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Die deutsche Metalcore-Band Annisokay, 2007 in Halle (Saale) gegründet, hat sich stetig zu einer der spannendsten Heavy-Acts Europas entwickelt. Seit ihren frühen Demos und selbstveröffentlichten EPs hat die Band sechs bedeutende Releases herausgebracht – darunter die »Abyss Pt I & II EPs« – sowie fünf Studioalben, von denen jedes einen deutlichen Entwicklungsschritt in Sound und Reichweite markiert.

Live sind Annisokay ebenso unaufhaltsam: Mit der Abyss Tour und vor allem der »Abyss Pt II Europe«-Tour haben sie ihre explosive Bühnenenergie auf ein neues Level gehoben. Letztere gilt als die größte Headline-Tour ihrer Karriere mit 30 Shows in 14 Ländern, begleitet von ihren bislang größten Festivalauftritten, unter anderem beim Summer Breeze und Wacken Open Air.

2025 steht die Band kurz davor, diese Ära mit »Abyss – The Final Chapter« abzuschließen – Veröffentlichung im November 2025. Dieses Werk vereint Pt I und Pt II zu einem kraftvollen Gesamtstatement und markiert den Höhepunkt ihres bislang ambitioniertesten Projekts.

Die deutsche Metalcore-Band Annisokay, 2007 in Halle (Saale) gegründet, hat sich stetig zu einer der spannendsten Heavy-Acts Europas entwickelt. Seit ihren frühen Demos und selbstveröffentlichten EPs hat die Band sechs bedeutende Releases herausgebracht – darunter die »Abyss Pt I & II EPs« – sowie fünf Studioalben, von denen jedes einen deutlichen Entwicklungsschritt in Sound und Reichweite markiert.

Live sind Annisokay ebenso unaufhaltsam: Mit der Abyss Tour und vor allem der »Abyss Pt II Europe«-Tour haben sie ihre explosive Bühnenenergie auf ein neues Level gehoben. Letztere gilt als die größte Headline-Tour ihrer Karriere mit 30 Shows in 14 Ländern, begleitet von ihren bislang größten Festivalauftritten, unter anderem beim Summer Breeze und Wacken Open Air.

2025 steht die Band kurz davor, diese Ära mit »Abyss – The Final Chapter« abzuschließen – Veröffentlichung im November 2025. Dieses Werk vereint Pt I und Pt II zu einem kraftvollen Gesamtstatement und markiert den Höhepunkt ihres bislang ambitioniertesten Projekts.

On November 7, 2025, the Belgian label Sdban Records will release a reissue of the mythical Open Sky Unit (1974) by the eponymous jazz fusion group featuring Micheline and Jacques Pelzer, Steve Houben, Ron Wilson, Janot Buchem and Michel Graillier. The album returns on vinyl, highlighting a pivotal moment in Belgian jazz history, where soul, funk, and free improvisation came together in a vibrant and family-driven project.

Formed in the early 1970s as a homage to Dave Liebman's group Open Sky, Open Sky Unit grew out of informal jam sessions in Liège, Belgium, into a unique collective. One of the central figures was Jacques Pelzer, father of drummer and vocalist Micheline Pelzer, alongside his second cousin, saxophonist/flutist Steve Houben, bass player Janot Buchem, percussionist Michel Graillier and American pianist/composer Ron Wilson.

Their 1974 debut album was released on the Duchesne classical music label, run by Pelzer's brother-in-law. The group's sound carefully balanced jazz and soul and was largely directed by Wilson, a Californian pianist and singer who settled in Liège and nearby Maastricht after his army service. Wilson composed the entire repertoire. Open Sky Unit was recorded live at Jazzland club in Liège, and the band made several short tours in Belgium and abroad (including Tunisia) until around 1975-1976, when Houben left for Boston to study at the Berklee College of Music.

Although the original live recording from 1974 was not technically perfect, the group succeeded in capturing their heartfelt live energy. Tracks such as Open Sky, Sunshine Star, and Passion and Compassion are striking examples of this. Years later, the album version of Sunshine Star found its way onto Funky Chicken (2014), the compilation that not only brought the track back into the spotlight but also marked the beginning of Sdban Records.

