Suche:them

Styles
Alle
Magari / Ilija Rudman - M.A.D RECORDS 012

MAD012 has arrived! or as we’ve been referring to it the ‘M.A.D Garage’ EP. (as in Paradise Garage)

After receiving Magari and Ilija Rudman’s tracks within a short time of each other it felt like a perfect fit to pair them together. Both productions give a nod to the 80s House sound whilst expertly bringing the aesthetic up to date.

Magari has provided us with an eyes closed dub’d out groover and Rudman supplies a winding and weaving synthesised journey, giving a sonic glimpse in to his fully stocked studio.

It’s always been top of our list to work with the inimitable Mark Seven. His music is a staple of our sets and as many of you know, is somewhat of guiding light of our scene. Any fan of Parkway Records knows it’s always an exciting day when they announce something new, needless to say we are proud to present a Parkway Powermix on M.A.D.

Finally, our good friend, the extremely versatile Producer/DJ Manuel Darquart finishes off the record with a sublime rolling take on ‘Danceteria’. If somehow you didn’t know him already consider yourself informed.

Auf Lager

Bei uns am Lager und sofort versandfertig

14,24
Various - Echo Scapes. Clutch

MixCult Records is glad to introduce its new release, deeply curated various artists compilation that will take one journeying through resonant realms within Deep and Dub Techno. It boasts a lineup that features renowned artists such as Kirill Matveev, Genning, TM Shuffle, and Nicolas Barnes. Now this record offers four compelling tracks with rich sonic textures and emotive depths, characteristic of the genre.

A1: Eric Louis - Voice Memo Original: The first track, "Voice Memo" by Eric Louis, is purely an introspective personal record. Soft pulsations of the bass weave in and out of haunting melodic vocal samples to create an atmosphere that is strong and enduring.

A2: Kirill Matveev - Never Losing That Track Genning Remix: The second offering is Kirill Matveev's "Never Losing That Track", remixed with the masterly touch of Genning. The track builds on the core of the original with added layers of rhythm and heavenly synths soaring above the driving beat. It raises the energy a notch without losing the sophistication, with melodic elements perfectly laced into pulsating basslines. A track that makes the listener immerse themselves in the song: upbeat, yet wistful, so that listeners can get lost within the depth of the sound. The track is designed for those who love to dance at sunrise.

B1: TM Shuffle – Artist by the time the B-side gets underway, TM Shuffle brings the past to the present via "Artist", a rock-solid track now pressed on vinyla gain with some of the very best of strong dub techno sound which we love when mood-setters take over the dancefloors. This track invites introspection, drawing listeners into its depths as they explore the nuances of sound that define the dub techno genre.

B2: Nicolas Barnes - Outro: The "Outro" by Nicolas Barnes is a reflective, ambient conclusion to the journey. This track wraps up the listener in a soothing embrace of lush soundscapes with soft melodies. It's a meditation of the experience, with the stillness of quieted moments ringing deep. The spacious nature of the composition invites listeners into their reflection of this auditory voyage they've just embarked upon. Outro" - demurely deep, summing up the release and leaving its memory in a head long after it really fades. For sure, one of those tracks you do not want to forget while performing a warm-up set.

Every track represents a different exploration of sound, all combined to tell one story that resonates deep and with elegance. The vinyl release of the album is a must-have for any lover of immersive music, as it will invite listeners to get lost within captivating soundscapes.

collecting

Bestelle jetzt. Wir sammeln aktuell Bestellungen für eine Nachpressung.

14,24

Last In: vor 13 Monaten
Various - FIT003

Various

FIT003

12inchFIT003
Faith In Truth
22.04.2025

Mr. Fiel: "It's been a long-standing desire of mine to have an own-selected and released record. After the first digital release of Faith in Truth, I decided that the second would come out on vinyl. I am proud that I have such partners by my side in this circle as my musically well-known friend, Gnork, and the young titans oneeyedman and Peter Koren - I think we will hear more about them in the future!

A musical journey has been begun and the plan is to visit more stations in the future".

Auf Lager

Bei uns am Lager und sofort versandfertig

13,87
Zeitgeist Freedom Energy Exchange - INSPIRE // RADICALISE LP 2x12"

At the heart of this double album, and amid the intense internal struggle between creative instinct an artistic reasoning, Ziggy has identified two key themes: Inspire and Radicalise. It is within this duality that the 15 tracks of this new work, recorded between Berlin and London throughout January 2024, take shape. Throughout its creation, the crew enlisted a familiar pallet of materials, seeking those obscure and vintage music-making machines, meeting a myriad of percussion and drums with the new addition of electric guitar as the band ventures into disco / highlife inspired territories. bring this ambitious project to life, Ziggy enlisted a team of forward thinking musicians across Europe and the UK alongside old friends and collaborators from the grassroots in Melbourne, Australia: Lewis Moody (Energy Exchange Records), Szabolcs Bognar (Abase), Eric Owusu (Jemba Groove), and Tom Varrall (Jamie Cullum) form the core rhythm section alongside a hefty list of guest appearances (from the likes of Oscar Jerome & Tom Driessler) making this truly the most ambitious and diverse incarnation of ZFEX to date.

Auf Lager

Bei uns am Lager und sofort versandfertig

28,53
ANNELEEN BOEHME - EUNOIA LP

Anneleen Boehme

EUNOIA LP

12inchWERF271LP
DE W.E.R.F.
16.04.2025

Anneleen Boehme is a prominent figure in the Belgian jazz scene, known for her work as a double bassist across various projects.
Her virtuosity on the double bass was already evident in LABtrio, and her skill as both a composer and bandleader was showcased in Grand Picture Palace. Now, in her solo work, we experience Anneleen's genuine vulnerability, as she explores the deep connection with her ever-present companion: the double bass. Her music is a balm for the soul, and her playing is deeply moving, leaving no listener unaffected.

In this solo project, Anneleen Boehme pushes the boundaries of the double bass, striving to transcend them in all their forms. She places particular emphasis on the instrument's acoustic sound, subtly highlighting its rich, resonant voice. The music that warms her heart is at the core of this exploration: both her original compositions written specifically for the double bass, as well as solo arrangements of existing works and improvisations. Her passion for both jazz and classical music is beautifully expressed throughout. This is an embrace of the double bass, its deep tones, and pure musicality.

Eunoia is Anneleen Boehme's debut solo album, set for release on April 18th, 2025, and it is a dedication to herself.
"I wrote a story about who I am, about the path I've walked so far. About how the mind can drive you mad and how, amidst it all, you can find peace. I hope it will offer you the same. Sadness, joy, and comfort for your soul."

The double bass has the unique ability to convey our most melancholic emotions, and this album is no exception. Yet, its warm tones also offer a sense of healing and comfort. In most tracks, the double bass stands alone in its simple elegance, but in Fuga Ante Proelium, Anneleen's voice joins her instrument, adding a new layer to the musical experience.

Auf Lager

Bei uns am Lager und sofort versandfertig

21,43
PEARZ - PACIFICO LP

Pearz

PACIFICO LP

12inchBAP219
Bordello A Parigi
15.04.2025

‘Pearz is the evocative project of Italian-born, LA-based multi-instrumentalist Francesco Perini. His debut album, Pacifico is the culmination of a five-year journey through the cities that shaped him: Florence, London, and Los Angeles. Drawing inspiration from a mix of disco, electro, nu-jazz, and Japanese City Pop, Pacifico, reflects his eclectic musical evolution. The title, Pacifico—meaning “peaceful” or “calm” in Italian—embodies the album’s theme of the closing experience of his travels.

The album features collaborations with a diverse range of artists, including Kuntessa (East London’s DIY queen), Vanbasten (The voice of Roma’s suburbs) Natalie Findlay, Jules Apollinaire, Gimmy El Helou, David Bardon, Oscar Robertson, Ruari Meehan, Luca Landi, Fabio Ricciolo, Andrea Palombi and Jamie Allen.

Auf Lager

Bei uns am Lager und sofort versandfertig

22,90
Eddie Amador - House Music Dos (Doin' It House Style)

Eddie Amador returns with House Music Dos (Doin’ It House Style) a follow up to the classic late 90's anthem 'House Music'.

Eddie exploded onto the scene in 1998 by penning the infamous lyrics...'not everyone understands house music, it's a spiritual thing, a body thing, a soul thing.’ He set them to a hypnotic pulsating beat and the seminal dance classic 'HOUSE MUSIC' was born. 'House Music' went on to become a global hit and secured Eddie an album deal with Deep Dish's Yoshitoshi label. However, it was his next single 'RISE' which proved that Eddie was no one hit wonder.

Now he's back with a dbl header taking the House Music theme onto another level with 'House Music Dos (Doin’ It House Style)' & 'Househeads in Full Effect'.

Auf Lager

Bei uns am Lager und sofort versandfertig

14,92
Kerri Chandler - Lost & Found Vol.4

Kerri Chandler returns to his Kaoz Theory imprint with Lost & Found Vol. 4, the latest installment in his archive-focused series. A true pioneer of house music, Chandler continues to push boundaries, maintaining his legacy at the forefront of the genre.

With Lost & Found, Chandler delves deep into his vault, unearthing hidden gems and giving them new life. This volume features 'Since I Met You' featuring the late Michael Watford, the atmospheric 'Grandiose Garden' by Alopeke, 'Circles' featuring Natalia, and closes with the deep, driving energy of 'The Dark One.'

Auf Lager

Bei uns am Lager und sofort versandfertig

14,24
Jimmy J & Cru-L-T - Bach Again EP

Jimmy J & Cru-l-t are back on top form with two brand new old skool rave tracks! Bach Again see's them stepping outside their comfort zone to deliver a classically influenced and harder than expected A side. Flip to the B side for the more traditional J&C sound, and a full on euphoric vocal rave workout!

Auf Lager

Bei uns am Lager und sofort versandfertig

10,88
Mangiadischi - MD007

The needle drops, and with it, a fresh chapter in the world of re-edits comes to life. This electrifying

new EP offers four masterfully crafted tracks, each one a gateway into a distinct musical world.



From epic anthems to intimate grooves, these cuts promise to leave a lasting imprint on the dancefloor.



Vinyl-only, limited edition—this is not one to miss.



A1 - Rewind The Drill Step back in time with an epic late 80’s anthem that channels the power and

raw energy of a golden era. With thunderous beats and soaring melodies, "Rewind The Drill" is an

instant classic that bridges past and present with finesse and force.



A2 - Pizzichella An ode to Tokyo’s iconic 90’s Shibuya Kei movement, "Pizzichella" is a vibrant

tribute to a beloved scene. Melding playful nostalgia with modern production, it’s a kaleidoscope of

sound that’s as colorful as the streets of Shibuya themselves. A must-listen for fans of cross-cultural sonic adventures.



B1 - Jara Sevo Immerse yourself in the haunting beauty of "Jara Sevo." With a Balkan-inspired feel, this melodramatic anthem evokes the chill of a winter’s night and the warmth of love’s glow.

Poignant strings and cinematic swells make it a standout moment of emotional resonance.



B2 - Come Vanno i Grøøvöni Closing out the EP is "Come Vanno i Grøøvöni," a sweet, romantic

groovy house cut that’s as gentle as it is infectious. Smooth, soulful, and effortlessly cool, it’s the

sound of a perfect night in motion. With lush pads and subtle swing, it’s the kind of groove that’s

impossible to resist.



Limited Edition, Vinyl Only As always, exclusivity is key. This EP is a one-time pressing, and once

it’s gone, it’s gone for good.



Collectors and DJs, take note: this is a sonic treasure you’ll want in your arsenal.



Stay tuned for release details and grab your copy before it’s too late. Four tracks, four journeys—and one unforgettable record.

Auf Lager

Bei uns am Lager und sofort versandfertig

12,19
ADJA - GOLDEN RETRIEVE HER LP

Adja

GOLDEN RETRIEVE HER LP

12inchSDBANULP44
SDBAN ULTRA
10.04.2025

Brussels-based artist Adja Fassa releases her debut album, two years after her well-received EP IRONEYE - and it is promising to be quite a ride.

This contemporary body of work showcases 11 stories, each telling their story of the impact our capitalistic society has on our most intimate moments: from dystopian neo-soul tales of Deliveroo-drivers being stalked by telemarketers (both of them selling/delivering literal 'hope and dreams'), to re-imagined jazz standards and classical songs about conditional friendships, based on time and money. We even get her take on the 'stick-it-to-the-man-sing-along-rock-song', which she called 'Sucking on my Emphatitties'. And then we have the title song 'Golden Retrieve Her' which is as much an accumulation of feelings as of musical curiosities

" 'Golden Retrieve Her' is a wordplay on wanting to retrieve my kindness in a violent social system. Simultaneously, it is criticizing the fact that we, the masses, are often asked to either be naive or pretend we are. All of this accumulated in a visual image of what our social system considers 'the perfect, obedient nuclear family': a kind couple with 2.4 children, a house in the suburbs and... a Golden Retriever." ~ Adja

Serious and concrete topics, wrapped up in a symbolic package, as Adja values both straightforwardness, critical thinking and, paradoxically, a bit of mysticism. For her visual artwork, she created four, self-made tarot cards, that represent the four themes on the album:

'The Wheel Of Fortune', embodies the desire to get the upper hand in a system that doesn't align with your values. 'The Mirror', represents projection and likeness within lost connections (whether with strangers or with friends), 'The Dark Wheel' embodies the turning point of the wheel of fortune, where one is completely surrendered to their own moral demise and 'The Cave' stands for the - sometimes painful, sometimes blissful - return to one's own mind and heart.

Musically, this album contains as much variety as song titles, as Adja continues to explore her own depths as an artist and musician, together with her partner-in-crime, guitarist, composer and jazz-arranger Alexis Nootens. She collaborated with music producer Adam Scrimshire, who was featured in the Guardian as UK's one of three most significant soul music producers alongside Swindle and Inflo, and renowned Belgianproducer, mixer and musician Koen Gisen, who both mentored her into deepening her own productional skills. Last but not least, she gathered 13 musicians to deliver the sound she brings to her album, among them her 5 steady band members and 8 studio musicians from all over Europe. As we said: it promises to be quite a ride.

LIVE:
09/05 : Ancienne Belgique, Brussels
11/05 : Jazz à Liège

More tba.

Auf Lager

Bei uns am Lager und sofort versandfertig

23,11
THOMAS DECOCK - ERUDITE LP

Thomas Decock

ERUDITE LP

12inchWERF256LP
DE W.E.R.F.
10.04.2025

Erudite, the upcoming album by Thomas Decock, is a powerful exploration of modern jazz fusion that uniquely intertwines literature and music. Inspired by iconic literary characters and novels, the album aims to bring the profound emotions and complex themes of these stories to life through music. This project reflects the collective creativity of Thomas Decock and his band, pushing the boundaries of jazz and redefining them with an innovative approach.
Compositions such as the exhilarating and dynamic Rodya, inspired by Dostoevsky's renowned novel Crime and Punishment, and the refined interpretation of Joni Mitchell's Cherokee Louise, showcase both technical virtuosity and profound emotional engagement. From the sharp, angular theme of Rodya to the lyrical melody of Emma-inspired by the character from Flaubert's Madame Bovary-which also highlights the acoustic qualities of the ensemble, Erudite offers a wide palette
of musical colors, ranging from intense improvisation to expressive, lyrical moments.
The music on the album is characterized by the remarkable interaction between the musicians, who are equally at home in jazz and electronic music. Both individual and collective improvisation form the core of the band's musical expression. The sound is crafted through a blend of electronic and acoustic instruments. Erudite is not only an album for jazz enthusiasts but also for listeners intrigued by how music can complement and deepen literary narratives.
Released under the W.E.R.F. label, the album promises an engaging listening experience for a broad audience, from jazz purists to fans of innovative music. Erudite is a work that brings the spirit of both music and literature to life, taking the listener on a journey through the musical translation of classic stories.

Auf Lager

Bei uns am Lager und sofort versandfertig

21,43
Joe Smooth - Promised Land LP

Joe Smooth

Promised Land LP

12inchARMA496V
Armada
10.04.2025

Joe Smooth’s 1987 house anthem 'Promised Land' is arguably one of the most recognizable records of its time. While touring in Europe with Farley 'Jackmaster' Funk, Joe Smooth noticed the growing popularity of house music across the continent. Inspired by his love for Motown records, he wrote a track that expresses themes of positivity and inclusion, resonating with ravers worldwide. This record is an essential addition for ravers and music lovers alike—it's a significant piece of history now available once again on LP, and also includes the previously unreleased and forgotten gem from '87, 'Inside My Mind', which has now been dug from the vaults and remastered for this new pressing. This version is only available for RSD, on 'dove white' vinyl, in celebration of the title track and house anthem, Promised land.

Auf Lager

Bei uns am Lager und sofort versandfertig

26,47
CC:DISCO! - Touch The Vibe EP

CC:DISCO!

Touch The Vibe EP

12inchMIAMIDADDY004
Miami Daddy
09.04.2025

The five-track ‘Touch The Vibe’ EP is the latest gem in the evergreen treasure trove of music from Australia’s CC:DISCO!. 'Feel It Peak' opens the release with two escapist minutes of slow-burning, gentle synth waves and Spanish guitar before 'Touch The Vibe' then takes off on warm analogue house drums with sugary chords and a classic bassline that bounces along at an infectious pace. Toronto-born DJ, producer and vocalist Jennifer Loveless also returns in fine form, providing heady spoken word vocals that wash over both cuts in an intoxicating fashion.

On the flip, 'Like This' is another absorbing and cinematic synth interlude while 'Me Gusta Is Dead (Period Pain Mix)' brings heavy late-night vibes with its punchy steel drums, fizzing pads and crunchy chords that make for a wild ride. Last but not least is the epic closer 'Yes Papi (Miami Daddy Theme)’, a glorious blend of prog, trance and techno with a 90s throwback feel featuring Loveless’ hushed vocals that showcases CC’s expert command of lower tempo, pumping grooves of the highest calibre.

Fresh off performances at Glastonbury and Love International, plus her debut Essential Mix for BBC Radio 1, it’s safe to say CC:DISCO!’s trajectory as an artist has risen to new heights in 2024. The Lisbon-based DJ, producer, radio host, and curator added a new string to her bow at the end of last year with the launch of her Miami Daddy imprint, which garnered critical acclaim from the likes of Resident Advisor, DJ Mag, and BBC Radio 1.

CC:DISCO! ‘Yes Papi (Miami Daddy Theme)’ and ‘Touch The Vibe’ drop via Miami Daddy on 21st September and 24th October, respectively, with the full EP releasing on 22nd November 2024.

Auf Lager

Bei uns am Lager und sofort versandfertig

17,61
New Regency Orchestra - New Regency Orchestra LP

Announcing the debut album from one of London’s most electrifying acts, New Regency Orchestra. An 18-piece Afro-Cuban big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London’s best Latin and jazz musicians. Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s René Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.

NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and Church of Sound, Lex Blondin. Through a long-held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauzá. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene’s development.

Although dance-focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism. A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.

Enlisting the expertise of some of the capital’s finest talent, Lex and co-captain Andy Wood, of Como No fame, put together a world-class line-up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.

The album itself is a hand-picked selection of timeless Afro-Cuban jazz classics, reimagined with NRO’s unbridled energy. It contains ten incredible instrumental tracks including 'Pregon' with its anthemic horn stabs and the addictive head nod bounce of 'Mambo Rama', alongside two scorching vocal numbers in 'Papa Boco' and 'Labasta Llego'. Coupling a heavyweight rhythm section with a wall of horns, they provide a fresh spin on songs from Tito Puente and Chico O'Farrill, René Hernandez through to Rafael Labasta.

“Some of the tunes like Tito Puente’s ‘Mambo Rama’ and ‘Scarlet Mambo’ might sound like they went to a gym as extra drums and bass synth were added to them whilst the tune ‘Sahib & Tito’ is a mix of Tito’s ‘Mambo Buda’ and Sahib Shihab’s ‘Nus’. Our intention is to be both respectful to the innovators and inventors of this incredible music and to pay our dues, but also to add something special from London where the city’s new jazz scene connects with its Latin American musicians and the musical influences around us.”

This pure collective joy, shared experience and music you can’t help but move to.

Auf Lager

Bei uns am Lager und sofort versandfertig

26,68
GŪSŪ - THE ENDING WAS A TYPICAL PART LP

Slow-moving finger-picked ambient folk straddling the synthetic and organic divide – that is “The Ending Was A Typical Part”, the first album by the Zurich-based duo Gūsū. It combines the tradition of playing the guzheng with electronic instruments, allowing different yet harmonious worlds to collide.

The collaboration between Xueyan Chen and Nicolas Balmer alias Gūsū was born out of their shared musical explorations in 2022 and has evolved into a dialogue of sound. Chen’s guzheng, an instrument deeply linked to Chinese history, resonates with improvised and self-composed melodies, freeing its pentatonic scale from its traditional bounds. Her playing is underscored with the cryptic hum of Balmer’s modular synthesizers, the deep bass and layered textures that combine the organic with the electronic. Together they create a sonorous exploration of identity, displacement and unity.

Xueyan Chen has been playing the Guzheng since her early childhood. With her moving to Zurich, Switzerland she started reimagining its historical identity through improvisation and self-composed melodies. With this approach, Chen emancipates the instrument from its classical heritage, weaving a contemporary and deeply personal narrative. Nicolas Balmer meanwhile brings a contrasting yet complementary dimension with modular synthesizers, bass guitar, and electronic textures. His layered soundscapes amplify and distort the Guzheng’s pentatonic timbres, enveloping them in mysterious tones and expansive harmonics.

Auf Lager

Bei uns am Lager und sofort versandfertig

19,12
ANOTR - On A Trip LP 2x12"

Anotr

On A Trip LP 2x12"

2x12inchANOTROATLP
No Art
08.04.2025

Born from psilocybin mushroom-focused retreats, ANOTR’s second album is
a bold exploration of krautrock, disco, alt-soul, and the deeply personal themes of self-discovery and connection. Featuring shimmering disco, hypnotic alt-soul, raw post-punk/krautrock, and uplifting indie dance, the album marks the duo’s most experimental and introspective work to date ahead of their world tour.

