically paranoid if everything youre afraid of is actually happening. Its been a few years since we were scared shitless of letting cell phones anywhere near our crotches and suddenly, the electromagnetic waves mess with our brains big time. Lets not beat around the bush here, its all true. Your thoughts are being supervised, the government even has taken complete control over them, all while your moral compass is spinning at 78rpm like a broken shellac. Its bad, it feels weird and just so wrong. It doesnt even pay well, for fucks sake.
We know, we know: You need a remedy and you need it, like, yesterday at the latest. What we can offer for now is Konrad Wehrmeister from Munich, whose handcrafted alpha waves will interlock with your brain activity and set your will free by taking it over - it hasnt been yours for a while now, after all. Wehrmeisters pummeling techno is the B2B (business to brain) or even B2B2B (business to brain to booty) solution your sorry existence needs in these dire times, and he will professionally lead you to your destination with a little splash of »Radiation« to fire you up. Hes done it for Public Possession, hes done it for Ilian Tape. He can do it for you, if you trust him enough.
So please come and join us in eternal dispersion. RSVP by the complete loss of your sanity.

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7,52 €
Paul Weller - True Meanings

Paul Weller

True Meanings

2x12inch0190295635947
Parlophone
26.10.2018

To put it simply, 'True Meanings', the fourteenth Paul Weller solo album, the twenty sixth studio album of his entire career, is a record unlike any he has ever made before.

'True Meanings', is released on September 14th and is an album characterised by grandiose-yet-delicate, lush orchestration: an aesthetic to which Paul's better-than-ever voice, singing some of his most nakedly honest words, is perfectly suited. A dreamy, peaceful, pastoral set of songs to get lost in, it is both an album that a lot of his faithful audience have been wanting him to make for a long time, and an album that many new people outside of that audience will relate to.

On the 25th May this year, Paul Weller turned 60: a milestone that has unquestionably had an impact on the feel, both lyrically and musically, of 'True Meanings' which comes across being the most singer-songwriter-style album he has ever made. However, it is also the most collaborative: with more guests than any record he's been involved in before.

As well as all the members of Weller's band, Rod Argent of the Zombies provides Hammond organ on 'The Soul Searchers' and piano and Mellotron on 'White Horses'; folk legends Martin Carthy and Danny Thompson add picked guitar and double bass respectively to 'Come Along'; Little Barrie plays lead guitar on 'Old Castles'; Lucy Rose sings backup on 'Books'; and 'Movin On' is the result of a 'scratchy demo'on Paul's phone that was sent to Tom Doyle of the White Label project. Even Noel Gallagher makes a sneaky appearance.

Perhaps most surprisingly of all, especially given how personal and introspective 'True Meanings' feels, lyrics for four of the fourteen songs here were written, to Weller's melodies, by others. Connor O'Brien from Villagers came up with the words to opener 'The Soul Searchers', while 'Bowie', 'Wishing Well' and the closing 'White Horses' are all the work, lyrically, of Erland Cooper from Erland & The Carnival.

'True Meanings' was produced by Paul Weller except 'The Soul Searchers', which was co-produced by Paul and Conor O'Brien and 'Movin On' which was co-produced by Weller and White Label. The album was engineered and recorded by Charles Rees and mixed by Jan Stan Kybert.

The album was recorded in just over 3 weeks at Paul's own Black Barn Studio, with the aforementioned, revolving cast of characters dropping in for a day here and there. The orchestration was added soon after, and that was that. It is always a good sign when the recording of an album is swift, and here you can just hear that the man at the centre of these songs is as focused and inspired - more inspired, even - than he has ever been.

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33,57 €
Peter Gordon - Eighteen

Peter Gordon

Eighteen

12inchFM016 / 169401
FORRINER MUSIC
23.10.2018

The New York Downtown Producer/Composer Returns With His First New Album In 3 Years

EIGHTEEN: the year of release, 2018. EIGHTEEN: the age at which I first used a synthesizer.

In creating EIGHTEEN I worked independently in the studio, initially building up tracks with synthesizers and found sounds recorded in my daily comings and goings. After working with the tracks over a period of months,I shared them with a few musicians, who added their own instrumental layers. Though working independently, we all shared a similar working process: working in our personal recording spaces, as opposed to larger recording studios.

