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This Biscuit is built for the bold. Brimming with attitude, four trippy, hard-hitting productions. No filler here - every track a peak time head-turner.

Opening the A-side, we have France’s BOOH, co-founder of BOOOoo! Records. Seamlessly blending rich EBM, techno and electro influences, Hidden Between Two Ferns is an ever-evolving weapon, pulsating with intrigue and intensity.

A2 brings some straight-up electro business from Argentina’s Micro.Tron. Rhythm focused with a dark essence, Microclima Robot hits hard and commands attention.

At B1, the devastatingly epic Then I Dropped It, masterfully delivered by longtime label friend JJ Fortune. Signature sounds from this hugely talented artist.

Closing out this powerful piece of plastic, Vloon steps up with a growling, menacing electro weapon - raw and unrelenting.

As always, this is a strictly plastic affair. No digi release, not ever.

Flabaire, a seasoned French DJ and producer, has been a mainstay in the electronic music scene for years. As the head of the renowned D.KO Records for a decade and a multi-instrumentalist with the ability to play classics from The Band and Fleetwood Mac, Flabaire's artistry knows no bounds. We're thrilled to welcome him back to our label (his talent previously shone on the « Skylax House Explosion » compilation, curated by DJ Sprinkles and Hardrock Striker). With this latest release, we genuinely believe Flabaire has reached a new height of maturity in his production, delivering what we consider some of the finest deep house we've heard in years. This EP is steeped in the timeless essence of deep house, aligning with the legacy of Black Jazz Consortium (aka Fred P), the late, great Mike Huckaby, and the silky elegance of Soul Capsule. Every track feels meticulously crafted within the same creative framework, creating a cohesive listening experience that's as suited to at-home sessions as it is to the dancefloor. This isn't music designed for quick attention or fleeting trends—it's a powerful moment of deep house reclaiming its voice in a landscape crowded with Instagram “DJs” and shallow hype. The EP opens with A1.Echoes, an evocative track that draws listeners into its lush, immersive soundscape, immediately setting the tone for the record. A2.Eventually continues the journey, layered with smooth textures and a subtle groove that feels both intimate and expansive. On the flip side, B1.Lip Them explores deeper, jazz-infused rhythms, each note purposefully placed, creating a rich, hypnotic atmosphere. Finally, B2.La Haye rounds out the release, offering a dreamy, ambient house vibe that seems to float effortlessly—a testament to Flabaire's refined touch and sophisticated style. Each track flows seamlessly into the next, much like the movement of a jazz record, with even the titles evoking a Pink Floyd-esque sense of introspection. This is ambient house at its finest: real club music made for dancing, socializing, and deep listening. Beyond a simple EP, this record is a statement—a testament to the artistry and authenticity of true deep house.

Da bossman Tripmastaz delivers two cuts of "Politics As Usual" a summer-themed track in classic golden-era house style – full of positivity and sunshine beams.

On the B-Side "Coffee Smack 4 Dat Azz" balances the EP with Tripmastaz’s signature crunchy beats and gutta flows for the real heads – hits like a perfectly brewed cup of coffee. "Scarp" wraps up the record nicely with proto-digger vibes and fun acid basslines.

And the cherry on top: for the collectors, this time around we pressed just 50 copies on green marbled vinyl – a true gem for the heads.
Summer is here.

Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.

Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.

The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.

To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul.

Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album are trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto who sprinkles some Brazilian magic into the record.

Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.

To celebrate their landmark 60th release, Analogical Force proudly present ''Sixty'', a lengthy compilation (3x12'' - 17 tracks) that chronicles the label's journey from its inception to its current cutting edge form. Featuring new unreleased tracks from regular collaborators alongside exciting up-and-coming artists, plus some gems rescued from the past and remastered for the occasion. This release is a sonic time capsule and a forward-looking statement that serves as both a reflection of AF's past and a bold vision for the future. A must have for AF heads or virtually anyone into forward thinking music.





c 03 Gherat - Micfrk Bamb Mix



g 07 Oh Mr James - Rechargeable Battery Acid [ESC Mix]
[h] 08 Meta Program - VHJhbnNjZW5kIFlvdXIgRXhpc3RlbmNl [AF Edit]

Totoyov is back with a new identity and is pleased to present its fourth vinyl release, featuring four tracks by the talented Brazilian artist, and one of our label heads, Dru.