The album also features collaborations with GRAMMY-nominated Cuban artist Cimafunk, PAME, Kurtis Wells, Leven Kali, and Erik Bandt. Previously shared singles ‘24 (Turn It Up)’, ‘How You Feel’, and ‘SET IT ON FIRE’ hint at the expansive sonic palette, while the disco-infused ‘Currency’ and alt-soul single ‘Care For You’ further highlight their evolution from their early tech house-orientated sound.

• Album charts No.6 in US Debut Album Chart & No. 3 in UK

• World tour kicking off on 7th Feb in Paris

• Danny Howard's Radio 1 Hottest Record launch last week, with multiple plays since & Triple J mix up happening this week!

Auf Lager

Bei uns am Lager und sofort versandfertig

33,57
VESTO COMODO - TRACES LP

Vesto Comodo

TRACES LP

12inchVESTO001
Vesto Comodo
04.04.2025

“Traces”, the debut album from Vesto Comodo, presents a sonic meditation on the enduring power of human emotions and behaviors in an era where the boundaries between organic and artificial consciousness have dissolved.

Introspective, funky, earthy and deep: the album sound palette juxtaposes elements like century-old piano phrases with mysterious synth pads, while tape-squashed drum breaks and jazzy flute themes spiral together creating a journey into a prehistoric futurism.

Auf Lager

Bei uns am Lager und sofort versandfertig

20,13
X-Plode - First Of Many / Watch This Go

At the start of the 1980’s X-Plode’s dad had a second-hand colour TV business in Bolton, Lancashire where he would buy, sell, repair and trade TVs. He would come back home with all kinds of things he had traded for a TV but the most memorable, to a 10 year old kid at that time, were the keyboards. He use to watch his dad play songs from the 1960’s on these keyboards and when his dad had gone out, Lee X-Plode would sneak on them and start messing about, experimenting with the drum programs and fiddling with the buttons, trying out ideas. He had to move fast though because these keyboards didn’t stay in the house for long as his dad would trade them again for something else; one time that was an old analogue echo chamber, which Lee also messed about with when his dad was out. That echo chamber was a revelation to Lee and opened up the possibilities of what was possible with sound. So by the time Lee was 16, he decided he wanted his own keyboard and started saving. When his 17th birthday came around he had saved up £200 and visited his local Argos where he bought himself a Yamaha PSS 680, an FM synthesizer with memory banks and a basic drum machine incorporated. ‘It was shit quality like, but I didn’t mind. I just wanted it for the programmable drum machine, the synth and the memory banks that came with it” Lee recalls. The year was 1987 and by this time in Lee’s life he was into reggae and hip hop, the latter he first embraced in 1983 by the way of breakdancing and listening to electro, so all he wanted to do when he got his gear was make reggae and electro sounding beats. Recalling his youth and the fun he had with the echo chamber, the next edition to his home set up was to acquire one of those, which he did via a mate of his. But by the time he got his minimal set up sorted in 1988, his musical tastes had changed. House music had landed here in UK and this was Lee’s new passion, so from that point on wards he started experimenting, trying to nail a decent house groove. ‘I wanted 808 sounds, but I didn’t know what one was!’ Lee explains.

Around late 1990 or early 1991, Lee started to improve upon his set up, purchasing an Atari STE, a Cheetah MS6 , a 6 voice polyphonic/multi-timbre analogue rack mounted synth that linked up to his Yamaha – “It wasn’t a great bit of kit, I kept getting electric shocks from it. Eventually it just blew up!” Lee had acquired a cracked copy of Cubase on floppy disk from his local computer game shop but struggled with it. “It was so complicated to understand and took me ages to get used to it. I was stoned a lot back then and I just couldn’t concentrate on anything for long” Lee laughs, continuing “I also picked up a 4 channel sampler/sequencer which plugged into the side of the Atari and that’s when I first started sampling, I think this would have been late 1991. I had the Simon Harris ‘Breaks, Beats and Scratches’ vinyl that he put out on Music for Life which were a godsend back then. I was also sampling a lot from cassette tapes, especially reggae. I would also record the Stu Allan show on Key 103FM, one of the main stations broadcasting out of Manchester. He would do a 3 hour show with hip hop and house, and then hardcore house came along. Eventually he dropped the hip hop altogether and it was just house and hardcore. I recorded the shows onto cassette most weeks and started to learn more about how house and hardcore was put together by listening to those shows.”

Auf Lager

Bei uns am Lager und sofort versandfertig

16,18
THE CHARITIES - FATAL ATTRACTION / IT'S NOT OUT TIME

Colemine Records is excited to put out their first 45 with The Charities, a sweet-soul band out of sunny California. The group's sound is a melting pot of cultures, exhibiting a mix of soul, r&b, rock, and funk. The A-side of this 45, 'Fatal Attraction,' explores just that. In some relationships, the very qualities that draw you in can also lead to your destruction. She's captivating_beautiful, intelligent, and charming_but beneath the surface, she's narcissistic and self-centered, with no regard for the pain she causes. When you're lost in the intensity of love, it's easy to overlook these darker traits. But when the time comes for her to move on, she'll strike without hesitation, delivering a blow that cuts deep. Her words, sharp as a knife, tear through your heart with cold precision. As you bleed out, she offers nothing but a final, indifferent goodbye...."It's Not Our Time," on the B, tells the story of two lovers who find themselves at a crossroads, torn apart by the struggles they face in this chapter of their lives. Perhaps in the future, they'll rekindle their love and spark a new flame_one that burns even brighter then before. It's a bittersweet goodbye, with the belief that the distance and time apart will only strengthen their bond when the moment is right.The tracks are produced by Anthony Masino and were recorded at Penrose Recordings in Riverside, CA.

Auf Lager

Bei uns am Lager und sofort versandfertig

10,04
Steve Kuhn - Steve Kuhn LP

50th ANNIVERSARY EDITION
Heavyweight Vinyl 45 RPM Cut / Original glued prints on Thick Cardboard 700 gram / 2 Separated parts hand-glued / Glossy lamination / PVC outer / 30x30 cm insert with interview to Steve Kuhn by Tony Higgins printed on 250 gram Favini Lanilla Yellow / 20 Pages 21 x 30 cm "Real Book" with transcripts of the songs in the "Real Book" style, handwritten by The Maestro Carlo Spanò with main theme, chords and lyrics printed on 120 gram Shiro Eco paper, 100 gram Favini Crush Alghe. Carlo also edited an introduction with technical analysis of the session, which solves some of the little mysteries around this music gem.

Personnel:
Steve Kuhn - Vocals, Piano
Airto Moreira - Percussions
Billy Cobham - Drums
Ron Carter - Bass
Gary McFarland - Arranged by


Notes:
The album features the group playing Gary McFarland arrangements of Kuhn's compositions, accompanied by a string section on several tracks, with Kuhn delivering stream of consciousness lyrics in an unplanned and largely improvised fashion in the studio. However, that wasn't the only surprising aspect to the session. Airto Moreira's appearance was more by chance than design, he having just popped by the studio, again, unplanned. The 'Steve Kuhn' album is all the stronger for these extemporaneous and serendipitous elements and showcases a band at the top of their game; tight and funky yet relaxed and flowing like molten gold, with stabs and washes of keyboard from Kuhn. Splashes of free playing enter the session, but the band never stray too far from a melodic and harmonious centre of gravity. Kuhn's deft keyboard skills provide melodic embroidery to the impressive rhythmic textures and tonal colours of Carter, Cobham and Moreira. As if the music wasn't enough, the album is given extra significance by the fact that, within a few months of the recording, McFarland would die after being mysteriously poisoned by methadone in a New York bar. In a sense, it is a valedictory album from McFarland, channeled by Kuhn and the band.

It's among the hardest of Kuhn's albums to find so this reissue is most welcome. Luxuriate in the glow of Kuhn's Fender Rhodes and the pliant funky bass of Ron Carter; immerse yourself in the percussive interplay of Moreira and Cobham, a pairing that has rarely sounded so good. This is such an exquisite album; you will lose yourself in its delicate power and find yourself coming back to it again and again.

Auf Lager

Bei uns am Lager und sofort versandfertig

38,45
Various - ECHOES OF ITALY – THE BIRDS OF PARADISE – EARLY 90S HOUSE VIBES VOL.2 (2x12")

Googling “paradise house”, the first results to pop up are an endless list of European b&b’s with whitewashed lime façades, all of them promising “…an unmatched travel experience a few steps from the sea”. Next, a little further down, are the institutional websites of a few select semi-luxury retirement homes (no photos shown, but lots of stock images of smiling nurses with reassuring looks). To find the “paradise house” we’re after, we have to scroll even further down. Much further down.

It feels like yesterday, and at the same time it seems like a million years ago. The Eighties had just ended, and it was still unclear what to expect from the Nineties. Mobile phones that were not the size of a briefcase and did not cost as much as a car? A frightening economic crisis? The guitar-rock revival?! Certainly, the best place to observe that moment of transition was the dancefloor. Truly epochal transformations were happening there. From America, within a short distance one from the other, two revolutionary new musical styles had arrived: the first one sounded a bit like an “on a budget” version of the best Seventies disco-music – Philly sound made with a set of piano-bar keyboards! – the other was even more sparse, futuristic and extraterrestrial. It was a music with a quite distinct “physical” component, which at the same time, to be fully grasped, seemed to call for the knotty theories of certain French post-modern philosophers: Gilles Deleuze, Félix Guattari, Paul Virilio... Both those genres – we would learn shortly after – were born in the black communities of Chicago and Detroit, although listening to those vinyl 12” (often wrapped in generic white covers, and with little indication in the label) you could not easily guess whether behind them there was a black boy from somewhere in the Usa, or a girl from Berlin, or a pale kid from a Cornish coastal town.

Quickly, similar sounds began to show up from all corners of Europe. A thousand variations of the same intuition: leaner, less lean, happier, slightly less intoxicated, more broken, slower, faster, much faster... Boom! From the dancefloors – the London ones at least, whose chronicles we eagerly read every month in the pages of The Face and i-D – came tales of a new generation of clubbers who had completely stopped “dressing up” to go dancing; of hot tempered hooligans bursting into tears and hugging everyone under the strobe lights as the notes of Strings of Life rose up through the fumes of dry ice (certain “smiling” pills were also involved, sure). At this point, however, we must move on to Switzerland.

In Switzerland, in the quiet and diligent town of Lugano, between the 1980s and 1990s there was a club called “Morandi”. Its hot night was on Wednesdays, when the audience also came from Milan, Como, Varese and Zurich. Legend goes that, one night, none less than Prince and Sheila E were spotted hiding among the sofas, on a day-off of the Italian dates of the Nude Tour… The Wednesday resident and superstar was an Italian dj with an exotic name: Don Carlos. The soundtrack he devised was a mixture of Chicago, Detroit, the most progressive R&B and certain forgotten classics of old disco music: practically, what the Paradise Garage in New York might have sounded like had it not closed in 1987. In between, Don Carlos also managed to squeeze in some tracks he had worked on in his studio on Lago Maggiore. One in particular: a track that was rather slow compared to the BPM in fashion at the time, but which was a perfect bridge between house and R&B. The title was Alone: Don Carlos would explain years later that it had to be intended both in the English meaning of “by itself” and like the Italian word meaning “halo”. That wasn’t the only double entendre about the song, anyway. Its own very deep nature was, indeed, double. On the one hand, Alone was built around an angelic keyboard pattern and a romantic piano riff that took you straight to heaven; on the other, it showcased enough electronic squelches (plus a sax part that sounded like it had been dissolved by acid rain) to pigeonhole the tune into the “junk modernity” section, aka the hallmark of all the most innovative sounds of the time: music that sounded like it was hand-crafted from the scraps of glittering overground pop.

No one knows who was the first to call it “paradise house”, nor when it happened. Alternative definitions on the same topic one happened to hear included “ambient house”, “dream house”, “Mediterranean progressive”… but of course none were as good (and alluring) as “paradise house”. What is certain is that such inclination for sounds that were in equal measure angelic and neurotic, romantic and unaffective, quickly became the trademark of the second generation of Italian house. Music that seemed shyly equidistant from all the rhythmic and electronic revolutions that had happened up to that moment (“Music perfectly adept at going nowhere slowly” as noted by English journalist Craig McLean in a legendary field report for Blah Blah Blah magazine). Music that to a inattentive ear might have sounded as anonymous as a snapshot of a random group of passers-by at 10AM in the centre of any major city, but perfectly described the (slow) awakening in the real world after the universal love binge of the so-called Second Summer of Love.

For a brief but unforgettable season, in Italy “paradise house” was the official soundtrack of interminable weekends spent inside the car, darting from one club to another, cutting the peninsula from North to centre, from East to West coast in pursuit of the latest after-hours disco, trading kilometres per hour with beats per minute: practically, a new New Year’s Eve every Friday and Saturday night. This too was no small transformation, as well as a shock for an adult Italy that was encountering for the first time – thanks to its sons and daughters – the wild side of industrial modernity. The clubbers of the so-called “fuoriorario” scene were the balls gone mad in the pinball machine most feared by newspapers, magazines and TV pundits. What they did each and every weekend, apart from going crazy to the sound of the current white labels, was linking distant geographical points and non-places (thank you Marc Augé!) – old dance halls, farmhouses and business centres – transformed for one night into house music heaven. As Marco D’Eramo wrote in his 1995 essay on Chicago, Il maiale e il grattacielo: “Four-wheeled capitalism distorts our age-old image of the city, it allows the suburbs to be connected to each other, whereas before they were connected only by the centre (…) It makes possible a metropolitan area without a metropolis, without a city centre, without downtown. The periphery is no longer a periphery of any centre, but is self-centred”.

“Paradise house” perfectly understood all of this and turned it into a sort of cyber-blues that didn’t even need words, and unexpectedly brought back a drop of melancholic (post?)-humanity within a world that by then – as we would wholly realise in the decades to come – was fully inhuman and heartless. A world where we were all alone, and surrounded by a sinister yellowish halo, like a neon at the end of its life cycle. But, for one night at least, happy."

Auf Lager

Bei uns am Lager und sofort versandfertig

28,99
Maria Amor & Shcuro - Intertwined

Maria Amor&Shcuro

Intertwined

12inchPARAISO015
Paraíso
01.04.2025

'Intertwined', the first collaborative EP by Paraiso founders Maria Amor & Shcuro, is up next on the decade-old Lisbon label. This pair of syncopated, energized, immersive techno tracks comes with remixes by Tresor residents Fireground and DC's own Black Rave Culture, a trio composed of James Bangura, Amal, and Nativesun. 'Waves of Hope' opens the record in full force with a relentless beat that combines early 90s euphoric energy and jacked-up snares over a fat bassline, soulful pad progressions, technoid bleeps, dubby washes, and Maria Amor's own soothing cut-up vocals, elegantly touching several foundational club music sounds through an inspired lens. On the A2, 'Hotspring Love' brings levitating, airy textures and mixes them with subtle acid arpeggios, pure-hearted vocal melodies, and bouncy percussive accents. The rolling subwoofers of a proper techno party can practically be seen, the fast-paced kick perfectly perforating the bassline. Two remixes can be found on the B-side: first up is Berlin-based duo Fireground, who flip the original 'Waves of Hope' into a more concise take, exploring its dub influences and adding in cinematic, ravey chord progressions to a hypnotizing, ecstatic effect. The italian duo add a distinct dose of Neapolitan techno, carrying the textured intensity of that unmistakable sound. Black Rave Culture pick up 'Hotspring Love' and turn it into an ode to junglism, reappropriating the original pads in a classic DnB workframe with crisp breakbeats and an absolutely nasty bassline that no words can do justice to.

Auf Lager

Bei uns am Lager und sofort versandfertig

12,56
DJ PYTHON - I WAS PUT ON THIS EARTH

** club fire from DJ Python

“i was put on this earth”, his first solo music since 2022, and debut on XL
Recordings.

On “i was put on this earth”, DJ Python - aka Brian Piñeyro - gently forays into uncharted territory as a singer, producer,
and collaborator; an evolution all the more impressive in light of his groundbreaking musical projects to date like Mas
Amble, Angel, and Club Sentimientos Vol 2. While splitting his time between New York and London, Python has teamed
up with a diverse set of collaborators including South London rapper Jawnino, Honduran-born powerhouse Isabella
Lovestory, unclassifiable songwriter Organ Tapes, and NYC mainstay Physical Therapy. Across the five-track EP,
Python shares bold solo songs alongside these intriguing collaborations. The project retains the captivating melodies,
atmospheric textures, and rhythmic innovation that defined Python's earlier recordings while building on and shaping these
signature elements into ambitious and addictive new songs.
The first look at the EP comes in the form of “Besos Robados”. Isabella Lovestory lends an insouciant yet insistent vocal
to this sublime downtempo lovers' reggaeton track that's been a fan-favourite since appearing on Python's epic BBC
Radio 1’s Essential Mix.

On ‘i was put on this earth’, DJ Python says “to whom it may concern…
its too beautiful to embrace change and to challenge urself to find something meaningful in it... i love my friends and
love is deep :') i want them to know that always... but sometimes i get busy and overwhelmed n im not the best at
saying how i feel always... just want to sit around and talk and feel understood together w someone who you like or u
find interesting.. thats the best :) and if the day is nice or if the day is not nice but ur inside and its cozy.. thats too
wicked. and ur making a soup and eating it together... just with the stuff in the kitchen.. dont even go out to get
ingredients.. no need to follow a recipe.. cause ur grandma taught u to cook w the "sazon" (cooking by tasting w as u
go on adding diff ingredients and spices.. no recipes. .. u can only really cook if u can freestyle in the kitchen she said)..
and then u think about how ur grandma taught u that.. and your w someone in the kitchen making something together..
and then u taste it and it warms u up and ur like damn this is fire.. thats what this and i think maybe what "its all"
about... thank u for taking time to read this and i hope you enjoy the album…
kiss u…
Brian”

Auf Lager

Bei uns am Lager und sofort versandfertig

13,03
various - Searchlight Moonbeam LP  2x12"

2025 Repress

Searchlight Moonbeam is the new narrative compilation from Time Is Away (Jack Rollo and Elaine Tierney) whose eponymous monthly NTS Radio shows, tinctured fusions of fugitive sounds and reverie-inducing archival speech, have won them an ardent following. It follows from the London-based duo’s Ballads, a remarkable driftwerk released on A Colourful Storm in 2022.


Searchlight Moonbeam is an autumnal dreamscape, intimate and vespertine, pensive and irresolute. An imagined community where differences drop off and resonances emerge – between Maher Shalal Hash Baz affiliates Kasumi Trio, Taiwanese score composer Chen Ming Chang whose ‘Rainwater’ (written for Hou Hsiao-Hsien’s 1986 film Dust In The Wind) is exquisitely heartbroken, and the plangent improvisations of self-taught French pianist Delphine Dora.


Revelations are frequent: the bedsit isolationism of Bo Harwood and John Cassavetes’ ‘No One Around to Hear It’ (from The Killing of a Chinese Bookie); the narked minimalism of Klang (an early 2000s band formed by ex-Elastica guitarist and featuring prize-winning experimental novelist Isabel Waidner on bass); the etude-grooves and echoic wobble of below-the-radar French avant-gardists Omertà ; the beautiful, plaintively dubby ‘Is It You?’ by Slapp Happy; a psych-tinged reimagining of PiL’s ‘Poptones’ by Simon Fisher Turner (one half of Deux Filles, and here, recording for él as The King of Luxembourg) that's as perverse as the cover of Throbbing Gristle’s 20 Jazz Funk Greats.


Searchlight Moonbeam is the musical analog of an Italo Calvino novel or a medieval fable. Associative, intuitive, borderless. Emotional and mysterious. Endowed with the tactility of Braille. A private language that is both unknowable and understood. It is a record of the seasons, for the seasons.

2023 marks the tenth anniversary of Time Is Away’s first broadcast. Featuring an evocative essay by writer Jeremy Atherton Lin and disarming cover art by Penny Davenport, Searchlight Moonbeam showcases Rollo and Tierney’s still-unrivalled talent for gloaming melodies, disques du crépuscule, ensorcelled storytelling.

Auf Lager

Bei uns am Lager und sofort versandfertig

24,79
Rinder & Lewis - Seven Deadly Sins (LP)

Laurin Rinder & W. Michael Lewis's Seven Deadly Sins is a hugely influential, synth-powered, atmospheric space-disco masterpiece. It's arguably the best American Disco LP ever made. It's certainly one of the most important albums in the history of dance music. And, like its innovative producers, it's absolute genius.

During the mid to late seventies the production team of Laurin Rinder and W. Michael Lewis helped to define the Disco sound that was coming out of Los Angeles with studio projects such as El Coco, Saint Tropez, Le Pamplemousse (with vocals from The Jones Girls), In Search Of Orchestra and many others.

Like all of their work, Seven Deadly Sins comprises beautifully arranged and incredibly well produced deep disco that is revered by aficionados. A seven track, largely instrumental concept album covering each of the sins, it was recorded for AVI in 1977. It's a brilliantly conceived, groove-fuelled album that layers moogy keys and druggy synths over club-ready rhythms. The idea that this record is celebrating rather than condemning the sins is said to be another factor that made the record a big one in the underground clubs.

Opening sin “Lust” is an intense, swelling, seven minute blockbuster synth journey. An ethereal Loft/Garage classic, it's a sprawling, brooding slice of epic dancefloor dynamite that remains a firm favourite of discerning disco heads like Harvey. So ahead of its time, it still sounds ridiculously fresh today, drifting through a multitude of melodies over a smooth, lightly percussive mid-tempo beat. A slow-mo sexy killer.

Up next, the sprightly-manic “Sloth” is nothing like its title. A driving, swaggering instrumental incorporating the same Euro-disco elements as our Daft Parisian friends did a few decades on, it's certainly not for the faint-hearted.

