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Darling West - Live 2020

Darling West

Live 2020

12inchJANSEN128LP
Jansen Records
22.10.2021

A month before the pandemic hit Norway – and the rest of the world for that sake – Darling west released their fourth album, «We’ll Never Know Unless We Try». They managed to get through two or three shows before everything was canceled, and the country went into lockdown. It may sound a bit counterintuitive to records a live album while in lockdown, but that is exactly what Darling West decided to do. When Norway partly opened during the fall of 2020, the band recorded their gigs at Parkteatret in Oslo and at Folken in Stavanger, and these recordings make out the songs on «Live 2020». Even though the gigs were played at venues with restricted capacity, it’s nice to see that they can reach bigger a bigger audience with this recording. «Live 2020» consists of songs from Darling West’s entire catalogue, and you can almost hear that they’ve been longing to play live on a stage. It had been six months since they’d been in front of an audience when these recordings were made, and the energy in the rooms were very special. This record is a document of this.

pre-order now22.10.2021

expected to be published on 22.10.2021

21,81 €
OPERANT - Traumkörper

Operant

Traumkörper

12inchIOD050CASSETTE
INSTRUMENTS OF DISCIPLINE
22.10.2021

Tape

OPERANT – TRAUMKöRPER LP IOD050 500 vinyl on Purple crystal transparent w/ insert, 100 CS and CD.As an outfit that has existed on the fringes of the club scene, Operant continues their willingness to break genre taboos and expectations with their debut LP, Traumkörper, exhibiting a hybrid vision of electronic and organic elements that gives rise to a sound self-described as somewhere between extra-terrestrial black-metal, singularity-sludge, proto-psy-trance, anime noise-core techno and auto-tuned trap-folk. These disparate methodologies are bound together by the conceptual elements that operate at the core of Operant’s thematic universe: the transcendence and destruction of the body, consciousness melding with machines and the manufacturing of new realities. As a blueprint to new forms, Traumkörper sets a path both disorienting and euphoric. Over the course of 11 tracks the Berlin based duo and operators of record label, Instruments Of Discipline, Luna Vassarotti (IT) and August Skipper (AUS) birth their dream-body, an unsettling soundtrack for the strangeness of our times. credits All songs written and mixed by OPERANT All songs mastered by Alain Paul Artwork Photography by Michael Italia Artwork by OPERANT

pre-order now22.10.2021

expected to be published on 22.10.2021

16,77 €
Josh Milan - Come Dance With Me (Parts 1 and 2)

Honeycomb Music is extremely proud to present the latest 7" vinyl release from the incomparable Josh Milan, entitled "Come Dance With Me (Parts 1 & 2)". This song, about a man desiring a woman who is preoccupied with someone else, is an impeccably produced mid-tempo tune, cleverly done in two parts. Each part showcases Milan's unmatched talents as a singer, songwriter, and producer. Milan explains that the inspiration for this song came from jazz artist Kurt Elling. "In the song, 'Change Partners,' Kurt Elling sings about desiring a woman who is dancing with another man. He's waiting for his chance to get close to her, asking her to 'change partners'". Milan was also inspired by his childhood experiences of performing in the Brooklyn Boys Chorus where they sang classical music. The classical guitar is performed by the incredible Dave Manley while the operatic vocal is performed by the phenomenal Dawn Tallman. It is hard to properly express the amount of dynamism at play in one song! All of these performances are goosebump-inducing and deeply spiritual. With Josh Milan at the helm, "Come Dance With Me" is a sure-fire winner with surprising twists and turns along the way.

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Last In: 2 years ago
10,29 €
Santilli - Tidal

Santilli

Tidal

12inchGBR038
GROWING BIN RECORDS
18.10.2021

Keeping his carbon footprint at a minimum, Santilli sails from Sydney to Hamburg via ten textured vignettes delicately drawn with guitar, bass and organic percussion. Relaxing, reflective and endlessly
beautiful, ‘Tidal’ explores elemental inspiration through a humanistic gaze.
Whether you know Max Santilli through Ken Oath duo Angophora, previous releases ‘Surface’ and ‘In Circles’, or this is your first time making his acquaintance, you’ll agree he’s right at home on the
Growing Bin. The multi-instrumentalist crafts exquisite acoustic music in tune with the finer moments of Windham Hill and ECM; a perfect fusion of talent, balance and the emotion shared by each release on the Hamburg label.

As befits its inspiration ‘Tidal’ is an organic affair, related through bright acoustic guitar, hazy chimes and hand played percussion. Where the Australian draws you in with hypnotic repetition, the subtlety, warmth and tonal variation serve as a welcome reminder we’re living off grid. Though expert fretwork
often takes centre stage, especially on the delicate B1 ‘Warm You Give’, it’s the blend of kalimba, woodblock, hand drums and shaker which truly transport the listener through open waters; a rhythmic
breeze carrying us through the maritime drones and bowed squall. At times the salt air is spiced with cardamom and cloves (‘Sea’) or lemongrass and galangal (‘Valleys’), as we skirt the Indian Ocean or
the Java Sea. ‘Lapse’ provides subtle hints of fourth world jazz as mallets take the lead, leaving the guitar to provide its own shimmering texture.

Clear your mind, clear your schedule and make some time for ‘Tidal’, an opportunity to breathe in time with the planet

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Last In: 4 years ago
19,87 €
Various - Nervous Records 30 Years (Part 2) 4x12"
 
17
also available

Black Vinyl[33,57 €]


Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).

Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.

