"Hyaline" is the debut album from Ohio-born, Oakland, CA-based artist and songwriter, Maria BC. Their classically-trained mezzo-soprano voice soars over raw, etherial guitars; audio samples from Prospect Park - now almost unrecognizable - settle alongside tender, transformative harmonies. Mixing together different sessions, tracks recorded directly into their phone and samples collected over the years, Maria BC likens "Hyaline" to a "sonic collage." It"s a project of patience and trusting the process.
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Black Vinyl[21,81 €]
LTD ETERNAL RETURN ED.
Somewhere between the late 1990s and the early 2010s, the rif largely disappeared from mainstream rock & pop. Its transformative power - the rif as a means to transport the listener into another dimension - became an art cherished only in the underground of rock and metal. One of the strong proponents of that transformative power is ASTROSAUR, an overlooked gem in the international heavy psyche rock and post- metal scene. The Norwegian power trio has been employing the rif as their principal mode of transport since their 2017 debut album Fade In // Space Out. Now, with the release of their third album Portals, ASTROSAUR are sounding more expansive and convincing than ever, delivering an intuitive exploration of the infnite powered by soaring guitars and surging grooves. With their third full-length album, ASTROSAUR have delivered an incredibly diverse and musically challenging and satisfying experience, showing that this band is greater than the sum of its truly great parts. Over the course of fve tracks and 48 minutes, the band use the best traits of the aforementioned genres to take you on a sonic journey into the deepest caverns of space and time. First single «Black Hole Earth» is masterclass soaring post-rock guitars, with its magnifcent main melody, which is ofset against a blistering desert rock rif, like a star ship phasing in and out of hyperspace, alternating between crushing your guts and showing you the most marvellous views of deep space. From a compositional viewpoint, «Eternal Return» is a mind-blowing afair. This giant psychedelic prog epic has been built from diferent themes and motifs that take turns in appearing, shifting form and developing as they go along. Segueing into new themes or returning to earlier ones, «Eternal Return» gloriously comes full circle, ending the mind-boggling journey of Portals. With the addition of vibraphones, Moog and acoustic guitars, the sound of ASTROSAUR is fuller and more diverse than ever before. From the soaring overture of «Opening» to the glorious fnale of «Eternal Return», Portals shows the next great post-metal band at their most accomplished. Fans of dynamic rifs and intricate compositions can once again rejoice as they're able to tune in and fade out once more with another wild ride courtesy of this exciting Norwegian powerhouse. Limited Eternal Return Vinyl Edition!
- 01: My Revenge
- 02: Dope Money
- 03: Be My Fuckin Whore
- 04: Suck My Ass, It Smells
- 05: Dog Shit
- 06: Wild Riding
- 07: Sleeping In My Piss
- 08: Anti-Social Masterbator
- 09: Last In Line For The Gang Bang
- 10: Die When You Die
- 11: Commit Suicide
- 12: Crash And Burn
- 13: Outlaw Scumfuc
- 14: Caroline And Sue
- 15: Cunt Sucking Cannibal
- 16: Family
- 17: Young Little Meat
- 18: I Wanna Kill You
- 19: My Bloody Mutilation
Ltd indie exclusive vinyl version of "the best" GG Allin studio album, originally released in 1988 pressed on shit colored vinyl Vinyl edition of what is probably GG Allin's greatest studio album. This was GG's fourth album when it was originally released on Homestead Records in 1988."Die When You Die" is arguably the most famous GG Allin song and this album features the original, best version of the live warhorse. . It also includes GG's rewrite of David Allen Coe's "Longhair Redneck" titled "Outlaw Scumfuc." The punkest man alive (at the time) at his peak. Pressed on blue and bile colored vinyl, sounds interessting...
LTD TO 500 COPIES.
JD Twitch loves Cumbia. The more out there it is the better and Crees Que Soy Sexy is pretty far out. It had been a secret track in his DJ sets, that has caused people to freak out, for many, many years.
