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WIGAN CASINO 45 - Keeping The Faith... LP

WELCOME to the third volume in our Wigan Casino mini-series exploring the diverse playlist of the world's No.1 Northern Soul venue. The 23rd September 2018 marks the 45th Anniversary of the super club and we have selected 18 tracks that we hope capture the unique atmosphere of the huge ballroom and the mesmerizing dance moves that held us spellbound all those years ago.
WIGAN CASINO finally closed its doors in December 1981 after eight long years of weekly All-Nighters, during which time it came to define Northern Soul. The term had, of course, been coined years earlier, but it was the Casino Soul Club that established the style of music and the scene to the wider public.
The Casino transformed the Northern Soul scene into a mass youth movement with its own sound track, uniform, cultural icons and a 100,000 strong membership. In reality, the stereotype of moustachioed young men in baggy trousers and vest tops, festooned with sew-on patches, was actually quite short lived. Northern Soul was ever evolving and as the Seventies progressed so did the music and the fashion, embracing soulful-disco and jazz-funk. Today, 45 years on, it is still evolving and attracts followers from all over the globe to its international Weekenders and Festivals. Right On!

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Last In: 4 years ago
18,45 €
The Lemonheads - It’s A Shame About Ray LP (30th Anniversary Edition) 2x12"

Lemonheads’ seminal album ‘It’s A Shame About Ray’, lovingly reissued for it’s 30th Anniversary. The long overdue reissue includes a slew of extra material, including an unreleased ‘My Drug Buddy’ KCRW session track from 1992 featuring Juliana Hatfield, B-sides from singles ‘It’s A Shame About Ray’ and ‘Confetti’, a track from the ‘Mrs. Robinson/Being Round’ EP, alongside demos that will be released for the first time on vinyl. This reissue celebrates their prestigious fifth album, these deluxe bookback editions feature new liner notes and unseen photos.

Described by music journalist and author Everett True as “A 30-minute insight into what it’s like to live hard and fast and loose and happy with like-minded buddies, fuelled by a shared love for similar bands and drugs and booze and freedom.”. ‘It's A Shame About Ray’ had a considerable impact back in those heady, carefree days of '92, the record perfectly captures Dando’s ability to effortlessly encapsulate teenage longing and lust over the course of a two-minute pop song.

Singles such as 'My Drug Buddy' and the breezy perfect pop of the title track might stand out (plus the add-on of 'Mrs. Robinson' which later copies included), but the album's real strength lies in the tracks in-between; the truly fantastic 'Confetti' (written about Evan's parents' divorce), and the eye-wateringly casual acoustic cover of 'Frank Mills' (from the "hippie" musical Hair), a version that seems to resonate with every ounce of pathos and emotion felt for the lost 1960s generation. To hear Evan Dando sing lines like 'I love him/but it embarrasses me/To walk down the street with him/He lives in Brooklyn somewhere/And he wears his white crash helmet' is to truly appreciate how wonderful and tantalising pop music can be. Then, there's the rush of insurgency and brattishness on the wonderfully truncated 'Bit Part'; the topsy-turvy 'Ceiling Fan In My Spoon'... this was male teenage skinny-tie pop music on a level of brilliance with The Kinks, early Undertones, Wipers.

pre-ordina ora04.03.2022

dovrebbe essere pubblicato su 04.03.2022

25,00 €
David Morales - Life Is A Song LP 2x12"

There is nothing quite like an evening under the rhythmic spell of the legendary David Morales. Stepping on the dancefloor while he's behind the decks requires full trust and surrender. You agree to hand the reins of your mind, body, and spirit to his intuition and ability to guide you to where you need to be at all times. It will occasionally be cathartic and intense. It will often make the hairs on your body stand on end, and make you sweat more than you ever have before. The endorphin release will be powerful. You will feel like you can touch joy and euphoria it in the air around you. As he gently brings you back down to reality, you will feel renewed and ready for anything life brings your way. This is more than a night of dancing. This is an experience at the hands of a magical maestro of music. How is this possible from a night on the dancefloor? Well, it begins with the brilliant mind of an artist at the peak of his creative power, imbued with the empathy necessary to connect with what has become a global legion of fans. "If there is any secret, it's really simple: I love what I do with all of my heart," Morales says. "I'm a DJ first. I thrive on human interaction. I am always adjusting my sets based on what the people in the room need. Each night, we form an emotional connection that inspires the music as it comes."

For Morales, "working in the studio is important, but it exists as a way of supporting the DJing experience. It's all to inform how it will work on the dancefloor."

To that end, you're reading these words as you dive into a new collection of Morales classics. Ever the collaborator, he has enlisted the input of a wide range of voices and talent. There is the diva power of fellow legend Ultra Nate, who brings her signature sass to "I Can Dream," while Michele Perera's explosive chemistry with David is all over the inspiring "Life is a Song" and "Never Give Up", as well as the impassioned "Addicted."

Morales reminds the listener of his ever-evolving musical scope in collaborations with blondewearingblack ("What Can I Do"), Lea Lorien ("Never Looking Back"), and Blakkat ("Can't Get Enough"). There's the clubland supergroup of David with Mr. V, Scotty P. and DJ Rae on "The Feels." Rounding out the set is a reunion with longtime muses Elle Cato ("I Feel Love") and British soul icon Joe Roberts ("Easy"). Just be sure to listen closely, because there's bound to be a surprise tucked between these grooves to tickle your ears and move your body.

The beauty of this sparkling new foray into electronic music is the heightened intimacy between Morales and the music. What you are hearing here is almost exclusively from the man's own fingertips. "The technology has evolved in the most extraordinary and liberating ways," he says, adding that he is now able to be far more directly hands-on during the building of each track. "Back in the '90s, I had to have more people involved, With the changes and growth in technology, I can now do it, myself. I don't even have to be in the studio anymore. It's smart, financially, but it's also way more fun and creative."

David adds, "I don't have to wait to manifest an idea anymore. I can just build my ideas as they come to me." In fact, he reveals that many of these new tracks were born in unique places, like planes, cars, his bedroom, and a host of other settings. "Music is always spinning around my mind. I no longer worry about losing an idea."

Surviving the highs and lows of an ever-changing world has also brought Morales back to the basic essentials of life and music. "The pandemic has brought things full circle for me," he says. "I love what I do and I still have the passion of a kid who is just getting started"

Yet, we know that Morales has been in the game for longer than a minute. He's a Grammy award-winning producer, remixer, and songwriter. He has lent his skill to countless of records by icons that include Mariah Carey, Madonna, Whitney Houston, Michael Jackson, Aretha Franklin, Donna Summer, Seal, and Jamiroquai. As a turntable artist originally from New York City, he earned his bones of credibility back in the '80s and '90s in clubs like the Paradise Garage, Red Zone, Tunnel, and Club USA. He initiated the concept of DJs touring beyond their hometowns with countless, wildly successful treks that have taken him the farthest-reaching corners of the world. As electronic music thrives on pop radium, David tops the list of every young artist and DJ as a primary influence.