The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.

“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”

The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.

“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”

As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.

“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.

“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”

Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.

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Last In: 8 months ago
37,77 €
BALAM - CHANTS OF PACHAMAMA PART 2 EP

After a first volume released in September 2020 on Hard Fist, Argentinian Balam comes with “Chants of Pachamama (Part. 2)”, including a remix by Matias Aguayo.

This time Balam focuses on the experience around the ritual of magic plants that is practiced in the deep South-American rainforest. By mixing modular synth, stromping basslines, haunting vocals and real played percussions produced in his studio “Submarea” in Buenos AIres, he recreates a psychedelic trip from beginning to end.

The opening track “Yagé” is the name for a magic plant that can be found in many places in South America. With a tight djembe, the magician comes with his chants for starting the ceremony just before the bass bursts for a pagan dance. An irresistible lead synth takes the climax higher until the break where the magician enters the void and the psychedelic trip begins.

“El Curandero” – the chaman who leads the ritual – is the second tune of a frenetic organic and modular percussion bass driven dance stomper. Blazing synthesizers create a state of confusion and hallucinations when “el curandero” chants his icaros. The djembes and shakers move behind the heavy bassline while analog ding and dongs go crazy all over.

The second last track “Golfo”, just before the remix, is an instrumental tune, the end of the experience: heavy synthetic percussion, modular ambient sounds, a modal marimba and a very present djembe jamming until it fades in the analog night.

The closing track is a great reinterpretation of “Wakax” from “Chants of Pachamama (Part 1)” by the legend Matias Aguayo. A dark and heavy bass mixed with a tricky use of lots of the original elements makes you wanna twerk all night long.

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Last In: 2 years ago
11,98 €
Leroy Allen - You’re The Best / I Love You

Peace of mind after the book release and the long awaited drop of the 5 tunes we were expecting from the pressing plant. While Escai is finalising the cover of Jay Nemor’s album, now it's time for me to go back to work with Yann, the London member of our Funk Investigators little patrol.
Hailin' from Houston TX, Leroy Allen started his career in ‘69 with the group “THE SYMPHONICS “, that later became GOD’S GIFT TO WOMEN, which in 1972 recorded “Let Your Heart Be The Judge“, which still gets air play more than thirty years later. In the early 80’s Leroy started the group ”
The Perfect Timin' Band”, which backed BO WILLIAMS, while touring with Cameo, and Gerald Levert. Perfect Timin' also opened for New Edition, Baby Face, Roger Troutman & Zapp, just to name a few. In 2013, Leroy Allen has started a solo project with the new hit single “I WANT IT “, receiving heavy rotation in the Southern United States and European Markets. Mr. Allen recently formed “Orion The Band” which consists of top musicians from the Houston area, creating the foundation for the “I Want It” Project, of which both songs included in this release are a natural developement. Catchy, extremely soulful, just perfect for this mid summer rainy day!

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Last In: 4 years ago
20,13 €
KYLESA - TIME WILL FUSE ITS WORTH

Kylesa is an American heavy metal band that was formed in Savannah, Georgia. Their music incorporates experimentalism with heavy riffs, drop-tuned guitars and elements of psychedelic rock. The group was established in 2001 by the former members of Damad, with the addition of guitar player Laura Pleasants who is from North Carolina. The band has since undergone line up changes; the remaining original members are Phillip Cope and Laura Pleasants. In 2006, the band added two drummers (Carl McGinley of Unpersons, from Savannah, and Jeff Porter). Eric Hernandez (of Capsule, from Miami) joined in 2008 to replace Porter. The dual drum tracks are often panned strongly to the right and left.

pre-order now15.10.2021

expected to be published on 15.10.2021

21,81 €
ROSS & THE REALIFERS - REAL LIFE IS DEAD AND OTHER SHOW TUNES

Ross Sinclair is a drummer, guitarist and founding member of The Soup
Dragons. In the early 1990s Sinclair left the group to complete his studies at
the Glasgow School Of Art.
Ross Sinclair is best known for his Real Life project, initiated in 1994 when he
had the words ‘Real Life’ tattooed across his back. Since then Real Life has become a 23-year performance project, taking form in a wide range of exhibitions, public art and publication contexts. Over the two decades of the Real Life
project, Sinclair’s work has employed various mediums including performance,
painting and music, often at the same time.
Through installation and audience participation Real Life has sought to challenge the conventional exhibition practice and connect with the public. These
projects have been exhibited worldwide. Throughout the course of the project,
a consistent thread of Sinclair’s work has sought to address the nature of the
individual, collective and national identities of Scotland.
During August 2015, Sinclair exhibited his work in 20 Years of Real Life at Edinburgh’s Collective Gallery which celebrated 20 years of his Real Life project.
Sinclair worked with teenagers to create 5 bands and produce an LP titled Free
Instruments for Teenagers. Real Life is Dead/Long Live Real Life The most recent incarnation of the Real Life project came as part of a two-week residency
Ross Sinclair undertook at the Shanghai Himalayas Museum in China, ahead of
his solo exhibition titled Real Life is Dead/Long Live Real Life.
This exhibition served to herald a new phase of Sinclair’s on-going Real Life project. For the exhibition Sinclair added the text ‘Is Dead’ to the ‘Real Life’ tattoo.
The residency focused on the consistent themes of participation, performance
and collaboration, coupled with Sinclair’s use of music in his art throughout his
career. Sinclair worked with students at the GSOA over a period of two years to
develop and record two songs (Real Life is Dead and Long Live Real Life) which
lay at the core of the exhibition. The songs were recorded in both English and
Chinese.
In Shanghai, Sinclair worked with local musicians, artists and singers to create the Chinese-Scottish Real Life Orchestra - a musical dialogue between the
Chinese audience and Sinclair’s Real Life Project. The group came together in
a collective voice, in English and Chinese, to share experiences through music.
The orchestra presented a live performance at the opening reception of the
Phase Three exhibition of CURRENT: Contemporary Art from Scotland, which
provided the soundtrack to Sinclair’s installation consisting of multiple editions
of banners and videos representing the 23-years of the Real Life project. Participants were also invited to respond to the themes of Real Life is Dead/Long
Live Real Life with words and pictures which were displayed on banners and
placards.