The musicians are: Gabe Gurnsey (drums) of Factory Floor, with whom I collaborated on the Beachcombing EP and performed live at London's ICA. I appear on Gabe's newly released album Physical;

Larry Saltzman (guitar) has played in my Love Of Life Orchestra since the 1970's. Well-known for his work with Arthur Russell ('Kiss Me Again', Flying Hearts), he is in high demand in NYC by acts such as Simon and Garfunkel;

Paul Nowinski, (bass) has played with LOLO since the 1980's. Paul has an impressive list of credits, including Les Paul, Keith Richards, Bernard Purdie and the Boston Pops; Matt Mottel, (electric piano), is the newest addition to the Love Of Life Orchestra. He is half the duo Talibam!, a leading act in the noise jazz scene; Lewin Barringer, (guitar), is a talented guitarist and producer in Philadelphia.

After mixing the final tracks, I brought the mixes to Berlin. There I worked with the brilliant mastering engineer Mike Grinser who helped to give the album a unified sound.

I think of this album as electronic music. It was created in my home studio, using analog and digital synthesizers, found sounds recorded on my phone, and instrumental parts contributed by friends. Finely crafted melodies and harmonies are set against subway noises, street construction, and distant foghorns. Sometimes there are sustained clusters, generated by my leaning against the keyboard. Deliberateness paired with randomness: this is what guided the artistic process.

This album is atypical for me as I am not playing saxophone. (I do play one reed instrument - a harmonica.) I grew up with the sax as my primary instrument. Yet my father was a radio journalist so the reel-to-reel tape recorder was a ubiquitous presence in the family home. From an early age,

I experimented with the tape machine: recording, overdubbing and splicing tape. I learned about Varese from Frank Zappa liner notes; I read John Cage's 'Silence.' Electronic music was on my radar.

My first exposure to an actual synthesizer came when I recorded my first single at the fabled Sound City Studio in Van Nuys, CA. The studio had a custom Neve board, but it also had a firstgeneration Moog modular synthesizer sitting unused in the maintenance room. I asked and they kindly let me experiment with it. Soon, I enrolled at the University of California - San Diego after I discovered they had separate studios for their Moog and Buchla systems. These large modular synthesizers were affordable then only by institutions and rock stars. But these would be soon eclipsed by smaller, cheaper synths in the 70's and early 80's. In the same way, recording studio technology became accessible in the 90's. . And thus the personal computer and digital audio allowed studio quality production in the home studio. Electronic music had become democratized.
Handmade music by way of digital technology: this is the music of EIGHTEEN

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22,23 €
George Guzman - Introducing George Guzman

It Was 1968 When Fania Records President, Jerry Masucci, Received A Phone Call From Conguero George Guzman, Inviting Jerry To Listen To His Band. Jerry Turned The Project Over To Harvey Averne, Who Later Reported To Jerry That The Band Was 'out Of Sight' And Suggested That Masucci Sign Them Up. A Short Time Later, Things Became Complicated For George And His Band. First Of All, The Lead Singer Was Drafted Into The Military, Leaving George High And Dry. By The Time A Replacement Was Found, George Learned That His Trumpet Player Was Leaving To Join Another Orchestra, So The Search Was On For His Replacement. One Problem Led To Another And Before You Knew It Several Months Had Gone By Before George Was Finally Ready To Enter The Studio And Begin Recording. Thanks To George And Harvey's Perseverance, 'introducing George Guzman' Was Released In Time For George To Join The Fray Of Boogaloo Bands That Had Brightened Up The Night Scene In New York City In 1968.

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25,84 €
Takashi Kokubo - A Dream Sails Out To Sea (Get At The Wave)

Takashi Kokubo - A Dream Sails Out To Sea (get At The Wave) (lagrec003)
Recorded In 1987 As Promotion For A Luxury Air Conditioning Line, Takashi Kokubo's Balearic Gem A Dream Sails Out To Sea Gets First Ever Official Release From Lag Records, Complete With Previously Unheard Music.

Originally Only Available As A Sought-after Promo By The Name Of Get At The Wave, Takashi Kokubo's Mini-masterpiece Of Halcyon Mastery Finally Re-emerges For The First Time Since 1987 With A Remastered Vinyl Edition Courtesy Of Uk Label Lag Records.

A Dream Sails Out To Sea (get At The Wave) Comes Not Only With A New Title, But Also A Brand New B-side As Taken From Get At The Wave's Original Recording Sessions. Never-before Released, The Epic Ocean Breeze Makes The Perfect Companion For The Sonic World Kokubo Created With His Original Release, Imbued As It Is With The Same Serene Sense Of Understated Beauty.