Even with such a staggering legacy, Morales never looks over his shoulder.

"That is how you stumble and fall," he says. "If you get all caught up in the past, you're going to lose sight of what is right in front of you. You lose the excitement of discovery. That is what gets me off; taking what I know and combining it with what I don't know as I learn it. There is nothing better than experiencing how it all comes together. It's different every time."

And that is the ultimate secret to that extraordinary spell that David Morales casts over us all every single time.

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Last In: 8 months ago
21,81 €
MARVIN GAYE - What's Going On

Originally released in 1971. "What's Going On is not only Marvin Gaye's masterpiece, it's the most important and passionate record to come out of soul music, delivered by one of its finest voices, a man finally free to speak his mind and so move from R&B sex symbol to true recording artist. With What's Going On, Gaye meditated on what had happened to the American dream of the past -- as it related to urban decay, environmental woes, military turbulence, police brutality, unemployment, and poverty. These feelings had been bubbling up between 1967 and 1970, during which he felt increasingly caged by Motown's behind-the-times hit machine and restrained from expressing himself seriously through his music. Finally, late in 1970, Gaye decided to record a song that the Four Tops' Obie Benson had brought him, 'What's Going On.' When Berry Gordy decided not to issue the single, deeming it uncommercial, Gaye refused to record any more material until he relented. Confirmed by its tremendous commercial success in January 1971, he recorded the rest of the album over ten days in March, and Motown released it in late May. Besides cementing Marvin Gaye as one of the most important artists in pop music, What's Going On was far and away the best full-length to issue from the singles-dominated Motown factory, and arguably the best soul album of all time." John Bush, AllMusic

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Last In: 5 years ago
32,90 €
Various - Lightsplitter

clear red vinyl / incl. poster

The fourth release (ZC-ELEC004) of the Electro Acid Series has arrived. With "Lightsplitter", you can expect four dancefloor fillers that also provide truly captivating listening experiences. Created by The Human Behind Pluto, Johnfaustus and VSO who's passion for electro, acid and IDM meet on this high-quality release.

About the artists:
Human Behind Pluto: Born somewhere else, raised liked a human... using synthesizers, some hardware some not to express something hard to grasp... Eclectic mixes between IDM, Braindance, Electronica and Ambient is a good guess of what it would sound like if you join the ride...

Johnfaustus: Piano lesson in the 80's, rocking the guitar in the 90's, pacing free party since the end of the millennium (followed by a hardware addiction), johnfaustus is still making noise. Versatile producer, he navigates from dub to death metal with of course some mental acidcore in between.

VSO: VSO, aka Vasco Oliveira, based in Porto, started his journey in electronic music around 2017. Since then, he has been experimenting with acid, electro, IDM, breakbeat and ambient.

Human Behind Pluto - Lightsplitter
the Human Behind Pluto delivers an excellent up-tempo electro track with 'Lightsplitter' Superb atmospheres are driven by subtly distorted beats and a razor-sharp arrangement that manages to split light to be projected into the mind's eye. A truly captivating track that enchants instantly!

johnfaustus - Red Sonjia
With 'Red Sonjia' John Faustus tells a dark and ominous tale voiced by analog synths and mesmerizing vocals. A hypnotizing 303 line tops of this high-quality sonic adventure, where Sonjia manages just fine without Conan.

VSO - Sinking
With 'Sinking', VSO has created a beautiful and all-encompassing electro adventure. The hard-hitting beats won't stop you from sinking in the sonic pool filled with melancholy and acidic creatures.

VSO - Complacency
'Complacency' by VSO is an offbeat electro killer accompanied by 303 basslines and distant electrofied voxes. Don't get too comfortable balancing between the beautiful contrast of the intense beats and the dream state vibe because complacency is on the lurk.

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Last In: 4 years ago
10,38 €
Black Marble - Fast Idol

On Fast Idol, LA-based Black Marble reaches back through time to connect with the forgotten bedroom kids of the analogue era, the halcyon days of icy hooks and warbly synths. Harmonies are piped in across the expanse of space, and lyrics capture conversations that seem to come from another room, repeat an accusation overheard, or speak as if in sleep of interpersonal struggles distilled down to one subconscious phrase. At the same time, percussive elements feel forward and cut through the mix with toms counting off the measures like a lost tribe broadcasting through the bass and tops of a basement club soundsystem.

pre-ordina ora22.10.2021

dovrebbe essere pubblicato su 22.10.2021

25,50 €
The Rolling Stones - Tattoo You (2021 Remaster)

The Rolling Stones have announced the release of 40th anniversary, expanded deluxe editions of their chart-topping, multi-platinum 1981 album Tattoo You, via Universal Music. The newly-remastered set, out on October 22, will be accompanied by no fewer than nine previously unreleased tracks from the era. '1CD: 11track remaster of album. 2CD Deluxe: 20 tracks over 2Cd's and also included is a 20 page booklet including an essay from Kevin Howlett & Jeff Slade. 1LP: 11 track remaster on 180g vinyl. 2LP Deluxe: Pressed on double 180g Black Vinyl in gatefold sleeve. 4CD+1LP Box: Includes 4 x CDS (CD1 - Remastered Album, CD2 - Bonus 9 Tracks + CD 3 & 4 - Still Life: Wembley Stadium 1982 + Tattoo You 12” Picture Disc + 124 Page Book + Lenticular Art. 5LP Boxset: Includes 5 x 180g Heavyweight Vinyl. (LP1 Brand New 2021 Remaster of Tattoo You, LP2 Lost & Found: 9 Previously Unreleased Tracks, LP3, 4 & 5 Still Life: Wembley Stadium 1982) + 124 page book & lenticular artwork. LIMITED EDITIONS. FIGURES SHARED OUT ONCE ALL ORDERS ARE IN AT DEADLINE.

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Last In: 13 months ago
25,76 €
TIM DAWN - EVERYDAY MAGIC

Tim Dawn

EVERYDAY MAGIC

12inchMOVLP2994C
Music On Vinyl
08.10.2021

Singer-songwriter Tim Dawn’s debut-album includes the hits ““To Love Somebody” and “Walking On A Wire”. The inspiration for Everyday Magic came after a trip to Los Angeles, where he worked with several songwriters and producers. Tim writes deep and sensitive songs which are, at the same time, modern and fresh. His breakthrough single “Walking On Wire”, became NPO Radio 2 TopSong in 2018. The Bee Gees cover “To Love Somebody” was featured as the song for the PLUS supermarkets Christmas commercial.

pre-ordina ora08.10.2021

dovrebbe essere pubblicato su 08.10.2021

29,20 €
Kalahari Oyster Cult -

Size: M

T-Shirt designed by Jonathan Castro
2 prints, back and front on Stanley and Stella Drift.