pre-order now15.10.2021

expected to be published on 15.10.2021

23,82 €
ANDY LAVERNE QUARTET - FROZEN MUSIC

Frozen Music’ was recorded in New York City 32 years ago and like most of
pianist Andy LaVerne’s releases this album has not lost its original energy
and charm.
Tenor and soprano saxophonist Rick Margitza was then a young rising star under contract with Blue Note. Andy was already a prolific composer who penned
all the tunes of this album. Bassist Marc Johnson who was a member of Bill
Evans’s last trio gave graceful and subtle colouring to LaVerne’s compositions.
“Frozen Music, Andy LaVerne’s third album for SteepleChase, is a solid, modern
blowing session...he makes skilful use of suspensions, pedal points, and ostinatos, which along with the music’s floating harmonies, give the soloists a wealth
of elbow room.” - Mark Stryker, Cadence
Personnel: Andy LaVerne (piano), Rick Margitza (tenor and soprano saxophone), Marc Johnson (bass), Danny Gottlieb (drums)

pre-order now15.10.2021

expected to be published on 15.10.2021

29,20 €
IZZY TRUE - OUR BEAUTIFUL BABY WORLD

In creating Our Beautiful Baby World (May 2021), the pacing of Izzy True’s
songwriting process has slowed down since their prior Don Giovanni
releases -- Sadbad (2018) and Nope (2016).
Arranging with Curtis and Sam, Reidy says they’ve grown as musicians together, and their songs were given space to grow, too. OBBW exhibits eleven rock
songs of melded collaboration, expressing the deepness of acceptance. These
are the band’s most dynamic compositions to date. The result is, Reidy hopes,
to ‘sound like a bad drawing of a rock record.’
The inspiration for the soft-hard dynamics of OBBW may have come from Reidy
listening to Thin Lizzy, along with the bleeding of the band members’ strengths
and histories: Curtis as a courageous experimental musician in the DIY circuit,
Sam’s expertise as a hardcore drummer, one Halloween cover-set of System
of A Down in a Chicago basement from another world, and Reidy’s childhood
growing up listening to old love songs and country music.
OBBW was recorded in Rock Island, IL at Rozz-Tox, a well-loved bar and music
venue in the humble Midwest. Recorded and mixed by Ian Harris on reel-toreel, Izzy True’s tunes returned to tape after Sadbad, which was digitally produced.
The record utilizes the talents of Chicago music friends Jess Shoman (Tenci)
on backup vocals and Andrew Clinkman (Spirits Having Fun) on lead guitar on
‘Four Good Ponies’. OBBW was recorded in the months before the pandemic,
January and February 2020, which can feel obvious (‘I don’t wanna hang out
for a thousand years’) and subtle. The authentic limitations of reel-to-reel tape
recordings give this project the aura of a time when live music was possible.

pre-order now15.10.2021

expected to be published on 15.10.2021

25,59 €
CHRIS ACKER - ODD, ORDINARY & OTHERWISE

Odd, Ordinary & Otherwise,’ the third full-length record from New Orleans
country-folk songsmith Chris Acker, is a collection of songs brimming with
true tales, eloquent songwriting, and fearless honesty.
During his decade-long songwriting career, Chris has explored musical terrain
tread by contemporary folk music’s greatest champions: Prine, Dylan, Guthrie,
etc. With ‘Odd, Ordinary & Otherwise,’ Acker has forged an unmistakable lyrical
style that’s truly his own, containing more reverence than reference to those
who came before him.
The songs of O-O-O are equally as influenced by months of isolation during
COVID quarantine as they are by Chris’ place in the New Orleans dancehall and
busking communities in years previous.
The album’s thirteen tracks flow gracefully from introspective, quiet tunes worthy of the modern Folk Music cannon, to downright barn burners ready for
the dancehall and all the space in between. Acker’s creative response to the
heartbreak and anxiety that defined the year 2020 is primarily one full of life.
The vividly painted scenes and stories that define the record are his and no one
else’s. Paired with his signature pop sensibility, playful and sometimes humorous language, and a professional sonic presentation, ‘Odd, Ordinary & Otherwise’ is a compelling record that merits close investigation.

pre-order now15.10.2021

expected to be published on 15.10.2021

22,06 €
MAC MILLER - FACES 3x12"

Mac Miller

FACES 3x12"

3x12inch0093624881391
Parlophone
14.10.2021

On October 15th, Mac Miller's cult favourite mixtape Faces will be available on all streaming services for the first time since its initial release. The project, which originally debuted on Mother's Day 2014, is a vital release in Mac's catalogue that followed-up his critically-acclaimed sophomore album Watching Movies With The Sound Off. Upon its arrival, the mixtape served as the high water mark for Mac's technical prowess and cemented a creative actualization that would continue through his career; reinventing himself with each new project. Reviewing the project following its release, critic Craig Jenkins succinctly described it as "the best work of his career.
"In addition to being made available on streaming services, Faces will be available on vinyl for the first time on October 15th. .