In addition to the standard reissue, a limited edition of 200 copies will be released for collectors, featuring a 7" single of Ron Wilson's Sunshine Star as a special bonus. This single was originally released in 1973 with the acoustic version of Sunshine Star (piano and vocals) on the B-side, recorded a few months before the longer jazz-funk version later featured on the LP Open Sky Unit. The A-side, Peace Is The Answer, was only released on that single at the time and is now being reissued for the very first time. The 7" is thus a faithful and long-awaited reissue of a rare piece of Belgian jazz history, it's intimate, soulful, and an ideal complement to theexisting and well-known LP.

Although the band never achieved a major international breakthrough, they were highly valued in progressive European jazz circles and later secured a place in anthologies such as Utopic Cities: Progressive Jazz in Belgium 1968-1979. The reissue of Open Sky Unit brings their music back into the spotlight and reaffirms their role as key figures in the Belgian jazz scene of the seventies.

On November 7, 2025, the Belgian label Sdban Records will release a reissue of the mythical Open Sky Unit (1974) by the eponymous jazz fusion group featuring Micheline and Jacques Pelzer, Steve Houben, Ron Wilson, Janot Buchem and Michel Graillier. The album returns on vinyl, highlighting a pivotal moment in Belgian jazz history, where soul, funk, and free improvisation came together in a vibrant and family-driven project.

Formed in the early 1970s as a homage to Dave Liebman's group Open Sky, Open Sky Unit grew out of informal jam sessions in Liège, Belgium, into a unique collective. One of the central figures was Jacques Pelzer, father of drummer and vocalist Micheline Pelzer, alongside his second cousin, saxophonist/flutist Steve Houben, bass player Janot Buchem, percussionist Michel Graillier and American pianist/composer Ron Wilson.

Their 1974 debut album was released on the Duchesne classical music label, run by Pelzer's brother-in-law. The group's sound carefully balanced jazz and soul and was largely directed by Wilson, a Californian pianist and singer who settled in Liège and nearby Maastricht after his army service. Wilson composed the entire repertoire. Open Sky Unit was recorded live at Jazzland club in Liège, and the band made several short tours in Belgium and abroad (including Tunisia) until around 1975-1976, when Houben left for Boston to study at the Berklee College of Music.

Although the original live recording from 1974 was not technically perfect, the group succeeded in capturing their heartfelt live energy. Tracks such as Open Sky, Sunshine Star, and Passion and Compassion are striking examples of this. Years later, the album version of Sunshine Star found its way onto Funky Chicken (2014), the compilation that not only brought the track back into the spotlight but also marked the beginning of Sdban Records.

In addition to the standard reissue, a limited edition of 200 copies will be released for collectors, featuring a 7" single of Ron Wilson's Sunshine Star as a special bonus. This single was originally released in 1973 with the acoustic version of Sunshine Star (piano and vocals) on the B-side, recorded a few months before the longer jazz-funk version later featured on the LP Open Sky Unit. The A-side, Peace Is The Answer, was only released on that single at the time and is now being reissued for the very first time. The 7" is thus a faithful and long-awaited reissue of a rare piece of Belgian jazz history, it's intimate, soulful, and an ideal complement to theexisting and well-known LP.

Although the band never achieved a major international breakthrough, they were highly valued in progressive European jazz circles and later secured a place in anthologies such as Utopic Cities: Progressive Jazz in Belgium 1968-1979. The reissue of Open Sky Unit brings their music back into the spotlight and reaffirms their role as key figures in the Belgian jazz scene of the seventies.

Re-issue of the long out of print Virtual Geisha album by Japanese Telecom (aka Dopplereffekt / Der Zyklus) first released in 2001. A further exploration of the culture and technologies from the land of the rising sun by Heinrich Mueller on the successor to the Japanese Telecom EP. This time the inspiration is more adult and Manga orientated and even goes a little more 'poppy' with Y.M.O insprired tracks. On Virtual Geisha there's also a first glimpse of the directions he'd take his other projects in the future on tracks like 'Enter Mrs. Suzuki' and 'Japanese Matrix'. While still keeping true to his Detroit Hi-Tech Machine Funk roots with Electro anthems like 'The Making Of Ultraman' and 'Beta Capsule'. Remastered and re-issued for the first time since its original release. Essential!!!

