TEE MANGO is the alter ego of Millionhands' founder Tom Mangan
and IMPERFECTIONS VOL. 1 is his debut Long Playing record.
After the success of his Theo Parrish inspired TRIBUTE 12s TEE MANGO returns
with IMPERFECTIONS VOL. 1.
Early support on this coming from: Caribou, Leon Vynehall, Axel Boman,
Tim Sweeney, Moxie, Wolf Music, Laurent Garnier, Kornel Kovacs
and a selection of others.
IMPERFECTIONS VOL. 1. is a celebration of off kilter electronic music.
Featuring vocal contributions from FEMME aka Laura Bettinson of Nigel Godrich's ULTRAISTA, and the Edo Van Breemen of Canadian pysch wizards Brasstronaut.
Full of pleasantly discordant musical mistakes and loose sample-laiden coincidences.
Fill your boots. x
Suche:u k
- A1: Raffaela Renzulli - Asking Eyes
- A2: Candeias - Managua
- A3: Minas - Calma Mulher
- A4: Quarteto Uai - Marcas
- A5: Ary Lobo - Nêgo São
- B1: Hardkandy - Dunks
- B2: Ed Motta - Daqui Pro Méier
- B3: Piri Reis - Ceu Da Managua
- B4: Lucas Santtana - Dia De Furar Onda No Mar
- B5: Jackson Do Pandeiro & Almira - E So Balanco
- C1: Skymark - Boa Noite Meu Filho (Mental)
- C2: Penha Maria - Você Balança O Meu Coraça~O (Ou Sol Demais)
- C3: Kate Ceberano - Like Now
- C4: Os Originais Do Samba - Canto Chorado
- C5: Deodato - Skyscrapers
- D1: Nathan Haines - U See That
- D2: Azambuja & Cia - Tema Do Azambuja
- D3: Fafá De Belém - Naturalmente
- D4: Jazzanova - Gafiera (Instrumental Trio Version)
- A1: Freddie Mckay - Going
- A2: Cornell Campbell - Hear Me Now Star
- A3: Horace Andy - The Children
- A4: Johnny Clarke - No Lick No Cup
- A5: Linval Thompson - Trouble
- A6: Yabby U - Stand Up And Fight
- A7: Johnny Clarke - Leggo Violence
- B1: Jimmy Riley - Living In Fear
- B2: Cornell Campbell - Your Company
- B3: Locksley Castell - Some Good
- B4: Wayne Jarrett - Judgement Time
- B5: Linval Thompson - Di Wicked Dem
- B6: Ronnie Davis - Tonight
1973-1976 was a period in Reggae's history when the music coming from Kingston,Jamaica was at its peak.
So many talented singers,who sang soulful/righteous songs found their way onto tape.
Maybe it was the competition between the studios like Randys,Channel 1 and Harry J's and the quality of the singers available to sing these tunes.But whatever caused the explosion the mighty voices of Horace Andy,Cornell Campbell,Johnny Clarke and Ronnie Davis never sounded better....
The tracks as you can see here were culled together from sessions recorded at the fore mentioned legendary studios.Then taken to King Tubby's home style studio at 18 Drummlie Ave in the Waterhouse district of Kingston.This is where the great Dubmaster himself would record the vocal tracks.
A method in which he preferred to work and then mix the tracks Tubby style...We have travelled to Jamaica and listened to hours of master tapes to bring this set to you.
So please sit back and enjoy what we believe to be a wicked set by Kingston's finest..
ALLSTARS one and all........
One more tiem Mr.Tubby if you please ..roll that tape....
- A1: Intro
- A2: Conant Gardens
- A3: I Don't Know
- A4: Climax (Girl Shit)
- A5: Jealousy
- A6: Hold Tight
- B1: Tell Me
- B2: What It's All About
- B3: Forth & Back
- B4: Untitled/Fantastic
- B5: Fall In Love
- C1: Get Dis Money
- C2: Raise It Up
- C3: Once Upon A Time
- C4: Players
- C5: Eyes Up
- D1: 2U4U
- D2: Cb4
- D3: Go Ladies
- D4: Thelonius (Bonus)
- D5: Fall In Love (Remix)(Bonus)
The contributions of the late Detroit producer James DeWitt Yancey -better known to the world as J Dilla- to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. (A label they themselves have rejected.) After the success of Slum's 1997 studio debut, Fan-Tas-Tic Vol. 1, the group went to work on their follow up. Though the project was completed in '98, label turmoil kept the project on ice until 2000. By the time Fantastic Volume II hit Dilla was well on his way to his status as a hip hop legend having produced cuts for Common, Busta Rhymes, Erykah Badu, A Tribe Called Quest and many more. Later works from Slum Village may have had more of an impact sales-wise (in the immediate) but Fantastic Vol. 2 had fans and many critics saying that Slum Village, and Dilla in particular, may single-handedly save rap music.' Perhaps that statement is hyperbole but many consider Fantastic Volume II to be Slum Village's finest work ever to this day. Ne'Astra Media Group now presents the album reissued on vinyl, for the first time in several years. Every wobbling bass note of J Dilla's production has been preserved to maintain the legacy of this hip hop rap classic and maintain the legend of one of hip-hop's greatest beatsmiths.
- A1: Christopher Tracy's Parade
- A2: New Position
- A3: I Wonder U
- A4: Under The Cherry Moon
- A5: Girls & Boys
- A6: Life Can Be So Nice
- A7: Venus De Milo
- B1: Mountains
- B2: Do U Lie
- B3: Kiss
- B4: Anotherloverholenyohead
- B5: Sometimes It Snows In April
- 1: Roland Alphonso & His Alley Cats - Jerk Pork
- 2: Neville Esson - Lover's Jive
- 3: Monty & The Cyclones - Lazy Lou
- 4: Owen Gray - Get Drunk
- 5: Monty & The Cyclones - Dog It
- 6: Clancy Eccles - More Proof
- 7: Tommy Mccook & The Skatalites- Exodus
- 8: Clue J And His Blues Blasters - Swanee River Rock
- 9: Delroy Wilson - Spit In The Sky
- 10: Roland Alphonso - Federal Special
- 11: Owen Gray - Grandma Grandpa
- 12: Don Drummond - Cuban Blockade
- 13: Theophilus Beckford With Clue J & His City Slickers - Little Lady
- 14: Tommy Mccook - Away From You
- 15: Clancy Eccles With Hersan & His City Slickers - I Live And I Love
- 16: Roland Alphonso & His Alley Cats - Hully Gully Rock
- 17: Delroy Wilson - Lion Of Judah
- 18: Tommy Mccook - Two For One
- 19: Toots & The Maytals - Sweet Sweet Jenny
- 20: Roland Alphonso - Grand National
- 37: Don Drummond - Mr. Propman
- 21: Owen Gray With Hersan & His City Slickers - Sinners Weep & Mourn
- 22: Tommy Mccook - Peanut Vendor
- 23: Toots & The Maytals - Shining Light
- 24: Lascelles Perkins With Clue J & His Blues Blasters - Lonely Moments
- 25: Toots & The Maytals - Six And Seven Books Of Moses
- 26: Cecil Lloyd - It Happens
- 27: Bunny & Scully - Don't Do It
- 28: Don Drummond - Scrap Iron
- 29: Lascelles Perkins And Clue J & His Blues Blasters - Creation
- 30: Tommy Mccook - Don't Slam The Door
- 31: The Rhythm Aces - Joybells Of Independence
- 32: Roland Alphonso - Jack Ruby
- 33: Toots & The Maytals - Hallelujah
- 34: Bob Marley & The Wailers - Habits
- 35: Frank Anderson & Tommy Mccook - Wheel And Turn
- 36: Busty & Cool - Kingston To Mo'bay
- 38: Higgs & Wilson - Mighty Man
- 39: Tommy Mccook & Roland Alphonso - Trotting In
- 40: Bunny & Skitter With Count Ossie And His Wareikas - Cool Breeze
- 41: The Mellow Larks - Light Of My Life
The Sound Of Young Jamaica - More Early Cuts From The Vaults Of Studio One 1959-63
This is the second collection to bring together many of the visionary producer Clement 'Sir Coxsone' Dodd's early recordings made with Jamaica's most exciting young artists and musicians who helped define the world of reggae music over the decades following Jamaican Independence. These recordings were made when Sir Coxsone ruled the dancehalls of Kingston in the late 1950s and early 1960s with his number one Downbeat Sound System, where songs were tested out on dub plates at a dance to see a crowd's reaction - the most popular of which were then released commercially. Featuring early material by Roland Alphonso, Don Drummond, Tommy McCook (all of whom would form The Skatalites), Toots and The Maytals, young singers such as Bob Marley and The Wailers, Delroy Wilson, Owen Gray all captured in their formative days. The music here spans a wealth of styles - Jamaican rhythm and blues, jazz, gospel, proto-ska, Rastafarian - all of which were drawn upon to create the future sounds of Jamaican reggae that Sir Coxsone and the artists featured would soon create at Studio One which opened its doors in 1963. This collection is released on heavyweight triple-vinyl plus download code and double CD with slipcase. Sleevenotes and text is by the author Noel Hawks.