Ten years ago he did an edit of it but always felt he could have made it better; it is not often one gets second chances, but here is a second chance to do it again! Everyone knows the Rod Stewart version of this song but of course Jorge Ben came up with that melody originally and Rod then used it, only for it to return to South America with this cover version. It feels like the true ownership of this song belongs to South America and we in Europe are just borrowing it.
Death Is Not The End launch sub-label 333 with a first-time vinyl reissue for the late Devon Russell's Darker Than Blue LP - put together as a tribute to the great Curtis Mayfield. First issued in 1993 but featuring material originally recorded as far back as 1979, the collection includes a cast of prominent players across it's 10 tracks - featuring musical contributions from Sly Dunbar, Aston "Family Man" Barrett, Earl "Wire" Lindo, Dean Fraser, Bobby Ellis, Leroy "Horsemouth" Wallace, Prince Lincoln Thompson and many others - plus production & arrangment from Earl "Chinna" Smith, Sly Dunbar & King Tubby's Firehouse Crew alongside Russell himself. Limited to 333 copies.
"The concept for Darker Than Blue dates back to 1979. Returning from South Amerrica with my partner (in duo Lloyd & Devon) Lloyd Robinson, we did "Red Bum Ball" which had been a massive hit in the 60's. It was around this time that Earl Chinna Smith (of The Wailers and Soul Syndicate fame) approached me with the idea of re-making some Curtis Mayfield songs. "Darker Than Blue" was the first track we did, followed by "Move On Up" in 1981, both of which received great reviews.
On returning to Jamaica from a UK tour in 1986, my good friend King Tubby had taken on five men from my school of music, from which the Firehouse Crew were born. Within 3 years they had matured to become Jamaica's No.1 instrumental band, winning the Rockers award. Then in the spring of 1990, together we managed to record the album "Money, Sex & Violence", during a tour of the UK & France, on which we did Mayfield's "Give Me Your Love". The track was played to Steve Barrow who suggested we do more Curtis tracks.
Sly Dunbar and I have known each other for as long as I can remember. We grew up in the same hood and used to jam regularly in our youth. I told Sly about the further Mayfield tracks I wanted to do and he agreed that it would be a good idea. So Sly, myself and The Firehouse Crew went to work at the Leggo Studios in Kingston, Jamaica and created the remaining tracks for the Darker Than Blue LP, a tribute to Curtis Mayfield.
We grew up on the sounds of Curtis Mayfield and The Impressions. Everyone in Jamaica loved them. His death was a terrible thing, but while there is life, there is hope."
- Devon Russell, 1994.
333, under license from Prestige Elite Records Ltd.
Lobster mainstay and breakbeat wizard Coco Bryce follows up last year's Deep Into The Jungle EP and a wicked label-artist clothing collaboration with four varying cuts of 160 energy; spanning half-time chops, devastatingly beautiful jungle and lounge-bar breakbeat aesthetics.
Eagle-eared listeners will have listened to these already through the Dutch producers Balamii Radio show, where he has welcomed fellow label regular Amy Dabbs and footwork-jungle flag flyer Sherrelle recently. Through various aliases and musical projects Coco Bryce has always had an infatuation for bass-heavy sound, and the last couple of years have seen him settle quite nicely into one of jungles finest contemporaries alongside the likes of Sully and Tim Reaper.
‘D.L.P’ showcases this wicked ‘n’ rough energy brilliantly; old-school movie samples add a degree of depth and emotion to whiplash breaks and eerie pads before ‘Velocity Of Love’ takes us on a romance-induced trip through arcade-style keys and driving percussive beats. An explosion of love and lust in the club.
‘Twenty One Lies' swaps the club setting for a dimly lit bar in Peckham; jazz influence shines across this energetic yet home-listening ready cut of breaks, before ‘Wuthering Heights’ half-time identity transports us to the roof of the building, peering through the concrete jungle as dark turns to light.
Six Nine Records Ltd. UK proudly presents the fifth release for Howard Johnson on the label! “You’re My Star” is another winner from the man who, together with Kashif, brought boogie-funk to the forefront of popular soul music in the UK (and probably the rest of the world as well). The track is written by no one less than Leon Sylvers III and on the flip we find the laid back and smooth Yardley Mix. Definitely not to be missed as it is a limited UK press with full colour printed picture cover!