Set-in sleeve
1x1 rib at neck collar and sleeve hem
Inside back neck tape in self-fabric
Bottom hem with wide double topstitch
SINGLE JERSEY
100% ORGANIC RING-SPUN COMBED COTTON
Weight: 200 gsm.

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Last In: 5 years ago
30,21€
BREEZE - ONLY UP

Breeze

ONLY UP

12inchLPHDD091C
HAND DRAWN DRACULA
27.08.2021

Only Up is the second Breeze album by producer and artist Josh Korody
(Nailbiter, Beliefs).
Enlisting a whirlwind of performances from Tess Parks, Cadence Weapon and
an array of the Toronto music scene, including members of Orville Peck, Tallies,
Vallens, Zoon, Sauna, Fake Palms, Rapport, Praises, Civic TV, Moon King, Blonde
Elvis, For Jane, Ducks Ltd, TOPS and Broken Social Scene. Only Up sees Korody
digging through and channelling three decades of anthemic British bands.
From the angular guitars of late 70”s post-punk (Gang Of Four, Wire), to the
lush gloom of 80’s electro-pop (Tears for Fears, OMD), with the dance floor
psychedelia of the Manchester sound (Primal Scream, Happy Mondays), and
through the late ‘90s and early 2000s post-punk / new wave revivalists.
When originally tasked with making this album, Korody and his long time music collaborator Kyle Connolly (Orville Peck, The Seams) quickly threw down
ideas in a session, however with Connolly embarking on a world tour, and with
Korody’s demanding schedule at his Candle Recording Studio, the project sat
unattended.
Somehow, by the time of the album’s delivery deadline, Korody not only orchestrated a creative ensemble of friends and collaborators, he wrote, recorded and mixed the entirety of the album in two weeks without a single regret
or compromise.
“It was the best way I could have done it. A strict deadline to make decisions,
move on and focus on things that matter the most. Every decision was made in
that headspace. The ease of technology to endlessly tweak with, it sometimes
can end up destroying records until there is no soul in it, no happy accidents
and it’s completely sterile. You can have a well produced record without going
down that dark rabbit hole.” Only Up is out via Hand Drawn Dracula.

pre-ordina ora27.08.2021

dovrebbe essere pubblicato su 27.08.2021

36,94 €
Various - Motown Collected

Various

Motown Collected

2x12inchMOVLP2905C
Music On Vinyl
16.08.2021
 
33

Motown Collected brings together the biggest names in the rich history of this legendary label. From very early singles to the artists that made Motown a household name for decades to come and the cross-over pop success of the late 70’s and 80’s. Featuring legendary artists like Marvin Gaye, Stevie Wonder, The Supremes, Jackson Five, Smokey Robinson and The Commodores, as well as gems from the likes of Marv Johnson, Barrett Strong, The Marvelettes and Tom Clay and pop superstars Rick James, Michael Jackson, Diana Ross, Lionel Richie and Debarge: just a selection of the 33 incredible tracks featured on Motown Collected.

The documentary Hitsville: The Making Of Motown’, featuring Motown founder Berry Gordy and many of this artists, will premiere in cinemas across Europe this summer as well.






RELEASE: 23-7-2021

MOV proudly presents new Collected compilation albums in collaboration with Universal Music. Motown Collected is the first one, available as a limited edition of 3000 numbered copies on white vinyl. It includes an insert with photos and credits.

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Last In: 5 years ago
35,25 €
ALEXANDER MORRIS - ISN’T SHE A PRETTY GIRL b/w LOVE’S KNOCKIN’

ANGEL DOVE GLOBAL / 812 RECORDS / JAM DEUCE / IZIPHO SOUL RECORDS are proud to present the first vinyl release from the current lead singer of The Four Tops - the soulful, raw and real Alexander Morris! Upon hearing ‘PRETTY GIRL’ you are probably asking yourself, how on earth has this new recording got such an authentic ‘Northern Soul’ vibe - well the answer is the musicians are the cream of Detroit players, led by Earl Van Dyke Jr. - music director, arranger and conductor for The Four Tops. Written and produced by fellow ‘Top’, the legendary Ronnie McNeir. Our thanks extend to Ronnie for allowing Alex to stamp his own mark on this Detroit classic. LOVE’S KNOCKIN’ was set to be recorded by The Temptations until Dr Marlin McNichols used all his powers of persuasion to keep it ‘in house’ and we are so pleased he did. Immerse yourself into this slow jam - two minutes in and there’s no going back - the truly outstanding close ‘God did make little green apples…..’ will leave you wanting more!

pre-ordina ora13.08.2021

dovrebbe essere pubblicato su 13.08.2021

14,24 €
Born At Midnite - Pop Charts

Born At Midnite is the faux-vanity project of Amery Sandford and David Carriere. Jamming strictly ‘post-party’ with a fnish line posture – either completing or scrapping a song in a single evening – the Montreal based duo began writing together in late 2018.

Employing samplers, tape machines, and an extemporaneous approach to songwriting, the duo establish an eerily familiar atmosphere through an unpolished lens of thin ice. Playing into whilst poking fun at our era’s omnipresent narcissism and self indulgence, the group stitch together an unsponsored sort of ‘product-placement-punk’.

● Double A-side single w/ limited edition 7” pressing.
● Follow up to 2020's debut 7”.
● Past campaign includes coverage from Gorilla vs Bear, The FADER. Past playlisting at Spotify includes Montreal Chill (79k followers), Fresh Finds: Indie (90k followers).
● Features Amery Sandford (Alpen Glow), and David Carriere (TOPS, producer of Sorry Girls, Marcii, TOPS)

pre-ordina ora16.07.2021

dovrebbe essere pubblicato su 16.07.2021

15,08 €
Kalahari Oyster Cult -

Size: XL

T-Shirt designed by Jonathan Castro
2 prints, back and front on Stanley and Stella Drift.

Set-in sleeve
1x1 rib at neck collar and sleeve hem
Inside back neck tape in self-fabric
Bottom hem with wide double topstitch
SINGLE JERSEY
100% ORGANIC RING-SPUN COMBED COTTON
Weight: 200 gsm.

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Last In: 5 years ago
30,21€
Various - The Trojan Story 3x12"

Various

The Trojan Story 3x12"

3x12inch4050538665796
TROJAN Records
18.06.2021
 
50

One of the most significant collections in Trojan’s immense catalogue, the ‘The Trojan Story’ album dramatically changed the perception of Jamaican music among the general British public outside of the country’s Afro-Caribbean population.