The announcement of the mixtape’s release on streaming services next month arrives alongside a new music video for Faces highlight "Colours and Shapes." Its director Sam Mason speaks on the work: “The track felt very visual to me—like it had its own world. This atmospheric night time place that was sometimes dangerous, sometimes comforting, then I saw a picture of Ralph and a story emerged. To build it out I asked Malcolm’s family to send me bits and pieces from his childhood, scenes from the town where he grew up, objects, toys from his room—little pieces of his life that I extrapolated outwards and used to inspire the story. In the abstract, it’s meant to be a video about childhood—growing up as an artist and the highs and lows of that experience. It’s sort of a look at the emotional and difficult and perilous but noble path of an artist. ”Stay tuned for more Mac Miller and Faces news soon.

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Last In: 4 years ago
88,70 €
ETHERWOOD - NEON DUST 3x12"

Etherwood

NEON DUST 3x12"

3x12inchNHS441LP
Hospital Records
14.10.2021

”Neon Dust describes the essence of a world just beyond reach, one we often glimpse but can’t sustain. An Ocean in which we rarely dip our feet. When writing this album, I felt in tune with something special, an energy I hadn’t previously known. I was submerged and engulfed in its creation. For me, it’s a journey beyond; into that dancing,
shimmering glow of neon dust.” - Etherwood Melodic master and drum & bass extraordinaire Etherwood makes his album
debut on Hospital Records with his fourth long player, ‘Neon Dust’, following on from the successes of his Med School works ‘In Stillness’, ‘Blue Leaves’, and ‘Etherwood’.

Across twenty tracks, expect signature liquid drum & bass and Etherwood’s own vocal performances with a fusion of folk, rock, indie-pop, techno, downtempo and ambient delights. Alongside his vast range of musical inspiration, Etherwood’s creativity is evoked through his free spirited mindset, exploring the world in his converted van, dedicated to mindfulness and meditation.

With frequent radio support from top-end tastemakers including Annie Mac, MistaJam and Charlie Tee, as well as countless club spins from the likes of Netsky, Sub Focus, Makoto, Degs and Lens, Etherwood’s hugely popular sound takes another step forward in 2021 with his most recent body of work. From topping the iTunes Electronic chart with his second album ‘Blue Leaves’ to performing his very own live session at the prestigious Maida Vale studios, you’ll also be able to find Etherwood at Hospitality Weekend In The Woods, Sundown Festival 2021, ADE Hospitality and Hospitality Bristol this yea

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Last In: 4 years ago
32,65 €
Jaguar Skills - The Savage Planet LP

Welcome to NOPE23. Created by Jaguar Skills. Born from his love of underground Hip-Hop, Funk and Soul, ‘The Savage Planet’ by Jaguar Skills is his label’s first broadcast.

Utilising a band of experienced musicians to create the project, ‘The Savage Planet’ is 8 tracks, 23 minutes and 23 seconds of experimental Hip-Hop Funk, interwoven with official adverts and soundbites direct from the NOPE23 vault.

Featuring the vocal skills of rapper Crimeapple (Soul Assassins), New York MC Johnny Storm, guitar legend Simon Katz (Jamiroquai/ Gorillaz), renowned bass player Zoltan (Erka Badu), flautist Rowen Harwood, alongside the beat alchemist himself; Jaguar Skills.

‘The Savage Planet’ confirms once again, that Jaguar Skills is not of planet Earth.

Stay tuned for more fly sh*t.

NOPE23. For freaks and pencil necked geeks.

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Last In: 3 years ago
16,60 €
Steven Rutter - Close Your Eyes And Breathe

orange marbled vinyl

Steven Rutter, one half of B12, returns to De:tuned with a staggering ode to the 90s UK bleep techno era. Opener "O.L.F. ResPekt" sets the bar with a respectful flashback to the trademark sound. "Rewind 273" follows the path with a pitched down composition that strengthens the rather mellow and floaty vibe. On the flip "Incredible" combines the best of both worlds, a real gem for all bleep and bass fiends in signature B12 style.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

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Last In: 5 years ago
10,88 €
Steven Rutter - Close Your Eyes And Breathe

Steven Rutter, one half of B12, returns to De:tuned with a staggering ode to the 90s UK bleep techno era. Opener "O.L.F. ResPekt" sets the bar with a respectful flashback to the trademark sound. "Rewind 273" follows the path with a pitched down composition that strengthens the rather mellow and floaty vibe. On the flip "Incredible" combines the best of both worlds, a real gem for all bleep and bass fiends in signature B12 style.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

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Last In: 5 years ago
10,04 €
Horace Tapscott conducting The Pan-Afrikan Peoples Arkestra - Flight 17

Horace Tapscott's Pan-Afrikan Peoples Arkestra (P.A.P.A.) was one of the most transformative, forward-thinking and straight-up heavy big bands to have played jazz in the 1960s and 1970s. If P.A.P.A. doesn't have the interstellar rep of that other famous Arkestra, and if the name Tapscott doesn't ring bells like Monk or Tyner, there's a reason why: in an industry dominated by record labels, a band that doesn't record doesn't count. And the Pan-Afrikan Peoples Arkestra didn't record for nearly twenty years. But recording success was never their concern -- they weren't about that. First formed as the Underground Musicians Association in the early 1960s, Tapscott always wanted his group to be a community project.

