Ground-breaking girl group the Marvelettes were the first successful female group and the first hitmaking act for Motown after the Miracles. Gladys Horton formed the quartet in the Gee Club of Inkster High School with Katherine Anderson, Georgeanna Tillman, Wyanetta Cowart (known as Juanita) and Georgeanna Dobbins, who dropped out prior to the Motown deal, replacement Wanda Young sharing lead duties with Horton. Debut single ‘Please Mr. Postman’ is the immortal classic that spawned the debut album of the same name, part-shaped by Smokey Robinson and Marvin Gaye, a must-have capturing their budding glory.
Buscar:til
- A1: Slip On Through (Sunflower Original Album)
- A27: Cotton Fields (The Cotton Song) (The Cotton Song)
- B1: Don't Go Near The Water (Surf's Up Original Album)
- B2: Long Promised Road
- B3: Take A Load Off Your Feet
- B4: Disney Girls
- B5: Student Demonstration Time
- B6: Feel Flows
- B7: Lookin' At Tomorrow (A Welfare Song) (A Welfare Song)
- B8: A Day In The Life Of A Tree
- B9: Til I Die
- B10: Surf's Up
- B11: Surf's Up Promo (Previously Unreleased)
- B12: Take A Load Off Your Feet (Live 1993 - Previously Unreleased - Surf's Up Live)
- B13: Long Promised Road (Live 1972 - Previously Unreleased)
- B14: Disney Girls (Live 1982 - Previously Unreleased)
- B15: Surf's Up (Live 1973 - Previously Unreleased)
- B16: Student Demonstration Time (Live 1971 - Previously Unreleased)
- B17: Big Sur (Previously Unreleased - Bonus Track - Surf's Up Bonus Tracks)
- B18: Help Is On The Way
- B19: Sweet & Bitter (Previously Unreleased - Bonus Track)
- B20: My Solution (Previously Unreleased - Bonus Track)
- B21: 4Th Of July
- B22: Sound Of Free
- B23: Lady (Fallin' In Love) (Fallin' In Love)
- B24: Seasons In The Sun (Previously Unreleased - Bonus Track)
- C1: Sunflower Promo 2 (Previously Unreleased - Sunflower Sessions)
- A2: This Whole World
- C2: Slip On Through (Track & Backing Vocals - Previously Unreleased)
- C3: This Whole World (Long Version Track & Backing Vocals - Previously Unreleased)
- C4: Add Some Music To Your Day (Track & Backing Vocals - Previously Unreleased)
- C5: Deirdre (Track - Previously Unreleased)
- C6: It's About Time (Track & Backing Vocals - Previously Unreleased)
- C7: Tears In The Morning (Track & Backing Vocals - Previously Unreleased)
- C8: All I Wanna Do (Session Intro, Track & Backing Vocals - Previously Unreleased)
- C9: Forever (Session Highlights - Previously Unreleased)
- C10: Forever (Track & Backing Vocals - Previously Unreleased)
- C11: Our Sweet Love (Track & Backing Vocals - Previously Unreleased)
- C12: At My Window (Track & Backing Vocals - Previously Unreleased)
- C13: Cool Cool Water (Alternate 2019 Mix - Previously Unreleased)
- C14: San Miguel (Track & Backing Vocals - Previously Unreleased)
- C15: Loop De Loop (Track - Previously Unreleased)
- C16: Good Time (Session Intro, Track & Backing Vocals - Previously Unreleased)
- C17: When Girls Get Together (Track - Previously Unreleased)
- C18: Slip On Through (Alternate 1969 Mix With Session Intro - Previously Unreleased)
- C19: Our Sweet Love (String Section - Previously Unreleased)
- C20: San Miguel (Backing Vocals Excerpt - Previously Unreleased - 1969-1970 A Cappella)
- C21: Break Away (Backing Vocals Excerpt - Previously Unreleased)
- C22: Cotton Fields (The Cotton Song) (The Cotton Song)
- C23: Good Time (Backing Vocals Excerpt - Previously Unreleased)
- C24: This Whole World (Backing Vocals Section - Previously Unreleased)
