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Records for AIA organisation. All benefits and even a bit more have been donate in advance to the Artists In Action Association... Organising kitchen in Calais refugees camp « The Jungle ». Here we got one excellent techno tune from Crystal Distortion, one pumpin from Suburbass and a great funny tribecore track from Matt Weasel Buster Tribe :) We also have here something really sticking to the subject : a tune made with sounds from the Jungle.

Seve & SleepingWater - Run For Human Values's Video Clip

Who You Selling For is the third studio album by American rock band The Pretty Reckless. It was originally released on October 21, 2016 and since reached #13 on the US Billboard 200, #12 in Canada, and #23 on the UK Albums Chart. Its lead single, "Take Me Down", topped the Billboard US Mainstream Rock chart in October 2016. Produced by longtime collaborator Kato Khandwala, the album is a unique collection of scorching rock tunes with soulful, bluesy undertones. Who You Selling For reveals the band’s continuing evolution in songwriting, as frontwoman Taylor Momsen maintains her signature dark lyrics and raw, sexy vocals while delving deeper into elements of blues and southern rock guitar than on the band’s previous albums.

Die Grammy-nominierte Künstlerin, Produzentin und Labelchefin TOKiMONSTA bringt ihr neues Studioalbum "Eternal Reverie" an den Start. Neben der unwiderstehlich eingängigen, Samba-inspirierten Dancefloor-Hymne "Corazón / DEATH BY DISCO PT 2" ist der R&B-Tune "On Sum" mit Tokis langjährigem Kollaborateur Anderson .Paak und der aufstrebenden Neo-Soul-Sängerin und Rapperin Rae Khalil eines der Highlights. Die Stimmen der beiden Vokalisten verweben sich nahtlos in TOKiMONSTAs typische Beat-Rhythmen und üppige Synth-Akkorde und ergänzen sich gegenseitig in ihren gefühlvollen Kadenzen – eine Meisterklasse des klassischen Duetts.

Deluxe Edition = "Queen's Tassel Pink" Vinyl + bonus 7". Video Age make breezy and timeless songs that are so ineable, they can only be the result of a decades-long friendship and songwriting partnership. Across four albums, Ross Farbe and Ray Micarelli have gleefully worn their influences on their sleeve, writing inviting tunes that reference sounds ranging from disco to pop and indie rock. On their latest LP, Away From The Castle, the New Orleans duo have strayed from nostalgia and instead have honed their own unique musicality, making songs that sound like themselves with a taste of inspiration from classic singer-songwriters of the 60s and 70s. The album is a testament to the possibilities that come from getting out of your comfort zone, the freedom of writing vulnerably and unselfconsciously, and the joys of getting to work with your closest companions. After releasing and eventually touring their critically-acclaimed third album Pleasure Line in 2020, Farbe and Micarelli sought inspiration for their next project through collaboration. They worked with Drugdealer on his album Hiding In Plain Sight, Micarelli gigged throughout New Orleans' jazz and blues scenes, and Farbe recorded local artists at his home studio, most recently producing Esther Rose's new album Safe to Run. Feeling refreshed, they rented a cabin in Eunice, Louisiana with touring members Nick Corson and Duncan Troast, where they spent eight days in August 2022 jamming, cooking and writing together. Through this process, Video Age have made their best collection of tracks to date by perfectly alchemizing their influences and experiences into a record still tinged with nostalgia, but moving towards a more succinct and authentic voice. Away From The Castle is a document of a band having fun and rediscovering their love for making music together, but it's also their most honest and personal work yet-Video Age distilled to its purest form.

The ever prolific Teffa is back on LoDubs, albeit for his first Vinyl EP.

As just alluded to, this is the second meeting of the Far West Ruler and the Low End Master from Leeds, although one might be forgiven for blinking and missing the highly sought after (sold out in 5 minutes) Poly DubPlate cut released in early 2023, which was a matter of course in a year where pressing turn times quadrupled. As glad as we are that those days are in the past it also still left the inkling that a full release was necessary once the time and tunes presented themselves.

..And as such, here we have a total of 6 now-ting Grime hybrids (4 on the vinyl, and 2 vinyl-only bonus tracks in the DL and details on how to get those as a poly Dub, only for owners of the vinyl EP), Containing the elastic basslines of a true UKG and Dubstep Stalwart, whilst stretching those elements over syncopated, at time staccato-esque riddims, all beneath a novel modernization of the stilted, subharmonic and eski-esque synth bass pads that are quintessentially Grime. There truly is more to these with each listen, all the while grabbing you at first go.