Prior to its release in 1971 there had never been an attempt to present a comprehensive anthology of the island’s musical development, with vintage ska, rock steady and reggae widely regarded as obsolete and of precious little merit.

The treble disc set, which became an instant best-seller, had been the brainchild of Trojan’s label manager and Black Music fan, Rob Bell, who, assisted by Trojan stalwarts, Dandy, Webster Shrowder and Joe Sinclair, produced arguably the most significant Jamaican music retrospectives of all time.

Now, 50 years following its original release, this hugely influential album has been revisited by Bell, along with reggae musician, Rusty Zinn, who have succeeded in improving what was already an almost perfect collection.

Presented in the original eye-catching artwork, the set is further enhanced by a highly illustrated 50-page booklet in which Bell relates the stories behind the release and the 50 tracks featured on the compilation.

pre-ordina ora18.06.2021

dovrebbe essere pubblicato su 18.06.2021

63,45 €
Kalahari Oyster Cult -

Size: S

T-Shirt designed by Jonathan Castro
2 prints, back and front on Stanley and Stella Drift.

Set-in sleeve
1x1 rib at neck collar and sleeve hem
Inside back neck tape in self-fabric
Bottom hem with wide double topstitch
SINGLE JERSEY
100% ORGANIC RING-SPUN COMBED COTTON
Weight: 200 gsm.

pre-ordina ora14.06.2021

dovrebbe essere pubblicato su 14.06.2021

30,21€
Dan Penn - Do Right Man

Dan Penn

Do Right Man

12inchMOVLP740C
Music On Vinyl
21.05.2021

Dan Penn has southern soul running through his veins. Penn started out in the early sixties as band leader of various soul combos in Alabama, but he remained out of the limelight for most of his career, instead choosing to write hit songs for other artists. He has been responsible for songs including “Is A Bluebird Blue” by Conway Twitty, “Do Right Woman Do Right Man” by Aretha Franklin, “The Letter” by The Box Tops, “I’m Your Puppet” by Bobby & James Purify, “You Left The Water Running” by Wilson Picket and Otis Redding and many more.

In 1994 Dan finally picked up the guitar and recorded these songs himself for the first time and to great effect: his renditions of “I’m Your Puppet” and “You Left The Water Running” add fragile and beautiful magic to these already great songs.

This incredible collection of songs is available as a limited edition of
1000 individually numbered copies on gold coloured vinyl

pre-ordina ora21.05.2021

dovrebbe essere pubblicato su 21.05.2021

26,01 €
Alex Chilton and Hi Rhythm Section - Boogie Shoes: Live On Beale Street

Previously unissued 1999 live set from Alex Chilton (The Box Tops/Big Star) and Hi Rhythm Section Hi Rhythm Section has performed on seminal recordings from Ann Peebles, Ike & Tina Turner, O. V. Wright, Otis Clay, and Al Green Packaging contains liner notes from Memphis Mayhem author and Producer David Less “I never saw him have so much fun on stage. Without rehearsal, Alex called songs and the band locked in. The horn section consists of top Memphis session guys who huddled together when each song was called creating parts on the fly. The pure joy of playing this music so freely with such legendary musicians comes across in every groove of the record.” —David Less, from his liner notes Memphis is a city with music in its blood. When Fred Ford, co-founder of the Beale Street Music Festival, was diagnosed with cancer, David Less organized Fredstock, a fund raiser to help with his medical bills. Less contacted Memphis legend Alex Chilton (The Box Tops, Big Star), who was living in New Orleans, to ask him to participate. Alex said he didn’t have any musicians to play with in Memphis, so Less suggested the Hi Rhythm Section (the band behind classics from artists including Ann Peebles, Ike & Tina Turner, O. V. Wright, Otis Clay, and Al Green). Alex replied, “That will work.” This previously unissued live set contains versions of soul classics from The Supremes and Otis Clay, rock numbers from Chuck Berry and Little Richard, and even a cover of the KC & The Sunshine Band title track. Available on CD, Digital, and LP

pre-ordina ora07.05.2021

dovrebbe essere pubblicato su 07.05.2021

21,81 €
lonnie mack - sa-ba-hoola!

Lonnie Mack

sa-ba-hoola!

12inchCHD1584
ACE Records
30.04.2021

• When Lonnie Mack’s treatment of Chuck Berry’s ‘Memphis’ broke into the US Hot 100 on 8 June 1963 and peaked at #5 during its 13-week stay, he was initially pigeonholed as an instrumental artist. This perception was heightened by ‘Down In The Dumps’ on the flip, and furthered by his double-sided instrumental follow-up whose topside, ‘Wham!’, reached #28.

• Six months later the other side of Lonnie was revealed with his first vocal 45. The topside was a dynamic re-vamp of Jimmy Reed’s ‘Baby, What’s Wrong’, backed with a version of the gospel classic ‘Where There’s A Will’. Here you could hear him emoting in a way white singers never did – hollering, pleading and screaming in the very finest gospel tradition. The track was even picked up by some black radio stations in the south, but quietly dropped once it was realised that Lonnie was white.

• ‘Memphis’ was recorded at King Records Studio in Cincinnati on 12 March 1963. Carl Edmondson had been booked to produce a split session for Max Falcon, Kenny Smith and the Charmaines, but Edmondson’s band had recently broken up, so Lonnie and his crew were drafted in. With some time left at the end of the session, Lonnie was asked if he had anything he might like to record. ‘Memphis’ was the result. Edmondson thought the track had potential and suggested to Fraternity Records boss, Harry Carlson, that he should put it out. Within weeks it was climbing the charts, launching Lonnie’s long career.

• Post-Fraternity releases on Elektra, Capitol, Epic and Alligator cemented his reputation as the man who brought gospel, soul, blues, country and rock’n’roll together. He was one of the creators of blue-eyed soul, as well as the leading light for the legion of blues-based rock guitarists who plied their trade from the 60s onwards. It has to be said, though, that the bedrock of his legend rests on his Fraternity recordings, which highlighted both sides of Lonnie Mack – the vocalist and the guitarist.