- C25: Add Some Music To Your Day (A Cappella - Previously Unreleased)
- C26: Got To Know The Woman (A Cappella - Previously Unreleased)
- C27: It's About Time (Backing Vocals Excerpt - Previously Unreleased)
- A3: Add Some Music To Your Day
- C28: All I Wanna Do (A Cappella - Previously Unreleased)
- C29: Forever
- D1: Don't Go Near The Water (Track & Backing Vocals - Previously Unreleased - Surf's Up Sessions)
- D2: Long Promised Road (Track & Backing Vocals - Previously Unreleased)
- D3: Take A Load Off Your Feet (Alternate Vocal - Previously Unreleased)
- D4: Disney Girls (Track & Backing Vocals - Previously Unreleased)
- D5: Student Demonstration Time (Track & Backing Vocals - Previously Unreleased)
- D6: Feel Flows (Track & Backing Vocals - Previously Unreleased)
- D7: Lookin' At Tomorrow (A Welfare Song) (A Welfare Song)
- D8: A Day In The Life Of A Tree (Track & Backing Vocals - Previously Unreleased)
- D9: Til I Die (Long Version With Alternate Lyrics - Previously Unreleased)
- D10: Surf's Up
- D11: (Wouldn't It Be Nice To) Live Again (Wouldn't It Be Nice To)
- D12: Don't Go Near The Water (A Cappella - Previously Unreleased - Surf's Up A Cappella)
- D13: Long Promised Road (A Cappella - Previously Unreleased)
- D14: Feel Flows (Backing Vocals Excerpt - Previously Unreleased)
- D15: Disney Girls (Backing Vocals Excerpt - Previously Unreleased)
- D16: A Day In The Life Of A Tree (Backing Vocals Excerpt - Previously Unreleased)
- D17: Til I Die (A Cappella - Previously Unreleased)
- D18: Surf's Up (A Cappella - Previously Unreleased)
- D19: I Just Got My Pay
- D20: Walkin
- D21: When Girls Get Together
- D22: Baby Baby (Previously Unreleased - Bonus Track)
- D23: Awake (Previously Unreleased - Bonus Track)
- D24: It's A New Day (Previously Unreleased - Bonus Track)
- A4: Got To Know The Woman
- E1: This Whole World (Alternate Ending - Previously Unreleased)
- E2: Add Some Music To Your Day (Alternate Version - Previously Unreleased)
- E3: Don't Go Near The Water (Alternate Version - Previously Unreleased)
- E4: Surf's Up (Part 1 - 1971 Remake Track With 1966 Brian Vocal - Previously Unreleased)
- E5: Soulful Old Man Sunshine
- E6: I'm Goin' Your Way (Alternate Mix - Previously Unreleased)
- E7: Where Is She
- E8: Carnival (Over The Waves/Sobra Las Olas) (Over The Waves/Sobra Las Olas)
- E9: It's Natural (Previously Unreleased)
- E10: Medley: All Of My Love/Ecology (Previously Unreleased)
- E11: Before (Previously Unreleased)
- E12: Behold The Night (Previously Unreleased)
- E13: Old Movie (Cuddle Up) (Cuddle Up)
- E14: Hawaiian Dream (Previously Unreleased)
- E15: Settle Down/Sound Of Free (Basic Session Outtake - Previously Unreleased)
- E16: I've Got A Friend (Previously Unreleased)
- E17: Til I Die (Piano Demo - Previously Unreleased)
- E18: Back Home (Demo - Previously Unreleased)
- E19: Back Home (Alternate Version - Previously Unreleased)
- E20: Won't You Tell Me (Demo - Previously Unreleased)
- E21: Won't You Tell Me
- E22: Barbara
- E23: Slip On Through (Early Version Track - Previously Unreleased)
- E24: Susie Cincinnati (Basic Session Highlights - Previously Unreleased)
- E25: My Solution (Track & Backing Vocals - Previously Unreleased)
- E26: You Never Give Me Your Money (Previously Unreleased)
- A5: Deirdre
- E27: Medley: Happy Birthday, Brian/God Only Knows (Previously Unreleased)
- E28: You Need A Mess Of Help To Stand Alone (Track & Backing Vocals - Previously Unreleased)
