Buscar:triple s

Fernando Pulichino's slinky, syrupy dance floor records - all of which sit in a triple frontier death zone between rock, funk, and electronic sounds - have been cycling through DFA DJ bags for years, so it was only a matter of time until he made an official appearance on company letterhead. The original version of "I Got, She's Got," which appears here on B2, is a romping, scuzzed-out, howl-at-the-moon burner, but it's the remix (a little more clarity of purpose, a lot more arpeggios) that really goes and notched the A1 placement cut at 45RPM. Sandwiched between the two is another innocuous bomb, "She's Playing With Fire." Three tracks, all weapons, trust us. Written, produced, and performed by Fernando Pulichino in Buenos Aires. Saxophone on "She's Playing With Fire" by Gustavo Buchiniz. Mastered and cut by Bob Weston at Chicago Mastering Service. Pressed by Furnace Record Pressing in Alexandria, VA.

FORAX returns with a fresh vinyl release by label head Diego Krause, featuring three heavyweight tracks that are indispensable for every DJ's record bag.
The "Point of No Return EP" serves up a triple threat: two driving groovers that never let up - their relentless energy is an embodiment of Diego's keen understanding of what keeps the dance floor moving. The third track, a blast-from-the-past anthem that guarantees hands in the air every time it's dropped. Diego Krause has yet again proven his ability to produce timeless EPs that cater to the true Tech-House connoisseur, capturing the very essence of the genre.

Recorded at Abbey Road Studios with legendary songwriter and producer Nile Rodgers, alongside the band's original producer Ian Broudie. The multi-platinum selling band released three studio albums between 2004 and 2008, scoring 9 UK Top 40 singles including two Top 10s with ‘Why Won’t You Give Me Your Love?’ and the all- conquering ‘Valerie’, the latter a triple-platinum hit for Mark Ronson and Amy Winehouse. Today they return to share the fruits of their extended time away. The Big Decider comes into view as an album of stark significance to the band, completed by Dave McCabe (guitar, lead vocals), Abi Harding (saxophone, vocals) and Sean Payne (drums, vocals). Written against the backdrop of a decade and a half’s worth of lived experience, it is born under the weight of family tragedies, lives lost and created, reality checks, and home truths faced up to and stared down. Wrestled into shape under the kind of steam that only decades-long friendships - with all their messy fall-outs, make-ups, breakdowns and ultimately love - can muster, The Big Decider became the sound of water passing under the bridge, and love for music, love for each other, and love for creating together becoming the most important thing of all.

Repress!

'Hold Your Colour', the debut album from Pendulum has been pressed on Heavyweight Triple Vinyl, on seminal Drum&Bass label Breakbeat Kaos, to help celebrate it's 15th year as a label. This Limited Pressing 3 x vinyl features the full original album plus bonus track 'Blood Sugar' for the very first time on Vinyl. The Album in full has previously only ever been on CD & Digital and was originally pressed on vinyl as a 6 track album of non single tracks.

'Hold your Colour' was originally released in July 2005 on Breakbeat Kaos and went on to gain Pendulum worldwide critical acclaim and festival headline slots. The album features collaborations with artists such as the DJ Fresh and TC, MC's $pyda, Tenor Fly and Fats, plus vocalists from bands Freestylers and Halogen.

The Madlib Invazion Music Library Series Entry #8: Karriem Riggins’ To The Jungle. Riggins is the type of drummer whose power and finesse shakes even Malcolm Catto. If you know what that means, this is the album for you. The Madlib Invazion Music Library Series was created by Madlib and Egon to give their creative friends a chance to stretch out and indulge in whatever type of music they wanted. This music was created for easy, one-stop clearance in film and television synchronization usage and for sampling. You can also enjoy these albums in the way that many do with the best of the best vintage library catalogs – listen, ponder, repeat.

Acerbic returns after some triumphant Acid releases on Acid Artists In Action/Triple A (aaa011) and Hydraulix labels with a 4 track Acid Techno masterpiece on the legendary Stay Up Forever imprint.