From their base in Watts, UGMA got down at the grassroots. The group was renamed the Pan-Afrikan Peoples Arkestra in 1971, and soon after they established a monthly residency at the Immanuel United Church of Christ which ran for over a decade, while still playing all over LA and beyond. But they never released a note of music. It was the intervention of fan Tom Albach that finally got them on wax. Determined that their work should be documented, Albach founded Nimbus Records specifically to release the music of Tapscott, the Arkestra, and the individuals that comprised it. The first recording sessions in early 1978 yielded enough material for two albums, and the first release was Flight 17. The album commences with the magnificent title track. It is effectively in three parts. It begins with unaccompanied pianos. Then the ensemble embark on a dense, circular and mechanical movement, a platform for horns and pianos to swoop and dive. We return to Earth with a beautiful solitary flute. The second track, the piano-centric, ‘Breeze’ is different to ‘Flight 17’ in intensity and also brevity but it is quietly as daring as the title track. It concludes with a moving lush wash from the full Arkestra, which sound almost like strings only more substantial. These first two tracks take full advantage of the texture of the unusual mix of the various instruments. Next though, it’s a significant change with ‘Horacio’, which is an exuberant Latin infused jingle. It’s unlike anything else on the album. I like to think it was named after the conductor’s Cuban alter-ego! ‘Clarisse’ gracefully switches between slow blues and bop and is bookended with a grand vaguely East Asian theme. The busy bass line introduces ‘Maui’. As with the previous track, it moves between a number of contrasting melody lines and rhythms but there’s still space for a tuneful sax solo.

This is a must-have album. I think the first two tracks on their own make this release essential. Kevin Ward/UK Vibe/Boomkat

pre-order now08.10.2021

expected to be published on 08.10.2021

30,21 €
Destroy Boys - Open Mouth, Open Heart

‘Open Mouth, Open Heart’ is the Hopeless
Records debut from San Francisco-based punk
band Destroy Boys.

Identifying as majority female, non-binary,
LGBTQA+ and POC, Destroy Boys are known as a
band that uses their platform to be outspoken
advocates for myriad social justice issues,
especially when it comes to racial equality,
LGBTQA+ rights and inclusion for all.

The punk trio have been redefining West Coast
punk and have been embraced by TikTok to the
tune of 20 thousand user-made videos and over
3.5 million views.

In addition to having racked up over 60 million
streams, their music can be heard in 2020's Tony
Hawk’s Pro Skater 1+2 game and upcoming
campaigns for Fender and Starz' Hightown.

The band can currently be seen on Sad Summer
Festival, where they will be sharing the stage with
All Time Low, The Story So Far, The Maine,
Movements and Grayscale.

For fans of FIDLAR, Bikini Kill, Mannequin Pussy.

pre-order now08.10.2021

expected to be published on 08.10.2021

23,82 €
The Wild Feathers - Alvarado

In December of 2020, The Wild Feathers hauled
off to a pre-civil war-built cabin in VanLeer, TN,
where the ideas and songs from ‘Alvarado’ met for
the very first time.

In the past, the band typically liked to collect all the
tunes they’ve written over the past year,
brainstorm, conceptualize and rehearse isolated in
a cabin before heading into the studio.

This time, for their fourth studio album, they
decided to bring the studio to the cabin. The guys
spent a week jamming and creating while having
the ability to capture the performances while they
were fresh.

Produced by the band, ‘Alvarado’ is the truest
representation of The Wild Feathers to date. No
outside musicians, no outside opinions, just them
playing their new songs in a room with the best
mics they could find.

First non-major label release (formerly of Warner
Brothers).
 For fans of Blackberry Smoke, Jamestown Revival,
Langhorne Slim

pre-order now08.10.2021

expected to be published on 08.10.2021

18,45 €
Dynarec - Disenchanted EP

The French electro genius returns to New Flesh Records. Author of a remarkable "Moving Corridors" contribution on the mighty "Elektro Diktators Vol.1 - The French Dissidents" compilation (New Flesh 15) back in 2015, dynArec delivers today on Umwelt's imprint four raw and dystopian slaughters calibrated for maximum impact on the dancefloor.

The title track signs a no nonsense aquatic electro/techno tune a la Drexciya, tinted with melancholic strings and heading Speak n' Spell samples. Pure madness! Cyberpunk "Correlation" goes harder, offering a pounding 4/4 song enhanced by appealing vocoder lyrics and deep synth flights while syncopated "Influoncers" coming next focuses on a more robotic, experimental yet unhealthy approach. Final cut "Clean It Up" concludes the EP on a machine funk note characterised by insane female vocals, distorted chords, relentless bassline and futuristic touch throughout.

Magnetic and emotional, forward thinking "Disenchanted EP" alternates in a minute between very melodic moments and epic hard techno sequences. With roots from both Germany and Detroit, this electro masterpiece sees dynArec in full effect, showing his unique sense of the dancefloor thanks to an incredible use of bass, rhythm and pads that makes the tracks effective and advanced at the same!