- A1: Pascal Comelade - Mouvement Decompose D'un Coup De Marteau
- A2: Stereo - Moonshine
- A3: Francis Lai - Young Freedom
- A4: Rosebud - Main Theme From More
- A5: Queen Samantha - Take A Chance (Remix - Instrumental Edit)
- B1: Nicolas Peyrac - Rite
- B2: Heldon - Les Soucoupes Volantes Vertes
- B3: Roger Roger - Vadrouillard (3)
- B4: Arpadys - Monkey Star
- B5: Video Liszt - Fade In Hong Kong
- B6: Pierre Porte - Love Is All
- C1: Richard Pinhas - Ruitor
- C2: Christophe - Harp Odyssey
- C3: Grand Prix - Grand Prix
- C4: The Peppers - Pepper Box
- C5: Joel Fajerman & Jan Yrssen - Asteroide
- C6: Moon Birds - Cristal No 3
- D1: Araxis - Theme D'araxis (Instrumental)
- D2: Anarchic System - Pop Corn
- D3: Georges Rodi - Indian Love Melody
- D4: Michel Magne - Signaux Codes Non Identifies
- D5: Pierre Schaeffer - Moins Banal (Interlude - Ou Impromptu)
- A1: Stealth Intro
- A2: Greezebloc
- A3: Meditation Ft Arca
- A4: Escrow
- A5: Shook
- A6: Motivation
- A7: Prolific Deamons
- B1: Platinum Cookies
- B2: Esco Freestyle
- B3: Stealth
- B4: God Hour Ft Micachu
- B5: N.a.z
- C1: Juice
- C2: Hells Angles
- C3: Killuminatti
- C4: Escrow 2
- D1: Deep Ft Arca
- D2: Escrow 3
- D3: The Realness
- D4: Flames
- D5: Snm Ft Arca
- D6: Stealth Outro T
- D7: Message
London's Babyfather are back with the debut full length follow up to the street classic 'Meditation'. "BBF" Hosted By DJ Escrow. 'Without a doubt, I guarantee that it will be in rotation at every club, at every party and coming out the speakers of every car ...this makes me proud to be British ' Idris Elba.
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Slipping Control derives from the text piece "Tztztztzt Î Í Í...." wrote last year by Ben Vida (and published as a book by Shelter Press). Composed to act as a score, a sound piece and as raw data for electronic control source, Tztztztzt Î Í Í... became the intrinsic element that tied all different pieces of art made by Ben Vida.
- A1: Less Of Me
- B14: The Closet
- A2: My Eyes
- A3: Popularity Is So Boring
- A4: Orphans
- A5: Eliminate By Night
- A6: Freud In Flop
- A7: Burning Rubber
- A8: I Woke Up Dreaming
- A9: Crown Of Thorns
- A10: Baby Doll
- A11: Race Mixing
- A12: Don't Talk About Love
- A13: No Morality
- B1: Instrumental
- B2: Baby Doll
- B3: Freud In Flop
- B4: Race Mixing
- B5: Crown Of Thorns
- B6: Red Alert
- B7: The Closet
- B8: Instrumental
- B9: Freud In Flop
- B10: Burning Rubber
- B11: Red Alert
- B12: Orphans
- B13: Eliminate By Night
Teenage Jesus and the Jerks began to formulate their visionary brand of aural catharsis sometime during the first half of 1977, amidst the sordid ruins of a then fully down-and-out Lower Manhattan. The mastermind behind this juggernaut of sonic libertinage was a barely pubescent but world-weary runaway who called herself Lydia Lunch. Influenced strongly by the Marquis de Sade and Henry Miller, Lunch shrewdly decided to graft the existential horror of her own writing onto harsh, atonal music after being exposed to the room-clearing live output of other contemporary rock-music deconstructionists like Suicide and Mars. With an agenda of conjuring nightmarish intensity in lieu of technical instrumental ability, Teenage Jesus instantly made the supposedly nihilistic' and raw' current wave of so-called Punk acts sound like slick, good-timey pop music by comparison. Teenage Jesus and the Jerks were The Texas Chainsaw Massacre, lisa, She Wolf of the SS, and Salò, or the 120 Days of Sodom, transliterated into a blatant mockery of the increasingly tired, basic rock-band format. Posthumously, there have been numerous reissues of the primary Teenage Jesus corpus, namely the first side of the Lydia Lunch double compilation album Hysterie (CD Presents, 1986), a very incomplete anthology titled Everything (Atavistic, 1995) and Shut Up and Bleed (Cherry Red/Atavistic, 2008), which also featured Beirut Slump tracks. These less-than-fastidious documents contained reverb-laden transcriptions of the studio cuts directly from vinyl copies, as well as random live tracks of mediocre fidelity. This particular collection about to be released on Other-People is meticulously edited and mastered from rare bootlegs taped during the initial 1977-1979 period of classic band, and only one title (Crown of Thorns from January 17,1979) has been legitimately released to date, albeit in a completely different sound quality.