White Vinyl
Wiederveröffentlichung des im Jahr 2014 erschienenen siebten Albums der schwedischen Hardrock Legende. Die limitierte Neuauflage erscheint auf weissem Vinyl inkl. Bonus Track sowie neuen Liner Notes von Astral Doors Sänger Nils Patrik Johansson.
"Notes From The Shadows" (das siebte Album der Band) führt uns zu der dunkleren Seite der Band mit einem näheren Blick in die schwarze Bibel. Ein rein böses Heavy Metal-Album, das die okkulten Texte zum klassischen Heavy Metal zurückbringt.
Elf außergewöhnliche Tracks, gemischt und gemastert im Black Lounge Studio in Grangärde von Jonas Kjellgren (Raubtier).
"Notes From The Shadows" hat sich als ein großer Schritt in der Karriere der Band erwiesen und wird nun als Ltd. Edition White Vinyl wiederveröffentlicht.
- 01: Need Me
- 02: Don't Try And Change My Plan
- 03: London Rasta
- 04: Sensation 21
- 05: Sensi
- 06: Oxygen Theif
- 07: Your Time Is Over
- 08: The Wizard
- 09: Rising Sun
- 10: Newman Electric
- 11: Special Opps
- 12: The Way Of The Dragon
- 13: Feel The Love
- 14: O.o.t.d.i.t.l
- 15: Masters Of The Universe
- 16: Dark World
- 17: Outer Space
- 18: Last Days Of Summer
- 19: Sinister (Martyn Nytram Remix)
- 20: Dread Jungle Techno (Bladerunner Remix)
Dread Recordings is very excited to present the Limited Edition USB of the forthcoming album from Dark Soldier 'Stand Up'.
Not due for full release until the end of 2022 this USB edition contains 20 TRACKS, including 5 EXCLUSIVES that will never be available anywhere else.
This USB is available on a first come first served basis and once sold out, will not be made available again!
George Riley ist der am wenigsten kategorisierbare neue Star der Londoner Musikszene. Mit ihrer rauchigen Jazz-beeinflussten Stimme webt sie sich durch Produktionen mit Anleihen aus Jungle, R&B und Ambient. Auf ihrer 8-Track-EP 'Running In Waves', einer neuen Zusammenarbeit mit dem Produzenten Vegyn, schreibt sie mit großer emotionaler Ehrlichkeit über Beziehungs- und Versagensängste und ihre Liebe zu Camper-Schuhen. George arbeitete bereits mit ANZ, Joe Armon-Jones, Lex Amor und Oliver Palfreyman zusammen. Ltd. Auflage.
Hier gibt's nun endlich neue Hymnen aus Hamburch!
Kein Einheitsbrei, ganz ohne musikalische Grenzen und genreübergreifend, mit jeder Menge Spaß, Ironie, Pausenspielereien und Texten aus dem normalen Leben und dessen Wandel.
Doch keine Sorge, die Jungs bleiben 'Assi & Charmant' mit klaren Aus- und Ansagen. 8 Jahre, 4 Kinder, 2 Hochzeiten und einer überarbeiteten Bandbesetzung nach dem letzten Album erscheint nun ein schwungvolles und abwechslungsreiches Musikwerk mit 14 Ohrwürmern und einer Ouvertüre. Das neue Album - 'Kackband... Aber Bunt!'
- Ltd. LP (Clear Splattered Vinyl)
NYC based singer, multi instrumentalist and prolific producer Heidi Sabertooth brings her experimental and grungy sound to the fore, with a fierce EP examining the grainiest textures in dance music. It's been over three years since she brought her unique brand of raw techno to the underground, and now Heidi deepens her relationship between art and modern-day living in a blend of controlled chaos.