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Last In: 16 months ago
8,87 €
BLANKET - MODERN ESCAPISM

Blanket

MODERN ESCAPISM

12inch19439885171
Sony Music
08.10.2021

Blackpool based quartet Blanket release their 2nd full length album on October 8th via Music for Nations. 'Modern Escapism' takes the post rock blueprint of the band’s 2018 debut full length 'How To Let Go' and infuses it with reverberating waves of shoegaze eclecticism and sudden outbursts of savage metal. The record’s sonic palette takes the ethereal fluidity of Slowdive, the vicious down tuned riffs of Deftones and the epic euphoria of Mogwai and coalesced them together into something far more cohesive. A 10 track transparent orange LP.

pre-order now08.10.2021

expected to be published on 08.10.2021

24,50 €
G.T. Moore - Jerusalem – Harry J Cut

* In 1980 Gerald Moore - of G.T. Moore and the Reggae Guitars and Heron fame - was in Kingston, Jamaica working with Lee Perry on the `Return of Pipecock Jackxon’ LP. Gerald went into Harry J’s studio with James Lascelles (Global Village Trucking Company, The Breakfast Band) and Bud Beadle (Ginger Baker & Salt) alongside members of Zap Pow: Don Grant, Cornell Marshall and Dwight Pinkney.
* `Jerusalem’, a meditative and reflective track was one of four tunes recorded.
* Previously released on the `Harry J Sessions’ on Partial Records (PRTLLP001/CD001), this is the first time this cut of `Jerusalem’ appears on 45. Backed with a previously unreleased dub version, mixed by Dougie Wardrop direct from the master tapes.

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Last In: 4 years ago
11,98 €
Wheez-ie - Horizons

Wheez-Ie

Horizons

12inchEVAR006
Evar Records
04.10.2021

Those well-acquainted with Los Angeles-based DJ and producer Wheez-ie can attest to his masterful dexterity both behind the decks and in the studio. For the uninitiated, his forthcoming release serves as another testament to the timely-yet-timeless quality his productions have since become championed for. Finding common ground through an emphasis on genre hybridization, Wheez-ie's latest offering, Horizons, benevolently marks the next entry in the rapidly growing catalog of John Frusciante and Aura T-09's Evar Records.

Set for release on October 1st, this 4-track collection has already received advance support from the likes of Nina Kraviz, Sherelle (with the track "Shut the Door" being featured as part of her official BBC Radio 1 Essential Mix), VTSS, Cera Khin and fellow Evar signee Kilbourne, exemplifying how Wheez-ie's tunes are not only certifiably rave-ready but can find a happy home in DJ sets of all styles.

Drawing influence from techno, industrial metal, darkcore jungle and big beat, Horizons culminates in a fierce exploration of sounds that efficaciously capture the essence of early 90s-era rave through a modern lens that is both perceptive and prophetic. While working from a referential or nostalgic place can be cheugy if not executed properly, the Texas-born producer is at his best when pulling from his encyclopedic knowledge of electronic dance music to provide that 2AM banger the dance floor didn't quite know it needed until the cathartic moment it explodes out of the speakers.

As exemplified by the depth of his discography, including recent additions courtesy of London's THEM imprint (2020's Negative Zone EP) and Perth, Scotland's Craigie Knowes (2020's ONLY HUMAN / WEAPONIZED), Wheez-ie has been fiercely applying pressure and challenging genre tropes from the very onset of his career, and doing so with immense care and understanding of nuanced cultural codes. Prioritizing feeling above genre, Wheez-ie's Horizons brilliantly showcases his multifaceted nature, with each track offering a different side of his dynamic arsenal as a producer and DJ.

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Last In: 4 years ago
10,88 €
SA-ROC - THE SHARECROPPER'S DAUGHTER

Since signing with Rhymesayers in 2015, Sa-Roc has continued to both invigorate and grow her fanbase with a string of singles, accompanied with powerful and visually enthralling music videos, including "Forever", which is nearing 4 million views on YouTube. In that time, she has continued to cultivate and sharpen her skill sets, and now she is set to release her first album for the label. Speaking on the meaning of the album's title and inspiration, Sa-Roc shares, "The Sharecropper's Daughter speaks to my father's actual beginnings on a Virginia tobacco farm where his family sharecropped. The title is meant to signify that both my father's and my upbringing, though so different, are linked by a shared history that informs the way I move through the world. Although his formative years were spent in the Jim Crow era of the south, where he suffered through poverty and racial oppression, and mine were shaped in the heart of DC, amidst the war on drugs and the effects of its fallout, the album finds points of connection in two very different yet tragically familiar stories of Blackness in America. It's a sonic reflection of the things we inherit. About the emotional weight that we unknowingly bestow upon the next generation; the genetic transfer of both trauma and triumph that we, both donors and beneficiaries, are tasked with reshaping into a future of our own." The Sharecropper's Daughter album is entirely produced by a veteran renaissance man from the Atlanta Hip Hop scene, Sol Messiah, with the exception of "Deliverance" produced by Evidence. And, while Sa-Roc's crafty wordplay, razor-sharp delivery and exceptional writing are the prominent highlight, this undeniable quality is only further enhanced by stellar guest performances from a small, but formidable, all-star cast of guests, including Saul Williams, Styles P, Ledisi, Chronixx, and Black Thought. This Fall, Sa-Roc seeks to demand her rightful place at the table amongst rhyme royalty with The Sharecropper's Daughter, at a time when the world is clamoring for powerful voices of substance, along with a patient and attentive fanbase who have already been tuned in, waiting for this moment. The time is finally here

pre-order now02.10.2021

expected to be published on 02.10.2021

23,91 €
Portico Quartet & Hania Rani - Portico Quartet / Hania Rani

Repress!

Portico Quartet / Hania Rani brings the singular Polish pianist and composer, Hania Rani, and East-London based widescreen minimalists, Portico Quartet, together for a unique collaboration.