Giuliano Lomonte and the rising Romanian star Constratti complete the record with their powerful and refined touches on A2 and B2. A perfect combination of meticulously crafted drums, instruments, and groove that will keep you engaged.

“Unlikely Possibilities EP” is a manifestation of powerful moments in life that happen for a reason, when you least expect them.

The record’s artwork is created by the talented Juliette Siraj, a French artist with synesthesia—a rare condition that allows her to see colors and shapes while listening to music. Each of her paintings is a visual translation of the sounds she perceives. For this release, Juliette painted while immersing herself in the EP’s tracks, transforming the sonic experience into a unique and sensory artwork.

200 copies. No repress!

Hitting release number three, Slush Records remaster and reissue Spacer IV aka James Zeiter’s sought-after 1997 EP on Pleasure Records. The man behind a slew of lauded records under a variety of different aliases, his sound is one that is cherished for orbiting the spheres of progressive trance and atmospheric dub techno. This four-track EP, however, saw James venture into unchartered territory, exploring a more melodic, house-tinted spectrum, before flipping back into the progressive techno-trance underbelly.

Having started life in 1995, Spacer IV had already gone from the leagues of limited white labels, to being the name stamped on one of Pleasure’s biggest-selling records by the time this EP came out. With only 195 white labels of his first record ARC 1/ARC 2 pressed, a copy was passed to Pete Robinson at Robs Records. ‘ARC 2’ was plucked from that release, supplemented with a new cut ‘ARC 3’ and given a proper pressing on Robs Records offshoot label Pleasure to notable success.

Fast forward to 1997 and James chose to depart the trance-infused techno sound of those first releases. Absorbing elements by osmosis, this EP sees James dipping his toes into fresh waters. Using what limited hardware he had available, including an Akai S950 sampler, Ensoniq ESQ-1 and Novation Bass Station 1, James laid down four distinctive and versatile club cuts.

‘Sirocco’ opens the EP, a tingling hit of endorphins that only the most timeless of tracks can elicit. Echoing pads feed acid murmurings, that sit atop dusty breakbeats and rattling sub-bass. An aural exploration, that is equal parts ethereal and empowering, taking cues from breaks, ambient, chill out and house. It’s one of those rare tracks that has the power to float you away or fuel your buzz, giving a healthy tug on the heartstrings in the process.

‘Mono’ follows, merging heads-down dancefloors with the embrace of warmer climates. It’s deep and Detroit-infused yet bolstered by a dream house bassline straight out of the Italian riviera. A dose of eyes-closed euphoria that hits just right.

The flipside sees James in more familiar territory with ‘Jetson’ and ‘Dust’. The former is a hit of space-age progressive house. Trippy, hypnotising, driving goodness, showcasing James’ ability to lock your body into a groove, yet send your mind to another world. The latter rounds out the EP, serving up an acid-swirling club stomper, forever building in intensity before dropping you into the vacuum of deep space.

Old Soul Records are proud to present Chris’ seminal garage classic ‘Set If Off’, the tune that’s cemented his name as a 2-Step elder. Whilst the reworked version has seen a re-issue on a Pure Garage comp in recent times, this original version is presented here in it’s raw, unfiltered form. If that wasn’t enough it’s backed up with not one but two previously unreleased versions – ‘Set It Off (Bang Mix)’ & ‘Set If Off (Original Dub)’. This package is a testament to Chris’ production and all the tracks sounds as fresh now as when they were first committed to DAT during those heady foundational days.