- E29: Marcella (A Cappella - Previously Unreleased)
- A6: It's About Time
- A7: Tears In The Morning
- A8: All I Wanna Do
- A9: Forever
- A10: Our Sweet Love
- A11: At My Window
- A12: Cool, Cool Water
- A13: Sunflower Promo 1 (Previously Unreleased)
- A14: This Whole World (Live 1988 - Previously Unreleased - Sunflower Live)
- A15: Add Some Music To Your Day (Live 1993 - Previously Unreleased)
- A16: Susie Cincinnati (Live 1976 - Previously Unreleased)
- A17: Back Home (Live 1976 - Previously Unreleased)
- A18: It's About Time (Live 1971 - Previously Unreleased)
- A19: Riot In Cell Block 9 (Live 1970 - Previously Unreleased)
- A20: Break Away (Original 1969 Single Mix - Previously Unreleased - Bonus Track - Sunflower Bonus Tracks)
- A21: Celebrate The News
- A22: Loop De Loop
- A23: San Miguel
- A24: Susie Cincinnati
- A25: Good Time
- A26: Two Can Play
Kelman Duran introduces LA’s Holodec to his Scorpio Red label with a debut album of flickering R&B torchsongs and ambient trap-soul that aches in a very special way. RIYL Dawuna, Burial, Junior Boys, MssingNo, claire rousay, Joy O, Triad God, Sampha…
The smouldering ’All Dogs Come From Wolves’ is a definitive statement by a quietly gifted artist who operates inside the long shadow of late ‘90s US R&B and the space where it intersects ambient, neo-classical, and the weightless bass interzones of contemporary UK club music. Bare boned and bathed in a dusky Californian half-light, the album’s 11 songs feel unnervingly stark yet full of tongue-tip sensuality, making a virtue of negative space and atmosphere with a lo-fi soundtrack-like quality that evokes the idea of nostalgic reflection as the route to the future; “a reminder to look to the past to remember where you’re from, to see where you’re going.”
Holodec's been assembling rugged dancefloor constructions for years now, teetering between 2-step, jungle, nu-rnb, and vaporous ambient forms, but rarely has he been as pointed or full-bodied as he is on ‘All Dogs Come From Wolves’. It's an album that can't possibly be cleaved from the place where it comes from, documenting LA's immigrant experience (Holodec is Asian-American), and finding thematic common ground with Space Afrika's "Honest Labour", absorbing prismatic reflections of footwork, rnb and hip-hop instead of trip-hop and dub techno.
Holodec croons soulfully over muted piano motifs on 'Tiles', evoking the spirit of Sampha or Dawuna, but with a gaseous glamor that's unmistakably Californian. The mood carries into 'The Wild', utilising wistful pads and saturated noise but refusing to let his music sink into the background. If you feel yourself drifting, there's inevitably a voice, a womp, or a stifled drum sound to drag you back into its presence. 'Bounce' is rhythmically heavy, but still somehow smudged around the edges; beats don't so much pump as fray, the closer you listen the more you hear it falling out of time and just out of space. It's more like a memory of neon-hued dance forms than a replication of the thing itself.
Even at the album’s rudest, the flinty jungle drums of ‘Black Market’ still remain desiccated, just out-of-reach, suggesting not telling, in a way that makes the album’s other highlights such as the vaporous R&B voice note of ‘And My Angel Dies Too’ or the shivering baroque figures of ‘Spirit’ so unusually seductive with their nuanced grasp of inference and a reserve of humility.