A clear highlight, the cosmic, throbbing proto-techno of “Gluttony” gets things firmly back on track. Pure industrial vibes with dark synth bass punctuated by uplifting melodic sequences that brilliantly utilise guitar and horns, is this the sound of Wax! Trax being born? You won't be able to get enough of this.

Opening up the B-Side, “Pride” is a breezy slice of classic late seventies jazz/funk with deft Hammond and clavinet grooves and expansive horn sections. It's absolutely fantastic. The wicked leftfield vocal cut “Envy” provides more disco pump with squelchy acid synth flourishes, funky guitar and neck-snapping percussive breaks.

The dark proto-techno/house cut “Anger” is a fully on top tour de force of drums. With heavy African percussion throughout and a short Afrobeat section towards the end, it was sampled by Carl Craig and Laurent Garnier for their Tres Demented project and was also a massive Ron Hardy / Music Box favourite. The album is rounded out by the hard-grooving “Covetousness”, another driving jazz-funk workout par excellence with liberal use of the syndrum.

As Laurin Rinder recalled in an interview with Dream Chimney, the duo essentially lived in the studio: “we really had cots, beds and the whole thing, we were just pumpin’ them out. 7 days a week, 3 different projects at the same time. I played drums on everything but had to play a little differently. I had to ask the engineer ‘What’s the name of this group?‘”.

Evidently, their prolific output was the result of a crazy cocaine-fuelled production schedule: “The amount of coke we did, to do all this, you can’t even imagine. $300 a day. I had to have plastic inserts in my nose so I could do more.” Looking at the frankly terrifying cover, you'd have never known!

Be With is beyond delighted to present the first ever legit vinyl reissue of Seven Deadly Sins, carefully remastered by Be With's engineer Simon Francisco to ensure it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The unforgettable cover artwork has been reproduced here at Be With - dare you stare back at it for too long?

Auf Lager

Bei uns am Lager und sofort versandfertig

26,85
Basile de Suresnes & The Social Fugazi - Hush Honey

For this 4th release, Bazdesur records welcomes nothing less than its founder, Basile de Suresnes with the EP “Hush Money”, his really first appearance on the label. A collaborative work with the artist The Social Fugazi who was noticed a few months earlier on Frappé records. The two producers deliver a work that is surprising to say the least, as it contrasts with the universe that we knew from them. Here, no glitter or disco ball, no groovy bass line, but a sound made of machines, samples and broken rhythms. We find UK inspirations, Electronica, and a touch of house. A raw coloring totally assumed by the artists and enriched with their French “touch”. We like that. This EP reminds us of the richness and diversity of electronic music, and how good it is to mix styles! Bazdesur records promotes electronic music in the broad sense.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,24
Unspecified Enemies - Romance in the Age of Adaptive Feedback

Unspecified Enemies, the project led by Louis Digital (Numbers, Counterattack, Arcola) present their debut album Romance in the Age of Adaptive Feedback.

Written and produced by Louis Digital, the album incorporates fragments of music data generated by long-time collaborator CiM (Ann Aimee, Delsin). Describing the title track, Louis Digital states:

“It’s the microelectronic sound of a city playing strange light games with itself, evoking bitcrushed desires and floating images, an urban phantasy stored on the broken circuits of an Ensoniq ASR-10.”

The origins of Romance in the Age of Adaptive Feedback trace back to 2006, when Louis Digital launched Diamond Sea, a series of events at London’s ICA that introduced the Unspecified Enemies project and a label called City of Quartz. The vision was to merge the hi-tech electronic textures of contemporary R&B with the sampling and sequencing techniques of pioneers like Anthony Shakir and Soundhack. However, the music was lost in time, and City of Quartz never released a single record.

Yet, the story took an unexpected turn. At one of these events, Spencer from Numbers received a CD containing early recordings. Years later, Numbers encouraged Louis Digital to reconstruct the lost music for an album. The result is a work resurrected from the past and reimagined for the future—retrieved in fragments from a broken Iomega Jazz SCSI Drive.

Expanding on the album’s themes, Louis Digital reflects:

“By the late ’90s the cinematic image of Los Angeles and the sound of Detroit techno had crystallised a new style of living in time and space. In 1997 Mike Davis — the political activist, urbanist, writer and historian of Los Angeles — suggested that it all had “something to do with a microelectronic aesthetic of very transient and decaying states”. It was a romantic vision — one where the city’s glass surfaces reflected a musical desire for futurity not yet dominated by data-driven corporate life. These were strange days to live through. This album evokes the embers of this fibre-optic moment, when urban revolution in an age of digital reification still felt possible.”

The album features full sleeve artwork and a poster designed by Ben Drury. In support of the release, an NTS show titled Romance and Reification will explore the cinematic and electronic music influences behind the album.

Auf Lager

Bei uns am Lager und sofort versandfertig

19,96
Hugo Danin Trio - Raku

Hugo Danin Trio

Raku

12inchJAZZEGO005
Jazzego
28.03.2025

This is long time overdue. Hugo Danin is one of Porto’s most recognizable drummers with a huge importance in the local scene. Wether it is because of the many projects he lends his skills to or the work he has developed with the Porto Drum Show this record has been on our calendar almost ever since we started this journey as Jazzego. At the time Hugo was drumming for the Minus & MRDolly live show and we had this idea of re-releasing his record from (at the time) 10 years ago as kick starting point for new path of his as drummer within the jazz scene. This kind of makes this record an one off in our catalogue as re-issues and re-releases are not really our thing and we are always on the lookout for something new. However we felt from the get go that this would be a good fit in our roadmap and decided to do this straight away and in order to bring some of this “new flavor” that is so dear to us we decided to bring Azar Azar and Divorce From New York with Piek on board to remix two of the tracks and make them available on this Gatefold Vinyl edition.

Auf Lager

Bei uns am Lager und sofort versandfertig

23,82
TRUCK VIOLENCE - VIOLENCE LP

Written and recorded in singer-poet Karsyn Henderson, guitarist-banjoist Paul Lecours and percussionist Ryley Klima’s basement alongside bassist Chris Clegg, then mixed and mastered by longtime collaborator Noah Baxter, this self-produced introductory effort from the Montréal four-piece stylishly amalgamates elements from hardcore, punk, shoegaze, sludge, and folk.

Violence is a brazenly poetic homage to small town roots, a mashing of modern Western Canadian hardcore and folk. Extensive in scope, this debut full-length by Truck Violence takes the listener through wide-ranging dynamics, from solemn acoustic ballads to wrathful electric anthems. Deftly fractured rhythms and breakdowns, complex harmonic entanglements, emphatic screams of discontent, are met with hopeful, melodic tracks musing about the steady grip of a tight-knit community.

From somber, deceivingly happy banjo sequences to crashing noise and cries, Violence uses expression as a mirror, looking upon oneself with clarity, aiming to attain a sense of unadulterated truth of the matter. There is little modern music taking an honest look at the Western Canadian countryside, tackling themes such as addiction, abuse and dysfunction.

Truck Violence’s first album does just that, uniquely capturing this involuted setting through a wide lens to both contextualize and emphasize what it means to be overwhelmed, to feel shame, to struggle with self-destructive ways, to thrust oneself into art as an escape.

Auf Lager

Bei uns am Lager und sofort versandfertig

25,00
Khen - My Pure Soul

Khen

My Pure Soul

12inchADID113
All Day I Dream
27.03.2025

Khen has landed on All Day I Dream with his new My Pure Soul EP, a sentimental three-track collection that marks his first release on the beloved electronic label.

Written in dedication to his father, My Pure Soul explores themes of introspection and transcendence, blending organic percussion with lush synth work to create an emotive sonic journey. Offering a robust medley of dynamic rhythms and mesmerizing melodies, Khen’s hypnotic house grooves envelop listeners as the EP progresses from the titular track through its accompaniments ‘Lyup’ and ‘Uchi Mata’. A wondrous debut from Khen, My Pure Soul embodies the entrancing soundscapes synonymous with the label’s curation for more than a decade.

Auf Lager

Bei uns am Lager und sofort versandfertig

15,76
Sebastian Sandmann - Onslaught

Sebastian Sandmann, from Elsteraue in Germany, has been DJing and producing since 1999, honing his skills in clubs and gigs such as the ‘Endstation’ event series in the Leipzig Distillery which resulted in him being picked up by the renowned Leveltrauma booking agency where his obvious talent flourished leading to residencies at the Sky Club, Leipzig and the Tube Club, Merseburg. Sebastian’s music repertoire covers many genres inc. multiple forms of techno, house, hardcore and DnB which has culminated in releases on some insane German labels including “Rage & Error”, “Leveltrauma” and “PsychoDevils Records”.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in
Scotland, we’re getting more extreme than we’ve ever been before with an absolute ‘Onslaught’ of speaker
punishment grade screaming techno. This is Sebastian Sandmann’s first ever solo vinyl release and it‘s utterly lethal. Featuring four aggressive crushin’ tracks to get all them imprisoned clubbers marching
to its accelerated beat. This aint dance music, this is stomp music, and you best not pound on down in front of
anyone when it’s spinning or you’re gonna get trampled on, mark our RIOTous words.

The full digital release also features one bonus brain mashin’ track so you can dive even deeper into your own infernal techno psyche.

WARNING: ONCE THE RIOT SENTINEL APPEARS YOU MUST OBEY ……………. OR ELSE

Credits:

Written by Sebastian Sandmann
Mastered by Joe Farr
Artwork by Nomad

Auf Lager

Bei uns am Lager und sofort versandfertig

12,40
Derya Yıldırım & Grup Şimşek - Yarın Yoksa

Produced by Grammy Nominated producer Leon Michels (El Michels Affair, Clairo). Big Crown Records is proud to present Derya Yıldırım & Grup Şimşek’s latest album Yarın Yoksa. The show stopping intensity of Derya backed by the psychedelic soul of Grup Şimşek with production by Leon Michels has yielded a stand out record that challenges genre with a broad appeal and a powerful message. They refer to themselves as “outernational” over international as they say it suggests a sound that’s more inclusive or “beyond borders.” Derya, who sings and plays the bağlama, is German born to Turkish parents. Drummer Helen Wells is Berlin-based by way of South Africa while keyboard player Graham Mushnik and guitar/bass player Antonin Voyant are both French. The collective influences they bring to Anatolian music make for a completely unique and fresh sound that both pushes the genre forward and champions its rich heritage. Yarın Yoksa which translates to If There Is No Tomorrow delves into deeply personal pain and collective resistance with a central thread of loss, longing, and hope for change running throughout. The lyrics are poetic and rely heavily on symbolic language, metaphors, and storytelling while the music shifts track to track making each tune stand out on its own but work together perfectly as an album. “Cool Hand”, the first single released on Big Crown in September of 2024, is a beautiful juxtaposition of intensity and light-heartedness over a thoroughly infectious groove. The message is poetic and complicated, repeatedly declaring “I love you, I’m crazy about you” but ultimately finding a sense of peace through accepting a broken heart. “Direne Direne” is a protest song that embodies the struggle and tireless pursuit of justice encouraging people to resist oppression. Derya’s lyrics soar over the psych-soul musical backdrop as her story of personal struggle transforms to a universal call for resilience and strength. The slow and weighty vibe of “Yakamoz” lets onto the meaning of the lyrics even to those who don’t understand Turkish. It is a deeply moving song that captures the profound emotions connected to displacement and loss without knowing if you will ever return. The steady groove of the band, along with the anguished vocals paint a vivid picture of the devastation experienced by the protagonist who ultimately realizes that her roots are within her and anywhere she goes is her home. Nine of the tunes on the album are original compositions but they also take on three Anatollian folk songs with their own inimitable approach. The acapella introduction of “Misket”, a folk song from Ankara/Türkiye, will stop you in your tracks. The tune deals with death and how the living cope and continue a relationship with those who have passed away. Another traditional tune from Sivas that they put their signature sound to is “Hop Bico”, a tune about a playful character named Bico who is a symbol of vitality and spirit. The synth intro grabs your ear from the first note and the earworm chorus encouraging Bico to lead the group in celebration and embrace life through dance has the same effect on everyone who hears it. The band has taken a big step forward that you can hear on this record. Derya’s passion and authenticity is front and centre and the music is too moving to deny. Yarın Yoksa is sure to captivate the hearts and minds of all those who hear it, and just wait till you hear them play it live… Upcoming Tour Dates (+More To Be Added): 18th March The Deaf Institute, Manchester / 19th The Jam Jar, Bristol / 20th Scala, London / 21st Norwich Arts Centre.

Auf Lager

Bei uns am Lager und sofort versandfertig

27,52
VINCE  GUARALDI -QUINTETA - A Charlie Brown Thanksgiving

Der Soundtrack zum gefeierten Peanuts®-Special "A Charlie Brown Thanksgiving" wird anlässlich des 50. Jubiläums des Specials erstmals veröffentlicht, mit Bonus-Songs und bisher unveröffentlichten alternativen Versionen. Dies ist der vollständige Vince Guaraldi-Soundtrack zusammen mit einigen zusätzlichen Bonusmaterialien, die seit der Aufnahme im Jahr 1973 nicht mehr gehört wurden 21 Tracks. Alle wurden von den originalen 2" 16-Spur-Quellbändern remastert.

Auf Lager

Bei uns am Lager und sofort versandfertig

24,33
BlackFilter - Batuki

Blackfilter

Batuki

12inchRGV03
Ragoo Records
24.03.2025

"BlackFilter is the project of Pellegrino Mazzucchi, a percussionist, DJ, and producer residing in Modena, Italy. Pellegrino became passionate about music at an early age, thanks to the influence of his mother, a Fado singer of Indo-Mozambican descent, and his older brother, a DJ of Latin and World music who encouraged him to study Afro-Cuban percussion. Drums, or "Batuki" (as his mother called them when she was getting mad at him for the continuous rhythm that echoed through the house at all hours of the day), served as Pellegrino's first means of expression. He later expanded his sound palette through experimentation with analog synthesizers and drum machines. The fusion of these elements over time gave birth to the distinctive sound of Black Filter and "Batuki": a dialogue between Afro-Caribbean rhythms and futuristic Jazz with hints of electro and disco, offering the listener a sonic and refreshing sound experience."
"Batuki" is out on Ragoo Records.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,40
Ananda Shankar - Ananda Shankar And His Music LP

Mr Bongo proudly presents an official reissue of an iconic, exploratory album by Indian maestro of the sitar, Ananda Shankar, aptly titled 'Ananda Shankar And His Music'.

Released on His Master's Voice in 1976, the album is a sublime collage of sitar-funk, traditional Indian classical music and psychedelic grooves, from the Indian sitarist, composer and musician. Nephew to India’s legendary sitar virtuoso Ravi Shankar, Ananda’s musical family and upbringing led to a deep respect and love of the wealth of music that emanated from his birthplace. His travels to the west coast of America in the late ‘60s though, saw Shankar immersed in the full swing of psychedelic rock. The collision of these two musical worlds with a whole range of other Eastern and Western influences on 'Ananda Shankar And His Music', is a truly entrancing combination.

First big in the UK in the mid-‘90s jazz/rare groove club scene, when it was unearthed by adventurous DJs and crate diggers, the sensational Indian-funk tracks 'Streets Of Calcutta' and 'Dancing Drums' became firm dancefloor favourites. The mixture of drum-heavy funk with Indian music and psychedelia is the perfect melting pot. Flavourful and balanced, it still feels fresh and exciting 40 years on.

Like a fine wine, this album keeps getting better with age and once-overlooked tracks are now seen in a new light. Aside from the main 'club' cuts that many have praised and loved, 'The River' is a part blissed-out, Balearic gem, part cosmic wild west soundtrack, that would provide the perfect complement to any sunset session. Elsewhere, 'Dawn' is a spiritual and meditative journey into Indian classical music, with ‘Cyrus’ floating you away to heavenly heights. On a different tip, 'Back Home' fuses styles and themes via an organ and Moog-infused, tripped-out excursion, whilst 'Renunciation' hits with a psych-rock sentiment to its sitar-soaked grooves.

A beautiful time capsule of Eastern culture meets Western influence, where experimentation and intrigue produced a fusion of sounds that still sound as vibrant and alluring as they have ever been.

Auf Lager

Bei uns am Lager und sofort versandfertig

25,17
Elaine Monk / Cherie Lee / Gerideau - Music Station Archive Traxx Vol. 1

DAYBREAKERS, a new London based label focusing on the deepest of deep house, from classics to rarities, dubs, hits & b sides.First up for the label is a focus on Jeffrey Collins’ Music Station label from Englewood, New Jersey. Music Station was a staple on dancefloors across the USA in the 90s. This EP selects four of the best from the label.The A Side has Mixes of Elaine Monk’s - Something For Nothing, mixes so good we had to include them both. On the Flip, the Club Dub of Cherie Lee’s 'Love Me Or Leave Me' will keep the dancefloor rolling, and then B2 is the Smack Rain Vibe Mix of Gerideau’s 'Take A Stand', a deeper than deep anthem perfect for any discerning red lit basement full of dancers.Don't miss out, buy or cry.

Auf Lager

Bei uns am Lager und sofort versandfertig

14,50
Tumblack - Tumblack LP

Tumblack

Tumblack LP

12inchBEWITH167LP
Be With Records
21.03.2025

There's iconic. Then there's *iconic*.

A MASSIVE speaker-smashing release, decades overdue. It's been bootlegged - shamefully so, many times over the years - but finally we present the first ever officially licensed reissue of this truly special Afro-disco-not-disco LP from 1979. A favourite of Harvey, Antal, Young Marco and, er, every great DJ to ever play deep records ever, basically. It's not hard to see - or, indeed, *feel* why.

Gem after gem of relentless, irresistibly funky gold, it's an incredibly revelatory album with endlessly complex drum patterns and basslines to dive into, throughout. Truly, this is uniquely FIRE music, unlike anything else you've ever heard, based on Gwo ka music from the gorgeous islands of Guadeloupe and Martinique. A thrilling synthesis of primal, hypnotic drums - the most tribal of percussive elements high in the mix throughout - with the loping synth pyrotechnics of, amongst a whole host of other greats, Wally Badarou and bass power of disco funk don Sauveur Mallia (Arpadys, Spatial & Co.)

Originally released on the seminal French label Barclay, you'd be hard pressed to even find an original copy in nice condition anywhere, let alone for a reasonable price, so it's high time an officially licensed, remastered reissue came around. It's just the latest in a long line of Be With reissues where the music sounds like the - drop-dead dazzling - cover. This here is a true drum attack. BUY ON SIGHT!

Tumblack was a short-lived project, produced and arranged by electronic wizard Yves Hayat and it can certainly be regarded as one of the first examples of Zouk, mixing powerful disco-funk arrangements with Gwo ka, traditional music from Guadeloupe. Gwo ka is an Antillean Creole term for "big drum". You can say that again! It refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music.Whilst the first side is credited to the exceptional Tumblack band, the flip is given over to "Tumblack & Friends". These weren't just any old friends. Oh no, they were the absolute cream of the French scene (think Arpadys, Voyage, Le Club, Giant, CCPP, Synthesis, Swing Family) such as Sauveur Mallia, Wally Badarou, Marc Chantereau on percussion, Slim Pezin on guitar and Jean-Paul Batailley and Pierre Alain-Dahan handling drum duties.

The urgent, frantic "Fracas" gets things moving straight away with a cavalcade of drums and percussive funk before giving way to the stratospheric "Invocation", one of the album's many, many highlights. It's effectively one long heavenly drum break, a really hard, raw, tribal drum workout without a whole lot else going on - and all the better for it! One to make you sweat, no question. Up next, "Jubilé" is announced with a bellowing accapella voice, chanting the titular name before the heaviest of kicks smashes out your system and lulls you into an absolute state of bliss for nearly 6 minutes. Whoooooosh! Rounding out the sensational A-Side, "Vaudou" is a scratchy, funky patterned drum workout which - yep, yet again - absolutely slays your neck muscles, making them snap and contract in extraordinary fashion. TURN IT UP!

Ushering in the B-Side, the brief, fidgety, African chant-funk of "Parlement" segues seamlessly, beautifully into "Waka", an overwhelmingly rich gem of percussive funk. You do not want this to end, once it hits its stride. For maximum heavenly drum pleasure, you'd need to go a long way than the moment "Waka" feels like it's fading out before it kick-drum-blend into the mighty "Caraïba (Intro)". It's just staggeringly good. It's a minute-long layered drum prelude to the gigantic track which follows. Indeed, "Caraïba" is arguably the best loved and most well-known cut off the LP. And with good reason...featuring that Mallia bass, warm Rhodes and clavs, synth magic, memorably alto sax lines and, of course, tribal chanting.

Another mighty super-ahead-of-its-time classic, the bouncing bass heavy synth funk of "Chunga Funk" deploys Mallia and Wally Badarou (on Mini Moog) exceptionally well. I mean, come on, that bassline is just ridiculous. Try not to move to this one. This extraordinary record closes out with the more traditional Gwo ka sounds of "Bateau La Passé", the tribal chorus making the hairs on the back of your neck stand up.

Tumblack really is a gorgeous late-70s disco-not-disco essential. It's an absolute MONSTER that will completely blow you away; and, yes, it's as compelling and trance-inducing as the cover. The audio for Tumblack has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The cover of Tumblack is so iconic and we sought special permission from original artist Hélène Majera to recreate this at Be With HQ. It absolutely zings off the print and serves as the perfect finishing touch to this long overdue re-issue.

Auf Lager

Bei uns am Lager und sofort versandfertig

26,85
Tifra - Terra Incognita

Tifra

Terra Incognita

12inchHAWS028
Haws
21.03.2025

What lies on the terrain for which no map exists? Tifra has volunteered to take the plunge and find out. For the 28th record on Haŵs, the Dutch DJ/producer steps up to the frontline with ‘Terra Incognita’ - a primitive force to be reckoned with that reveres the hypnotising, ominous unknown. Four investigational tracks unify the checkpoints, wandering through themes of 00s/90s leftfield house, prog, and continuous, undulating grooves.