The Original Story Of A Dream Sails Out To Sea Is As Interesting As Kokubo's Own Backstory As A Musician And Sound Artist. Originally Composed To 'soundtrack' A High-end Air Conditioning Line From Japanese Electronic Giant Sanyo, The Album Was Meant To Transport The Consumer Into A Paradise Far Away From The Heat And Hurry Of Urban Life. One Listen To Something As Splendorous As Underwater Dreaming, And It's Mission Accomplished.

Takashi Kokubo Meanwhile Is A Musician Whose Work, Without Many Knowing It, Has Perhaps Touched The Most Lives In Japan. Composer Of Environmental Music Such As Nationwide Phone Alerts To Warn Of Oncoming Earthquakes, And The Fruitful Jingle Of A Standard Contactless Payment, Kokubo's Oeuvre Also Includes Anime Soundtracks And Works In The Avant Garde Realm.

It Is With Kokubo's Blessing And Original Masters That The Lag Records Release Has Been Made Possible, With A Remastering Courtesy Of Jerome Schmitt At The Airlab. A Dream Sails Out To Sea (get At The Wave) Also Comes With New Artwork By Ella Mclean In A Standard Sleeve On Clear Blue Vinyl Lp.

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20,97 €
Ed Sheeran - X LP 2x12"

Ed Sheeran

X LP 2x12"

2x12inch2564628587
>UK / England
24.08.2018

Set for release on June 23 via Asylum Records, x (multiply) is the hugely anticipated new album by Ed Sheeran.
It follows his critically acclaimed and hugely successful 2011 debut +; an album that was certified 6 times platinum in the UK alone and has achieved worldwide sales of over 4 million copies to date. It also saw Ed asthe recipient of various awards for the record, including 2 Brits, an Ivor Novello and multiple Grammy nominations.
Never an artist to stand still, Ed recorded x at various locations around the globe (all the while drawing on experiences and influences encountered on his over three years of unrelenting touring) with such luminary producers as Rick Rubin (Eminem, Jay-Z, Red Hot Chilli Peppers), Pharrell Williams (Daft Punk, Robin Thicke, N.E.R.D), Benny Blanco (Rhianna, Wiz Khalifa) and Jeff Bhasker (Alicia Keys, Jay-Z) adding new flavours to the classy work of key collaborators Johnny McDaid (Snow Patrol) and Jake Gosling (who produced +). xhas the musical ingredients to make it one of the most important global releases of this year.
The new set showcases the exponential growth (both vocally and musically) of an incredible artist, who at 23 exhibits the poise of a seasoned veteran. The songs for x came together whilst touring + and, in the same way as the latter was a snapshot of his life and relationship to-date, x charts his loves and life since. Only 'One', the perfect album opener and first song written for the record (in 2011 whilst on tour in Australia) looks back to that time and is the link between the two records. With 'One' under his belt, almost before he noticed he was writing, Ed had ten new songs and counting.
The breath-taking album-closer 'Afire Love' was written about his grandfather who passed away last Christmas. 'Always the hero of the family - such a cool guy - he'd been suffering with Alzheimer's for some time and I actually started writing that song two weeks before he passed away," Ed says. "I was thinking 'What if' and then he did...' Then there is the timeless ballad 'Photograph' written in May 2012 in a hotel room in Kansas whilst on tour with Snow Patrol. McDaid had a piano loop playing on his laptop while Ed was making a Lego X-wing Fighter to give to a charity auction. He just started singing as he put the pieces together and the song grew from there. 'Don't' started life as a riff on his phone and grew into another of x's massive moments. The deluxe version of the album also includes the original song, 'I See Fire', which Ed wrote, produced and recorded for the second Hobbit movie. This was after Academy award-winning filmmaker Peter Jackson personally commissioned him. With no promotion besides 3 tweets from his personal twitter account, it reached #2 on the UK iTunes chart.
However it's the Pharrell-produced lead single 'Sing', due out in the UK on June 1, that's pushing the envelope for Ed. #Sing was the number one trend on twitter globally ahead of launch with the track immediately tearing up airwaves nationwide including a 7-week add to Radio 1 and an unprecedented addition straight to the Super Hit list at Capital FM and Kiss Network. The audio upload on YouTube was Ed's biggest ever video launch, clocking 650k views in its first 24 hours. Already i-tunes Top 5 in 15 different countries (number 3 in the US), Top 20 in 36 countries and with all chart positions climbing, 'Sing' is well on the way to being a global smash.
On the back of 'Sing's' launch, x reached No.7 in the UK iTunes chart on pre-order alone with that success mirrored internationally with No.1 positions in the US and Canada, Top 5 in New Zealand, Sweden, Australia and Top 10 in 20 countries.
'I'm really proud of my new album and can't wait for people to hear it.' Ed says. 'It's definitely my best work.'