State of the art: From the one and only Teffa.

Continuing the theme of bringing through up and coming talent, Western Lore snaps up rising Manchester star, WDDS for his very first vinyl release.

After continuous support for his expertly crafted beats (previously digitally self released and via Repertoire Music) on Dead Man’s Chest’s SWU & Kool FM radio shows, Lore LTD sees the release of a trio of WDDS’ most heavyweight tunes on wax. Spaceship Riddim Jungle Tool is an utter dance floor destroyer. With an instantly recognisable and energy lifting hook and an all out assault of bassline heaven and amenisim to match, this rhythm is guaranteed to make a rave lift off.

Track A2 steps into Footwork territory, with a dance floor weapon of an entirely different ilk, pairing looped up vocal cuts with swung out and percussive drum machine rhythms, while the B side drifts back into rugged amen territory, this time drenched in deep sub and organic ambience

"Alternative History: A Cracker Retrospective" is a dynamic journey through the sonic landscape of Cracker, one of alt-rock"s most enduring and beloved bands. This special compilation album offers fans a fresh perspective on Cracker"s rich musical catalogue, featuring alternative versions, re-recordings, and live takes from the band"s history. Spanning their entire career, this retrospective highlights the band"s evolution, revisiting classic songs with new energy, creative arrangements, and live recordings that capture their unfiltered spirit. Featuring 5 previously unreleased versions and 6 rare live recordings the album presents a mix of fan favourites and deeper cuts.




[b] Teen Angst (What The World Needs Now) [Redux Version]

"In Game of Thrones Season 5, nine noble families fight for control of the mythical land of Westeros. Political and sexual intrigue is pervasive. Robert Baratheon, King of Westeros, asks his old friend Eddard, Lord Stark, to serve as Hand of the King, or highest official. Secretly warned that the previous Hand was assassinated, Eddard accepts in order to investigate further. Meanwhile the Queen's family, the Lannisters, may be hatching a plot to take power. Across the sea, the last members of the previous and deposed ruling family, the Targaryens, are also scheming to regain the throne. The friction between the houses Stark, Lannister, Baratheon and Targaryen and with the remaining great houses Greyjoy, Tully, Arryn,Tyrell and Martell leads to a full-scale war. All while a very ancient evil awakens in the farthest north. Amidst the war and political confusion, a neglected military order of misfits, the Night's Watch, is all that stands between the realms of men and icy horrors beyond. Game of Thrones has always featured excellent music. The opening theme is practically iconic at this point, having been played and covered so many times. Composer Ramin Djawadi’s heavy, atmospheric tunes have always helped set the mood, no matter what tone the show is going for at any given time. Game of Thrones Season 5 (Music From The HBO® Series) is available as a limited edition of 750 numbered copies on translucent red coloured vinyl and includes an insert."

In Game of Thrones Season 5, nine noble families fight for control of the mythical land of Westeros. Political and sexual intrigue is pervasive. Robert Baratheon, King of Westeros, asks his old friend Eddard, Lord Stark, to serve as Hand of the King, or highest official. Secretly warned that the previous Hand was assassinated, Eddard accepts in order to investigate further.

Meanwhile the Queen’s family, the Lannisters, may be hatching a plot to take power. Across the sea, the last members of the previous and deposed ruling family, the Targaryens, are also scheming to regain the throne. The friction between the houses Stark, Lannister, Baratheon and Targaryen and with the remaining great houses Greyjoy, Tully, Arryn,Tyrell and Martell leads to a full-scale war.

All while a very ancient evil awakens in the farthest north. Amidst the war and political confusion, a neglected military order of misfits, the Night’s Watch, is all that stands between the realms of men and icy horrors beyond.

Game of Thrones has always featured excellent music. The opening theme is practically iconic at this point, having been played and covered so many times. Composer Ramin Djawadi’s heavy,
atmospheric tunes have always helped set the mood, no matter what tone the show is going for at any given time.

Game of Thrones Season 5 (Music From The HBO® Series) is available as a limited edition of 750 numbered copies on translucent red coloured vinyl and includes an insert.

John Prine's 2000 album, Souvenirs, a reimagining of his favorite tunes. Now available on vinyl from Oh Boy Records.

Mastered for vinyl by Welcome to 1979. Pressed at Palimino Records. Dan Reeder's 2006 record on vinyl for the first time.

his release marks the first complete album reissue on Canopy. Originally released in Nigeria in 1987, “Oppressor” was executive produced by Myke Moul himself and distributed domestically by EMI Nigeria & Tropic Records.