LP-Nachpressung des zweiten OXO 86-Albums (2002, SCUMF UCK) als auf 333 Stück limitierte Edition in Ultraclear with Dark Splatter Vinyl! Zwei Jahre nach dem Debüt "Heut Trinken Wir" (2000) legten die Brandenburger 15 neue "Bernauer Bierchansons" vor, darunter Alltime-Klassiker wie "Das Auto Vom Schiri", "Hautausschlag", "Bombenalarm", "Fußball & Alkohol" oder "Körperkult". Mit "Rotwein" erfährt ein durch NEIL DIAMOND und UB40 weltbekannter Song eine überfällige Entschlackung. Das perfekte Talent der Band, das Profane mit Hintersinnigem vereint in rau gegrölte Oi!- Ska-Hymnen zu gießen, erreichte neue Höhepunkte. Fröhlich-schräge Trompetenmelodien treffen hier auf WILLIs unvergleichliche Texte, die mit derbem, aber charmantem Humor Alltagsbeobachtungen aus der Szene und Nachbarschaft auf den Punkt bringen. Zwischen Millieustudie, Gossenpoesie und Kneipenhymne illustriert die Musik von OXO 86 hier den Begriff "feucht-fröhlich" so treffend wie selten zuvor.

Dabei sein ist alles ist 100 Prozent Oxo 86 pur. Wenn es eine Band schafft auch bei Frust und schlechten Zeiten aus der Seele zu sprechen und zeitgleich ein Lächeln ins Gesicht zaubert, dann die Bernauer mit ihrem bissig-verschmitzte Humor. Das 2022er-Album nun wieder auf Vinyl in neuen Farben erhältlich. "Dabei sein ist Alles!" ist schlichtweg ein Bernauer-Meisterstück geworden....wer hätte auch ernsthaft daran gezweifelt? Auch in konzertlosen Pandemiezeiten und nach über 24 Monaten Corona-Scheisse hat sich die Band ihren spritzigen Charme und wohl einmaliges Händchen für sofort zündende Lieder bewahrt, wenngleich auch an OXO86 diese Zeiten in ihren Texten nicht spurlos vorbeigegangen sind! Aber keine Sorge: Von der ersten Note bis zum letzten Akkord gibt es 100 Prozent OXO86 pur! Und wenn es eine Band schafft Dir auch bei Frust und schlechten Zeiten aus der Seele zu sprechen und Dir zeitgleich ein Lächeln ins Gesicht zaubert, während Deine Füsse unmerklich anfangen zu wippen, dann wohl die Bernauer, oder? Natürlich kommt auch der bissig-verschmitzte Humor mit hundsgemeinen Ohrwürmern im unvergleichlichen OXO-Stil nicht zu kurz und so gibts auf "Dabei sein ist Alles" eigentlich alles in den 13 neuen Songs, was die Band schon immer ausmachte..." 2025er LP-Nachpressung des noch aktuellen OXO-Albums - limitiert auf 333 x als Ultraclear with Pink & BlacK Splatter Vinyl!

LP-Nachpressung des kultigen OXO 86-Debütalbums (2000, SCUMF UCK) als auf 333 Stück limitierte Edition in Ultraclear with Orange Splatter Vinyl! Das Quintett aus Bernau gibt es jetzt tatsächlich schon seit 20plus Jahren, die unvergleichliche Mischung aus ruppigem Oi!-Punk, fröhlich vorwärtsschunkelndem Ska mit prägnanten Trompeten-Hooks und den einmalig doppelbödigen und unterhaltsamen Schmunzeltexten von Gesangsentertainer WILLI lässt die Band weit über den Durchschnitt des Genres hinaus strahlen. Mit dem Titel ihres Debütalbums wurde ein wesentlicher Grundpfeiler der OXO 86-Philosophie errichtet. 16 Songs, darunter Kracher wie "Wochenende", "Viagra", "Damenfußballspielleiter", "So Wie Du" oder "Frollein" lassen bis heute kein Auge trocken mit ihrer zielgenauen Balance aus Klamauk, Ironie, Kritik und Emotionalität. Kein Wunder, dass die Band um die Gründungsmitglieder WILLI und RUNKEL heute zu den beliebtesten Acts auf den Punk- und Ska-Szenefestivals zählt und auf mittlerweile acht erfolgreiche Alben zurückblicken kann.