The EP sets sail with ‘Invoke Hysteria’, scavenging through malevolent, hostile waters and a caution of pad synths, drums and agitated melodies.

Relenting onwards, ‘Serpent’ slinks into a mellow respite, moving slowly and deliberately like a snake in the moonless dark. Deep, resonant synths coil around the percussive heartbeat of the track, weaving together velvet layers of bass, wind instruments and steady, surrendering exhalations of breath.

The titular ‘Terra Incognita’ hoists up the anchor and yields to the trance of the summoning liquid night. Repetitive melodies form the contours of its shifting course, moulding a ritualistic rhythm under the dissolving face of the sky.

Admo steps up to the wheel for the remix, smoking out the initial perfume of the atmospherics into a new, tough brutality. Hauling the track out of its initial spacey orbit, he re-embellishes it with dour synths, drums and a primal, subterranean growl.

Some say that there is no worse poverty than that of connection, so why not be the first to take the risk, break the divide and find out what lies beyond the veil? Otherwise, make your own guesses, and then let them guess who you are.

Auf Lager

Bei uns am Lager und sofort versandfertig

11,98
Kassian - Channels

Kassian

Channels

12inchK7447LP
!K7 Records
21.03.2025

With their debut album Channels on !K7 Records, Kassian (Joe Danvers-McCabe and Warren Cummings) have come full circle, focusing on the warmer, sample-based, and house-inspired sonics that brought them together. Kassian periodically revisited these initial pieces throughout the last five years until they felt able to journey deeper, using their rapidly developing craft and refined production techniques to build a debut album that momentarily steps away from some of their more club-focused excursions. “As we were writing, we realized that all the tracks had the unique potential to tell a story,” reflects Cummings, with Channels leading the listener through a series of different atmospheres and emotional terrains.

Essential to Channels is Kassian’s focus on time’s ability to reorient human perspective. Kassian worked on the album over an extended period, with instrumentation, field recordings, and percussion first constructed and then subsequently stripped away and refined.

Channels contains their early love of tube warm, sample based sounds and live instrumentation as the foundation for this album. The working process for these rippling pieces used both sequenced workflow and improvisational arrangement, live instrumentation inspired by an array of deeper emotional content. Both members of Kassian experienced great personal loss during the period of making this album, and a tenderness is felt throughout the record.

This record is an earthy thing, its naturalistic track names evoking recognisable and cyclically familiar moments, Kassian have provided a map for the listener at the forefronts of their minds. Channels features Ezra Collective’s Joe Armon-Jones on keys, and Timothy Kraemer on cello distilling this body of work into a deep stream between the organic and improvised, and the sequenced and planned.

Auf Lager

Bei uns am Lager und sofort versandfertig

22,90
Various - THE 80s MOVIES ALBUM LP 2x12"
 
30

"30 unforgettable hits from the decade that brought movie classics from The Breakfast Club to Back To The Future.
There was no greater era for movie soundtracks than the 80s! Featuring some of the most iconic and memorable soundtrack moments including the title track from Ghostbusters, ‘Holding Out for a Hero’ from Footloose, ‘I’ve Had The Time Of My Life’ from Dirty Dancing, ‘A Kind Of Magic’ from Highlander, ‘Eye Of The Tiger’ from Rocky III, Gladys Knight’s classic Bond theme from Licence To Kill plus many more. This epic double vinyl will have you reminiscing on those beloved 80s film classics and their amazing music."

Auf Lager

Bei uns am Lager und sofort versandfertig

21,81
Fade 2 End - REZ33thirtythree 2x12"

Fade 2 End

REZ33thirtythree 2x12"

2x12inchREZ33THIRTYTHREE
KMA60 Rezpektiva
19.03.2025

Fade 2 End (aka Nick Woolfson & Mark Shimmon) only put out two releases to their name both originally on Shining Path Recordings in 1996 and in limited numbers. For this Rezpektiva we have compiled the tracks from those two releases and put them onto this double EP which perfectly encapsulates the project - tough beats, hypnotic vocals and tracks that tell a story - roll them out and let 'em do their thing. Rezpekt to Fade 2 End !

Auf Lager

Bei uns am Lager und sofort versandfertig

23,32
Dr Mystery - Far From Home

Dr Mystery

Far From Home

12inchONO101525
Ono
17.03.2025

DR MYSTERY marks her debut release with Ono. ‘Far From Home’ is an eight-track album that glides across the dreamscape of another world. DR MYSTERY’s world, set in the future, exploring sounds that excite the mind and body, underpinning an eclectic take on leftfield techno.

DR MYSTERY’s talent to traverse the intersections between dreams and reality through sonics, positions her as an electric producer who is only just at the beginning of her journey. Ono wishes to capture this moment in a way that feels special, they have handmade 300 sleeves for the ‘Far From Home’ vinyl out of old record sleeves and screen-printed the artwork onto them. Therefore each sleeve is bespoke and one of a kind.

Auf Lager

Bei uns am Lager und sofort versandfertig

22,27
Luke Seager - Cloud Surfing

BMP Crew introduces a new opus cooked by Luke Seager, a young and promising newcomer hailing from Paris.
We have the honor to host his first vinyl release, after a dope digi pack released on Mari.Te's Tresydos.

On the menu: 4 energy-fueled tracks that we fell in love with instantly and heavily played!
Catchy grooves, square wave B-lines, sizzling hi-hats, haunting chords, wholesome ambiances... Everything necessary to mesmerize sunny dancefloors is in there.

If you're more into dark basements and gritty sounds then the remix by mysterious duo Techline ™ is made for you. Mental!

Auf Lager

Bei uns am Lager und sofort versandfertig

13,24
Brother Culture & The 18th Parallel - Ghetto Man

Cumulating tens of millions of streams with hits like ‘Jump up Pon It’, ‘Heal Them’ or ‘Supanova’, BROTHER CULTURE is a true icon of the global reggae and dub scene. As one of the UK’s most influential voices, his career has spanned decades, earning him legendary status and a devoted following worldwide.

Now, Brother Culture joins forces with Swiss reggae powerhouse THE 18TH PARALLEL to deliver ‘Ghetto Man’, a commanding anthem of social emancipation. This track blends Brother Culture’s unmistakable lyrical prowess with The 18th Parallel’s hardcore roots-driven sound, creating a powerful call to rise above adversity and fight for justice. Brother Culture’s reputation as a trailblazer in reggae and dub shines through in every verse, while The 18th Parallel cements their place as a leading force in modern roots music. Together, they’ve crafted a track that resonates deeply, speaking to both the struggles and the strength of communities worldwide.

Adding to the magic is the presence of Paolo Baldini DubFiles on the mix, turning the song into a sound system killer with his dub effects. A true mix lesson that connects with reggae enthusiasts and newcomers alike.

Auf Lager

Bei uns am Lager und sofort versandfertig

12,56
Jimi Tenor & Freestyle Man - Sinus Amoris (Songs from the Bay of Love) (LP)

Studio Barnhus proudly presents this debut full-length record from the Jimi Tenor & Freestyle Man project, the fruit of the joint labour of these two undisputed legends of electronic music. Building on their catalog of work for labels like Warp and Sähkö, these Finnish heroes have blessed
Stockholm imprint Studio Barnhus with regular releases since 2017, this LP being the finest example thus far of their classic yet always fresh sound.

Auf Lager

Bei uns am Lager und sofort versandfertig

17,61
Jimi Tenor & Cold Diamond & Mink - Summer Of Synesthesia
 
2
auch erhältlich

Transparent Vinyl[10,71 €]


The single release from Jimi Tenor's second thematic album on Timmion Records offers two very different moods. "Summer of Synesthesia" takes us back to those dreamy summer days, a natural overpour of sensations mixing together, sounds becoming colors before turning into flavors. Synthesizers grow into delicate layers over Cold Diamond & Mink's rhythm, and when your heart can hardly bear the beauty of it all, Tenor's soft lyric places the cherry on top. "Tsicroxe" on the flipside couldn't be more different, kicking into gear with a demonic organ arpeggio that sounds like you've just been dropped into a Dario Argento scene. Even though the familiar funk from Cold Diamond & Mink eases the dread a bit, when Tenor busts in with the eerie flute solo, the ritual closes in on its conclusion.

The contents of the backwards vocal bits at the end shall be saved for your turntable so make sure to rewind that track, selector! Also Available From Jimi Tenor & Cold Diamond & Mink: Is There Love In Outer Space? 7", Gaia Sunset 7", Is There Love In Outer Space? LP / CD. The single takes listeners on a sonic journey: “Summer of Synesthesia” flows with warm, dreamlike beauty, while “Tsicroxe” dives into intense, mysterious depths, showcasing Tenor’s dynamic range. Blending synth layers with Cold Diamond & Mink’s classic funk rhythms, both tracks bring elements of 70s soundtrack-style tension and ethereal soul, appealing to fans of both cosmic grooves and suspenseful soundscapes. Tenor’s layered synthesizers, haunting flute, and even backward vocal elements add a captivating texture, making “Summer of Synesthesia” b/w “Tsicroxe” a must-have for fans of genre-blending, atmospheric music.

Auf Lager

Bei uns am Lager und sofort versandfertig

10,04
Pleasurewood - Off The Wall / Boogie Nights

Dive head first into a parallel universe where the facts of music history have been turned into pliable putty and an alternative world where Rod Temperton never met Quincy Jones, never joined Heatwave and never wrote songs for the greatest pop soul artists of the 70’s and 80’s BUT instead, hung out at a West Berlin commune with a cast of trans-continental musicians playing a hybrid of post-psychedelic rock with overtones of Ghanaian funk and early 80s synth experimentation all the while exploring the mystic tundras of the mind and the celestial palisades of the soul...

This is the parallel universe that the Suffolk based studio dwellers, Pleasurewood inhabit. Let them take you on a journey through some of Temperton’s biggest hits in only a way that Pleasurewood’s genre defying style and studio prowess will allow.

Heatwaves kicks off on vinyl, with a tasty 7” Double A side that is dance floor ready...

It’s an off-kilter affair from side one with ‘Off The Wall’ swirling in a dense fog of phased bass guitar and emerging onto the shore with jutting hips to a groove underpinned by a sweating percussion section and early forms of synthesiser soaring above like crazed Pteranodons.

On the flip side is ‘Boogie Nights’ striding slowly and purposefully into frame with an apocalyptic Bass guitar line riding a solitary cowbell before a synthesiser clarion ushers in the break and the familiar hook with Moog thunder-strikes glowering in the distance.

The 7" includes digital download of the 7-tracks album "Heatwaves".
Limited to 200 copies.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,40
Babs Robert & The Love Planet - Babs Robert & The Love Planet LP

360 mcn white-white light cardboard paper / one side only hand plasticization / 2 separated parts prints / hand gluing / PVC outers / original artwork / gatefold sleeve / Bandcamp limited edition 30x60 cm insert with extended liner notes by Tony Higgins and Interview with Babs Robert and Sébastien Gorlé with exclusive pictures and self-portrait by Babs Robert himself printed on GF Smith "Takeo Tant Select" Canvas Paper tip-on left jacket panel / Exclusive never released Memorabilia from Babs Robert's vault.

Personnel:
Babs Robert - alt sax, tenor-sax, electric tenor-sax, Bin Recorder, Acme siren, Chinese-bell, sleigh-bells, maracas, tambourine,hand-rattle,claves)
John Van Rymenant - baritone-sax, fluegelhorn, Bala, tambourine, sleight-bells, cowbell, triangle, claves
Johnny Peret - vibes, bongo's, cowbell, maracas, castanets, rattle-snakes, tambourine, drums, woodclock, trinagle
Johnny Brouwers - piano, prepared-piano, triangle, cowbell, sleigh-bells, maracas, caves,hand-rattle, guiro, woodblock, tambourine
Paul Dubois - bass, triangle, cowbell, claves, rattlesnakes, hand-rattle, woodblock, tambourine
Michel Gobbe - bass,Chinese-bell, claves
Robert Pernet - drum, tambourine, seven-notes M'Bichi, guiro, alarm-siren, home-made metal xylophone, African telephone-drum, triangle, sleigh-bells, Siku

Notes:
Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reinhardt, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

The Love Planet performed in the main clubs of Brussels, such as Blue Note, Pol's Jazz Place, and Smog as well as in major musical events throughout Belgium including to big festivals in 1969 - the Avant-Garde Festival in Ghent and the First International Jazz Event in Liege – where the Love Planet shared the bill with Miles Davis - and the Bilzen Jazz Festival in 1970. The contrast between the musical architecture of the themes and sonic freedom in the improvised playing perfectly illustrated the polymorphism – an order within disorder – which the Love Planet aimed for.

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (dru- ms). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion. This is the first official re-release
of the 'Babs Robert and the Love Planet'. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resona- tes some fifty years later. Come with us to the Love Planet. (Tony Higgins)

Auf Lager

Bei uns am Lager und sofort versandfertig

33,82
Jon Dixon - Fly Free EP

Jon Dixon

Fly Free EP

12inch4EVR002R
4EVR 4WRD
10.03.2025

Fly Free is the newest EP by Jon Dixon on his Hi-Tech Jazz label, 4EVR 4WRD (Forever Forward). He collaborated with 2 good friends and Detroit legends, John "Jammin" Collins and Al Ester to create two unique edits that best suit their personal DJ style. He is no stranger to both jazz heads and techno innovators. He's played with UR's Timeline with Mad Mike, Carl Craig to jazz great Marcus Belgrave. "I wanted to make something that could be the theme song for a Detroit summer regardless of where you're going or coming from," Jon said. "I wanted to create a song that was perfect for cruising down Jefferson heading to Belle Isle, or being stuck in downtown traffic after a game." Jon Dixon took something so familiar to the people of Detroit and transformed it into a piece the world can dance to.

Auf Lager

Bei uns am Lager und sofort versandfertig

16,77
Cool Out Sun - A Lion Is A Lion LP

WE ARE EXCITED TO PRESENT THE NEXT RELEASE ON THE NORTHSIDE LABEL, COURTESY OF MELBOURNE HIP HOP / AFROBEAT GROUP : COOL OUT SUN.

Melbourne's Afro Hip Hop veterans, Cool Out Sun are releasing their sophomore LP 'A LION IS A LION' October 4th.

Spearheaded by the duo of Nfa Jones and Sensible J (known for their work across 1200 Techniques, REMi, Sampa The Great & solo projects) are joined by a star studded line up of guests. These include Sampa The Great, Lamine Sonko, Immy Owusu, Vida Sunshyne, Bilalli and more as COS aim to shine light on on their local circle of creatives and inspirations.

Cool Out Sun creates music bridging the traditions of classic Hip Hop with the traditions of Afrobeat, Afro soul & roots music blending West African language and culture with modern sonics that jump out the speakers. Beats are built on the MPC & refined with all live instrumentation & vocals recorded in their lofi indie label, House of Beige studio in the middle of nowhere.

The group's explosive live show has them performing consistently, and their music has been getting a lot of Australian airplay as well as spins across the US, EU and the UK radio.

Cool Out Sun songs go deep into social subjects and storytelling with historical and cultural messaging hidden in catchy hooks and heavy grooves. This collection of songs continues this theme while leaning into the more vibrant side of what Cool Out Sun cooked up in the studio in the creation of this album, 'A LION IS A LION.

To order copies at the WHOLESALE RATE of $25 comes with a minimum of 3 units with each order. Shipping can be arranged and also records can be picked up from here in Fitzroy at Northide.

Auf Lager

Bei uns am Lager und sofort versandfertig

28,15
Deeply Armed - The Healing

Deeply Armed announce release of debut single, ‘The Healing’.

Release features remixes by Andrew Innes (Primal Scream) & Brendan Lynch (Lynch Mob/Paul Weller) and Keith Tenniswood (2 Lone Swordsmen/Radioactive Man).

Belfast’s Deeply Armed have been making subterranean waves for a while now, with tracks being passed around serious heads via various samizdat channels. Andrew Weatherall was an early booster. David Holmes dropped an incredible psychedelic remix that was played out live on specific ritual occasions – but now the trio finally break cover with a three-track 12” that combines deep soul with Krautrock grooves and a rock and roll heart.

With their debut 12” Deeply Armed announce themselves as a singular presence on the fringes of electronic underground sound, hallucinating the kind of phantom dancefloor moves that would reconcile the version, the loop and the live jam with the kind of audacious pop elan of a dream Phil Spector/Dennis Bovell/Conny Plank mega mix.

At times like these we could all do with a little healing, and Deeply Armed are the ones to bring it.

Auf Lager

Bei uns am Lager und sofort versandfertig

17,86
Saffron Bloom - Saffron Bloom LP

Delicate Records delves into the swamp laden depths of heartbreak; inexplicable depth, darkness and twisted beauty with a 9 track full length debut from Saffron Bloom. The Iranian-American producer and performer; already prolific as Sepehr and known for his expertly raw and freaky sound, develops this alias to indulge the silver linings of agony. An illbient force of nature drawing on industrial atmospherics, trip hop flow and unbothered breakbeat influx. The record serves as an ode to the ever changing phases of lost love and grief, seasons of emotion weathering the passage of time each with their own ferocity and relation to the evolving cycle; one so personal yet universally understood.

Intro, the infrastructure of aura laced throughout the record, builds around an ominous and evocative piano soundscape bleeding with delay, intruding barely human vocal cries and percussive injections. Dripping into the DNA of Dirge of the Lonely and Jealous Desire, there comes a yearning, cries from beyond the grave; mourning relationships lost with an eerie familiarity. This sinister sanctuary bred through low slung stripped back breaks, those that echo within the soul and tie themselves to an anchor of inconspicuous growling sub bass; a signature idiosyncrasy perfectly elevated with Saffron Bloom timbre.

Quelling the urge to disintegrate, with power through distortion and commanding drumwork, corners of the B side like Curtain Call and Apathetic Rose reiterate a primal and hypnotic sonic discourse. At the heart of the LP and the artist’s ethos, it resonates through the mind and body in a psychedelic manner while remaining powerfully minimal. Time’s Up (It’s Over) featuring. Sam Weinberg feels like a fever dream, saxophone drenched and echoing throughout your brain, while album closer Ultimate Acceptance is named perfectly. A melancholic realization, soft in nature yet rich in complexity and beauty, a bittersweet conclusion.

Auf Lager

Bei uns am Lager und sofort versandfertig

19,75
DJ Koze - Buschtaxi EP

Dj Koze

Buschtaxi EP

12inchPAMPA043
PAMPA
07.03.2025

A-Side: Buschtaxi (Extended Version) - DJ Koze
Like an unleashed Tarzan, crashing through the skull directly into consciousness with his vine, Koze with Buschtaxi tears through the jungle.

With his unique recipe of psychedelic madness and spiritual potency, he picks up all the lost rave souls and drives them to a place no one knew existed.

Buschtaxi hits differently.

Auf Lager

Bei uns am Lager und sofort versandfertig

11,72
Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

Auf Lager

Bei uns am Lager und sofort versandfertig

22,90
Kike Pravda - Magnetism LP 2x12"

Kike Pravda is back on his own label Senoid Recordings.
One year of work in the studio summarized in 8 tracks with his own and unmistakable style going further with new sounds and going into sci-fi techno in some tracks combining them with powerful weapons for the dance floor at peak hours.
This album is conceived to last for years.

Auf Lager

Bei uns am Lager und sofort versandfertig

21,43
Various - Boys Noize presents ONES and ZEROS LP 3x12"

Boys Noize presents ONES and ZEROS OAZ, a new experimental record label with the mission of breaking open the space of possibilities for techno and beyond. Reflecting new modes of subcultural circulation and integrating music,
objects, and a pluralistic network of artists, OAZ debuts with the 22-track Bo compilation, including two Boys Noize solo tracks, one of them “Bvrning” (Vinyl Only), as well as tracks by Locked Club, Safety Trance & umru, DJ Babatr, Slim Soledad, Schacke, KFR, TINKERHELL, David Löhlein, MarcelDune, and more.

Auf Lager

Bei uns am Lager und sofort versandfertig

39,45
VARIOUS - THE BEST SONGS FROM QUENTIN TARANTINO'S FILMS  3x12"
 
33

THE VINYLBOX COLLECTION IS BACK REDISCOVER ALL THE BEST SONGS FROM THE CULT MOVIES OF QUENTIN TARENTINO. STARRING : JOETEX, ISAAC HAYES, DICK DALE, ELVIN BISHOP, JOHNNY CASH, AL GREEN, RICKY NELSON, LINK WRAY, ...

Auf Lager

Bei uns am Lager und sofort versandfertig

37,77
DANDOLO - TICKET TO RIDE

Dandolo

TICKET TO RIDE

7"-VinylMIR004
Mirella Records
05.03.2025

“Ticket to Ride” marks the solo debut of Dandolo, member of the duo Maurizio & Dandolo. This time, Dandolo wins a lottery ticket and flies solo, away from his Adriatic coast, to Thailand where lust, love and broken hearts await him.

The single’s exotic flavour is highlighted in the B-side, the dub version by Cosmo Dance. The track is a total floorfiller, a DJ essential and dancers’ delight that nods in its production to the Eastern influences of the golden age of Italo Disco.