“Oppressor”, the album, finds the sweet spot between synth reggae, boogie, and euphoric Balearic island vibes.

Written by Myke Moul and arranged in collaboration with reggae star Majek Fashek in Nigeria, it was later re-crafted and recorded in France with a host of French musicians. Most notably the contribution of multi instrumentalist Pierre de St Front added engaging synthesiser parts and electronic drums.

Unfortunately the pressing of the album suffered from inherent technical flaws which adversely affected the sound quality and therefore even those lucky enough to find a copy, will not be able to enjoy it without considerable sonic defects. Therefore this remastered reissue will prove welcome to both collectors and new discoverers.

The titular track “Oppressor” stands out as a mid-tempo synth-reggae-boogie jam espousing the turbulent political times in Nigeria that were present in the late 80s. Elsewhere “Shadows in the Rain” is an instrumental cut displaying a jazz-funk sensibility which was unusual for a Nigerian artist at that time, and reflects Myke’s influences outside his home country. “Heading for the Top” is a boogie dance floor gem that shows the popularity of this genre at the time, as evidenced in many Nigerian releases and still sounds just as vital today. “Rescue us. O! Lord” shows Myke’s great song writing and Pierre’s fine musical skills working in tandem to create a reggae boogie tune, displaying the reggae & ska tendencies that were present in pop music in this era, from artists such as Grace Jones, Sly & Robbie or The Police.

All in all, the album demonstrates something fresh & exciting for Nigerian album reissues, touching down in a reggae fusion direction, with some fuller sounding production aesthetics, making the dynamics full and crisp on sound systems while also well suited to home listening.

Pianist, Composer, Multi-Instrumentalist Eva Novoa Releases First Album from Her Newly Forged Trio with Sax Legend Daniel Carter and Beloved Drummer Francisco Mela

"It’s not a rumor. Brooklyn’s Eva Novoa has formed a new trio! Novoa / Carter / Mela Trio, Vol. 1 marks their first sparkling album together (which is also Eva’s third with 577 Records). The group performed live for the first time in Cambridge (Boston) in 2022 and at the NY Forward Festival in August 2024.

In an invigorating creative explosion recorded at New York City’s Sear Sound in 2021, the multi-talented instrumentalist unites with sax legend Daniel Carter and beloved drummer Francisco Mela. Prepare to be reawakened when you experience Novoa tickling the ivories, dominating the Fender Rhodes, and wowing with the electric harpsichord and Chinese gongs. Even her whistling will linger in your mind!

As captured in the electrifying tracks “Aire” and “Fuego", Novoa / Carter / Mela Trio, Vol. 1 is inspired by the four elements (earth, wind, fire, and water). “Hasta Mañana Vida Mia” weaves together Cuban tradition with soulful lyrics (sung by Francisco) and high-energy, rhythmic conversations with horns and drums. The musicians’ free interplay approach defines this eclectic trio and their sonic universe.

Born in Barcelona, Spain, Eva Novoa is a pianist and composer who’s been mastering her talents since childhood. Calling NYC home since 2012, she has rocked countless local venues with her thrilling performances and has played with many adored artists all over the globe.

Her new album drops on November 22, 2024, and will be available on vinyl, CD, and digital download. Don’t miss the stunning cover art by Novoa’s friend and collaborator, acclaimed street photographer Richard Sandler, and stay tuned for Volumes 2, 3, and 4!"

Piano, Fender Rhodes, Cinese gongs, percussion & whistling by Eva Novoa.
Tenor, alto & soprano saxophones, trumpet, flute, clarinets by Daniel Carter.
Frums & vocals by Francisco Mela.
Recorded April 18, 2021.
Recorded, mixed and mastered by Jeremy Loucas at Sear Sound, New York City.
Photography by Richard Sandler.
Graphic design by Sergio Vezzali.
Graphic support by Mark Smith.

The Peace Chant compilation series is a Temple, a reliquary of sacred harmonious statements made by enlightened artists throughout time. With Tramp Records' latest offerings, "Peace Chant, Raw Deep and Spiritual Jazz volumes 5 & 6, deeper, darker, and even more remote chambers of this already exalted temple are brought to light. The team at Tramp, with their torch of love and with reverence for those builders who came before, have returned from their quest with musical treasures unfathomable. Indeed, some of these tracks sound as if they may have literally been plucked from the ancient hands of some towering golden idol. But this quest was no looting effort, no. The Gods, as well as the artists and their families were fairly compensated through Tramp Records' rigorous and historically conscious licensing efforts.