ULTRA LIMITED EDITION - Cassette/Tape - Consits of 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!

FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!

Points of interests

- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.

- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!

Minor Slip ist das Felte-Debüt von Shaki Tavi, dem Hauptprojekt des aus Oklahoma stammenden und in LA lebenden DIY-Aktivisten Leon Manson und einer Gruppe von Freunden und Mitstreitern. Durch die schichtweisen Böen von verwaschenen Gitarren und übersteuerten Drums tauchen trügerisch schöne Pop-Hooks auf, die durch Mansons verwitterten, harmonischen Bariton und sein Händchen für einfallsreiche Strukturen beleuchtet werden. Als er die Ursprünge des Albums auf eine Phase des Burnouts und der Desillusionierung zurückführt, erinnert er sich: "Ich fing an, mich einfach mit ein paar minimalen Effekten und Geräten hinzusetzen, Riffs zu spielen und mich zu fragen, `Was, wenn es Spaß machen könnte? Was, wenn es für mich sein könnte?'" Das Ergebnis ist kraftvoll, verletzlich, eingängig und ungewöhnlich authentisch, eine Eruption kreativer Kraft des Kindes von Rockmusikern, dessen Leidenschaft und Antrieb als Außenseiter in einer Kleinstadt entstanden, und gestärkt inmitten der Künstlichkeit und der Selbstverteidigungsrealität von LA. Die Leadsingle "Breaker" kombiniert einen Midtempo-Breakbeat mit prismatischen Gitarren und entspanntem Gesang in einer Kreuzung von Genres, die Mansons Jahre in verschiedenen Bands und Szenen zu einer aufrichtigen, kompromisslosen Vision verdichtet. Auf "Foam" schweben Schädelrassel-Riffs und eine heulende Gitarrenhook über Big Beat-Drums und beschwören gleichermaßen arenagroße Erhabenheit und schrilles Schwanken herauf. Die Fülle und der Ehrgeiz in Mansons Arrangements entwickelten sich im Laufe von einigen Jahren des Schreibens, Überarbeitens, und Aufnehmens. Er erinnert sich: "Nach einigen überraschenden Rückmeldungen auf ein paar Bedroom-Demos holte ich meine Bandkollegen ins Studio, um ausgefeiltere Versionen zu machen; diese zweite Phase beinhaltete eine vertraute Art von existenziellem Abdriften und Zweifeln, aber die Lösung war die gleiche wie immer: es einfach halten, Sachen machen, die ich mag, und von dort aus gehen." Trotz seiner einzigartigen Vision ist Manson der Gemeinschaft sehr verbunden; er hat jahrelang bei der kreativen Non-Profit-Organisation Non Plus Ultra in LA gearbeitet, und obwohl er das enorme Ausmaß der Kunstszene an der Westküste anerkennt, merkt er an: "Das Gute an dieser Stadt ist, dass die kreative Energie unübertroffen ist, wenn man in der Lage ist, die Segel zu setzen und sie zu nutzen." Manson fasst die emotionale Investition in seine Arbeit wie folgt zusammen: "Diese Platte fühlte sich manchmal wie eine Last, manchmal wie eine Rettungsinsel an; es war ein Prozess, in dem man alles, was passiert, willkommen heißt, auch wenn es kleine Ausrutscher gibt."

Ultramarine is the London & Essex-based electronic duo Ian Cooper and Paul Hammond.

Following the reissue earlier this year of Ultramarine's 1998 album 'A User's Guide' by Swiss label WRWTFWW, Blackford Hill present 'Routine', a collection of thirteen previously unheard tracks recorded between 1996-97.

These tracks are drawn from the daily working practice adopted by the duo at their studio of the time on Coronet Street, behind London's Hoxton Square.

Often the result of a single day's work, these pieces find Ultramarine developing their palette, experimenting with sounds, treatments and techniques. Recorded as live mixes straight to tape, the results have the immediacy of new ideas freshly captured.