Label mates, they met when Hania Rani performed at the Gondwana 10 event at the Roundhouse in October 2018, an event that Portico Quartet headlined and which marked Rani's UK debut ahead of the release of her breakthrough album, Esja.

The idea was simple, each artist would select and then rework one of each other's tunes. The result is a beautiful collaborative work that feel less like a pair of straight forward remixes and more like a new recording that brings the two acts distinctive sound worlds to a new place.

The first track is Hania Rani - Nest (Portico Quartet remix), which finds Portico Quartet reworking a track from Rani's most recent album Home. Portico Quartet saxophonist and keyboardist Jack Wyllie says:

'We've been fans of Hania since her first album album Esja, so it was a pleasure to get to work with her. Our remix took fragments of her voice and piano, and from that we extrapolated and composed an almost entirely new piece of music. The result was (hopefully) that her sound world became another instrument in the band…'

On the flip is Portico Quartet – With, Besides, Against (Hania Rani remix), which Rani recrafts with the addition of piano and her own unique vocals.

"Imagine being asked to make a remix for one of your favourite bands? I felt excitement and… mild panic. The idea for this one little rework took me a couple of months! I chose the track With, Beside, Against, which is a beautiful peaceful and broad piece of music with an energetic movement in the middle part. I tried to add a vocal line to it, reminding me of one of Portico's tracks called "Steepless" from their album released back in 2011. The result turned out to be satisfying. I felt it worked really nicely, matching the music in a natural way"

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Last In: 4 years ago
16,77 €
Nebraska - Your Love Is True EP

A1 is that classic Nebraska “This Is The Way” vibe; warm, atmospheric, sample-heavy 21st century disco with a truly euphoric build and release. A2 revises that first tune in a more tripped-out excursion. Both B-side tracks feature a French spoken-word vocal from BeBelle. “Fuis” is a blissed-out slow jam, whilst “Espace Fuis” picks the tempo back up again, adding a celestial choir and a fritzed-out arpeggiator solo.

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Last In: 4 years ago
10,04 €
Humanoid - 7 Songs 12" + 10"

Humanoid

7 Songs 12" + 10"

12inchASGDE034
De:Tuned
01.10.2021

Repress

Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

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Last In: 3 years ago
19,62 €
Humanoid - 7 Songs 12" + 10"

Humanoid

7 Songs 12" + 10"

12inchASGDE034LTD
De:Tuned
01.10.2021

Repress
blue marbled vinyl

Humanoid invades De:tuned with a new and highly anticipated 7 song album of classic acid cuts. Flashback to the '88 acid-house spirit! Brian Dougans embarks on another journey of 303 breakbeat euphoria followed by fast, frantic and beat driven productions. The additional 10" completes the hallucinating trip with 2 floating acidic corkers.

Kevin Foakes (Openmind, DJ Food, Ninja Tune) created all the graphic work. Mastered by Matt Colton at Metropolis and pressed on 180 gr vinyl. A separate digital release will also be available at the usual digital shops. Stay tuned!

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Last In: 5 years ago
21,47 €
Loren Rush - Dans le Sable

Loren Rush

Dans le Sable

12inchR89LP
Recital
01.10.2021

Dans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.

The title piece "Dans le Sable" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”

The second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.

Recital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.

pre-order now01.10.2021

expected to be published on 01.10.2021

25,00 €
Maximum Joy - Stretch

Maximum Joy

Stretch

12inch1972-09
1972-
30.09.2021

Forty years ago, on July 8th and 9th in 1981, a group formed by the splintering of some of Bristol’s essential post punk bands, entered the hallowed studio at Berry Street in London to record their debut single. What would emerge was not only an exuberant post funk classic on the A-side, but also a wildly influential dub workout on the flipside, whose reverberations can still be heard today. Both songs have proven essential in very different ways.

A focal point for the unique punk-funk that was coming together in Bristol as the bridge from the 70s to the 80s arrived, Maximum Joy was formed by Glaxo Babies multi-instrumentalist Tony Wrafter and 18 year old vocalist and multi-instrumentalist Janine Rainforth. Soon they drafted in additional Glaxo Babies in the form of drummer Charlie Llewellin and bassist Dan Catsis, along with guitarist John Waddington, fresh from The Pop Group. The group set about making a one-of-a-kind mix of funk, punk, pop, jazz, dub, soul, afrobeat and reggae; creating a brilliant charge of danceable tunes wrapped around elastic basslines and complex percussion, punctuated by melodic horns and stabs of guitar, all of it highlighting Rainforth’s naturally enthusiastic vocal style.

Bursting at the seams, “Stretch” feels like it can barely be contained within the studio walls. Rainforth delivers a vocal performance that can only be found within the freedom of someone recording their first ever single. I’m not lying when I say there isn’t another song that sounds quite like it. The group’s love of funk is evident on “Stretch”, but the heavy influence of dub and reggae from their surroundings shapes the moody skitter of “Silent Street”. Here, the sing song vocals seem to drift across the heavy late night air. The two songs are wildly different, yet both could only have come from this key collection of players. Paired with the likes of The Pop Group, The Slits, The Raincoats and the On-U-Sound collective, Maximum Joy still stands out as a unique voice in the movement.

Y Records head Dick O’Dell would join the sessions and give the release a warm home in the UK while legendary 99 Records in New York took on the US release since Maximum Joy made perfect sense being equal parts ESG and Liquid Liquid. This 12” has been a staple for DJ’s in the know since day one.