- 1: The Dwarves Are Still The Best Band Ever
- 2: 15 Minutes
- 3: Stop Me
- 4: Looking Out For Number One
- 5: You'll Never Take Us Alive
- 6: Bang Up
- 7: We Only Came To Get High
- 8: I Masturbate Me
- 9: It's A Wonderful Life Of Sin
- 10: Happy Birthday Suicide
- 11: Fake Id
- 12: Working Class Hole
- 13: F.u.t.y.d
- 14: Candy Now
- 15: Do The Hewhocannotbenamed
- 16: Your Girl's Mom
- 17: Zip Zero
- 18: The Band That Wouldn't Die
Was lange währt, wird endlich.ein Klassiker! Die DWARVES und ,Born Again" Ja, ihr habt richtig gehört: das neue Meisterwerk der DWARVES Mit dabei: Helden aus allen 25 Jahren der DWARVES Saga. Blag The Ripper, HeWhoCannotBeNamed, Rex Everything, The Fresh Prince of Darkness; eine Truppe, die die 1000er Marker erreicht, darunter Vadge Moore und Sgt. Saltpeter, die zur berühmt-berüchtigten ,Blood, Guts And Pussy"-Platte beitrugen, kehren zurück, um die Gehörgänge des Pöbels auf links zu ziehen. Zwischen Hardcore Punk und Pop liefern die Meister aller musikalischen Spielarten alles, was man sich vorstellen kann. Ausgebrannte Rockstars spielen ebenso eine Rolle wie verdrehte Telefonnachrichten und ohrenbetäubender Lärm - all das serviert mit Pomp und Haltung, so wie es nur die mächtigen DWARVES verstehen.
[m] 13 F.U.T.Y.D. [FUCK U TILL YOU DIE]
Maceo Plex's Lone Romantic label signs up new school techno innovators Any Act for the powerful Deti Techno EP.
Since their self-released protest EP ‘Civil Act’, Yaroslavl-based collective Any Act have put out music that is physically, socially and politically powerful. That debut from the TRAM Planet Records associates was an evocative offering that paired dynamic guitar riffs with samples of a policeman's voice and acid-laced basslines. They now continue their mission to unite and strengthen young music communities in their native Russia, as well as around the world, with this new standout release.
The bristling title track opens up with a killer electro-techno groove. Distorted synth stabs and dark vocal samples make for an intense and edgy atmosphere that will fire up any club. 'Jug A Jug' is another visceral track with razor-sharp synths ripping up the groove as busted bass blasts down low. Add in angular riffs and booming kicks and you have an explosive techno rave-up.
The excellent 'Bayla' is another no-frills, lo-fi, high-impact banger with thumping drums and brain-frying synth textures that are all coated in grit and grime. 'Till I Die' shows a different side with its sleazy feel and ghetto bass. A freaky female vocal and pixelated melodies bring late-night rave vibes before closer 'Chin Chin De' takes off on rugged electro drum programming. It's an explosive cut with raw attitude and unbound energy that places you at the heart of a strobe-lit warehouse.
This is a direct and potent EP from the hotly tipped Any Act.
Composer Valtteri Laurell Pöyhönen presents his Nonet formation on We Jazz Records. Their debut album Tigers Are Better Looking is released 3 Feb and the ensemble features internationally renowned Finnish clarinetist Antti Sarpila, plus a strong cast of Helsinki-based musicians from several of the top Finnish groups.
Based on the writings of British-Caribbean author Jean Rhys (1890–1979), the 6-track album is a melancholy, intimate chamber jazz creation. Laurell's music swings, yet he doesn't stop there, but moves further to paint an original, richly-toned sonic image with the highly potent Nonet.
Laurell states Gerry Mulligan, Miles Davis's "Water Babies" and Charles Mingus among the key musical influences of his compositions on this album. Through Rhys's text, Laurell finds a special sense of detachment and melancholy evident in his new material. Antti Sarpila's masterful clarinet provides the icing on the cake, floating high above the clouds of sound.