pre-ordina ora30.04.2021

dovrebbe essere pubblicato su 30.04.2021

20,13 €
Smith & Burrows - Only Smith & Burrows Is Good Enough

Tom Smith (Editors) and Andy Burrows (We Are Scientists,
Razorlight) return with their second album and follow up
to their 2011 debut ‘Funny Looking Angels’ (which every
year grows in stature as the alternative go-to soundtrack
for the Winter / festive season).
Produced by Grammy Award-winning producer Jacquire
King (Kings Of Leon, James Bay) and packed with classic
songwriting, the new album ups the pop ante with a
cannon of heart lifting songs including three singles
already lighting up both radio and streaming playlists
across the world.
The video for ‘Parliament Hill’, directed by Mat Whitecross
(Coldplay, Liam Gallagher), was shared by Coldplay to their
12.2 million Instagram followers.
Just before Christmas they also turned in an amazing
filmed performance of ‘When The Thames Froze’ (from the
first album) for The Late Late show with James Corden in
the US, with James declaring it “the perfect song for
Christmas 2020” and the album being “the greatest
Christmas album ever.”
‘All The Best Moves’ also elicited an apt response from Ben
Stiller, who tweeted “if this was a 45 I would have bought
it.”
TV - The Late Late Show with James Corden, Channel 4
Sunday Brunch.
Press - Reviews & features in Sunday Times.
Radio - Radio 2 playlist, New To 2, Jo Whiley, Ken Bruce Tracks
Of My Years feature, 5Live Nihal chat & session, Virgin Chris
Evans session.
Online - Tim’s Twitter Listening Party feature.

pre-ordina ora23.04.2021

dovrebbe essere pubblicato su 23.04.2021

24,33 €
Niels Lyhne Løkkegaard - Saturations

Saturations is a composition by Danish multidisciplinary artist Niels Lyhne Løkkegaard, and features a clarinet choir consisting of 19(!) clarinet players.

Niels Lyhne Løkkegaard (b. 1979) considers his work to be a basic research in realities working within the domains of imaginary & physical sound as well as other non-sonic media, and since 2012 Niels Lyhne Løkkegaard has experimented with creating music that lets the instruments transcend their inherent sonic norms and reappear in another form by way of multiplication of sound.

His work with multiplication of sound has led to numerous compositions in which one instrument is multiplied a number of times: One piece is written for 9 pianos, another for 10 hi-hats and yet another for countless triangles and so on.

The multiplication brings out bodily timbral phenomena, interference of sound waves and vibrations, and brings out what Niels Lyhne Løkkegaard calls the sound’s potential of transformation. He describes this as the quality in a musical piece, when you no longer hear recognizable instruments, but instead the individual sound, as well as the individual musician, is dissolved into the collective sound.

A sonic as well as human synthesis.

He explains the concept of this sound as follows:

“Imagine you enter a room with vibrant acoustics, such as a cafe full of people having conversations, and when you’re close to those conversations you hear the language and understand the words. If you step away from the tables, however, and stand in the doorway, you begin to loose the ability to distinguish the words from one another. Now instead of hearing the individual conversations, melts all the conversations together, and transform into a one new sound. A sound of people without words and language. Just as when you hear a group of geese squawk, or the wind in tree tops, a kind of nature given sound of people. Once the language is dissolved and the words stop making sense, what is left, is the sound."

The work of NLL has been presented at a variety of different venues and museums such as MoMA (NY - as a part of the René Magritte exhibition The Mystery of the Ordinary, 2013), Imaginary West Indies (Overgaden Copenhagen, 2017), ISCM (Vancouver, 2017), Radiophrenia (Glasgow’s Centre for Contemporary Arts, 2017), CPH:DOX (Copenhagen, 2017), Roskilde Festival (2017), Harpa (Reykjavik, 2017), G((o))ng Tomorrow Festival (Copenhagen 2016, 2018), Nordic Music Days (Norway, 2019), Akusmata (SF, 2020) and his works has been released on labels such as Topos (DK), Archive Officielle (CA) and Important Records (US). NLL is associate professor at RMC in Copenhagen, and has given lectures at the California Institute of the Arts (CalArts), Goldsmiths University of London a.o.p. NLL has been awarded with several prizes a.o. from the Danish Art Foundation and the Sonning Foundation.

pre-ordina ora26.03.2021

dovrebbe essere pubblicato su 26.03.2021

25,00 €
Main Source - Just Hangin' Out / Live At The Barbecue

Main Source’s paean to the simple pleasures of relaxing with friends is built over two tried-and-tested samples. The dreamy, swoony sounds of Vanessa Kendrick’s timeless ‘90% of Me is You’ is ever-present during this stone-cold classic, while Sister Nancy’s unmistakeable ‘Bam Bam’ lends several elements to the mix. Throw in some Skull Snaps and Sweet Charles and you’ve got the perfect soundtrack for a roll call of Large Professor’s nearest and dearest.

There are plenty of reasons why so many regard ‘Breaking Atoms’ as an all-time classic album, and the sheer variety of singles lifted from it is chief among them. Large Professor was happy to roam over varied topics at a time when many rappers had a manic focus on one thing.

And where better to hang out with friends than at a barbecue? ‘Live at the Barbecue’ is rightly regarded as one of the best posse cuts of all time, and famous for showcasing the debut of one Nasty Nas. While he delivers a dope verse full of quotables over drums from Bob James’ oft-plundered ‘Nautilus’, credit is also due to the other guests. Fatal and Akinyele aren’t disgraced in this company, and Large Professor tops it off with a rare verse of pure brag-rap.

An undisputed entry in the pantheon of head-nod hip-hop, this is its first official UK release, and another debut on 7”.

• Samples Sister Nancy’s unmistakeable ‘Bam Bam’

• Taken from the all-time classic album ‘Breaking Atoms’

• Features the debut of Nas

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15,92 €
Main Source - Just Hangin' Out / Live At The Barbecue

Main Source’s paean to the simple pleasures of relaxing with friends is built over two tried-and-tested samples. The dreamy, swoony sounds of Vanessa Kendrick’s timeless ‘90% of Me is You’ is ever-present during this stone-cold classic, while Sister Nancy’s unmistakeable ‘Bam Bam’ lends several elements to the mix. Throw in some Skull Snaps and Sweet Charles and you’ve got the perfect soundtrack for a roll call of Large Professor’s nearest and dearest.

There are plenty of reasons why so many regard ‘Breaking Atoms’ as an all-time classic album, and the sheer variety of singles lifted from it is chief among them. Large Professor was happy to roam over varied topics at a time when many rappers had a manic focus on one thing.

And where better to hang out with friends than at a barbecue? ‘Live at the Barbecue’ is rightly regarded as one of the best posse cuts of all time, and famous for showcasing the debut of one Nasty Nas. While he delivers a dope verse full of quotables over drums from Bob James’ oft-plundered ‘Nautilus’, credit is also due to the other guests. Fatal and Akinyele aren’t disgraced in this company, and Large Professor tops it off with a rare verse of pure brag-rap.

An undisputed entry in the pantheon of head-nod hip-hop, this is its first official UK release, and another debut on 7”.