Cauthen first earned his reputation as a fire-breathing truth teller with the acclaimed roots rock band Sons of Fathers, but it wasn’t until the 2016 release of his solo debut, ‘My Gospel,’ that he truly tapped into the full depth of his prodigious talents. Rolling Stone called the album “a triple-barreled blast of Texas country, soul and holy-roller rockabilly delivered by a big-voiced crooner,” while Vice Noisey dubbed it “a somber reminder of how lucky we are to be alive,” and Texas Monthly raved that Cauthen “sounds like the Highwaymen all rolled into one: he’s got Willie’s phrasing, Johnny’s haggard quiver, Kristofferson’s knack for storytelling, and Waylon’s baritone.” The album landed on a slew of Best Of lists at the year’s end and earned Cauthen dates with Elle King, Margo Price, Billy Joe Shaver, and Cody Jinks, along with festival appearances from Austin City Limits and Pickathon to Stagecoach.

"Room 41" by Paul Cauthen iincludes the following tracks: "Cocaine Country Dancing", "Big Velvet", "Freak", "Give 'em Peace" and more.

This version of Room 41 is pressedon swirl, orange vinyl.

Die atemberaubende Orchestermusik der Final Symphony-Konzertprogramme erscheint auf Vinyl. Vol. 1 beinhaltet prächtige Arrangements, symphonische Dichtungen, eine komplette Symphonie und ein stürmische Klavierkonzert, basierend auf unvergesslichen Partituren des Hauptkomponisten Nobuo Uematsu aus der beliebten Videospielserie Final Fantasy, die 1987 begann und bis heute 16 Teile veröffentlichte. Die Aufnahmen erfolgten 2014 in den Abbey Road Studios mit dem London Symphony Orchestra und der Pianistin Katharina Treutler. Schwarzes 180g Triple-Vinyl.

'Final Symphony II' erkundet weitere beliebte Musik aus der Final Fantasy-Reihe, aufgenommen vom dem Royal Stockholm Philharmonic Orchestra. Reichhaltige, geschickte Arrangements von Nobuo Uematsus Werken, erstellt von Roger Wanamo und Jonne Valtonen, eine Suite des Co-Komponisten Masashi Hamauzu, basierend auf seiner gewaltigen Originalmusik für Final Fantasy XIII, oder das stimmungsvolle Eröffnungsstück 'In A Roundabout Way – Fanfare'. Der Pianist Mischa Cheung steht im Mittelpunkt der Final Fantasy IX-Suite 'For The People Of Gaia' und des Solo-Arrangements 'You Are Not Alone'. Schwarzes 180g Triple-Vinyl.

Vom HEXWORKS Art-Team entworfene Deluxe-Ausgabe des OST für das Action-RPG "Lords Of The Fallen" (2023), sorgfältig für 180g Triple-Vinyl gemastert. Die mehrfach preisgekrönten Komponisten Cris Velasco und Knut Avenstroup Haugen erzeugen ein aufwändes Dark-Fantasy-Meisterwerk zwischen romantischer Oper, Mozarts Requiem-Messen, dissonanter Klassik des 20. Jahrhunderts und großartigen Horrorfilm-Soundtracks. Teils live aufgenommen mit dem Budapest Scoring Orchestra & Choir, den Solist*innen Eurielle und Jess Dandy, dem Solocellisten des London Symphony Orchestra, David Cohen, und dem Flötisten Tony Hinnigan (bekannt aus Hollywood-Scores wie "Titanic" und "Avatar").

Limited Edition Triple Gatefold Vinyl including DJ Marko's Theme, Miro, Junior Jack, Blaze, Pirupa, Street Corner Symphony and more.



We are excited and honored to announce the release of a La Rocca Classics vinyl. A Limited Edition Triple Gatefold Vinyl release that celebrates all monumental milestones from La Rocca's club culture. A selection, carefully curated by Wim Van Ouytsel, founder and moving spirit of the legendary nightlife brand since 1988.



Embark on ajourney through the annals of dance music history, where each track has been handpicked to evoke cherished memories of euphoria and transcendence. From the ethereal melodies of trance anthems like 'DJ Marko's Theme' and the electrifying remix of Miro's 'Spaceman' by Mr Sam, to the infectious rhythms of Junior Jack and the soulful vibes of Blaze, and not forgetting the soul-stirring house gems by Pirupa and Street Corner Symphony, this vinyl encapsulates the essence of Belgium's iconic club.

The Left Side is the latest body of work from the Iggy Pop-endorsed teens since the release of their acclaimed second EP We Aren’t Getting Out But Tonight We Might in summer 2022. With Saul at the creative helm, The Left Side is a mature and cerebral body of work with Saul once again writing and producing the entire EP (with co-production by Ali Chant (Yard Act, Katy J Pearson, Dry Cleaning) on ‘Conman’ and ‘ITSA’). Written in Saul’s bedroom, the EP is a retrospective insight into the young band’s journey so far as they tie up their teenage years.