Few acts have better captured angst and the agony of young love other than The Everly Brothers. As well as those inimitable harmonies, fantastic songs and Chet Atkins' superb production, the Everlys' success owed much to the fact that Don and Phil were barely out of their teens, and so filled every song with real feeling. Their first recordings led to a series of hits that would come to define the harmonious Rock & Roll of the period; Bye Bye Love, Wake Up Little Susie, All I Have To Do Is Dream, Claudette (penned by Roy Orbison), Bird Dog, Devoted To You, Let It Be Me, When Will I Be Loved, So Sad (To Watch Good Love Go Bad), Walk Right Back, Ebony Eyes and Crying In The Rain. For their influence on The Beatles alone, the Everly Brothers are owed a huge debt of gratitude. The collection of songs found here span Country, Folk, Rock & Roll and Pop, and demonstrate just how influential Don and Phil were on popular music, beginning with those very first sessions in front of their parent's microphone.
Little is known about Norman Feels_but we do know that he was an underground soul sensation in the 1970s. He released two classic albums on Just Sunshine Records (the label that was also responsible for putting out milestone recordings by artists like Betty Davis, Karen Dalton and Arica). Over the years, Norman's songs have been sampled by renowned acts from the likes of Ghostface Killah, Nas and Kanye West. The sound his songs emit reminds of the classic soul coming out of New Jersey at the time, but it just has that extra thing going for it_something alternative and exceptional. This made for an excellent match with the `Just Sunshine' label that released both of his albums. Just like his labelmate Betty Davis, Norman Feels was an artist that was hard to typecast and compare with his contemporaries/peers_this makes Norman's work very interesting and worth every soul/funk connoisseur's time. In 1973 Norman Feels released his self-titled debut album which has become a much sought after funk/soul classic. Behind Norman's floating (and extremely soulful) voice hides a dark and almost psychedelic instrumentation that makes this album particularly unique. The recordings have been beautifully arranged by David Van De Pitte (who is world-famous for the arrangements heard on Marvin Gaye's `What's Going On') and topped off by Sal Scaltro's slick production work. Next to Norman Feels' fascinating writing skills and trademark voice, on this album you'll find complicated (and at times brooding) compositions that takes the listener on a dreamy musical journey filled with themes about struggle, relationships and social commentary. Love, beauty and sadness is lingering in every track on this album_all of this makes his self-titled debut a total `must-have' album that begs for a special place in your record collection! Tidal Waves Music now proudly presents the FIRST ever vinyl reissue of this fantastic album (originally released in 1973 on Just Sunshine Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a 180g vinyl edition (500 copies). This reissue comes packaged in a gatefold jacket complete with the original 1973 artwork, photographs and lyrics.
'Pyramids, Stars & Other Stories: The Tangent Live Recordings 2004-2017' ist das neue 2CD bzw. 3LP Live-Compilation-Album von The Tangent. 'Eine Triple-Live-LP ist etwas, das man auf der Bucket List stehen hat.', sagt Leader Andy Tillison. 'Ich träumte davon, so etwas zu machen, seit ich ein Kind war.' Drei Konzerte sind vertreten, eines von 2004, eines von 2011 und eines von 2017. Alle wurden bereits in irgendeiner Form als 'inoffizielle Bootlegs' veröffentlicht, aber hier auf InsideOut werden sie zum ersten Mal standesgemäß präsentiert. Das 'Pyramids And Stars'-Konzert aus dem Jahr 2004 in Deutschland, bei dem die 'Roine Stolt'-Besetzung von The Tangent einen Großteil des Debütalbums 'Music That Died Alone' sowie (damals) neues Material vom zweiten Album 'The World That We Drive Through' spielte, ist in vollem Umfang enthalten. Hinzu kommen Tracks der COMM-Ära-Besetzung der Band (aufgenommen ohne Wissen der Musiker) bei einem Konzert in Großbritannien - sowie Tracks, die 2017 in den USA von der aktuellen Besetzung der Band aufgenommen wurden. Diese erschienen ursprünglich auf den Fan-Veröffentlichungen 'Southend On Sea' und 'Hotel Cantaffordit'. Präsentiert in einer neu gestalteten Ed Unitsky 'Pyramids and Stars' LP-Gatefold-Hülle und Doppel-CD-Digipack sowie als digitales Album, wurde die Veröffentlichung dieses Albums von den Fans der Band lange erwartet.