• Samples Sister Nancy’s unmistakeable ‘Bam Bam’

• Taken from the all-time classic album ‘Breaking Atoms’

• Features the debut of Nas

• Limited Edition Purple vinyl

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11,72 €
Jimmy Giuffre - Western Suite

James Giuffre was an American jazz clarinetist, saxophonist, composer, and arranger, notable for his development of forms of jazz which allowed for free interplay between the musicians. His 1960 album Western Suite features an unusual trio of clarinet, guitar and valve trombone. The first half of the album is devoted to Giuffre’s country music/folk- inspired suite, while the second half features a lengthy and abstract version of the big band standard “Topsy” and a Thelonious Monk song.

pre-ordina ora08.01.2021

dovrebbe essere pubblicato su 08.01.2021

24,33 €
A.Garcia - The Pepper EP

A.garcia

The Pepper EP

12inchDOCILE29B
Docile Records
22.12.2020

Black Vinyl

Docile Recordings continues with part two of a five cat series. Docile #29, the pepper ep, was produced, arranged, and crafted on vinyl by Andy Garcia at Archer Record Press in Detroit Michigan U.S.A.. Docile Recordings believes vinyl is the best medium to convey our message. Our message is our sound, a sound that is unique in its’ path and loyal to its’ character. Our mission is redefinition and the redirection of minimal techno.

Side A starts with an ol’ timey 4/4 tec- spiritual of crunch confusion rocking and clapping faithfully until the rapture of synth begets a righteous clarity of beat. A2 is a calm to topsy-turvy scurry through digital tweaks and stutters that form a havoc funk requiring a reprimand. B1 opens with the ringing energy of a pest highly motivated to infect a sickly synth, glitching yip, and rolling cymbal into the bloodstream of a dirty grind. B2 is a gentle vibe that is simple, clean, and fresh as a cool breeze that carries the rhythms of birds speaking in tandem.

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9,87 €
YUTO TAKEI - BELLS FROM THE EAST EP

Flippen Disks follows up their much acclaimed label-debut with an intriguing second release by Yuto Takei.

Throughout the Bells From The East EP, Yuto Takei’s first vinyl release, displays a wide array of sounds with a particular interest in rhythmic experiments and the negotiation of sonic space.

The Tokyo-based producer and DJ takes the listener onto a trip through deep spheres, percussive workouts, jammy compositions and electronic psychedelia, leaving the listener at times startled as to whether humans are manipulating machines here, or vice-versa.
Having worked as an electronic music composer for video games such as Gran Turismo, this uncanny valley is known territory for the artist. It is, however, further explored on this four tracker, staying true to Flippen Disks paradigm of releasing club-oriented music, non-functional enough to not only be danced but also listened to.

While the title track Bells From The East is an 8 minute jam, in which the krauty psych attitude pairs up perfectly with the goofy lead melody, Eclectic Matters is an intense percussive workout, refined with a pinch of Digi-Dub.

On the flip, Karma Fuchi feels like a paraglide through a landscape of tree tops, curious winds passing and entrancing synths and percussion stabs leading the way. Mostica closes the EP beautifully and spaciously, allowing for deep dives into its detailed soundscape and waving the listener peacefully goodbye.

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10,63 €
Mawuli Decker - Lololi-Lomko

"Matasuna Records" has found another musical treat from the African continent for its latest release - a song by the Ghanaian musician "Mawuli Decker". It was released in 1983 on the rare and sought-after album "Ayo Special" and is available for the first time as a 7inch vinyl single, which is supplemented by an edit from "Renegades Of Jazz". The esteemed London label "Kalita Records" was able to provide the audio material for new masters and is also acting as music publisher with the new "Kalita Music Publishing".

Mawuli Decker was born in 1949 in Ghana, where he also grew up. His musicality has been given to him from an early age, so that he not only attracts attention as a singer, but also plays drums, percussion and bongo. He played in various dance bands, which were very popular in Ghana especially from the middle of the last century onwards and made the Ghanaian highlife known beyond the borders. He has played in various dance bands such as New Planets, Sawaaba Sounds, The Tops, Caprice 73, The Volta Pioneers and others, which have performed in Ghana and other West African countries.
His first release was in 1975 with the band "Dzobi Soundz" on the Polydor label. Further releases of projects with his participation followed, until 1983 when he recorded his album "Ayo Special" at "Otodi Studio" in Lome (Togo) with an illustrious group of musicians.
He is still deeply rooted in music and performs in West Africa and is still very active in recording.

On the A-side is the original version of the song "Lololi-Lomko", sung in the "EWE" language, which is spoken in the south of Ghana as well as the southern parts of Togo. "Lololi" means "There's Still More Love" and "Lomko" stands for "Please love me" - classical themes that have appeared in countless songs in music history. Although a certain catchiness of the track cannot be denied, it doesn't seem cheesy at any point. Mawuli, who also contributes the vocals, creates perfectly formed harmonies through his compositions and arrangements, which are especially apparent in the bassline, guitars & brass and of course the vocals.

This was certainly also the idea behind the edit of "Renegades of Jazz" on the B-side, which did not want to break up and alienate the organic composition. Listening closely reveals the approach: a steady tempo, a more powerful bassline and additional drums and percussions bring the song back directly to where it belongs: to the dancefloors of this world!

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10,21 €
NITE PEOPLE - P. M.

Nite People

P. M.

12inchTDP54022
Trading Places
10.11.2020

Obscure rock group Nite People was formed in 1964 in the southern English town of Poole by drummer/singer, Chris ‘Fergy’ Ferguson; later, guitarist Jimmy Shipstone joined (as Jimmy Warwick), along with organist Barry Curtis and Jimmy’s brother Francis on bass (as
Francis Gordon). Following inconsequential singles for Fontana, with bassist Scott Kirkpatrick, the group signed to Larry Page’s Page One. P.M., issued in 1970, showed heavier leanings and although originals “Funky Hoe” and “P.M.” were captivating, the album probably had too many covers, though the driving cut of The Four Tops’ “Reach Out” was certainly unique. Page also had the group record as The Banana Bunch, before the final split.

Limited 180gr orange vinyl press for RSD2020.

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19,54 €
SPECTER - DREAMSCAPE

Specter

DREAMSCAPE

12inchITDR006
Into The Deep
24.09.2020

Chicago based Tetrode mastermind Specter takes up the torch with a (too) long awaited solo EP on Into The Deep records. As a true soldier of the underground, Andres has been designing his sound for two decades, bridging the gap between Chicago and Detroit. A spectacular EP exploring jazz, raw, deep and spacey territories from one master of the genre: that's what Dreamscape is all about.

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Last In: 4 years ago
10,46 €
International Teachers Of Pop - Pop Gossip

Auf seinem zweiten Album begeistert das Sheffielder Trio International Teachers Of Pop mit Nerd-Disco und einer schrägen Pop-Not-Pop-Attitüde. Referenzen sind das legendäre Studio 54, Grace Jones, Bianca Jagger auf weißem Pferd und glückliche Clubbingzeiten in Sheffield und Manchester. Abgemicht wurde "Pop Gossip" von ITOP-Mitglied Dean Honer, der bereits für Topstars von Jarvis Cocker bis Britney Spears gearbeitet hat. Zu den Keytracks gehören der Opener "Don't Diss The Disco", "I Stole Yer Plimoles" mit Jason Williamson (Sleaford Mods) sowie das deutschsprachige Pink Floyd-Cover "Ein Weiterer Stein In Der Wand"(!).