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Last In: 4 years ago
15,08 €
Mach Pelican - Mach Pelican

Originally out on CD only on the legendary 1+2 label from Tokyo, this is the first ever vinyl issue for the Australian-adopted Japanese punk band Mach Pelican. Ripped jeans, leather jackets, 14 short and sharp 3 chords tunes. PunkRock to the bone! Featuring the single "Dance in Chicago" and a cover of The Queers’ classic "Ursula Finally Has Tits". Cover art by Ray Ahn from the Hard Ons. Double-sided lyrics insert included. Limited to 300 only, on yellow vinyl!

pre-order now30.09.2021

expected to be published on 30.09.2021

23,49 €
Bass Température - Afterlife

Afterlife is a brilliant minimal kicker. Then comes Disorder, a massive downtempo hardtek tune, melodious and progressive.
Fading brings a nice minimal sound, growing to acid .
Déréliction finishes the job with a very Acid threatening sound staying behind the door...

A dancefloor killer !

pre-order now30.09.2021

expected to be published on 30.09.2021

10,71 €
Dj Rap - Divine Rhythm Remixes EP

Divine Rhythm is an undisputed classic, and here we have a couple of wicked new mixes and an unreleased mix too! Dj Rap teams up with Dope Ammo and Jasmine Knight to give this classic tune a new, upfront jungle lick. Meanwhile, the Feel the Pressure mix is an old and much sought after remix finally getting its place on vinyl!

Club / DJ Support
Jay Cunning, Ray Keith, Nookie, El Hornet, Billy Bunter, the Fat Controller, Liquid, Hyper On Experience, Glowkid, Slipmatt, Dj Jedi, Dj Luna-C, Dj Brisk, Jimni Cricket, Bustin, Sc@r, Doughboy, Saiyan, Dave Skywalker, Ponder and many others

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Last In: 4 years ago
12,56 €
Aston Presents Pirate Jams & Quicklung - U Know The Score / 4EVR

Back in 1993, Aston was the one half to the SUBURBAN BASE act 'Rap and Aston' as well as part of 'Engineers Without Fears' and earlier 'The Blapps Posse', he then went on to form the hugely successful group 'The Freestylers'. He produced for artists such as Rebel MC and created some of the Sub Base classics which include Vertigo, More Time, Jeopardy and is now back with a brand new release of old skool inspired bangers to launch a new era of Boogie Times Records.

First up Aston introduces Pirate Jams with the the stunning ‘U Know The Score’, from the very first old skool lead stab and catchy vocal you know that here is a tune from a master of their craft, with all the years of experience and success condensed into one tune to make the definitive early 90's vibe with and updated twist. This has instant classic and future anthem written all over it, fingers crossed we get out and about to hear this at raves across the summer.

Next up is '4EVR' alongside Quicklung, a bolder driving piece of old skool inspired genius, from the early days of rave almost an 89/90s Belgium import vibe to it for those that 'Know The Score' as the A side says!

Grab yourself a piece of future history now whilst rather than hunting discogs two years from now lol

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Last In: 2 years ago
12,40 €
Lack Of Afro - Music For Adverts

A Wide ranging, eclectic and progressive musical outlook has always been the Lack of Afro approach. His latest material follows suit as he harnesses disparate musical styles ranging from funk, soul and hip-hop to create a contemporary yet vintage musical escapade of superb songs.


On his 4th studio album for Freestyle Records, the influences, sounds and musical textures are more eclectic than ever. Below, Adam talks us through some of the his favourite moments on 'Music For Adverts'.


First out of the box is the steaming funk killer Freedom: This time around I knew I didn't want an intro or a skit to start the album - I needed a strong, heavy opener - I had the melody for the chorus floating around in my head. It was then just a case of working with Jack Tyson - Charles on the rest of it and getting the vibe that the song required.


Long time Lack Of Afro collaborator Herbal T features on Brown Sugar: I had an idea of doing a disco track with an emcee on it, which you don't really hear often. This is actually the first time I've sung on a Lack of Afro track, adding my backing vocal warblings on the choruses! Special shout to George Cooper for the howlin' Hammond solo at the end too.


Of the gritty instrumental No Guts, No Glory Adam explains: I wanted to include 3 instrumentals as I always have a soft spot for them & it's what people know me for. The 'choir' was recorded by layering up my own voice in different octaves, nothing is auto-tuned, its all real. The studio allows me to do stuff like that but I could never sing live - I'll leave that to the proper vocalists.


'Proper vocalist' Jack Tyson - Charles again features on The Gypsy, which as Adam explains uses the classic song format to great effect: One of my favourite LOA tunes to date, Its in keeping with the album mission statement of wanting to write 'proper songs' instead of just grooves.

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Last In: 4 years ago
19,29 €
MariJah & Unlisted Fanatic - Consciousness / Conscious Dub

All Nations Records come again with a proper 7inch full of roots flavour. The man at the control of the label, Simon Nyabinghi, here calls out the talent of Belgium producer Unlisted Fanatic who
deliver once again a heavy riddim track, topped up by some deep horns arrangement from the Moonshine Horns. The riddim is sufficient by itself so when you hear the deep melodical voice of
MariJah on it with her uplifting lyrics hailing for more consciousness in this world, it ends up with a wonderful tune that surely will convince every great selector to put it on their deck now and for years
to come. Once again, just flip the records over to get the full dub treatment. This is roots dub music at its best.

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Last In: 5 years ago
7,35 €
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