Volume 6 ululates with a rich flute and Fender Rhodes-rich microtonal fusion called "Cataracts" by Musica Orbis that even comes with some sparkling Afro-harping moments ala Dorothy Ashby; a 5/4 dreamscape conjured by the Fredric Rabold Crew called "Januschka" with enraptured wailing soprano; and a very interesting and likely heretofore unheard version of a tune that, in Dizzy's words, "... has withstood the vicissitudes of the contingent world and rocketed in an odyssey into the realm of the metaphysical...", A Night in Tunisia, with rich vocals and scatting.

High school band Kashmere Stage Band was formed in Texas by students from Kashmere High School's elite music division under the guidance of leader Conrad O. Johnson. They recorded plenty of albums but they only got sold locally and made in small numbers so now P-VIBE is embarking on a much-needed reissue run. Zero Point came in 1972, right in the middle of the band's activities which ran from the early 60s to the late 70s. It's a funky jazz fusion workout with great echoed vocals and fuzz-tone guitar.

Originally released on Robs Records offshoot Pleasure, followed by a repress on Air Trance in 1995 featuring Francesco Farfa & Kiticonti on remix duty, the debut offering from French/UK outfit Prism - aka Pascal Eloy & Grant Wilkinson - ‘Vapour Trails’ EP eventually gets a much needed reissue on Cosmocities this summer, enhanced with a remix from Bliss Inc.

From its initial sortie on the label run by Rob Gretton, former manager of legendary New Wave bands New Order and Joy Division, onto making it to a then en-vogue Italian trance imprint, this record made waves and opened new portals for many lovers of the burgeoning electronic sound, including - years later - Cosmocities head exec himself, holding the special status of being his first ever vinyl record buy. Harder was the path towards that longed-for repress, but with a twist from destiny - after tracking down one half of Prism - Pascal Eloy - to no avail, the label managed to find him through his father, contemporary composer Christian Eloy, plans were set out to release a first EP, ‘Rain’ (2022), and now ‘Vapour Trails’, which comes as the icing on the cake.

A future-facing slice of fast-track trance bound to have ravers melting in XTC thru and thru, the lead single treats us to a deluge of prismatic arps and multi-faceted synthwaves, ushering us into a vivid, mind-expanding kaleidoscope of throbbing colours and propulsive groove; an absolute killer of a tune that’s lost nothing of its frenzied punch. In the hands of Italian duo Farmakit, the track morphs into a further corrosive churner tailored for peak-time rumble in the warehouse with its calibrated mix of acid-drenched bass whorls, hard house bounce and Tangerine Dream vibrations.

Flip sides and here’s ‘O.N.V.I.’ shifting gears towards a more tribal / spiritual kind of uptempo hoodoo, running the gamut wildly from ethereal choirs to warlike drum programming, via sci-fi-indebted cosmicness and proper 303-infused salvos from outer space. New addition to the bunch, the remix from Bliss Inc. treats us to a more focussed parade of jacking house percussions, hi-NRG acid tropes and Afro funk-minded psychedelia, revving up the engines as the room temp rises from hot to sweltering. No surrender

Santa Maria Electronics is a new label born in Italy. In the first EP, Giulio Gastaldello, the mind behind the project, tried to best express the key concepts of the label: eclecBcism, alchemy and freedom. These elements are not only present in the musical production, but can be also found in the party series by Santa Maria. The desire to merge various genres of electronic music to achieve a new sonic experience is a formula that has been happily welcomed.
We firmly believe that an artist's vision should always be as broad as possible, and this is why in our future releases, as in this one, we will consistently try to push ourself into having an open mind in order to achieve the best outcome for the listeners, besides the genre.
In more depth, side A of this Ep is opened by a DnB pitched down beat combined with an ethereal techno pad. A2 is instead a fusion of house and trancy elements.
Side B1 track, ‘Collapse’, consists of 2 basslines, synth lines, pads and stabs that come and go for the whole length of the track. B2, by contrast, is a more clubber tune with acid elements, groovy kick-sub combination and a catchy vocal.