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26,80 €
The Fizz - State Of Emmergency

The Fizz

State Of Emmergency

12inchFVR146LP
Favorite
28.06.2018

Favorite Recordings presents this new official album reissue of State of Emmergency by French band The Fizz: A real underrated, complete and intriguing album, originally released in 1986 as a private-press LP and quite hard to find in good conditions nowadays.

The Fizz is mostly the result of Patrick Jouanneau, a French musician, composer and producer who's still active today. He remembers: In the early 80's I had a recording studio allowing me to easily fulfil my desire to create songs. It was then that I began to compose and write songs, in French or in English in this case. State Of Emergency (spelling on the LP is a mistake), is born from a fierce will on my part, and the other four have followed, but it was not easy, the musicians, you have to get them out of bed! I have to say that Richard Larozé, the pianist, was a very strong guy with harmonies, and has somewhat changed my first version, much more oriented in Soul and R&B.'

And when asked about his main influences, Patrick says: It's always difficult for me to speak about influences, out of respect, and humility especially, but they nourished us and nourished this project, Stevie Wonder, Al Jarreau, Earth, Wind & Fire, and so on, were and still are important to me and this was the case for the entire FIZZ group.'

At the end, State of Emmergency by The Fizz is a very interesting and brilliant album with great inspiration in melodies and compositions. And who knows, listening to the title "A So Called Being", it could even have inspired a certain King of Pop'...

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16,35 €
Proc Fiskal - Insula

Proc Fiskal

Insula

2x12inchHDBLP040
Hyperdub
12.06.2018

Joe Powers is from Edinburgh, far outside the network of the Grime capital of London. His caffeinated productions as Proc Fiskal are faster than usual, with many clocking in at 160bpm. 'The Highland Mob', his 2017 debut EP, opened up his music to open-eared footwork and drum'n'bass fans as well as the grime crowd. After following that up with a jungle-inflected EP on Cosmic Bridge, 'Insula' switches the feel and intention towards a personal, and melodic music with one foot in Grime, infused with often comic, often wistful recorded moments from his environment. He says 'I wanted to be aware of where the music is coming from, referencing things I'm presently experiencing, like making Grime, my Radar radio show, phone addiction, alcohol, my surroundings, girls, depression, positivity, being unemployed, being employed and hating it, my friends etc. Trying to be true to myself instead of relying on other peoples' nostalgia, and focusing on now.'

The record is a huge leap in vision, with delicate, pointillist melodies and intricate edits reminiscent of Grime producers such as Terror Danjah. It also resonates with Japanese video game music like that recently explored on the 'Diggin' In The Carts' compilation.

'I think I probably make tunes to get out emotions I don't express in day-to-day life. I used clips of my friends talking, drunk folk, and general Scottish life to preserve and represent what my experience is like right now, like a time capsule. Social media notification sounds are designed to release serotonin, which is what I'd like my music to do, to make me, and other people happy, and in using these manipulative noises in a positive way, I like to think I'm taking back the power of the manipulation.'

Proc Fiskal is adventurous and thoughtful as a producer, and at the young age of 21, his debut album is very advanced in its ideas and execution.

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16,77 €
S S S S - Systematic Suspense

S S S S

Systematic Suspense

12inchLXRC33
LUX REC
09.05.2018

XRC33 is the second installment of the Unsung and Defeated series. Music comes from S S S S, another local act, based in Lucerne. Five industrial cinematic soundscapes, eerie noises building alarmed state of minds. From most subtle to crushing and pounding. A systematic suspense that transforms itself into a systematic destruction.

Mixed by Robert Grimmer at Phonetia Studio Mastered by Andrea Merlini
Executive Producers Cosmo & Faber Pressed at Record Industry

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2,94 €
Bad Stream - Bad Stream