A disco-funk venture laced with balearic pop as nostalgic as it is buoyant, Dijon-based outfit FLAUR land their inaugural EP on Cosmocities Records. Comprised of three original songs shifting gears between electrifying grooves and washed-out downtempo, plus three remixes courtesy of Art of Tones, Gaettson and Faze Action, ‘Hold On’ speaks the language of lively waves and sun-streaked coasts. By turns explosive and contemplative, the duo’s vision covers a wide span of influences and styles, fusing Californian P-funk with a touch of Supertramp-esque disco and nuances of alternative pop lined with silky funk in the style of acclaimed Versailles band, Phoenix.

Full with suave Wurlitzer piano chords and ultra-syncopated slap bass, the lead-track ‘Hold On’ is an ode to 70s disco pop with its satiny textures, solar-powered melody and a swing bound to cause ravage on the dance floor. The perfect mix of luxuriant disco, vibrant boogie house and supra-sensual cosmic escapology. Even more elating, the layered funk of ’Now’ takes us into a choppy swirl of unshackled pizzicatos, iridescent envelopes and epic vocal flights. Recorded live at Mastoid Studio in Paris, ‘On My Mind’ trades the hi-velocity disco of the first two cuts for a poignant, introspective movement, revolving around the bewitching voice of Florian, a piano and riffs draped in melancholic reverbs. A sonic journey round the confines of soulful dream pop and further intimate songwriting.

In the hands of another rising Dijon-based artist, Gaettson, ‘On My Mind’ morphs into a dance floor-oriented missile, mixing a highly volatile strain of corrosive IDM, sharp breaks and nervy vocal samples. Remixing ‘Hold On’, South of France producer Art of Tones takes us on a proper cosmic trip, laying further emphasis on the original's funky impact through sun-drenched loops a la Alan Braxe and Fred Falke, and a buildup tailored for extended seaside afters; feet buried deep in the sand, head up in the clouds. UK groove legends Simon and Robin Lee, alias Faze Action, round off the package with a chiselled revamp of ’Now’. Slightly accelerated and built for the club, this remix treats us to a pure moment of dance-ready bliss, packed with sinuous rhythms, dynamic bass and fevered percussions.

This new "Experimental Chapter" by DJ Narciso comes as no surprise, really. Autonomous in the motorization of his music, pushing for progress within the framework of an undeniable (inescapable?) heritage. Twisting and bending sound every step of the way, Narciso definitely keeps in touch with the dancefloor, offering the always much needed transcendence through distinctive, non-linear melodies and patterns. The artist pursues a direct link with bodies in motion but seldom in the expected, institutionalized way club culture is being largely promoted.

This is challenging dance music, proud statements of difference. Narciso's previous record was named "Diferenciado". Now we get "Dificuldades", a track that simultaneously carries the weight of being somewhat odd and the difficulties of life. Check how the piano is venting, freestyle, communicating a feeling, and then lets itself get stuck in a loop, but that's exactly when the groove really starts flowing. And then another layer. It's like direct speech.

A common assertion of pride is found in the origin of the artists. The ghetto as a place where any transformation projects more power precisely because of... inherent difficulties. As others (including himself) did in more or less obvious ways, Narciso clearly states "I come from the ghetto" ( "Não Sabes" ). Twice the value. At least. Almost every segment of music in this album ends up sounding heavily emotional, reaffirming what may be - perversely - a well-known characteristic of Portuguese music: melancholy.

"Não Quero" begins side B as a march maybe more significant than a thousand words, such is the ominous tone of its texture. Next track is another lunar tarraxo, pulling down the shades. Then, "Dor de Barriga" lets things loose again, steering clearly off road, shouting this way and that until a peaceful resolution comes. In "Livra-me Desta", vocal snippets blend into synth snippets, disembodied voices abandon all traces of humanity and finally mutate into different entities that, towards the end, again sound vaguely human but now we find ourselves doubting. Closer "Bob" is a rather classic percussion track with plenty of echo, reverb and an unconscious nod to dodecaphonic music. Unlikely? No, the structural ADN of this music is made up of elements western and eastern, southern and northern. To say all-over-the-place is usually not flattering but in this case the expression translates as wonder, surprise, The Unexpected, and reveals Narciso perfectly at ease inside the nucleus of creation.