- A1: Air With. Khalil Anthony
- A2: Jus Anutha Wunna Deez
- A3: Boogie Down With. Erik Rico
- B1: Sum Ol' Nex' Ish
- B2: A Fly New Tune With. Ta'raach
- B3: Turn It Out With. Dave Aju
- B4: I Can Hardly Breathe With. A Brother Is
- C1: Another Night Under The Glitterball
- C2: For Bae
- C3: Moon On The Hill With. Dj Kali
- D1: Vampires
- D2: Baked With. Malik Ameer
- D3: Take U 2 My House With. Khalil Anthony
- D4: For Those I've Lost Along The Way
Following two EP releases on Delusions Of Grandeur the time felt right for thatmanmonkz to get working on his debut LP. The Sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own Shadeleaf label as well as remixes and productions for the likes of Classic, Kolour LTD and Kon's StarTime.
With his first musical love being Hip Hop it's easy to understand how his approach to house turns out so refreshing. Inevitably MPC's, big, bold samples, Jay Dee inspired grooves and a raw, underproduced sound all play a big part and never one to shy away from an interesting collaboration he has enlisted the skills of several vocalists including Detroit MC Ta'raach (whose credits include Slum Village and Jill Scott), Erik Rico (collabs include Ron Trent and DJ Spinna), Khalil, Dave Aju, Pete Simpson (as A Brother Is...) and Malik Ameer.
Things kick off with a low-slung soul jam entitled Air featuring Kahil Anthony complete with sparkling Rhodes arps and a dub-wise bassline underpinning a beautifully lazy groove. Jus Anutha Wunna Deez follows with a rough and ready house jam that clearly doffs its cap to those old Sound Signature and Mahogoni Music releases we know and love so much. Next up we have Boogie Down with Erik Rico rocking some Parliament inspired vocal business bringing the feelgood vibes to this rolling P-Funker. Some Ol' Nex' Ish goes for a jazz samba meets house fusion whilst A Fly New Tune goes strictly old school with a classic combo of dusty break, filtered fusion rhodes n bass sample, movie dialogue snippets and a masterful flow delivered by Ta'raach. Dave Aju steps up next on Turn It Out laying down a unison vocal refrain to compliment the bumping disco groove complete with a call and response section for some singalong party participation!
As we continue, Another Night Under The Glitterball sees thatmanmonkz back in familiar territory with a rock solid, deep jazz-house jam. On I Can Hardly Breathe we're treated to a downtempo gospel-infused affair which leads us perfectly into the most bumpy club- friendly track of the LP For Bae. Moon On The Hill is a collaboration with Italian DJ Kali and his Raw Standard crew and treats us to some distinctly mid 90's Kruder and Dorfmeister vibes to zone out to before heading off in an altogether more bonkers, psychedelic dancehall direction on Vampires. Baked is another classy thatmanmonkz take on Hip Hop featuring Malik Ameer on the mic. Take U 2 My House sounds like something Prince might have made in the mid-80's if he'd just come off a 3 day bender at Panorama Bar. And closing the show in perfect style and fashion we have For Those I've Lost Along The Way which is a blunted yet beautifully optimistic number that has echoes of Lonnie Liston Smith and a brilliant spiritual vocal sample which provides the perfect closer to an amazing debut LP.
- A1: The Revenant Main Theme
- A2: Hawk Punished
- A3: Carrying Glass
- A4: First Dream
- A5: Killing Hawk
- A6: Discovering River
- A7: Goodbye To Hawk
- B1: Discovering Buffalo
- B2: Hell Ensemble
- B3: Glass And Buffalo Warrior Travel
- B4: Arriving At Fort Kiowa
- B5: Church Dream
- B6: Powaqa Rescue
- C1: Imagining Buffalo
- C2: The Revenant Theme 2
- C3: Second Dream
- C4: Out Of Horse
- C5: Looking For Glass
- C6: Cat & Mouse
- D1: The Revenant Main Theme Atmospheric
- D2: Final Fight
- D3: The End
- D4: The Revenant Theme (Alva Noto Remodel)
"THE REVENANT" is the new Alejandro G. Iñárritu one year after the brilliant and Oscar winning "Birdman", "Babel", "21 Grams" and "Amores Perros". Produced and distributed worldwide by 20TH CENTURY FOX, "The Revenant" stars Leonardo DiCaprio and Tom Hardy.
Following the success of 2014's Birdman (Winner of four Academy Awards including Best Picture and Best Director), director Alejandro G. Iñárritu pushes the limits of film making with the survival epic The Revenant. Starring Leonardo DiCaprio (Titanic, Wolf of Wall Street), Tom Hardy (Mad Max: Fury Road, The Dark Knight Rises) and shot in the frozen Canadian wilderness with only natural lighting, The Revenant is a story of loss, revenge and resilience in the face of impossible odds against the furies of man and nature itself. The film is heavily favoured to be a critical darling as awards season gets under way.
Director Iñárritu has chosen to forgo almost all dialogue in favour of a gorgeous soundscape and a sweeping score. A film of this magnitude deserves a composer who understands creative artistry and unbridled passion. Japanese master and Oscar winner Ryuichi Sakamoto (Merry Christmas Mr. Lawrence, The Last Emperor) fits the bill perfectly. Along with fellow Yellow Magic Orchestra member and frequent collaborator Alva Noto, Sakamoto has created a gripping soundtrack that is sure to be a treat for the winter crowds. Bryce Dessner (writer for Kronos Quartet and the LA Phil) also supplies additional music.
- A1: Hooked On A Feeling - Blue Swede
- A2: Go All The Way - Raspberries
- A3: Spirit In The Sky - Norman Greenbaum
- A4: Moonage Daydream - David Bowie
- A5: Fooled Around And Fell In Love - Elvin Bishop
- A6: I Want You Back - Jackson 5
- B1: I'm Not In Love - 10Cc
- B2: Come And Get Your Love - Redbon] 2 | Come And Get Your Love - Redbone
- 2: Come And Get Your Love - Redbone
- B3: Cherry Bomb - The Runaways
- B4: Escape (The Pina Colada Song) - Rupert Holmes
- B5: O-O-H Child - The Five Stairsteps
- B6: Ain't No Mountain High Enough - Marvin Gaye & Tammi Terrell
- C1: The Final Battle Begins
- C2: Morag
- C3: Everyone's An Idiot
- C4: What A Bunch Of A-Holes
- C5: Sacrifice
- C6: The New Meat
- C7: The Pod Chase
- C8: Don't Mess With My Walkman
- C9: Losers
- D1: The Ballad Of The Nova Corps. (Instrumental)
- D2: The Kyln Escape
- D3: Groot Spores
- D4: Guardians United
- D5: The Big Blast
- D6: Black Tears
- D7: A Nova Upgrade
In the far reaches of space, an American pilot named Peter Quill finds himself the object of a manhunt after stealing an orb coveted by the villainous Ronan. In order to evade Ronan, Quill is forced into an uneasy truce with a group of misfits including Gamora, Rocket, Drax the Destroyer, and Groot. But when Quill discovers the true power of the orb and the menace it poses to the cosmos, he must rally his ragtag rivals for a last, desperate stand - with the galaxy's fate in the balance. Staring Chris Pratt, Zoe Saldana, John C. Reilly as well as the voices of Vin Diesel and Bradley Cooper.
This deluxe double vinyl edition of the soundtrack to the James Gunn-directed 2014 film Guardians Of The Galaxy includes classic 1970's songs from the movie like Blue Swede's "Hooked on a Feeling," David Bowie's "Moonage Daydream," 10cc's "I'm Not in Love," the Jackson 5's "I Want You Back," Redbone's "Come and Get Your Love," and The Runaways' "Cherry Bomb" plus the film's original score composed by Tyler Bates.