With “Ticket to Ride” ends the Italo Disco trilogy of Maurizio & Dandolo, started with “Natale in tangenziale” and continued with “Demin”. The track confirms Mirella Records’ commitment to craft exquisite Italo Disco instant classics, with a distinctive and authentic 1980s flavour, which echoes in the cheekiness of the lyrics and themes narrated.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,87
Delphi - Sport & Calcio LP

Soulful hip hop instrumentals from Italy on Best Record-affiliated Quattro Bambole! "The "Moderna Sonorizzazioni" series by Quattro Bambole Music continues its investigation of the infinite expressive possibilities of instrumental hip-hop, recognizing it as the most contemporary form of library music. After the first two chapters - signed by Biga and JayBee Vibes - the third volume of the series, "Sport & Calcio", features the Roman producer Delphi for whom there was a lot of anticipation on the part of both Italian and scattered beatmakers everywhere in Europe and the United States. With the subtitle which is already a declaration of intent ''Tales of a boy from Rome....'' etc. etc., "Sport & Calcio" is an instrumental fresco in which football and sport become narrative pretexts to evoke images, memories and suggestions. The twelve tracks that make up the album are real cinematic sketches, in which Delphi (born Valerio Del Prete) combines raw beats, nostalgic loops, sample-delia and a narrative that evokes family Sundays, spent on the street as well as stadium, and the heat of the crowded stands. Therefore a work that is musically declined based on moments and emotions.. ''Sport & Calcio'' is therefore a deliberately introspective and not very ''danceable'' work. Sound photographs, short descriptions, themes, small fragments associated with television reports on sport... with which the artist touches chords that allow him to express a different compositional depth, a conceptual work, more descriptive and functional to the line of "Moderna Sonorizzazioni" series."

Auf Lager

Bei uns am Lager und sofort versandfertig

20,80
Marina Zispin - Now You See Me, Now You Don't

Synth-pop duo Marina Zispin return with their highly anticipated album Now You See Me (Now You Don’t), set for release on March 7 via Scenic Route.

Now You See Me, Now You Don't is the continuing journey through the ever evolving sound of Marina Zispin AKA Bianca Scout and Martyn Reid. As with their previous EP - the recurring themes of Life and Death loom heavily over the 10 album tracks. With support from 6 Music, Resident Advisor, Pitchfork, METAL, Dummy, The Line of Best Fit, Boomkat, and more for their recent singles. With Now You See Me (Now You Don’t), Marina Zispin further reinforces their reputation for crafting lush, melancholic soundscapes paired with surreal storytelling and ice-cold synth pop.

Since their formation in 2018, bridging Newcastle and London, Marina Zispin have quickly captivated audiences with their ethereal blend of dreamlike melodies and avant-garde textures. Their 2023 debut 12” on Night School paved the way for a successful UK tour, a BBC 6 Music session, and a memorable performance at Bucharest’s Collisions festival.

Bianca Scout, acclaimed for her solo album Pattern Damage (with praise from The Quietus, DJ Mag, Resident Advisor, Pitchfork, Stereogum, Bandcamp, The Wire, and more) continues to push sonic boundaries with her unique fusion of sound collage, post-punk, and poetic lyricism. Recent shows across Europe, including at Poland’s Unsound Festival, underscore the duo’s expanding influence.

With Now You See Me (Now You Don’t), Marina Zispin invite listeners on a captivating journey through a signature blend of fantasy and reality. The album is now available for vinyl pre-order.

Auf Lager

Bei uns am Lager und sofort versandfertig

21,81
Guido & Maurizio De Angelis - Squadra Antifurto LP

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present, in collaboration with Beat Records, the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary Squadra Antifurto, the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

The excitement in this case is nothing short of gigantic, difficult to rein in for those who, like ourselves, grew up adoring the character played by Milian as one of our cult heroes, and dreaming that the soundtracks of the first three films in the saga – the only ones composed by the De Angelis brothers – would one day be released.

Since the launch of our label, Squadra Antifurto has been at the top of the list of film scores we most wanted to release. Until a few months ago, this dream of ours seemed destined to remain just that, so strong was the conviction in all of us that the master tapes were definitively lost, that they had forever vanished into thin air. That's why their recovery, made possible by Maurizio De Angelis himself and the persistence of our friends at Beat Records, is an extraordinary feat.

Nearly 50 years after it was first heard in cinemas, the soundtrack penned by the De Angelis brothers is resurrected in its entirety and can finally shine its incredible power all over us.

Beautifully seeping through this score – like many others composed by the golden duo in the 1970s – are elements from the Italian, and especially Roman, folk tradition, for instance in the warm, heartfelt ballad sung by Alberto Griso, "E nun ce voio sta," which first plays in the opening credit sequence and is then reprised in various forms throughout the film, culminating with the soul-stirring orchestral version that closes the album's tracklist.

But as in any Italian crime film worthy of that name, a different soundscapetakes centre stage: it's the music that accompanies the countless scenes of tension, action, and pursuit that punctuate the film, and which has made us fall madly in love with this score.

The main theme is a prog-funk joyride, drawing inspiration from the traditional tarantella but elevated to irresistible energy thanks to a rock orchestration featuring psychedelic flutes, wild percussion, distorted electric guitars, piano chords, and various feedback and delay effects.

The resulting groove is just mind-blowing, and we almost can't believe it's finally available on a record, completely remastered for vinyl.

We really couldn't be prouder, and dedicate this release to all passionate fans of Italian crime films, the De Angelis brothers, and Tomas Milian aka Nico Giraldi.

Available starting April 12th on standard black vinyl and limited coloured vinyl (transparent amber, limited to 300 copies).

Auf Lager

Bei uns am Lager und sofort versandfertig

33,19
Serge Funk - Groovy Theme / Cherry Bomb

DJ Support: The Shapeshifters, Riva Starr, Mousse T., Michael Gray, Dr. Packer, Richard Earnshaw

Serge Funk having made a recent name for himself as a wonderkid for disco- and funky-house versions. A re-editor for the diggers as opposed to the baitheads, 'Groovy Theme' and 'Cherry Bomb' are utter bangers devoid of much relation to their originals (indeed, there's no way of telling what the samples are without a record buyers' knowledge), in large part thanks to their working into beat-centric structures that drown out the vocals in favour of kick slappage and gut-punchage. Rhythm over theme; keeping things vibey, felt.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,24
Various - Earthly Tapes 04 LP

Restoring balance to our series of earthly compilations, one that has brought to you an array of different artists, all with the collective goal of sharing the joy of exploring musical wonders with no borders, we have Earthly Tapes 04.

In keeping with the series so far, nature and electronica intertwine in unison to share a space as befitting to hedonistic dancefloor groovers as it is to homebound explorations. With this release, we have 7 wonderful artists expressing their creativity across 6 carefully curated tracks, with native roots connected to 5 different countries across South America and Europe.

2 years in the making and chopping and changing as it’s passed through the motions, what has remained is the concept behind it. On this edition, we're shining a light on a small portion of female producers within a music scene that we’re fortunate to be a part of.

Each artist that has carefully created a track for this compilation, has also contributed their beautiful crafts within the Organica/Folkloric/Downtempo scene and we’re truly blessed to be able to share them with you. The countdown to the release of this next chapter finds us coinciding fittingly with International Women’s Day.

Auf Lager

Bei uns am Lager und sofort versandfertig

14,24
Oren Ambarchi & Eric Thielemans - Kind Regards LP

The record captures an expansive performance in Poitiers, France in November 2023. First working together in an unpredictable trio with minimalist legend and eccentric extraordinaire Charlemagne Palestine, Ambarchi and Thielemans quickly established a remarkable musical chemistry that led to an ongoing series of duo concerts, including the performance documented on their LP Double Consciousness (Matière Mémorie, 2023).

Kind Regards finds the duo refining their shared language while continuing to take risks, allowing the music’s gravitational pull to lead them from meditative calm to unexpectedly expressive passages of melodic invention and rhythmic drive.

Recorded in sparkling fidelity and carefully mixed by Ambarchi’s longtime collaborator Joe Talia, the LP contains a single unbroken performance, stretching out for over 45 minutes. Guitar and drums weave together into a symbiotic whole that nevertheless affords us ample opportunity to marvel at the highly personal approaches these two musicians have developed to their chosen instruments through decades of diverse collaboration and prolific performance. The set begins with Thielemans’ hypnotic tom patterns, around which Ambarchi’s wavering, shimmering guitar tones—achieved with the help of the rotating speaker of a Leslie cabinet—flurry and swirl. Thielemans’ drums play subtle tricks with time and perception, adding and dropping beats within repeated patterns to create an effect at once rhythmically insistent and liquified. Growing at first into a rapidly pulsing texture of brushed drums and flickering harmonics, the music builds momentum into an irregular groove over which Ambarchi’s guitar is transformed into haunting, monumental electric organ chords, strikingly recalling the Wurlitzer work of Alice Coltrane, before settling into a section of gentle portamento melody embedded into the tactile clicks and clangs of Thielemans’ percussion.

When Thielemans adopts a more traditional jazz approach to the kit in some of the set’s second half, the results are stunning, demonstrating a feel for shifting accents and sensibility to the touch of the stick on the drum or cymbal that recalls greats like Jack DeJohnette or Billy Hart (one of Thielemans’ mentors). And when Ambarchi turns up the heat, he does so in an unexpected and delightful way, letting loose a swarm of jittering delayed tones straight out of Henry Kaiser’s classic It’s a Wonderful Life, with a more active use of the guitar’s fretboard than his usual approach to the instrument allows. As the performance draws to a close after a climactic episode of distorted harmonic groans and crashing cymbals that manages to be at once thunderous and carefully attuned to detail, it is clearer than ever that, for these two serial collaborators, this is a very special pairing.

Kind Regards shows us the kind of magic that can happen when two masters who have dedicated decades to reimagining their instruments simply begin to play, following the music wherever it goes.

Auf Lager

Bei uns am Lager und sofort versandfertig

22,65
Casper Hastings - Recreational Murder EP

Irish producer and DJ Casper Hastings returns to the label in full force with a 6-track EP titled “Recreational Murder”, unleashing a lethal mutation of electro, techno and jungle, the release showcases Casper’s versatility as an artist who garners clear-cut expertise in his field.

Nodding to its foreboding title, “Tangerine Meme” follows suit with an increased pace, woven together by squelchy synth work, wobbly bass and a gnawed up vocal scattered throughout.

“Reaper” lands with a pitched-up vocal riff opening the track; the word LSD later echoing through the ghostlike atmosphere laid out by a snappy pattern of snares and smoggy distortion. Peder Mannerfelt’s remix of the track comes as a curveball and flips the B-Side of the record, upending the previously understated but ominous tone with thundering drums, whiplike percussion and in-your-face high velocity.

“Ruthless Romance” continues on the rapid tip, this time highlighting Caspers long-running love for jungle. With a spirited UKG-tinged sample layered over clattering drums and hardcore bass lines with the celebrated genre, this is the track that brings a chunk of quick escapism. The deconstructed “Good Medicine” closes the record with the return of stabbing bleeps, intense kicks and swirling psychedelics accompanied by a grunt-heavy sample to reflect the EP's theme a sense of dread lurking behind every corner. Looping full circle to that initial cinematic feel, the final track / digital bonus “Akashita” marks his solo instalment on the label with palpable effect.

Manufactured in Dublin, Yin Yang Label 2025

Auf Lager

Bei uns am Lager und sofort versandfertig

15,76
Snips - Blasphemy

Snips

Blasphemy

12inchBBSR010
Barbershop Records
28.02.2025

After a Classic/Defected release and a string of edit projects/remix work Snips returns to his own Barbershop Records for his latest release "Blasphemy", a project drawing solely on Gospel samples from Snips' personal collection. Barbershop sticks with the theme of re-imagining the past to create something new while continually offering an alternative to todays mainstream. With Gospel music being the least commodified of its contemporaries yet the most essential element of them all, it would seem the perfect sample source for a Barbershop release and a sonically perfect fit for Snips' brand of Hip Hop, Soul & House inspired beats. From future club friendly anthems like "Feed The People" and "Feel The Spirit" to the true school Boom Bap sensibilities of "Pattersons Pilgrims" and "Never Waltz Alone" this release has all bases covered.

Auf Lager

Bei uns am Lager und sofort versandfertig

7,77
So-Do - Studio Works '83-'85

The story of So-Do is both familiar and completely unique. A classically trained multi-instrumentalist with a poet’s sensibility and a passion for folk music meets a worldly bar owner with a love for psychedelia, post-punk and dub in the small town neither could bring themselves to leave. Over two years, they play dozens of shows in independent live houses across Japan, cut and self-release three singles – two 7”s and a 12” – and leave behind just eight tracks, all of which are set to be reissued for the first time forty years on.

So-Do’s Studio Works ’83-’85 collects the full output of this iconoclastic post-punk phenomenon, whose sparse, syncopated arrangements were infused with a dubbed-out flair that owed more to Dennis Bovell’s productions of Orange Juice, the Jah Wobble basslines of Public Image Limited or Adrian Sherwood’s live dubs of Mark Stewart than even they knew at the time.

Because for lead songwriter Hideshi Akuta, music offered an escape from the existential malaise of small-town life, folding a melancholy nihilism into tracks like ‘Kakashi’ and ‘Hashiru’ (which translates as ‘run’), or taking aim at the inequalities and creeping apathies of the middle classes, as he does on ‘Get Away’ and ‘Nothing’.

And if Talking Heads had CBGBs, Sex Pistols had the Roxy, then So-Do had Buddha. Influenced by Buddha venue owner and amateur producer Atsuo Takeuchi, Akuta turned So-Do’s sound towards dub, crafting playful, ironic and funky compositions that crackle with live energy at the vanguard of Japan’s nascent independent music scene.“So-Do is hard to explain,” Takeuchi says. “It’s been a struggle for years to try to find the words for our music.” The answer perhaps, is just to listen.

Both familiar and completely unique, So-Do extend Time Capsule’s genre-defining exposition of Japan’s reggae-inspired music of the ‘70s and ‘80s, as collected on the label’s two critically acclaimed Tokyo Riddim compilations, and London-based live outfit Tokyo Riddim Band.

Embracing the rip-it-up-and-start-again ethos of the early ‘80s, So-Do burned bright for a short time and then burned out. Their legacy is about to be reignited. Expect it to catch alight once more.


All songs are written & composed by Hideshi Akuta

Produced by Atsuo Takeuchi

Artwork by Ben Arfur
Liner Notes by Anton Spice, Ayana Honma, Kay Suzuki

Curated by Kay Suzuki

Licensed from Atsuo Takeuchi (Oregano Cafe)

Tape Restoration and Mastered by Mike Hillier at Metropolis Studios, London, UK

Time Capsule | TIME023 | 1983-1985 → 2025

Auf Lager

Bei uns am Lager und sofort versandfertig

26,26
Parade Ground - The Hidden Side

Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring collaborative partnership. In 2011, Dark Entries released The Golden Years, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. The Hidden Side continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles - all cold, dark, and brooding. Tracks like “Riddle in the Stain Glass Window” and the previously unreleased “Looking Through Keyholes” see the band in menacing coldwave mode, rocking chorus-drenched bass guitar and blasts of analog synth. The band’s dancier proclivities shine elsewhere, like on “Off-Balance” or the supremely funky “Hollywood (The Sexiest Fish),” a floor-filler driven by bass guitar and thumping digital drum machine beats. Also included is “Marble Mind,” a previously unreleased latter-period track from the band recorded by Patrick Codenys at 242 Studio. The Hidden Side includes liner notes featuring lyrics and a photo of Jean-Marc and Pierre Pauly. Additionally, a newly remastered edition of The Golden Years will be released along with The Hidden Side.

Auf Lager

Bei uns am Lager und sofort versandfertig

20,59
Babyshambles - Shotters Nation LP

Babyshambles

Shotters Nation LP

12inch5021732358677
Warner UK
25.02.2025

"The acclaimed 2007 album reissued on 1LP clear vinyl. Taken from the original 2007 masters when Pete Doherty was at the pinnacle of his creative powers, ‘Shotter’s Nation’ followed in the footsteps 'Down In Albion’, the band’s debut album, and Doherty’s first album outside of his first band - the era-defining Libertines. Both were met with commercial and critical acclaim, breaking into the top 10 of the album charts.

‘Shotter’s Nation’ is unmistakably Doherty. Melodic, stark, catchy, raw, brilliantly unique - his music has always created an unflappable loyalty from his many fans, remaining timeless, yet still sending a nostalgic excitement through its listeners. The album also features four songs co-written by Doherty’s then-girlfriend Kate Moss who also regularly performed live with them.

The approach to the recording and release of the album was an escape from Doherty’s previous methods. Stephen Street (The Smiths, Blur, Morrissey, The Cranberries) took over producer duties from The Clash's Mick Jones, and it was and his first album released by a major label, Parlophone."

Auf Lager

Bei uns am Lager und sofort versandfertig

27,69
USEIN BEKIROV - SATO LP 2x12"

Usein Bekirov

SATO LP 2x12"

2x12inchUPC197189749667
Tlsg Digital
25.02.2025

The album SATO was made by the Ukrainian Crimean Tatar pianist and composer Usein Bekirov.
SATO was created during the difficult wartime for Usein’s motherland Ukraine and for the author himself.
Despite circumstances, the compositions of SATO express the ideas of the beauty and revival of Ukrainian music, a part of which is Crimean Tatar folklore.
The uniqueness of the release is caused both by the concept of the album and by the performers' star crew.

The jazz sound of the compositions of SATO is directed to the stylistic course of ethno-jazz and world music.
Rhythms and melodies of colorful Crimean Tatar folk music became the main source of inspiration in the creation of the album.
We can find both Usein's original author's themes, skillfully stylized to the oriental sound,
and referenced to the classic jazz vocabulary in its juicy riffs and grooves with features of fusion and funk music.

The name of the album reflected the inheritance of generations through music.
Sato is not only a folk instrument but also the name of the first Crimean Tatar jazz band, which made the first jazz arrangements of Crimean Tatar songs.
The music of this band became the basic musical experience of Usein Bekirov, because one of the members of the group was his father Riza Bekirov, to whom the album is dedicated.

The author and producer of the album is Usein Bekirov - Ukrainian pianist, composer, arranger, sound producer, and author of music for a number of films and theater performances.
Usein Bekirov cooperates with both foreign and Ukrainian musicians of the highest rank.
This is evidenced by the participants of the album Sato: Dennis Chambers, Randy Brecker, James Genus, Mike Stern, Ada Rovatti (USA), Hadrien Feraud (France), and Cenk Erdogan (Turkey).
Each performer reinterprets the author's material of Usein Bekirov through the prism of his own experience, character, and manner of performance, which was expressed in the daring stylistic combinations within a jazz style.

A special role in the creation of the album was taken by the participants of the recordings, especially, legendary jazzmen Dennis Chambers, Randy Brecker, James Genus, Mike Stern.
Their ideological and creative support became an important part of the creativity process.
Musicians expressed their impressions in small addresses for the audience.
One of the reviews of the musicians:
"The process of recording compositions was really exciting! This music reflects Usein's national origin and sense of his native culture.
It is full of real emotions. Actually, this music is quite difficult, but it is very well written and produced!
I sincerely hope you will notice this album, which also took part in Dennis Chambers, James Genus, Mike Stern, Ada Rovatti, and others.
I think it's going to be a really special album, can't wait to hear the final version.
When you hear about the premiere, I highly recommend listening to this new album created by Usein Bekirov.
It will be great!" Randy Brecker

Auf Lager

Bei uns am Lager und sofort versandfertig

47,27
The Lilac Time - Astronauts LP

Over three years in the making, Needle Mythology Records is delighted to announce a super deluxe, expanded remastered reissue of The Lilac Time’s 1991 masterpiece, Astronauts. Released as a triple vinyl, triple CD or single vinyl, only 1000 copies of each format will be produced, there will be no further pressings. Both the 3LP and 3CD editions will come with an extensive 11,000 word oral history of Astronauts and liner notes by Needle Mythology co-founder and longtime Stephen Duffy fan, Pete Paphides.

All three albums including a 2024 remaster, a collection of works in progress entitled‘Softened By Rain The Making Of Astronauts’ and a live compilation ‘Any Road Up The Lilac Time Live 1990/91’ have been mastered for vinyl by Miles Showell at Abbey Roadand will be housed in a triple gatefold sleeve with a colour inner sleeve and new artwork for each disc, which has been especially created by designer Mike Storey. The main sleeve for Astronauts itself will replicate the original artwork but with the four distinctive “blobs” rendered in a red “foil” texture. In addition to these three disc sets, 1000 single vinyl remastered copies of Astronauts will also be made available, in a cherry red vinyl edition to match the outer sleeve.

With the shoegaze and baggy movements at their zenith, The Lilac Time’s fourth album was released at a moment when the left-field music zeitgeist was shaped by the nascent shoegaze, baggy and grunge movements. Whilst Astronauts conformed to none of those trends, neither was it the record Stephen had in his head when he finally finished working on it. We’ll never know how that record would have sounded, but it’s hard to imagine a better version of the album he did end up making. The songwriter who brought ‘A Taste of Honey’ and ‘Hats Off, Here Comes The Girl’ into the world envisaged the sort of choruses that would jump from the single speaker of your favourite transistor and lodge themselves into the collective memory bank.

But while he really was writing some of his most beautiful melodies, Astronauts is a family of songs that demands to be kept together in the sundazed cloud of inspiration that created it. It constitutes a partial retreat from the outwardfacing utopianism of its predecessors, choosing instead to dwell on the journey taken to get to this point. That this is an audibly different band to the pastoral expeditionaries of the group’s previous releases is almost entirely down to the departure of Nick Duffy and the arrival of Sagat Guirey. Suddenly, accordions, banjos and mandolins are out; jazz guitar is in. Sagat’s filigree work on the outro of ‘A Taste for Honey’ acts as a sublime parting shot to a lyric which acts as a wiser, wistful companion piece to Stephen’s 1985 solo hit ‘Kiss Me’, something tantamount to the camera retreating to reveal the years elapsed between the time depicted and the present day. The distance between the carefree youth of pop stardom and the first intimations of mortality can be measured between the first and second verses of the quietly devastating ‘Madresfield’; from the depiction of the deserted cricket pavilion obscured by fresh snowfall to the sudden shift in perspective from subject to protagonist: ‘No one ever told me/That killing time is harmful/For time cannot recover/What soon the ground will offer.’ For all of that, however, the resulting album didn’t correspond to the vision its creator had for it. At a loss as to what to do with it, Stephen surrendered Astronauts to Creation with no plans to promote or draw attention to it. The consciousness shift of which Stephen had hoped The Lilac Time might be a precursor hadn’t happened. Or, rather, it had – but it had happened elsewhere, in the Haçienda and Shoom and in Ibiza. Not on the hills of Herefordshire. In a nod to that sea change, Stephen handed over one song, ‘Dreaming’ to Hypnotone, who

Auf Lager

Bei uns am Lager und sofort versandfertig

28,15
Various - Hot Sauce Vol 5

Here is our Hot Sauce Volume 5 showcasing some seriously groovy and rare Rocksteady,
Boss and Reggay tracks mixed expertly for yet another thrilling early Reggae experience on vinyl.