The brainchild of drummer/producer Chiminyo, NRG is more than just an album, label or event. It’s a concept. Born out of a conversation about the UK Jazz scene (is it really jazz?) Chiminyo concluded that this musical expression is less about ‘jazz’ and more about energy (NRG).
So with this in mind, he set about to explore, celebrate and harness this NRG in its purest form. No labels, no promoters, no industry, no control. Just Chiminyo and members of his musical community exchanging (strictly improvised) NRG with audiences and capturing the spontaneous beauty to be shared with the world.
This third edition, NRG 3, features an all-star line-up. Modular synth wizard and Ariwo band leader Pouya Ehsaei, electro synth-pop artist and incredible keyboard/synth player Maria Chiara Argiró, and Hak Baker's trumpet player Sam Warner. And you can really feel the vibrant NRG of the capital pulsating throughout. Raucous dance-floor stompers such as 'Enter the Dragon' and 'Fred not Again' are beautifully contrasted with the dreamy, cinematic 'Avalon'. And the addition of instrumental and vocal guests on the night really adds a special touch. 'Stories Untold' opens with flautist Lluis Domènech Plana's lyrical exploration on bamboo flute before developing into an up-tempo house inspired dance tune, whilst Nadeem Din Gabisi's 'Fire' presents a unique perspective on a trap groove that you simply couldn't imagine outside of the context of NRG 3, and towards the end of the track the audio cuts to camera audio due to an issue with the desk recording, a magical moment that puts you in right there in the room and reminds you that this was a live gig!
It is incredible to think this record is improvised, because each tune comes across as a carefully sculpted master-piece, a clear testament to the incredible musicians on the line-up.

The drums of fire scorch the age. With his young and talented Sound Limited, Takeshi Inomata heralds the arrival of the golden age of jazz rock in high spirits. Drummer Takeshi Inomata, who led the Japanese jazz scene with his precise stick work and musicality with an eye on the times, formed Sound Limited at the end of the 1960s, influenced by the brass rock music that was flourishing at the time. He said, “I wanted to fuse jazz and rock and bring together young musicians to play music with vitality. I want this group to be a group with a large scale that is not confined to the small frame of modern jazz,” he said, launching a new axis. Their first album, “The Sound of Sound Limited” (1970), became their masterpiece. It is a masterpiece that is full of energy and enthusiasm throughout the album, starting with “Theme~Mustache,” which has become one of the most beloved and iconic songs of the band.

Drums, Music Director – Takeshi Inomata

Electric Bass – Jun Suzuki

Electric Guitar – Ryo Kawasaki, Shigenori Kamiya

Flute – Toshiaki Yokota

Mixed By – Eiji Uemura

Organ – Yusuke Hoguchi

Tenor Saxophone – Takao Uematsu

Trombone – Shigemichi Domoto, Takashi Imai

Trumpet – Shunzo Ohno, Takashi Kumagai

Music from Skalpel's iconic debut for Ninja Tune, reinterpreted by top Polish producers! 

Poland's ambassadors of jazz-inspired electronics invited outstanding local producers of downtempo, dance music, hip-hop, and jazz to remix this album. The result is "Recut," the best remix album in the history of Polish phonography. A record every bit as worthy as the historic original. It’s an extraordinary tale of the past and present of Polish electronic music.


This year marks the 20th anniversary of the release of Skalpel’s debut album, which was released by the famous British label Ninja Tune in 2004. The Polish duo, Marcin Cichy and Igor Pudło, gained international acclaim by venturing into the then lesser-known territory of Eastern European jazz, updating it with electronic tools.
Pitchfork praised the album enthusiastically: „On these tracks, Skalpel smudge the line between organic and electronic effortlessly, like a landscape artist working with charcoal, creating deep nuances of light and shadow that give the work its overall depth. (…)Its rhythmic dexterity and melodic sweep are hard to deny” -
The prestigious The Wire added: "Jazz, breaks, scat shuffles and funky riffs? of the highest standard. This release deserves to see them revered far beyond Poland"

Today, looking back over two decades, this album can be confidently considered a milestone in Polish electronica and a timeless classic of downtempo, nu-jazz, and trip-hop. Thanks to this record, the band also gained worldwide recognition, and their subsequent consistently high-quality albums like "Highlight" and "Origins" continue to attract significant interest.
Skalpel’s debut with Ninja Tune undoubtedly changed the face of Polish music, redefined the perception of the Polish jazz canon, and paved the way for younger creators. "Many of them, on 'Recut,' pay tribute to the enduring legacy of Marcin Cichy and Igor Pudło.
Artists like Magiera, Emade, 1988, Kixnare, Steez, Latarnik, Envee, Pejzaż, Etnobotanika, and others are now recognized names and respected figures in the Polish music scene. Though each of the artists invited by the Wrocław duo has developed their own original style, they find common roots in the duo’s music, on the border between jazz groove, hip-hop ease, downtempo moodiness, or ambient.
The excellent interpretations showcase the incredible potential revealed by Skalpel’s debut material, which continues to inspire new discoveries. This is a record that does not age, still captivates, and continues to inspire and provoke new interpretations.


Let’s RECUT this!!