Music plays a major role in Guardians of the Galaxy as the 1970's songs featured in the film are part of the storyline in a unique way. Explaining how the songs come to play in the story, director James Gunn says, "One of the main story points in the movie is that Quill has this compilation tape (Awesome Mix #1) that he got from his mother before she died that she made for him. It was of songs that she loved, all songs from the 1970s, and that's the only thing he has left of his mother and that's the only thing he has left of his home on Earth. He uses that as a connection to his past and to the sadness that he feels of having left all that and lost all that."
- A1: I Was There
- A2: Muhammad Ali 2.0 (High Contrast Remix)
- A3: Miss U Less, See U More 2.0 (Purple Disco Machine Remix)
- B1: Bombs 2.0 (Claptone Remix) Faithless Feat. Harry Collier
- B2: Tarantula 2.0 (Booka Shade Remix)
- B3: Drifting Away 2.0 (Autograf Remix)
- C1: Insomnia (Monster Mix)
- C2: God Is A Dj
- C3: We Come 1 (Radio Edit)
- D1: Salva Mea
- D2: Mass Destruction (Single Version)
- D3: Don't Leave
- A1: The Start Of Your Ending
- A2: The Infamous Prelude)
- A3: Survival Of The Fittest
- A4: Eye For A Eye
- B1: Just Step Prelude
- B2: Give Up The Goods - Just Step
- B3: Temperature's Rising
- B4: Up North Trip
- C1: Trife Life
- C2: Q.u. - Hectic
- C3: Right Back At You
- D1: The Grave Prelude
- D2: Cradle To The Grave
- D3: Drink Away The Pain
- D4: Shook Ones, Pt. Ii
- D5: Party Over
The Infamous is the second studio album by the American Hip Hop duo Mobb Deep, released in 1995. The album features guest apperances from Nas, Wu-Tang Clan members, Reakwon and Ghostface Killah. It marked Mobb Deep's transition from a relatively unknown Rap duo to an influential and commercially successful one.
One of the cornerstones of the New York hardcore movement, The Infamous is Mobb Deep's masterpiece, a relentlessly bleak song cycle that's been hailed by hardcore Rap fans as one of the most realistic gangsta albums ever recorded.
This is hard, underground Hip Hop that demands to be met on its own terms, with few melodic hooks to draw the listener in. Similarly, there's little pleasure or relief offered in the picture of the streets Mobb Deep paint here. They inhabit a war zone where crime and paranoia hang constantly in the air.
The product of an uncommon artistic vision, The Infamous stands as an all-time gangsta/hardcore classic.
Single sleeve glossy LP jacket with double sided euro sleeve art insert and Dropcard w/ free digital download.
When Lindsay Pitts and Clifford John Usher first met, their connection was instantaneous. That bond still fuels their art. As GEMS, they self-released the Medusa EP in 2013, a debut with a remarkably mature sound. On Medusa, Lindsay's haunting and deeply emotive vocals provide the backbone for Clifford's dark and dreamy production, balancing gauzy atmospherics with emotional heft. That mix finds new tension and release on GEMS' first full-length album, Kill the One You Love.
The record more deeply indulges in the group's evocative shadow pop, influenced by R&B production and shoegaze. At the core of GEMS' music is existential longing. Lindsay and Clifford try to capture the intangible and they arrive closest with Kill the One You Love. Music is a never-ending process of learning and growing and reaching,' Clifford says. Of stepping outside of what is familiar and moving into a place where there aren't answers.'
- A1: Nils Frahm - 4:33
- A2: The Baka Forest People Of South-East Cameroon - Liquindi 2
- A3: Carl Oesterhelt / Johannes Enders - Divertimento Fur Tenorsaxophon Und Kleins Part 4
- A4: Four Tet - 0181 (Excerpt)
- A5: Boards Of Canada - In A Beautiful Lace Out In The Country
- A6: Bibio - It Was Willow
- B1: Dictaphone - Peaks
- B2: System - Sk20
- B3: Rhythm & Sound - Mango Drive
- C1: Victor Silvester - It's The Talk Of The Town (Nils Frahm's '78' Recording)
- C2: Miles Davis - Générique
- C3: Colin Stetson - The Righteous Wrath Of An Honorable Man
- C4: Penguin Café Orchestra - Cutting Branches For A Temporary Shelter
- C5: Nina Simone - Who Knows Where The Time Goes
- C6: Gene Autry - You're The Only Star (Nils Frahm's '78' Recording)
- D1: Dinu Lipatti - O Herr Bleibet Meine Freunde, Bmv 147
- D2: Nina Jurisch - Cleo The Cat
- D3: Dub Tractor - Cirkel
- D4: The Gentlemen Losers - Honey Bunch
- D5: Nils Frahm - Them (Solo Piano Edit)
- D6: Cillian Murphy - In The Morning (Exclusive Spoken Word)
Composer, musician and producer Nils Frahm steers the new edition of Late Night Tales, set for release on 11th September. A hypnotic voyage through modern and classical composition, experimental electronics, jazz, dub techno, soundtracks and soul; Frahm's Late Night Tales haunts and beguiles. It's not mixing, so much as gently layering, like a particularly fluffy goose-down duvet folding in on itself, the folds part of the attraction, the layers part of the overall picture being painted. Many of the tracks have been edited, effected and re-made. The subtly overdubbed parts on Rhythm & Sound's 'Mango Drive' adding to the haunting hypnosis, while choral interruptions aid Miles Davis' 'Générique' on its journey towards the light. Meanwhile, on Boards Of Canada's 'In A Beautiful Place Out In The Country', the tempo is somewhat sluggish, the organs slurred, as Frahm slows it down to a funereal 33rpm that nevertheless fits perfectly. The purring of his girlfriend's cat Cleo transitions playfully between Nina Simone's definitive version of 'Who Knows Where the Time Goes' and unearthing the gentle electronics of Dub Tractor. Eddy Arnold's 'You're The Only Star', a country tune that sounds like its transmitting from a mid-west diner wireless circa 1947, is straight from the soundtrack to an imaginary David Lynch movie, comforting and dismaying all at once. This crackly reality abounds, as on Finnish band Gentleman Losers' 'Honey Bunch', that adds an unsettling texture, with a sound that is modern but as nostalgic. Frahm's own tracks bookend the mix, opening with an inspired "rework" of the infamous silent John Cage piece '4:33' ("I sat at the piano in silence and worked from
there. I listened and took in the atmosphere and this is what came out of it") and ending with a solo piano version of 'Them', taken from his recently released score of the film 'Victoria'. The traditional Late Night Tales spoken word epilogue is voiced by actor Cillian Murphy (Inception, Batman, 28 Days Later), reading a short story by Edna Walsh (Hunger, Disco Pigs).