Here is the much anticipated volume 5 of the HOT SAUCE compilation LPs dedicated to the Trojan related labels between 1965 and 1975.
HOT SAUCE volume 5 features outstanding original Rocksteady, Boss Reggae and early Reggae (“Reggay”) tracks including rare songs, overlooked gems, hidden treasures and a couple of hits. The record labels showcased on this fourth volume are Amalgamated, Bread, Downtown, Duke, Explosion, Grape, Harry J Records , JJ Records, Rio, Splash, Upsetter and Techniques.

The tracks here have been selected according to their musical interest firstly, their rarity, and their complementarity.
These tracks are all outstanding tracks, “killer tracks”, there is no “filler” whatsoever.

Particular attention has been paid to the way the songs are sequenced (or “mixed”) so that the album builds up nicely and gradually, generally starting
with the Rocksteady songs on the A side and the 70s songs on the B side.
The HOT SAUCE series is a musical journey across Trojan and its labels showcasing early Jamaican Reggae’s diverse musical genres and outstanding artists.
Since the early 70s’ “Tighten Up” and “Club Reggae” series, no compilations have really explored these labels in depth on vinyl.
It might be the last volume of the series as we know it so we wanted to make a splash for volume 5.
It is a nod to self-censored lewd Reggae covers from Trojan and Pama in early 70s. So don't fret,
a collectible yellow sticker has been strategically applied on the shrink-wrap to cover Miss Rocksteady's bottom!!
With its striking cover and its thrilling Reggay selection, volume 5 is bound to become another successful album in the Hot Sauce series...

Auf Lager

Bei uns am Lager und sofort versandfertig

29,62
B.AI - Hope

B.AI

Hope

12inchMOTIVATION01
Motivation
21.02.2025

Since launching her own club night, “Motivation,” back in 2018, B.AI has played a key role in bringing the underground’s club sounds to her home country, China. While introducing some of the scene's most exciting artists to her local audiences, she emerged as one to look out for as well: first as a DJ and quickly thereafter as a producer. Her original takes – a sensitive, highly personal approach to melody and a knack for playing with expectations – crystallized in a slew of A+ releases and a couple of international tours. This trajectory, shaped by taking matters into her own hands and self-empowerment, now sees a logical next step, with the inception of a label that will also operate under the “Motivation” banner and features her own “Hope” EP as its first release.

Sparkling mallets, with synth-pop quality catchiness, open the title track. Rather than further evolving, their two-bar arrangement gets looped over and again, serving as the foundation for a slick FM bass rhythm and a variety of hooks. Although these incline to the bright, the overall vibe is melancholic. In vintage B.AI style, the aptly titled “Hope” is more ambiguous than its patches suggest. Similarly, the vocal this type of palette would call for ultimately comes in the form of aloof, covert musings. A bit buried in the mix, they are most efficient – just like the tension that keeps brooding underneath the surface.

“Murderbot Diaries 1991” turbocharges four-to-the-floor synthetic drums with an arpeggiated rolling bass. The blue note melody on top feels sequenced via a pocket calculator, and the dissonant, electroclash-reminiscent stabs that follow might sound even more angular. The tune is frantic, sinister – and perhaps above all tongue in cheek. It reaches fever pitch with the arrival of a tubular bell theme between the two breaks.

“Once”’s slomo cutoff modulation on the 16th note mid-bass instantly creates a sultry atmosphere that meshes greatly with the pastel cool of the gently delayed DX7 leads. The energy drifts between effortless control and uncertain outcome. These contrasts are amplified as the drums alternate amidst moderation and beat-repeat rendered havoc.

On “Only We Know,” a progressive sine lead lays out the central motif. Yet as briskly as it appears, it makes way for detuned, gliding square waves taking on the same theme. This outlines the track’s structure: as slightly morphed repetitions keep getting introduced almost haphazardly, a dreamlike, mesmerizing ambience unfolds. Techy drum rhythms and a 101-type bass make sure everything stays fuelled. Within the ingenious tapestry of melodies and new twists, it never loses touch with the dance floor. It illustrates B.AI’s club savvy neatly and is therefore a perfect closer for this EP.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,99
Alessandro Alessandroni - Open Air Parade LP

2024 Repress

Alessandro Alessandroni's "OPEN AIR PARADE" is finally reissued through SME. The very best library record by the cult maestro on the dreams podium alongside SPONTANEOUS, the 2 FARFALLA's recordings and RITMO DELL'INDUSTRIA we released 2 years ago. A long-awaited masterpiece and sought-after gem by record collectors all over the world originally released in 1972 on the mythical SR Records with two tracks by the great bassist Giovanni Tommaso who surely played in this session. A dreamy album with the top-notch, strung-out Psychedelic Funk sounds ever recorded in Italy during the early 70s, laden Beat and groovy music with lush arrangements and insane vocal themes by Alessandro Alessandroni's Cantori Moderni chorus. Italian Library gem!

Auf Lager

Bei uns am Lager und sofort versandfertig

37,27
Will Samson - Songs Of Beginning And Belonging

Having shared stages with artists like Efterklang and Ólafur Arnalds, Samson has long felt like an outsider, caught between being “too experimental” for some and “too indie” for others. His struggle to fit into a defined space has deeply influenced his music. After the pandemic derailed a major indie record deal, Samson grew disillusioned with the industry, reflecting on how his search for belonging had often been met with barriers.

His new album “Songs of Beginning & Belonging” are reflections on these experiences. Moving away from the themes of home and displacement that coloured his earlier works, the new album reflects a sense of inner peace and renewal. It is a delicate, meditative collection that underscores Samson’s growth as an artist and a person, driven by a desire to move past old wounds and start anew.

“Songs of Beginning & Belonging” is an album that feels at once delicately sparse, at times even symphonic, but is tied together by a repeated and palpable feeling of quiet liberation - a determination for things to move forward rather than reflecting back on what’s come before.

Recorded between November 2022 and May 2024 in Will’s former studio, a secluded spot on the River Tejo in Almada, which he shared with Casper Clausen of Efterklang), the album was made specifically for Dauw, who had asked Will to create a piece of music for them. The album was, as always, largely recorded using his 1970's 'Uher 4200' tape machine, plus a small collection of other tape machines that wind their way in and out of the recordings and shape in it in a beautifully singular way.

Auf Lager

Bei uns am Lager und sofort versandfertig

23,74
Various - Eine Aufnahme voller widerlicher Verderbtheit  LP 3x12"
 
22

Throughout the 1980s, Michael Antener, born and raised in Bern, Switzerland, initiated an array of sonic endeavours in the realm of industrial, dark, aggressive music. Of his times as a post-apocalyptic hunter, he says today: I found a musical niche where I could express myself, along with other people who were not afraid of dark themes. It would have been hard to sing about love in my music, so I included sounds and cries of pain taken from horror movies.

It was a fortunate coincidence to come across one of his self released records, the 1986 EP Strangler of the Swamp, which marked the beginning of our quest to find this all but forgotten musician whose work seemed nowhere to be found. Eventually, we got in touch with Michael, who is still living in Bern, and began the process of searching through all his surviving musical and visual material.

The triple vinyl release is all about documenting Michael Anteners adventures during that intense 1980s period. We tried our best to select the most interesting material from his two earliest projects, The Strangler of the Swamp and Bande Berne Crematoire, comprising materials from vinyl records, cassettes, and live recordings, some of it unreleased. The release also includes a deep dive into Michaels visual archive of posters, photos, and sleeve artworks.

The disjointed, tumultuous body of work presented here marks the testament of a fringe musician who was disruptive and confrontational, keen to shock and alarm people (much to our liking), and who could easily have been lost in oblivion.

Auf Lager

Bei uns am Lager und sofort versandfertig

28,36
Dogpatrol - Ya Playing Yaself EP

Still sniffing out the gnarliest bassweight swerves on his rounds in the underground, Dogpatrol makes his way back to Sneaker Social Club for another four cuts of irreverent, misfit rave damage.

Hailing from Offenbach (DE) but with a sound more indebted to UK styles like breakbeat hardcore, dubstep and garage, DogPatrol has been a natural fit on Sneaker. The slanted approach he takes to his influences results in a mutant style that shuffles and slams in all the right places without sounding like anything else out there.

‘1200kcal’ rides jagged, dusty drums that come on like drunken UKG, offset by rubbery bass arps that add a cosmic lick to proceedings. ‘Baby Flame’ has a nastier outlook hinging on a bludgeoning synth splat that calls back to the Control Tower brand of warehouse electro from the early 00s. Making sure no-one is second guessing the scent Dogpatrol is tracking, ‘Ya Playin Yaself’ dips into a dubstep-minded half-step roller with naive keys run through a giddy signal chain. ‘Offgenbach HBF Riddim’ completes the set with a breakbeat cut n’ paste job which tracks back to the source with strong echoes of The Blapps Posse’s raw and funky approach.

The reference points are just slight hints of familiarity, but Dogpatrol comes across as inspired as ever digging up the bones of cult rave signifiers and chewing them into his own unique shapes.

Auf Lager

Bei uns am Lager und sofort versandfertig

11,13
John Coltrane - Blue Train

John Coltrane

Blue Train

12inchVPL80099
Vinyl Passion
19.02.2025

This album was recorded September 15, 1957, in Hackensack, New Jersey. The personnel includes Coltrane's Miles Davis bandmates, Paul Chambers on bass and Philly Joe Jones on drums - both of whom had worked before with pianist Kenny Drew - and trumpeter Lee Morgan and trombonist Curtis Fuller, who were then up-and-coming jazz musicians and would go on to join Art Blakey's Jazz Messengers. All of the compositions were written by John Coltrane, with the exception of the standard "I'm Old Fashioned". The title track is a long, rhythmically variegated blues with a sentimental theme that gradually shows the major key during Coltrane's first chorus. "Locomotion" is also a blues riff tune, in forty-four-bar form.

Auf Lager

Bei uns am Lager und sofort versandfertig

14,71
Odd Occasion - JUKEBOX

Dubstep and garage pushers Hotflush make a surefooted return, welcoming Perth producer Odd Occasion to their roster with an al dente next-gen garage cookoff. This 'Jukebox' offers six choices to the discerning listener, though you'd be hard-pressed to find a pub owner who'll take them on in toto - unless the landlords happen to be real heads, that is! All's well that this is a machine with niche appeal, with its formal calculations and dark contusions tempting fans of all things bass-led. Though the record begins on a volatile yet minimal note, the A3 'Simple' takes a glassy dubstep turn, virtifying the mix with hollow sound design and a stealthy grime vocal sample. The B-side betrays a sacrifice of genre focus, with 'Salt' bringing brutal trade zone techno via experimental trap sound design, and 'Tape' progressing through tender zithers, which help uptick the mix to reach a snappy folktronic finish.

Auf Lager

Bei uns am Lager und sofort versandfertig

15,08
Lucas Moss - Prelude (Nu Zau & Vlad Arapasu Remix)

We are very excited to present our first release "Prelude" RU001. This exceptional record marks the beginning of a new era in minimal electronic music, fusing the creativity of Lucas Moss with the unique interpretations of Vlad Arapasu and Nu Zau. "Prelude” is more than an album; it is a testament to our commitment to change and evolution in musical culture. This journey of original sounds reveals our vision of embracing art in all its forms, contributing to a cultural change on a global level. On the two original tracks by Lucas Moss, we explore the depths of change and transformation. Vlad Arapasu brings his unique perspective with a remix that captivates, while Nu Zau features a vibrant and joyful remix that redraws the boundaries of the dancefloor. “Prelude" symbolises a trip where change and purification can be achieved by bringing just a little bit of light into the darkness. The vocals symbolize the intuition we all have but which is sometimes dormant. Cumacanga express our shadows; we recognize that without them, the light would not shine as brightly. This release is our call for change, innovation and the continued support of art in all its forms. Join us on this journey, where minimal electronic music becomes the way to transcend barriers and create a permanent impact on the world of art. Together, we start the journey with "Prelude" RU001, and this is just the beginning...

Auf Lager

Bei uns am Lager und sofort versandfertig

15,08
Wax Tailor - Tales of the Forgotten Melodies LP 2x12"
Auf Lager

Bei uns am Lager und sofort versandfertig

24,58
Charlotte de Witte - Power Of Thought EP

Repress!

Techno phenomenon Charlotte de Witte today announces her brand-new EP “Power Of Thought”, out October 19 on her own KNTXT label. The trio begins with the title track “Power Of Thought” - which immediately erupts into a hypnotic techno beat interspersed with spoken mantras of mindfulness. This is followed by “Pria”, a pulsating journey featuring hypnotic, mantra-like vocals. The EP ends with ambient track “Abada”, punctuated with the occasional drum and chanting vocals before it quickly strips away to silence.

“For ‘Power Of Thought’, I wanted to create an EP that touches deeper emotions and captivating the meditative trance you have when you let go on the dance floor,” says de Witte. “‘Pria’ has already brought me a lot of joy over the last few months when I have played it during my sets. It offers a moment of reflection and a chance to catch your breath during the rougher, more peak time tracks I play. ‘Abada’ is a track that I really enjoyed making. I discovered these magical chanting vocals and I just knew I wanted to use them in a track. Though this track is maybe less playable in one of my sets, I feel that Abada found its home on this EP and completes the ‘Power Of Thought’ circle.”

Best known for her “dark and stripped-back” brand of techno and crossover to other sounds of the underground, Charlotte de Witte pushes the boundaries of the electronic genre with music that has a distinct and unforgettable sound that is uniquely her own. De Witte’s innovative ability allows her to seamlessly blend genres and styles that
have won her a dedicated fan base and critical acclaim.

“Power Of Thought” is the followup EP to de Witte’s “Overdrive” EP, campaign and tour, which recently wrapped with a Los Angeles takeover last month and included performances at Brooklyn Mirage, Primavera Sound, Rock Werchter, Super Bock Super Rock, Lowlands and Rock En Seine. The “Power Of Thought” release will include an exclusive apparel drop as well and will coincide with the opening day of KNTXT Turbo Club, de Witte’s epic 3-day pop-up event series taking over Amsterdam Dance Event (ADE) from October 19 - 21, 2023.

With a different “KNTXT” each day, the turbo-charged pop-up will feature a massive lineup of performances, a dedicated KNTXT shop, immersive music experiences and other surprises at an undisclosed location in Amsterdam. Capacity will be very limited and tickets can be purchased now at https://kntxt.be/events/ade.

Following ADE, de Witte will embark upon the KNTXT Latin America Tour on October 26, which will take her to Mexico City, Buenos Aires and São Paulo.

Auf Lager

Bei uns am Lager und sofort versandfertig

15,92
Johnmon - Abrupt Chaos EP

Johnmon

Abrupt Chaos EP

12inchPWRLDR03
PWRLDR Records
14.02.2025

Powerloader Records returns from the graveyard. Serving spooky tunes that will gather all ghouls ’n ghosts onto those dusty, haunted dance­oors. Turn into a freak to the A side, get romantic to Glass Skin or just show them what kind of ghoul you are.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,87
Chetch - Gemini Era

Chetch’s Gemini Era EP: A Harmonious Journey from Better Together Records.

Step into a world where music transcends boundaries with Better Together Records’ latest release by Chetch, Gemini Era. This EP is a masterful exploration of sound and emotion, reflecting the duality of the Gemini spirit.

From the first beat to the last note, Gemini Era promises an auditory journey that’s both introspective and contemplative. Chetch’s unique blend of house and ambient genres creates a sonic landscape that’s as diverse and multifaceted as the Gemini constellation itself.

Dive into a collection of tracks that showcase Chetch’s innovative production and compelling storytelling. Each song on this EP captures a different facet of the Gemini experience, blending intricate drum programming with evocative melodies.

Solace
As always…
in unity at the end of
eternity.

Auf Lager

Bei uns am Lager und sofort versandfertig

12,19
Aric - I Love Your Love

Lost tracks don’t stay lost forever. Running Back is proud to present the reissue of Aric’s I Love Your Love – a long-forgotten gem from the good-time party days of the early dance era. Originally created in the spirit of celebration and groove, these tracks disappeared into obscurity until a few dedicated DJs and dancers across the globe began bringing them back to life.

When Elado stumbled upon the songs and saw the magic they still held for modern dancefloors, he tracked down Aric – now better known as Dr. Aric, a paediatric public health professional – to bring the music back to the world. What followed was a journey through memory, music, and rediscovery.

The result is here: the original cuts, plus fresh remixes from Elado, Pete Blaker, and Gerd Janson. Nostalgia meets new energy, and the dancefloor wins again.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,24
DULL BOY JOHNNY - THE MOVE EP

After Dull Boy Johnny's previous release, a double EP with a tropical A-side and an erotic B-side, this time the three gentlemen are out on the dance floor. After all, the neighbours decided as much.

Unlike the recordings of their previous work that took place abroad, this time they stayed in a steamy attic room in Belgium, where guitarist and producer Jan built a studio. Unable to record at night because of neighbours who did not (yet) appreciate Dull Boy Johnny's music, they dove into Antwerp's nightlife.

The group's previous work took you on a cinematic journey where every musical nuance takes you to a specific setting. Be it an erotic seventies scene, a beach party in the Bahamas, or a blood-curdling chase in the Wild West, Dull Boy Johnny covers it all. Nard Houdmeyers, Rik De Bal and Jan found each other in a shared interest in film genres such as blaxploitation, neo-noir and spaghetti westerns. And therefore also the artists inherent to these genres such as Isaac Hayes, Curtis Mayfield and Ennio Morricone. Dull Boy Johnny's conceptual approach to music can be traced back to this passion for cinema.

For the new EP, however, they traded that cosy movie-watching for turbulent nightlife (the angry neighbours, you know). Besides, it was about time to get their inspiration in the flesh. Dull Boy Johnny immersed himself in the pulses, flashes and swell of downtown Antwerp. Thunder chasing crept under their skin and then into their guitars. In grandfatherly fashion, they then turned to composing, first with just bass, guitar and vocals. In that small lineup and with the sounds of the night still reverberating in their minds, the first pieces of the puzzle were laid out. After that, the sound was opened up and a solid rhythm boost was added. This defined the catchy, up-tempo nature of the upcoming EP that centres on themes of dancing, flirting and partying. Expect rousing riffs, catchy hooks and swinging rhythms. Details were meticulously laid out and bricked into the songs with delicate grouting. The fine polishing of the songs was done with patient finesse and a constant attitude to serve the song. With songs like Suspicion, She Can Groove and Dynamite, it is immediately clear that the gentlemen got their mustard from the club: action, party and spunk! All without losing their typical sensuality.

Despite the different working methods for the third EP, there are a lot of recurring elements that define Johnny's fresh sound. The essence? Catchy high vocals contrasted with a sensual baritone voice, carried by a groovy bass and rhythm section. Around it, the details that give the songs the right atmosphere swirl.

Dull Boy Johnny's music prefers to function as a soundtrack to your own imagination. As you listen, you are invited to wander through the various landscapes of their musical world, regularly giving a nod to the more lustful side of your brain. The songs have already been praised for their compelling melodies and irresistible energy.

With this release, Dull Boy Johnny proves their ability to create timeless music that both touches the soul and moves the body. So surrender to Dull Boy Johnny's punchy grooves and dance the night away. Long live the neighbours!

Auf Lager

Bei uns am Lager und sofort versandfertig

18,70
DJ Romain - The Lost D.A.T.S. Part 2 - Unreleased House Music 1997

Last May, Hard Times captivated us with The Lost D.A.T.S (Part One)—a remarkable collection of unreleased and freshly unearthed gems from the vaults of NYC legend DJ Romain. But the story didn’t end there. To our surprise and delight, Romain had delivered an even larger treasure trove of beats—too many to reveal all at once.

Now, Hard Times is proud to present the next chapter: DJ Romain – The Lost D.A.T.S (Part Two).

"1996-97? Yeah, that’s when New York was still NEW YORK!

That was around the time we really started to get hold of exotic herbs. Copper Haze, hydroponic! The vibes in the studio were always lovely. I had hair at the time! Dread-Locs down to my shoulders... I was still rockin’ the Wallabees, or British Walkers as we called them - representing for Brooklyn and my West Indian roots!

There was no social media, no supervision, nobody all up in our business… It was classic "mind your own business" NYC Vibes! I was DJing at a lot of the hot clubs and THE hottest afterhours in the city. There were nights when I saw Micheal Douglas roll into the afters with Grace Jones - they were there to party and unwind and I was there dropping the dope tracks for the people.

When it was studio time, with my homie Matt Echols...I was probably setting things off with some quality herbage, a big ass bag of Funyuns and my trusty SP-1200, lol. I had picked up some tips and tricks from Todd Terry and by '96-'97 I was a Shaolin with it myself! This was around the time tracks like "Flowers" and "Only Love Can Break Your Heart (Dub)" were tearing up the clubs. I wanted to be able to get my ideas out with no problem, and by then I had a lot of confidence...

Being able to Dj in some of the hottest NY hot spots at the time, I was able to really see what worked and what didn't on the dancefloor. The best House Dancers from around the world and around the Tri-State area would be at my jams. I'm talking Ejoe, Voodoo Ray, maybe kids from the Mop-Top Crew... I was definitely taking note of the kind of rhythms and sounds that would make them go crazy on the dancefloor!

And that's how we went about it - I laid down the rhythms that made it happen in my sets and translated the vibes I was picking up from NYC itself. Matt threw down musically and we were just being as creative and inventive as possible! But we always kept in mind that our job was to make the people on the dancefloor jump!