A coming of age saga, the EP acts as a vehicle for Saul to dive into the psyche behind emotional evolution, and to unpack the complexities of maturity and the ability to say goodbye to the past. These themes present themselves not only in the songs, but right down to the title of the EP itself - which refers to the fact that the left side of the brain is responsible for comprehension.

Summarising the EP, Saul says: “It’s the closest we have been to knowing what picture we want to paint. It’s another window into the musical space we wish to explore, yet I think we’re closer to having our sound. I think the project signifies the end of a section in our lives, moving out from the haze of the moment and reflecting on our teenage years and all its chaos with more understanding.”

L’objectif have drawn instant acclaim across their two EPs to date with support coming from key tastemakers at 6 Music (where previous single ‘Feeling Down’ was daytime playlisted after being premiered by the station’s Steve Lamacq) such as Amy Lamé, Tom Robinson, and of course Iggy Pop, BBC Radio 1’s Jack Saunders (who made the band his Next Wave featured artist and featured

‘Burn Me Out’ and ‘Do It Again’ as Daily Delivery) and Gemma Bradley, Radio X’s John Kennedy, Apple Music 1’s Matt Wilkinson, and Australian national broadcaster triple j. The effervescent young band have already received ‘ones to watch’ tips from national media outlets NME (First On), The Line Of Best Fit (On The Rise), The Observer (One to watch), The Sunday Times Culture (Breaking Act), and more.

After the success of the 1st vinyl edition of Techno Club 25 years anniversary, Talla 2XLC and his ZYX team proudly present the 2nd vinyl edition including 12 trance classics in their full extended DJ friendly glory. Imagine on the same colored vinyl (gold and black) outstanding productions and remixes by Talla 2XLC, Terry Bones, DJ Kalpa, Paul van Dyk feat Plumb, John O’Callaghan, Chakra, Alex M.O.R.P.H., Lange & Sarah Howells, Aly & Fila, CRW, DJ Jamx & De Leon aka Dumonde, Markus Schulz and Tony-H. Finally has arrived the ultimate vinyl set of 12 eternal trance classics selected with love by Talla 2XLC and his Techno Club team. Add in your basket and purchase now this very limited edition colored vinyl set!

Body Parts is the debut studio album by Prophet Posse, a collaboration side-project of Three 6 Mafia with members of its then-label, Prophet Entertainment. The Prophet Posse group was known as a larger, “offshoot” version of Three 6 Mafia, as it included each member of Three 6 Mafia as well as all the artists signed to Prophet Entertainment. All the artists featured on the album were Prophet Entertainment artists with the exception of guest act Dayton Family.

Japanese alt-rock band BO NINGEN are delighted to announce they will be releasing an alternative soundtrack album to cult director Alejandro Jodorowsky's seminal film 'The Holy Mountain', set for release on 15th March 2024 via Alcopop! Records on double CD and a limited box set of triple vinyl, each in their own unique colour In partnership with Deeper Into Movies, the band will also be hosting a very special live performance of their alternative soundtrack at EartH, Hackney on 1st March 2024 --a 700 capacity tiered seated venue with original Art Deco features and state of the art L-ISA sound system, to provide the best possible experience of this must-see-and-hear event.


Commenting on the release, Kohhei Matsuda (guitar/synth) and Monchan Monna (drums) said: "We wanted to make something more than 'a band jamming to the film' live score. To do so, we tried to decipher the secret of Jodorowsky's alchemy to reach our own Holy Mountain, reflecting the underlying structure of the film-- which is delusional at sight, yet mystically logical throughout--in each stage of the music. It was quite an experience to work on the piece that way, diving deep into the director's vision where the border between the reality, delusion, the film, and real life blurs. Trying not to drown in it all, we had to find our own path back to our own version of reality. This is an aural representation of our own version of the film. We hope each of you find your own way to your own version of The Holy Mountain through reliving this mind-altering journey with us."
The band originally performed their alternative soundtrack to the film 'Holy Mountain' in July 2019 for 2 sold out nights at the Rio Cinema in Dalston, where it was nominated for 'Best Event Cinema Campaign Of The Year 2019'. During the brief latter periods of the pandemic when the band were allowed to travel internationally between London and Japan, BO NINGEN at last managed to reconvene as a unit in London to finally commit the soundtrack to record.