Hear the immortal sounds of Elvis Presley rockin' the USA from Virginia to Rhode Island, through to North Carolina and Nevada. Greatest Hits Live is
a stunning set that charts his colossal, hitmaking journey from his formative years in Memphis to a worldwide stage as the King of rock 'n' roll. This
is a golden opportunity to hear these legendary hits performed in their heyday, live on stage, in front of his adoring fans. As one of the most
renowned cultural icons of the 20th century, Elvis may have 'left the building’, but he's here in all his glory for a new generation to enjoy. '‘til we
meet again, may God bless you. Goodbye.'
Get Yer Vinyl Out brings together these greatest hits performed by the man himself during his reign in the 70s as the all-time king of rock ‘n’ roll.
Superb, professionally remastered original broadcasts, pressed on Eco Mixed 180g Vinyl and presented in a deluxe gatefold sleeve with background
liners and timeline photos.
- A1: Unchain The Night (Under Lock And Key)
- A2: The Hunter
- A3: In My Dreams
- A4: Slippin’ Away
- A5: Lightnin’ Strikes Again
- B1: It’s Not Love
- B2: Jaded Heart
- B3: Don’t Lie To Me
- B4: Will The Sun Rise
- B5: Til The Livin’ End
- C1: Without Warning (Tooth And Nail)
- C2: Tooth And Nail
- C3: Just Got Lucky
- C4: Heartless Heart
- C5: Don’t Close Your Eyes
- D1: When Heaven Comes Down
- D2: Into The Fire
- D3: Bullets To Spare
- D4: Alone Again
- D5: Turn On The Action
- E1: Kiss Of Death (Back For The Attack)
- E2: Prisoner
- E3: Night By Night
- F1: Standing In The Shadows
- F2: Heaven Sent
- F3: Mr. Scary
- C1: So Many Tears
- C2: Burning Like A Flame
- C3: Lost Behind The Wall
- C4: Stop Fighting Love
- D1: Cry Of The Gypsy
- D2: Sleepless Night
- D3: Dream Warriors
DOKKEN’s million selling worldwide charting first 4 studio albums in one collection as a 5LP or 5CD set. All albums feature the classic line up of Don Dokken, George Lynch, Jeff Pilson & “Wild” Mick Brown. All 4 albums newly remastered. LP Box Features 180g Black Vinyl.
Both LP & CD box sets include:
• Breaking The Chains (1983) – US #136
Includes: “Breaking The Chains” (#32 US Rock) and “Paris Is Burning (Live)”
• Tooth And Nail (1984) - PLATINUM – US #49
Includes: “Into The Fire” (#21 US Rock), “Just Got Lucky” (#27 US Rock) and “Alone Again” (#64 US Hot 100, #20 US Rock)
• Under Lock And Key (1985) – PLATINUM – US #32
Includes: “The Hunter” (#25 US Rock), “In My Dreams” (#77 US Hot 100, #24 US Rock)
• Back For The Attack (1987) – PLATINUM – US #13
• Includes: The Theme From Nightmare On Elm Street 3, “Dream Warriors” (#22 US Rock), “Burning Like A Flame” (#72 US Hot 100, #20 US Rock), and “Prisoner” (#37 US Rock)
‘Silent World’ is perhaps the most personal album
of drummer, composer and bandleader Wolfgang
Haffner yet.