DJ Support: Chris Stussy, Enzo Siragusa, Hot Since 82, Prunk, and M-High

Amsterdam-based Hungarian duo Retrouve are ready to make their mark on the global house music stage with their highly anticipated debut album, Feel So Right LP, on PIV Records. This young and dynamic pair has been turning heads in the House and Minimal Deep Tech scene with their slick productions and fresh take on the genre. Featuring eight timeless tracks, Feel So Right LP is a masterclass in diversity and depth, showcasing Retrouve’s profound understanding of house music and beyond. From soulful grooves to driving basslines, each track tells a story of their journey as artists and friends, reflecting their determination to carve out a unique sonic identity that resonates with both the old guard and the new wave of house music enthusiasts. Despite being newcomers, Retrouve have already garnered significant support from some of the biggest names in the industry, including Chris Stussy, Enzo Siragusa, Hot Since 82, Prunk, and M-High. Their unreleased tracks have been sought-after IDs for the past two years, creating a buzz that has only grown louder with time. Feel So Right LP is a testament to the duo’s unwavering passion and dedication to their craft while creating a memorable listening journey. With this release, Retrouve are poised to become ones to watch in 2025 and beyond.

Dave Lee continues to be one of Britain's most accomplished disco dons. An established remixing extraordinaire, proven once more here as he tackles some stunning Disco-Funk heaters. First is the Psychedelic Funk mix of '2001 Disco Party' a hypnotic, sweat inducing slab of frenzied funk-action, did we mention this release brings the funk enough? His Synth Vamp mix of 'Potion Of Love' is a must for hi-energy synth solo aficionados, backed up with glorious strings, pulsating guitar and classic disco diva vocals. Last of all his 'Strut Your Strat Dub' of the opener brings irresistible guitar frets to the party, doubling down on the groove factors for some serious heads down, hands up feet stomping.

Skylax Records proudly presents "Winter Sequences", the debut EP by Arnaud Rebotini on the label and the launch of the Skylax Black series, dedicated to bold, sophisticated electronic productions. For over two decades, Arnaud Rebotini has been a defining figure in electronic music. As a producer, composer, and master of analog live performances, he bridges the worlds of techno, electro, and cinematic scores. Winner of the César Award for Best Original Score for Robin Campillo’s "120 Beats Per Minute", his talent transcends the dancefloor, captivating audiences in both clubs and cinemas. Rebotini is also a master of the remix, collaborating with legendary acts like Depeche Mode, Rammstein, Nitzer Ebb, and Bloc Party amongst others, and delivering a standout reinterpretation of Bronski Beat’s "Smalltown Boy" for the "120 Beats Per Minute" soundtrack. His remix work blends respect for the originals with his own creative power, placing him among the most revered names in electronic music.

The EP opens with “Snowy Sunday Smile”, a track that combines melodic depth with techno power, showcasing Rebotini's mastery of analog live performance in a compelling and emotional way. “Abnegation Electronique” follows with a subtle homage to Drexciya’s universe, fusing deep basslines and hypnotic layers to create a pure and immersive electro experience. On the B-side, “December in G” delivers a live improvisation featuring SH101 and TB303, seamlessly shifting between G minor and G major chords, evoking life’s contrasts between shadow and light. Closing the EP, “Echo Park’s Bells” conjures the enigmatic magic of Los Angeles with dreamy bells and ethereal textures that capture the city’s endless nights. Staying true to his raw, analog aesthetic, Rebotini’s music embodies timelessness and cutting-edge innovation. "Winter Sequences" captures this duality perfectly, blending raw energy with melodic sophistication. An iconic release, "Winter Sequences" is more than an EP—it’s an analog masterpiece, a sonic exploration, and a bold statement cementing the collaboration between Arnaud Rebotini and Skylax Record



Artwork by H5: The cover art, designed by the legendary H5 studio (Daft Punk, Air, Logorama), adds a unique visual dimension to the EP. Known for their globally acclaimed graphic work, H5 enhances the identity of this release with their unmatched creative touch. Available on 12” vinyl. Head to Bandcamp to secure your copy. A must-have for electronic music aficionados.