- A1: Come Fly With Me
- A2: I Get A Kick Out Of You
- A3: Just One Of Those Things
- A4: I've Got You Under My Skin
- A5: It's Only A Paper Moon
- A6: S'posin
- A7: I've Got A Crush On You
- A8: Have You Met Miss Jones
- B1: One For My Baby
- B2: You're Nobody 'Til Somebody Loves You
- B3: That Old Feeling
- B4: Anything Goes
- B5: Too Marvelous For Words
- B6: I Concentrate On You
- B7: Blue Moon
- B8: She's Funny That Way
- C1: Nice 'N' Easy
- C2: When You're Smiling
- C3: Night And Day
- C4: I Won't Dance
- C5: Young At Heart
- C6: Love Walked In
- C7: Come Dance With Me
- C8: You Make Me Feel So Young
- D1: The Lady Is A Tramp
- D2: Only Have Eyes For You
- D3: Taking A Chance On Love
- D4: Love And Marriage
- D5: My Blue Heaven
- D6: The Very Thought Of You
- D7: My Funny Valentine
- D8: Nice Work If You Can Get It
- E1: Nevertheless
- E2: Always
- E3: September In The Rain
- E4: Try A Little Tenderness
- E5: It All Depends On You
- E6: Brazil
- E7: The Gypsy
- E8: London By Night
- E9: I Couldn't Sleep A Wink Last Night
- F1: April In Paris
- F2: I Thought About You
- F3: They Can't Take That Away From Me
- F4: The Song Is You
- F5: Close To You
- F6: I Could Have Danced All Night
- F7: In The Wee Small Hours Of The Morning
- F8: Dancing In The Dark
- F9: We'll Meet Again
- A1: El Yayabo - Ruben Gonzalez
- A2: Me Diras Que Sabroso - Compay Segundo
- A3: El Platanal De Bartolo - Ibrahim Ferrer
- A4: Tu No Eres Nadie - Tito Puente
- A5: En Guantanamo - Abelardo Barroso
- A6: Francisco Guayabal - Beny More
- A7: Patricia - Perez Prado
- A8: Oye Mi Ritmo - Omara Portuondo
- B1: Goza Negra - Celia Cruz
- B2: Tirando Tiro - Bebo Valdes With Sabor De Cuba
- B3: Eso Se Hincha - La Sonora Matancera
- B4: Comiendo Y Cantando - Pio Leyva
- B5: Ya Tu Lo Ves Campeon - Chapotin & His Estrellas
- B6: Soy Del Monte - Beny More
- B7: El Jarabe Loco - El Negro Peregrino
- C1: Bodas De Oro - Ibrahim Ferrer
- C2: Mambo No.5 - Perez Prado
- C3: Juancito Trucupey - Celia Cruz
- C4: Mango Mangue - Aldemaro Romero
- C5: Nuestras Vidas Mi Corazon Es Para Ti - Ruben Gonzalez
- C6: Tin Tin Deo - Chano Pozo & James Moody
- C7: Suena Tu Bongo - Conjunto Roberto Faz
- C8: La Campnia Cubana - Alfredito Valdez & Trio Caney
- D1: Cao Cao Mani Picao - Vicentico Valdes
- D2: Maracaibo Oriental - Beny More
- D3: Zambia - Machito
- D4: Mosaico - Lecuona Cuban Boys
- D5: Merengues, No - Bebo Valdes
- D6: Voy Pa Mayari - Compay Segundo
- D7: Tinguaro - Tito Puente
Whether you're beginning a love affair with cuban music or renewing the relationship, this double
album of vintage recordings, served up on vinyl in the traditional way, will bring sunshine into your life.
- A1: Guns & Synths
- A2: Enemy
- A3: Floor Show
- A4: Do It Again
- A5: Go All Night (Let Me Roll)
- B1: Bank Head (Extended)
- B2: Cut 4 Me
- B3: Keep It Cool
- C1: Send Me Out
- C2: Go All Night (Let It Burn)
- C3: Something Else
- D1: A Lie
- D2: Cherry Coffee
- D3: Fade To Mind Interlude (Interlude)
- E1: Keep It Cool (Jam City Remix)
- E2: Enemy (Kingdom Destruction Before Paradise Mix)
- E3: Send Me Out (Girl Unit Mix)
- E4: Send Me Out (Nguzunguzu Remix)
- E5: Keep It Cool (Rizzla Remix)
- F1: Cherry Coffee (Mikeq Almighty Mix)
- F2: Go All Night (Neana Remix)
- F3: Go All Night (Massacooramaan Remix)
Das Mixtape als Remixalbum. Charakteristisches Merkmal von Kelelas Mixtape "Cut 4 Me" sind ihre Vocals über instrumentale Clubtracks von DJs der Labelfamilie aus Fade To Mind (Los Angeles) & Night Slugs (London), zwei der derzeit spannendsten Kreativzellen der Szene an der Schnittstelle zwischen elektronischer Clubmusik und frischen Urban-Sounds aus R&B, HipHop & Grime/Dubstep, was weltweit Kritiker und Kollegen wie Solange Knowles oder Björk aufhorchen liess. Während das Original mit 13 Tracks 2013 digital und als limitiertes Vinyl erschien, erfährt die Deluxe Edition - erweitert um 8 brandneue Remixes (hier zum ersten Mal auch auf Vinyl) - nun den CD-Erstrelease. Kelela - ein neuer Stern am R&B-Firmament des
- A1: Music's Hypnotizing (1990)
- A2: Deep Seat (1991)
- A3: The Running Man (1993)
- B1: All Night (1992)
- B2: Intersect (1994)
- B3: Les Grandes (1991)
- B4: Stranger To Solice (1990)
- C1: Just Drop It (2004)
- C2: Blackout (2007)
- C3: Darkness Turns To Light (2012)
- D1: Love Is True (Hyper Extended Mix) (2004)
- D2: Sho U What U Need 2 Kno (2009)
Following the success of its first release by the ever elusive Jason Grove, the vinyl-only sub-label Skylax Extra Series returns with a little something beyond special. For those house-heads in the know, the man needs no introduction, but for those uninitiated, sit back and prepare for this double 12' selection to further your education in house music.Joey Kay hails from Chicago in the US and has influenced a great many producers in the last two decades with his signature take on the deep house sound. He keeps things simple in the best possible sense of the word, stripping back tracks to their bare essentials in order to maintain what the spirit of house music is all about: the groove, the soul and the feeling of being carefree, even if only experienced for a few minutes at a time. There are no superfluous or ancillary sounds in Joey's music and this is all the more evident when taking a step back and listening to his spectrum of output in this collection, which spans more than twenty years of his career.
- A1: He's The Keeper
- A2: Sweet Pea, My Sweet Pea
- A3: It's Written In The Stars
- A4: Wishing On A Star (Single Version)
- A5: From The Floorboards Up
- A6: Come On / Let's Go
- A7: Wild Blue Yonder
- A8: Have You Made Up Your Mind
- A9: Echoes Round The Sun
- A10: All I Wanna Do (Is Be With You)
- B1: Push It Along
- B2: 22 Dreams
- B3: No Tears To Cry
- B4: Wake Up The Nation
- B5: Fast Car / Slow Traffic
- B6: Starlite
- B7: That Dangerous Age
- B8: When Your Garden's Overgrown
- B9: The Attic
- B10: Flame-Out!