A master of clarity, focus, and reduction,
accompanied by Dominic Miller, Nils Landgren, Till
Brönner, Bill Evans, Rhani Krija, and many more.
‘Silent World’ is about the essentials of being
human, a message which Haffner signals clearly
with concise track titles such as ‘The Peace
Inside’, ‘Hope’ or ‘Belief’. Sometimes we’re in the
world of hymns, sometimes of dreams, but there is
always a melody to be grasped and a pulse to be
felt, and those points of reference give a basis for
the listener to focus and to enjoy the music
thoroughly.
- A1: Victory Or Die
- A2: Thunder & Lightning
- A3: Fire Storm Hotel
- A4: Shoot Out All Of Your Lights
- B1: The Devil
- B2: Electricity
- B3: Evil Eye
- B4: Teach Them How To Bleed
- B5: Till The End
- C1: Tell Me Who To Kill
- C2: Choking On Your Screams
- C3: When The Sky Comes Looking For You
- C4: Sympathy For The Devil
- D1: Heroes
- D2: Bullet In Your Brain
- D3: Greedy Bastards
Motörhead veröffentlichen ihr 23. (und letztes
Studioalbum) Bad Magic von 2015 noch einmal in einer
erweiterten Version.
"Bad Magic: SERIOUSLY BAD MAGIC" beinhaltet
frisches Bonusmaterial und zwei bisher unveröffentlichte
Tracks: "Bullet in Your Brain" und "Greedy Bastards",
sowie eine glanzvolle Live Performance von der Bad
Magic Tour beim gigantischen Mt Fuji Festival in Japan
2015. Als Bad Magic 2015 veröffentlicht wurde, tat es
einen gewaltigen Schlag und alle, die meinten Motörhead
wären zahmer geworden, wurden eines Besseren belehrt.
Das Album erreichte in Deutschland auf Anhieb die Top 1
Chart Position. Producer Cameron Webb hatte seinen
Anteil daran; er überzeugte die Band, das Album in den
NRG North Hollywood, Maple Studios und Grandmaster in
Kalifornien live aufzunehmen- zum allerersten Mal in der
Ära Kilmister/Campbell/Dee.
Eine der versteckten Juwelen des Albums auf "Bad
Magic: SERIOUSLY BAD MAGIC", ist Motörheads
berühmteste, international gefeierte Version des David
Bowies Klassiker, "Heroes". Ursprünglich sollte der Song
auf Bad Magic (2015) erscheinen, wurde jedoch in der
letzte Minute wieder heruntergenommen. Jetzt aber fand
"Heroes" seinen Platz auf "Seriously Bad Magic".
- 1: Lamentos De Un Rescate
- 2: La Plage
- 3: Montañas Vacías
- 4: Lamentos De Un Día Cualquiera
- 5: La Radio En La Cocina
- 6: Todo El Mundo Quiere Irse Ya
- 7: Casc I Pluja
- 8: Amanece Sin Que Nadie Lo Vea
- 9: Montañas Vacías Ii
- 10: Lamentos De Otro Día Cualquiera
- 11: Las Migraciones Nocturnas
- 12: Lo Que Esconden
- 13: No Es Tan Facil Aquí
- 14: Una Nueva Religion
Acclaimed producer and in-demand collaborator (Lee Ranaldo, Rosalia, Lina_Raul Refree) Raul Refree returns with his second solo album for tak:til/glitterbeat. A kaleidoscopic but seamless mashup of soundtrack music, post-classical meditations, Iberian traditional elements and experimental strategies. Deeply immersive
In 2006, Israeli garage-nik Charlie Megira took a sonic turn while partnered with Israeli multi- instrumentalist Michal Kahan. The duo wasted no time forging a new path, swapping Megira's trademark reverb for echo, and guitar-noir for new wave. Charlie Megira Und the Hefker Girl is an unabashed continuation of gothy '80s archetypes employed by Joy Division, JAMC, and The Cure. Originally self-released on CD-R, we've remastered the 12-track disc for maximum Crosley crush.