Opening track 'Screaming Into The Abyss' does exactly that, with its use of muddled voices and melancholic allure, glued loosely together with vintage acid and the producer's deep love of hardware. There's a playfulness to follow up 'Slide Into My DM', Heidi's elements seemingly communicating telepathically in a game of mutant-chess. Grooves and otherworldly dynamics flux and spill while splashes of reverb make it anything but predictable.
B side opener 'Pissed' maintains this raw aesthetic, sounding both mechanical and free-flowing with its foreboding melodies, melting between heavy bass and screeching pads; remaining functional but full of beautiful, unconventional touches. The record comes to a close with title track 'Insane In The Cat Brain' a disorientated affair encapsulating the restlessness and uncertainty of our times, spearheaded by an artist never afraid to take risks.
On in february, Isik Kural works like a photographer of sound, documenting the passing and returning of time as if material snapshots of life's temporality. Across the album's twelve songs, each composed from chance loops and cocooned within the soft container of Isik's memorable voice and melody play, time is held on to hopefully, impossibly, eternally.
Born in Istanbul, Isik studied music engineering at the University of Miami, alighted in New York City, and eventually settled in Glasgow, immersing in a sound design masters and audiovisual practice. While these paths guided him between different projects and cities, a voice was simultaneously growing inside the artist, informed by a vision of the world in its everyday luminosity. This voice was expressed in the lyrical and instrumental waves of 2019's As Flurries, a cassette collection for Italian label Almost Halloween Records.
Isik Kural's in february will be released on October 15, 2021 on vinyl, cassette, compact disc, and digital formats. On behalf of Isik, a portion of the proceeds from this release will benefit Turkiye Egitim Gonulluleri Vakfi, an organization that creates and conducts workshops, educational training programs and after school programs for children across Turkey.
LTD. RED VINY
Guitar and bass duo Gong Gong Gong charge out from Beijing's underground scene with a distinct vision and uncompromising sense of purpose. The duo taps into a wavelength uniting musical cultures, drawing on inspirations as wide-ranging as Bo Diddley, Cantonese opera, West African desert blues, drone, and electronic music.
Despite the band's decision to eschew traditional rock percussion, on their debut LP Phantom Rythm, the locomotive chug of Tom Ng's guitar combines with Joshua Frank's thumping, harmonics-laden basslines to conjure an aura of ghostly snare hits and timpani overtones. Over Frank's enigmatic melodies, Ng sings in Cantonese, piecing together abstract tales of absurdity, doubt, desire, and lust. Synchronized to the point of near-telephathy, "the Gongs" use their minimalistic tools and idiosyncratic playing style to challenge the notions of rock n' roll and strip the form down to its bare essentials: rhythm, melody, and grit.
Augen zu und durch und Du wirst schon sehen...das Leben geht weiter!" Ja klar, aber wenn man dazu noch die richtige Musik als steten Begleiter hat, lebt es sich gleich noch um einiges entspannter.Gerade in diesen nicht ganz einfachen Zeiten kommt die neue Scheibe von Emscherkurve77 genau zur richtigen Zeit und meistert diesen Anspruch so treffsicher in Lyrics & Sound dass wir öfters beim Hören innehielten und dabei ertappt fühlten, woher Jemand weiß, was so in einem vorgeht. Die Ruhrpott-Institution ist zurück und was mit "Buch des Lebens" und "Brandgefährlich" schon in Punkto Weiterentwicklung, Maßstäbe und Ansprüche an sich selbst abzusehen war, schlägt trotzdem die Erwartungen um Längen!Doch das wichtigste zuerst: Emscherkurve77 sind und bleiben eine Punkband! Und ähnlich wie seinerzeit Green Day mit "American Idiot" darf Punk auch fernab des üblichen Schema´s mit 3 Akkorden und 3 Minuten die üblichen Wege spielerisch erweitern ohne