- B11: Brand New Toy
- A1: Toolman - Gold Bunny
- A2: Toolman - Gold Bunny (Bogdan Balaban Remix)
- B1: Toolman - Gold Bunny (Giomini & Konstress Remix)
- B2: Toolman - Gold Bunny (Tony Matt Remix)
- C1: Abnormal Boyz - Unlucky Day (Dj Emerson Funky Remix)
- C2: Abnormal Boyz - Unlucky Day (Simon Stokes Remix)
- E1: Kid Culture - It´s Time 2 Jack
- E2: Kid Culture - Diskobruck
- F1: Kid Culture - It´s Time 2 Jack (Giomini & Toolman Remix)
- G1: Francesco Grant - Black Sheep
- G2: Francesco Grant - Black Sheep (Abnormal Boyz Remix)
- H1: Francesco Grant - Power Words
- H2: Francesco Grant - Wakelon
- I1: Tony Matt - Chrome (Martin Woerner Remix)
- I2: Tony Matt - Alcatraz
- J1: Monque - I´m A Jazzman (2K10 Version)
- K1: Donk Boys - Gaffeltruck
- K2: Donk Boys - Gaffeltruck (Takuya Morita Remix)
- L1: Donk Boys - Fladder
- L2: Donk Boys - Lagret Runt
- M1: Abnormal Boyz & Marcus Raute - Bad Question
- N1: Abnormal Boyz & Marcus Raute - Think Darkly
- A1: Revenge Of The Flying Cymballs-Bunny Striker Lee All Stars
- A2: Cool Operator-Delroy Wilson
- A3: The Gorgon-Cornell Campbell
- A4: Ripe Cherry-Dennis Al Capone
- A5: The Beatitude-The Uniques
- A6: You're No Good-Ken Boothe
- B1: Money Money-Horace Andy
- B2: Move Out Of Babylon Rastaman-Johnny Clarke
- B3: Labrish-The Upsetters And The Aggrovators
- B4: Two Faced People-Max Romeo
- B5: It's Reggae Time-Don Lee
- C1: Last Flight To Reggae City-Stranger Cole And Tommy Mc Cook
- C2: Jah Is Guiding Star-Tappa Zukie
- C3: Joyful Locks-U Roy
- C4: The Great Musical Battle-Derrick Morgan
- C5: The Clock-John Holt
- D1: Straight To Jazzbo's Head- I Roy
- D2: Straight To Roy's Head- Prince Jazzbo
- D3: The Killer-Jah Stitch
- D4: Cool Down Your Temper-Linval Thompson
- D5: Lazer Beam- Don Carlos
- D6: Jamaican Roots Dub- King Tubby &The Aggrovators
Bunny 'Striker' Lee's standing in the Jamaican recording business has remained unassailable for over four decades.Known by many aliases including 'Gorgon'.
The legend of the Gorgon originated in Greek mythology some three thousand years ago and has become a common image in art, literature and in Jamaica...Music.
The name actually derives from the ancient Greek word gorgos which means 'dreadful' ,appropriate when one considers that the avalanche of Gorgon inspired records came as a direct result of the influence of the Rastafarian movement on the Jamaican musical mainstream and the dread locked hair of the Rasta brethren was likened to that of the Gorgon sisters.
''About her shoulders she flung the tasselled aegis, fraught with terror...and therein is the head of the dread monster, the gorgon, dread,awful....'' Homer
6th Borough Project are back with the follow up to their 2011 debut One Night In The Borough. A hectic couple of years have been lived out by Graeme Clark and Craig Smith during the making of this LP with Graeme continuing to play week in and week out as Revenge and setting up his new imprint Roar Groove whilst Craig has established the brilliant Fifty Fathoms Deep label. Studio time has been tight to say the least but that
hasn't stopped the duo from pulling out all the stops and ensuring that this LP surpasses the already sky-high benchmark set by it's predecessor. Followers of 6th Borough Project will be pleased to hear that all the low-slung, loopy, hypnotic vibes we've come to
expect are present and correct whilst the duo have still made sure to push things forward with their sound, bringing a minimalist, housier edge to many tracks.
Things kick off with the Intro setting the mood, coming on like a bizarre dream that's over in a flash but seems to include an entire episode of your life and succeeds in encapsulating the sentiment of the entire LP in 40 seconds! Soul, Beach, City, Gig, Party,
Energy, Relaxation.... It's all here.
On Our Love we find a brilliantly lop-sided shuffling groove laying the foundation for some classic 6BP-style vocal chops, easing us in gently with the warm up vibes. Things take a slightly darker direction on U Know U with this heads-down track, a crisp, stripped-back beat being joined by filtering pads and a distant vocal for company. Think It Over and In Your Arms follow seeing the boys building things perfectly and increasing the party
atmosphere with two floor-friendly tracks which look set to be just a couple of the DJ's favorites from the LP. Dropping things down a notch we're treated to the beautiful slow-mo gem entitled Through The Night before heading deeper still on the tripped out, dark and dubby The Call Back.
Back 2 Black picks up the tempo again for a percussion heavy workout with just a hint of Africa emerging through the echoing stabs and sub bass. The party continues with Read
My Mind which brings us some brooding, up-tempo warehouse vibes to get immersed in before F.E.E.L and a brand new LP version of previous single The Vibes pushes further still in a darker, more abstract and clubby mood. Finally, we wind down with Walk Away, making the perfect close for a brilliant, fresh and original LP from a highly talented couple of producers whose passion and knowledge of music shines brightly here. Difficult
second LP clearly not an issue with 6th Borough Project!
- A1: Kahedi Radio Intro
- A2: Hallo Welt!
- A3: Aufruhr (Freedom Time) Feat. Patrice
- A4: Kahedi Radio Interlude 1
- A5: Jeder Tag Zuviel Feat. Patrice & Joy Denalane
- A6: Esperanto Feat. Joy Denalane
- B1: 1Ste Liebe Feat. Joy Denalane
- B2: Du Du Du
- B3: Kahedi Radio Skit 1
- B4: A-N-N-A Prelude
- B5: A-N-N-A (Immer Wenn Es Regnet)
- C1: Kahedi Radio Skit 2
- C2: Rap Ist Feat. Afrob & Megaloh
- C3: 1992 (Fab 5 Freddy Exclusive) Feat. Samy Deluxe
- C4: Eimsbush Bis 0711 Feat. Samy Deluxe
- C5: Einstürzen Neubauen Feat. Samy Deluxe
- C6: Zu Elektrisch
- D1: Fremde Feat. Sophie Hunger
- D2: Berlin / Tel Aviv Feat. Sophie Hunger
- D3: Solang Feat. Tua & Grace
- D4: Wolke 7 Feat . Philipp Poisel
- E1: Kahedi Radio Skit 3
- E2: Tabula Rasa Pt. 1 Feat. Gentleman & Sékou
- E3: Tabula Rasa Pt. 2 Feat. Gentleman, Sékou, Afrob & Joy Denalane
- E4: Fk 10
- E5: Kahedi Dub / Yogibär Feat. Megaloh
- F1: Alter Weg
- F2: Er-Sagt-Sie-Sagt
- F3: Wo Rennen Wir Hin
- F4: Fühlt Sich Wie Fliegen An
- G1: Kahedi Radio Skit 4
- G2: Vida Feat. Gregory Porter
- G3: Kahedi Radio Interlude 2
- G4: Niemand (Was Wir Nicht Tun) Feat. Joy Denalane
- G5: Kahedi Radio Interlude 3
- G6: Mit Dir Feat. Joy Denalane
- G7: Leg Dein Ohr Auf Die Schiene Der Geschichte Feat. Grace
- G8: Flor Que Marchitará Feat. Don Philippe & Laura López Castro
- H1: Wenn Der Vorhang Fällt Feat. Don Philippe, Megaloh, Afrob & Grace
- H2: So Wundervoll Feat. Gregory Porter
- H3: Halt Dich An Deiner Liebe Fest
- H4: Kahedi Radio Outro
Max Herre hat ein MTV Unplugged aufgenommen. Das rückt ihn in eine Tradition mit Udo Lindenberg, Eric Clapton, Lauryn Hill, Jay Z. Mehr noch als ein konsequenter Karriereschritt und popkultureller Ritterschlag aber ist das Konzert eine Rückkehr zu seinen Wurzeln. Denn lange bevor er als Texter und MC einer ganzen Generation eine neue Stimme geben sollte, war er vor allem der Junge mit der Gitarre, der einfach nur spielen wollte. Das Gefühl, das er als 15-Jähriger im Proberaum suchte, hat er nun im 'Großen Saal'des altehrwürdigen Funkhaus Berlin Nalepastraße wiedergefunden.