OPAQUE ENNUI VINYL
In 2006, Israeli garage-nik Charlie Megira took a sonic turn while partnered with Israeli multi- instrumentalist Michal Kahan. The duo wasted no time forging a new path, swapping Megira's trademark reverb for echo, and guitar-noir for new wave. Charlie Megira Und the Hefker Girl is an unabashed continuation of gothy '80s archetypes employed by Joy Division, JAMC, and The Cure. Originally self-released on CD-R, we've remastered the 12-track disc for maximum Crosley crush.
Mal-One’s latest single is again taken from a title of one of his Artworks Kiss Me Punk (till my mouth gets Numb). The cover of the single is the artwork itself, giving the listener something to contemplate as ‘The needle hits the Plastic, hear those speakers hum’ as the lyrics point out.
This single does not carry the usual ‘Version’ side, but is what we call a ‘Double “AA” Feature’, as the flip side track is the full unedited version of the title track to Mal-One’s forthcoming debut album “It’s All Punk Rock’’ due out on 15 October 2021. Hope you enjoy this double feature…long live the 45…..
- A1: It's All Punk Rock (Part 1)
- A2: 430 King's Road (Where Punk Meets Rock 'N' Roll) (Where Punk Meets Rock 'N' Roll)
- A3: Kiss Me Punk (Till My Mouth Gets Numb) (Till My Mouth Gets Numb)
- A4: The Class Of '76 (Punk Year Zero) (Punk Year Zero)
- A5: Punk Badge
- A6: Anarchy Tour After Grundy (Punks Out On Parole) (Punks Out On Parole)
- A7: Never Mind The Punk 45
- A8: A Punky Night In Soho
- B1: Punk Rock Jubilee 77
- B2: All You Need Is Punk
- B3: Punk Times
- B4: The Punk Rockers Gig Prayer
- B5: Flogging Punk Rock
- B6: All Aboard The Punk Rock Express
- B7: The Last Punk On Portobello Road (Ode To Joe) (Ode To Joe)
- B8: It's All Punk Rock (Part 2)
- B9: It's All Punk Rock (Full Version - Bonus Track)
Includes one-sided 7” ('It's All Punk (Full version)”, signed and blind stamped limited edition print, fly poster (20cm x 30cm), 20 page 12” x 12” booklet with lyrics and photos laid out in style of newspaper.
The ‘It’s All Punk Rock’ album was initially inspired by various artworks Punk Artist Mal-One had completed and titled. These titles usually turned into Punk Poetry / Lyrics and finally into songs. The idea would lead to grouping these songs together and to add the additional difficult cherry on the top. The songs would also include the word ‘Punk’ in each of their titles. Creating what we called the first Punk Art Concept Album. The title of the album as well as summing up the contents, grew from a term Mal-One had used for years when asked what had inspired a certain work or what was the meaning behind something …”It’s All Punk Rock”’ would be the quick reply.
Each song tells the story or relates the ideas behind a work, whether that be 430 King’s Road (where Punk meets Rock ’N’ Roll) the story of the various guises that Malcolm McLaren and Vivienne Westwood would conceive for their shop from LET IT ROCK, TOO FAST TO LIVE TOO YOUNG TO DIE, SEX, SEDTIONARIES. Anarchy Tour After Grundy (Punks out on Parole) the story of the `Anarchy Tour’ and what happened after the infamous appearance by the Sex Pistols on the ‘Today’ show with Bill Grundy. Punk Rock Jubilee 77, the Silver Jubilee celebrations of 1977 and its punk overtones. The Punk Rockers Gig Prayer, a Punk poem for the various venues that bands played back in those heady times. The Last Punk on Portobello Road (Ode to Joe), a lament to Mr Joe Strummer an inspiration to us all. Yes, every picture as they say tells a story, in this case never a truer word spoken.
Hope you enjoy the ride sonically and visually.




