Suchi’s bouncy, airy productions are so organically deft that they almost belie the complexity that exists within. Prior to her !K7 debut the Oslo-born, London-bred, Delhiinfluenced DJ and producer found herself in a period of creative stagnation, while attempting to rediscover her own voice through production. After going back to the drawing board again and again she resolved to let go of overthinking, eschew the process, and let experimentation lead the way, revisiting some simmering sketches and work in new ways.

Ghungroo EP is the result of this reset, and rediscovers Suchi’s sense of playfulness through different production styles. It’s pressed on eco-friendly vinyl, PVR free and 100% recycled. “Ghungroo” is a homage to Suchi’s early years, and named for the small metallic bells strung around the ankles of classical Indian dancers. The track is equal parts cosmic, bassy and wavy, with a downwards bassline that plumbs the depths of low frequencies. The memory of early music passions emerges as the same melodic loop undresses and redresses in different guises - between breezy pads, glowing chimes and euphoric bells.

“Blåmerke” means bruise in Suchi’s native Norweigan tongue, and it leads heavily with double-time polyrhythmic drums, ravey rhythms and percussive bubbles popping. Triplets of synth stabs are artfully deployed with reverb and warped, stretched pads, bringing a whimsical twist to a track that is otherwise a tough-edged stomper. “Bottlepop” loosens up the tempo for a funky house framework, foregrounded by a big melodic synth riff. The track’s hookiness is enhanced by its old-school school feel, with distorted whistles and evocative pads. “Blåmerke” is then given a rework by Sam Goku who was chosen for his euphoric, dusty-sounding club tracks that hit hard; in his care the remix provides exactly that, via throbbing, shimmering, deep trippiness

Susana Baron Supervielle was born in Buenos Aires in 1910, but she lived in Brazil most of her life. Creation with electroacoustic means represented one more step in her search for renewal and a new articulation of her triple cultural horizon articulated between São Paulo, Buenos Aires and Paris. The results open a new dimension in the interstices of the sound montage. Susana had been a follower of Pierre Schaffer and his peers in the Groupe de Recherche de Musique Concrète from Paris since they began in the early 1950s.


Baron Superveille’s catalogue of works, as selected by the artist herself, shows nine compositions for magnetic tape. With one exception (1977’s Continuo variante), the pieces are in the personal archives of the composer filed in the Archivo del Instituto Nacional de Musicología “Carlos Vega”, in Buenos Aires, which depends on the Ministry of Culture of the Republic of Argentina. This edition on Wah Wah Records is a coproduction with the Instituto Nacional de Musicología “Carlos Vega” and recovers all the available electroacoustic works composed between 1974 and 1980. While most of the collected works premiered in both Buenos Aires and São Paulo on dates close to those of their composition, there are not any previous known releases of these recordings, so this LP is not only an exception, but also a novelty.

Heels & Souls Recordings roll into reissue number eight with a double dose of early '90s UK street soul magic, splitting the sides between two sought-after cuts from Elaine Vassell and 3rd Zone.

Step back to 1993, house music has hit, UK Soul is in full flow and its rawer, DIY street soul sibling is making its mark across the UK’s underground. Fuelled by accessible, affordable production gear and ignited through enthusiasm and an influx of ideas and sounds, two acts drew inspiration from a melting pot of genres they were exposed to, providing their take on soul as they saw it.

Up first, Elaine Vassell - ‘Never Give Up’. A rough breakbeat-driven, mid-tempo groover from a North West London production triple threat, made up of Longsy D, Pinky and Murray. Utilising Pinky’s home studio with its DX7, Juno 106, LinnDrum and 808, they masterminded a track that sits at the intersection between soulful house, hip hop and R&B. Its crunching drum loop, chest-rattling low-end and serene synth lines, lay the foundation for Elaine’s powerful yet emotive voice to take centre stage. ‘Never Give Up’ should have been a future classic, but never quite found its feet.

On the flip side another 1993 gem, as Sansel Ali and twin brothers Mark and Stephen Anglin joined forces to form 3rd Zone. Conceived in Mark’s makeshift bedroom studio, the trio laid down their first foray into recorded music, ‘You Stole My Heart’. Originally promoed as a limited whitelabel in 1991, it officially landed on the group's one and only EP ‘No Real Reason' in '93.