Celebrate a decade of Turnover's iconic sophomore album Peripheral Vision with this 10 Year Anniversary Edition. Retaining the album's iconic cover art, the packaging has been completely overhauled to include a new lyric poster & printed photo inner sleeve. This special limited edition also includes two bonus tracks from the era - "Humblest Pleasures" and "Change Irreversible." Released on May 4th, 2015 via Run For Cover Records, Turnover's second album Peripheral Vision is widely regarded as an essential body of the work in the band's discography, maturing its sound into a shoegaze-inflected post-punk direction following the band's 2013 debut record Magnolia. Described as "a tour de force" by Kerrang!, the album set the stage for an extensive and prolific touring history over the past decade and three subsequent albums, including their most recent LP, 2022's Myself in the Way. - Updated vinyl packing - new jacket, inner-sleeve, lyric poster - 2 Bonus tracks from "Humblest Pleasures" EP

Ekman returns to Shipwrec! "Five years is a long time. For many, 2020 seems like a lifetime ago. It was in this fabled year that Ekman last appeared on Shipwrec, Kronkel marking a shift from the blackened acid blooms to more considered, yet unsettling, sounds. It is from this audio fount the dutchman returns with Elixer. Throbs of bass and rasping snares shear a path for smoother tones in Alruin Met Cranberry. Injecting the ever-present sense of unease, a menacing melody stalks the constricting recesses as paranoia takes hold. These inner alcoves are further explored in the disturbing Doornappel Met Peer. Spectral synth-lines don a thin shimmering veil, warbling notes tremble while beats offer little relief in this unstable outing. Aquatic undercurrents introduce the flip, a sharp drum slicing through the burbling bass of Codeine En Rozemarijn. From this murky soup, a string ascends as Ekman toys with contrasting tones to produce a piece of acid dipped elegance. Shattered drums pierce the ambient fog of the finale. Alsem Met Anijs blends intricate percussion with soulful strings to produce a hauntingly beautiful dreamscape to finish Ekman's heady brew."

In the year since it was first released on Hell Yeah, Aura Safari and Jimi Tenor's Sensory Blending has become a cult modern classic. To celebrate its conquering of Balearic heads and jazz funk hearts everywhere, it now arrives on green transparent vinyl.

The album came about after a chance meeting when Finnish musician Jimi Tenor was playing a Hell Yeah party in Perugia. He had some free time so was hooked up with local collective Aura Safari. It was the first time they had ever met but that didn't stop magic from happening in the studio and giving rise to this lush, rich, life-affirming album.

Tenor is no stranger to collaboration. He has previously worked with Japanese master Calm, regularly plays with Cold Diamond & Mink and has explored psychedelic space-jazz-funk fusion over more than 25 albums and 45 EPs. Right now he is in a rich vein of form, continuing to tour the world and drop cosmic soul voyages on a regal basis.

A year on this album still stands up and has crossed over int several different scenes thanks to high profile plays from plenty of tastemakers. Aura Safari musicians Lorenzo Francioli, Ruggero Bonucci, Nicola Pitassio and the production team were all on top form and truly cemented their reputation as a collective to watch.

'Bodily Synesthesia' is the seductive opener with steamy sax notes and gentle grooves that are topped by aloof vocal whispers. 'Lunar Wind' is another slow and steamy mix of jazzy keys and soulful vocal hooks, 'Bewitched By The Sea' is a more tropical and percussive number with majestic melodies and 'My Bluebell' picks up the pace with jazz-funk grooves and hustling chords. 'Last Waltz In Perugia' has freeform sax lines soaring over meticulous drums that ebb and flow and 'Gimlet' brings a playful, samba-tinged rhythm and sunny flute leads straight from South America. There's a laidback, carefree mood to 'It's Too Easy To Love You' while 'Your Magic Touch' is a dancey number that exudes melodic joy, and 'Indigo' closes in dramatic fashion with a conversational sax that sticks long in the memory.

Sensory Blending is the soundtrack to a steamy summer vacation up amongst the stars.