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Last In: 6 years ago
26,43 €
International Teachers Of Pop - Pop Gossip

Auf seinem zweiten Album begeistert das Sheffielder Trio International Teachers Of Pop mit Nerd-Disco und einer schrägen Pop-Not-Pop-Attitüde. Referenzen sind das legendäre Studio 54, Grace Jones, Bianca Jagger auf weißem Pferd und glückliche Clubbingzeiten in Sheffield und Manchester. Abgemicht wurde "Pop Gossip" von ITOP-Mitglied Dean Honer, der bereits für Topstars von Jarvis Cocker bis Britney Spears gearbeitet hat. Zu den Keytracks gehören der Opener "Don't Diss The Disco", "I Stole Yer Plimoles" mit Jason Williamson (Sleaford Mods) sowie das deutschsprachige Pink Floyd-Cover "Ein Weiterer Stein In Der Wand"(!).

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26,43 €
Marc LaRoi Cummings - Lots Of Love / Struggling Together

A modern soul double header 7” that has become increasingly in demand is this gem by Marc LaRoi Cummings. Original copies on the Setting Sun label have been exchanging hands for £60-£80 where they have become available. The original label, song writing and production is courtesy of former Motown artist Ronnie McNeir, now a member of The Four Tops, and always of interest to the soul community through the quality of his work on his own releases and for others. It was his first album on Ronnie’s own Setting Sun label from 1985 that became Expansion’s first artist album release, while his label engaged with other artists such as Marc who worked with Ronnie as a backing singer on work with David Ruffin (“Gentleman Ruffin”) and The Four Tops (he co-wrote “Strung Out For Your Love”)

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Last In: 6 years ago
10,50 €
Detlef - Clap Back

Detlef

Clap Back

12inchISS001
issues
04.08.2020

Detlef celebrates the launch of his new label “Issues” with a quintessential EP titled “ Dub Clap”. Known for his simplicity and effectiveness, Detlef delivers the same vibe to this release. “Dub Clap” is a groovy track with a sub bassline, a great catchy vocal and a clever arrangement that gives maximum energy to the track. Title “Say Something” is a special groove made by chopped vocals and subby basslines thats creating a driving groove. Also included in the package is “Dub Clap tool” which created with chopped vocals and grooved out tops that Dj’s could use as part of their dj sets.

Detlef is a DJ and producer of the highest order, and has garnered a reputation as one of the most exciting names in the underground scene. The artist has rapidly established himself as one the leading names in the industry, releasing and remixing with well respected labels including Hot Creations, Repopulate Mars, Moon Harbour, and Relief. Detlef is moving towards the next chapter of his exciting career.

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10,29 €
Ian Willson - Straight From The Heart

We’ve worked with Ian Willson to reissue his insanely good, self-released West Coast classic “Straight From The Heart”. Privately pressed and originally released in 1985, this is the only album Ian ever put out. A magical blend of AOR/sophisticated funk/synth-boogie/spiritual jazz and modern soul, it’s a spellbinding record of many colours.

You might already know “Straight From The Heart” for the dubby-disco paranoid-balearic anthem “Four In The Morning”, and it’s easy to assume this is probably just another one of those one-track LPs. But trust us when we say it’s definitely not. This is an impressively slick record from start to finish, just ask those modern soul DJs and AOR collectors who’ve managed to find a rare copy in the last 35 years. It could’ve (should’ve?) been number 1 all over the world back in 1985.

Album opener “Think About It” is all sorts of right. It’s emotional. It’s tops-off. It’s funk in its purest form. And take the proto-modern-funk of the title track (half Dâm-Funk / half Dâd-Funk).

The shimmering, spiritual Bossa-Jazz of “If I Were You” serves as the album’s soaring centrepiece. A gorgeous suite of Cosmic vibes to get Gilles frothing, it sounds like nothing else on the record which makes sense given that it was recorded a couple of years earlier, and is the only track on the LP that wasn’t recorded in Ian’s own studio.

Side B opens with the propulsive ode to love that is “Two Is Better Than One”. Wonderfully sparse when it needs to be, it’s also richly percussive and that special kind of California-warm. Frenetic, speaker smashing synth and horn workout “Funk Invasion” dares you not to dance and “A Game Called Love” is heavily indebted to Prince with its lush, deep funk stylings. The sweeping sax-drenched instrumental “Song For Katelyn” is head-nod, beat-heavy AOR for that melancholic magic hour we spend our days longing for. It all adds up to the ultimate BBQ record.

Almost all of “Straight From The Heart” was recorded over a few months between 1983 and 1984 on Ian’s brand new Otari 8 track in the Oakland, California studio he built just the year before. Only “If I Were You” was recorded elsewhere, at Bay Sound in 1982.

A “full time poor musician” at the time (and he says he still is), Ian produced the album himself and played all of the instruments, except for guitar. That’s Peter Fujii you can hear, his good friend from growing up together.

Tower Of Power, Average White Band, Earth Wind & Fire and Stevie Wonder was the list of influences Ian gave us when we asked. No wonder the record’s just so easy on the ears.

And why did he put the record out himself? Simple, he had no idea how to go about getting a record deal.

When we first got in touch with Ian he had no idea that “Straight From The Heart” had become something of a cult record, let alone that there were those of us out there that thought the album deserved to be pressed again. The original tapes have long since been lost so this re-issue was only made possible by remastering Ian’s one and only pristine copy of the finished LP.

The end results have been worth the work, including reproducing the original’s unmistakeable sleeve. Ian Willson’s “Straight From The Heart” is yet another Be With release that will find an easy home on the shelves of those of you who up to now have only dreamt of finding a copy and also those of you who who never knew it even existed.

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20,63 €
Blood Red Shoes - Get Tragic

Blood Red Shoes

Get Tragic

12inchJAZZLIFE16LX
Jazz Life
31.03.2020

The story of 'Get Tragic' can be traced way back to the relentless gigging off the back of their 2014 self-produced and self-titled record, when the heels finally fell off of Blood Red Shoes at the end of that same year. A near-decade of incessant road time and a non-stop pace of life finally took its toll, with the band stopping only to quickly hammer out 'another ten songs' to release as their next record, before ploughing straight back into touring. The pair exhausted themselves to the point of collapse. 'We didn't, at any point, have a breather,' says Steven Ansel (drums and vocals), 'We probably didn't see each other for about 10 days a year, tops, for six or seven years.' Understandably, such incessant close proximity led to implosion. 'We got the to the end of the fourth record and were like, 'F**k you, I never want to see you again','Steven adds, half-laughing, half-sighing.