Armed with a handful of synth modules, a drum machine and a Korg M1, Mark, Stephen and Sansel hit with a tough but tender, underground triumph. Part dance, part romance, layering synth strings, chunky breaks and M1 stabs underneath Sansel’s heartstrung vocals and Stephen’s hip house rap interlude, it provides another perfect example of house seen through the street soul prism.

Two timeless tracks that fly the flag for the fact that big studios and big budgets aren't necessary to create songs that really resonate. Each side also contains an alternate version, with the A housing a beatless reprise of ‘Never Give Up’ and the B a tougher, bassier remix of ‘You Stole My Heart’.

Licensed from Pinky Music and 3rd Zone respectively and remastered from the original DATs by Justin Drake.

- The Black Angels' classic sophomore album - Special color edition pressed on Metallic Silver Wax. - Triple LP housed in a Stoughton tri-fold gatefold jacket // "The Black Angels bring the aura of mid-1966 the drilling guitars of early Velvet Underground shows, the raga inflections of late-show Fillmore jams, the acid-prayer stomp of Austin avatars the 13th Floor Elevators everywhere they go, including the levitations on their second album, Directions to See a Ghost. Mid-Eighties echoes of Spacemen 3 and the Jesus and Mary Chain also roll through the scoured-guitar sustain and Alex Maas' rocker-monk incantations. But he knows what time it is. 'You say the Beatles stopped the war," Maas sings in `Never/Ever.' `They might've helped to find a cure/But it's still not over.' Even so, this medicine works wonders." - David Fricke, Rolling Stone Last time we met The Black Angels, they were staring into the desert sun somewhere outside of Austin, Texas. Two years later, night has fallen and the spirits have come out. It's time for The Black Angels to provide Directions On How To See A Ghost. If you're familiar with Passover, the band's 2006 debut, you'll know that The Black Angels's music alone is enough to invoke spirits. There's a name for the band's sound; they call it `hypno-drone 'n roll'. It's the sound of long nights on peyote, of dreams of a new world order, and of half-invented memories of the seamy side of '60s psychedelia. While the Iraq war is still a major influence on the band's lyrics, there are new forces at work here, including Eugene Zamyatin's dystopian novel We and in Christian Bland's words "psychic information from the past and future." See, The Black Angels really are in contact with ghosts. "Civil War battlefields are prime spots for seeing ghosts," says Bland. "One time at Kennesaw mountain in Georgia, I was climbing the mountain in the middle of June and it must have been close to 100 degrees, but in this one particular spot it was very cold. The hairs on my neck stood up and I knew something strange was happening. Then the wind whispered something like `retreat,' and I did. I later learned that the spot where I was on the battlefield was known as `the dead angle', the place where the fiercest fighting took place. The confederates ended up retreating from the mountain towards Peachtree Creek." The Black Angels formed in Austin, Texas, in 2004, comprising from six people (now five) from very different backgrounds. Singer/vocalist Christian Bland is the son of a Presbyterian Pastor and was raised in a devoutly religious household. Bassist / guitarist Nate Ryan was born on a cult compound and drummer Stephanie Bailey claims she's a descendent of Davy Crocket. She and Alex Maas (vocals/guitar) believe a little girl in a red linen dress haunts the group's home. The band released Passover in 2006 to critical acclaim for both the album and the song "The First Vietnamese War". Most of all, Passover established The Black Angels as a band with brains, balls and a strong message. And this time around, the message is there to read in a 16-page booklet that comes with the album. "Our central theme is that people need to open up their minds and let everything come through, and to learn from past mistakes," says Christian. "Only then will we understand the reality of this world and progress beyond where we are now as humans. We've built upon that theme with Directions to See a Ghost. We want people to study the booklet we are providing with the album in hopes that they will be able to relate each song to something in their life." _"War is Peace. Freedom is Slavery. Ignorance is Strength. Keep Music Evil."_

Der vollständige Soundtrack von Paul Ruskay zur Homeworld 2 Remastered Edition (2015), der HD-Version des Echtzeit-Strategiespiels Homeworld 2 aus dem Jahr 2003. Während des HD-Restaurierungsprozesses holte Ruskay die Original-DAT-Tapes aus einem Schuhkarton, entstaubte jahrzehntealte Pro Tool Studio-Sessions und ließ von allen Titeln unkomprimierte Versionen erstellen, auch von bislang unveröffentlichten. Die Tracks wurden dann sorgfältig neu gemischt und sequenziert. Schwarzes 180g Triple-Vinyl mit 58 Tracks.