Bad Stream

Bad Stream

2x12inchANTIME020LP
Antime
16.04.2018

Having grown up with and on the internet, Martin Steer (1986) has transformed its pull into a concept album that is just as immediate and intangible as the digital world. Bad Stream is guitars and machines vanishing in the spaces between Radiohead and Nine Inch Nails only to reemerge amidst Ambient, Noise, and Drone. Bad Stream, then, is his modus operandi - a hybrid soundtrack to the feelings of resignation, isolation, and cynicism within neoliberal cyberspace and to that strangely numbing comfort of bodies transmuting into zeros and ones in real time.
'I look at my phone even when I play guitar,' says Martin Steer, 'and that isn't even entirely voluntary. The 2010s really changed my perception of how digital technologies and social media affect me as a musician. Through Bad Stream I want to make sense of this particular kind of anxiety, and to use sensory overstimulation as a way to develop an independent and progressive musical language.'
The past seven years took Martin and his laptop and guitar from Berlin to Mexico and Nepal and, as a founding member of Frittenbude, into the German charts and to various festival stages. And yet, Bad Stream is a true 'Berlin album,' out of Friedrichshain, Neukölln, and Kreuzberg and will be released on Martin Steers own label ANTIME. It was recorded with real drums and programmed beats, with shoegaze guitars, acid baselines, piano, smartphone synths, violins, field recordings from the darknet and his voice, whose hopeless timbre conveys reflections on systems, the future, drugs, people, and his own place. In his ever expanding A/V live shows and in the music videos, this is supplemented by complex visuals.

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19,45 €
Mokona - Love In Restricted Areas

Dutch artist Mokona returns to Templar Sound for his third release on the label with 'Love in Restricted Areas', described as being set in a private laboratory complex deep inside a forest, recorded during the summer after long nights of medical research.

* 'Love in Restricted Areas' continues the lush and serene soundscapes explored on 2015's 'Breathless' EP, while mixing more club friendly tracks like 'Perfumed Steel' and 'A.N.G.E.L. Guard System' with the meditative as found in 'Heart Sync' and 'Natalie's Aquarium Lab'. With a strong cinematic feel permeating throughout, and having taken his name from a character of the manga xxxHOLiC, which explores Japanese mythology and culture, it makes perfect sense that a track like 'Cupid's Bow' feels like it could have been lifted from a Studio Ghibli soundtrack.

* Though hard to pin down to a single genre, Mokona has produced a beautifully layered record that is just as fitting for head phone listening as the chill out room.

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7,52 €
The Crispies - Fake Leather

The Crispies sind Tino Romana (Gesang), Rob Wolfe (Gitarre), Parsa Sarraf (Bass) und Peter Ferdinand (Schlagzeug). Die Band wurde nach Schulabschluss 2014 in Wolfes Keller gegründet, teils aus Perspektivlosigkeit, teils aus Spaß. So speist sich auch ihr Selbstverständnis aus der Spannung zwischen Langeweile und Exzess, zwischen Selbstironie und der Ernsthaftigkeit von Rock 'n' Roll Klischees in Lederjacken und zerrissenen Jeans. Fragt man die Band selbst, so vergleichen sie ihre Musik gerne mit analoger Fotografie: spontane Momentaufnahmen, manchmal schön, manchmal etwas kaputt. Ihr Debütalbum "Death Row Kids" erschien im Oktober 2016 auf Seayou Records. Ihr zweites Album "Fake Leather" erscheint im März 2018, ebenfalls auf Seayou Records.

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18,45 €
Kellen 303 - Whb Ep

Kellen 303

Whb Ep

12inchLDN073
Keysound
20.03.2018

One year into his music production career, WHB' is the startling debut release from Brooklyn's Kellen303. A unique hybrid, the tracks are inspired by goth rock/industrial, footwork and vogue music. It's perhaps a happy but unlikely accident that they also fit into Keysound Recording's dark, rolling UK sound. Across five tracks, four cut to vinyl, Kellen303 maps out his unique but bleak vision. The title track, a relentless volley of thunderous kicks, samples a phone interview Kellen303 held with a grime MC close to Keysound's hearts. 'What's Happening Brotha' is titled such because these songs were made at a very dark time in my life,' he explains. I decided to turn my anger and frustrations into music.' There is also a visual/thematic component to my music. Specifically, within the world of 'Planet X.' Where 'Planet X' is a song about going war, the Interstellar mix is song about traveling to that war in suspended animation. The song take place in a dream state where thoughts, emotions and images from the day are passing in and out of the subconscious.' As his thoughts suggest, Kellen303 is also an intensely visual person: outside DJing, he's a filmmaker and screenwriter. He also co-founded Transit FM, a vibrant American web radio station. The EP also features a vocal from Bronx based Afro-Dominicano MC, Rainey.