Die Geschichte dieses besonderen Abends beginnt vor knapp 25 Jahren in einem Keller in Stuttgart-West. Dort jammte er mit Freunden zu dem Funk, Soul und Reggae, den er liebte - und legte, ohne es zu wissen, den Grundstein für das, was da kommen sollte. Zwei klassische Alben mit Don Philippe und DJ Friction als Freundeskreis zum Beispiel, die sich nicht nur weit über 500.000 mal verkauften, sondern eine ungehörte Musikalität in die deutsche Rap-Landschaft einführten. Drei Soloplatten, die den Bogen spannten von der '1sten Liebe' HipHop zu fragilem Folk im Stile eines Singer-Songwriters (und zurück). Eine Zweitkarriere als Labelbetreiber und Produzent. Und dazwischen immer wieder Auftritte, bei denen all diese Erfahrungen und Einflüsse auf fast magische Weise zusammenliefen.
Max Herre hat Rap immer in einem Bandkontext gedacht, HipHop stets in einem Kollektivgedanken gelebt. Das war Anfang der Neunziger so, als er als Kind der Kolchose seine ersten Live-Auftritte in süddeutschen Jazzclubs hatte. Das war später so, als er aus Freundeskreis die FK Allstars erwachsen ließ und mit ihnen über die größten Festivalbühnen des Landes tourte. Und das ist heute nicht anders, wenn er wie 2012 auf seinem fulminanten Gold-Album Hallo Welt! alte wie neue Inspirationen zu seelenvoller Rapmusik mit Ewigkeitsanspruch bündelt.
So ist es nur konsequent, dass für MTV Unplugged / KAHEDI Radio Show zahlreiche Featuregäste und Freunde nach Berlin gekommen sind: wichtige Weggefährten wie Joy Denalane, Afrob, Sékou, Gentleman, Samy Deluxe, Patrice, Sophie Hunger, Philipp Poisel oder US-Ausnahmesänger Gregory Porter, aber auch das 26-köpfige, eigens für den Abend zusammengestellte KAHEDI RADIO ORCHESTRA. Unter der Führung des musikalischen Leiters Lillo Scrimali kommen so mehr als 40 Musiker aus drei Generationen zusammen. Produzent Samon Kawamura und Host Fab 5 Freddy, einst erster Moderator der wegweisenden HipHop-Sendung Yo! MTV Raps, ziehen im Regieraum zusätzlich dramaturgische Fäden.
'Ich bin sehr dankbar und glücklich, dass ich für dieses Projekt mit einigen der besten arbeiten durfte: viele davon langjährige Freunde und Wegbegleiter', so Max über das mehr als zweistündige, komplett akustische Konzert. 'Sie alle haben nicht nur ihr Spiel und ihre Fähigkeiten eingebracht, sondern ihr Herz und ihre musikalische Vision.'
Den passenden Rahmen bietet das Funkhaus Berlin Nalepastraße am Köpenicker Spreeufer. In dem ehemaligen Hauptsitz des DDR-Hörfunks, in dem schon Barenboim und die Bartoli, aber auch Portishead und Sting gearbeitet haben, vereinen sich Feierlichkeit und funktionelle Strenge auf ganz erstaunliche Weise. Max Herre hat diesen geschichtsträchtigen Ort für MTV Unplugged / KAHEDI Radio Show neu erdacht, indem er seine ursprüngliche Funktion als Aufnahmeraum unterstrichen hat. Vom Publikum umgeben spielen die Musiker in einer 360°-Konstellation zueinander und empfinden gemeinsam nach, wie in den siebziger Jahren Soulmusik gemacht wurde.
MTV Unplugged / KAHEDI Radio Show ist ein erlebtes Experiment mit offenem Ausgang und maximaler künstlerischer Freiheit. Eine kollektive Verneigung vor Soul, Jazz, Funk, Reggae und Rap. Und die in Musik gefasste Botschaft, dass Zukunft stets auch ein Stück Vergangenheit in sich trägt.
Zumindest, wenn sie so klingt wie die Musik von Max Herre.