The Situation collective headed up by Mr Mulatto and Frank Situation return with their much-anticipated new album ‘Audio Proxemics’. Across nine sumptuous tracks it explores a warm array of sounds from jazz-flecked deep house to soulful nu-disco with guests like Javonntte, Faze Action's Robin Lee and more. Situation is a collective of DJs, producers, editors, and musicians who hail from the five valleys of Stroud in the UK. Between them they have deep roots in electronic music and have been entrenched in the scene on many levels from hosting their own events, organising free parties, releasing everything from deep house to tech under several aliases and, since 2014, have established Situationism Records with cultured sounds from the likes of Ashley Beedle, Greg Wilson, Dr. Packer, and more.

This accomplished new album has been two years in the making and began with three tracks recorded by South African vocalist Venessa Jackson while she was on tour in the UK. As well as Venessa’s sweet tones, vocalists from across the globe contribute alongside some core Situation members: James Payne, Phil aka Dr Keys and Jon Gray aka BitterSuite who take care of bass, arrangement, production, and guitar.

It’s a timeless record that spans everything from jazz to funk with real musicality and standout instrumental skills lighting up each track. Underground favourite Javonntte adds deep and smoky tones to the flute laced and sunny house sounds of 'Bullit' while 'Never Taken A Weekend Off' is a lush broken beat sound with radiant synth leads and vocal hooks that echo classic Brit funk. 'Mrs Donovan' is a more club-ready sound with dazzling keys dancing over dusty house drums and 'Fairy Godmother' is a gorgeous slice of disco house with vibrant strings from Faze Action's Robin Lee and an effortlessly cool acid jazz vocal. Add in 'Over & Over', a lovely jumble of chords, organic percussion and life-affirming horns, and the hip-swinging drums and expressive interplay of sax and synth on the uplifting 'Rodborough Groove' and you have an album perfectly suited to bright days and hot summer nights.

MixCult Records is glad to introduce its new release, deeply curated various artists compilation that will take one journeying through resonant realms within Deep and Dub Techno. It boasts a lineup that features renowned artists such as Kirill Matveev, Genning, TM Shuffle, and Nicolas Barnes. Now this record offers four compelling tracks with rich sonic textures and emotive depths, characteristic of the genre.

A1: Eric Louis - Voice Memo Original: The first track, "Voice Memo" by Eric Louis, is purely an introspective personal record. Soft pulsations of the bass weave in and out of haunting melodic vocal samples to create an atmosphere that is strong and enduring.

A2: Kirill Matveev - Never Losing That Track Genning Remix: The second offering is Kirill Matveev's "Never Losing That Track", remixed with the masterly touch of Genning. The track builds on the core of the original with added layers of rhythm and heavenly synths soaring above the driving beat. It raises the energy a notch without losing the sophistication, with melodic elements perfectly laced into pulsating basslines. A track that makes the listener immerse themselves in the song: upbeat, yet wistful, so that listeners can get lost within the depth of the sound. The track is designed for those who love to dance at sunrise.

B1: TM Shuffle – Artist by the time the B-side gets underway, TM Shuffle brings the past to the present via "Artist", a rock-solid track now pressed on vinyla gain with some of the very best of strong dub techno sound which we love when mood-setters take over the dancefloors. This track invites introspection, drawing listeners into its depths as they explore the nuances of sound that define the dub techno genre.

B2: Nicolas Barnes - Outro: The "Outro" by Nicolas Barnes is a reflective, ambient conclusion to the journey. This track wraps up the listener in a soothing embrace of lush soundscapes with soft melodies. It's a meditation of the experience, with the stillness of quieted moments ringing deep. The spacious nature of the composition invites listeners into their reflection of this auditory voyage they've just embarked upon. Outro" - demurely deep, summing up the release and leaving its memory in a head long after it really fades. For sure, one of those tracks you do not want to forget while performing a warm-up set.

Every track represents a different exploration of sound, all combined to tell one story that resonates deep and with elegance. The vinyl release of the album is a must-have for any lover of immersive music, as it will invite listeners to get lost within captivating soundscapes.