A lot of the jams from those days got signed to various record labels, we dropped a lot of them on our own label...and some of them ended up in the archives - until now!"

Auf Lager

Bei uns am Lager und sofort versandfertig

16,39
Soundwalk Collective with Patti Smith - Khandroma

While they’ve been active for more than two decades, it’s only been in recent years that the Berlin and New York based contemporary sonic arts platform, Soundwalk Collective, has begun to gather the accolades and attention that they rightfully deserve. Firmly rooted within a multi-disciplinary practice that engages the narrative potential of sound within the contexts of visual art, dance, music and film, as well as tapping anthropological, ethnographic, and psycho-geographic research, they’ve gained great note for collaborations with Jean-Luc Goddard, Nan Goldin, Sasha Waltz, Charlotte Gainsbourg, and numerous others.

Building on the back of 2023’s brilliant “All the Beauty and the Bloodshed”, Soundwalk Collective now returns with “Khandroma”, one of their most fascinating and singular endeavours to date, which re-engages their enduring creative partnerships with Patti Smith. Issued by Ubi Kū, a brand new imprint founded by the Italian Buddhist Union dedicated to the relationships between Buddhist cultures, music, and sound, across the album’s stunning two sides this incredible ensemble draws inspiration from and conjures Tibetan deities, the Himalayan Plateau, the valleys of Nepal and the highest peaks where the most ancient Buddhist temples reside, culminating as a sprawling sonic tapestry like little else. Issued as a beautifully produced, limited edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, it’s hands down among our favourite releases by Soundwalk Collective to date and not to be missed!

An international experimental sound art collective founded in 2001 by the artists Stephan Crasneanscki, who was joined in 2008 by producer Simone Merli, Soundwalk Collective is a contemporary sonic arts platform, featuring a rotating constellation of artists and musicians, that, in vastly varied number of ways, has continuously explored the remarkable potential of sound within the contexts of visual art, dance, music and film, offering particular emphasis to anthropological, ethnographic, and psycho-geographic research, examining conceptual, literary or artistic themes. In addition to their many collaborations and accolades that attend to an increased ambitious catalog of releases, they scored Laura Poitras’ film, “All the Beauty and the Bloodshed”, which won the Golden Lion at the 2022 Venice Film Festival, as well performed and exhibited at Berghain, CTM Festival, documenta, Manifesta, New Museum, and Centre Pompidou, where they notably opened “Evidence”, a exhibition with Patti Smith comprising an audio-visual journey from the work of French poets Arthur Rimbaud, Antonin Artaud and René Daumal. While Soundwalk Collective’s output and use of sonority - sometimes original composition and others manipulated archival recordings - and context is varied, the project’s endeavours are unified by a focus on sound as material that is both tactile and poetic, pursuing layered narratives that address ideas of memory, time, love and loss. Their latest, “Khandroma”, enlisting Patti Smith’s contribution on one of its tracks, stands among the most exciting and rich of these explorations yet.

Perhaps the best way of approaching “Khandroma” is through Soundwalk Collective’s longstanding focus on the discipline of psycho-geography - a practice that interrogates the impact of an environment’s embedded histories and meanings on the psychology of the present - as well as the group’s integration of observations of nature, and uses of non-linear narrative, as a vehicle for recording and the synthesis of meaning. Like previous projects that have encountered them traveling extensively across the world, occupying diverse environments for long periods of investigation and fieldwork, during which they source materials for subsequent works, the material roots of “Khandroma” are a body of field recordings made by Crasneanscki, Francisco López, and Merli at altitudes between 2,760 and 4,500 meters, in varying locations across Upper Mustang during 2016.

Drawing the album’s title from the Tibetan feminine deity who reigns the skies, the album’s two compositions weave a stunning sonic tapestry from collaged sounds of nature, bells, drones, unplaceable tones and vocals, and in the case of its second piece, “Chasing the Demon”, the voice of Patti Smith, culminating as a deeply emotive and imagistic expanse that taps something far more profound than any of its single parts. As the collective states: “the album traces the continuous morphing of the wind into sound expressions. The Himalayan Plateau seems designed to amplify and echo the encounter of the breaths, the prayers, and the chants emerging from around and within those temples; amid the sounding of bells, the turning of prayer wheels, and the billowing of flags. A resonant musical body that we recorded so as to capture its boundless mutations; an unstoppable force that cries, whispers, and blows through and over stones, wood, empty halls and monastic robes, etching an ever-changing sonic landscape onto the surfaces it encounters.”

Immersive, stunningly beautiful, and haunting, “Khandroma” draws the ancient and distant into the consciousness of the present, close to home, bordering on the profound. Issued by Ubi Kū as a beautifully produced, limited edition vinyl LP and CD, mixed and mastered by Giuseppe Ielasi, complete with a booklet featuring liner note essays penned by Chiara Bellini and Filippo Lunardo, and images by Stephan Crasneanscki, we can’t recommend it enough.

Auf Lager

Bei uns am Lager und sofort versandfertig

19,96
MADVILLAIN - MADVILLAINY DEMOS

Madvillain

MADVILLAINY DEMOS

12inchSTH2196LP
Stones Throw
10.02.2025

In 2002, before Madlib and MF DOOM finished Madvillainy, the first demo sequence of the album leaked online – early vocal cuts from DOOM, recorded then quickly mixed in LA at Madlib’s Bomb Shelter studio. The leak spread around the world, and while the tracks may have been unfinished, it was clear that this was a hip-hop album unlike any other…

In celebration of the 20th anniversary of Madvillainy, 'The Demos' is being released on vinyl for the first time, mastered by Dave Cooley, and with a new cover photo and insert of photographer Eric Coleman's contact sheets from the original album shoot. Vinyl mastering by Phil Rodriguez.

Auf Lager

Bei uns am Lager und sofort versandfertig

30,04
Smoove - Multitrack Reworks Vol 9

Enjoy The Silence (Smoove Multitrack Rework)

The original version is loved by everyone, so rather than attempting a rework, Smoove decided to swap the original electronic synths and have them replayed with live strings, grand piano, guitar, bass, drums, and percussion, leaving only the original vocal intact.

The end result is very different from the original and more effective as a revision.

Let’s Stay Together (Smoove Multitrack Rework)

Right from the start, we are treated to drums and percussion, building with bass, strings, and backing vocals, before dropping into the stripped back lead vocals with maximum effect.

B2. Blind Alley (Smoove Multitrack Rework)

Smoove switches up the middle-eight drum break and moves it to the intro section, creating a Hip Hop-style build-up to the beautiful female harmonies in this beat-heavy version of Blind Alley

Auf Lager

Bei uns am Lager und sofort versandfertig

30,88
Ryan James Ford - Tungsten Portals

Ryan James Ford

Tungsten Portals

12inchBLUEHOUR029
BLUE HOUR
07.02.2025

Ryan James Ford begins 2025 with his debut release on Blue Hour Music, "Tungsten Portals," a six-track
Mini LP that reflects on the evolving tides of club music with his signature blend of techno, ambient, and
breaks. Ford navigates through an artistic journey, weaving introspective, nostalgic, and optimistic themes
to create a deeply personal and compelling record, forming an important addition to the Blue Hour Music
catalog.

Auf Lager

Bei uns am Lager und sofort versandfertig

11,56
Francis Morning - Subtle Bodies MC (TAPE)

‘Subtle Bodies’ is the new album by US-based sound artist and composer Francis Morning, released on Ltd. cassette via Lo Recordings, which contemplates the concept of the non-physical, energetic layers of a person that exist alongside the physical body. Being the next installment of Lo Recordings' ongoing SPACIOUSNESS series, the album features 15 tracks that embrace the theme through hints of electric piano melodies buried under layers of tape hiss, meandering sine wave bass notes, and expansive ambient textures.

The compositions on ‘Subtle Bodies’ are meditations on impermanence, imperfection, and the natural process of decay, approached without judgment. They arise from moments of introspection, often inspired by the contemplation of inner channels, energies, mindfulness, breath, and other Tibetan Buddhist practices. Deliberately recorded using minimal equipment, each piece explores and pushes against the thresholds in an attempt to strike a balance of texture and noise. About Francis Morning:

Francis Morning is a US-based sound artist, musician, and composer known for crafting gently textured sonic environments using a simplified palette of musical hardware, including analog tapes and cassettes, field recordings, synths, pedals, pianos, and acoustic and electric guitars. His work embraces imperfection, human quality and touch, and the transient nature of life. The music began to take shape as simple, personal daybreak rituals with no audience or expectations. Each piece was recorded live in single takes, with the original elements eventually discarded or recorded over, as a statement and exercise in impermanence and letting go.

Auf Lager

Bei uns am Lager und sofort versandfertig

12,40
Various - Invaders - Floating Around in the Sun 1970-1974 LP

We are overjoyed to present this album, another one from our bucket list and another one to set the record straight and illuminate the history of another much loved, but until now mysterious group. The Invaders made some of our all time favorite records - back in 2013 we issued five 45’s of their brilliant, sometimes plaintive, sometimes hopeful and sweet early roots music. Their sound touches folk and gospel in lovely subtle ways that elevate them above the many harmony groups of the early roots reggae era. Since the start of DKR we were striving to learn more about the group - and despite being able to license a portion of their output for reissue, and get anecdotes about them here and there, we were never able to connect with the group themselves. But we never gave up asking about them, and finally in 2024 we were able to link with Delroy “Bongo Pat” Forde, the surviving member of the group. Unfortunately other Invader, Lloyd “Paddy” Campbell passed on several years back. To hear and learn their full story, you need to check out this album and read the liner notes. This 13 song LP corrals much of their output - some of the tracks we previously issued but have been long out of press, some more never before reissued, and some great related solo works by the duo. And to cap it all off we’ve added two new voicings on a couple of our favorite vintage rhythms, by Invader Bongo Pat himself, live in 2024, singing two Invaders songs written way back in the early 1970s but never recorded back then. All together this is a long overdue document of one of the 1970’s finest groups and one dear to our heart.

Auf Lager

Bei uns am Lager und sofort versandfertig

27,69
Paranoid London - Arseholes, Liars, and Electronic Pioneers LP 2x12"

repress !

Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously.

Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE.

Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted.

In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others.

As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.

Auf Lager

Bei uns am Lager und sofort versandfertig

25,17
STAVROZ - GOLD TOWN EP

Stavroz

GOLD TOWN EP

12inchMFV001
MOODFAMILY
05.02.2025

(repress on black vinyl, originally released in 2019) Supported by many deejays worldwide, most notably Solomun. Moodfamily's favourite four-piece returns home after many journeys. Impatient as we are, we had to hear their stories. Skilfully combining influences, sounds and experiences from east and west, they translated their stories into a new EP oozing with drama, melancholy and determination. The EP describes itself as the soundtrack for an adventure to mysterious outskirts around the globe, starting with 'Whale Parade'.



This prelude takes you to a hidden land after wandering through forests for many months. Guitar, piano and percussion gently move in and carry you away. By the second track, 'All Day I Zama', a slow beat dictated by a banket of percussion evolves to a vigorous and groovy track with moaning vocals as the main theme. In title track 'Gold Town' you will settle yourself in a covered wagon, heading for dodgy settlements on a misty mountain range, accompanied by a grieving trumpet. As the wagon slows to a crawl, 'Ghajar' emerges; a downtempo emotion-filled song, where the piano and a scorching synth interchange melodies and tales.

Auf Lager

Bei uns am Lager und sofort versandfertig

10,88
Sex Judas feat. Ricky - The Book Of Dreams / After Sex LP 2x12"

Oslo’s Sex Judas feat. Ricky announces 2 x LP for Norway’s Snick Snack Music
The band’s varied concept album portrays a break-up of epic proportions and releases Jabnuary 2025
Digital Release Date: 3rd May 2024
Vinyl Release Date: Jan 2025

“Are you ready for the big disaster? The moment when everything unravels?

On their third album, Sex Judas feat. Ricky portrays a break-up of astronomical proportions. The band's mascots, Sex Judas and Ricky, embodied by artist Sindre Goksøyr, find themselves in the midst of a separation, and their feelings are sprayed all over the big screen.

But what is actually going on? Sex Judas feat. Ricky consists of the musicians Tore Gjedrem (Ost & Kjex), Sidiki Camara, Ivar Winther, Tracee Meyn, Tore Brevik, Kristian Edvardsen and Linn Nystadnes, a stellar team part of Oslo's musical underground. Together, they play a mixture of funk, disco, post-punk, traditional music from Mali and electronica that always moves the dance floor, with two previous critically acclaimed albums on the Scottish Optimo Music and a Norwegian Grammy to show.

Sex Judas’ third album, ‘The Book Of Dreams / After Sex’, is a double disc and a two-part musical affair. In the first part, Sex Judas' version of the breakup is depicted in a band format, with music inspired by the alternative 80s. Think Grace Jones, Tom Tom Club, DAF, No Wave, and the Compass Point Studio backing band in a blissful cocktail.

In part two, depicting Ricky’s breakdown, the band has created their most experimental music to date in close collaboration with contemporary composer Ole-Henrik Moe. The songs influenced by Ole-Henrik's tones are fluid and beautifully ambient, with inspiration ranging from 30s and 40s film music, Norwegian folk, contemporary electronica and IDM topped with Moe’s modern string arrangements.” - Snick Snack Music

Auf Lager

Bei uns am Lager und sofort versandfertig

22,48
The Orb - Okie Dokie It's The Orb On Kom LP 2x12"

“Okie Dokie It´s The Orb On Kompakt“ is already the 13th album of one of Britian's most prized cult bands. We feel it's better that way, because the music of The Orb only has an intensive effect when taken in as a long playing full length. And it proves with this lovingly conjured collection of songs brought together like a collage. The first half of Okie Dokie showcase The Orb´s love for minimal Techno and Schaffel/Shuffle as it is so obviously present in the foreground, while the second half is only reserved to the classic Orb-ish ancestral domain. There are wonderful guest appearances by Schneider TM and Kompakt´s ambient-guru Ulf Lohmann. As many of you know, there is so much history about The Orb you could write a book. Since Jimmy Cauty and Alex Paterson, in the flush of euphoria invented Chill Out and Ambient House in the first summer of love 1988, an incredible amount of things have occurred. The following timeline should give you a rough idea. - Alex Paterson gives up his job as roadie for Killing Joke. - “A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld” is not only the record with the longest title of the world, but it also marks the departure into the new sonic worlds of post-Rave Ambient. - While Cauty goes different ways with The KLF, The Orb re-form themselves and have a big hit with Little Fluffy Clouds in 1990. - The debut album “The Orb´s Adventures Beyond The Ultraworld“ hits the Top 30 in England. - The Orb produce “Higher Than the Sun“ for Primal Scream. - The Orb perform “Blue Room“ as chess-playing aliens at Top Of The Pops. Everything goes. - “Blue Room“ clocking in at 39:58 minutes goes into music-history as the longest time for a chart single ever. - The Orb achieve great success in Glastonbury '92 + '93. - The Copenhagen double concert “to the sunrise and sunset” is eternalized on record: “Live 93“ - Previously a floating member of The Orb, Thomas Felmann becomes a fix member in 1997 - No joke: Robbie Williams takes part of The Orb for a short time. The collaboration “I started A Joke“ is released on a benefit compilation - After 2002 The Orb found with Kompakt a new ambient-loving partner and release a row of singles and play live, as the trimmed-down version as Le Petit Orb. And one more for the extra hush-hush: The Orbs first album “A Huge Ever Growing Pulsating Brain...” was actually a Kompakt release. You can check it out. Besides the actual label Wau! Mr. Modo you can read... Kompakt Discos. Ha!!
Mit „Okie Dokie It´s The Orb On Kompakt“ liegt nun das circa 13. Album der britischen Kultband vor. Das ist gut so, denn The Orb's Musik wirkt eigentlich erst im Longplay-Format so richtig intensiv. Die Stücke sind, wie man das von ihnen kennt, liebevoll collagenhaft miteinander verwoben. In der ersten Hälfte tritt The Orb's Liebe zu Minimaltechno und Schaffel in den Vordergrund, während die zweite Hälfte ausschliesslich der Orbschen Ur-Domäne Ambient vorbehalten ist. Es gibt wunderbare Gastauftritte, wie etwa Schneider TM und Kompakt's Ambient-Guru Ulf Lohmann. Zur Geschichte von The Orb könnte man ganze Bücher schreiben, denn seit Jimmy Cauty und Alex Paterson im Rausch der Euphorie des ersten Summer of Love anno 1988 Chill Out und Ambient House erfunden haben ist viel passiert. Extrem viel. Die folgende Auflistung soll einen ungefähren Eindruck davon vermitteln. -Paterson hängt seinen Job als Roadie für Killing Joke an den Nagel -„A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld“ ist nicht nur bis dato die Platte mit dem längsten Titel der Welt sondern markiert den Aufbruch in die neuen sonischen Welten des Post-Rave Ambient. - Während Cauty mit The KLF andere Wege geht, reformieren sich The Orb und landen 1990 mit “Little Fluffy Clouds“ einen Riesenhit. -Das Albumdebut “The Orb's Adventures Beyond The Ultraworld“ geht Top30 in England -The Orb produzieren „Higher Than The Sun“ für Primal Scream -The Orb performen „Blue Room“ als schachspielende Aliens verkleidet bei Top Of The Pops. Alles geht. -“Blue Room“ geht mit 39.58 Minuten als längste Chart-Single ever in die Musikgeschichte ein - The Orb legen 92 + 93 Glastonbury flach - Ein Copenhagener Doppelkonzert zum Sonnenauf- und Untergang wird auf Platte verewigt: „Live 93“ - Bisheriges „floating member“ Thomas Fehlmann wird 1997 festes Mitglied - Ohne Scheiss: Robbie Williams wird für kurze Zeit The Orb-Bestandteil. Die Kollaboration „I Started A Joke“ erscheint auf einer Benefiz-Kompilation. - Ab 2002 finden The Orb mit Kompakt einen neuen ambientverliebten Partner und veröffentlichen eine Reihe wunderbarer Maxis und treten live, vornehmlich in abgespeckter Form als Le Petit Orb in aller Herren Länder auf. Ein kleiner Treppenwitz am Rande für Erbsenzähler : Schon The Orb's erste Platte („A Huge Ever Growing Pulsating Brain...“) war eigentlich eine Kompakt-Veröffentlichung. Ihr könnt nachschauen. Neben dem eigentlichen Label Wau! Mr. Modo stand nämlich folgendes ...Kompakt Discos. Ha!

Auf Lager

Bei uns am Lager und sofort versandfertig

23,49
Andromeda - Cyberspace EP

ATFs first release for 2025 is a 3-track vinyl from A n d r o m e d a.

A1 / Andromeda ft. Cole - Cybserspace (170bpm, 45rpm)
This high-energy track at 170bpm blends driving rhythms with haunting dystopian samples, creating a gripping sense of urgency. The bold, evocative melodies take centre stage, offering a captivating contrast to the intensity of its high pace. Itll be alright, I promise.

B1 / Andromeda - Waveride (140bpm, 33rpm).
Coming back down to earth we relax a little for this chilled trancer at 140bpm. Weaving lush melodies with delicate percussion, creating an atmosphere of serene energy. Its laid-back vibe
invites listeners to lose themselves in its smooth, considered progression. Hardcore rave fans will doubtless pitch this up to 45rpm and include it in their rave sessions..

B2 / Andromeda - Time (170bpm, 33rpm)
The final track of the EP brings an uplifting end, pairing more vibrant melodies with the enduring vocal hook that gives the track its name. Balancing emotional resonance and renewed energy, it
leaves listeners on a high while closing the project down.

Auf Lager

Bei uns am Lager und sofort versandfertig

11,56
The Clamps - From Dust To Dawn

The Clamps

From Dust To Dawn

2x12inchKOSEN81
Kosenprod
31.01.2025

The Clamps Unveils From Dust to Dawn - A Cosmic Journey into Drum & Bass

French Drum & Bass producer The Clamps is set to release his highly anticipated second album, From Dust To Dawn, through the label Kosenprod.

Known for pushing the boundaries of Drum & Bass, he delivers a highly personal and finely crafted album that merges intricate sound design with an intense dancefloor-oriented energy.

From Dust To Dawn showcases The Clamps' signature Neurofunk style, characterized by deep, dark basslines, meticulously engineered beats, and emotional soundscapes, while also incorporating elements of Jungle, Hardcore, and Techno. This 16 track journey blends introspective themes with hard-hitting club anthems, creating a diverse experience that is both thoughtful and electrifying.

The album will be released as a special double vinyl edition, cementing its place as a must-have for Drum & Bass enthusiasts.

Auf Lager

Bei uns am Lager und sofort versandfertig

20,97
Jimi Jules - IVLP10 LP 2x12"

Jimi Jules

IVLP10 LP 2x12"

2x12inchIVLP10C
Innervisions
31.01.2025

Ring the alarm - multi-instrumentalist Jimi Jules scheduled for the album „+“ in 2022, executive produced by Innervisions label boss Dixon. The album features the most sought after and requested tracks of the last month including „My City's On Fire“, revolutionary „Der Aufstand“, dancefloor romance „Burning“ and „Clinomania“ featuring Joy Tyson, and fabulous Lily Allen / Elton John drummer Nathan Curran. The artwork concept is developed and designed by iconic graphic artist Trevor Jackson, whose multi-disciplinary works formed the graphical identities of design, music, fashion, and art by the likes of Soulwax, HFD / Comme des Garcons or Apple Music. Jimi Jules’ second album signifies his return to future-focussed album concepts. A welcomed novelty and venture. Exploring themes such as free thoughts and togetherness after a period of interpersonal absence. Better Together Forever.

A unique character in the electronic music scene, Jimi Jules is a multi-instrumentalist and school-trained musician with much more to offer than the standard four-to-floor sound. Jimi plays nearly everything from drums to trumpet and sings almost all the vocals himself. The talent probably lies in his roots, as many of his family members are known for their playing in jazz bands and classical ensembles. Most recently awarded a silver disk marking 200,000 copies of the 2020 track “Pushin On” in the UK, Jimi Jules also commenced a new collaborative partnership with Berlin-based booking agency, Temporary Secretary, earlier this year.