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9,62 €
Carlton Jumel Smith & Cold Diamond & Mink - I Can't Love You Anymore

"I Can't Love You Anymore" is the first single by hard working soul performer Carlton Jumel Smith recorded with Cold Diamond & Mink, and the man has revealed his middle name just for the occasion. Otherwise known simply as Carlton J. Smith, there's no doubt he has swallowed a large pill of soul since seeing James Brown live at the Apollo Theatre as an 8-year old.

Smith's Timmion debut single sinks him into drum heavy southern flavored deep soul, a style that comes out of him naturally as water from a mountain spring. Backing him up on the falsetto parts is Pratt, who recently turned some heads with his Pratt & Moody release "Lost Lost Lost" on Stylart Records, and together the two basically NAIL IT.

When looking for artists, who just seem to move through time effortlessly with a steady air of confidence, passion and precision, one might pick up the phone and give CJS a call. Even though his discography of couple of late 2000's albums and some guest spots in early 90's soulful house 12"s is a bit mysterious, there seems to be not one bit of difficulty to his craft or personality. As a recording artist, "I Can't Love You Anymore" is a new opening into raw soul territory, and it is just what the world needs today. He laid down an album worth of tracks on his last Helsinki visit, and this might be something to look forward to.

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7,10 €
Neversleep (moiré) - Bboy Edits 01

Neversleep(Moiré)

Bboy Edits 01

12inchCEE001
C.E.E.
15.01.2018

In recent years Moiré has become an integral figure in re-imagining club music. The enigmatic artist has travelled a note-perfect path and in just a few years has collaborated with fundamental record labels such as R&S, Werk Discs and Rush Hour. After his second and long awaited album "No Future" (Ghostly International, 2017), Moiré's "BBOY EDITS 01" is the first signing on C.E.E. The four track EP is comprised of unreleased material designed for the dance floor and provides continuity to his much prized Neversleep series. Club Excursionista de l'Electrònica (C.E.E.) is a moral, spiritual and cultural entity founded in 1875 in Vall de Camprodon. C.E.E. includes thousands of anonymous members who are organized into subdivisions and enjoy Sunday excursions into nature to end the weekend, where the joys of nightlife give way to clean air and mountain pursuits. C.E.E. can be described as "electronica folklorists", with a select catalogue of sounds from across the continent and beyond that represent an ethnographical journey through the most modern treatments of songs and popular dances practiced in clubs and tents all over the region.

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11,72 €
Dwight Sykes - On The Rocks LP

We are gonna call this one Dwight's Baby... "On The Rocks" Written and produced by Dwight Sykes for L.U.S.T. Productions. The album he would have released in 1980 is complete. Cell phone shadow photography by Dwight Sykes.

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19,96 €
Grad_u - Redscale 09

Grad_u

Redscale 09

12inchRDSCL09
Redscale
19.06.2017

Ninth instalment of Redscale. Grad_u with a masterpiece of dub techno. Vinyl only.

"Holdback", an unexpected twist of events for followers of Redscale, is actually a bold step forward in terms of pace and light. The enticing chords work like a magnet, and the potential of the lady on the mic is no lower than that one of a siren. The personal weapons of grad_u, the most powerful of which are the embracing loops, are of course out there, indicating the
producer's inner spirit and roots.

Picking up where "Holdback" left off, "Outwards from Laniakea" is a statement more rugged, yet as absolute as the message on side A. It's an invitation to put that jacket back to the
cloakroom, switch off that phone and let yourself go, again and again. It's, once again, a compelling statement against conformity.

***

Early support by DJ Deep, Cari Lekebusch, Jonas Kopp, Shlømo, Josh Wink, John Osborn, Echoplex, Don Williams, Wata Igarashi, Regal, Mark Broom, Marcus Intalex / Trevino, Ryan James Ford, Francois X, Albert van Abbe and many more... .

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Last In: 4 months ago
10,50 €
3kz - Not From Here

3Kz

Not From Here

12inchBALANS021
BALANS
18.05.2017

Having previously released on Z.I.P.P.O's Fides imprint, 3KZ now bring their powerful four tracker 'Not From Here' on Balans Records. 3KZ are Z.I.P.P.O and Kalean

The Dutch label Balans Records returns with it's twenty-first instalment to the series that have previously seen releases by Mike Parker, Drafted & ROD among others. This time Darko Esser's imprint presents a collaboration between Z.I.P.P.O and Kalean, under their 3KZ moniker. Having previously released on Z.I.P.P.O's Fides imprint, 3KZ now bring their powerful four tracker 'Not From Here' on Balans Records.