Special collaborative project ARUM lands on the ESHU imprint. Something that every ESHU release has in common is that each project originates from friendship or a cooperation between like minded souls. This release is no different from that. "Guus" refers to the owner of a little cabin studio where a group of friends came together to create some beats. ARUM consists of Kaap (De Lichting), Jasper Wolff (Indigo aera), Luna Ludmila and ESHU head honcho Ivano Tetelepta himself. After an extended weekend of studio sessions this was the last jam created on a hazy Sunday afternoon when the crew headed into deep dub territories. The result is a five minute long smooth dub techno ride honoring Guus and the perfect Sunday ethos. If you talk dub techno, you talk about Deadbeat. Nothing would suit this release more than a remix by this true icon in dub techno and a close friend to the ESHU family. Happy Sundayzzz.

5-track vinyl-only release by Basse-cour label boss Decoq, delivering a raw, unapologetic slice of hard techno. Drawing light inspiration from the early '90s rave scene, this EP channels the gritty energy of industrial warehouses and the euphoria of underground dance floors. Thunderous kicks, gritty textures, hypnotic rhythms, haunting synths, and relentless grooves collide in a collection that pays homage to the roots of rave while keeping its sights firmly set on the future: this is a must-have for selectors who thrive on pure, unadulterated energy.
A visceral journey into the heart of techno’s rebellious roots and a pure dance floor ammunition for true heads.


Vinyl- Only Ep in 5 tracce firmato da Decoq, boss e anima dell’etichetta Basse-cour, che offre una cruda e inarrestabile dose di hard techno. Vagamente ispirato alla scena rave dei primi anni '90, questo EP incanala l’energia ruvida dei magazzini industriali e l’euforia delle piste da ballo underground. Casse martellanti, texture grezze, ritmi ipnotici, sintetizzatori inquietanti e groove implacabili si fondono in una raccolta che rende omaggio alle radici del rave, guardando al contempo verso il futuro.
Un must-have per i selector che vivono di energia pura e incontaminata: un viaggio viscerale nel cuore ribelle del techno e una vera arma da dance floor per gli intenditori.

Space Tours head honcho Mitch Wellings debuts on Private Parts with potentially his most explosive EP to date. Kicking things off with some bass heavy, ragga infused breaks. ‘The Ritual’ is pure authentic riddims, featuring Mitch’s recordings of Zimbabwean, Persie Pee, on the vocal. ‘Had Me Livid’ ramps up the tempo with some rolling bass/tech. Intricate drum programming, hip shaking dancefloor fun. Flip to the B and you have two highly gratifying electro jams. ‘Leave With Us’ heads into Mitch’s signature, out of this world, alien territory. Wrapping up the ep is the instructional electroid funk that is ‘Choreography’ – dance routines encouraged.

Hard Times proudly welcomes a new release from an artist deeply connected to the label’s storied past. Alex Arnout presents BLACK LOGIC with their debut EP, ‘Pull Up’, a project born from passion, collaboration, and a return to House music's soulful roots

Hailing from West Yorkshire, Arnout spent his formative years on the Hard Times dancefloors, absorbing the beats and vibes that would later shape his own productions. His journey with the label reignited when he was invited to remix Michael Watford’s classic 'Love Change Over' and Steve Silk Hurley’s fresh hit 'All I Need'. Now, he returns with something truly special

“Black Logic was born out of the pandemic,” says Arnout. “I wanted to move away from drum machines and synths, getting back to sampling jazz and the deep house sounds of the ‘90s - taking inspiration from artists like Bugs in the Attic, Jazzanova, and Ernest Saint Laurent.

What began as a solo project soon evolved into a collective effort. Bassist and guitarist Alan Riggs, a former member of Delta 5, joined the sessions, bringing warmth and groove to the productions. Vocalists Tempo O’Neil, Anthony Beckford, Mariana Orsho, and Sophie Barker added their distinct voices, completing the vision.

The ‘Pull Up’ EP is the first of a debut double-header from Black Logic, delivering five stunning tracks that blend jazzy keys, deep grooves, and rich, soulful vocals. From the warm basslines to the celestial closing moments, this EP is a statement of intent - a wonderfully fresh, yet nostalgic take on deep house from a collective of masterful musicians.