As the new era is underway for Innervisions, Jimi Jules “+” takes center stage of the label’s fundamental core - artist first, label second. For Jimi Jules especially, this new project represents the beginning of a whole new platform and innovative space for collaborations and symbiosis of mixed media.

2025 Repress on clear orange Vinyl!

Auf Lager

Bei uns am Lager und sofort versandfertig

31,64
Studio - West Coast LP

Studio, the influential project of Swedish musicians Dan Lissvik and Rasmus Hägg, presents their legendary 2006 debut in remastered form, in partnership with Ghostly International. Available in limited edition "Fog Machine Vinyl", CD, and cassette. "One of the finest pieces of electronic music you'll hear this year.” - The Guardian (2006). Included in year-end best-of write-ups by Pitchfork, FACT Magazine, and Rough Trade. Physical copies have long been out of print for West Coast, and the album has also been notably absent from most streaming services until now.

“Somehow, I knew I wanted to make a conceptual record that, although only imaginary at that point, could represent or define how our city sounded,” says Lissvik of Gothenburg's influence on West Coast. Some called Studio, the project of Swedish musicians Dan Lissvik and Rasmus Hägg, “the missing link between The Cure and Lindstrøm,” Pitchfork heard Durutti Column and Can, as the duo’s story became swept up in a loosely developing scene — adjacent first to the label Service (Jens Lekman, The Whitest Boy Alive) and later Sincerely Yours (The Tough Alliance, jj) — and a precursor to the 2010s boom at the axis of electronic and psychedelic music guided by indie greats like Caribou, Four Tet, and Darkside.

West Coast, their seminal 2006 debut, captured a faraway romanticism of Balearic brushed up against Krautrock, disco, dub, and afrobeat, with pop lyricism lifted from new wave, all made modern by two art school grads in Gothenburg. First pressed in a small vinyl-only run via their own Information label, the album has been notably absent from most streaming services, and the internet’s record of its initial impact is all but fossilized from a bygone blog era, while its sound is simply untraceable to any one moment in music.

Outside of three 7” releases, they’d keep the music to themselves for several more years. In 2005, Hägg remembers, “We got our degrees and were kicked out of our studio spaces so all these recordings were just piled up. A year later we dusted them off and started to deconstruct and assemble them in a more drawn-out fashion.” In the same breadth, they cite DJ Screw, J Dilla, and Joy Division, along with early ‘80s European live DJ sets from the likes of Beppe Loda, Dj Mozart, and Baldelli as reference points.

“The anything-goes mentality was very encouraging and was a big cornerstone to the Studio sound,” says Hägg. “But there’s so much more to the picture, we were not that young then and had lots of musical baggage in our suitcases, the new thing was that we finally let it all come through, not bound by any borders that was often the case with music identity in Sweden during the 90s.” In the afterglow of the record’s 2007 reception, Studio receded from view, clouded behind a mountain of remix requests (including one for Kylie Minogue that saw release) and label bureaucracy. “It’s easy to wish we would have done some proper recordings of our own instead,” Hägg reflects. But both artists, now well into respective careers beyond Studio, have come to peace with West Coast as their most enduring effort together. Lissvik adds, “It serves as a good reminder for me to keep to that decision and promise and to continue exploring and growing

Auf Lager

Bei uns am Lager und sofort versandfertig

27,52
Trinka - EP

Trinka

EP

12inchAR182VL
Agogo Records
28.01.2025

Trinkais about the strength of the encounter that music provides between Dandara Modesto, Brazilian singer and songwriter, João Pires, Portuguese composer and guitarist and Juninho Ibituruna, Brazilian percussionist. Sewing of Atlantic music, they build a path between Bahia, Portugal and Minas Gerais. Each arranged in one place echoing the connection through the music that unites them in complementarity: João's melodies and guitar with Dandara's voice and interpretive power and the pulse rhythm ancestor of Juninho.

Auf Lager

Bei uns am Lager und sofort versandfertig

17,23
Kolter - Come On Back With Your Love

Kolter, one of PIV's favorites, is back on the label with an exclusive and exciting 10'' vinyl EP to kick off 2025 with a touch of nostalgia. Known for his unique sound, Kolter continues his streak of delivering hits for PIV. This time, he's done it again with "Come On Back With Your Love," featuring two distinct mixes crafted for those special moments.

The titles of each version truly speak for themselves. On the A-side, the "Sunrise Mix" brings a euphoric energy that perfectly complements the record, while on the B-side, the "Sunset Mix" offers a more mellow, feel-good take on the track, completing the package that is surely going to be a great tool on the dance floor.

collecting

Bestelle jetzt. Wir sammeln aktuell Bestellungen für eine Nachpressung.

13,03

Last In: vor 15 Monaten
BLUE GENE - REVIVAL OF THE WEST LP

LP on blue coloured vinyl in printed inner sleeve.This is country as it was meant to be: raw and honest. Not perfect-and it doesn't need to be. The beauty lies in the off-note, the stumbling rhythm, the simplicity of three chords that tell you everything you need to know.



The West is crumbling. It's values, once unshakable, have buckled under the weight of a world spinning ever faster and growing ever more hollow. Revival Of The West, Blue Gene's debut album, is his exploration of this collective malaise-a call to rediscover meaning in a world that has grown estranged from itself.

On his debut, Blue Gene gives voice to the contemporary themes that keep him awake at night: consumer hysteria, the numbing grip of social media, the solace found at the bottom of a bottle, the crushing weight of taxes, and the paralyzing complexity of a world where humanity seems to have been reduced to a cog in the machine. Yet, despite all the despair, his songs always carry a spark of hope: after the fall, you can rise again. These stories are wrapped in the sound of classic country music-music about life as it truly is: bent, battered, but full of resilience.

This is country as it was meant to be: raw and honest. Not perfect-and it doesn't need to be. The beauty lies in the off-note, the stumbling rhythm, the simplicity of three chords that tell you everything you need to know. Blue Gene's country music is the song of a man wrestling with life and himself, infused with humor, sharp lyrics, and anecdotal musical moments. Because sometimes, we just need to remember to laugh. In short, it's a mirror showing us our demons, but also a reassurance that teaches us how to live with them.

And yet, the question lingers: who is Blue Gene? Is he just a country singer putting strugglesto music? Or is he a modern Robin Hood in cowboy boots, a voice trying to do justice to lost ideals? Blue Gene exists in the grey area where music and meaning meet-and it's precisely there that he finds his strength.

Revival Of The West is no nostalgic longing for a bygone era. It's an invitation to reinvent the values we've lost. It urges us to return to a place where life can be honest again-where music doesn't aim to please, but to say something real. Because sometimes, a song is all it takes to make sense of the world around us.

Blue Gene (vocals & rhythm guitar) is joined on Revival Of The West by his loyal band of outlaws: Nathan Ysebaert (lead guitar & vocals), Tijl Van de Casteele (drums & percussion), and Tom Vienne (bass guitar, saxophone & vocals). The record is further enriched by guest appearances from Bart Vervaeck (pedal steel), Nils De Caster (violin, mandolin), Mathijs Steels (piano), Ciska Dhaenens (vocals), and Harry Descamps (vocals). Recorded in spring 2023 by Michiel Renson, mixed by Jan Chantrain and Michiel Renson, and mastered by Uwe Teichert. Produced, composed, and written by Timotheus De Beir.

Revival Of The West will be released on January 24, 2025, via On The Level.

Auf Lager

Bei uns am Lager und sofort versandfertig

17,86
Trentemöller - Into The Great Wide Yonder 2x12"

2025 Repress

Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create

Auf Lager

Bei uns am Lager und sofort versandfertig

20,13
Leba Hibbert - Into The Lights

Leba Hibbert

Into The Lights

12inchTAXI-HPLP001
Taxi Records
24.01.2025

The time has arrived for the release of the long awaited EP by LEBA, with the prolific title - Into The Lights.

Carefully and thoughtfully crafted over two years, the legendary record producer of High Power Music, General Lee, teamed up with the magnificent Legends Sly and Robbie, to produce the daughter of legendary Jamaican Icon Toots Hibbert: LEBA.

This LP features 7 songs including a feature from Jamaican Portland deejay Blackout JA, on track "No one loves you like me", which was released in 2021. These songs carry you on a musical journey of time and space, on a dub and reggae background, which soothes the ears of its listeners, and gets them grooving to the bassline of the late Robbie Shakespeare OD and Sly Dunbar OD and Taxi Gang.

The songs paint a picture through conscious words and messages, heavy and spacey instrumentation, recorded & mixed at One Pop Recording Studio Kingston Jamaica by Rorey Baker. An atmosphere that will surely transport its listeners into the calm and relaxing space of reggae and dub music.

Auf Lager

Bei uns am Lager und sofort versandfertig

25,17
Setenta - Apollo Solar Drive LP

10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (USA)

Auf Lager

Bei uns am Lager und sofort versandfertig

20,80
THE WAILERS - Back Out / Can't You See

Jamwax Records proudly presents this historic reissue, featuring two timeless tracks from The Wailers’ legendary album The Best of The Wailers: "Can't You See" and "Back Out". While these songs have long been cherished as classics, this marks the first time they have ever been available on a 7-inch vinyl single. Even though some books about Bob Marley & The Wailers list them as having been released on 7-inch, I have never seen a copy for sale.

Produced by the visionary Leslie Kong with co-producer Warwick Lyn, the album captures The Wailers at their soulful, raw best. These songs predate the group’s later partnership with Lee Perry and Island Records, offering a purer, more unembellished sound. The harmonies are flawless, the arrangements simple yet deeply powerful, and the performances utterly timeless. "Back Out" highlights Bob Marley's unmistakable voice, brimming with the confidence and charisma that would later make him a global icon. Bunny Wailer and Peter Tosh's harmonies add depth to a track that perfectly embodies the spirit of early reggae. "Can't You See" showcases Peter Tosh on lead vocals, supported by the sublime harmonies of Bob Marley and Bunny Wailer.
These recordings, crafted with a four-track setup and featuring some of Jamaica’s finest musicians—including Mickey ‘Boo’ Richards on drums, Jackie Jackson on bass, and Winston Wright on organ—are testament to a moment in time when reggae was still raw, revolutionary, and evolving.

Recorded at Dynamic Sounds Studios (Kingston, Jamaica), from 29th April until 19th May 1970.
Originally released on August 9th of 1971 by Beverley's Records, 135 b Orange Street, Kingston, Jamaica, West Indies.

Auf Lager

Bei uns am Lager und sofort versandfertig

11,98
La Sonora Mazuren - Magnetismo Anima LP

La Sonora Mazuren is the latest addition to the already rich indie-tropical scene out of Bogotá, Colombia. Deeply rooted in the popular sounds and rhythms of South America, the group draws from cumbia, chicha, guaracha, champeta and other styles mostly from Ecuador, Colombia and Peru.

Far from being folklorists or revivalists, La Sonora Mazuren combines synthesizers and electric guitars with accordion and percussion to create a futuristic style indebted to early pioneers such as Polibio Mayorga or Bogota’s own Eblis Alvarez, of Meridian Brothers fame, who also produced their debut album.

The result is a psychedelic feast reminiscent of the golden years of Tropicalia.

Their first album, Bailando con Extraños, got them many accolades in Europe, in France in particular where the band toured in the fall of 23 and again in the summer of 24.

Their follow up album, Magnetismo Animal, was mostly tracked in rural Normandy, during one of their European tours, and completed in Bogotá. Barbès Records (Roots of Chicha, Chicha Libre, Chico Trujillo) will be releasing it in the fall.

Franz Mesmer and his theory of animal magnetism provide the running theme for their new album. A collection of songs linked by the idea of a shared trance-inducing energy, channeled through rhythms and sound experiments. Musical inspiration for the album come from Colombian gaita, vallenato and cumbia, Peruvian huayno and chicha, Ecuadorian Sanjuanitos - a panoply of Afro-Andean traditions filtered through a futuristic vision of dance music that melds percussion-heavy polyrhythms and psychedelic sounds.

Band members are all active on the new tropical Bogotá scene. Keyboardist and accordionist Ivan Medellin and bassist Nicolas Eckardt are members of cult band Romperayo. Percussionists and singers Giovanna Mogollón and Diana

Sanmiguel are also 2/3 of popular trio LA PERLA.

Auf Lager

Bei uns am Lager und sofort versandfertig

23,49
Mawn Lower - Motion Detection

Motion Detection is the first release of Atlanta–based VOSK Records. Founded by DJ and producer Andrey Ter–Grigorian aka Mawn Lower, the label aims to provide high–quality electronic music on vinyl that is unbound by genres and stylistic constraints yet shares a unified approach to sound with a strong emphasis on concept in every release. The EP explores themes of emerging from an concealed, invisible state under constant surveillance and consists of 4 tracks produced at different times over the span of 10 years.

Auf Lager

Bei uns am Lager und sofort versandfertig

11,72
Kit Sebastian - Melodi

Kit Sebastian

Melodi

12inchMRBLP227
Mr Bongo
21.01.2025

Follow-up album to cult-classic debut, Mantra Moderne.

‘Melodi’ is the second album from captivating duo Kit Sebastian (aka Kit Martin and Merve Erdem). Those familiar with the band's cult classic 2019 debut record 'Mantra Moderne' will instantly recognise their unique sound that blurs boundaries of world music, jazz and psychedelia. Not to be content replicating the same album, sonically the feel of ‘Melodi’ is a maturation. It is more diverse and provides glimpses into many different worlds from the Italian Riviera to the mountains of the Caucasus, the beaches of Bahia to the city streets of Istanbul and Paris. This joyous merging of soundscapes evokes a borderless planet with music as an international language, belonging everywhere and nowhere.

‘Melodi’ is imbued with Kit Sebastian's love of vintage records and world cinema, but it is not a retro homage. It celebrates its influences but is very much a modern record, being simultaneously brand new and retro. This is a credit to the duo's craft as musicians and songwriters, presenting their influences as a circular interaction between the present and the past rather than a linear one.

The music was written during the first UK lockdown and recorded that summer, a time of opening up that only briefly existed. In a world with a slower pace than before the Covid crisis, the band were able to spend more time experimenting in the studio. The album’s range of instrumentation has expanded from the previous record to include zithers, harpsichords, congas, bongos, bulbul tarang, and a mock-up choir on top of the synthesizers, balalaikas, organs, and saxophones. Session musicians and friends were also booked to introduce trumpet and string sections giving the album an added depth and orchestral texture. Despite the added complexity, the album was recorded using the same techniques employed for the previous album with various tape machines, bouncing back between cassette and ¼” tape for practicality and sonic abstraction. To pierce through this abstraction, the vocals are intentionally more expressive. Merve took cues from the Turkish singers of her youth, adding a slightly more melancholic, darker and more reflective style than 'Mantra Moderne’. Rooted in observations from everyday life, they speak often about the worlds and thoughts that arise from the end of the night.

Like with many of the best albums, the record seems over all too soon and has you instantly wanting to play it again. On each listen you decide on a track that you think is your favourite from the album only for it to be replaced with a different one on the next listen. The songs and production have hidden depths that seem to evolve and morph the more you devour them. Moments of pure pop, moments to fall in love, moments to contemplate. This journey is rich in musical vitamins and nourishment, but like all the best things still leaves you wanting more.

Auf Lager

Bei uns am Lager und sofort versandfertig

25,63
Leon De Winter - Apollo Jazz EP

Repress!

Mint Condition - A record label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics, overlooked gems and never heard before material, mined from the last 30+ years of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond. Mint Condition have got their digging hats on to bring you exclusive heat and those rarer than rare jams that have been in your wants list for years. Dig in....

Tobias Menguser, AKA Leon De Winter, was a very influential figure in the 90's Frankfurt techno scene, releasing around 100 records under various aliases, including collaborations with Ricardo Villalobos, but it was his Leon De Winter alias that really caught the ears of legendary London label Eukahouse, who originally releases this 12" all the way back in 1997. A one-off, it is not only unique in its sound design but also genre defying, spanning deep house, tech-house, techno, electro and breaks.
A-Side 'Apollo Jazz' is truly that, sounding like it was composed from a freeform jam on a trip to the Moon. Opening with emotive chords, the track lifts off and builds, melodies effortlessly twist and turn, superbly pulling together a variety of well crafted synths, bass and percussion whilst keeping the energy to the fore. Over to the B-Side, 'Metamat', is bold and more playful in its execution, more sonic trickery abounds as the opening riffs and breakbeat percussion give way to a solid 4/4. The bass is as memorable as it is quirky, but again it's the strength in the way all the elements build and combine that creates some real tripped-out musical moments without ever losing its dance floor appeal.

This is one of Tobias's most sought after releases and it's no wonder his collaborative work with Ricardo Villalobos is legendary. The tracks themselves have remained exciting and relevant, achieving cult status amongst the most discerning DJs, record collectors and music heads alike. Legitimately re-released with the full involvement of Tobias Menguser, lovingly remastered by London's Curve Pusher from the original DATs especially for Mint Condition. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at your favourite reissue label - Mint Condition!

Auf Lager

Bei uns am Lager und sofort versandfertig

13,40
Terror/Cactus - Forastero

Terror/Cactus

Forastero

12inchLPSHSH066
SHIKA SHIKA
20.01.2025

"Forastero translates to “outsider” or “foreigner”. It is a common reference in Argentina folk music that describes the experience of immigrants and troubadours - bringing up feelings of isolation and solitude, but also the freedom of roaming in nature without borders. It reflects Selasco’s experience as an immigrant - feeling like an outsider both in the United States or Argentina, yet at the same feeling that there is a deeper sense of belonging to the world that is beyond borders.

In Forastero, Terror/Cactus explores themes of identity, memory, perception, and mysticism. Featuring collaborations with artists such as Pahua, Rumbo Tumba, Barrio Lindo, and Corina Lawrence, Forastero encompasses a musical landscape filled with electronic folk, dark cumbia, and psychedelic beats."

Auf Lager

Bei uns am Lager und sofort versandfertig

26,68
Sylvester - Dance (Disco Heat)

Repress!

LOUIE VEGA RE-IGNITES THE DISCO CLASSIC 'DANCE (DISCO HEAT)' BY SYLVESTER
Grammy awarding winning producer & 5 time Grammy nominated Louie Vega continues to send dance floors into a peak hour frenzy with his remixes of disco classics on Nervous Records. The inspiration to delve into masters from this era began when he started remixing masters from the SAM Records catalogue, which is owned by Nervous Records, and with whom Louie has a long history going back to Nervous' early 90's origins. Louie is that unique producer who has had success in multiple genres of music including House, R&B, & Freestyle and he has brought that talent to help re-ignite New York disco classics like Vicky D's "This Beat Is Mine" and Convertion's "Let's Do It" featuring Leroy Burgess, as well as charting topping disco hits from John Davis & The Monster Orchestra "Bourgie Bourgie" & "Up Jumped The Devil".
This time, Louie put his focus on a track outside of the SAM Records catalogue, and one that was an international disco hit that also crossed over to becoming a 1978 pop hit, namely Sylvester / Dance (Disco Heat). Using elements from the 1978 version and combining them with his own original musical and percussion contributions, along with new vocal performances from renowned singer Cindy Mizelle, Louie has refashioned and reignited this 39 year-old production into a 2018 club anthem.
This past year has seen Louie continue to fortify his position as one of the industry's most prolific producers. Remixes from his Grammy - nominated best dance album "Louie Vega Starring...XXVIII' have consistently sold out on its vinyl release and hit number 1 on charts on multiple digital platforms. 2018 will see collaborations with Kenny Dope under their legendary and world-renowned Masters At Work and Kenlou monikers, as well as co-productions with The Martinez Brothers and Joseph Capriati.
Louie along with Anané Vega recently created one of the summer's premier club destination at their Ibiza summer residency The Ritual with Anané & Louie Vega at Heart. He continues to cross the globe from Europe to South Africa to Asia and back as one of the world's most sought after DJ's, and incredibly is able to maintain a weekly radio show on WBLS for the last 8 years and his NYC residency at Cielo under The Roots NYC moniker for over 13 years.

Auf Lager

Bei uns am Lager und sofort versandfertig

13,66
Apples - Mind Twister LP

Apples

Mind Twister LP

12inchODILIV003LP
Odion livingstone
15.01.2025

70s Nigerian psychedelic soul rock to be filed next to Shuggie Otis’ Inspiration Information. Some albums are more than the sum of their parts. This is one of them. Nothing quite explains the luscious layers of sounds. The wholesome feeling that exudes from the first note to the last. Shuggie Otis meets Grotto/Ofege is what comes to mind.

The band was a ragtag band of teenage musicians who hung around Federal Palace Hotel in classy Victoria Island, listening to the resident band, led by the incomparable Yom Yem with Papa Doe and Gboyega Adelaja on keys. Frank who had some experience stringing around studios in Lagos, approached the George Veira (Vocals, Guitar), Nadi brothers (Clifford and Gerrard) with the idea of making a record. Odion Iruoje had enjoyed massive success with Ofege and Frank knew he might be open to the idea of producing the band. “It happened very fast, as Georges had songs already written or half completed. We started jamming with a few gigs at Surulere Night Club, which was run by Tee Mac at the time. Odion heard the material and did not need any convincing. We Then we went into the studio to lay the vocals, drums and guitars. The keys and further production was done in London.

“My routine at the time was to finish records in London, at Abbey Road Studios. It was the best way to get the sound I wanted and allowed my use London based musicians which brought a special flavour. I liked to lay the rhythm tracks and vocals at our Wharf road studio in Lagos. That was the core of the work”. Mr Odion Iruoje

(Resident A&R exec/Producer, EMI Nigeria)

Auf Lager

Bei uns am Lager und sofort versandfertig

11,98
Artikel pro Seite:
N/ABPM
Vinyl