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28,87 €
Service Animal (Vereker) / Crime Unit - RAVE026

RAVE026 is a double hammer of blitzkrieg gabber and seething acid trance/schranz from Service
Animal (Vereker) and Crime Unit, featuring material previously issued on impossible-to-find
tapes by the cult, DIY label; Live Adult Entertainment
The punkish reputation of Live Adult Entertainment precedes them as one of the underground’s
keenest yet elusive operations to emerge in recent years. Based in Thessaloniki, a port city in
northern Greece, they’ve released some 28 tapes, CDR’s and lathe cut vinyl of musick ranging from
psy-trance to industrial noise and concrète since 2017, and always in editions ranging from zero
to 20 tops, leading to feverish and frustrated reactions from those listeners who’ve chanced upon
their YouTube videos before they get taken down. Finally, this 12” features the first readily available
and properly mastered LAE material on a physical format.
On the A-side, Endangered Species label boss Oliver Vereker adopts his gabber alias Service
Animal for his first outing proper since appearing as Renoir on his label’s 2017 CD, ‘Death Always
Follows’. Revolving material originally available on tape in edition of 20 copies, it boots off with
the 12-hp hoof and dive-bombing drones of ‘Core Of Reality’ next to the evil Arcardipane styles of
‘F.T.W’, which are both produced with the same, powerful conviction in charred black metal, noise
and hardcore techno that made his 2015 releases as Restraint and Grace so vital, only with added
acceleration and syncopation.
The B-side follows with a pair of seething workouts from the ‘Cyber Afterbirth Vol.1’ mix by
LAE co-owner, Crime Unit. Hearkening back to a sound that was ubiquitous between Hackney
Warehouses and small-town UK/European techno clubs in the late ’90s/early ‘00s, they are
ravenous examples of the LAE aesthetic, applying scuzzy DIY principles to gnashing German
schranz and adrenalising acid trance with ruthlessly direct results that pack one of the meanest
breakdowns you’ll hear this year. Trust they will mercilessly sort the dancers from the posers.

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13,91 €
Various - Once Upon A Time In Hollywood (2x12")
 
33

The soundtrack for Quentin Tarantino’s heavily anticipated music laden film Once Upon a Time… in Hollywood, personally curated by Tarantino himself, the soundtrack is a love letter to the music of 1960s era Hollywood. The Once Upon a Time… in Hollywood soundtrack features over 20 standout tracks from artists such as Paul Revere & The Raiders, Deep Purple, and Neil Diamond, as well as vintage radio advertisements, creating a true time capsule of a golden era of filmmaking.

Quentin Tarantino’s Once Upon a Time… in Hollywood visits 1969 Los Angeles, where everything is changing, as TV star Rick Dalton (Leonardo DiCaprio) and his longtime stunt double Cliff Booth (Brad Pitt) make their way around an industry they hardly recognize anymore. The ninth film from the writer/director features a large ensemble cast and multiple storylines in atribute to the final moments of Hollywood’s golden age. Written and directed by Quentin Tarantino. Produced by David Heyman, Shannon McIntosh and Quentin Tarantino. Georgia Kacandes, YU Dong and Jeffrey Chan serve as executive producers. The film also stars Margot Robbie as Sharon Tate plus Al Pacino, Emile Hirsch, Timothy Olyphant, Dakota Fanning, Bruce Dern, Lena Dunham and more.

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27,10 €
Nicolas Gaunin - Noa Noa Noa

"Nicolas Gaunin's surreal sound experiments lift you out of the everyday and transport you to an off-world Tiki lounge set high amongst the tree tops of a tropical rainforest, where you're surrounded by bizarre, colourful creatures and weird psychotropic plants. Noa Noa Noa is modern Dada, a neon soundtrack to your most outlandish fever dreams.
Nicolas Gaunin is the alter ego of Nicola Sanguin, part of the vibrant experimental music scene around Padua, Italy where he plays in outsider rock groups The Lay Llamas and Orange Car Crash. Nicolas Gaunin is his solo electronic project, a bright and playful cosmic mash-up that uses the rhythms of traditional African percussion groups and skews them slightly to create unsettling, off-kilter grooves. These drum machine experiments are laid over a teeming microscopic sound world of bird calls, insect chatter and weird jingles reminiscent of advertising earworms or video game soundtracks.
Noa Noa Noa takes its influences from music from around the world, and inspiration from high and low culture; from composer Gyorgy Ligeti to the cosmic sounds of Italian DJ Danielle Baldelli, from the experimental music of Moondog or Harry Partch to the playful sounds of Francis Bebey or the exotica of Martin Denny, from Iannis Xenakis to 8-bit video game music. Noa Noa Noa ends up sounding something like the imaginary soundtrack to the Nintendo Gameboy version of a lost William S. Burroughs novel.
Incredibly, most of the tracks on Noa Noa Noa were recorded live in one take with the express intention of creating music that is, in contrast to much of today's electronic music, bright, sunny, light-hearted and mischevious. The resulting album is both totally essential and also completely throwaway.
These tracks were originally released in 2018 by Artetetra Records (Italy) as Noa Noa (cassette & digital) and Danse de l'Oiseau (digital only). Hive Mind Records are proud to present Noa Noa Noa on vinyl for the first time."

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17,10 €
Jorkes & Hard Ton - Cross The Line

Taking inspiration from a vast musical sphere, the Munich-Vienna pair Jorkes are widely recognised for their open-minded and passionate approach to electronic music which is translated through their Freeride Millenium imprint and own unique productions. ‘Cross The Line’ will be the duo’s first outing since 2016 seeing them join up with the Italian pair Hard Ton who are known for releases on Wonder Stories, Luv Shack Records, Toy Tonics and many more. Jorkes invite Live At Robert Johnson artist Massimiliano Pagliara and Philpot founder SoulPhiction aka Jackmate for remix duties which tops off this distinctive release highlighting the openness and sensibility of their musical philosophy.
‘Cross The Line’ begins the EP with alleviating pads balanced harmoniously with alluring, heart-warming vocals and gentle keys drifting throughout before Massimiliano Pagliara delivers an infectious remix focusing on hypnotic bass grooves, effervescent drums and undulating pads fluttering naturally with the stirring modulations.
‘Jackmate’s Dub Mix’ deploys low-riding resonations fused with muffled tones and thrilling, shuffling rhythms within whereas ‘Jackmate’s 90s Mix’ focuses heavily on organic percussion rolling throughout with robust musical elements and looping vocals. SoulPhiction’s ’Dub Mix’ completes the pack with a tranquil take on the original laying focus on funk-infused instrumentals and subdued jazz drums.

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8,03 €
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