'Not From Here' opens the EP with its flowing grooves & eerie pads to create a beautiful techno track followed by 'Nature Of Motion' that offers an astral like immersion to the listener with its haunting melodic rhythms. On the flipside 'Circles' & 'Times' switch up the vibe in a more intense & playful mood, resulting in a finely balanced EP of atmospheric driving techno.

early supposrt
Luke Slater
'Great, thanks.'

James Ruskin
'Nature Of Motion for me, thanks!!'

Marcel Dettmann
'Thanks.'

Kristian / Ame
'Thanks.'

Rolando
'Wow killer stuff here, all tracks are dope!! Nature of Motion is my fav, great work!'

Dj Pete
'Great Italian Detroit techno.

Etapp Kyle

'Thanks.'



Sigha

'Lovely vibes, full of soul.'



Nuno dos Santos

'Beautiful release!! Love all tracks and thats pretty rare.'



Jeroen Search

'Go 3KZ go! A2 & B2 for me, very cool stuff!'



Ontal

'Thank you!'



Orde Meikle / Slam

'Thanks.'



Eric Cloutier

'Another beast of an EP from 3KZ & its always good to get a Balans promo.'



Kr!z

'Nice one, full support.'



Monika Kruse

'Great floating techno, love it!'



Arnaud Le Texier

'Not From Here & Circles for me, thanks.'



Jeff Rushin

'Cool release.'



Jeff Derringer

'I like it, good stuff!'



Mr. Jones

'Nice vibe on this EP. Like the energy and drive in Times.'



Leghau

'Great release. I really like A1, thank you.'



Robert Lamart

'Nice tracks, thanks!'



Angel Molina

'A side for me here. Great, timeless Mills-esque techno stuff, thanks.'



Mareena / Tresor

'Another winner by 3KZ, thanks guys. Holy shit, that ambient tune!!'



Phone

'Total support.'



Limo

'Love these guys, thanks.'



Joseph Capriati

'Downloading for Joseph Capriati, thanks!



Richie Hawtin

'Downloaded for Richie Hawtin.'

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8,03 €
Scarlett's Fall - Scarlett's Fall

The Band > SCARLETT'S FALL is a duo formed in 2014 by Ruth Childs (British-American performance artist and singer based in Geneva) and Stephane Vecchione (Swiss performance artist and musician based in Lausanne). They define themselves as dirty-girlie-kitchen-pop mixing catchy melodies and repetitive looping with fragile vocals and provocative texts. Out of their playfully ironic and poetic universe you can ear shades of CAN, Broadcast and Young Marble Giants. SCARLETT'S FALL toured their first album all over Switzerland and supported Tricky, Peaches and Anika.SCARLETT'S SCARED' is SCARLETT'S FALL ironically seductive second album. It all started with an (blue) demonstration vinyl entitled 'The Incredible Sounds of the Synclavier II' released by New England Digital Corp in 1981 to promote the first digital sampling system. Its content gave the basic atmosphere for the whole album: each of the 10 tracks samples a specific Synclavier sound. Add haunting melodies, mysterious vocals and fun beats and you get 'SCARLETT'S SCARED' complete. As the title suggests 'SCARLETT'S SCARED' is about being scared and takes its roots from vintage movies such as Klute (1971) and Metti Una Sera a Cena (1969) that deals with phone stalkers, insomnia, sexual tension, vampires, ghosts and explosive watermelon attack!

pre-order now02.05.2017

expected to be published on 02.05.2017

17,44 €
Superpitcher - The Golden Ravedays 3
 
2
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2[10,63 €]

4[10,63 €]


Musically and emotionally, Superpitcher's third full-length studio album, The Golden Ravedays is a one sound autobiography that exhibits the skill, feeling and depth of style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

And full-length it is:

The Golden Ravedays is an epic album of 24 tracks that was released in January 2017 and is stretching over 12 respective chapter albums during a one-year period by record label, HippieDance.
We are thrilled to bring you the third chapter of The Golden Ravedays saga, released in March 2017.

Number 3 of the series introduces two further tracks of the haunting sound adventure that Superpitcher is taking his fans on during 2017.

Side A features 1984.

It has nothing to do with George Orwell's magnificent book but it could remind some of how the apocalypse might sound one day.

1984 is as sweet as the very first track, Little Raver, of The Golden Ravedays album but it stresses the fact that even though Superpitcher produces music mainly intended for the dance floor, he creates sound that is bordering on the shamanic.

1984 might as well be the meeting of a group of supersonic bottlenose whales that are overly excited to see each other after being separated by many an ocean and moon.

Side B of this edition brings us Pocket Love.