With their debut album on Hamburg's taste making hafendisko, Deo & Z-Man proceed their research in contemporary electronic music beyond stylistic boundaries and present a wide-ranging lucky bag of songs. The Italo-rooted brothers melt influences from modern House music, HipHop, Electronica and even jazzy elements into a fresh and life-affirming total work of art. And here it is in all its glory - 'No Bullshit' . With a healthy dose of tongue-in-cheek humour and a seemingly endless supply of fresh ideas, Deo & Z-Man might have pulled one of the most creative albums of the year. Effortlessly gliding between wigged out house for the dancefloor, synthy space weirdness, hip-hop infused beats and twisted, smoked-out electro pop - 'No Bull-shit' is a rare thing, a collection of esoteric and eclectic influences that hang together perfectly as a proper album. The boys have long since created their own special vibe through their well received singles, live performances and DJ sets - mixing musical knowledge, party rocking skills and a sense of fun that is all too often lacking these days. Even more rare is to capture that magic in the studio over the course of an album. Yet 'No Bullshit', as the name cheekily suggests, nails it. Listening to the album it's easy to see how Deo & Z-Man cut their teeth with HipHop - tracks like 'Tamastar Santini' (feat Janos), 'Two Blue Bros' and 'YRUAG' reveal a background of beats and rhymes that infuses the whole vibe of the album. Equally at home in the club, recent single 'XTC', 'Chopped Memories' and 'Tales of Love' are lessons in leftfield club dynamics - deep, musical grooves that hint at the brothers' leg
- 1: Le P'tit Jardin
- 2: Petite Blonde Du Bld Brune
- 3: La Valse À Sale Temps
- 4: Les Mille Paillettes
- 5: Il Faut Manger
- 6: Helno Est Mort
- 7: J'ai Besoin De La Lune
- 8: L'automne Est Làs
- 9: Si Loin De Toi... Je Te Joue
- 10: 0.000 Remords
- 11: Trop Tôt, Trop Tard
- 12: Te Tromper
- 13: Madame Banquise
- 14: Les Rues De L'hiver
- 15: Sibérie Fleuve Amour
- 16: Les Petites Planètes
- 17: Te Souviens Tu
- 18: J'ai Besoin De La Lune (Remix)
- 19: Dans Mon Jardin
- 20: Merci Bonsoir
- 21: Fou De Toi
- 22: Les Yeux Turquoise
- 23: Sibérie
- A1: 13 Días
- A2: Tristeza Maleza
- A3: Politik Kills
- A4: Rainin In Paradize
- A5: Besoin De La Lune
- A6: El Kitapena
- B1: Me Llaman Calle
- B2: A Cosa
- B3: The Bleedin Clown
- B4: Mundorévès
- B5: El Hoyo
- C1: La Vida Tombola
- C2: Mala Fama
- C3: Panik Panik
- C4: Otro Mundo
- C5: Piccola Radiolina
- D1: Y Ahora Qué
- D2: Mama Cuchara
- D3: Siberia
- D4: Soñe Otro Mundo
- D5: Amalucada Vida
- A1: Distortion To Static 4:30
- A2: What They Do 5:57
- A3: Proceed Ii 5:50
- B1: Concerto Of The Desperado 3:43
- B2: Adrenaline 4:10
- B3: Clones 5:03
- B4: Da Lesson I 5:16
- C1: Section 4:22
- C2: Da Lesson Iii (It's Over Now) 4:01
- C3: U.n.i.verse At War 4:53
- C4: Respond/React 5:44
- D1: Represent 3:15
- D2: Proceed Without A Pause 4:00
- D3: Distortion To Static (At Ease Remix) 4:30
Double album set featuring instrumentals of 14 of the ROOTS' classics. Hard to find mixes all collected together here. Includes "DISORTION TO STATIC", "ADRENALINE", "CLONES", and many more. Pressed from the original master tapes, perfect sound quality. Printed labels, plain sleeves
- A1: Gorgon Wise U Roy
- A2: Trying To Wreckbig Joe
- A3: Mash It Updr Alimantado
- A4: Gal Boyi Roy& Prince Jazzbo
- A5: Daylight Saving Timedillinger
- A6: Jah Is I Guiding Startapper Zukie
- A7: Cassius Claydennis Alcapone
- B1: Straight Toprince Jazzbo Headi Roy
- B2: Shuffle And Deal Prince Far I
- B3: What Is Going Onu Brown
- B4: Regular Girl Dillinger
- B5: Black Harmony Killerjah Stitch
- B6: Psalmstrinity
- B7: Big Licking Stick Hugh Brown
- A1: All In
- A2: Getting There Feat. Niki Randa
- A3: Until The Colours Come
- A4: Heave(N)
- A5: Tiny Tortures
- A6: All The Secrets
- B1: Sultan's Request
- B2: Putty Boy Strut
- B3: See Thru To U Feat. Erykah Badu
- B4: Until The Quiet Comes
- B5: Dmt Song Feat. Thundercat
- C1: The Nightcaller
- C2: Only If You Wanna
- C3: Electric Candyman Feat. Thom Yorke
- C4: Hunger Feat. Niki Randa
- D1: Phantasm Feat. Laura Darlington
- D2: Me Yesterday//Corded
- D3: Dream To Me
Flying Lotus has scheduled the release of 'Until The Quiet Comes', the long awaited follow-up to 2010's Cosmogramma and his third on Warp Records, for a worldwide release on October 1st.
Composed, according to Flying Lotus, as 'a collage of mystical states, dreams, sleep and lullabies', Until the Quiet Comes has the distinct feel of this nocturnal trip. From the twitching descent into a subconscious state and the out-of-focus time-ether of the journey that follows, the sound is an unhinged, yet elegant evolution of the melodic and rhythmic interplay that is woven into the DNA of Flying Lotus' aural personae.
RAWAX IS PROUD TO WELCOME MR. K-ALEXI SHELBY TO THE FAMILY!
Mr. K Alexi Shelby
Like a moth drawn to a flame, there is something utterly infectious about the music of Mr.K Alexi Shelby, better known as K-Alexi one of the founding fathers of house music direct from his home city of Chicago. Since the late 1980s, he has pioneered the true house sound, leading to a DH and production career spanning over 20 years, including collaborations with artists ranging from The Pet Shop Boys to Derrick May and from Larry Heard and Felix da Housecat to Will Smith, as well as gigs across the globe.
An impressionable young teenager, Mr.K Alexi Shelby developed friendships with Frankie Knuckles and Ron Hardy whilst attending seminal venues like The Warehouse and The Music Box in the mid 1980s. Being here at this embryonic stage of dance music culture, there were no rules or precedents, so K Alexi drew on a rich musical heritage that had seen him grow up in the 70s and 80s listening to Stevie Wonder, Prince, Curtis Mayfield and David Huff. Those roots continue to influence his music to this day.
It was under the moniker Risque III that Essence Of A Dream was released in 1987, firmly establishing the name of Mr.K Alexi Shelby amongst the most prominent of all house producers at the time. Moreover, those early tracks are still recognized to be the quintessential Chicago house sound. The rumbling and dark bass, smooth strings, incredible percussion and the spoken word poetic and erotic lyrical flow became the trademark for classic Chicago house and the template for everything else that followed. To reiterate, there was no template before this. This was the beginning.
This initial success has lead to Mr.K Alexi Shelby working with the leading names across the electronic music world and beyond. Collaborations and remixes for Chicago peers like Mike Dunn, Mr. Lee and Marshall Jefferson merely served as the springboard for Alexi to work with the best in the electronic scene, from Derrick May to Paul Johnson ,Ron Trent Dave Angel to Felix ad House Kat. Furthermore, his talents have also lead to him working with The Pet Shop Boys and Will Smith.
On top of this, his tracks have appeared on compilations by artists varying from Laurent Garnier to DJ Hell, who used It's Me 2010 contribution to the Body Language series for Get Physical Music. Produced under the Club M.C.M. moniker, the 1991 EP It's Me/Club M.C.M. has been a frequent selection for compilations for 20 years and is rightly regarded as a true underground techno classic.
- A1: Jay Dee - Beej-N-Dem (Part 2 - Feat Beej)
- A2: Pete Rock - Give It Y'all (Feat Roc Marciano & Trife)
- A3: Marley Marl - What Ruling Means (Feat Kevin Brown & Grap Luva)
- B1: Dj Jazzy Jeff - Are You Ready? (Feat Slum Village)
- B2: Madlib The Beat Konducta - Blow The Horns On 'Em (Feat Guilty Simpson)
- B3: Pete Rock - To My Advantage (Feat Nature)
- C1: King Britt - Superstar (Feat Ivana Santilli)
- C2: Will I Am - Lay Me Down (Feat Terry Dexter)
- C3: Dj Spinna - Surely
- D1: Larry Gold - Loving You (Feat Carol Riddick)
- D2: Dj Jazzy Jeff - We Live In Philly (Feat Jill Scott)
- D3: Dj Spinna - Rock (Unplugged)








