abzubiegen.Genau das tut "Augen zu und Durch"! Unverkennbar Emscherkurve77 aber 4 neue, exklusive Lieder, die nicht mehr aus der Kurve kommen, sondern Ecken und Kanten mit jeder Menge Lebenserfahrung haben! Meilenweit vom oftmals weinerlichen Emo-Punk entfernt und mit Songs wie "Wieder Zwanzig sein", "Pirat" oder "Am Boden" oder dem Titelsong nicht kalt lassen! Rückblick - nach Vorne sehen - (das Leben) genießen! Wie ein gutgereifter Wein, der im Regal neben einem Sixpack Craft-Bier steht! Ein großartiger Vorbote auf den in 2023 erscheinenden neuen Longplayer "Stimmen der Stadt"! Halbclear in lumi-blue mit black angemischt wird sie durchlässig und gibt das weiss gedruckte Motiv erst richtig preis! Dazu ein 350gr. inside/out Cover, Inlay und ein Schmuckstück in dem Plattenregal.Offset printed B-side LP
Im September und Oktober 2021 begaben sich Steve Hackett und seine Band auf ihre erste Tour seit fast zwei Jahren. Dieses Mal brachten sie das legendäre Genesis-Live-Album 'Seconds Out' in vollem Umfang zum Leben, neben einer Reihe von Solo-Favoriten und Titeln aus Steve Hacketts jüngstem Studioalbum 'Surrender of Silence'. Aufgenommen und gefilmt in Manchester am 24. September 2021, zeigte sich die Band in unglaublicher Form, als sie Tracks wie 'Squonk', 'Supper's Ready' & 'The Lamb Lies Down on Broadway', sowie Solostücke wie 'Every Day' & 'The Devil's Cathedral' zum Besten gaben. 'Genesis Revisited Live: Seconds Out & More' ist ein brillantes Dokument der triumphalen Rückkehr der Band auf die Bühne. Erhältlich als Ltd. 2CD + Blu-ray sowie als Ltd. 2CD + 2DVD im Digipak, jeweils mit Bonusmaterial und 5.1 Surround Sound. Auch erhältlich als Ltd. Gatefold black 180g 4LP+2CD & LP-Booklet.
To Move is a new project by the trio of Anna Rose Carter (Moon Ate the Dark), Ed Hamilton (Dead Light) and Alex Kozobolis. Four-handed piano meets analogue manipulations to absolute wondrous effect from the London based friends.
We´re carried into a time and place not afraid to embrace a sense of optimism - even if it comes wrapped in a certain distorted shape. Transporting, blissful tones emanate free of concerns from the unifying keys; at least until the melodies are pulled and dragged from purity to become something wholly else – their own lived life; fitted with obstructions and unpredictability. The intertwining pianos linger like lovers in unison, full of drift, rhythm and life; all while analogue electronics and tape manipulations degrade and move them from their original form and closer towards earth itself.
The album came to light while Anna and Ed were temporarily residing in the English countryside between 2016 and 2019. Musical weekend visits from Alex turned into the fruitful collaboration presented here. 'To Move' is a compelling musical storyboard with a name that captures the essence of their music better than any written essay could do. This is music to resonate to, music to dance to, music to engulf your being. As for fans of the Sonic Pieces sound – if there is one – this record hits as close to home as it could do.
Neuauflage des gesuchten Disharmonic Orchestra Albums "Not to be Undimensional Conscious" aus dem Jahre 1992.
Wenn man über Progressive / Death Metal geht, dann dürfen DISHARMONIC ORCHESTRA aus Österreich nicht unerwähnt bleiben. Mit "Not to be Undimensional Conscious" beschritt die Band 1992 neue, avantgardistischere Wege, ohne dabei ihre Death Metal Wurzeln in Vergessenheit geraten zu lassen. Die einzelnen Songs des Albums zeichnen sich durch eine selten in dieser Form erlebte Verrücktheit aus jedoch ohne den Blick auf das Gesamtkonzept zu vernachlässigen. Disharmonic Orchestra gelang es mit diesem Meisterwerk avantgardistische, progressive Elemente mit Death Metal aus der Frühphase der Band zu verbinden. Nun erscheint dieser längst vergriffene und in der Szene hoch gehandelte Meilenstein erstmalig im hochwertigen Ltd, Edition Vinyl in Mint bei Metalville Records.
Reissue of the vinyl in a transparent blue ltd. edition !








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