Or shall we rather say, Side B gifts us Pocket Love

Because we believe this is nothing other than a gift to us all.

Imagine looking into a kaleidoscope and turning the dial and experiencing all those colors as pockets of love rushing your way and exploding in satin wonderment the moment they past your eyes and ears. Imagine how it must sound like if all the e mails, tweets, facebook posts, instagrams, pinterests, grandma's postcards, text messages, letters on rice paper, hearts scratched into trees, declarations of eternal loyalty written in sand, phone calls and videos of the whole universe were all messages of love stuffed into pockets and sent to you.

Imagine the treasure you will receive!

Imagine being one big ear drum and listening to the very energy that this love exists of - imagine it and you will find yourself inside Pocket Love.

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10,63 €
The Notwist - Superheroes, Ghostvillains + Stuff LP 3x12"

Remember how badly we wanted to join them and be part of those sea-faring adventures: Jack London’s The Sea-Wolf, classic TV shows based on his novel The Road, on Radu Toduran’s novels... back then, a couple decades ago, the titles of these shows alone were enough to trigger some strong gusts in our hearts, salty squalls perfect for imaginary downwind journeys we dreamed of with billowing sails. We wanted to cruise alongside albatrosses, seagulls, and fellow sailors. Floating high above a three-masted vessel, we watched our own adventures unfold far below, an imagined movie scene complete with a whole crew that worked the rigging, and all the rest. Cutting waves. Amidst the storm and stress of sounds hitting our eardrums far out in the ocean. Combined with the sounds of rotors, of tropics crossed, of marimbas and cabin wood pounded, of strange music spotted in the distance. And even though it was merely for an hour or two that we were rescued by that seal-hunting ship “Ghost,” as Jack London had it, plus, even worse, often found ourselves surrounded by villains: it was a great escape, for we’d successfully set sails – to new and exciting places.

Both around their own Weilheim shores and elsewhere, brothers Markus and Micha Acher have launched various musical vessels, bands and free-floating constellations over the past three decades – and yet: amid all these other speedboats and unlikely sonic barges, The Notwist has always remained the mother ship. This new album documents the latest live incarnation of this very band, which also features Andi Haberl, Max Punktezahl, Karl Ivar Refseth, and Cico Beck. Recorded on December 16, 2015 on the second of three consecutive, sold-out nights at UT Connewitz in Leipzig, Germany, "Superheroes, Ghost-Villains & Stuff" indeed feels like a first-hand live experience caught on triple vinyl. That’s why it’s the definitive album of The Notwist’s career.

Although there is one song that points to the early, “louder years” of The Notwist – “One Dark Love Poem” off the album Nook –, the rest of the night’s set sees the band perform all the major hits off Neon Golden, The Devil, You + Me, and Close To The Glass. However, these are different, organically enhanced versions, new interpretations and combinations that feel much more alive; thanks to Olaf Opal’s incredible mix, they sometimes even outshine the original studio recordings. Listening to "Superheroes, Ghost-Villains & Stuff" feels like watching these songs evolve and change, moving from one frame to the next, much like a baroque triptych.

What starts out like ‘wimmelbook’ imagery, the music soon folds and unfolds like a Moebius strip: Sans bottom or top, sans inside or outside, the inside becomes the outside and vice versa. It’s all about sonic interconnection, about music as entanglement, music as reconciliation. The rather majestic, cinematic (indie) pop and experimental, kraut- infused jazz, the spirit of the enlightenment and baroque playfulness, the traces of modernism and minimal music, dub leanings, hip-hop lessons, and even hints of house music: here is where they all come together, reconciled in a sound that’s both melancholy and romantic. And ultimately, the spirit of these songs is set free – and the band has released itself, is free at last.

As for the album title, it’s lifted from the song “Kong,” and encapsulates Markus Acher’s motto. Throughout the track, the water theme first appears as a dangerous threat: a force that’s strong enough to wash away an entire house; and yet the fluid state keeps transforming and eventually releases that sense of threat into something rather hopeful, a new musical beginning, a melodic departure that ultimately leads to euphoria and a renewed spirit of adventure. These are the strong gusts mentioned above, it’s the spirit of discovery, the urge to set sail together. The crew’s back at it, working the instruments, the rigging, with sails a- billow, launching the next voyage of discovery, assuming the East in the West and vice versa. And thus the adventure saga continues.

Pico Be (Das Weiße Pferd)

pre-order now14.10.2016

expected to be published on 14.10.2016

29,20 €
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