Repress!

More ultra rare disco-soul from the sunshine state! Phillip Wright only dropped 1 45 single under his own name on TK Disco`s tiny Dash label in 1976. Long sought after & coveted by lovers of rare disco & modern soul "keep her happy" has never been reissued in its original 45 format, until now!

Often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly Phillip never achieved the commercial success of his sister Betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015!

Repressed, remastered & re-released in it`s original dinner 45 rpm format with all original Dash records artwork intact in conjunction with Joe Stone / TK Disco, Miami FL.

EGO IN MIAMI 2025 comes to life by showcasing current music trends through the most hyped EGO
tracks of the moment. Not only: it represents the beginning of the annual series of compilations signed
EGO, as a tradition for ten years. Again this year, at the Miami Winter Music Conference, we have
selected several tracks that will count down with you, accompanying you to the start of one of the most
anticipated EDM events of the year. The MMW brings together thousands of professionals and
enthusiasts who will participate in a series of events in Miami, concluding with the iconic “Ultra Music
Festival”.

The selection presented this year reflects current musical trends. Established names like TR3NACRIA,
Cecilia Krull and Tommy Vee with the talented emerging Defreeze, Bohemoon and just a boy, the great
returns of Sapienza, Solarys and Bacon Popper. The energy of Berin, the good vibes of Roberto Tropea
and the euphoric productions of Ema Feud and B-Rain. The ensemble takes place through the extended
version braid that creates a collection usable by both EDM fans and professionals: DJs and producers.

Release Copy:
J. Wiltshire returns to Super Hexagon with moon rings, a follow-up to 2023’s sun link. This release moves into deeper, late-night territories, blending his distinct melodies, immersive soundscapes, and textural ambient techno.

Written and produced by Jacob Wiltshire
Mastered by Andy Miles
Design by Joe Gilmore
© + ℗ Super Hexagon 2025
© Copyright Super Hexagon

About J. Wiltshire:

Jacob Wiltshire has been releasing music and spearheading the Super Hexagon label and event series since 2015 - starting with the collective’s early showcases in Leeds and through to recent releases from Christoph de Babalon and Isabassi. ’moon rings’ marks his return to the label for his fourth solo endeavor into the long play format, and is a spiritual successor to 2023’s ‘sun link’.

"1980 was a huge year in pop music with every genre competing for hits. We have already included many tracks on the records of the 1980 Yearbook, the 80-84 Final Chapter, and their extras so far in our appreciation of the year…

Those tracks were generally the bigger hits of the year, with their chart achievement a factor in their inclusion – however – that’s not the whole singles story of the year, and our celebration of 1980 wouldn’t be complete without shining a light on some of the years’ singles that have been compiled much less frequently over the years.

Welcome to THE VAULT for 1980… Some of the tracks included were Top 40 hits, some missed the chart completely. Some were representative of massive selling albums, and some were big hits in the U.S. and not in the U.K… but all are part of the wonderful pop story of 1980. "

ULTRA LIMITED EDITION - WHITE VINYL - 4 DIFFERENT ARTWORKS (BUY, OBEY, WATCH TV, SLEEP) - NO REPRESS!

FULL soundtrack of John Carpenter's cult sci-fi/action/horror cult film They Live (1988) in never released on vinyl before expanded edition from legendary composer Alan Howarth.

Blues riffs surf on ambient synth, saxophone and harmonica mingle with sparse alien electronics and abstract soundscapes - Alan Howarth's score perfectly matches the eerie paranoid urban Western meets corporate sci fi vibe of John Carpenter's iconic movie.

This version, officially licensed from Alan Howarth, includes all 29 tracks from the soundtrack - the true complete music scores of They Live!

Points of interests

- For fans of soundtracks, horror, cult, sci fi, synth, Western, VHS, John Carpenter, bubble gum, conspiracies, cowboy boots, sunglasses, very rare editions of vinyl records.

- Full EXPANDED version of the They Live soundtrack on vinyl for the first time!